PUB: Alice James Books - Beatrice Hawley Award

Beatrice Hawley Award

SUBMIT ONLINE NOW!

Alice James Books will be accepting submissions of poetry manuscripts to the Beatrice Hawley Award postmarked through December 1, 2012. The Beatrice Hawley Award welcomes submissions from emerging as well as established poets. Entrants must reside in the United States.

The winner receives $2000, book publication, distribution through Consortium, and has no cooperative membership commitment. In addition to the winning manuscript, one or more additional manuscripts may be chosen for publication.

Guidelines for Manuscript Submission:

  • Manuscripts must be typed in a no less than 12 point font, paginated, and 48 – 80 pages in length (single spaced). We accept double sided manuscripts.

  • Individual poems from the manuscript may have been previously published in magazines, anthologies, or chapbooks of less than 25 pages, but the collection as a whole must be unpublished. Translations and self-published books are not eligible. No multi-authored collections, please.

  • Manuscripts must have a table of contents and include a list of acknowledgments for poems previously published. The inclusion of a biographical note is optional. Your name, address, and phone number should appear on the title page of your manuscript.

    MANUSCRIPTS CANNOT BE RETURNED. Please do not send us your only copy.

    No illustrations, photographs or images should be included.

  • Send one copy of your manuscript submission with two copies of the title page. Use only binder clips. No staples, folders, or printer-bound copies.

    For notification of winners, include a business-sized SASE. If you wish acknowledgment of the receipt of your manuscript, include a stamped addressed postcard. Winners will be announced in April 2013.

  • Entry fee for the Beatrice Hawley Award is $25 for hardcopy submissions, $30 for online submissions (additional $5 fee includes service, printing, and preparation costs). Checks or money orders for hardcopy submissions should be made payable to Alice James Books.

  • Manuscripts may be submitted online or by regular mail. Mail hard copy entries to: Alice James Books, Beatrice Hawley Award, 238 Main Street, Farmington, ME 04938. For online submissions, click here.

Checklist for entry:
One (1) copy of manuscript enclosed, with acknowledgements
Two (2) copies of title page with name, address, and contact info
$25 entry fee enclosed ($30 if submitting online)
Business-sized SASE enclosed
U.S. Postal Service Delivery Confirmation Receipt on package

 

PUB: Saraba 13 – Call for Submissions : Saraba Magazine

Saraba 13 – Call for Submissions

The time we write in demands that we sidestep the general and enter into the specific, an art and act that is at once inquisitive as it is ambitious. The challenge we face is not that we cannot simply generalize, or that we are not readily given to generalization. The imminent difficulty is that we have become conscious of the multiplicity of the specific, and the various nuances of our narratives.

But there is something even more complex. What are we? When we call ourselves ‘African’ what are we saying? Achmat Dangor – “…there is something noble about being an African, despite all the inherent contradictions. It is an intuitive sense of being and belonging, intangible almost. A ‘feeling’ more than a knowledge, and hence capable of transcending all the painful contradictions, and given the right conditions, of healing the deep ethnic, linguistic and religious schisms that Africa as a people.”

How, then, do we confront intangibility? Because we can replace ‘African’ with ‘Nigerian’ or whatever other nationality.

In Mia Couto’s African Issues: Fleeting Identities, a number of assertions are made:

  1. Being a border creature favours me: between races, cultures, religions; between the universes of the oral and the written. And as I am Mozambican, another border exists: that between the West and the East.

  2. First of all, the obsession with classifying what is and what is not African, starts in Europe.

  3. No one knows exactly what to be ‘authentically African’ really means…An African writer faces a demand never made of a European or an American. He is obliged to prove his authenticity.

  4. …we may have a name, but we do not have individuality, we are “Africans.” As if everything were the same within this plural term. As if Africa did not have the right to diversity and to its own multiculturalism.

  5. The “white man” invented the “black man” in order to dominate him better.

  6. What is known today as “Africa” is the result of European racist invention. The Africans adopted this same concept without questioning it from a historical point of view.

  7. The absence of nation was imposed on us by colonialism; the urgency for it is being imposed on us by neo-colonialism

  8. The opposition between what is traditional –seen as the uncontaminated side of African culture –and what is modern (where literature has its place), is, in great measure, a false contradiction.

  9. Africa has an absolute right to modernity.

  10. To be both inside and outside is a privilege in a world in which frontiers are disappearing. To be at the same time indigenous and alien puts them in the position of a privileged visitor, the seamstress of different cultural cloths.

  11. Colonial domination invented a large part of the past and of African tradition. Ironically, some African intellectuals, wanting to negate Europe, opened their arms to some of these old colonial concepts.

For Saraba 13, we expect that with ‘Africa’ as our theme, prospective contributors would share our dilemma, incomprehensively stated above. We only accept poetry, fiction, nonfiction and photographs that take our submission guidelines into consideration. The deadline for submission is November 15, and the Issue would be released in January 2013.

For questions on the forthcoming issue and general enquiries, please write our Managing Editor, sarabamag@gmail.com.

 

VIDEO: Umoja Film - Story

UMOJA — No Men Allowed

Synopsis

'Umoja – No Men Allowed' tells the amusing and life-changing story of a group of impoverished tribal Samburu women in Northern Kenya who reclaim their lives, turning age-old patriarchy on its head when they set up a women’s only village.

Their story began some years back, when around 600 women claimed British soldiers raped them. When the women returned home, their husbands beat and cast them out, declaring they had brought shame to their families in line with traditional Samburu customs. Ostracized by the entire community, the cast-out women say they were forced to live on the fringes of society like dogs.

When Rebecca Lolosoli, a charismatic crusader for women’s rights gets wind of the women’s plight, she decides to do something about it. She brings the women together to establish the village of Umoja (unity), on an unoccupied field in the dry grasslands. Rebecca becomes the matriarch, encouraging the women to build a village where no men are allowed.

The women make handicrafts and jewelry, which they sell to tourists, and they soon receive donations from abroad and build a small school for the children. But their success and prosperity incur the wrath of the men. First the men build their own village 1km downstream to keep a close eye on the rebellious women. Then they try to emulate the women’s success by setting up their own tourist village. But with no jewelry making or English-language skills, their business flops. Humiliated and green with envy, the men attempt to stop tourist buses arriving at Umoja, and launch daytime raids on the village. They say the women are getting fat.

But the proud women work day and night to keep the village alive and kicking.

The women of Umoja have rewritten traditional tribal laws and now have a taste for freedom. The finale in this unlikely gender war is a showdown between the intractable women and a village chief sent in to resolve the conflict. But there’s simply no turning back for these women.

 

VIDEO: AS I AM: » The Commercial Appeal

Chris Dean’s heart stopped when he was 2 1/2. He died and came back.

When Chris was 5, his father was killed in a gang shootout, hit more than 20 times by a barrage of bullets.

Chris survived the streets of South Memphis and distinguished himself at Booker T. Washington High School. At 18, in a charming, eloquent address at his high school graduation, Chris introduced the keynote speaker: President Obama. The spotlight from that event won Chris a college scholarship to Lane College.

Chris returned to the streets of South Memphis with filmmaker and Commercial Appeal photographer Alan Spearman, walking on foot for eight weeks to develop a series of observations that became the script of “AS I AM,” the short film below. With Chris as our guide, we float through this extraordinary young man’s landscape and encounter the characters who have helped shape his worldview.

Featured Short Film:

AS I AM

by Alan Spearman

 

Featured photos by Alan Spearman,

with commentary by Chris Dean

Christopher Dean

Chris Dean: AS I AM (a poem)

Imagine your dreams.

See what you’ve been through. Think about yourself, where you going, where you from.

I used to have nightmares that I would be stuck in a storm drain. People would walk past me for days and leave me down there.

Read More.

Chris Peck @ the Commercial Appeal

Chris Peck: What Obama didn't see

Chris Dean had his 15 minutes of fame. Remember?

In May 2011 the 18-year-old senior from Booker T. Washington High School introduced President Barack Obama to a cheering crowd during the school's graduation ceremonies.

Read More.

 

VIDEO: Music's Political Wit (No, Not Mitt) > Okayafrica

Music’s Political Wit

(No, Not Mitt)

Meatloaf and Mitt Romney
 

WE WHO LAUGH LAST, LAUGH BEST

 

This year’s US presidential election has featured an array of musicians, and their offerings have revealed a fine line between entertainment and aural assault. Mitt Romney stood by as Meatloaf mauled “America the Beautiful,” a painful succession of moments that amplified the question surrounding Mitt’s good sense. The musical situation on the other side of the political divide was slightly better: Barack Obama enlisted Jay-Z, whose famed lyrical dexterity gave way to the kind of arthritic wordplay that substitutes “bitch” for “Mitt.”

As an antidote, we’ve compiled a few of the wittiest (and downright ridiculous) examples of political music. Unlike most of what we’ve seen on this year’s campaign trail, these artists find ways of commenting on their social and political contexts with thought, nuance, and humour.

Tha Suspect, “SUBsidy”

At the height of January’s Occupy Nigeria protests, Nigerian artist Tha Suspect stepped into Fela’s pants to address President Goodluck Jonathan’s withdrawal of the fuel subsidy and to denounce government minister’s huge budget allocations. The song also called out D’Banj‘s unintentionally hilarious song in support of Jonathan’s presidency.

Wanlov the Kubolor, “Green Card Freestyle”

Mitt Romney closed out last month’s foreign policy debate by calling the US the ‘hope of the earth’, drawing from the fount of US exceptionalism that inspired much of what was said that night. Wanlov’s freestyle for BBC 1Xtra insists on telling a much more difficult story of life in America from a migrant’s perspective. If Amiri Baraka (& Gil Scott Heron & Kanye West) asked “who will survive in America?” then Kubolor’s searing verses outline the many ironies and compromises involved in that survival:

To be legal you’ve got to be marry, or you could join the navy,
But you don’t want to kill Iraquis, coz life is worth more than some khakis
So I guess you’ve got limited options coz Uncle Sam don’t do adoption
Unless you a basketball or soccer star, footballer …

The Very Best, “Yoshua Alikuti”

Back in April this video set the blogosphere abuzz because of its playful riff on Lil Wayne’s topless strutting in his “A Milli” video. “Yoshua Alikuti” also riffs on a song by Malawian singer Phungu Joseph Nkasa titled “Mosa wa Lero” which hails former Malawian President Bingu Wa Mutharika as the Moses of his people. Nkasa came to regret the song and publically denounced Mutharika as a despot, but The Very Best added a playful slant to the idea of Bingu-as-Moses. The title of the song in English asks “Where is Joshua?,” recalling that it was Joshua, not Moses, who led his people out of the desert.

Kaleta & Zozo Afrobeat, “Country of Guns”

With its Afrobeat stylings, this track from Kaleta and his New York ensemble rebrands the United States as the “country of guns,” the lyrics highlighting the irony that the nation is home to “250 million people and 250 billion” firearms. The song resonates given this year’s mass shootings at the Aurora movie theatre in Denver and at Wisconsin’s Sikh temple. Instead of mobilizing a concerted political movement for tighter gun controls, much of the discussion that followed examined the gunmen’s mental states and motivations. Kaleta’s track suggests the costs of this peculiarly American understanding of liberty.

Sister Deborah, “Uncle Obama”

This offering from the sister of FOKN Bois‘ Wanlov speaks for itself. But think of all the cash that could have been saved on campaigning if Obama’s people had got wind of this sooner.

 

VIDEO: Music's Political Wit (No, Not Mitt) > Okayafrica

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  • HISTORY: Letters of Note: I am your fellow man, but not your slave

    I am your fellow man,

    but not your slave


    In September of 1848, the incredible Frederick Douglass wrote the following open letter to Thomas Auld — a man who, until a decade previous, had been Douglass' slave master for many years — and published it in North Star, the newspaper he himself founded in 1847. In the letter, Douglass writes of his twenty years as a slave; his subsequent escape and new life; and then enquires about his siblings, presumably still "owned" by his old master. He even asks Auld to imagine his own daughter as a slave.

    It's a lengthy letter, but perfectly written and such a valuable read. The final paragraph is also exquisite.

    (Source: The Frederick Douglass Papers; Image below via Library of Congress; Image above, of Frederick Douglass, c.1874, via Wikipedia.)

    Transcript

    TO MY OLD MASTER.

    Thomas Auld,

    Sir:

    The long and intimate, though by no means friendly, relation which unhappily subsisted between you and myself, leads me to hope that you will easily account for the great liberty which I now take in addressing you in this open and public manner. The same fact may possibly remove any disagreeable surprise which you may experience on again finding your name coupled with mine, in any other way than in an advertisement, accurately describing my person, and offering a large sum for my arrest. In thus dragging you again before the public, I am aware that I shall subject myself to no inconsiderable amount of censure. I shall probably be charged with an unwarrantable if not a wanton and reckless disregard of the rights and proprieties of private life. There are those North as well as South, who entertain a much higher respect for rights which are merely conventional, than they do for rights which are personal and essential. Not a few there are in our country who, while they have no scruples against robbing the laborer of the hard earned results of his patient industry, will be shocked by the extremely indelicate manner of bringing your name before the public. Believing this to be the case, and wishing to meet every reasonable or plausible objection to my conduct, I will frankly state the ground upon which I justify myself in this instance, as well as on former occasions when I have thought proper to mention your name in public. All will agree that a man guilty of theft, robbery, or murder, has forfeited the right to concealment and private life; that the community have a right to subject such persons to the most complete exposure. However much they may desire retirement, and aim to conceal themselves and their movements from the popular gaze, the public have a right to ferret them out, and bring their conduct before the proper tribunals of the country for investigation. Sir, you will undoubtedly make the proper application of these generally admitted principles, and will easily see the light in which you are regarded by me. I will not therefore manifest ill temper, by calling you hard names. I know you to be a man of some intelligence, and can readily determine the precise estimate which I entertain of your character. I may therefore indulge in language which may seem to others indirect and ambiguous, and yet be quite well understood by yourself.

    I have selected this day on which to address you, because it is the anniversary of my emancipation; and knowing of no better way, I am led to this as the best mode of celebrating that truly important event. Just ten years ago this beautiful September morning, yon bright sun beheld me a slave—a poor degraded chattel—trembling at the sound of your voice, lamenting that I was a man, and wishing myself a brute. The hopes which I had treasured up for weeks of a safe and successful escape from your grasp, were powerfully confronted at this last hour by dark clouds of doubt and fear, making my person shake and my bosom to heave with the heavy contest between hope and fear. I have no words to describe to you the deep agony of soul which I experienced on that never to be forgotten morning—(for I left by daylight). I was making a leap in the dark. The probabilities, so far as I could by reason determine them, were stoutly against the undertaking. The preliminaries and precautions I had adopted previously, all worked badly. I was like one going to war without weapons—ten chances of defeat to one of victory. One in whom I had confided, and one who had promised me assistance, appalled by fear at the trial hour, deserted me, thus leaving the responsibility of success or failure solely with myself. You, sir, can never know my feelings. As I look back to them, I can scarcely realize that I have passed through a scene so trying. Trying however as they were, and gloomy as was the prospect, thanks be to the Most High, who is ever the God of the oppressed, at the moment which was to determine my whole earthly career. His grace was sufficient, my mind was made up. I embraced the golden opportunity, took the morning tide at the flood, and a free man, young, active and strong, is the result.

    I have often thought I should like to explain to you the grounds upon which I have justified myself in running away from you. I am almost ashamed to do so now, for by this time you may have discovered them yourself. I will, however, glance at them. When yet but a child about six years old, I imbibed the determination to run away. The very first mental effort that I now remember on my part, was an attempt to solve the mystery, Why am I a slave? and with this question my youthful mind was troubled for many days, pressing upon me more heavily at times than others. When I saw the slave-driver whip a slave woman, cut the blood out of her neck, and heard her piteous cries, I went away into the corner of the fence, wept and pondered over the mystery. I had, through some medium, I know not what, got some idea of God, the Creator of all mankind, the black and the white, and that he had made the blacks to serve the whites as slaves. How he could do this and be good, I could not tell. I was not satisfied with this theory, which made God responsible for slavery, for it pained me greatly, and I have wept over it long and often. At one time, your first wife, Mrs. Lucretia, heard me singing and saw me shedding tears, and asked of me the matter, but I was afraid to tell her. I was puzzled with this question, till one night, while sitting in the kitchen, I heard some of the old slaves talking of their parents having been stolen from Africa by white men, and were sold here as slaves. The whole mystery was solved at once. Very soon after this my aunt Jinny and uncle Noah ran away, and the great noise made about it by your father-in-law, made me for the first time acquainted with the fact, that there were free States as well as slave States. From that time, I resolved that I would some day run away. The morality of the act, I dispose as follows: I am myself; you are yourself; we are two distinct persons, equal persons. What you are, I am. You are a man, and so am I. God created both, and made us separate beings. I am not by nature bound to you, or you to me. Nature does not make your existence depend upon me, or mine to depend upon yours. I cannot walk upon your legs, or you upon mine. I cannot breathe for you, or you for me; I must breathe for myself, and you for yourself. We are distinct persons, and are each equally provided with faculties necessary to our individual existence. In leaving you, I took nothing but what belonged to me, and in no way lessened your means for obtaining an honest living. Your faculties remained yours, and mine became useful to their rightful owner. I therefore see no wrong in any part of the transaction. It is true, I went off secretly, but that was more your fault than mine. Had I let you into the secret, you would have defeated the enterprise entirely; but for this, I should have been really glad to have made you acquainted with my intentions to leave.

    You may perhaps want to know how I like my present condition. I am free to say, I greatly prefer it to that which I occupied in Maryland. I am, however, by no means prejudiced against the State as such. Its geography, climate, fertility and products, are such as to make it a very desirable abode for any man; and but for the existence of slavery there, it is not impossible that I might again take up my abode in that State. It is not that I love Maryland less, but freedom more. You will be surprised to learn that people at the North labor under the strange delusion that if the slaves were emancipated at the South, they would flock to the North. So far from this being the case, in that event, you would see many old and familiar faces back again to the South. The fact is, there are few here who would not return to the South in the event of emancipation. We want to live in the land of our birth, and to lay our bones by the side of our fathers'; and nothing short of an intense love of personal freedom keeps us from the South. For the sake of this, most of us would live on a crust of bread and a cup of cold water.
    Since I left you, I have had a rich experience. I have occupied stations which I never dreamed of when a slave. Three out of the ten years since I left you, I spent as a common laborer on the wharves of New Bedford, Massachusetts. It was there I earned my first free dollar. It was mine. I could spend it as I pleased. I could buy hams or herring with it, without asking any odds of any body. That was a precious dollar to me. You remember when I used to make seven or eight, or even nine dollars a week in Baltimore, you would take every cent of it from me every Saturday night, saying that I belonged to you, and my earnings also. I never liked this conduct on your part—to say the best, I thought it a little mean. I would not have served you so. But let that pass. I was a little awkward about counting money in New England fashion when I first landed in New Bedford. I like to have betrayed myself several times. I caught myself saying phip, for fourpence; and at one time a man actually charged me with being a runaway, whereupon I was silly enough to become one by running away from him, for I was greatly afraid he might adopt measures to get me again into slavery, a condition I then dreaded more than death.

    I soon, however, learned to count money, as well as to make it, and got on swimmingly. I married soon after leaving you: in fact, I was engaged to be married before I left you; and instead of finding my companion a burden, she was truly a helpmeet. She went to live at service, and I to work on the wharf, and though we toiled hard the first winter, we never lived more happily. After remaining in New Bedford for three years, I met with Wm. Lloyd Garrison, a person of whom you have possibly heard, as he is pretty generally known among slaveholders. He put it into my head that I might make myself serviceable to the cause of the slave by devoting a portion of my time to telling my own sorrows, and those of other slaves which had come under my observation. This was the commencement of a higher state of existence than any to which I had ever aspired. I was thrown into society the most pure, enlightened and benevolent that the country affords. Among these I have never forgotten you, but have invariably made you the topic of conversation—thus giving you all the notoriety I could do. I need not tell you that the opinion formed of you in these circles, is far from being favorable. They have little respect for your honesty, and less for your religion.

    But I was going on to relate to you something of my interesting experience. I had not long enjoyed the excellent society to which I have referred, before the light of its excellence exerted a beneficial influence on my mind and heart. Much of my early dislike of white persons was removed, and their manners, habits and customs, so entirely unlike what I had been used to in the kitchen-quarters on the plantations of the South, fairly charmed me, and gave me a strong disrelish for the coarse and degrading customs of my former condition. I therefore made an effort so to improve my mind and deportment, as to be somewhat fitted to the station to which I seemed almost providentially called. The transition from degradation to respectability was indeed great, and to get from one to the other without carrying some marks of one's former condition, is truly a difficult matter. I would not have you think that I am now entirely clear of all plantation peculiarities, but my friends here, while they entertain the strongest dislike to them, regard me with that charity to which my past life somewhat entitles me, so that my condition in this respect is exceedingly pleasant. So far as my domestic affairs are concerned, I can boast of as comfortable a dwelling as your own. I have an industrious and neat companion, and four dear children—the oldest a girl of nine years, and three fine boys, the oldest eight, the next six, and the youngest four years old. The three oldest are now going regularly to school—two can read and write, and the other can spell with tolerable correctness words of two syllables: Dear fellows! they are all in comfortable beds, and are sound asleep, perfectly secure under my own roof. There are no slaveholders here to rend my heart by snatching them from my arms, or blast a mother's dearest hopes by tearing them from her bosom. These dear children are ours—not to work up into rice, sugar and tobacco, but to watch over, regard, and protect, and to rear them up in the nurture and admonition of the gospel—to train them up in the paths of wisdom and virtue, and, as far as we can to make them useful to the world and to themselves. Oh! sir, a slaveholder never appears to me so completely an agent of hell, as when I think of and look upon my dear children. It is then that my feelings rise above my control. I meant to have said more with respect to my own prosperity and happiness, but thoughts and feelings which this recital has quickened unfits me to proceed further in that direction. The grim horrors of slavery rise in all their ghastly terror before me, the wails of millions pierce my heart, and chill my blood. I remember the chain, the gag, the bloody whip, the deathlike gloom overshadowing the broken spirit of the fettered bondman, the appalling liability of his being torn away from wife and children, and sold like a beast in the market. Say not that this is a picture of fancy. You well know that I wear stripes on my back inflicted by your direction; and that you, while we were brothers in the same church, caused this right hand, with which I am now penning this letter, to be closely tied to my left, and my person dragged at the pistol's mouth, fifteen miles, from the Bay side to Easton to be sold like a beast in the market, for the alleged crime of intending to escape from your possession. All this and more you remember, and know to be perfectly true, not only of yourself, but of nearly all of the slaveholders around you.

    At this moment, you are probably the guilty holder of at least three of my own dear sisters, and my only brother in bondage. These you regard as your property. They are recorded on your ledger, or perhaps have been sold to human flesh mongers, with a view to filling your own ever-hungry purse. Sir, I desire to know how and where these dear sisters are. Have you sold them? or are they still in your possession? What has become of them? are they living or dead? And my dear old grandmother, whom you turned out like an old horse, to die in the woods—is she still alive? Write and let me know all about them. If my grandmother be still alive, she is of no service to you, for by this time she must be nearly eighty years old—too old to be cared for by one to whom she has ceased to be of service, send her to me at Rochester, or bring her to Philadelphia, and it shall be the crowning happiness of my life to take care of her in her old age. Oh! she was to me a mother, and a father, so far as hard toil for my comfort could make her such. Send me my grandmother! that I may watch over and take care of her in her old age. And my sisters, let me know all about them. I would write to them, and learn all I want to know of them, without disturbing you in any way, but that, through your unrighteous conduct, they have been entirely deprived of the power to read and write. You have kept them in utter ignorance, and have therefore robbed them of the sweet enjoyments of writing or receiving letters from absent friends and relatives. Your wickedness and cruelty committed in this respect on your fellow-creatures, are greater than all the stripes you have laid upon my back, or theirs. It is an outrage upon the soul—a war upon the immortal spirit, and one for which you must give account at the bar of our common Father and Creator.

    The responsibility which you have assumed in this regard is truly awful—and how you could stagger under it these many years is marvellous. Your mind must have become darkened, your heart hardened, your conscience seared and petrified, or you would have long since thrown off the accursed load and sought relief at the hands of a sin-forgiving God. How, let me ask, would you look upon me, were I some dark night in company with a band of hardened villains, to enter the precincts of your elegant dwelling and seize the person of your own lovely daughter Amanda, and carry her off from your family, friends and all the loved ones of her youth—make her my slave—compel her to work, and I take her wages—place her name on my ledger as property—disregard her personal rights—fetter the powers of her immortal soul by denying her the right and privilege of learning to read and write—feed her coarsely—clothe her scantily, and whip her on the naked back occasionally; more and still more horrible, leave her unprotected—a degraded victim to the brutal lust of fiendish overseers, who would pollute, blight, and blast her fair soul—rob her of all dignity—destroy her virtue, and annihilate all in her person the graces that adorn the character of virtuous womanhood? I ask how would you regard me, if such were my conduct? Oh! the vocabulary of the damned would not afford a word sufficiently infernal, to express your idea of my God-provoking wickedness. Yet sir, your treatment of my beloved sisters is in all essential points, precisely like the case I have now supposed. Damning as would be such a deed on my part, it would be no more so than that which you have committed against me and my sisters.

    I will now bring this letter to a close, you shall hear from me again unless you let me hear from you. I intend to make use of you as a weapon with which to assail the system of slavery—as a means of concentrating public attention on the system, and deepening their horror of trafficking in the souls and bodies of men. I shall make use of you as a means of exposing the character of the American church and clergy—and as a means of bringing this guilty nation with yourself to repentance. In doing this I entertain no malice towards you personally. There is no roof under which you would be more safe than mine, and there is nothing in my house which you might need for your comfort, which I would not readily grant. Indeed, I should esteem it a privilege, to set you an example as to how mankind ought to treat each other.

    I am your fellow man, but not your slave,

    FREDERICK DOUGLASS.

    P. S. I send a copy of the paper containing this letter, to save postage. F. D.

     

     

     

    VIDEO: Social Life - ERIMAJ

    ERIMAJ (aka Jamire Williams)

    <p>Social Life-ERIMAJ from Tiombe Lockhart on Vimeo.</p>

     

    Social Life-ERIMAJ

    Tiombe Lockhart

    from  2 months ago

     

     

     

     

     

    Social LIfe is the second single from the ERIMAJ record, Conflict of A Man. 
    IN STORES NOW! BUY bit.ly/OUmEGY

    CAST
    Drummer: Jamire Williams
    Woman: Tigist Selam 
    Guitarist: Matthew Stevens
    Trumpet Player: Jawwaad Taylor

    CREW
    Director/Editor/Producer: Tiombe Lockhart
    Cinematographer: TONE
    PA: Sophanit

    Featuring vocalist Chris Turner