AUDIO: Fela Remix & Tributes

[FREE DOWNLOAD]

Fela Kuti + Ginger Baker:

LIVE! Remixed 

 

 FELA KUTI + GINGER BAKER: LIVE!

REMIXED by AFRIKA21

 

Society HAE and Str8buttah Productions presents… “Fela Kuti + Ginger Baker: LIVE! Remixed,” the second of a series of mixtape collaborations with African artists, the first being the AFRIKA21 Mixtape Vol. 3 produced by Spoek Mathambo.

 

“Fela Kuti + Ginger Baker: LIVE! Remixed” is produced by Teck-Zilla of Str8buttah Productions and combines snippets of rare interviews with Fela, Ginger Baker and Fela’s musicians with sound bites and remixes of the live recordings from his 1971 “LIVE!” album, which featured Africa70 and Ginger Baker.  Original soundscapes by Teck-zilla are also present on the DocuMixtape’s featured tracks.

 

TRACK LIST

 

1. INTRO:Who Is Fela?

Snippets from Fela Kuti Documentary & Music by Stephane Tchal-Gadjieff and Jean Jacques Flori

Snippets from Fela's Unreleased interview with VOA (1967)

 

2. Let's Start

Sample: Let's Start

Instruments by Fela Kuti and The Africa 70 Band

Drum programming by Teck-Zilla

Bass by Teck-Zilla

 

3. INTERLUDE1:Why Ginger Baker

Snippets From Ginger Baker Interview on “Nigeria 70 - The Definitive Story Of 1970's Funky Lagos” - The Documentary CD by Sue Bowerman

 

4. Black Man's Cry

Sample: Black Man's Cry

Instruments by Fela Kuti and The Africa 70 Band

Drum programming by Teck-Zilla

Bass by Teck-Zilla

Scratches By Teck-ZIlla

 

5. INTERLUTE 2: Welcome to Nigeria

Snippets From Ginger Baker Interview on Nigeria 70 - The Definitive Story Of 1970's Funky Lagos - The Documentary CD by Sue Bowerman

 

6. Felabration

Sample: Black Man's Cry

Instruments by Fela Kuti and The Africa 70 Band

Drum programming by Teck-Zilla

Bass & Synth by Teck-Zilla

Scratches By Teck-ZIlla

 

7. INTERLUDE 3: Fela And Politricks

Snippets From Fela Kuti Documentary & Music by Stephane Tchal-Gadjieff and Jean Jacquues Flori

 

8. Let's Start Reprise

Sample: Let's Start

Instruments by Fela Kuti and The Africa 70 Band

Drum programming by Teck-Zilla

Bass by Teck-Zilla

Extra Percussion by Teck-Zilla

Scratches By Teck-ZIlla

Fela Snippets From BBC Documentary

 

9. Egbe Mi O (CARRY ME)

Sample: Egbe Mi O (Carry Me I Want To Die)

Instruments by Fela Kuti and The Africa 70 Band

Drum programming by Teck-Zilla

Bass by Teck-Zilla

 

10. Yeye Dey Smell

Sample: Yeye De Smell

Instruments by Fela Kuti and The Africa 70 Band

Drum programming by Teck-Zilla

Bass & Synth by Teck-Zilla

Scratches By Teck-ZIlla

 

11. The After Smell (MADT DUB)

Sample: Yeye De Smell

Instruments by Fela Kuti and The Africa 70 Band

Drum programming by Teck-Zilla

Bass & Synth by Teck-Zilla

Extra Percussions By Teck-ZIlla

 

12. Outro: Credits

Snippets From Ginger Baker Interview on Nigeria 70 - The Definitive Story Of 1970's Funky Lagos - The Documentary CD by Sue Bowerman

 

13. The Black President

Instruments by Fela Kuti and The Africa 70 Band

Drum programming by Teck-Zilla

Bass by Teck-Zilla

Extra Percussions By Teck-ZIlla

Scratches By Teck-ZIlla

Vocal Snippets From Fela Kuti Documentary & Music by Stephane Tchal-Gadjieff and Jean Jacquues Flori

 

__________________________

 

Tuesday_Love Presents:
Felanation
| A Trinute Mix
By: Dj Funkikora

screen_shot_2012_10_16_at_2_26_25_pm.png

 

Todays’ Love: !!DOWNLOAD!!


1) intro

2. Ololufe

3. Stale Mate

4. (interlude) they making me stronger

5. Fear not for Man

6. (interlude) live at Kalakuta

7. Ariya

8. Water get no Enemy

9. Expensive shit(Fela the Play)

10. Fogo Fogo

11. (interlude) Don’t worry about my Mouth o

12. Tears and Sorrows (Common,Messhell Ndegeocello,Djelimady Tounkara)

13. Original Sufferhead

14. Waka Waka

15. Power show

16. Ye Ye Dem Smell

17. Shankara/Lady(part 1) Cheikh lo

18. I.T.T Remix  by Mista Bright
________________________________________________________________

A tribute mix to Fela Kuti and his inspiration!! "AfroBeat" is about social, political

and cultural literacy. It confronts the geography of the world complacency, greed

and fear and calls for a trans-formative insubordination. Fela Kuti was a major

activist for Pan-Africanism and anti-colonialism, and because of his socialist

beliefs, had many run-ins with the authorities of several African countries. His

struggles made him an icon of the Black Power movement. Fela Kuti attempted

to run for Nigerian President several times, but was never allowed to. Read

more about Fela Kuti and his discography.

 


Dj Funkikora:
 

Born Manello from Ficksburg in the Free State now based in Brighton, England.

record collector of African rhythms spawning from AfroBeat, old south african

vibes 50s 60s 70s Jazz, Marabi,Rhythm n Blues, Rock, and still working on

something special with these sounds. He is the creator and organisor of the

alternative music and cultural festival called Jammin-n-Ting-Music-Arts-Festival

which is hosted in Ficksburg every Good Friday weekend of every year.

 

Get Updates on Afro Grooves regular nights.

 

Check out more Dj Funkikora mixes:
 

Mixcloud
 

Soundcloud
 

Official.Fm
 

DokE

 


Jammin n Ting Music and Arts Festival www.Jamminnting.com

 

Check it out: Jammin-n-Ting-Music-Arts-Festival on Facebook
 

@JamminFestival

 

 

!!DOWNLOAD!!
________________________________________________________________

 

a Tintsumi Media Innovation | Case Study
 

Creative & Art Director: Sello Ditjoe (@noidsystems)
 

Illustration & Poster: Sello Ditjoe (@noidsystems)

 

via @Studio83_Mag

 

 

 

 

PUB: Call for Papers: 2013 Jil Jadid Conference in Arabic Literature and Linguistics (host: University of Texas at Austin) > Writers Afrika

Call for Papers:

2013 Jil Jadid Conference in

Arabic Literature and Linguistics

(host: University of Texas at Austin)


Deadline: 15 November 2012

The Department of and Center for Middle Eastern Studies at the University of Texas at Austin are pleased to announce that they will host the 3rd Annual Jil Jadid Conference in Arabic Literature and Linguistics, a graduate student conference to be held at the University of Texas at Austin, February 21-23, 2013.

Jil Jadid is a graduate student conference that aims to provide a forum for young scholars spread across a variety of disciplines to come together, share ideas and research, and discuss the future of their respective fields as they move forward in their careers and come to represent the eponymous new generation of scholars doing work on the Arabic-speaking world and its cultures. For the past two Februaries, graduate students from a wide range of universities, both domestic and international, have assembled in Austin to set the tone for Arabic studies in the twenty-first century. The ongoing positive feedback we have received from these past conferences prompts us to once again assemble with the same goal of uniting students from area studies, linguistics, comparative literature and other departments in order to facilitate a productive and interdisciplinary exchange of new ideas.

Fostering fruitful, engaging, relevant and innovative dialogue remains our topmost priority. The conference will feature keynote speeches on both Arabic linguistics (Rania Habib from Syracuse University) and literature (TBA), as well as a career development workshop offered by faculty from UT's Department of Middle Eastern Studies. We will likewise be exploring panel arrangements that encourage increased coordination between individual presenters and breakout sessions where graduate students will have an explicit opportunity to discuss their collective vision of their fields as they hope to see them in the near future. More details will be announced as the conference approaches.

The 2013 Jil Jadid Conference is sponsored by the University of Texas at Austin's Department of Middle Eastern Studies, Center for Middle Eastern Studies, Department of Linguistics, Program in Comparative Literature, and the Graduate School.

TOPICS:

All papers treating topics in Arabic literature (classical and modern) and Arabic linguistics (including applied linguistics) will gladly be considered, in either English or Arabic (we ask that an English summary be prepared for any papers to be presented in Arabic). We especially encourage state of the field papers that provide a focused overview of a specific subfield of Arabic studies and suggest new avenues for research in that area. We also encourage submissions on the following topics:

  • Defining Linguistic Prestige: Case Studies from Literature and Linguistics

  • Uncharted Pedagogical Ground: Novel Approaches to Arabic Language Teaching

  • New Media, New Literary Genres

  • The Voices of Arab Youth: Linguistic and Literary Perspectives

  • Quantitative Approaches to Traditionally Qualitative Topics

  • Between the City and the Countryside: The Role of Geographic Identity

  • As It Was Said: Authentic Materials in the Arabic Classroom
Papers that are to be presented at other conferences, such as ALS and ACLA, are welcome, as we hope to provide a forum for students to further develop and refine their research.

Unfortunately, this year we will not be able to accommodate virtual presentations via video-chat. We will instead be providing a live online stream of the conference proceedings that will allow those who are not physically able to attend the conference to follow along and contribute by leaving comments and feedback. It is our aim to reinstate virtual presentations at future iterations of the Jil Jadid conference.

ABSTRACTS: Applicants may submit abstracts of no more than 400 words, not including references, in PDF format with fonts embedded. Abstracts may be submitted online. Abstracts should not include identifying information; you must, however, indicate the highest degree you have obtained and your current position (e.g. "M.A., Graduate Student," "Ph.D., Assistant Professor," etc.).

FUNDING: Graduate students whose abstracts are accepted will be eligible to apply for a limited number of partial travel grants to defray some of the costs of attending the Jil Jadid conference. Lodging with local graduate students will be available where possible.

CONFERENCE FEES: There will be no fees required of presenters and/or attendees.

CONTACT INFORMATION:

For queries: jiljadidconf@gmail.com

For submissions: via the online abstract submission page

Website: http://www.utexas.edu/cola/depts/mes/

 

 

PUB: Yale University Press Yale Series of Younger Poets > Poets & Writers

Yale Series of Younger Poets

Deadline:
November 15, 2012

Entry Fee: 
$20

An award of publication by Yale University Press is given annually to a poet under the age of 40 who has not published a book-length collection of poetry. Submit a manuscript of 48 to 64 pages with an entry fee of $20 between October 1 and November 15. Visit the website for complete guidelines.

Yale University Press, Yale Series of Younger Poets, P.O. Box 209040, New Haven, CT 06520-9040.

via pw.org

 

PUB: Call for Submissions from Expats in Africa - The Places We’ve Been: Field Reports from Travelers Under 35 > Writers Afrika

Call for Submissions

from Expats in Africa

- The Places We’ve Been:

Field Reports from

Travelers Under 35


Deadline: 15 October 2012

The Places We’ve Been: Field Reports from Travelers Under 35 is looking for nonfiction narratives that challenge conventional tourism.

From West Africa to Vietnam, Tokyo to Paris, the book’s focus is to show exactly where on the map our wide peer group has gone so far, and the distinctive niche of travel experiences that defines us.

The book, which is an anthology of literary nonfiction, aims to draw readers through its vivid and transportive stories, told by the most adventurous and insightful of our group’s literary and raconteur peers. Examples of the types of stories we’re looking to include, are:

  • A Chicago native’s true story of four days spent stuck on a boat on the Amazon River, after the annual folkloric festival in Parintins

  • An American school teacher’s reportage from Cameroon, of a day spent dodging machete blades and hiding from the angry mob that overtook her campus after a controversial election

  • A Japanese New Yorker’s tale of one year spent tending bar at her aunt’s Tokyo nightclub and learning about the private lives and secrets of her mother’s extended family

  • An asthmatic hedge fund analyst’s strident portrayal of his month-long trek through Central Asia from Kathmandu to Everest Base Camp
The book will be released in 2013, available in eBook and paperback.

Submission is open through October 15, 2012. In addition to personal experience, the narrative should portray a strong sense of place. Creative nonfiction is the name of the game. There’s no set form, but memoir, literary journalism, essay, profile, ethnography, and interview (among other forms) are all welcome.

GUIDELINES: Submissions must be typed and sent as a Word document. Please include your full name, city and state, phone number, email address, and a biography no longer than two short paragraphs. Previously published work will not be considered. Please, no simultaneous submissions. No minimum word count; maximum 5,000 words. No fabricated narratives or pen names. Compensation varies.

Please allow four weeks for a response. Submissions will not be published without the writer’s consent. Feel free to check back with us if after four weeks you haven’t received a response.

CONTACT INFORMATION:

For queries/ submissions: stories@theplaces35.com

Website: http://theplaces35.com/

 

 

INFO: Breath of Life—Bill Withers, Natalie Gardiner, "Old Devil Moon" Mixtape

We’ve been gone for a minute but we are now back in full effect. Will be updating on the 1st and the 15th of every month. A feature on classic Bill Withers welcomes us back. From Sweden, chanteuse Natalie Gardiner gives us a taste of Ghana/Scandanavia blue/folk/soul. We conclude with a jazz survey of a show tune classic featuring Ahmad Jamal, Fay Victor, Eddie Lockjaw Davis, Tito Puente, Henry Franklin, Carmen McRae, Sonny Rollins, ella Fitzgerald, Terell Stafford,  and Cassandra Wilson & Jacky Terrasson. Enjoy—and tell your friends to check us out!

>www.kalamu.com/bol


BILL WITHERS / Bill Withers Mixtape

 

NATALIE GARDINER / Natalie Gardiner Mixtape

 

VARIOUS ARTISTS / “Old Devil Moon” Mixtape

 

+++++++++++++++++++++++++

 

I’ve thought about Natalie’s magic. Born of a father from Ghana and a mother from Sweden, Natalie is a deep blues singer who did not grow up in a traditional blues culture and does not sound like what we mostly think of when someone says blues. But if you listen to Natalie’s themes, most of the time she is talking about loss—missed moments in emotionally broken lives: revealing the realities when the light has faded, sweetness has soured, unforgettable times have contracted into blurred and indistinct memories.

 

Listen closely and you can tell she is flying the flag of the survivor, the person who has spent a lifetime wading through the muck of disappointment, swimming against the tide of reoccurring unconsummated relationships, nevertheless she manages and celebrates life. She glories in carrying on; her themes may be of loss and loneliness but ultimately this is triumphant, optimistic music.

—kalamu ya salaam

 

VIDEO: Nobel Laureate Derek Walcott’s production of Pantomime now available to watch online « Repeating Islands

Nobel Laureate

Derek Walcott’s production

of Pantomime

now available to watch online

Students, academics and people from around the world can now watch online the new production of Pantomime directed at the University of Essex by Nobel Laureate Derek Walcott. (Our thanks to Ben Hall from bringing this information to our attention

In May, Walcott flew over especially from St Lucia to direct the premiere of a new production of his play at the Lakeside Theatre at the Colchester Campus as part of his role as Professor of Poetry. The show was a huge success with the Lakeside Theatre packed out throughout its three night run and fans travelling from across Europe to see the production. 

Now a recording of the show is being made available on the University of Essex’s dedicated YouTube channel. At the same time there is also a chance to watch Walcott discussing his work with award-winning poet Glyn Maxwell, who is also a lecturer in the Centre for Creative Writing at the Department of Literature, Film, and Theatre Studies (LiFTS).

Professor Maria Cristina Fumagalli and Penny Woollard, from LiFTS, co-produced Pantomime at the Lakeside.

Professor Fumagalli, who has published extensively on Walcott and has introduced many Essex students to his work, said: “It was wonderful to bring Pantomime to the general public at the Lakeside Theatre. Derek was inspiring and everyone worked really hard to make it happen. Now it is very exciting to know that this extraordinary production is going to be available to everyone.”

Penny is completing a PhD on Walcott’s poetry and plays under the supervision of Professor Fumagalli and will also teach a class on the play in the spring term. She said: “The video recording of the play, directed by the author, will enable the students to experience Derek’s own interpretation of the characters, which will bring the play to life for them.”

For the past three years, Walcott, who won the Nobel Prize for Literature in 1992 and the T S Eliot Prize in 2011, has been visiting the University of Essex to teach students, give talks and readings, and direct his own plays.

This was believed to be the first production of Pantomime for the UK stage for close to 30 years and was originally written in the late 1970s. The play is a satirical reinterpretation of the Robinson Crusoe story and investigates a whole range of issues from colonialism to the creative process through the relationship between former English song-and-dance man Harry Trewe and his servant Jackson Phillip.

The show starred David Tarkenter, a leading member of the Mercury Theatre Acting Company, and Trinidadian actor Wendell Manwarren, both handpicked by Walcott who was supported by the Lakeside Theatre production team.

During his visit in May, Walcott said: “I feel very privileged. This is a lovely little theatre and they help me do what I want to do. It feels like it is the fulfilment of something.”

For more information contact the University of Essex Communications Office on 01206 874377 or e-mail: comms@essex.ac.uk.

 

REVIEW: Video - 'Brooklyn Castle' (Moving Look At Trials & Triumphs Of A Junior High School's Chess Team) > Shadow and Act

Review:

'Brooklyn Castle'

(Moving Look At Trials

& Triumphs Of

A Junior High School's

Chess Team)

by Tambay A. Obenson

 
October 17, 2012

 

Brooklyn Castle (directed by Katie Dallamaggiore) is a documentary about I.S. 318, an inner-city public school that's home to the most-winning junior high school chess team in the country. But a series of deep public school budget cuts now threaten to undermine its hard-won success.

An absolutely wonderfully-produced feature documentary filled with touching, inspirational stories of hope, ambition and perseverance.

In a climate in which "escape" film narratives of youth from working class families and under-represented groups - in this case, specifically black and Latino kids - are dominated by stories in which athletic ability is option number 1 as a means for that escape from socio-economic oppression, the intellectual tension-filled drama that plays out in Brooklyn Castle is most refreshing.

I was moved by the individual narratives of these pre-teen and teenage boys and girls from I.S. 318 (an inner-city school where an overwhelming number of students are from homes with incomes below the federal poverty level) who've invested and sacrificed so, so much to master their chess skills (some of them would rank above Albert Einstein if he were to join the school’s competition team), that you simply can't help but root for them to succeed and reach their individual goals, that range from just simply getting into good colleges in the short term, to running for president in the long term.

And you are absolutely convinced that they can and will achieve those aims, if only based on the academic aptitudes, confidence and conviction on display here from each.

Their parents, who've recognized, nourished and also sacrificed for their childrens' talents, are to be commended here as well for what should be obvious reasons.

4 years in the making, there's a broader narrative in Brooklyn Castle, and that is the economic crises which led to unprecedented public school budget cuts that jeopardize primary school education, and, specifically, the after-school programs like that which is at the center of Brooklyn Castle's tale, and how the potential absence of that necessary funding could drastically affect the lives of the children who rely so heavily on them for sustenance.

Watching the film’s 5 stars – 1 who possesses a natural gift for chess and at just 11 years old (Justus), has been selected to join the US Chess Federation’s All-American team; and another, the sole girl in the group (Rochelle), who’s on her way to becoming the first African American female chess master in the history of the game at just 13 years old – handle immense pressure (the kind of pressure that men and women decades older would likely be crushed under) and thrive, is exhilarating and inspiring.

They’re practically forced to mature much sooner than their peers, and, in my humble opinion, will likely go on to become leaders of tomorrow.

But they’re still very much children, and the wounds of a loss sting as it only could for a child; while the thrill of a win is felt just as deeply, except tears are replaced with magnificent, infectious smiles, which only reinforces for the audience the importance of I.S. 318’s after-school chess program, and others like it – vital for not only the students, but for the schools.

As announced earlier this year, Sony Pictures and producer Scott Rudin (Searching For Bobby Fischer) purchased the remake rights to Brooklyn Castle, a documentary that premiered at SXSW this year, where it won the audience award for best documentary.

But before that scripted remake happens, you just might be able to see it at a theater near you, because the film will be released by indie distributor Producers Distribution Agency (part of Cinetic Media), starting this Friday, October 19.

Watch the trailer below:

 

 

HISTORY + VIDEO: Kent State: Was It about Civil Rights or Murdering Student Protesters? > Black Agenda Report

Kent State:

Was It about Civil Rights

or Murdering

Student Protesters?

 

VIEWO + AUDIO: Mark de Clive-Lowe (New Zealand)

<p>Mark de Clive-Lowe 'Running for Nothing' (REMIX:LIVE at Southpaw) from mashibeats on Vimeo.</p>

MARK DeCLIVE-LOWE

<p>Mark de Clive-Lowe, Musician + Producer :: 120 Seconds from friendswelove.com on Vimeo.</p>

Mark de Clive-Lowe - Remix:Live

With the amazing amount of music that hit us each week, every now and then a clip or a tune hits us that just makes us sit back in awe. If you're a regular you know we huge fans of Mark de Clive-Lowe. We had the honor of interviewing him earlier this year - if you missed that check it here: The Beathearts Mark de Clive-Lowe sitdown.

 

On top if being an amazingly productive recording artist, producer and remixer he's got an extensive live tour schedule on top of his Church residencies in L.A. and New York. One of the many live projects he's got going is the Remix:Live set-up where remixes some of his favourite tunes live using Native Instruments Maschine, two Korg KP3 Kaoss Pads, a USB controller keyboard and a Roland Juno G. The result is nothing but stunning. Check the clip above of the man remixing Elements of Life classic track Brand New Day and you'll know what we mean.

You want more? Here's a free DL of another track Mark has remixed live:

 

Listen to the complete set right here:
Mark de Clive-Lowe - Remix:Live (South Africa - Sept 2012)

 

<p>Sy Smith + Mark de Clive-Lowe :: Truth :: 09.21.11 from Barkham Creative on Vimeo.</p>