VIDEO: ‘Dear Mandela’ « Black Film Center/Archive

‘Dear Mandela’

Takes Top Prize at the

Brooklyn Film Festival

Dear Mandela, a South African documentary about Abahlali baseMjondolo, has won the Golden Chameleon (yes – that’s the top nod) at this year’s Brooklyn Film Festival, Sleeping Giant and Fireworx Media have announced.

The Golden Chameleon now joins the Golden Butterfly (Movies That Matter Film Festival’s top prize) in a growing list of accolades for the film, including Best South African Documentary at the Durban International Film Festival and a nomination for Best Documentary at the African Academy Awards.

The film, directed by Dara Kell and Christopher Nizza, follows three leaders of the Abahlali baseMjondolo movement fighting against evictions of slum dwellers (legalized by the KwaZulu Natal’s slums act) by invoking the right to housing enshrined in South Africa’s landmark 1996 Constitution.

Calling the documentary ‘a film about unfreedom,’ Jared Sacks of the Mail & Guardian has a great review of the film here, including comments on the broadcast and reaction in South Africa.

<p>DEAR MANDELA theatrical trailer from Sleeping Giant on Vimeo.</p>

Kudos to the film, and to the activists of Abahlali baseMjondolo.

 

HISTORY: 'Music is 'life itself - Louis Armstrong > Letters of Note

'Music is 'life it'self

In 1967, jazz legend Louis Armstrong wrote this generous, heartfelt letter to a fan who, as a Marine stationed in Vietnam, had recently sent him some fan-mail. You wouldn't think they were strangers, as Armstrong's favourite laxative, "Swiss Kriss," is amusingly mentioned in the first paragraph (and in closing); he then goes on to reminisce about his childhood and the music he was exposed to; later on his wife, who had recently had a tumour removed, is discussed humorously and affectionately. He even ends with a song. The whole letter is really endearing.

Then there's Satchmo's idiosyncratic use of punctuation, which, if you've never seen it before, will probably charm and confuse you in equal measure. For reasons largely unknown, he sometimes peppered his writing with an abundance of capitalisation, apostrophes, quotations marks, dashes, and underlining — more often than not, in places you usually wouldn't expect. As strange as it is, the style somehow suits his voice.

(Source: Louis Armstrong, In His Own Words: Selected Writings; Image: Louis Armstrong, via Hollywoodland.)

 

34—56—107 St.
Corona New York'
U.S.A.

Dear L/Cpl, Villec"

I'd like to 'step in here for a 'Minute or 'so' to ''tell you how much—I 'feel to know that 'you are a 'Jazz fan, and 'Dig' 'that 'Jive—the 'same as 'we 'do, "yeah." "Man—I carry an 'Album, 'loaded with 'Records—'Long playing 'that is. And when I am 'Shaving or 'Sitting on the 'Throne with 'Swiss Kriss' in me—That Music 'sure 'brings out those 'Riffs' 'Right Along with 'Swiss Kriss, which I 'take 'every night or when I go to bed. 'Yeah. I give myself a 'Concert with those 'records. 'Music is 'life it'self. What would this 'world be without 'good music? No matter 'what kind it is.

It 'all came from the Old 'Sanctified 'Churches. I can remember—'way back in the 'old days in 'New Orleans, La—'My home town. And I was a little Boy around 'ten years old. My Mother used to take me to 'Church with her, and the Reverend ('Preacher that is') used to 'lead off one' of those 'good ol good 'Hymns. And before you realized it—the 'whole 'Congregation would be "Wailing—'Singing like 'mad and 'sound so 'beautiful. 'I 'being a little boy that would "Dig" 'Everything and 'everybody, I'd have myself a 'Ball in 'Church, especially when those 'Sisters 'would get 'So 'Carried away while "Rev" (the preacher) would be 'right in the 'Middle of his 'Sermon. 'Man those 'Church 'Sisters would 'begin 'Shouting 'So—until their 'petticoats would 'fall off. Of course 'one of the 'Deacons would 'rush over and 'grab her—'hold her in his 'Arms and 'fan her until 'she'd 'Come 'to.

Then there were those "Baptisms—that's when someone wants to be converted by Joining the 'Church and get 'religion. So they have to be 'Baptized. 'Dig this—I remember 'one Sunday the 'Church had a 'great big Guy they had to 'Baptize. So these 'Deacons all 'Standing in this 'River—in 'Water up to their waist in their 'white 'Robes. They had 'Baptized 'several 'women and a few 'Men—'saved their 'Souls. When in 'Walks' a 'Great 'big' 'burly 'Sinner' who came down the line. So—'these 'Deacons whom were 'very 'strong 'themselves, they grabbed 'hold of this 'Cat and said to him as they 'ducked him down into the water, as they let him they asked him—"Brother 'do you 'Believe?" The Guy didn't say 'anything—Just looked at them. So they 'Ducked him down into that 'River again, 'only they 'held him down there a 'few minutes 'Longer. So when the 'Deacons looked in the guy's eye and said to him—"Do you 'Believe?" This Guy finally 'answered—he said "Yes—I Believe you 'Son of Bitches trying to 'drown me."

P.S. I guess you think I'm 'Nuts. 'Nay 'Nay. I only 'mentioned these incidents because it all was 'built around 'Music. In fact, it's 'All Music. "You 'Dig? The 'Same as we did in my 'Home Town 'New Orleans'—those 'Funeral Marches etc. "Why 'Gate" 'Villec, we 'played those 'Marches with 'feeling from our 'hearts. 'All the way to the Cemetery—'Brass Band of course. The 'Snare drummer would put a 'handkerchief under the 'snares of his 'drum to 'deaden the 'Sound while 'playing on the way to the Cemetery—"Flee as a Bird." But as 'soon as the 'preacher 'say "Ashes to 'Ashes—'Dust to 'Dust"—the "Snare Drummer Commence 'pulling the handkerchief from his 'drum, and make a 'long roll' to 'assemble everybody, including the members of the 'dead man's 'Lodge—or 'Club. 'Then we'd 'return 'back to the 'headquarters 'playing "Didn't he 'Ramble" or "When the Saints Go Marching In." You 'See? 'Still Music."

I said 'All of that to Keep 'Music in your 'heart the 'same as 'you're 'doing. And 'Daddy—you 'Can't 'go 'wrong. 'Myself and my 'All Stars' are 'Playing here at the 'Harrods 'Club (Reno) for 'Three weeks. My 'wife 'Lucille as 'joined me here. The 'rest will do her lots of good. She was 'operated on for a 'Tumor, about the 'Middle of 'July. She's improving 'very 'Rapidly. Her 'Doctor who 'operated on her at the 'Beth 'Israel Hospital' in New York told her—'She could go to 'Reno and 'spend some time if 'you (Lucille) + your 'husband (Satchmo) 'promised to 'behave 'yourselves and 'don't try to 'do the "Vonce" ("meaning 'Sex). I 'Said—"Doc I 'Promise—But I'll 'Just 'touch it 'lightly every 'morning—to see if it's 'still 'there. 'Ha 'Ha. 'Life's 'sweet. 'Just the 'thought that 'Lucille is 'through with her 'little 'Hindrance—and "soon "be well and 'happy—'be 'her 'lil 'ol 'cute 'self 'again—'Just "knock's' me out.

'Well 'Bre'r 'Villec, I guess I'll 'put it 'down, and get some 'shut eye." It's the 'Wee 'hours in the 'Morning. I've 'Just 'finished 'Work. I am too 'tired to 'raise an 'eye 'lid. Tee hee. So I'll leave this little message with you. "Here goes'.

When you 'Walk—through a 'Storm—
Put your 'Head—up 'high—
And 'Don't be Afraid of the 'Dark—
At the 'End of a 'Storm—
Is a 'Gol-den 'Sky—
And a Sweet Silver 'Song—
Of a 'Lark—
'Walk—'on—through the 'Wind—
'Walk—'on—through the 'Rain—
Though your 'Dreams be "Tossed and 'Blown—
'Walk—'on—'Walk—'on—
With 'Hope in your heart
And 'You'll 'Nev-er 'Walk 'A-'lone—
You'll 'Nev-er 'Walk A-lone—
(one more time)
'Walk—'on—'Walk—'on—with 'Hope in your 'heart—And 'you'll
Nev-er 'Walk 'A-lone—'You'll 'Nev-er 'Walk—'A-lone—. "Savvy?

Give my regards to the fellows that's in your company. And the other fellows too. And now I'll do you 'Just like the 'Farmer did the 'Potato—I'll 'Plant you 'Now and 'Dig you 'later. I'll 'Close now. It's a real 'Pleasure 'Writing—'You.

"Swiss Krissly"

Satchmo
Louis Armstrong

 

 

 

 

VIDEO: Azealia Banks - It Ain't Easy

 She&rsquo;s at the point where major New York tabloids are reporting on her love life, but she&rsquo;s also only 21, and very publicly wondering what she wants to do with her life. Whatever Banks&rsquo;s issues with rap media are, they seem beside the point. Mostly, it seems like this is a curious inside glimpse into a classic music industry arc: a very young, very talented person trying to figure it out as she goes along.  more.

AZEALIA BANKS

She’s at the point where major New York tabloids are reporting on her love life, but she’s also only 21, and very publicly wondering what she wants to do with her life. Whatever Banks’s issues with rap media are, they seem beside the point. Mostly, it seems like this is a curious inside glimpse into a classic music industry arc: a very young, very talented person trying to figure it out as she goes along.

>via: http://thesmithian.tumblr.com/post/24961919203/shes-at-the-point-where-major-...

__________________________

Azealia Banks

Quits the “‘Rap Game,’ or

Whatever the F---

That Means”


By Amos Barshad on June 11, 2012 FilmMagic/GettyImages

 

Last winter, Azealia Banks released “212” — a bubbly, infectious, and hard rap track — alongside a video in which she paraded around in pigtails, short shorts, and a Mickey Mouse sweater. Promptly, the countdown to her superstardom began. And since, things have gotten a bit bumpy.

First, there were release date pushbacks and ugly label problems; according to Banks, she left the esteemed XL Recordings because, after she decided not to use head honcho Richard Russell’s beats for her album, “it got real sour. He wound up calling me 'amateur' and shit, and the XL interns started talking shit about me. It just got real fucking funny.” Later, there would be shots taken at most of the contemporary female rap landscape: Kreayshawn was a “a dumb bitch,” Nicki Minaj was “talented enough to sustain a very fruitful career without the ugly wigs and ugly costumes,” Iggy Azalea was a closet racist.

Meanwhile the accolades kept on pouring in, most notably from Paris high-fashion types, and her debut U.S. appearance, at this year’s Coachella, went off without a hitch. Just a few weeks ago she dropped her debut EP, 1991 (yes, her birth year, oh god we’re so old let’s all move to Fort Lauderdale and do slow breast stroke laps for hours and hours ahhhhhhhh), which flexed more of her effortless fast-rap flow. But now, Banks declares, she’s not so much into hip-hop anymore. Via her Tumblr:

no longer wishing to be a rapper — i never was …. and as soon as i started paying attention to bullshit urban media, i started getting myself in trouble. From now on i’m a vocalist, and will not be associating myself with the “rap game” … or whatever the fuck that means … no more twitter for me … it makes me entirely too accessible.
Catch me on tumblr … it’ll be more interesting.

And that’s not all! Billboard reports that Banks has split with her manager, Troy Carter, who also represents Lady Gaga, and with whom she’d only been working for a couple of months. In a statement, Carter said, “I can confirm that I ended the business relationship with Azealia last month on very amicable terms. She's incredibly talented and I wish her nothing short of an amazing career.” Meanwhile, the New York Daily News reported that Banks is both working with, and dating, Coldplay’s forty-something manager Dave Holmes. Billboard debunked at least the first bit, saying “Banks is currently without management and is seeking new representation; a source said Holmes is not one of the candidates.” Dramatic. Very dramatic.

OK, first things first: While it’s awkward to see Banks (who, unless she’s planning a massive content overhaul, is, as far as I can tell, yeah, still a rapper) attempting to cleave herself from hip-hop, it’s understandable. All those soul-crushing, energy-sucking beefs she found herself in were a byproduct of today's new-rapper hype cycle — pretty much every young buck has to grit his or her teeth through some series of trumped-up conflagrations. Not being down with the “'rap game' ... or whatever the fuck that means” would make things easier. But, as Nicki Minaj’s Hot 97 scandal most recently points out, it’s not that easy. If Banks wants to be a pop star, that’s her call, of course. "Urban media," however, is not going to stop judging her just because she asks it to.

As all this breathless coverage on her management issues highlights, though, this isn’t about whether or not Banks wants to be a rapper or a "vocalist" or a papier-mâché-dinosaur sculptor. Some new young stars manage to wrap themselves in a cocoon, not say anything controversial, and make it seem like their rises are preternaturally smooth and unthwartable. The outspoken Banks, thank God, just isn’t like that. (Baseless speculation! Maybe that’s why she never got along with the at least by all outward signs highly professional Troy Carter?) She’s at the point where major New York tabloids are reporting on her love life, but she’s also only 21, and very publicly wondering what she wants to do with her life. Whatever Banks’s issues with rap media are, they seem beside the point. Mostly, it seems like this is a curious inside glimpse into a classic music industry arc: a very young, very talented person trying to figure it out as she goes along.

 

__________________________

 

Azealia Banks Slams

‘Male Managers’

After She Ditched

Lady Gaga’s Manager

[Quits Twitter]

Azealia Banks is in the market for a manager again.  But she has one criteria; They can’t be male.

Back in April, shortly after she performed at the Coachella Music Festival, things seem to be on the up and up for the outspoken Harlem rapper when it was announced that she was scooped up by Lady Gaga’s manager Troy Carter.  Clearly, if anyone could groom her into a superstar, it could be Troy and his team right?  Wrong! 

Unfortunately, just 7 weeks after she signed with Troy, the two parted ways in a split that he describes as amicable. Now she’s back on the hunt for a manager, who isn’t on that ‘ego sh-t’ (as she calls it).

She hopped on twitter earlier today (before her twitter page magically disappeared) and gave her male managers of the past a piece of her mind while expressing that she’d prefer her next manager to be a woman:

I know who you are yes…You short bald man…I know you planted these false stories.

Guess what?: I’m still not going to let you manage me again. I’ve dealt with enough cyber bullying to see right thru this.

I will definitely be working BY MYSELF and saving MY 20% On management commissions while I avoid you sharks in the water….

I really want a female manager. Women are just so much smarter.

I just want a really hardcore woman…Or a really gay man as my manager…You other n-ggas have WAY too much ego sh-t with y’all.

I just need a lady with some really intimidating glasses and a crazy shoe game to just stomp all you phonies out!

Lol I’m dead serious tho…About not hiring another male manager. The next manager you all see will be the kuniest kunt ever.

All I can say is; she signed with Troy Carter. How do you f’ that up?

Someone should phone up Deb Atney (Waka Flocka’s mama). I’m sure she’s looking for artists after Nicki and Gucci jumped ship and all of her business deals are on handshakes. No contracts necessary.

Bonus Track: Azealia Banks talks ‘Being Controversial’ with MTV News

<div style="background-color:#000000;width:520px;"><div style="padding:4px;"><p style="text-align:left;background-color:#FFFFFF;padding:4px;margin-top:4px;margin-bottom:0px;font-family:Arial, Helvetica, sans-serif;font-size:12px;">Get More: Azealia Banks, Music News</p></div></div>

Update: And here’s the explanation why Azealia deleted her twitter:

No longer wishing to be a rapper i never was…. and as soon as i started paying attention to bullshit urban media, i started getting myself in trouble. From now on i’m a vocalist, and will not be associating myself with the “rap game”… or whatever the fuck that means… no more twitter for me… it makes me entirely too accessible. Catch me on tumblr… it’ll be more interesting

I’m still going to rap…. i just don’t want the label and all the other crap that comes with the “rap game”… it’s boring. rather be a dance artist.. lol.

>via:  Necole Bitchie.com 

 

 

PUB: Call for Submissions: The Arab Review > Writers Afrika

The Arab Review is an independent online journal exploring the contemporary Middle East through the culture and art of its people. So much of the narrative surrounding the Arab world is shaped by current affairs and political controversy, often sensationalised by western media outlets. The Arab Review offers an alternative narrative to that of the mainstream media; a narrative written and voiced by the people who live it.

The Arab Review is a serious publication seeking to open the debate on the Arab world through informed commentary and analysis, in the style of the London Review of Books and the Times Literary Supplement.

We accept written submissions of reviews and essays about the Middle East, up to a maximum of 1,000 words. Please contact editors@thearabreview.org for more information.

CONTACT INFORMATION:

For queries/ submissions: editors@thearabreview.org

Website: http://www.thearabreview.org/

 

 

PUB: Call for Proposals for a Collection of Essays: The Writings of President Barack Obama (Rodopi Press Dialogue Series) > Writers Afrika

Call for Proposals for a

Collection of Essays:

The Writings of

President Barack Obama

(Rodopi Press Dialogue Series)


Deadline: 31 August 2012

The Rodopi Press Dialogue Series seeks proposals for new writings to be included in a volume of critical essays devoted to President Barack Obama’s The Audacity of Hope and Dreams from My Father. The volume seeks essays in the following areas:

● The relationship between President Obama’s writing and emergent scholarly interest in “post-race” American culture/President Obama’s memoirs in the context of cross-cultural or bi-national writings by Americans or other ethnic groups or Americans born outside the United States

● President Obama’s memoirs in the context of 19th- and 20th-century traditions of African-American autobiographical narrative, theories of African American self-writing, or rhetorical analyses of said writing not limited to male-authored works (e.g. Booker T. Washington, W.E.B. Dubois, Richard Wright, Amiri Baraka, etc....) We are also interested in comparisons between President Obama's works and major figures like Zora Neale Hurston, Gwendolyn Brooks and Maya Angelou – among other possibilities.

● President Obama’s writings within a tradition of 19th- and 20th- century by American Presidents (before, during, or after they were elected), and/or Presidential Writing in the Digital Age

● Dreams From My Father and the “Culture Wars”

● President Obama’s memoirs in the context of American autobiographical narratives of self-making dating from Benjamin Franklin’s Autobiography to the present, including autobiography as a mode of self-production that is a corollary to the Enlightenment and its legacy

• Critical discussions of ancillary works about President Obama’s writings (i.e. the books written by Dinesh D’Souza, or Jeffrey T. Kloppenberg, etc.)

• President Obama’s writings in the context of American spiritual writings (from Jonathan Edwards-to the present)

The volume’s editors will consider submissions across a range of writing styles and scholarly methods in order to achieve a collection of the most compelling and readable essays. Scholars, advanced doctoral students, artists and independent intellectuals are invited to submit.

SUBMISSIONS

Send C.V. and 500 word proposal (with contact information) to Richard Purcell (Carnegie Mellon University) rpurcell@andrew.cmu.edu or Henry Veggian (UNC Chapel Hill) torino3@email.unc.edu

ABOUT THE SERIES: The Dialogue Series publishes new and recent criticism on literary writing that has elicited or is eliciting critical debate. In addition, Dialogue devotes occasional volumes to neglected works deemed worthy of renewed critical attention. The Dialogue Series is devoted primarily to literary works written in English (or translated into English) after 1900.
The planned volume on President Obama’s memoirs will be the first in a planned line of edited collections on literary writings by and about modern heads-of-state, including but not limited to President Carter’s literary fiction and poetry, U.S. Grant’s Memoirs, Sherwood Anderson’s biography of Abraham Lincoln - among other possibilities.

CONTACT INFORMATION:

For queries/ submissions: rpurcell@andrew.cmu.edu or torino3@email.unc.edu

Website: http://www.rodopi.nl/senj.asp?SerieId=DIALOGUE

 

 

PUB: Call for Papers on Street Lit

Call for Papers on Street Lit

 

9 June 2012

 

The Takeover

Street Lit Subjects, Controversy,

Commercial Phenomenon & Art

Keenan Norris, Editor

 

"First... there is a young, mass, black reading audience of such size that a black author can write for it exclusively without giving a thought to being highbrow or literary or to crossing-over for whites. Second, the taste of the masses is distinct from, and troubling to, the taste of the elite in large measure because the elite no longer control the direction and purpose of African-American literature; it is now, more than ever, a market-driven literature, rather than an art form patronized and promoted by cultured whites and blacks as it had been in the past. The fact that blacks started two of the publishing houses for these books, Urban Books and Triple Crown, underscores the entrepreneurial, populist nature of this type of race literature: by black people for black people."—Gerald Early, “What is African-American Literature?”

"Mainstream publishing houses contort themselves to acquire books that glorify wanton sex, drugs and crime. This fiction, known as street-lit or hip-hop fiction, most often reinforces the stereotypical trademarks African Americans have fought hard to overcome. "—Bernice McFadden, “Black Writers in a Ghetto of the Publishing Industry’s Making

You already know the topic and the controversy. We want to go beyond it.

THE TAKEOVER will assemble a collection of scholarly essays, articles, and interviews in order to develop the discussion around this emergent literature. Our anthology will present a wide-ranging exploration of the topic. This anthology seeks to provide more extensive and diverse opinion, information and critical analysis than any critical work on street lit has thus far. Not only will we give voice to the competing sides in the debate around street lit’s artistic validity, but we will also chronicle street lit’s history as a sub-genre within African-American letters about urban spaces and its contribution to current understandings of mass incarceration, poverty and violence in America, and the market for books by and about black people.

 

SUBMISSION GUIDELINES

Deadline for Abstracts (250-750 words): August 10, 2012

Deadline for Complete Papers (4000-7000 words): November 15, 2012

Nov.-Jan.: Review chapters, request revision

Full manuscript: February 2013

Submit full manuscript to publisher: April 2013

 

*Please include contact info and full list of credentials with all submissions

Proposals should articulate a clear critical question in relation to a set of primary and secondary texts. Completed abstracts are due August 10 and can be sent to knorris@peralta.edu . If you must send a hard copy, please email me directly beforehand. The plan is to finalize the manuscript in March and submit it to Scarecrow Press no later than April 2013. I have received strong initial interest from Scarecrow Press and have every reason to believe it will be accepted for publication on this timeline.

Possible Topics (others are very much welcome):

Market analysis: Has street lit actually taken over the market for black literature?

A definition of the genre (writers should consult Urban Grit: A Guide to Street Lit)

A history of the genre from its origins to the current day

A description of street lit’s appeal, including reasons for its appealing, and to whom it appeals

Comparative analysis of the street lit genre to other literary genres

Comparative analysis of specific street lit text(s) to other works in African-American literature

Street lit’s relationship to hip-hop on the level of subject matter and/or business and marketing

Major street lit authors and their works

Major street lit publishers

Why street lit is loved and why it is castigated

Authors, novels, memoirs and poetry of interest

 (the following are suggestions, not constraints)

Vanessa Irvin Morris, The Readers' Advisory Guide to Street Literature (in particular, a critical response to or elaboration upon the history of street lit that Morris maps out)

Sister Souljah, No Disrespect and Midnight: A Gangster Love Story

Basic Economics” by Tommy Bottoms    

50 Cent, From Pieces to Weight

Kenji Jasper, Snow

Terri Woods’ trilogies: Dutch III: International Gangster True to the Game III, True to the Game: First of a Trilogy

Colson Whitehead, Zone One: A Novel

Nathan Heard, Howard Street

[Nathan C. Heard is considered one of the forefathers of "street literature". Heard's first novel Howard Street, published in 1968, depicts the underbelly of inner-city life of Black America. Howard Street sold more than 1 million copies. Heard also wrote five other novels in the Genre. Nathan C. Heard started writing while serving a seven year sentence for armed robbery at New Jersey State Prison in Trenton. After his release, Heard taught creative writing at Rutgers and appeared in several "Blaxpoitation" films. During the 1970's Heard wrote a column for the New York Times. Nathan Heard passed away in 2004 at the age of 67.]

David Bradley, South Street

[David Bradley is better known for his novel The Chaneysville Incident; it's too bad South Street has all but faded into obscurity behind the other book, because on its own, South Street is an incisive, perceptive, and devastatingly funny novel about life on the street. "South Street" takes place in Philadelphia and introduces us to Adlai Stevenson Brown, a young black man trying to make his mark as a writer; tired of being kept by his upper-class girlfriend, he leaves the rarefied air of her high-rise luxury apartment and heads for the down-and-dirty environment of the ghetto, where life is lived raw on the street. The locus of much of the action is Lightnin' Ed's Bar and Grill, presided over by Leo the bartender, a benevolent 300-pound Buddha who keeps with a pool cue behind the bar just in case, addicted to soap operas and the losing Phillies, fending off the perpetual advances of Big Betsy, an aging hooker way past her prime.]

Keenan Norris

knorris@peralta.edu 

909-553-9802

Keenan Norris holds an M.F.A. from Mills College and is a doctoral candidate at the University of California, Riverside, writing about urban literature and the publishing industry. He teaches African-American Literature, Basic Skills courses and promotes the AFFIRM program at Evergreen Valley College in San Jose, California  

His work, both fiction and non-fiction, has been published in the Santa Monica, Green Mountains and Evansville Reviews, as well as ChickenBones Literary Journal, Inlandia: A Literary Journey Through California's Inland Empire and Columbia University Press's upcoming 24/7 Believe: Watching The Wire. He lives in the San Francisco Bay Area.—connotationpress

 

ACTION: Shellie Zimmerman Arrested: George Zimmerman's Wife Charged With Perjury

Shellie Zimmerman

Arrested:

George Zimmerman's Wife

Charged With Perjury

 

Posted: 06/12/2012 

Shellie Zimmerman, the wife of the Florida man charged with fatally shooting Trayvon Martin, was arrested and charged Tuesday afternoon with one count of perjury, according to law enforcement officials.

The charges stem from what prosecutors have described as a series of lies and distortions made by the couple during an earlier bond hearing in April, when George Zimmerman and his family claimed they were broke. By late Tuesday afternoon, Shellie Zimmerman posted bond, set at $1,000.

Shortly after the initial bond hearing, it was revealed that George Zimmerman had raised upwards of $200,000 via a website set up to collect funds for his defense. At a June 1 hearing, his bond was revoked after prosecutors presented recorded conversations in which Zimmerman and his wife seem to collude to keep the funds hidden. Zimmerman instructed his wife to "pay off all the bills," which included those for American Express and Sam’s Club credit cards.

"This court was led to believe they didn't have a single penny," prosecutor Bernie De la Rionda said at the hearing. "It was misleading, and I don't know what words to use other than it was a blatant lie."

Prosecutors also said that Zimmerman had not turned in a second passport as part of the conditions of his bond, and that he and his wife discussed the passport while he was in custody at the Seminole County jail on April 17. The conversation was recorded by jail officials, according to court filings.

Defendant: Do you know what? I think my passport is in that bag.

Shelly Zimmerman: I have one for you in safety deposit box...

Defendant: Ok, you hold on to that.

 

According to court documents filed Tuesday afternoon, prosecutors obtained official bank records showing that between April 16 and April 19, in the days leading up to Zimmerman’s initial bond hearing, Shellie Zimmerman had transferred more than $74,000 from her husband’s account to her own.

There were a total of eight transfers, according to the documents -- four transfers in the amount of $9,990, two for $9,999, and two others for $7,500. Even after Zimmerman’s release, the large transfers of cash continued. On April 24, Shellie Zimmerman transferred more than $85,000 from her account to her husband's.

 

VIDEO: Portrait of dancer and actress Laverne Cox > AfroDiaspores

LAVERNE COX

Portrait of dancer and actress Laverne Cox, the first African American transgender woman to produce and star in her own television show [“TRANSform Me”], by Béatrice de Géa, 2011

“I have such respect for drag queens,” said Ms. Cox…“But what is troubling about the mainstreaming of drag, and people conflating drag and being transsexual, is that people think this is a joke. My identity is not a joke. Who I am as a woman is not a joke. This is my life.”

 

__________________________

 

Laverne In Acting Class

So my acting teacher Brad Calcaterra challenged me to upload this super raw video from acting class online. I am in love with the artistic process. I think you have to love the process if you want to be an artist but putting my process out there makes me nervous. But life is about taking risks.

__________________________

 

Laverne Cox is an actress, producer and transgender advocate who made television history when she became the first African American transgender woman to appear on an American reality show with her appearance as a finalist on VH1's "I Want to Work for Diddy.  “I Want to Work for Diddy” won the GLAAD Media Award for Outstanding Reality Program.

Laverne’s popularity subsequently led her to star in, co-create and co-produce her own show called "Transform Me,” making her the first African American trans woman to produce and star in her own television show.  "TRANSform Me" was nominated for a GLAAD media award for Outstanding Reality Program. 

As an actress Laverne has had guest starring roles on "Law and Order", "Law and Order: SVU", and HBO’s "Bored to Death." She can be seen in the forthcoming  independent films “Musical Chairs” directed by Susan Seidelman,  “Carl(a),”  “Grand Street” and “The Exhibitionists.” Her other film credits include “Uncle Stephanie”, "Bronx Paradise," "The Kings of Brooklyn" and "Daughter of Arabia.  

Laverne continues to be an advocate for transgender representation in the media.  Laverne is passionate about telling stories in the media that reflect the full depth, diversity and humanity of transgender experience.

>via: http://lavernecox.com/bio 

__________________________

Beyond Second-Class

Citizenship for

Transgender People

(VIDEO)

Posted: 05/10/2012

 

I was so moved by and proud of President Barack Obama's history-making declaration yesterday with this sentence: "For me, personally, I think it's important for me to go ahead and affirm that I think that same-sex couples should be able to get married." This is great news. Marriage equality is indeed an issue for transgender Americans, as well, as evidenced byLittleton v. Prange, and recently by Nikki Araguz's case. But while I believe in and am a huge supporter of marriage equality, as a transgender woman of color, I recognize that there are arguably bigger issues for my trans brothers and sisters, issues like employment and health-care discrimination and violence against transgender people, particularly trans women of color.

This is why I went to Albany, N.Y. Tuesday for Equality and Justice Day. I wanted to lend my voice to the support of the passage of the Gender Expression Nondiscrimination Act (GENDA). Many transgender folks are fighting for our lives and basic civil rights all over this country, and to have those rights acknowledged by our legislature in the state of New York right now. For the fifth year in a row, the state assembly has passed GENDA, but the bill has yet to come to the floor for a vote in the Senate. This bill is about acknowledging that trans folks should have the same rights as everyone else. That's all. It's simple. This is America. Equal access and opportunity are what we're supposed to be about.

WATCH:


Follow Laverne Cox on Twitter: www.twitter.com/Lavernecox

>via: http://www.huffingtonpost.com/laverne-cox/transgender-rights_b_1506180.html

 

 


 

 

 

 

 

INTERVIEW: Criminal InJustice Kos: Queer (In)Justice ~ An Interview with the Authors > Daily Kos


Criminal InJustice Kos is especially pleased to offer an interview and live discussion with the authors of a book that been described as "ground-breaking", "powerful and productively disorienting" and "revolutionary".

It is all that and more. Doug Ireland in his review, "Outlaws Still" says it best :

"Mogul, Ritchie, and Whitlock have collected — with meticulous, footnoted scholarship — a compendium of utterly revolting but perfectly legal persecutions of queer Americans. These stomach-turning horror stories won’t be familiar to the people who frequent those pricey, black-tie fundraisers given by the Human Rights Campaign and the Gay and Lesbian Alliance Against Defamation, because they mostly concern people of color, or the poor, or gender-benders, and thus often receive little publicity...

Queer (In)Justice ought to be force-fed to the staffs and boards of directors of every national and state gay organization in the hope that it might open their eyes to a reality they too often deliberately ignore. And if the Gill Foundation wants to do something useful, it should buy copies of this book in bulk, distribute them to those closed-door “Outgiving” conferences of fat-cats whose big checks have such inordinate sway in determining the “gay agenda,” and invite the trio of its activist-authors to address them.

Needless to say, dear reader, you too should make sure Queer (In)Justice has a place on your bookshelf. It’s that important."

Please see the comments for detailed author bios..

 

CIK: Michael Bronski, the series editor for Beacon’s Queer Ideas series, describes Queer (In)Justice as a “wake-up call” for the LGBTQ movement in this country, and I would agree.   What is that wake-up call, and why is it needed now?

Kay Whitlock (KW) : It’s a wake-up call addressing the far-reaching impact of the criminal legal system on queer communities and lives and what that means to a queer justice vision that includes all LGBTQ people, not only the most privileged of us.

And it’s a wake-up call telling us that  “get tough on crime” measures supporting intensified policing and harsher punishments produce more rather than less violence and injustice for queers – particularly for queers of color (including immigrants and Indigenous peoples); queers who are poor, homeless, and low-income; and transgender and gender nonconforming people.  When our movement fails to confront and work to dismantle state violence – including violence in the criminal legal system – we fail to address a major (indeed, perhaps the major) instigator of anti-queer violence.

It’s a wake-up call highlighting the role the oppressive policing of sex and gender plays in structuring law enforcement and incarceration – and how that policing intersects with, reinforces, and bolsters race- and class-based injustices that are foundational to the criminal legal system.  

Joey Mogul (JM): I also hope the book helps people confront the ugly truth that we are living in a crisis of mass incarceration in the United States.  A crisis driven by law and order and tough on crime agendas that serve to incarcerate an astronomical number of people, the vast majority of whom are of color (2.3 million people are currently locked behind bars, and another 5 million are under some form of control of the legal system).  This crisis of mass incarceration also impacts LGBTQ communities.  It serves to ensnare a disproportionate number of LGBTQ people, particularly those who are of color and gender non-conforming, in the criminal legal system.

The criminal legal system and mass incarceration, however, fail to truly deter crime and produce safety for LGBTQ people and others.  Instead, the system is profoundly unfair, biased and serves to dehumanize all those processed through it; from the point of their arrest, to their treatment in the courts, and without question when locked behind bars.  I hope Queer (In)Justice, along with others books like Michelle Alexander’s recently published book The New Jim Crow: Mass Incarceration in the Age of Colorblindness, can help us realize that the policies that drive mass incarceration have failed.  These policies are also enormously costly, not only financially but more importantly, because they have deprived us of so many valuable lives and forsaken the enormous potential of too many human beings trapped in the system.  

It is a wake up call for us as justice minded individuals to figure out a new way to provide safety for all human beings in our society that does not include locking up massive numbers of people behind bars.

Andrea Ritchie (AR): Hopefully the book serves as a wake-up call that the criminalization of LGBTQ people, and of sexual and gender non-conformity more broadly, is far from over. It preceded the enactment of sodomy laws, and has continued alongside and beyond the enforcement of sodomy laws. It can be definitively traced to the arrival of the first colonizers on this continent and in fact, we argue, was integral to the colonization of the U.S., the imposition and maintenance of chattel slavery, and the exclusion of “undesirables” at the borders. It is instrumental to perpetuating the continuing effects of structures of oppression and exclusion in the history of this country. It is not, by any means, about isolated targeting of LGBT people by the criminal legal system, but rather is an aspect of larger political, economic, and social conditions and processes driving  mass incarceration in the U.S. It therefore cannot be considered or dealt with in isolation from the larger context.

It is hopefully a wake-up call that, even as more privileged sectors of our communities have successfully resisted discriminatory enforcement of  sodomy and “lewd conduct “laws and the like, law enforcement targeting of LGBT people – or of people perceived to be sexually or gender nonconforming – has not faded into the annals of history such that we can now move on and leave criminalization behind. Indeed, law enforcement targeting of LGBT people has intensified in many respects, while at the same time narrowing its focus more exclusively on more marginalized members of LGBT communities, including LGBT youth of color, LGBT immigrants, transgender and gender nonconforming people of color, and establishments frequented by LGBT communities of color.

It is hopefully a wake-up call that the days of state-sanctioned discrimination against LGBT people are far from over – one need look no further than the nations’ police precincts, criminal courtrooms and prisons for a multiplicity of examples of the most egregious forms of homophobia and transphobia, often in combination with profound racism and class-based discrimination, the vast majority of which goes completely unchallenged by mainstream organizations.

CIK:You center race, class, and gender/gender nonconformity in your analysis of the different ways LGBTQ people have been policed, prosecuted, and punished – whether guilty of any harmful actions toward others or not – from colonial times to the present.  What difference does that make to the story you’re telling?

JM: It is just not accurate to say that all LGBTQ people have been or are targeted and subjected to abuse and dehumanizing treatment by the police and in the criminal legal system in uniform ways across the board.  The laws and practices used to criminalize queers, historically with sodomy and vagrancy laws and now with quality of life offenses (like sex related crimes of public indecency, solicitation or prostitution), have always been selectively and vindictively enforced disproportionately against people of color and immigrants, particularly those without financial resources and privilege.

AR: It was essential for us to dismantle the notion that somehow the policing and criminalization of LGBT people takes place in a vacuum, separate from the policing of race, poverty, and national borders. This is not a separate conversation from ongoing discussions about policing, criminalization and mass incarceration of people of color, poor people, and immigrants, nor is it an attempt to “add on” LGBT experiences to these larger debates. It is an effort to broaden and deepen those conversations by exploring and reflecting on how policing and punishment of gender and sexuality is used in service of existing agendas, and by bringing the experiences of LGBT people of color, immigrant LGBT people, gender nonconforming people, and low-income LGBT people into the center of the conversation, much as we live in the cross-hairs of so many mutually reinforcing systems of violence and exclusion. When these experiences are excluded, we deprive ourselves of a complete picture of how law enforcement and criminalization are affecting our communities, and erase the realities of LGBT members of our communities, rendering our responses inherently incomplete.

KW:  Leave out those factors, and we end up with a generic “gay” story that is white-dominant, and in which race, class, and gender/gender nonconformity make only cameo appearances as “add-ons” to that generic story.  Sometimes, they’re erased altogether.  And a story that limited is inaccurate.  The result is that the violence endemic to the criminal legal system – the brunt of which is born most heavily by queers of color, poor and low-income queers, and transgender/other gender nonconforming folks – largely vanishes from the mainstream LGBT justice and anti-violence visions.  

Simply put, it’s impossible to accurately analyze the policing and punishment – both formally and informally – of sex and gender apart from its interrelationships with race– and class– based law enforcement.

Stories of Queer (In)Justice: Bernina Mata
quoted from the book and paraphrased by Joey Mogul

One example would be the prosecution of Bernina Mata, a Latina lesbian who was depicted as the archetypal man hating homicidal lesbian by prosecutors in Boone County, Illinois in 1999 to secure her capital conviction and death sentence.  Mata was accused of murdering John Draheim, a white heterosexual man. Mata met Draheim for the very first time at a local bar on the evening of June 26, 1998. After drinking at the bar, they returned to Mata’s apartment. Later that night, Draheim was stabbed multiple times in Mata’s bedroom while Mata and her roommate, Russell Grundmeier, were both present. There was evidence to suggest both Mata and Grundmeier committed the murder.  

To obtain the death penalty, the State needed to prove there was an aggravating circumstance, but there was very little evidence to prove that Draheim’s murder was particularly heinous. In this case, the only aggravator prosecutors could claim under Illinois law was to claim that the murder was committed in a cold, calculated premeditated manner, pursuant to a preconceived plan. Yet the circumstances of Mata’s encounter with the victim belied the notion that she killed in cold blood. Mata met Draheim only hours before the crime was committed, so there was little time for Mata to have hatched an elaborate scheme to murder him.

Faced with a potentially sympathetic defendant, notwithstanding her race and sexual orientation, prosecutors chose to deploy the queer criminal archetype of the homicidal man-hating lesbian, literally arguing that Mata’s lesbianism caused her to kill. According to the prosecutor, Mata killed Draheim because he made an unwanted sexual advance at the bar, allegedly touching her shoulder and thigh. While “[a] normal heterosexual woman would not be so offended by such conduct as to murder,” this was allegedly a natural response for Mata, who was described as a “hard core lesbian.” This depiction also tapped into the criminalizing racial archetype that frames Latinas as hot tempered, irrational, and prone to “hysterical” violence.
The State then presented an avalanche of evidence of Mata’s lesbianism at trial. Prosecutors paraded ten witnesses before the jury to testify that Mata was a lesbian. They read the titles of three books removed from her home: “The Lesbian Reader,” “Call Me Lesbian” and “Homosexuality.” The prosecutors also referenced Mata’s lesbianism on no less than 17 occasions during their arguments to the jury, making assertions that Mata was “overtly homosexual,” “flaunting” her sexuality, and “proclaiming her sexuality to anyone who would listen.” As [lesbian legal scholar] Ruthann Robson posits, in order to establish the only applicable aggravating factor, the State depicted her in this fashion in an effort to capitalize on jurors’ homophobia and negative stereotypes of lesbians as “man haters,” and to convince them that Mata acted in a cold, calculated manner.

The State’s masterful depiction of Mata as a man-hating lesbian, driven by an unquenchable thirst to kill men, was successful. Mata was convicted of capital murder and sentenced to die. Fortunately, her death sentence was commuted to a term of natural life imprisonment by former Illinois Governor Ryan in 2003, along with that of everyone else then on Illinois’ death row.

CIK: Volumes have been written on the role of race, class, gender, and their intersection in policing, punishment, and the prison industrial complex.  I can’t think of any other book I’ve read that rightly complicates the discussion by centering Queer (In)Justice.  What took so long?  How does the inclusion of LGBTQ advance the analysis of criminal injustice as well as calls for change?

AR: I don’t think that this is really the “first” writing on the subject – for instance, there was a piece in Zero Tolerance: Quality of Life and the New Police Brutality in New York City called “Organizing at the Intersections” by Dayo Folayan Gore, Tamara Jones and Joo-Hyun Kang which began to unpack LGBT experiences of criminalization within the larger context of policing of communities of color and low-income communities as early as 2001. There were the fact sheets Kay put out when she was at AFSC and Joey’s piece highlighting queer experiences of the death penalty as a racist institution. There was the 2005 Amnesty International report Stonewalled: Police Abuse and Misconduct Against LGBT People in the United States. There was Beth Richie’s groundbreaking piece in Julia Sudbury’s Global Lockdown called “Queering Anti-Prison Work: African American Lesbians in the Juvenile Justice System.”

The fact that there perhaps hasn’t been a full-length publication on the subject until now is a testament to the urgency of the crisis of criminalization of LGBT people on the ground and the lack of resources to address it – we just had the tremendous privilege and opportunity, thanks to Beacon Press and the flexibility and support of our employers and families, to be able to take the time to research and think about these issues and write about them.

KW: Lots of individuals and groups have been doing pieces of the information gathering, research, analysis, and organizing that inform this book for many years – but they/we have had to struggle every inch of the way to be heard at all.  And most of the groups who care about these issues operate on ridiculously small budgets; they are not the recipients of the largesse of most affluent, white gay donors.  Their constituencies include those subsets of the larger queer world that are most heavily criminalized.  

Who wanted a bunch of queer criminal archetypes in their midst? Not many of the mainstream LGBT groups or other mainstream civil rights/advocacy groups that should be profoundly concerned with mass incarceration.

It is critical to use a lens of interdependence when examining the creation and expansion of, and structural violence/inequality embedded in, the U.S. criminal legal system.  You can’t pull the pieces apart – policing sex and gender, criminalizing queerness, race– and class–based law enforcement – and have an accurate picture.  

We’re always stronger when our analysis is more comprehensive, our vision expanded.   The possibilities for coalition building and expanding the base of support for substantive change greatly increase.

CIK: While you include discussion of sodomy laws, their impacts and selective enforcement, you also say clearly that other kinds of laws and pretexts are use to police, prosecute, and punish LGBTQ people – particularly women, poor people, and people of color.  How, and in what ways?

AR: We talk quite a bit in the book about how the advent of “quality of life” laws now sweeping the nation – laws which regulate every day activities in public spaces - has greatly facilitated the policing of gender and sexual nonconformity. Some of these laws are very specific – such as those which prohibit drinking, eating, sleeping, urinating in public - but, because of the pervasive (and generally non-criminal) nature of the conduct they prohibit, cannot be enforced against all who violate them at all times. This, of couse, creates conditions ripe for discriminatory enforcement along lines of race, gender, sexuality, and poverty. A commuter falling asleep on the train on the way home will likely not be ticketed for sleeping in public, but a homeless queer or gender nonconforming young person – of which there are disproportionately high numbers - seeking refuge on public transit for the night most certainly will be.

Some “quality of life” laws – such as those prohibiting “lewd conduct” or “loitering for the purposes of prostitution” – particularly lend themselves to discriminatory enforcement against LGBT people, whose presence in public spaces is inherently sexualized in the minds of police and the community members who call them. In the book, we quote law enforcement officers who directly admit to discriminatory enforcement of “lewd conduct” laws, confirming that queer people are subject to arrest for conduct that is deemed completely acceptable between heterosexuals, at most prompting a warning by police officers. We also cite to the work of groups across the country documenting the extensive profiling of transgender and gender nonconforming people, particularly of color, as being engaged in prostitution-related offenses. This practice is so pervasive that some have coined the term “walking while trans” - derived from the more commonly known “driving while Black or Brown” - to describe the experiences of so many transgender women of color who literally cannot walk down the street without being stopped and arrested on suspicion of “loitering for the purposes of prostitution” or some similar offense.

Even more vague “quality of life” offenses  – such as “loitering” or “disorderly conduct” – are particularly amenable to use by law enforcement officers to charge people whom they perceive to just “not belong” in a community, or whom they see as signaling disorder simply by failing to conform to gendered norms of appearance and behavior. Derivative of vagrancy laws used in the past to explicitly police the presence of African-descended, Native, immigrant, and poor people, along with women of all races deemed “common night walkers,” in public spaces, such “quality of life” offenses, far more than sodomy laws, continue to be used to sweep untold numbers of LGBT people into the criminal legal system, where they face discriminatory treatment and disproportionate punishment.

CIK:You suggest that criminalizing narratives about queers, people of color and poor people – and the intersections of those narratives – go deeper than prejudice and stereotyping; that they have archetypal resonance. What purposes do these queer criminal archetypes serve?

JM: We are not the first to discuss criminalizing narratives and how they operate.  A great deal of work has been done by African American feminists, including Patricia Hill Collins and Cathy Cohen (whom we cite in the book) who have deconstructed the demonizing narratives used to frame Black women.  Numerous death penalty attorneys, mitigation specialists, scholars and activists, like Stephen Bright, Craig Haney and Joan Howarth (whom we also cite in the book), have written and discussed how racist criminal scripts have been deployed in capital cases to presume a Black man’s guilt and obtain his death sentence.  I think we may, however, be the first to identify, delineate and label the criminalizing narratives that are used frame LGBTQ people as pathological and criminal.  

We describe these concepts as archetypes to convey that they are more than just superficial stereotypes.  Rather, they are deeply embedded and indelible impressions that operate in both conscious and non conscious ways in our individual and collective imaginations.   Thus, regardless of our own experiences, we all can fall prey to their persuasive power and weight.

AR: What may be unique to our work is our effort to catalogue the many, often overlapping, archetypes which inform the criminalization of LGBT people, pull together information from a wide variety of sources to illuminate the many facets of each as well as the common themes among them, and unpack some of the ways in which criminalizing narratives rooted in racism meld with and mutually reinforce those rooted in homophobia and transphobia. We describe their operation across time, geography, and contexts, from police encounters to courtroom deliberations to behind prison walls to responses to violence against LGBT people, tracing their threads through individual cases and broader patterns.

KW:  The queer criminal archetypes we discuss include queer killers (lethal lesbians, gleeful gay killers and deceptive gender benders); sexually degraded predators; disease spreaders; security threats; and young, criminal intruders.  Unifying threads that run through all of these “hyper-sexualized” archetypes include violence, mental instability, and deception/dishonesty.  

These archetypes are at the center of every anti-LGBT campaign, and informed the opening shots in the homophobic/transphobic culture wars:  the “Save the Children” campaign fronted by Anita Bryant in Dade County, FL in the mid-1970s and California’s infamous (and thankfully, failed) “Briggs Initiative,” in the same era, a measure that sought to ban lesbians and gays from working in public schools.  They continue to inform political attacks on transgender people, queer relationships, families and households headed by queers, and queers in the military. All of the queer criminal archetypes informed the waves of fear, hysteria, and governmental indifference to the HIV/AIDS epidemic and still influence federal and state responses to it. And they may well account for why anti-gay campaigns often win, even when poll after poll shows widely increasing support for basic forms of LGBT rights and recognition.    

We have, literally, hundreds of years of repetition of the basic idea that queerness is synonymous with danger, degeneracy, disorder, depravity, disease, deception, treachery.   Add race, immigrant status, class, and gender/gender nonconformity to the mix, and you’ve got a prescription for maintaining traditional hierarchies of affluent, white, male, heterosexual power relationships.  The criminal legal system plays a central role in maintaining those power hierarchies.

CIK: Some argue that if we have a condition of legal equality for LGBTQ people, then queer criminal archetypes will simply fade away, be regarded as archaic ideas that belong only to the past.  Do you believe that to be true?  What additional efforts might be needed to de-construct these archetypes?

JM:  Personally, I do not believe that if we, LGBTQ people, are given legal equality (in the legal terminology considered a suspect class or classes entitled to strict scrutiny under the equal protection clause of the 14th Amendment) that will change the experiences and realities of criminalized queers in the criminal legal system.  Certainly, such legal equality, i.e., strict scrutiny, has not affected the criminalization of African American people in the criminal legal system.  

AR: Legal equality is but one piece – and many would argue a relatively small piece – of a much larger and deeper struggle to achieve what is ultimately a revolution of values. For instance, putting into question and ultimately dismantling the gender binary system, which assumes and enforces the notion that there are only two genders, and everyone falls neatly within one or the other and can never move between or beyond them would be one thing that would be necessary to undermine the archetype of the “deceptive gender bender.” Really, as Alexander Lee so eloquently articulates in his essay in Critical Resistance’s publication Abolition Now!, we need to fundamentally reorganize our society in ways that eliminate the structures and systems that produce criminalization of race, poverty, gender nonconformity, and sexuality  

KW: Even when laws are neutral with regard to status categories, they are selectively enforced in ways that uphold traditional power hierarchies.  The justifications for policing may shift from time to time, and there may be some cosmetic changes in how policing occurs. But both formal and informal policing and punishment can/will continue, even when “legal equality” is the law of the land.  Legal equality purports to remedy injustice, but it takes no account of historic power differentials, or the impacts of long-term structural violence and institutionalized discrimination generation after generation.

For example in the wake of the Civil Rights Movement for Black people, legal equality was achieved.  But more than 40 years later, the vast majority of prisoners in U.S. jails and prisons are people of color.  Racial profiling is commonplace. Other institutionalized forms of discrimination – and the impacts of same - constantly work against the realization of a form of equality that exists on paper but not in practice.  You can trace a pretty clear line from chattel slavery to the Black Codes to the growth of prisons to the convict leasing system to mass incarceration and the expansion/influence of the prison industrial complex.  

Stories of Queer (In)Justice: Duanna Johnson
summarized by Andrea Ritchie

One of the stories in the book that I think is particularly powerful is that of Duanna Johnson, a Black transgender woman who was arrested for a prostitution-related offense in Memphis, Tennessee, whose brutal beating by a police officer in the local jail was caught on videotape, and whose murder less than a year later, the third in as many years of a Black transgender woman in Memphis, remains unsolved.

The reason it is so compelling is because it raises so many central themes  – the grinding discrimination transgender people face in virtually every aspect of life - employment, housing,  access to drug treatment,  homeless shelters, and other supportive services - the pervasive profiling and policing of transgender people, and particularly transgender women of color, as being engaged in sex-related offenses, the viciousness and impunity of police violence against LGBT people of color, and the endemic violence and lack of police protection LGBT people of color face in our communities.

It also highlights the relative invisibility of these experiences – Johnson’s case, despite the existence of a “smoking gun” video of the police beating , did not garner national attention or generate widespread outrage among mainstream racial justice, anti-police brutality, and civil rights organizations as Rodney King’s did. Her murder did not draw the nationwide calls for justice Matthew Shepard’s did. Local organizers’ valiant and thoughtful efforts to do justice by her experiences and her memory went largely unsupported by national organizations of all stripes beyond a sound bite here and there, usually in service of their larger agenda of advancing “hate crimes” laws – which have done nothing to protect Johnson from either form of “hate violence” she experienced. And ultimately, while the officer who beat her was ultimately prosecuted under federal civil rights laws, Johnson was not able to achieve justice through the legal system in her lifetime for the multiple forms of violence and criminalization she endured.

CIK: Here at Criminal Injustice Kos, we often discuss different forms of systemic prison brutality.  You write about prisons as “queer spaces.”  Can you explore that idea further here and also tell us something about how “queerness” – and people who are or presumed to be queer – get marked for additional punishment in prisons?  

JM:  In QIJ, we discuss how prisons are queer spaces in several ways.  First, as sex-segregated institutions they are spaces where individuals engage in same-sex sex, intimacy or friendship “as a form of resistance to the isolation and violent dehumanization” in prisons and “as an affirmation of their humanity” (quoted from QIJ, page 95).  Second, detention facilities are branded as queer spaces because they are sex-segregated institutions where options for “normal” sexual activity are unavailable and penal officials seek to ban all sexual activity – whether it is consensual sex among inmates or even masturbation because they fear that may lead to same sex sexual activity.  This denial of sexual intimacy and agency many would argue is a quintessential queer experience because LGBTQ people’s sexual desires and actions have been and continue to be criminalized, denied, over regulated and sought for extinction.  Finally, we discuss how prisons in society’s imagination are considered queer spaces because they have “always served as a breeding ground for raced, gendered, and classed archetypal amalgam of criminality, disease, predation and out-of-control sexuality (quoted from QIJ, page 95).”  For example, we often see prisons used as trope in crime drama tv shows.  During the course of an interrogation, a young suspect is compelled to confess by police officers who tell the youth to cut a deal otherwise they will be sentenced to prison where they will become someone’s “bitch.”  While often left unsaid, the images conjured up in the popular imagination are often that of a Black lesbian or gay man preying on and turning out an un-consenting individual, a myth that is belied by the facts and lived experiences of LGBTQ people in prison.

In fact, those who are or who are LBGTQ in prison (or read as such) are more likely to be targeted and sexually assaulted by staff and prisoners. Such sexual violence is not limited to rape and coerced sex of LBGTQ prisoners, but also dehumanizing and humiliating strip searches, particularly of transgender women and men. The Sylvia Rivera Law Project in New York produced a ground breaking report documenting the sexual violence transgender women suffer in New York men's prisons that we cite in QIJ.  You can also read an excerpt from QIJ describing the sexual violence suffered by LGBTQ people published by Alternet.

The manner in which people are housed in prison also serves as means to punish sexual and gender non conformity.  Because detention facilities are sex-segregated institutions and housing decisions are based on a person's genitalia rather than their gender identity, transgender people are often housed in the wrong facilities (transgender women are often housed with men), or improperly placed in punitive segregation or administrative units where they are subjected to extreme forms of sensory deprivation and deprived of access to any programs that may help them obtain good time credits.  In a Virginia prison, lesbians and other women who appeared to be lesbians were placed in a separate wing of the prison and referred to as the "butch wing" or "studs wing."  

Penal officials further refuse to acknowledge anyone's gender identity, including calling people by their chosen name.  Transgender and gender non conforming prisoners are also refused clothing and other materials that reflect their gender identity, even though they are provided to others incarcerated and in some cases are necessary for health reasons.  In QIJ, we document that one prison forced a transgender man to wear a dress even though no other person incarcerated in that women's facility was forced to wear a dress.

Further, LGBTQ prisoners are denied necessary medical treatment that often leads to dire consequences.  Transgender prisoners are often denied access to hormone therapy, even when they had access to such treatment prior to their incarceration.  Further, those are who are HIV+ or who have AIDS, a disease popularly considered to be "queer," are routinely denied the most basic medical treatment, including regular and meaningful examinations and proper access to medication like anti-retrovirals or others to combat opportunistic infections.

Finally, rules that bar any all sexual activity are used to target and punish LBGTQ people in detention.  In QIJ, we discuss how young Black lesbians in juvenile detention facilities report being punished for violating the no sex rules when they are observed merely talking to other young women or engaging in flirtatious behavior.  Such policing extends to visits LBGTQ people have with their partners in visiting rooms and leads to the denial of same-sex desire which has resulted in some prisons banning prisoners from receiving gay magazines like the Advocate and Out because of their "homosexual" content.  Most recently, I learned that Black and Pink's newsletter (Black and Pink is a great organization that supports gay, lesbian, transgender and queer prisoners ) was banned from a facility for this very same reason.

CIK: The book presents a strong case that hate crime laws are not reducing or preventing violence  – and at the same time, you describe hate crime laws as an “untouchable ‘third rail’” of gay civil rights agendas.  Can you say more about this?

KW:   Penalty enhancements were the key feature for proposed federal and state hate crime laws when the template for same was promoted by the Anti-Defamation League in the early 1980s and uncritically adopted by many civil rights and advocacy organizations, including some of the “mega-gay” groups like the National Lesbian and Gay Task Force (NGLTF)  and the Human Rights Campaign.  

Harassment of and violence against queers has always been a problem in this country. Increasingly, in the post-Stonewall era, this was framed as violence perpetrated by criminal “extremists,” bigoted individuals motivated by personal prejudice run amok. Historian Christine Hanhardt (sorry, subscription required for access to this article)   argues that many LGBT groups began to frame themselves as crime victims, and this fit in perfectly with the “get tough” mood of the late 1970s and 1980s.  

Accordingly, demands for “safe communities” and end to homophobic/transphobic violence narrowed and did not generally include law enforcement violence with two general exceptions:  sodomy laws and their enforcement and police failure to respond appropriately to “hate” violence.  There is sporadic concern about police misconduct in certain egregious cases.  But deeper concern about systemic violence against queers in all aspects of law enforcement largely vanished as once-radical demands gave way to a desire for legal equality and a search for social respectability.  

And most LGBT organizations have embraced community safety strategies that place responsibility primarily in the hands of the very criminal legal system that is a major perpetrator of anti-LGBTQ violence.

LGBT leaders assure us that hate crime laws finally place the police on “our” side and show that society would no longer tolerate violence and hatred against us.  But this is absurd.  Here we are in 2011, with a plethora of federal hate crime laws on the books, including a penalty enhancement provision enacted in 1994.  Hate crime laws in 12 states and the District of Columbia include both sexual orientation and gender identity; 18 state hate crime laws list sexual orientation as a “protected” status category.  

But are we safer?  Is the violence diminishing?  No. Anti-queer violence remains a depressingly consistent – though seriously under-reported – feature of the political and social landscape   Annual reports from the National Coalition of Anti-Violence Programs a network of 40 groups that monitor and respond to anti-LGBT hate, domestic, and sexual violence, and HIV-related violence, confirm this – and regularly note that much anti-LGBT abuse occurs at the hands of law enforcement personnel.  Moreover, as we note in the book,  “Since racially motivated violence makes up the majority of reported hate crimes, it is not surprising that LGBT people of color are overrepresented among those targeted for homophobic and transphobic violence.”  Additionally, transgender people suffer a disproportionate amount of anti-LGBTQ violence.  In short, this country’s history of race-based law enforcement and the oppressive policing of sex and gender follow us into the realm of policing hate violence.  

Groups that have challenged the uncritical embrace of more policing and harsher penalties to produce safety for LGBT communities – including the Audre Lorde Project, American Friends Service Committee (pdf download), Sylvia Rivera Law Project , FIERCE! , Queers for Economic Justice , Peter Cicchino Youth Project, GenderJUST , and Transformative Justice Law Project of Illinois.  But mainstream groups continue to ignore or dismiss them.  Nonetheless, challenges to the mainstream LGBT embrace of “get tough” are growing.  

There is no “one size fits all” alternative that will magically produce community safety for queers.  The task requires along-term commitment to innovative forms of community organizingthat can identify, analyze, and respond to local conditions and needs.  

And we can draw on the experiences of groups like the Audre Lorde Project whose “Safe Outside the System” collective works to create whole neighborhood systems of support and sanctuary for queers who are victims of or threatened by violence without relying on the police.  And that of Community United Against Violence (CUAV), the nation’s first anti-LGBTQ violence organization founded in San Francisco in1979, in the wake of the murders of Harvey Milk and George Moscone.  CUAV.  By the mid-1980s, CUAV became one of the first queer anti-violence organizations to expand its vision to include intimate violence.  Today, its analysis of violence recognizes “multiple, overlapping forms of violence and oppression, including state violence.

AR: I would simply add that we need to be clear that “hate crimes” laws are all too often turned against the very individuals they are intended to protect – we cite information in the book which indicates that young Black men  make up an obscene proportion of individuals charged with “lynching” in one Southern state (yes, you read that right), and instances in which LGBTQ victims of homophobic and transphobic violence have been alleged to have committed “hate violence” against heterosexuals. It seems that when the system  is set up to police and punish particular populations it doesn’t change its stripes when applying laws intended to protect crime victims.

CIK: The book argues against more policing, prosecution, and punishment as ways to produce community safety for LGBTQ people, but at the same time notes that many LGBTQ groups tend to distance themselves from taking on issues of state violence against queers in the criminal legal system.  So what are some initial thoughts about where we go from here?

KW: The concluding chapter in our book takes a look at what a number of different organizations are doing to develop community responses to violence against queers that don’t rely on and strengthen systems of policing and punishment.

But in addition to looking to others for education and inspiration, we also have to examine the ways in which policing, prosecution and punishment have come to shape how many of us think about safety – what it is, how we create and maintain it.  In many ways, the idea of “prison” shapes how we think about not only safety, but also the very concept of justice:  walls and fences, cages, and repressive technology to keep “us” safe from “them.”   But, as we say in the book, it’s impossible to police and punish our way to safety or to justice.  Can’t be done. “Get tough” measures only create more violence, more exclusion and greater injustice, wreaking havoc on individuals, families, and entire communities. They distort our budget priorities, taking away money desperately needed for education, jobs, and other human needs.

What does “safety” really mean for any of us in a society based on violence, exclusion, and inequality?  We need to talk about that, across fault lines of race, culture, class, immigration status, gender, sexuality and ability.  And it’s a tough discussion to have, because too often, middle-class whites want to dominate it.

Our focus needs to shift from policing and punishment to the positive creation of community well being, in which rights and economic stability for all is assured, and no one is considered expendable.   That means moving beyond single-issue organizing so that we can build relationships and strong coalitions across issues and constituencies – and so that we are framing issues and choosing strategies that don’t undermine the rights and safety of other groups.  

JM: As we discuss in the book, many LGBTQ people while striving to obtain equal rights in the United States, feel it is necessary to perpetually depict LGBTQ people as “normal,” law abiding citizens (just like heterosexuals) and distance themselves from LGBTQ people and cases that deal with sex-related or violent crimes.  They fear that criminal cases involving LGBTQ people can be used and manipulated by the media, people on the right and others in mainstream society to paint all LGBTQ people as criminal, immoral and pathological.  While I understand it is complicated and difficult to respond to cases that involve allegations or acts of sex and violence, it is still necessary and of the utmost importance

First, police, prosecutors and prison officers are state actors engaging in acts of homophobia and transphobia that ought to be condemned, regardless of whether the accused person is guilty or innocence. Second, when state actors engage in such conduct it has far reaching consequences.  As we discuss in QIJ, when state actors deploy homophobic, transphobic and racist arguments they breathe life into criminal queer archetypes and beliefs that later get projected into larger society to oppress and discriminate all queers.  These biased sentiments are mobilized to deprive all of queers of the ability to be employed, raise children and lead productive, prosperous and violence free lives.

It is also important to note that people’s reluctance to fight on behalf of criminalized queers, including those who may have violated laws criminalizing sex-related acts, also stems from an unwillingness to address the systemic and structural discrimination LGBTQ people, particularly those who are of color and gender non-conforming, experience that may cause many to engage in survival crimes likes solicitation, prostitution, public indecency and drug related offenses.  Tackling such monumental issues is extremely challenging and complicated and there are no quick fixes, but such work is necessary in order to ensure all LGBTQ people have the opportunity to leave positive and violence free lives.  

 
Stories of Queer (In)Justice: April Mora
summarized by Kay Whitlock

We tell the story of April Mora, a Denver teenager of African American/Native American descent who was walking to a store to buy a soft drink.  Some guys in a car pull up and start mocking her with homophobic epithets.  Two of them, armed with a knife and razor blade, got out of the car, pushed her to the ground, and cut her tongue and her face.  One carved the word “dyke” on one forearm and “R.I.P.” on her stomach.  Mora fought back. The two guys kicked her in the ribs, telling her she’s lucky they didn’t rape her, but next time they will.

Mora made it back home and called her Latina girlfriend with whom she lived. They called the police and an ambulance.  But instead of responding to Mora as the victim of a violent crime, they respond as if she and her girlfriend are the criminals; that they may have taken drugs and been fighting.  Instead of searching for the people who attacked Mora, police demanded that she take a lie detector test.  After Mora went to the hospital for treatment, the officers searched her house –  trashing parts of it – looking for evidence of Mora’s guilt.  Never mind that the hospital staff offered to confirm in writing that her injuries could not have been self-inflicted.  No evidence of Mora’s so-called “guilt”was ever found, and the police did not search for her attackers.  

As a young woman of color, whose gender expression and perceived sexual orientation are at odds with societal norms, Mora summed up the experience saying, “It’s as if–if I want to look like a guy, I should get beat up like a guy,” and “I’m black and Indian, but I look Chicano.  I think if I were white, the cops and people would treat us differently.”  She’s right.

CIK: In one sentence:  what message would you most like readers to “get” once they’ve read and thought about Queer (In)Justice?

JM: As we say in Queer (In)Justice, the policing, prosecution and punishment of sexual and gender non conformity is a tool of race based law enforcement in the United States and an independent function of law enforcement.

KW: I’d love for readers to understand why confronting the state violence of the criminal legal system is an essential component of anti-racist, progressive LGBTQ agendas – and why confronting the criminalization of queers is an essential component of all progressive movements for justice

CIK: Any final comments before we launch into discussion?  Anything else you’d like to say?

KW:  I’d like to remind folks that some diaries I’ve written here – including on HIV/AIDS and prisons, prison abuse of transgender prisoners, and criminal archetypes used to trigger fear/loathing directed at criminalized people (including people of color, queers, and people of color who are queers!) – are RadioGirl diaries, but are not just from my original thought and draw heavily on analysis and concepts collectively developed in the book and sometimes paraphrase arguments in the book.  The book and my co-authors are acknowledged in those diaries, but I also want to clarify that here!  

Thanks to CIK and its readers for this opportunity to talk about the book and some of the extraordinary work being done on the issues it addresses by many groups and individuals throughout the country.

Purchase Queer (In)Justice & Support Community Organizations

If you’re planning to buy the book, you can do so via the Beacon Press website

By entering one of the following codes at checkout, you’ll get 10% off and have a portion of the proceeds of the sale go to organizations highlighting, challenging, and battling the criminalization of LGBT people in the United States on the ground and building visions for true safety for our communities.

ALPP – Audre Lorde Project
CAVP - Colorado Anti-Violence ProgramProgram
CRRE - Critical Resistance
NYSHN -Native Youth Sexual Health Network
DIFF – Different Avenues
SASI – Streetwise and Safe
YWEP – Young Women’s Empowerment Project
WWAV – Women With a Vision
QFEJ -Queers For Economic Justice