PUB: No Entry Fee: Crucible Poetry and Fiction Competition (open to all writers) > Writers Afrika

No Entry Fee:

Crucible Poetry and

Fiction Competition

(open to all writers)

 

 

Deadline: 1 May of each year

The Crucible poetry and fiction competition is open to all writers. All entries must be completely original, must never have been published, must be in manuscript form, and must not be involved in other competitions. The author's name should not appear on the manuscript copy. Writers should send with their entries a short biographical sketch. Permission to publish the material is implied by submission. Entries submitted without the above information will not be considered. Manuscripts will be accepted only through May 1 of each year. Winners will be notified by October of the same year. Crucible will receive first publication rights to winning entries, after which rights will revert back to the author. Winning entries will be published in the fall issue of Crucible published by the Barton College Department of English. Fiction must be limited to 8,000 words or less. Poetry must be limited to five poems. No prizes will be given in other categories.

The Sam Ragan Poetry Prize is open to all poets. The rules stated above apply also to competition for this prize. One prize of $150 will be awarded.

All work submitted for publication is automatically considered for the prizes, and the same guidelines apply.

PRIZES AND CATEGORIES

Poetry:
• $150.00 First Prize
• $100.00 Second Prize

Fiction:
• $150.00 First Prize
• $100.00 Second Prize

All entries should be submitted electronically to: crucible@barton.edu

CONTACT INFORMATION:

For inquiries: crucible@barton.edu

For submissions: crucible@barton.edu

 

 

PUB: Pikes Peak Branch of the National League of American Pen Women Inc

Annual Flash Fiction Contest

The Pikes Peak Branch of the National League of American Pen Women Inc. sponsors an annual flash fiction contest.  This national contest challenges authors to "tell a story" using only one hundred words.  This year's creative submissions came from around the country.

 

 

Flash Fiction 2012 Contest

Theme: Are You Devious at Heart?

 

Pikes Peak Branch, CO

Deadline: May 1, 2012 (Postmarked by/Received Electronically by)

Prizes: 1st- $100; 2nd- $50; Judge's Merit Award- $25.

Entry fee: $10 first manuscript, $8 each additional manuscript,

$10 additional per each optional critique.

Winners will be notified by May 15, 2012.

 

Theme: Are You Devious at Heart. A complete but very short story of 100 words or less. (Don't include the story title in the story word count.)

 

Entries MUST be narrative in form (must tell a story) and pertain to the theme. One does not have to be a CO resident or NLAPW member to submit. All genres are welcome. Male writers are welcome. No poetry.

 

Multiple submissions are acceptable. Include a $10 check with each initial entry, $8 for each additional entry.  $10 should be included if a critique is requested. (Fees may be combined in single check.) Make check or money order payable to: Pikes Peak Branch NLAPW. Payment may also be completed by credit card or Paypal account online; you do not need to have a PayPal account to use PayPal for credit card payment (get the Transaction ID# from your confirmation email to include with your entry).

 

CLICK HERE for submission rules and entry information

CLICK HERE to meet our judges
CLICK HERE to process payment via Paypal/Credit Card
CLICK HERE for a Checklist of things to do before submitting

 

For inquiries or further information, e-mail thewarriormuse@gmail.com


Mail or email each submission with a Cover Letter and check (or PayPal Transaction ID) in the appropriate amount to: Shannon Lawrence, Flash Fiction Contest Chair, 5685 Flag Way, Colorado Springs, CO 80919, thewarriormuse@gmail.com.


Note: Pikes Peak Branch officers and contest coordinators are not eligible to enter.

 

 

See 2009 Contest Winners here.

See 2010 Contest Winners here.

See 2011 Contest Winners here.

 

 

PUB: Meyerson Contest - Southwest Review - SMU

The David Nathan Meyerson Fiction Prize

Named for the late David Nathan Meyerson (1967-1998), a therapist and talented writer who died before he was able to show to the greater world the full fruits of his literary potential, the prize consists of $1,000 and publication in SWR. With the generous support of Marlene, Marti, and Morton Meyerson, the award will continue to honor David Meyerson's memory by encouraging and taking notice of other writers of great promise.

RULES

The prize is open to writers who have not yet published a book of fiction, either a novel or collection of stories.

Submissions must be no longer than 8,000 words.

A $25.00 reading fee must accompany each submission.

Work should be printed without the author's name (if work is submitted online, please omit the author's name from the final "submission content text area"). Name and address should appear only on the cover letter or at the top of the online form.

Submissions will not be returned. For list of winners, include a self-addressed, stamped envelope.

No simultaneous or previously published work.

Postmarked deadline for entry is May 1, 2012. (Winner will be announced in August.)

The winning story will appear in Southwest Review Vol. 97, No. 4 (autumn), 2012.

All entries will be considered for publication.

Mailed entries should be addressed to:

The Meyerson Fiction Prize
Southwest Review
P.O. Box 750374

Dallas, TX 75275-0374

You may enter the Meyerson Prize online by following the directions below.

click here to pay your Meyerson entry fee with a VISA, MasterCard, or Discover card.

%20swr@smu.edu?subject=Meyerson Fiction Contest Entry"> click here to submit your Meyerson entry by email.

NOTE: Your entry is not complete until you have completed both of the above steps.
 

To submit your work for regular publication, click here.

 

For information about the 2011 Meyerson winner and finalists, click here.

For information about the 2010 Meyerson winner and finalists, click here.

For information about the 2009 Meyerson winner and finalists,

click here.

 


Southern Methodist University
PO Box 750374 . Dallas TX 75275-0374
214-768-1037 .  Fax 214-768-1408
Email: swr@smu.edu
Copyright Southwest Review 2011

via smu.edu

 

ACTION: Trayvon Martin—Stand Strong - The Case Is About To Get Deeper Than Whale Doo-doo

Legendary civil rights activist Richard Dick Gregory speaking about the racist crime that killed Trayvon Martin.

Thousands of people gathered today March 24th. at Freedom Plaza in Washington, DC, to demand justice for Trayvon Martin, the 17 y.o. teenager killed 27 days ago in Sanford, Florida in a racist crime.

 

__________________________

__________________________

 

Trayvon Martin Shooter

'Couldn't Stop Crying'

After Shooting

 

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After fatally shooting Trayvon Martin, Florida community watch captain George Zimmerman "couldn't stop crying,'' according to a family friend who spoke with him Saturday.

"After this started -- the reports I got -- [Zimmerman] couldn't stop crying,'' Joe Oliver told "Good Morning America" today.

Oliver, who described himself as a close friend of the family, said Zimmerman has gone into hiding, fears for his life, and is "just now becoming aware of how big this has gotten."

Oliver, who has known Zimmerman for six years, said he has been in regular contact with members of Zimmerman's family, who have briefed him on Zimmerman's day-to-day reactions as the case has grown into a national referendum on race, gun laws and criminal justice.

On Saturday, the militant New Black Panther Party offered a $10,000 bounty for Zimmerman's "capture."

Trayvon Martin Case: Timeline of Events

On Friday, members of the Miami Heat basketball team dispatched Twitter pictures showing team members wearing "hoodies," apparently in solidarity with the family of Martin, who was wearing the popular hooded jacket when he was shot. Last week, President Obama weighed in on the controversial case, saying that if he had a son he would "look like" Trayvon Martin.


The investigation included a re-enactment of the shooting the following day, according to authorities. Florida law allows licensed gun owners to use deadly force if they fear their lives are in danger.

In the course of speaking with ABC News over the weekend, the emotional toll the case has taken on Oliver himself became evident when he stopped talking to remove his glasses and wipe his eyes.

He said he considers Zimmerman as close "as a son," and he's deeply frustrated by his inability to protect the 28-year-old from such searing public censure.

While increasingly concerned for his safety, Zimmerman nonetheless believes that in time he will be exonerated in the court of public opinion, Oliver said.

"Up until this point, because he was there and he knows what happened, and because he's not in jail, he's been very confident -- naively -- that this will all blow over,'' Oliver said on GMA.

"I think when the other 911 tapes are released, and the other evidence comes out, I think it will show clearly that George Zimmerman was acting in self defense,'' Oliver said. "The question is: how far did he pursue? Who made the initial contact? What started the confrontation in the first place? The fact that the investigation so far has come out the way it has -- because of Sanford's history -- I find it hard to believe that the Sanford Police Department wouldn't have George in jail now if they had one ... piece [of evidence] to support that fact. George Zimmerman is not in jail because ... they don't have the evidence to arrest him."

Florida's increasingly controversial "stand your ground" law was passed in 2005, eliminating the requirement that a person seek an alternative -- like fleeing -- before using force if they felt they were in physical danger.

The National Rifle Association and other advocates had argued that citizens were being arrested for merely defending themselves.

Florida, like many other states, has long held that citizens have the right to defend themselves in their own homes. Court rulings have expanded that right to include employees in workplaces and drivers in their cars. But there was long a reluctance to extend those rights to public places, so judges had ruled that citizens under threat must make some alternative attempt to violence to escape danger.

In 2005, the Florida House of Representatives voted 94-20 in favor of a new, "stand your ground" bill that eliminated the requirement to flee.

The state Senate passed the bill 39-0, and Governor Jeb Bush signed it into law.

 

 

Martin was returning to a friend's home in the gated Florida community of Sanford on Feb. 26, where Zimmerman was acting as a neighborhood watchman when Zimmerman spotted him and called police, describing the teen as suspicious.

He began to follow Martin, and continued speaking with police, who warned him repeatedly not to approach Martin.

Martin, meanwhile, was on the phone with a 16-year-old female friend, who told ABC News that she urged Martin to run.

She said she heard some pushing, and then the line went dead.

"He said this man was watching him, so he put his hoodie on. He said he lost the man," the girl told ABC News. "I asked Trayvon to run, and he said he was going to walk fast. I told him to run but he said he was not going to run."

Zimmerman was reportedly charged with assault on a police officer in 2005, when he was 21, after a scuffle with police over the arrest of one of his friends for underage drinking in a local bar. He accepted a pre-trial diversion that kept him from being convicted of a felony -- an outcome that might have prevented him from receiving a permit to carry a gun.

Sonner said he couldn't predict whether charges would eventually be filed against Zimmerman, but he is prepared for anything.

"It's going to the grand jury on April 10, and then the grand jury will make that decision at that time,'' Sonner said.

"So they can file charges at any time -- tomorrow is Monday -- they can file tomorrow," he said. "Whether they will or not? Thus far they have not, and it is my contention, when all the evidence I believe is going to come forward, I think it clearly going to be a case of self-defense."

 

>via: http://abcnews.go.com/US/trayvon-martin-shooter-couldnt-stop-crying-shooting/....T2_djFE48ng

 

__________________________

 

3/23 Mike Luckovich cartoon:

Florida law

 

March 22, 2012, by AJC Opinion

__________________________

Black Teen Witness
of Trayvon Martin's Murder
by George Zimmerman

Uploaded by  on Mar 16, 2012

The Orlando Sentinal interviews a teenager who saw what happened in part to Trayvon Martin. He clearly gets the message that the Sanford police is sending to Black youth across the nation. Justice must be served.

 

 

__________________________

 

 

<p style="width:640px">Witness: Martin attacked Zimmerman: MyFoxTAMPABAY.com</p>

Witness:

Martin attacked Zimmerman

Updated: Friday, 23 Mar 2012, 6:19 PM EDT
Published : Friday, 23 Mar 2012, 5:47 PM EDT

ORLANDO - A witness we haven't heard from before paints a much different picture than we've seen so far of what happened the night 17-year-old Trayvon Martin was shot and killed.

The night of that shooting, police say there was a witness who saw it all.

Our sister station, FOX 35 in Orlando, has spoken to that witness.

What Sanford Police investigators have in the folder, they put together on the killing of Trayvon Martin few know about.

The file now sits in the hands of the state attorney. Now that file is just weeks away from being opened to a grand jury.

It shows more now about why police believed that night that George Zimmerman shouldn't have gone to jail.

Zimmerman called 911 and told dispatchers he was following a teen. The dispatcher told Zimmerman not to.

And from that moment to the shooting, details are few.

But one man's testimony could be key for the police.

"The guy on the bottom who had a red sweater on was yelling to me: 'help, help…and I told him to stop and I was calling 911," he said.

Trayvon Martin was in a hoodie; Zimmerman was in red.

The witness only wanted to be identified as "John," and didn't not want to be shown on camera.

His statements to police were instrumental, because police backed up Zimmerman's claims, saying those screams on the 911 call are those of Zimmerman.

"When I got upstairs and looked down, the guy who was on top beating up the other guy, was the one laying in the grass, and I believe he was dead at that point," John said.

Zimmerman says the shooting was self defense. According to information released on the Sanford city website, Zimmerman said he was going back to his SUV when he was attacked by the teen.

Sanford police say Zimmerman was bloody in his face and head, and the back of his shirt was wet and had grass stains, indicating a struggle took place before the shooting. 

 

VIDEO: "Roadmap To Apartheid" Doc Explores Israeli-Palestinian Conflict Via South African Apartheid (Alice Walker Narrates) > Shadow and Act

Trailer:

"Roadmap To Apartheid"

Doc Explores

Israeli-Palestinian Conflict

Via South African Apartheid

(Alice Walker Narrates)

Video by Vanessa Martinez | March 23, 2012

Here's another documentary premiering at the Atlanta Film Festival this month...

Narrated by Alice Walker, Roadmap To Aparheid, documents the complex journey of the Israeli-Palestinian conflict by drawing a correlation/analogy to the South African apartheid. 

Here's a summary from the film's website:

Ana Nogueira is a white South African and Eron Davidson a Jewish Israeli. Drawing on their first-hand knowledge of the issues, the first-time directors take a detailed look at the apartheid analogy commonly used to describe the Israeli-Palestinian conflict.

Narrated by Alice Walker (author of The Color Purple), Roadmap to Apartheid is as much a historical document of the rise and fall of apartheid in South Africa, as it is a film about why many Palestinians feel they are living in an apartheid system today, and why an increasing number of people around the world agree with them.

While not perfect, the apartheid analogy is a useful framework by which to educate people on the complex issues facing Israelis and Palestinians. Our film delves into those issues, comparing the many similar laws and tools used by both Israel and apartheid-era South Africa. The audience will see what life is like for Palestinians in the West Bank, Gaza Strip and inside Israel while gaining a deeper understanding of the conflict with the help of respected analysts on the subject. Combined with archival material and anecdotes from South Africans, the film forms a complete picture as to why the analogy is being used with increasing frequency and potency.

“Roadmap To Apartheid is very powerful and compelling, and the visuals of house demolitions are appalling.  Religion is repeatedly misused by politicians. Yet one of the lessons of Jewish history is that God is always on the side of the oppressed.  Another is that those who dehumanize others, dehumanize themselves.  Israelis will pay a heavy price for their callous mistreatment of Palestinians.” — Archbishop Desmond Tutu

“Roadmap to Apartheid is a harrowing exposé of Israel’s unique system of official discrimination.” –Naomi Klein, author and film maker

Take a look at the trailer below:

 

POLICE BRUTALITY: Rekia Boyd killed by off-duty detective

Cop Shot & Killed

Innocent Black Woman

(R.I.P. Rekia Boyd)

 

 

Uploaded by  on Mar 24, 2012

Killed by an off-duty police detective on the West Side, Rekia Boyd has died, while the other person has been charged with assault, officials said. Rekia Boyd, 22, of the 1500 block of California Avenue, was pronounced dead at 1:15 p.m. Thursday at Mount Sinai Hospital, according to the Cook County medical examiner's office. The other person wounded by the detective, Antonio Cross, 39, of the 7100 block of South Ridgeland Avenue in the South Shore neighborhood, was released from Mount Sinai Hospital about being treated for a gunshot wound to the hand. Cross has been charged with aggravated assault, a misdemeanor, according to police. Police said Cross approached the detective's car with a handgun around 1 a.m. Wednesday near the intersection of 15th Place and Albany Avenue. The detective opened fire, hitting the him in the hand but also striking Boyd in the head, according to police officials.

 

__________________________

Woman shot by

off-duty officer dies

 

 

A woman shot by an off-duty Chicago police officer on Wednesday morning died Thursday. Family members say she was an innocent bystander and are calling for an investigation into her death.

 

"How could this be justified? They took my sister away from me," said Martinez Sutton, the brother of 22-year-old Rekia Boyd.

The suburban man is grieving the loss of his sister, who died Thursday at Mount Sinai Hospital after being shot in the head by an off-duty Chicago police officer.

Boyd and a man were both shot early Wednesday morning by an off-duty detective on the city's West Side.

Family and friends who were at Boyd's side when she passed away Thursday are calling for a federal investigation into her death.

Boyd's family insists she was an innocent bystander.

"This young beautiful girl dead in the streets. Why?" said Sutton.

Boyd's family brought two photos of her Thursday to the hospital. In the first, she is a smiling, happy 22-year-old woman. The second photo was snapped shortly before she died.

"All we want to know is what happened?" said Sutton.

Just after 1 a.m. Wednesday morning, the police union says, an off-duty detective rolled down his car window and asked a group of people gathered near Douglas Park to quiet down. In response, police say, a 39-year-old man pointed a gun at the officer, who drew his own weapon and fired. The bullets hit the alleged gunman in the hand and Rekia Boyd in the head as she stood nearby.

"They said the shooting is justified, but how is it justified when you got a young girl up there with a bullet hole in her head? What kind of justice is that?" said Sutton.

Witnesses told ABC 7 Wednesday that no one pulled a gun on the off-duty officer. And prosecutors only charged the man who police say had a gun with aggravated assault, a misdemeanor.

"There were 60-70 people in the park and no one had a gun. Everyone was just out there to hang out, that's it," said witness Leo Coleman on Wednesday. Coleman is the alleged gunman's cousin.

Boyd's large family from south suburban Dolton sees similarities between what happened to her and the case of the unarmed Florida teen shot by a neighborhood watch volunteer.

"First you got Trayvon, now you got Rekia," Sutton said. "Senseless, senseless violence. It didn't have to happen."

The Independent Police Review Authority is investigating the shooting.

Late Thursday afternoon, the Chicago Police Department told ABC 7 that CPD had been in contact with Boyd's family and would like to express sincere condolences.

 

(Copyright ©2012 WLS-TV/DT. All Rights Reserved.)

VIOLENT RACISM: Shaima Alawadi: Iraqi Muslim Woman Severely Beaten, Note Near Her Body Read, "Go back to your own country. You're a terrorist." > loon watch

Shaima Alawadi:

Iraqi Muslim Woman

Severely Beaten

To Death,

Note Near Her Body Read,

“Go back

to your own country.

You’re a terrorist.”


Posted on 24 March 2012 by Emperor

 

Shaima AlAwadi

 

A hijab wearing Iraqi woman has been severely beaten and is not expected to recover from a violent attack on her inside of her home near San Diego.

Apparently this was a premeditated attack. A similar note to the one found by Shaima Alawadi’s body was found by the Alawadi family earlier this month, but the family dismissed it as a “prank.”

USAToday reports:

A family friend, Sura Alzaidy, told the newspaper UT San Diego that the attack apparently occurred after the father took the younger children to school.

Was someone scoping the house out before the attack, waiting for an opportune moment to strike?

A woman’s life has most likely been taken as she is not expected to survive the gruesome attack. What motivated this individual to do something so grisly? If what Alzaidy told the newspaper is true, and we see no reason why it wouldn’t be, clearly we are witnessing an attack motivated by hatred and bigotry.

Islamophobes will try and claim another Muslim did this, but how then do they explain the note?

*I want to point out that we cannot conclude anything at this point, some facts have been presented, such as the note but we will have to wait for the police investigation to relay more information on this crime.

California: Muslim woman’s attacker left note reading ‘Go back to your own country. You’re a terrorist’

A 32-year-old woman was critically injured and not expected to survive after an assault in her El Cajon home on Wednesday, police said Friday, and a threatening note telling the mother of five to go back to her home country was found near her, a family friend said.

The woman’s 17-year-old daughter found her unconscious in the dining room of the house on Skyview Street off Lemon Avenue about 11:15 a.m. Wednesday, said El Cajon police Lt. Steve Shakowski. Police identified her as Shaima Alawadi.

“Based on the type of injuries Alawadi sustained, and other evidence retrieved at the scene, this case is being investigated as a homicide,” Shakowski said.

Police did not disclose the contents of the note. Sura Alzaidy, a family friend, said it told the family to “go back to your own country. You’re a terrorist.” The family is from Iraq, and Alawadi is a “respectful modest muhajiba,” meaning she wears the traditional hijab, a head scarf, Alzaidy said.

El Cajon police Lt. Mark Coit said the family stated they had found a similar note earlier this month, however did not report it to authorities.

The daughter who found her mother told KUSI Channel 9/51 on Friday night that her mother had been beaten on the head repeatedly with a tire iron. She said her mother had dismissed the previous note, found outside the house, thinking it was a child’s prank.

**********************************

Update I: Shaima Alawadi has succumbed to her injuries according to this youtube user who uploaded video of Alawadi’s daughter being interviewed:

Update II:  EL CAJON, Calif. (AP) — A 32-year-old woman from Iraq who was found severely beaten next to a threatening note saying “go back to your country” died on Saturday.

Hanif Mohebi, the director of the San Diego chapter of the Council on American-Islamic Relations, said he met with Shaima Alawadi’s family members in the morning and was told that she was taken off life support around 3 p.m.

“The family is in shock at the moment. They’re still trying to deal with what happened,” Mohebi said.

Alawadi, a mother of five, had been hospitalized since her 17-year-old daughter found her unconscious Wednesday in the family’s house in El Cajon, police Lt. Steve Shakowski said.

The daughter, Fatima Al Himidi, told KUSI-TV her mother had been beaten on the head repeatedly with a tire iron, and that the note said “go back to your country, you terrorist.”

Addressing the camera, the tearful daughter asked: “You took my mother away from me. You took my best friend away from me. Why? Why did you do it?”

Police said the family had found a similar note earlier this month but did not report it to authorities.

Al Himidi told KGTV-TV her mother dismissed the first note, found outside the home, as a child’s prank.

A family friend, Sura Alzaidy, told UT San Diego (http://bit.ly/GYbfB7) that the attack apparently occurred after the father took the younger children to school. Alzaidy told the newspaper the family is from Iraq, and that Alawadi is a “respectful modest muhajiba,” meaning she wears the traditional hijab, a head scarf.

Investigators said they believe the assault is an isolated incident.

“A hate crime is one of the possibilities, and we will be looking at that,” Lt. Mark Coit said. “We don’t want to focus on only one issue and miss something else.”

The family had lived in the house in San Diego County for only a few weeks, after moving from Michigan, Alzaidy said. Alzaidy told the newspaper her father and Alawadi’s husband had previously worked together in San Diego as private contractors for the U.S. Army, serving as cultural advisers to train soldiers who were going to be deployed to the Middle East.

Mohebi said the family had been in the United States since the mid-1990s.

He said it was unfortunate that the family didn’t report the initial threatening note.

“Our community does face a lot of discriminatory, hate incidents and don’t always report them,” Mohebi said. “They should take these threats seriously and definitely call local law enforcement.”

El Cajon, northeast of downtown San Diego, is home to some 40,000 Iraqi immigrants, the second largest such community in the U.S. after Detroit.

 

HISTORY: Maroon People—Where Slaves Ruled > National Geographic Magazine

Maroon People

Photo: Santo Antonio dos Pretos

A cross in the center of Santo Antônio dos Pretos, at the edge of the Amazon.

Where Slaves Ruled

Escaped slaves in Brazil created thousands of hidden societies, or quilombos, in the heart of the country. Today these communities are winning rights to their land—and helping protect it.

By Charles C. Mann and Susanna Hecht
Photograph by Tyrone Turner

Imagine flying, impossibly, over the Earth in the 17th century—during the time described in American history books as the colonial period, when Europeans swarmed into the New World to dominate an almost empty wilderness. Instead, you would see tens of millions of native people already living in the Americas, joined by an extraordinary flow not of European colonists but of African slaves. Up until the early 19th century, almost four times as many Africans as Europeans came to the Americas. Looking down from above, you wouldn’t know that the tiny numbers of Europeans were supposed to be the stars of the story. Rather, your attention would focus on the two majority populations: Africans and Indians.

You’d have a lot to watch. By the tens of thousands, African slaves escaped the harsh conditions of the European plantations and mining operations and headed for the interior, into lands controlled by Indians. Up and down the Americas, ex-slaves and indigenous peoples fashioned hybrid settlements known as maroon communities, after the Spanish cimarrón, or runaway.

A hundred families harvest a meager living from the palm forests near the village of Santo Antônio dos Pretos. The quilombo was founded by escaped slaves two years before emancipation in 1888.

 

Largely conducted out of sight of Europeans, the complex interplay between black and red is a hidden drama that historians and archaeologists have only recently begun to unravel. Nowhere is the presence of this lost chapter more in evidence than in Brazil, where thousands of maroon communities are emerging from the shadows, reaffirming their mixed culture and pressing for legal title to the land they have occupied since the era of slavery. The stakes are high: New laws are giving Brazil’s maroon communities, called quilombos (the word for “settlement” in the Angolan language of Kimbundu), a key role in determining the future of the great Amazon forest.

Macaws screech overhead as the little boat motors upstream, water hyacinth rocking in its wake. The vessel is traveling through the lower Amazon Basin, riding from the mouth of the great river along a tributary to the hamlet of Baixo Bujaru. The village in the northern state of Pará has changed surprisingly little since the 18th century, when it was established by slaves who had escaped from their Portuguese masters. Little more than a school and a community building surrounded by airy wooden houses, it has no electricity, running water, or medical care and is accessible only by boat. Multiple hands pull in the boat as it approaches the main dock. Waiting are almost a hundred people who have come to meet the visiting medical team: a doctor, dentist, nurse, nurse-practitioner—and two beauticians. “Is it true that in other countries you don’t get a facial and your dreads done with your Pap smear?” the pilot asks. “Brazil is a civilized nation!”

 

After Brazil’s coastal forests were leveled for sugarcane plantations in the 16th century, millions of slaves were imported from Portuguese Africa. Today farms like this one in the northeast near Rio Formoso produce sugarcane for ethanol, a major export.

 

During centuries of slavery roughly five million African captives were brought to Brazil. Almost as soon as they were put to work, the slaves began slipping out of their masters’ control, creating fugitive worlds in the country’s interior. Protected by a labyrinth of rivers and impenetrable forest, these illicit settlements endured for decades, even centuries.

Brazil abolished slavery in 1888, the last nation in the hemisphere to do so. But the end of slavery did not mean an end to discrimination. Tucked into remote pockets, Brazil’s maroon people, known as Quilombolas, continued to conceal themselves, staying so far from official sight that by the middle of the past century most policymakers believed they no longer existed. In the 1960s Brazil’s military rulers decided to open up the Amazon Basin—it was, they argued, the nation’s destiny. Land speculators poured in, feeding a classic real estate bubble. Hoping for quick money, they put huge areas to the ax, planted grass for ranches, and looked for the next buyer. Any people found on the property were deemed to be squatters and driven out, often at gunpoint. Countless quilombos were erased. But many managed to survive, Baixo Bujaru among them.

In the waiting crowd in Baixo Bujaru was Bettina dos Santos, the pilot’s mother, born about 70 years ago in a house 45 minutes upriver. In those days there was no school. Nor were there any legal protections when the generals sliced Baixo Bujaru into ranches and sold them to politically connected investors. Armed men cut down maroon forests and placed cattle on the denuded results. With the local church, dos Santos says, she helped organize protests. “But we couldn’t stop it—they had too many guns.”

In the 1980s geologists discovered valuable bauxite (aluminum ore) and kaolin (a fine clay used to coat paper) in the next watershed over, also occupied by Quilombolas. Once more the state freely distributed their land, licensing it to mining companies. “So again we let them know we were here,” she says. This time they were successful. In March 2008 Baixo Bujaru and its neighbors gained title to their land.

By U.S. standards, dos Santos’s living room is bare: a small table with family photos, a bookcase against one wall. Yet the woman who grew up with no access to medical care is now visited by a boatload of doctors and beauticians every few months. Dos Santos could not attend school and risked her life to protest deforestation. Now her daughter is studying for her Ph.D.; her son works for a farmers association. Smiling proudly from photographs, they are living testaments to the way Quilombolas have moved from invisibility to citizenship.

The Atlantic slave trade was a massive enterprise with tentacles that reached everywhere in the Americas, from Boston to Buenos Aires. But its center was the Portuguese colony of Brazil: For every African who landed in British North America, 12 arrived in Brazil, most of them destined for gold mines and sugar plantations, brutal work that killed a third to a half of them within five years. Sugar harvesting required hacking down hard, sticky, bamboo-like cane stalks in the baking sun; sugar processing involved boiling away the juice in smoking cauldrons. Little wonder the slaves quickly made for the exits, creating the most renowned quilombo of all: Palmares, which at its height in the mid-17th century held sway over 10,000 square miles in the north coastal mountains.

The founder of this maroon nation was said to be Aqualtune, an Angolan princess and general enslaved in a Congolese war in about 1605. Soon after arriving in Brazil, the pregnant Aqualtune escaped with some of her soldiers and fled to the Serra da Barriga, a series of abrupt basaltic extrusions that dominate the coastal plain like a line of watchtowers. On one high crest was a pool of water sheltered by trees, with an indigenous community living around it. Here, according to legend, Aqualtune built Palmares.

Today Palmares is a national park in the state of Alagoas reached only by a rutted, muddy, unmarked road that can easily rip out a car’s oil pan. A plaque by the high-crest pond recounts Aqualtune’s story—to the distress of historians, because nobody knows how much of it is true. What researchers do know is that the quilombo’s dozen villages became a haven for as many as 30,000 Africans and Indians, as well as a few renegade Europeans. It had roughly as many inhabitants at the time as all of British North America. By the 1630s, Aqualtune’s son, Ganga Zumba, ruled Palmares from a palace with rich decorations, lavish feasts, and cringing minions.

Ganga Zumba’s subjects used African-style forges to make metal plows and scythes for use in Indian-style mixed fields of corn, rice, and manioc and agricultural forests of palm and breadfruit. Around the settlements were protective palisades, pits filled with deadly stakes, and paths lined with lacerating caltrops. If attackers struck an outlying village, its people fled to the high outcrops, where fertile soils and artesian water made it possible to outlast any siege.

Lisbon saw Palmares as a direct challenge to its colonial state. Not only did maroon troops raid Portuguese settlements; they also blocked further European expansion into the interior. Enraged and fearful, Portugal launched more than 20 attacks on Palmares, always unsuccessfully. But the constant strife wearied Ganga Zumba, who agreed in 1678 to stop accepting new fugitives and move out of the mountains. Rejecting what he viewed as a betrayal, Ganga Zumba’s nephew Zumbi poisoned his uncle and tore up the treaty. In reprisal, colonial forces assaulted the Serra da Barriga year after year. The Portuguese finally destroyed Palmares after a terrible siege in 1694, killing hundreds of its residents. The quilombo was never rebuilt, but Zumbi and Palmares remained a symbol of resistance.

Jacey Mendes of Santiago “kills the hunger” with a shot of cachaça, or sugarcane rum. She’s helping clear land to grow cassava root using a slash-and-burn method that some sharecroppers have come to rely on.

 

At first glance, the surviving quilombos look like other poor Brazilian villages. But most retain cultural elements of their residents’ African homeland, mixed with European and native traditions. Brazil has a host of hybrid spiritual regimes—candomblé, umbanda, macumba, terecô—in which Afro-Brazilians dance, drum, and practice the dancing martial art of capoeira. In their isolation, quilombos built pageants and festivals atop these spiritual traditions, tying communities together with the supple bonds of shared memory. Across Brazil’s north and northeast quilombos celebrate Bumba-Meu-Boi, a festival that satirically retells the tale of slaves escaping their fate with the help of Brazil’s original inhabitants. The struggle for freedom is revisited even more overtly in the ritual dance of Lambe-Sujos, in which “runaway slaves,” many covered head to foot in shimmering black oil, suck on baby pacifiers, symbolizing the cruel circular plugs strapped into the mouths of recalcitrant slaves. Clinging together in a spirit of resistance, the Quilombolas are celebrating their history even as they preserve it.

The quest to save the rain forest has had unintended consequences for quilombos. The 1970s surge in Amazonian deforestation set off a worldwide furor. Chico Mendes, a kind of Brazilian Martin Luther King, led a campaign to recognize both the importance of the Amazon forest and the rights of its “traditional peoples,” including quilombo residents. Meanwhile, the military dictatorship unraveled in a welter of inflation and scandal. Brazil enacted a new, democratic constitution in October 1988. Two months later Mendes was killed by a rancher-hired assassin. But it was too late to stop his cause: The new constitution protected the rights of traditional peoples. Along the way, it declared that quilombo communities were “the legitimate owners of the lands they occupy, for which the State shall issue the respective title deeds.”

“Nobody understood the implications at the time,” says Alberto Lorenço Pereira, undersecretary for sustainable development in the Brazilian ministry of long-term planning, which formulates land policy. The framers of the constitution, he says, pictured “a few remnant quilombos somewhere in the forest” whose elderly members would be rewarded with their fields. Now it is widely believed there may be 5,000 or more maroon communities in Brazil, many of them in the Amazon Basin, occupying at least 30 million hectares—115,000 square miles, an area the size of Italy. Conflict was inevitable, Pereira says. “A lot of other people want that land.”

Irate ranchers, miners, planters, land speculators, and plantation owners charged that many quilombo territories were not ancient legacies of slavery but modern land grabs—squatters trying to make a quick buck by pretending to be something they weren’t. “There was an explosion of resentment,” says Manuel Almeida, head of the Terras Quilombos de Jambuaçu, an association of 15 maroon communities in the lower Amazon. “People in the state senate questioned our legitimacy and tried to help the oil palm farmers and mining companies” that wanted quilombo land, he says. Between 1988 and 2003, just 51 land titles were granted to quilombo communities. Jambuaçu got its titles in the fall of 2008, but only after a long, bitter fight with ranchers and miners.

Brazil has had trouble deciding exactly what a quilombo is. Initially the definition—a community of descendants of escaped slaves—seemed unproblematic. But how should the law treat places like Frechal, in Brazil’s eastern forest, where slaves who helped rid their master of debt were given land as a reward but still were persecuted by postcolonial planters? What about Acará, in the lower Amazon state of Pará, where an owner is said to have given his plantation to a slave he loved—but didn’t provide her with the title? Or the lands in Tocantins, the state southeast of Pará, that in the 1860s were given by the government to slave militias as a reward for serving in a war against Paraguay? Strictly speaking, not one of these settlements was created by runaways. Yet all of them were autonomous communities founded by Africans, joined by Indians, with hybrid cultures, lengthy histories of bad treatment, and no recognizable legal titles to their land. Should they be pushed out of their homes?

Swirling to West African rhythms, residents of the Santa Rosa dos Pretos quilombo celebrate the recovery of a sick neighbor with a tambor de crioula, a “creole drum” festival that mixes African and European traditions.

 

To resolve the disputes, then President Luiz Inácio Lula da Silva ruled in November 2003 that a quilombo was any community that identified itself as a quilombo and had “African ancestry related to a history of resistance to historical oppression.” Following Lula’s decree, quilombos came out of the shadows in such numbers that they overwhelmed the agencies evaluating their claims. Some 1,700 quilombos have been officially recognized, and the number is growing as previously invisible communities come forward.

As the list of claimants grew, business interests and environmentalists realized with alarm that these small Afro-Indian settlements stood to acquire huge swaths of the Amazon. Worse yet, from their perspective, since many quilombos were built on fertile land with river access, some of the maroon land was the most valuable property in the river basin.

To an outside visitor the farm owned by Maria do Rosário Costa Cabral and her family in the state of Amapá looks like an untouched tropical landscape: tall trees and luxuriant vines, muddy soil covered with rotting vegetation. Yet almost every species in it was selected and tended by Costa Cabral and her siblings. Over the years they planted lime, coconut, cupuaçu(a relative of cacao), and açaí (a palm fruit popular for its allegedly high antioxidants). At the river’s edge they carefully encouraged shrubs and planted fruit trees that lure fish into the forest in high water. Yet it all looks wild, at least to outsiders.

The farm is near Mazagão Velho, a town founded in 1770 by Portuguese colonists from Morocco who had been ordered by Lisbon to resettle in Amapá, where their presence was supposed to thwart potential incursions by colonists in French Guiana to the north. To ease the transition, the colonists were awarded several hundred slaves. The new town was designed as a European-style city with graceful squares and gridded streets. Quickly the colonists made the unhappy discovery that Mazagão Velho was incredibly humid. Within a decade of arrival, the colonists—malarial, living in wretched shacks they were too poor to repair—begged the crown to relocate them. Ultimately, almost all the colonists slipped away. Through no act of their own, their slaves found themselves alone.

They were free as long as they pretended they weren’t. The Portuguese wanted to be able to report to the King that a settlement was guarding Brazil’s northern flank, and Mazagão Velho filled the bill. As the years went by, the descendants of the colony’s Africans spread out into the countryside. Living along the rivers like the region’s indigenous peoples, the masterless slaves survived the same way their Indian neighbors did: The river supplied fish and shrimp, small-scale gardens yielded manioc, trees provided everything else. Two centuries of constant planting, tending, and harvesting structured the forest. Mixing together native and African techniques, they created landscapes lush enough to be mistaken for untouched wilderness.

Maria Tereza Costa removes the husks from rice in typical West African manner—with mortar and pestle—before preparing food for her family in Samucangaua, a quilombo in the state of Maranhão.

 

CostaCabral is a strong, watchful woman of 62, born in a poor quilombo called Ipanema. Her father spent his days searching the forest for rubber trees, native to the Amazon, and tapping the saplike latex beneath their bark. If he found an especially productive group of trees, he knew that wealthier, more powerful people eventually would learn its location, kick out rubber-tappers like him, and take over. Unable to obtain legal title to land, Costa Cabral and her family lived hand to mouth selling shrimp, palm fruits, and tree oils. They set up farms and were repeatedly pushed off them. So in 1991 Costa Cabral and her siblings jumped at the opportunity to buy 25 acres on the banks of Igarapé Espinhel, a subtributary of the great river.

To non-Amazonians, the property wouldn’t look like much. Located in the maze of small tributaries that flow into the Amazon’s estuary, it is flooded twice a day by tides. Even when the surface is exposed, it is thick with mud so gooey it rips boots from feet with alacrity. Just before Costa Cabral bought the land, it had been ravaged by the heart of palm craze of the late 1980s, when every fashionable restaurant in New York and Los Angeles featured heart of palm salad. Pirate barges hunted palms across the lower Amazon with the implacability of paid assassins.

Costa Cabral and her family set out to work the land with techniques they had learned from their father. They planted fast-growing timber trees for sawmills upriver. For the market, they put in fruit trees. With woven shrimp traps—identical to those in West Africa—they caught shrimp in cages that drifted in the creek.

Cultivated forests like Costa Cabral’s are found throughout the Amazon River Basin. Yet careful stewardship of the environment has not always worked in Quilombolas’ favor. Often environmental organizations assume that all human actions inevitably degrade the forest. Two hundred miles west of Mazagão Velho, Quilombolas on the Trombetas River managed forests so beautifully that in 1979 Brazil established a 1,500-square-mile biological reserve on the east side of the river. The legislation creating the reserve prohibited “any alteration of the environment, including hunting and fishing in the area,” infuriating the people whose families had been living there for a century and a half. Ten years later, a half dozen quilombos were engulfed by a new national forest of almost equal size on the west side of the river. The national forest opened itself to a gigantic bauxite mine while forbidding its long-term inhabitants to cut down trees.

“These people are the reason the forest still exists,” says Leslye Ursini, an anthropologist at the Brazilian land-management agency INCRA. “Now they are being attacked by both environmentalists and bauxite miners.” Given that many quilombo inhabitants helped to generate the very Amazonian landscapes conservationists seek to preserve, pushing them off their territory will only worsen the plight of the forest, says Ursini. This view is expressed over and over by policymakers and quilombo residents across Brazil.

A year after buying her property, Costa Cabral had an unpleasant surprise: Her title, like so many in Amazonia, was a mess. “We went into the INCRA office to see if the title had gone through,” she says. The family discovered that “the property was officially owned by somebody else, and the title was tied up with back taxes.” Because the state had a lien on the property, she would have to pay the back taxes to own it. It was like paying for the land all over again. For more than a decade she continued selling açaí, shrimp, and medicinal plants in Macapá, Amapá’s capital, slowly accumulating enough cash to pay off the taxes. She obtained her ownership papers in 2002. One day Costa Cabral stumbled across a survey party on her farm, planting stakes and tying ribbons around trees. “They were saying, ‘What a great açaí place—let’s divide it up and sell it,’” she recalls. The buyers would then use the courts to boot out the current occupants—a common practice in rural Brazil.

“I had a fit,” she says. “I said, ‘I planted this land.’” She showed her documents to an INCRA inspector. “They looked it up and said to the surveyors, ‘Wait a minute; you can’t steal this land.’”

Terecô priest Pedro de Souza is “channeling” a menacing female spirit: A client has hired him to cast spells on her unfaithful husband. Terecô is one of the quilombos’ many hybrid religions, interweaving African and Christian beliefs with native practices.

 

In 2009 President Lula signed Provisional Law 458, a remarkably ambitious attempt to straighten out land tenure in Amazonia—a root cause of the violence and ecological destruction of the past 40 years. It grants title to quilombos whose members already occupy the land and have less than 200 acres apiece. The law has been challenged in court on behalf of industrial and environmental groups, both of which argue vehemently that it rewards squatters for taking land illegally. But as implementation gets under way in most states, the hope is that it can bring a centuries-long struggle to a victorious close. Pulling these thousands of settlements out of the shadows will allow the state to invest in schools and clinics, something it can’t legally do while their existence is contested.

We spoke to Costa Cabral soon after the law was signed. She had not heard the news. But as we told her about it, she nodded vigorously. “It’s about time,” she said.

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Charles Mann is the author of 1493: Uncovering the New World Columbus Created, which has a chapter on maroon societies adapted from reporting for this article. Susanna Hecht is the co-author of The Fate of the Forest.Photographer Tyrone Turner has documented youth issues in Brazil.

 

VIDEO + AUDIO: Reggae In The U.K.: A Steady Force > NPR

by BAZ DREISINGER

March 21, 2012

Music For 'Disenfranchised Working-Class Youth': The British reggae band Steel Pulse formed in Birmingham in 1975. Mykaell Riley is third from the left.
Echoes/Redfern/Getty Images

 

Music For 'Disenfranchised Working-Class Youth': The British reggae band Steel Pulse formed in Birmingham in 1975. Mykaell Riley is third from the left.

You could hear it on mainstream radio in 1978, courtesy of The Police, and if you're in Britain, you can hear it on the airwaves today, in the music of Birmingham-born MC Lady Leshurr: reggae's influence on British music.

"As long as there's been reggae, there's been reggae in the U.K., and that influence has played a massive role," says producer and DJ Ras Kwame, who has worked on BBC Radio for more than a decade.

Lately called "bass culture," the wide range of music influenced by reggae in the U.K. is as prominent as the rock that was inspired by R&B and blues half a century ago, says Mykaell Riley, the lead singer of the reggae band Steel Pulse, which formed in Birmingham in 1975.

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"We look at the impact of it; we look at how it's changed production; we look at the story of the remix culture, rave culture and the relationship to sound systems; we look at current youth and what they use as a key reference when making popular music in the U.K., and we'll see that the resonance of the black community in the U.K. has a major contribution that has never been fully recognized," Riley says.

 

The contribution began in the 1950s, when Jamaican immigration to the U.K. spiked. By the early '60s, British sound systems flourished and British ska music by artists like Millie Small topped the Billboard charts.

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Where in America, West Indian immigrants could be absorbed into existing African-American communities, in Britain, where there was no real black community to speak of, Caribbean people found themselves isolated. Riley says that reggae became a potent way of dealing with that alienation.

"Disenfranchised working-class youth identified through this music," Riley says, "which was rebellious, it was anti-state, anti-government, it was very politically charged and very militant, so the black youth were very motivated and socially aware at the time. And all of this came through reggae. It was not present in the schools, on television, in the books, in radio."

In the 1970s, reggae exploded in the U.K. Bob Marley lived in London. Eric Clapton and the Rolling Stones recorded reggae songs, and a soulful British genre known as Lover's Rock was born. But when U.K. reggae bands like Steel Pulse and Aswad hit the scene, they struggled to be accepted by black audiences who deemed them less authentic than Jamaican-born acts. Instead, these new bands found an unlikely fan base: punks.

"We didn't care what they looked like as long as they identified with the music," Riley says. "At the time it meant that we had a chance to grow. We had support."

But it was a strange kind of support. "We'd be on the way to our gig and we'd see members of our core audience — these punks — walking down the road with a bunch of skinheads, fascists, and we'd see them later and they'd say, 'Don't acknowledge us,'" Riley says. "Basically, what they were saying was, 'We like the music, but when we're on the street, we're on the street.' So there was a level of duality within our audience."

But it was punks who ended up taking reggae into the mainstream. The Clash famously recorded a cover of Junior Murvin's "Police and Thieves" for their debut album. By the 1980s, U.K. reggae had a white face. Labels signed bands like The Police, Culture Club and Madness over black British bands. And just as in America, where R&B turned to rock 'n' roll as its performers grew whiter, these "blue-eyed" reggae bands in the U.K. were suddenly reclassified.

"One of the things that happens in the U.K. with underground music is that [at] the point it crosses over and enters the charts, there is a rebranding," Riley says. "And in that rebranding, there is generally a disconnect with the source or the origins. With regard to reggae we find that the instant it enters the charts it's suddenly called 'pop.'"

During the 1990s, reggae influenced a younger generation of British artists coming out of the rave scene. Jungle music was essentially rave music with Jamaican dancehall-style vocals, and the musical hybrids influenced by Jamaican-style bass just kept coming: U.K. garage, drum-and-bass, dubstep and the new mashup dubbed "electro-bashy."

Producer Res Kwame says the U.K. music scene produces innovative hybrids because it's less confined by genre than in the U.S.: "Our producers are just doing it in our neighborhood and we have the means of getting it out: pirate stations. Because we're coming from a culture where radio in the main has not been receptive to black music, we've had to find our own way and means of doing things. And that's led to a creativity at the street level."

That creativity is bass culture in a nutshell: new music out of old-school roots.


And now for an exercise in cultural footnoting: tracing the line from a current tune to its musical precedent. When it comes to the U.K., most such lines lead unswervingly to one humble island: Jamaica, which has been deeply impacting the British music scene since the first major wave of Jamaican immigration to England in the 1950s. Below, a family tree of sorts — a range of contemporary U.K. acts and the original Jamaican acts from which they descend:

Lady Leshurr, "Lego" & Lady Saw, "Sycamore Tree"
The Birmingham-born MC got her start as a teenager climbing the ranks of the U.K. garage scene. She sometimes sounds like a dead ringer for Nicki Minaj, which might not be coincidence, since both are of Caribbean background — Minaj is Trinidadian and Leshurr's parents from St. Kitts — and both have a vocal style that veers toward dancehall-style chat. Leshurr would surely pay her respects to the first lady of dancehall, Lady Saw, who has been scandalizing audiences with her outré performances and brash lyrical style for more than a decade.

Rasites, "Hit Fit" & Bob Marley and The Wailers, "Concrete Jungle"
Rasites lead singer and bassist Jahmel Ellison describes his band as "traditional roots reggae from the U.K.," a la Aswad and Steel Pulse. But he admits the influence of other genres on his band's style, much in the way Bob Marley's "Exodus" album, recorded in London, had a rock feel. The band has toured with Black Uhuru, performed at eminent Jamaican stage shows and released two albums, all the while paying homage to the classic Jamaican roots reggae acts, like The Wailers, who inspire them.

Natty, "Change" & Lee "Scratch" Perry, "I Am a Madman"
London-born Natty is the son of a mother from southern Africa and an Italian-English father. But the 27-year-old, who's toured with Lee Perry and Ziggy Marley, bucks cultural boundaries, calling his genre "roots music — because it's coming from the root: roots of reggae, roots of blues, African music." The rock and dub sounds in his tunes herald back to Perry, the original dub pioneer and one of Natty's inspirational icons.

Gappy Ranks, "Heaven in Her Eyes" & Busy Signal, "Comfort Zone"
U.K.-born Ranks, half Jamaican and half Dominican, has collaborated with everyone from Beenie Man and Gyptian to rapper Twista. He can sing and chat in equal measure — much like Jamaican artist Busy Signal, best known for dancehall standards but lately singing a new tune: Busy will be releasing his first all-reggae album next month.

DJ Kenny Ken, "Murda Ya" & Shabba Ranks, "Ting-A-Ling"
Jungle music was born in the early '90s when British DJs began lacing dancehall-style vocals over rave tracks. Drum-and-bass toned down the dancehall influence and delivered a more minimalist, industrial sound. DJ Kenny Ken has been lighting up clubs in the U.K. and beyond with both genres since 1989. Listen to one of his jungle remixes alongside dancehall's original crossover star, Shabba Ranks, and the influence is loud and clear.

via npr.org