VIDEO + AUDIO: Isaac Aesili Introduces The 'New Zealand Soul Family' » SOULBOUNCE-COM

Isaac Aesili Introduces

The 'New Zealand Soul Family'

 

We here at SoulBounce have been paying close attention to the large amount of quality soul music coming our way from the Southern Hemisphere, in particular New Zealand. One of the leading lights of that scene is producer/instrumentalist Isaac Aesili who you may be familiar with as one half of Funkommunity (alongside Rachel Fraser), or via his fantastic solo album, Eye See. The Funkommunity album as been highly anticipated by us here at SBHQ and it looks like the album will finally drop on July 20th. To celebrate, Isaac has put together a 50+ minute mix showcasing some of the finest "Kiwi soul" on offer. Both his solo and Funkommunity material feature, alongside tracks from Electric Wire Hustle, DJ Fitchie, Joe Dukie (of Fat Freddy's Drop) and Ladi6, amongst others. Give it a spin right here for a soulful excursion to NZ.

 

VIDEO: Fat Freddy's Drop (New Zealand)

FAT FREDDY'S DROP

Fat Freddy's Drop Put On

The 'Mother' Of All Live Shows

SoulUK  |  02/20/2013 

We have already had a taste of Fat Freddy's Drop's upcoming album, Blackbird, in the shape of the laid-back "Silver & Gold," but while out on the annual New Zealand Winery Tour (I need to attend one of these!) the crew have put together a video for another track from the album, "Mother Mother." Comprising live performance and soundcheck footage of FFD (as well as tour-mates Anika Boh and Hollie and The Adults) the video does little to distract from the track's pulsating dance vibe, which, by the looks of things, went down an absolute storm with those in attendance. Still no firm release date for Blackbird, but the notes to this video do mention a Live From The Winery Tour album, which may (or may not) be a precursor release.

>via: http://www.soulbounce.com/soul/2013/02/fat_freddys_drop_put_on_the_mother_of_...

 

Fat Freddy's Drop Strike 'Silver And Gold'

SoulUK  |  12/11/2012 at 1:00 PM  |  Comments (0)

They may have only released two studio albums in their more than 11-year career, but you can always be certain that a new album from New Zealand collective Fat Freddy's Drop will be worth the wait. With Blackbird due to be released in early 2013, the FFD crew have sprung a surprise early Christmas present on us in the form of a free download of the album's first single. And "Silver and Gold" is classic FFD. The soulful, dub-inflected track has their tried-and-tested laid-back vibe, whilst Joe Dukie's vocals transport you to a warm tropical paradise, perfect for those of us in the grip of a seasonal cold snap. Give it a spin, then head to SoundCloud to cop the download.

>via: http://www.soulbounce.com/soul/2012/12/fat_freddys_drop_strike_silver_and_gol...

 

 

 

 

 

PUB: The 29th Eisaku Sato Essay Contest (est. $5,000 top prize - worldwide) > Writers Afrika

The 29th Eisaku Sato Essay Contest

(est. $5,000 top prize | worldwide)

Deadline: 31 March 2013

The Foundation has announced the 29th Eisaku Sato Essay Contest Theme. This year's theme is "Many people expect the United Nations to play a major role in world peace and in protecting the safety and welfare of the people worldwide. Express your views on whether the United Nations is sufficiently responding to the expectations, and if ‘no’, discuss the causes and constraints for this failure; if ‘yes’, discuss some recent success cases." The deadline is 31 March 2013.

ABOUT THE CONTEST:

  • Contributions are now being accepted for the 29th Eisaku Sato Essay Contest. The theme of the contest this year is "Many people expect the United Nations to play a major role in world peace and in protecting the safety and welfare of the people worldwide. Express your views on whether the United Nations is sufficiently responding to the expectations, and if ‘no’, discuss the causes and constraints for this failure; if ‘yes’, discuss some recent success cases."

  • This international contest is open to anyone who has an interest in both the United Nations University and the designated topic. There are no restrictions as to age, nationality or profession.

  • This contest was inaugurated in 1980 and has been held annually since 1990. It is supported by the Eisaku Sato Memorial Foundation for Cooperation with the United Nations University, which was established by the late Eisaku Sato, former Prime Minister of Japan, with the monetary award that he received with his 1974 Nobel Peace Prize.
INFORMATION FOR POTENTIAL CONTESTANTS:
  • Essays may be in either English (3,000–6,000 words) or Japanese (8,000–16,000 characters). English essays should be typed on A4-size paper and include an abstract of up to 450 words. Japanese essays should include an abstract of up to 1,200 characters.

  • Each entry should be submitted in quadruplicate (four copies) and must include a cover sheet listing the contributor’s name, affiliation, age, gender, nationality, mailing address, and (if available) telephone/fax number and e-mail address.

  • Essays must be original and unpublished papers. They must have reference notes and bibliographies if other authors’ works are cited.

  • Submitted essays will not be returned. Essays will be disqualified if they do not follow the information specified herein.

  • The deadline for entry is 31 March 2013. Submit entries by postal mail to: The Eisaku Sato Memorial Foundation for Cooperation with the United Nations University c/o United Nations University Library 5-53-70 Jingumae, Shibuya-ku Tokyo 150-8925, Japan

  • A grand prize of ¥500,000, a second prize of ¥200,000, and several honorable mentions of ¥50,000 each will be awarded. The winners will be notified by June 2010; those who are able to attend will receive their prizes at a ceremony to be held later that month at the United Nations University in Tokyo.

CONTACT INFORMATION:

For queries: sato.eisaku.mf@unu.edu or call 03-3409-0707

For submissions: The Eisaku Sato Memorial Foundation for Cooperation with the United Nations University c/o United Nations University Library 5-53-70 Jingumae, Shibuya-ku Tokyo 150-8925, Japan

Website: http://unu.edu/esmf/

 

 

 

PUB: Audio Submission Guidelines > The Missouri Review Audio

The Missouri Review’s 6th Annual Audio Contest

Winners selected in collaboration with guest judge

Laura Starecheski

$1,000 first prize in each category

Now–you decide your entry fee!

Winners and select runners up will be featured on our website and on our iTunes podcast. Select runners up also receive cash prizes. All entrants receive a one-year, digital subscription to The Missouri Review.


Listen to the winners of our 2012 Audio Competition here.

Postmark/Email Deadline: March 15th, 2013

Categories

Poetry

Poets are encouraged to enter an original poem or collection of poems for this category.

Judging will be based on the following criteria: literary merit, technical proficiency, and how the author uses audio media to further the literary strength of his or her piece.

Time: 15 minutes or less.
First Prize: $1,000

Prose

Writers may enter a short story, narrative essay, or other form of literary prose. For this category we are not interested in academic essays or purely journalistic writing/reportage. Entries may be solely author-read or contain other voices, tracks of sound, or music.

Judging will be based on the following criteria: literary merit, technical proficiency, and how the author uses audio media to further the literary strength of his or her piece.

Time: 15 minutes or less.
First Prize: $1,000

Audio Documentary

Entries should be audio only (no video). We are interested in short documentaries on any subject. Documentaries can be presented in a variety of forms, including narrative, interview, or documentary play. Entries will be judged on strength of the script and subject, ability to meet their objective (stated or unstated, i.e. a comedic short that’s funny, or an artist interview that is informative, fresh and insightful), and technical facility (including sound, reporting, presenting and/or acting).

Time: 15 minutes or less.
First Prize: $1,000

 

 Contest Guidelines


Entry Fee: In an effort to expand our contest, entry fees (previously $20) are now payable by donation. We ask only that you contribute what you feel is fair, keeping in mind that literary journals, and contests, cost money to run and that your contribution includes a one-year, digital subscription to The Missouri Review. All of your donation money goes directly to support the continued production of The Missouri Review and its programs.

Previous first-place winners are not eligible to win again.

Postmark Deadline: March 15th, 2013

Multiple entries are welcome, accompanied by a separate donation for each title you wish to have considered. We are happy to accept previously published or aired pieces as submissions, so long as you, the entrant, hold the rights.

Technical Requirements: Entries may be submitted electronically or sent by postal mail. Emailed submissions should be in MP3 format only. Mailed entries should be sent on CD only. CDs should not contain any audio other than entry material. Include a brief program synopsis and bio of the writer/producer. For poetry submissions, please record each poem as a separate track.

Mailed Submissions Must Include

  • a completed entry form for each entry (download the entry form)

  • a copy of the entry on a CD, labeled with writer/ producer, title and length

  • a brief program synopsis and short writer/producer bio

  • a donation as entry fee (make checks out to The Missouri Review)

 

Send Entries To
The Missouri Review Audio Competition
357 McReynolds Hall
University of Missouri
Columbia, MO 65211

 

Emailed Submissions Must Include

  • a subject line with author last name, category, title of entry
  • a completed entry form as an email attachment (download the form, and save it to your computer).
  • an attached MP3 file, containing your contest entry. File should be saved in this format:

author last name_entry title

  •  a brief program synopsis and short writer/producer bio in body of email
  • a donation as entry fee. Click here to make online payment.
    • Type the amount (in U.S. dollars) that you wish to donate in the “Cost” field and then click update to confirm the amount. Once the amount has been updated, click submit to pay via credit card.
  • Please send a separate email for each entry submitted.

Send Entries To: TMR.Contest.Editor@gmail.com

Questions? Please visit our FAQ. If your questions isn’t answered there, email us: MUTMRcontestquestion@missouri.edu

 

PUB: Colorado Review Nelligan Prize > Poets & Writers

Colorado Review Nelligan Prize

Deadline:
March 14, 2013

Entry Fee: 
$15

E-mail address: 
creview@colostate.edu

A prize of $2,000 and publication in Colorado Review is given annually for a short story. All entries are considered for publication. Jim Shepard will judge. Friends and current and former students of the judge are not eligible. Submit a story of any length with a $15 entry fee by March 14. Send an SASE, e-mail, or visit the website for complete guidelines.

Colorado Review, Nelligan Prize, English Department, 9105 Campus Delivery, Colorado State University, Ft. Collins, CO 80523-9105. (970) 491-5449. Stephanie G'Schwind, Editor.

via pw.org

 

HEALTH: My experience of elevation with the Africa Yoga Project > Afri-love

My experience of elevation

with the Africa Yoga Project

Africa-Yoga-Project-Kenya-2

Africa-Yoga-Project-Kenya

Africa-Yoga-Project-Kenya-Wheel

Days after, I was still in pain from a community Africa Yoga Project class in Nairobi. I can't thank my friend Aleya enough for introducing me to what has to be the most uplifting experience I've had this year.

2 hours allowed for a holistic session comprising of meditation, thankfulness, an intense physical practice and time afterward for newbies to introduce themselves and share how it was for them. There must have been at least 50 people in the room and the energy was electric. And so positive! 

Despite the fact that there were so many of us, we didn't lack for individual attention. There were several teaching assistants constantly roaming the room helping to support, adjust and push you past where your mind had decided it couldn't go.

Yoga for all
Africa Yoga Project is bringing the amazing benefits of yoga to a diverse mix of people in Kenya. From their website:

"Yoga has empowered millions of people across the world by supporting physical, mental and emotional health, facilitating authentic personal expression, building supportive communities, and inspiring positive actionto contribute to others. We are dedicated to delivering all that yoga has to offer to the diverse communities of East Africa, while at the same time providing opportunities for members of the global yoga community to participate and contribute."

These guys believe in accessibilty. Their outreach has included classes for the deaf, for women in prison and for other marginalised groups. You can take classes at a very reasonable price, 7 days a week, or visit the free community session on Saturdays. As the counter on their website announces, the project has trained 52 yoga teachers who are earning a living wage; it runs 250 free classes each week in the slums of Nairobi and; reaches 5,000 people every week! 

Over to you
You must check out the Africa Yoga Project website - it's inspiring stuff (don't forget to 'meet' the teachers). If you're fortunate enough to live in or visit Nairobi, I compel you to try out a class. Make me jealous - tell me how you found it.

Images via the Africa Yoga Project Facebook page, photography by Robin O'Neill Photography.

++++++++++++++++

I'm Lulu Kitololo, an ideamonger, artist, designer and creative director. I own an international creative agency called Asilia that specialises in working with passionate people. 

Afri-love is a space for inspiration, tips and reflections on creativity, making things happen, pursuing your passion and being true. All from the perspective of an African and Afropolitan experience. 

More about Afri-love

 

LITERATURE: 10 Talented Afro-Latino Writers Who You Should Know And Read > Madame Noire - Black Women's Lifestyle Guide

“Talentoso!”:

10 Talented

Afro-Latino Writers

Who You Should Know

And Read


January 31st, 2013 -

The Afro-Latino community boasts a mad amount of talent, it’s no secret. This is abundantly seen on the entertainment front: talented dancers, artists, singers, athletes and actors showcase their skills. Faizon Love, Christina Milian, Mariah Carey, Melissa De Desousa, Sammy Sosa, Alex Rodriguez are only a few examples of what the Afro-Latino community has to offer. Members of this wonderful community have also touched other industries, including the publishing industry, riling the world with creative works of fiction, non-fiction, poetry and screenwriting.  These agents of literature are representing their heritage well, and it’s about time that we listen.

EDWIDGE DANTICAT

Haitian-American writer Edwidge Danticat (yes, Haiti is a Latin American nation) was born in Port-au-Prince in 1969, and immigrated to New York at the age of 12. Danticat’s love for the written word led to her earning a BA in French Literature, and later on she earned an MFA in Creative Writing from Brown University. Her first novel Breath, Eyes, Memory… was published in 1994, and since, Danticat has written several other books, including the riveting novel, The Farming Bones. Danticat has won dozens of awards for her titles, including the Langston Hughes award and the National Book Award.

 

 

VERONICA CHAMBERS

Veronica Chambers, Panama-born writer and editor who is best known for her memoir, Mama’s Girl, has made her mark on the entertainment and literary community through her prolific efforts. She’s worked as an executive story editor on the show Girlfriends, was a writer for the New York Times, she’s developed projects for the N and Fox, been a feature director at Glamour, and most recently serves as the deputy editor for Good Housekeeping. She’s also written more than a dozen children books, and a number of both fiction and non-fiction books.

 

 

JUNOT DIAZ

thejosevilson.com

Santo Domingo, Dominican Republic-native Junot Diaz is one of the hottest writers on the scene right now. He began his career with a short story collection entitled, Drown. Several years later, Diaz published The Brief and Wonderous Life of Oscar Wao, a Pulitzer Prize winning novel that was a mix of comedic slam dunks and tragedy, that was on theNew York Times bestseller list and gained acclaim across the literary community. Diaz’s latest novel, This is How You Lose Her, has been named as a finalist for the National Book Award. Diaz, in addition to writing, is working as a professor at MIT.

 

WILLIE PERDOMO

Nuyorican (New York Puerto Rican) poet Willie Perdomo began writing poetry as an angsty teenager. Over the years, he’s developed a voice and sound that greatly incorporates not only race and culture, but a sense of self. Perdomo is currently working on his next project entitled, Emergency Money, and he is the the co-publisher for Cypher Books, an independent publisher for poetry.  Some of Perdomo’s more famous works are “N-Word-Reecan Blues,” 123rd street rap,” Clemente!, Where a Nickel Costs a Dime and Smoking Lovely.

 

 

PAULO LINS

clas.berkeley.edu

The talented Brazilian author, Paulo Lins, who wrote the critically acclaimed masterpiece, City of God, was born in Rio de Janeiro. The novel, which was later adapted into a blockbuster film, met great commercial success, and helped propel Lin’s career. Lin’s most recent work is Desde Que O Samba e Samba (Ever Since Samba Has Been Samba). He was also the screen writer for two movies, Almost Brothers and Orfeu. Lins is currently writing for a Brazilian television series, O Amor Nao Presta

 

 

GWENDOLYN IFILL

Earning fame through her efforts as a journalist, television newscaster and author, Ifill has worked for the Boston Herald-American, Baltimore Evening Sun, The Washington Post, The New York Times and NBC; and presently, Ifill resides as the managing editor and moderator of Washington Week and a senior correspondent for the PBS NewsHour. Ifill has covered six Presidential campaigns throughout her career, winning the George Peabody Award during the 2008 election for her live 10-city coverage, and she wrote the highly-acclaimed book, The Breakthrough: Politics and Race in the Age of Obama, which was released on Inauguration Day in 2009.

SOLEDAD O’BRIEN

 

Born to an Afro-Cuban mother and an Irish-Australian father, O’Brien attended Harvard, alongside her five siblings. Despite not obtaining her degree until she returned to school in 2000, her journalism career began in the early ’90s, where she worked as an associate producer and news writer at WBZ-TV. She later worked on NBC Nightly News, Today,“The Know Zone,” The Next Step, and is behind Black in America. She was most recently the host of Starting Point on CNN. O’Brien has won an Emmy and NAACP Award. Also, she has appeared on “Top 100 Irish Americans,” “Groundbreaking Latina of the Year,” and in 2006 was featured as one of Newsweek’s “15 People Who Make America Great.” In 2010, O’Brien co-authored The Next Big Story: My Journey through the Land of Possibilities, which documents some of the biggest reporting moments during her career.

 

 

PIRI THOMAS

Piri Thomas, the writer of the best-seller, Down These Mean Streets –a memoir which showcases racism, poverty, gang violence, drugs and crime in Spanish Harlem, has written a great deal of social commentary on the topics of racial and ethnic identity. Thomas spent time delving into how African-Americans fail to recognize Afro-Latinos as Latino, and how being Latino is difficult as a dark-complected individual. His other works include A Matter of Dignity, Savior, Savior My Hand, Seven Long Times and Stories from El Barrio. He traveled around the world, conducting workshops and giving lectures.  Thomas died from pneumonia in the fall of 2011.

 

 

NICOLAS GUILLEN 

Best remembered as the national poet of Cuba, Guillen began his writing career as a published writer in various magazines in the 1920s. The “Negrista” poetry market was initially dominated by White Cubans until Guillen came on the scene. With his black poetry, he created writing that was marked with African themes, and he helped to emphasize Afro-Cuban writing as a valid genre in Cuban Lit. He published his first work, Motivos de son in 1930, and his final work, Por el Mar de las Antillas anda un barco de papel: Poemas para niños mayores de edad, in 1977.

 

CARLOS GUILLERMO WILSON

Wilson’s passion for writing was roused by his Latin American literature professor at UCLA. Since his debut, Wilson has written a novel about the people of African origin during slavery (The Grandchildren of Felicidad Dolores), and a collection of poetry, “Pensamientos del Negro Cubena,” which is a compilation of 51 poems that cover the topics that include slavery, love and racial consciousness.  Wilson has published in both English and Spanish.

 

INFO: Ten myths about affirmative action > SocialistWorker-org

Ten myths about

affirmative action

 

University of Wisconsin graduate student Elizabeth Wrigley-Field, a member of the Teaching Assistants' Association, unravels the lies of affirmative action opponents.

Students taking a stand to defend affirmative action at the University of Wisconsin in Madison


STUDENTS OF color in the incoming freshman class at the University of Wisconsin in Madison must have had a disorienting second week of the semester. On September 13, they were greeted by a small group of old, suited white men at podiums, telling them they don't belong here--and over 850 angry students telling those men they're wrong.

The press conference held by the misnamed Center for Equal Opportunity (CEO) and the debate with their uninspiring spokesperson Roger Clegg later that same day left me less than impressed with the argument that the university's affirmative action policies discriminate against white people.

But what did impress me mightily was the students who again and again stood up to share their stories, their anger that men like Clegg don't think they matter, and their determination to assert that they do. Inspired by those students, here is my defense of race-based affirmative action. Put aside that the richest country in world history treats education like a scarce commodity to be fought over. Race-based affirmative action is simply a matter of justice.

Here are 10 myths that people like Clegg spin about affirmative action--and the facts that dispel those myths.

 

What you can do

The struggle to defend affirmative action at the University of Wisconsin-Madison is ongoing. Join activists for a discussion of what's next at a forum titled "Power to the People: Fighting Racism at the UW Campus," on Tuesday, September 20, at 6:30 p.m. in 1101 Humanities.

To read more about the affirmative action issue at UW, read the Education Optimists blog, coauthored by UW education professor Sara Goldrick-Rab.

 

- - - - - - - - - - - - - - - -

Myth Number 1: Students of color admitted under affirmative action aren't admitted on merit.

If there was one phrase Roger Clegg kept using at his debate that made the entire audience hiss, it was "lowered expectations." That's what Clegg says affirmative action means for minority students. But what he calls lowered expectations, I call recognition of a higher achievement.

According to the Black Commentator, "Wisconsin, and in particular the Milwaukee area, justly merit the invidious distinction of the Worst Place in the Nation to be Black." One reason? The staggering extent to which the criminal justice system in this state is directed at young Black men and their communities.

Sociologist Pamela Oliver has shown that Wisconsin's racial disparity in sentencing people convicted of new drug offenses dramatically dwarfs the disparity in every other state--including New York under its infamous Rockefeller Drug Laws.

In short, succeeding in high school under these conditions is a real achievement--one that frankly dwarfs managing to study SAT vocabulary in a well-funded suburban high school where students are expected to go to college.

And speaking of the SAT and other standardized tests, it's worth understanding some of the reasons for the racial discrepancies in test scores. As Adam Sanchez explained for SocialistWorker.org, since standardized tests are created to sort students, they only serve their function if some students consistently perform better than others.

This has two implications. First, test designers need questions that lots of students will get wrong, and the easiest way to do this is to use questions that draw less on classroom experiences that all children share than on home experiences that only some did. (The need for variation in scores is also why the exams are timed, even though this makes them much more artificial.)

Second, test designers need questions to agree on who the high-scoring students are--otherwise, everyone would score somewhere near the middle. This means that before new questions are added, they are vetted to make sure that they pick out the same students who already are scoring well on the tests. (In testing parlance, such questions are "reliable"--which doesn't mean they are "valid" at capturing real intellectual merit.)

These reasons help to explain why the best predictors of standardized test scores are parents' wealth and education.

Myth Number 2: White students are admitted to college solely on merit.

Underlying all the attacks on affirmative action is the idea that without it, college admissions are race-neutral and meritocratic. But as my fellow UW student Paul Pryse wrote after the last attack on affirmative action at UW:

As many as 15 percent of freshmen at America's top schools are white students who failed to meet their university's minimum standards for admission, according to Peter Schmidt, deputy editor of the Chronicle of Higher Education. These kids are "people with a long-standing relationship with the university," or in other words, the children of faculty, wealthy alumni and politicians.

According to Schmidt, these unqualified but privileged kids are nearly twice as common on top campuses as Black and Latino students who had benefited from affirmative action.

There's no such thing as a race-neutral college admissions policy in America. "Colorblind" just means the advantages and disadvantages are rendered invisible.

Myth Number 3: Affirmative action hurts students of color by putting them in environments for which they aren't prepared.

This might have been Clegg's single nastiest argument of the night--that because UW-Madison employs affirmative action, it admits students who are, in Clegg's words, "guaranteed to fail."

Students of color do have a harder road at college than most white students, but it isn't because they're unqualified--it's because discrimination and hostility don't stop at campus gates. Campus cultures have been improved by the victories of antiracist student movements over the past 50 years, but they are still alienating at best and vicious at worst for some students.

Only this past summer at UW, a fraternity hung a life-size black-clad Spiderman doll by its neck from the balcony of its house on fraternity row. If Black students find inhospitable a campus that mere months ago saw the echoes of lynching, only a racist would think that the answer is to keep them off that campus--for their own good.

Myth Number 4: Maybe affirmative action was important once, but those days are long past.

It's hard to imagine anyone making this argument seriously, but then again, Clegg--who, under student questioning, said he wasn't sure whether Black students on average attend less well-funded schools than white kids--didn't seem to be joking. Here are just a few relevant facts:

The median Black family has just 5 percent of the wealth of the median white family (with Hispanics much closer to Blacks than whites)--this is one of the most important ways that advantages and disadvantages are passed down over generations.

Another is segregated schools. A majority of Black students in Illinois, Michigan, New Jersey and New York attend schools that are over 90 percent Black and Latino, and most white students attend schools that are overwhelmingly white. Here in Wisconsin, the Milwaukee school district, with 77 percent Black and Hispanic students, spends $3,081 less per student than the nearby Maple Dale-Indian Hill district, where 80 percent of students are white. The average Black or Latino K-12 student in the country attends a school in which most students are poor.

Meanwhile, one of the most-ballyhooed areas of progress--the narrowing gap in high school graduation rates between Black and white students--has been shown by sociologists Stephanie Ewert and Becky Pettitt to be a statistical lie: once you include prisoners, the progress disappears. The biggest change is that now the Black students who don't graduate high school are locked up.

Myth Number 5: Affirmative action policies in colleges distract attention from disparities earlier in the pipeline.

This one--which Clegg also threw out at the debate in Madison--is just bizarre. Have you ever heard any proponent of affirmative action say, "Well, I would support equal access to quality K-12 schools, but I'm too busy defending affirmative action at colleges?"

Affirmative action at every level helps future generations at every level. Many students of all races are being taught by teachers who may have benefited from affirmative action programs--and who had their sense of education's power and importance shaped by the struggle for affirmative action and civil rights at their colleges.

On the other hand, we might ask those making this argument about their commitment to reforming "the pipeline." I was next in line to question Clegg when the debate unceremoniously ended, with a long line of students still waiting to speak. My question was simple: Since he and his organization apparently want schooling to be colorblind, what have they done to combat residential segregation, by far the biggest contributor to different schooling for different races?

Myth Number 6: Eliminating affirmative action would be fairer to Asian students.

This might be the CEO's most important left cover for their position--the idea that UW-Madison is discriminating not only against white students, but Asian students as well.

As Chinese-American student government leader and Student Labor Action Coalition member Beth Huang pointed out at a pro-affirmative action rally on campus here in Madison, this argument lumps together very diverse populations into the category "Asian." In particular, Wisconsin has a large Hmong population--settled in the Midwest as refugees after the CIA had recruited them into its "Secret War" in Laos--who are largely segregated and impoverished, and should be beneficiaries of affirmative action.

However, it's also true that some "holistic admissions policies" used at universities--such as privileging certain kinds of extracurricular experiences--can function to limit the number of Chinese and Chinese-American students on campus. The main beneficiaries are not other students of color, who remain underrepresented on campuses, but wealthy white students.

Proponents of affirmative action should fight efforts to divide populations that historically have faced discrimination in the United States.

Myth Number 7: White students are only harmed by affirmative action policies.

As it happens, the biggest beneficiaries of affirmative action programs in general--by far--have been white women. But this article is about race-based affirmative action, and my case is that these race-based programs are essential for white students--for the sake of their own education.

As we waited in line to question Clegg last week, the student in front of me told me that she had multiple white students in her classes tell her they'd never met a Black person before. Can it really be in these students' interest to have African American students kept out of college, so the country's Black population remains an abstraction to them?

As left-wing education expert Jonathan Kozol points out, research shows that "the strongest opposition to integrated schooling among white people is among those who have never experienced it." Kozol cites studies showing that "60 percent of young people of all races feel not only that they will receive a better education in an integrated setting, but that the federal government should make sure that it happens."

Myth Number 8: Anything that smacks of "quotas" is rigid and suspect.

Quotas became a dirty word in the 1990s, when Democratic President Bill Clinton led the effort to get rid of them--in the name of "mending, not ending" affirmative action. A series of Supreme Court decisions then sharply limited the ways that colleges are allowed to use race in admissions.

But what a quota really means is that there is accountability to stated diversity goals. Here at UW-Madison, the university's 10-year diversity initiative, Plan 2008, fell far short of its goals--which the college's Academic Planning Analysis division attributed to a lack of increased financial aid. Today, the university is less than 4 percent Hispanic, less than 3 percent Black, less than 2 percent Southeast Asian and less than 1 percent Native American. And a third of these students never graduate.

In the same 10 years, the university recruited faculty of color, but failed to increase its rates of granting tenure to them. Faculty of color often face a dilemma in which they are expected to mentor many students of color and serve on every diversity committee, but are not really rewarded for this work in the tenure system.

A system that enforced more accountability to its stated diversity aims would force departments and the university administration to address this kind of discrepancy. Without this accountability, it is far too easy to never question the basic operating and funding structures of the university, while bemoaning the lack of progress on diversity.

Myth Number 9: If we had class-based affirmative action, we wouldn't need race-based affirmative action.

Racial and economic disadvantages in education are deeply intertwined, but that doesn't mean the racial disadvantages can be reduced to class.

Because of residential segregation, even when a Black and a white family have the same household income, it's very likely that the Black family's children go to far worse schools. The "war on drugs" has led to an all-out assault on Black communities in particular. And in the current era--to quote sociologist Matt Desmond, commenting on his study of evictions in Milwaukee--"eviction is for Black women what incarceration is for Black men." It should be obvious that these processes have a tremendous effect on children.

Moreover, the most important dimensions of class--wealth, not income--are the hardest to account for in college admissions, especially when it comes to ensuring racial justice.

One reason wealth is harder to measure is that many government programs are designed to make sure the poor--as opposed to the rich--don't get benefits they don't qualify for. One result is that it is generally easy to verify whether someone is officially living in poverty, but not always whether another family has been living paycheck to paycheck, while still another with the same income has valuable assets.

Myth Number 10: We have to choose between class-based and race-based affirmative action.

Have you ever noticed that the only time Republicans seem to care about how poor kids will get to college is when they can use this concern as their battering ram against racial justice?

There is every reason to support affirmative action based on both race and class. And although I began by setting aside the way education is being made a scarce commodity, there's every reason to fight that, too.

Beneath the attack on affirmative action is the idea that not everyone is entitled to a good education. But the money is there for quality, integrated schools--in the military budget; in the bailouts going to the banks; in the taxes never paid by corporations and the extremely wealthy. Any social organization that requires children to spend their childhoods competing to see whether they'll be among the lucky few to attend the right schools isn't rational.

So at the same time that we fight for justice in college admissions--and justice means affirmative action--we should fight for more educational opportunity for all students. The rallying chant of this defense of education should be: "Black, Latino, Arab, Asian and white, rich or poor--education is a right!"

Or maybe it will be the cry that we came back to last week, over and over again: "Power to the people!"

 

HISTORY + VIDEO: A Powerful And Wise Voice From Beyond The Grave: Ida B. Wells-Barnett On The "Functions of Leadership” > W.E. A.L.L. B.E.

To watch the entire documentary, to read background information and to order DVDs, visit:
http://newsreel.org/video/IDA-B-WELLS

IDA B. WELLS

Mary McLeod Bethune, Ida B. Wells, Nannie Burroughs and other women at Baptist Women's gathering, Chicago.

Image ID: psnypl_scg_400

Mary McLeod Bethune, Ida B. Wells, Nannie Burroughs and other women at Baptist Women's gathering, Chicago. (1930?-1975?) / NYPL Digital Library

 


A Powerful And Wise Voice From Beyond The Grave:

Ida B. Wells-Barnett On The "Functions of Leadership”


 
Ida and her kids.

Ida B. Wells as the
young justice crusader.

The following is an article written by Ida B. Wells-Barnett. This article offers very revealing insights into her thoughts and feelings about the issues of Black leadership of her day, many of which still affect us to this day! Her peers often cited Ida as being a brilliant writer but a dangerous revolutionary and foe in terms of her philosophies and straightforwardness in which she presented them. You decide. Ida’s pen or nick name was Iola. (This article and more can also be found reprinted in the Memphis Diary of Ida B. Wells a book which I highly recommend anyone interested in Ida, Black History, U.S. History and the U.S. Civil Rights Movement read. If you want to access some of Ida's powerful works of writing online for free click here.
Bro. R2


 

 

 

 

 

 

 

 

 

 

 

 

 

 

“Functions of Leadership”
Living Way, September 12, 1885
(Reprinted in the New York Freeman)

I came across a letter last week in the Detroit Plaindealer, from Washington, signed S.S.R., in which he gave a whole string of names, of men who are famous as orators, politicians, officeholders, teachers, lawyers, congressman, and an ex-senator- from whom to choose a leader or leaders of the race. “Let me see” mused I, “these men have acquired fame and wealth in their several callings, they have and are now declaring themselves devoted to the interest of the people, and are thereby looked upon as leaders, have impeachable characters, are justly called representative of the race- but since they have by individual energy, gotten the well earned laurels of fame, wealth, individual energy, gotten the well earned laurels of fame, wealth, individual recognition and influence- how many of them are exerting their talents and wealth for the benefit or amelioration of the condition of the masses?” I look around among those I know, and read up the histories of those I do not know, and it seems to me the interest ceases after self has been provided for. Of those who are amassing, or have wealth I can not call to mind a single one who has expended or laid out any of his capital for the purpose of opening business establishments, or backing those that are opened by those of limited means; none of them have opened such establishments where the young colored men and women who have been educated can find employment, and yet complain that there is no opening for the young people.
The whites have the young people of their own race to employ and it is hardly to be wondered at that they do not do for the Negro what his leaders have not done for him; if those who have capital to employ in establishing such enterprises as are needed why-the-the leaders are leaving a great field, whereby their leadership can be strengthened, undeveloped. The ambition seems to be to get all they can for their own use, and the rest may shift for themselves; some of them do not wish, after getting wealth for themselves, to be longer identified with the people to whom they owe their political preferment; if no more. They are able to pay for berths and seats in Pullman cars, and consequently can report that-“railroad officials don’t bother me, in traveling,” and give entertainments that have but a single representative of their own race present, can see and hear of indignities and insults offered their people because of individual preservation from such, can look and listen unmoved saying, “ if it were my wife or daughter or relative I would do so and so,” so what real benefit are they to their race anyway? “Their example is beneficial, by inspiring others to follow in their footsteps with a hope of similar success,” did someone say? True, I had almost forgotten that; example is a great thing, but all of us can not be millionaires, orators, lawyers, doctors; what then must become of the mediocrity, the middle and lower classes that are found in all races? It is easier to say, “Go thou and do likewise,” than do it. I would like very much for S.S.R. to tell me what material benefit is a “leader” if he does not, to some extent, devote his time, talent and wealth to the alleviation of the poverty and misery, and elevation of his people?
IOLA