“Transition aims to speak to the broader intelligentsia and the educated lay public through jargon-free, readable prose that provides both insight and pleasure.”
—Tommie Shelby, Glenda Carpio, and Vincent Brown
Prose:
Transition is a unique forum for fresh perspectives on global issues, literature and art, cultures and people, with an emphasis on Africa and the diaspora. Unlike academic journals, we believe that the mode of expression is just as important as the content. We expect the nonfiction pieces published in Transition to display the virtues of high-quality literary fiction, especially narrative prose, which leads the reader naturally from one sentence to the next. Rich description and attention to voice, tone, imagery, and word choice are all appreciated. We also welcome provocative points of view that stimulate debate.Please note:
As a nonacademic journal, we do not run footnotes or give strict bibliographic documentation for the ideas expressed in our essays. Academic clichés, locutions, and jargon, in addition to authorial intrusions such as “I am going to argue...,” “In the second section of this paper I will...,” etc., are best avoided, since they tend to disrupt the narrative flow.Poetry:
We publish poetry from and about Africa and the diaspora. For non-English-language poetry, we prefer to run the original language version along with its literary translation into English.Review Essays:
Transition publishes thoughtful and thought-provoking reviews of books worth reading, films worth seeing, and art exhibits worth visiting. Although constructive criticism of the works recommended is also appreciated, we usually feature review essays that point our readers toward works that deserve their attention, though the recommendation may of course be tempered by criticism.Artwork and Photography :
We continuously seek new, unpublished work from photographers and artists and look for images that inform, innovate, startle, and speak.To submit your work and be considered for publication in future issues of Transition, email the following to transition@fas.harvard.edu with “Image Submission” in the subject line:
- Five to fifteen high-resolution (300 dpi) images for which you would grant Transition permission to publish
- A short bio in a MSWord document
- Contact info, including name, address, email and phone
Should your image(s) be selected to appear in Transition, a member of the staff will contact you to make further arrangements for publication.
Although Transition is unable to pay contributors, we provide the opportunity to reach a broad, international audience by including a brief profile on each artist whose work is used to complement our text pieces.
Please note that all artwork and photography in Transition appears in black and white, and we can use only high-resolution images (300 dpi). Others will be discarded.
To submit work to Transition:
E-mail transition@fas.harvard.edu to submit or to request the Transition Style Guide. Email submissions are preferred. If submitting by mail, please include a self-addressed stamped envelope to receive a response from Transition.
Manuscripts will not be returned. You will receive confirmation of receipt and notification of editorial decision after review of your work. Please note that due to the high volume of submissions we receive, we are not able to respond to requests for status updates.
If your piece is longer than 20 pages, please also send a hard copy (in Times New Roman, font size 12, double spaced) to:
The Editors
Transition
104 Mt. Auburn Street, 3R
Cambridge, MA 02138For all submissions, please include the following information in your email or cover letter and in the top left corner of the first page of all documents:
- Name
- Address
- Email address
- Word count
- Date of submission
Please also include a title with each work.
Transition staff reserves the right to disregard any submissions which do not conform to these guidelines. Your compliance with these requests will help to streamline our submission process and will ensure timely review of and response to your work.
Romare Bearden (1911-1988), an American artist of African-American heritage, was honored during his lifetime and posthumously with numerous prestigious awards, publications, and exhibitions. Along with representation in important public and private collections, he was awarded the National Medal of Arts and honored with a groundbreaking retrospective exhibition at the National Gallery of Art. A master collagist, Bearden is celebrated today as a preeminent, highly prolific artist of exceptional and multifaceted talents and interests. He was a jazz aficionado, an author of scholarly books, a song writer/lyricist, as well as an arts activist and humanist. Bearden incorporated a rich montage of influences from American, African, Asian, and European art and culture and took inspiration from memories and experiences of the rural South, the urban North, and the Caribbean. 
Wed, May 11, 2011 at 2:05 AM 
