VIDEO: "Behind the Music: Rick James" > SoulTracks

"Behind the Music:

Rick James"

Rick James was a larger-than-life star in the 70s and 80s, with his punk funk persona and a brilliant career as a musician, songwriter, producer and singer. But behind the fame was a roller-coaster life that brought James both fame and also trouble.

Rick James' life and career were the subject of a VH1 biography in its award-winning "Behind the Music" series.

Check out "Behind the Music: Rick James" below, and tell us what you think.

 

 

 

PUB: Contests > PRISM international

Contests

The PRISM international 2012/2013 contest season is now … (**BANG** [dead duck falling]) … OPEN!

PRISM has a total of three contests: the Literary Non-Fiction, Short Fiction, and Poetry contests, open to all, and the Earle Birney Prize for Poetry, presented to one outstanding poet published in the magazine.

All contests: Each entry includes a one-year subscription or subscription extension for PRISM international, beginning with the contest issue (Spring 2013 for Non-Fiction and Summer 2013 for Fiction/Poetry). All 1st prize winners will be published in PRISM and runners-up will be published at the discretion of the editors. All other entries will be considered for publication as regular submissions (for the possibility of publication in other issues of PRISM).

Please see below for details on each contest. Before you submit your entry, make sure you check out the beautifully-worded fine print (found on the paper entry form and on the online submission system)

If you have any questions, please contact prismwritingcontest@gmail.com.

                                                                                     

Literary Non-Fiction Contest

Deadline: November 28, 2012
Prize: $1500 grand prize, $300 runner-up, $200 2nd runner-up
Judge: Andreas Schroeder

Andreas Schroeder, Literary Non-Fiction judge 

Andreas Schroeder has made his living as a freelance writer for the past 43 years. In that time he has published 23 books, including Renovating Heaven, Shaking it Rough and Dustship Glory. His books have been finalists for the Governor-General’s Award (Shaking It Rough, 1976), the Sealbooks First Novel Award (Dustship Glory, 1984),  the Arthur Ellis Award for Best Non-Fiction (Cheats, Charlatans & Chicanery, 1998) and the BC Book Prizes’ Ethel Wilson Fiction Award (Renovating Heaven, 2008). He won a National Magazine Award in 1990, a Stephen Leacock Award in 1997, and a Canadian Association of Journalists’ Best Investigative Journalism Award in 1991.

Entry fee: $35 Canadian entries; $40 US entries; $45 Int’l entries (includes a one-year subscription or extension)
Additional entry: $5 each piece
Max. word count: 6000

There are two ways to enter:
1. Fill out our paper entry form and mail it along with your manuscript.
2. Submit online: (please note that a small charge applies to online entries to offset the fee charged by Submittable; also note that Submittable charges in USD)
Canadian entries
US entries
International entries
Additional entries

(PRISM gratefully acknowledges the support of the UBC Bookstore for their assistance in furnishing this prize.)

                                                                                     

Short Fiction Contest

Deadline: January 25, 2013
Prize: $2000 grand prize, $300 runner-up, $200 2nd runner-up
Judge: Annabel Lyon

Annabel Lyon, Short Fiction judge 

Annabel Lyon’s first novel, The Golden Mean,  is a best seller in Canada and has been translated into six languages. It won the Rogers Writers’ Trust Fiction Prize and was nominated for the Scotiabank Giller Prize, the Governor General’s Award for Fiction, and the Commonwealth Writers’ Prize. Lyon is also the author of the story collection Oxygen and the book of novellas The Best Thing for You.

Entry fee: $35 Canadian entries; $40 US entries; $45 Int’l entries (includes a one-year subscription or extension)
Additional entry: $5 each piece
Max. word count: 6000

There are two ways to enter:
1. Fill out our paper entry form and mail us your manuscript.
2. Submit online: (please note that a small charge applies to online entries to offset the fee charged by Submittable; also note that Submittable charges in USD)
Canadian entries
US entries
International entries
Additional entries

                                                                                     

Poetry Contest

Deadline: January 25, 2013
Prize: $1000 grand prize, $300 runner-up, $200 2nd runner-up
Judge: Rhea Tregebov

Rhea Tregebov, Poetry judge 

Rhea Tregebov is the author of seven collections of poetry, most recently All Souls’, which will be released by Signal Editions/Véhicule Press in September 2012. Her poetry has received a number of awards, including the Pat Lowther Award for her first book, Remembering History, as well as The Malahat Review Long Poem Award, honorary mention in the National Magazine Awards, and the Prairie Schooner Reader’s Choice Prize.

Entry fee: $35 Canadian entries; $40 US entries; $45 Int’l entries (up to three poems may be submitted with each entry, each entry includes a one-year subscription or extension)
Additional entry: $5 each poem

There are two ways to enter:
1. Fill out our paper entry form and mail us your manuscript.
2. Submit online: (please note that a small charge applies to online entries to offset the fee charged by Submittable; also note that Submittable charges in USD)
Canadian entries
US entries
International entries
Additional poem

                                                                                     

ANNUAL EARLE BIRNEY PRIZE FOR POETRY

An annual prize of $500 is awarded by the outgoing Poetry Editor to an outstanding poetry contributor published in PRISM international. Enter by regular submission only: no fee required.

We thank Wailan Low for her continued support.

 

PUB: International Short Story Competition - Chapter One Promotions

International Short Story Competition

 
For this year’s International Short Story Competition we are on the lookout for stories that capture the imagination in a beguiling and original manner.  Present us with short stories that are not only wonderfully crafted but give an insight to a sliver of human frailty, a moment highlighted in time, or a traditional tale told with an unusual twist. 

The short story medium continues to play a vital role in honing and fine tuning your writing craft.  This stand alone form can beautifully illustrate a short piece of writing where every word counts and the action starts from the moment the reader absorbs the first word.  

Perhaps your skills lie in weaving descriptions through a mosaic use of language that evokes emotions and reveals insights.  Use this opportunity to explore and devour, to clarify and to energize, to go beyond your comfort zone and invent a whole new world.

 

Entry Fee: £10 per story

Status: Unpublished

Judge: Annette Longman
Chief Editor at Austin & Macauley Publishers Ltd   

Word Count: Maximum 2500 words 

Deadline: Midnight on Wednesday 30 January 2013

Prizes: £2,500, £1,000 & £500 plus publication

The winners, ten runners up and five highly recommended will be published in Chapter One Promotions anthology.


You can submit and pay online or use the more traditional postal method.  Our mailing address is Chapter One Promotions, Canterbury Court, 1-3 Brixton Road, London, SW9 6DE, England.  Please ensure that your contact details are placed on a separate sheet.  All online submissions will receive an acknowledgment receipt.

Alternatively, you can use our submissions form to send us your story.  If you choose to pay your entry fee online, the payment process will lead you directly to the online form.

Please note: if you are using a specific font or layout style, then you may wish to send us your story as a word document. Please use the following link to attach your document and include your contact details, word count, a short biography and method of payment.

 

Payment Options

 

For our guidelines please check out the rules page.  To contact us for more information use our contact link or you can call us direct on 0845 456 5364.  Alternatively you can write to us, including a stamped addressed envelope, to Chapter One Promotions, Canterbury Court, 1-3 Brixton Road, London, SW9 6DE, England.

 

PUB: Heart and Soul 2013 Grant Awards > Community Techknowledge

Announcement: The application deadline has been extended to January 14th, 2013 at 12:00 noon CST.

The CTK Foundation is proud to announce the 2013 Heart & Soul grant program, with over $55,000 to assist in accomplishing your mission.

One eligible nonprofit organization will receive the main award:

$10,000 cash and a professionally written and recorded song by the Grammy Award-winning group The Original Blind Boys of Alabama.

Rules and Regulations ›

Learn More ›

Hear how the grant inspired award recipient, Cristina, to reflect on her organization's mission.

 

Additional 2013 Heart & Soul Grants include:

  • $10,000
    HHS Grant

    available to an Austin, TX-area nonprofit specializing in the provision of At Risk Children and Families — a gift from the Cipione Family Foundation of Austin, TX.

  • 2 $5,000 Grants

    available to a US Nonprofit.

  • 5 $1,000 Grants

    available to Community TechKnowledge, Inc. customer organizations attending the 2013 Outcomes Immersion Certification Training.

  • $20,000 in Cash Grants

    available to nonprofits for CTK software purchases.

  • 3 Autographed
    Guitars

    • The Original Blind Boys of Alabama

    • Los Lonley Boys

    • Sunny Shipley

 

Apply Now

About the CTK Foundation

The CTK Foundation was established by Community TechKnowledge, Inc., an Austin-based technology company that provides software and services to over 10,000 nonprofits in the US and UK. The CTK Foundation Fund is committed to the recognition and celebration of the work of nonprofits and seeks to promote the use of technology in managing the accomplishment of their mission.

 

VIOLENCE: Sexual Violence is a Men’s Issue > Feminist conversations on Caribbean life

Sexual Violence

is a Men’s Issue


1men_can_stop_rape1

Caribbean journalist Ricky Singh indicts regional and national women’s groups, women lawyers and women politicians for being silent in the face of sexual violence against women.

Roberta Clarke, on her Roots and Rights blog, pointed out that for the last 20 years women’s organisations have in fact been speaking out, advocating for legislation, running shelters and crisis centres  etc. Caribbean women have been anything but silent in the face of relentless and ongoing violence. In the 1980s schoolgirls in St. Vincent and the Grenadines marched to protest sexual violence and in 2013 women’s groups across the region continue to do unrecognised, invisibilised work.

When it comes to sexual violence the overwhelming majority of persons who are raped or sexually assaulted are women and girls and the overwhelming majority of rapists are men.  Men and boys too are victims of rape (though not at the same rates as women and girls) and in these cases too, men are the overwhelming majority of rapists.  It should therefore be self-evident that sexual violence is a men’s issue.  And the more appropriate question to ask is why men as the majority of elected leaders in the region, as individuals and members of various men’s organisations are not doing everything in their power to end sexual violence. Rape is a men’s issue.  Ending rape, speaking out against violence against women and girls is the collective responsibility of men.

Yet, men collectively, as major power brokers in the region, are silent.

Why are Caribbean men silent on rape? Why did it not occur to Rickey Singh to ask this question? Why is men’s silence not shocking?

Everybody should be outraged when schoolgirls are sexually harassed in the street and on public transportation, when women are killed by their intimate partners, when police officers turn away rape survivors for being naked, when payments are accepted in lieu of prosecution in cases of child sexual abuse, when our legal system supports this form of injustice, when deputy commissioners of police suggest that teen girls are the ones responsible for the sexual crimes against them. Everybody should be outraged.  Not just women.  Not just the handful of women parliamentarians.  Not just overworked and underfunded women’s organisations. EVERYBODY.  And that includes men who for too long have been shamefully silent.  (Big up attorney Lennox Sankersingh and the other lawyers who have offered to support rape survivors throughout the legal process in Trinidad and Tobago).

Why are men silent on sexual violence against women and girls?

What does their silence communicate?

Does it communicate an acceptance of rape culture, of gender inequality? An understanding that violence against women and girls and the threat of it is part of what helps to maintain male privilege? A desire to see that privilege maintained at all costs?

It’s time we heard from Caribbean men what they intend to do to end gender-based violence.

I’m all ears…

 

POV: Being a feminist in the Caribbean « Repeating Islands

Being a feminist

in the Caribbean

What does it mean to be a feminist in the Caribbean in 2012? On the heels of her participation in the gathering of young Caribbean feminists, dubbed Catch A Fyah, Zahra Airall addressed this fundamental question and the way forward for the movement—as Joanne C. Hillhouse reports in this article for Angtigua’s Observer.

“There are a lot of misperceptions around feminism,” she said. Equating feminism with lesbianism is one, she indicated, hating men is another one, being an angry b*tch is a popular one.” For her feminism is about none of this, rather “it’s about gender equality”.

Part of the purpose of Catch A Fyah, as Airall explained it, is to reclaim and rebrand the idea of what it is to be a feminist. So, they’ve come together as a coalition and are now networked to support each other in the work of getting rid of the stigmas and stereotypes while continuing to confront the battle ground issues. These battleground issues include sexual and reproductive health rights, domestic and sexual violence, and LGBT (Lesbian Gay Bisexual and Transgender) rights.

One of the network’s first actions, post-gathering, has been an open letter in support of Trinidad Senator Verna St Rose Greaves. They lauded her for her leadership on controversial issues related to sexual and reproductive health and LGBT rights. “We recognize the tremendous courage it takes to speak publicly on issues that are controversial and that people would rather ignore,” the letter stated.

Certainly, in Antigua, Airall feels there is a fair amount of ignoring of LGBT issues and looking the other way on female and child sexual abuse issues, and the group commented specifically on the latter in its letter.

“We condemn the lack of adequate response to all forms of child abuse and in particular the sexual abuse of Caribbean girls and boys,” it stated. “We lend our collective voices to breaking the silence on the this issue and we pledge to work in our communities, nationally and regionally to ensure that Caribbean children’s right to life free of abuse is made reality.”

The meeting was convened by Code Red for Gender Justice and Shelina Nageer of Red Thread, Guyana, with financial support from the Development Alternatives with Women for a New Era [DAWN].

“It was a really good energy … everybody there was very passionate,” Airall said of the coming together in Barbados of over 20 young feminists from several islands. The countries represented were Trinidad and Tobago, St Kitts and Nevis, St Vincent and the Grenadines, St Lucia, Jamaica, Haiti, Guyana, Grenada, Belize, the Bahamas, Barbados, and Antigua & Barbuda. From Antigua, in addition to Airall, there was Asha Challenger of Gender Affairs and London-based Amina Doherty of FRIDA, an international fund supporting youth-led grassroots development projects.

They are part of what has been described, in the earlier mentioned post-conference statement issued by Haynes, as “a generation of young Caribbean people who are committed to social and economic justice.” During the gathering they had the opportunity to learn more about each others’ work including strategies that have worked and what lessons can be gleaned as well from those that haven’t, Airall explained.

Airall’s strategies here in Antigua & Barbuda have, of course, included her work with Women of Antigua, which recently announced that it was taking a break after five years of staging The Vagina Monologues and When a Woman Moans.

“The movement has evolved due to social changes but the core of it remains the same,” Airall said; “it’s about gender equality.” The movement though has had its image issues, as noted earlier. Airall referenced specifically an older feminist whom she said expressed how excited she was to see the passion of the younger feminists but also took the opportunity at the Catch A Fyah gathering to share past mistakes in terms of how the movement marketed itself and its message.

One of the initial actions – after the brainstorming of ideas and team building activities during the gathering – will be a region wide ‘What is a Feminist’ video campaign. They want to give women more of a voice from the community level to the national policymaking level, while attracting more young people to the cause.

As a young woman herself who once shied away from claiming the title ‘feminist’, given the “debris surrounding the term,” Airall understands that with the wave of social conditioning prescribing certain attitudes and behavior for both men and women, this won’t be easy — re-educating people never is. But she leans heavily on listening to each other and communicating ideas as she’s done not only as an arts activist but as a teacher and mother. “I don’t think we have enough conversations with young people,” she said, as we discussed the issue.

The women of Catch A Fyah will keep the conversation going among themselves and with the wider community as they push forward on the named issues. “We have been staying in touch, actively so,” Airall said, adding that they will continue to keep each other informed about activities, draw on the resources across the network in executing those activities, work to create a directory of feminists and feminist groups in the Caribbean, and reclaim the word feminism. Participate by visiting them online at “http://webmail.candw.ag/Redirect/about.me/catchafyah

For the original report go to http://www.antiguaobserver.com/?p=76216

Image: “Caribbean Women with Oranges” by Ellen Dreibelbis at http://fineartamerica.com/featured/caribbean-women-with-oranges-ellen-dreibelbis.html

 

POV: On Black Punk Love, Love Yumii of The Breathing Light > AFRO-PUNK

On Black Punk Love,

Love Yumii

of The Breathing Light

 

What woman doesn't like to hear that her man loves her? Well ladies, here's a black man that LooOoves you! Stars in our eyes from the wise words from Yumii of NY punk/alt band The Breathing Light. Punk Love, the realest love.

 

By: Yumii Thecato of The Breathing Light

Black girl, my partner in crime, you are my everything. Sometimes its damn near criminal to want freedom. I really appreciate my sisters in this struggle. I want you all to know that I see you all in life and on the internet and I take notice. As a black male in a punk…. whatever lifestyle I am so proud that when I see you all singing in bands, playing instruments, forming bands, rapping, modeling, dancing, making zines, making your own cloths, writing, educating, booking shows, building websites, opening online stores, lookin fly, aggressive skating, biking, surfing, boarding, designing, filming, traveling, photographing, networking, drawing, painting, debating, speaking out, lookin fly, organizing, being active in community development, fighting in this struggle and def lookin fly my gut does flips like the Jessie White tumblers. We are on the front lines of one our generation’s biggest struggles. How can we fix so many institutionalized problems when at many times we handle these things up front, fucked up and in your face. We are the ones who have had our hair uncomfortably touched, spoken down to and have had to be representatives for our entire race at times.


 

I have a friend who is an alternative model and she struggles to physical tears literally having to carve a way into and reset old European beauty standards that have existed in our society for decades. It’s crazy to think that countries not far from the United States harbor young dark skin girls who are bleaching their skin in order to escape poverty, ascend economically and create employment opportunities’ for themselves and their families.  I want to tell you that you all are beautiful to me. I feel like our society doesn’t tell you this enough, that black men don’t tell you this enough and for sure it is many among you all that lack the feeling within themselves. It takes someone like you to be really strong and go against society’s standards and a society in a society’s standards. A lot of people are always telling you what to do with your body and your mind but you are the only true masters of those realms. You all give life to the future. You all carry the future for 9 months inside your bodies and without you all there will be no future. I’m so proud sometimes when I see you all in all white spaces and sometimes in all black spaces. Some of our people see you rebelling and think you are crazy or imitating white girls. Eventually though they will be following in your footsteps.


You all give life to me and reassurance that we can be anywhere and do anything. You all reflect the beauty I see when I look at my mother, when I look at my grandmother, when I look at my family and my friends. You all give me something I can relate to, a feeling of home, a feeling of kinship. I see myself in you all. I see all the times I got pissed off when I never saw myself or the music I liked reflected on bet or the many discussions I’ve had with other black people trying to explain our lifestyle or the conflict we feel when the relation between our different identities are so difficult that we can’t even understand how to deal or cope with. The pains you feel when you encounter bull shit I feel as well. When people deny you of your blackness, they also deny me of mine. Some of us in these subcultures
cannot see that.


Some of us have encountered real traumatic experiences within them, so much to the point where we don’t know who the hell we are at all anymore. So, in order to heal we accept defeat. We heal our wounds by creating fresh new ones. Sometimes we allow ourselves and others to deny you of your beauty and respect. In the process unknowingly we deny ourselves of the same. When I was in school if you were black and strange you got put down. If you were black, strange, and a female, nobody wanted to talk to you, be associated with you or let alone date you unless they weren’t black themselves. I’m pretty sure those things haven’t changed to much depending on where you are but, as you can see from this site though you were/are never alone. I’ve said this before but I really don’t feel that people stress this enough.


I LOVE YOU and I WANT YOU TO LOVE YOURSELF (if I was physically there with you reading this I would give you the biggest soul-lifting hug I could muster). If you can’t look in the mirror and see beauty as a black person as well as see beauty in other people that look like yourself, there’s something wrong. Unfortunately our society and even our world are very anti-black. We need more black positivity and more Black Love. Black love is intense it can turn poverty into riches and guide black youth out of trouble. Black love can make our neighborhoods safer for everyone as well as fix this lowered self-image we have as a people. Everything we do/are is either said to be hood, ghetto, ratchet or just plain ugly.  Black love doesn’t necessarily have to dictate who you date, partnership or marry but it is how you look at yourself and how you see other black people. We need so much love its fucking crazy. I feel so much negative reinforcement day by day. It’s so much hate directed towards us and self-hate we pump and fuel in ourselves that at times it can be fatal (black suicide has never been a myth). I feel like it’s a part of who we are to care about each other. As alternative black individuals we have to care about ourselves and our community as a whole (even if we don’t physically live there) because if we don’t who will?


 

We can’t ask or rely on other people to give us the love we should have for ourselves. We can’t ask or rely on others to give us the help that we need to give to each other. For us there is no such thing as Charity. To me charity means that one group of people are always helping out another group of people just enough so they are dependent. For us it is survival because we have been the dependent group for so damn long. We in a crisis self-destruct mode, young black boys are killing each other mercilessly. It is ok for black men to beat black women like they are less than human. It’s fine to see black women beating the shit out of each other for web videos, news cameras, and television
shows. Some may feel that those individuals have nothing to do with them but it’s all connected. When people see you and I they also see those videos, they see those images, those stereotypes, that dysfunction. The same brutality that was shown to us through slavery, Klan chases and police beating are what we give to each other. We are given the tools to destroy ourselves. We fear one another now. We fear our own children.  Instead of love we hate each other for our actions but, nobody can see why the fuck they are acting this way in the first place. A lot of this shit is not and has never been natural for us or anybody. Everywhere we go they have preconceived notions of what we
will do to each other or to them without knowing us personally. In some cases those notions can lead to irrational actions toward us and at times death being the ultimate result (Trayvon Martin, Amadou Diallo, Rekia Boyd and just recently Jordan Russell Davis).

As you can see the duck hunt ain’t gonna stop any time soon. Dig?

I am my sister’s keeper and I keep you all close to my heart. Once again I LOVE YOU. If you have friends or family who you think need this message please share this with them.  Everybody has that weird girl in their family or knows that weird black girl in class, on your block or even it’s you. If you need to print this do it, save it, pop it out every once in a while and read it, whatever.  Just know YOU are LOVED and this is FOR YOU. Stay afloat, stay black positive and love the reflection that looks back at you and the reflections that you pass by day to day. Fuck society saying of what we are! Some of you have borne the future, some you will bear the future but YOU definitely ARE the FUTURE. Time to build!

 

HISTORY + VIDEO: A Thousand Suns > Global Oneness Project

A Thousand Suns

GO HERE TO VIEW VIDEO

A Thousand Suns tells the story of the Gamo Highlands of the African Rift Valley and the unique worldview held by the people of the region. This isolated area has remained remarkably intact both biologically and culturally. It is one of the most densely populated rural regions of Africa yet its people have been farming sustainably for 10,000 years. Shot in Ethiopia, New York and Kenya, the film explores the modern world's untenable sense of separation from and superiority over nature and how the interconnected worldview of the Gamo people is fundamental in achieving long-term sustainability, both in the region and beyond.