Africa: New African Writing, Cont'd
Penguin SA's Louise Grantham, writer Nii Parkes, Binyavanga Wainaina join Harriett Gilbert for 26 min talk about the state of literature on the continent.
Africa: New African Writing, Cont'd
Penguin SA's Louise Grantham, writer Nii Parkes, Binyavanga Wainaina join Harriett Gilbert for 26 min talk about the state of literature on the continent.
Anti-Capitalist Meet-Up: Imprisonment and Profit
by soothsayer99
Sun Nov 07, 2010 at 03:03:50 PM PST
I sit in the day room/lobby waiting to be released for lunch. I read a novel in which one character, a Pole, comments to another that the Germans consider Poles to be untermenschen, subhuman... Instead of storm trooper boots and brown shirts, those who command wear Tony Lamas cowboy boots, expensive suits, and ties—men who see in the U.S. prison establishment ways to both intensify control of the population and squeeze more profits out of late-stage capitalism....Prison has always been the final gate in the repressive apparatus of a state...The United States is the world’s primary example of a country that deals with its social, economic, and cultural problems by incarceration. But this is its history. Prisons are the logical outcome of the country’s foundation on the genocide of Native Americans, the enslavement of Africans, and the "manifest destiny" of imperial settlerism—from sea to shining sea.. Marilyn Buck 1947 - 2010
- soothsayer99's diary :: ::
I recently contributed a chapter to a multi-volume work on private prisons -- Prison Privatization: The Many Facets of a Controversial Industry (forthcoming Winter 2011 Praeger Publishing). One of the editors is the author of Merchandizing Prisoners: Who Really Pays for Prison Privatization?. My chapter offers - unsurprisingly - a critique of private prisons.
My questions, my struggle, in writng were these:
Just how is the case against private prisons any different than the case against prison itself??
Where is the line to be drawn between the private prisons per se and the increasingly privatized profit-driven interests that have long marred Federal and state-run prisons?
And where is the line to be drawn between the profit driven enslavement/imprisonment of the past and that of the present moment?
There is no line.
There was never a line..
"It can also be said that the use of inmates as a form of cheap labor has been part of the capitalist system from the beginning, as owners seek to maximize profits however they can, including using the cheapest form of labor, whether it be slaves, immigrant labor, or inmates.In fact, taking advantage of those imprisoned (in various forms, including slavery) has been common among nations for centuries
The history of prison in the United States is simultaneously a history of private profit from a captive labor force -- it is a history of the enslavement of blacks, poor whites and now brown "undocumented immigrants". Now as then, vast profits are made from exploited inmate labor. Now as then, the profit is derived from an immense imprisoned population that is disproportionately people of color, disproportionately poor. Now as then, the interests against prisons and privatization are interests against raw capitalism, racism and classism, against slavery, brutalization and exploitation..
Prison is a slavery - called by many names...
SLAVERY, INDENTURED SERVITUDE AND CONVICT LEASE LABOR
The recent re-emergence of private prisons for profit simply offers a new twist on an old story. Private profit from imprisonment has a long-standing history in the U.S. From the outset, private interests have amassed great fortunes from imprisoned labor be they slaves, indentured servants or convicts.It is important to recall that many of the first settlers of the "New World" were actually British, Scottish, Irish, French, German, and Dutch convicts sold into indentured servitude. Selling "criminals" to the companies exploring the Americas lowered the cost of maintaining European prisons (since they could remain relatively small), enabled the traditional elite to rid themselves of potential political radicals, and provided the cheap labor necessary for the first wave of colonization Indeed...there is a strong historical relationship between the need for policing the unruly working classes, fueling the military and economic needs of the capitalist class, and greasing the wheels of imperialism with both indentured servants and outright slavery.
Imprisoned black slave labor was the economic centerpiece of the plantation economy, and following the Civil War and the lie of 13th Amemdment, slavery was de facto perpetuated. The foundations of our current system of profit from inmate labor were cemented in place after the Civil War as Slave Codes became Black Codes, black men moved en mass from plantations to penitentiaries, and convict leasing systems emerged to provide private companies with neo-slave labor. This system allowed inmates - mostly blacks and poor whites - to literally be sold directly to private individuals and industries and transported to work in fields, logging, road, levee and railroad construction and in mines. The conditions of this sort of incarceration has rightly been described as worse than slavery – since the inmates were not valued "property", they were largely expendable and were frequently worked to death in addition to being subjected to brutal punishments, malnourishment and disease.
The loss of outside jobs and the inherent brutality and cruelty of the lease system sparked resistance which eventually brought about its demise. One of the most famous battles was the Coal Creek Rebellion of 1891. When the Tennessee coal, Iron and Railroad locked out their workers and replaced them with convicts, the miners stormed the prison and freed 400 captives; and when the company continued to contract prisoners, the miners burned the prison down. The Tennessee leasing system was disbanded shortly thereafter. But it remained in many states until the rise of resistance in the 1930s...Strikes by prisoners and union workers together were organized by the then radical CIO and other labor unions. They pressured Congress to pass the 1935 Ashurst-Sumners Act making it illegal to transport prison-made goods across state lines.
THE PRISON INDUSTRIAL COMPLEX
The profit motive as an under-pinning of our prison system has returned full blown by the mid - 20th century. The power of the labor unions in the U.S. succeeded in curtailing the most extreme practices noted above by the mid -1930s and largely limiting the proliferation of prison made products.
By the late 1970s however, the declining power of the U.S. labor unions and the increased trend towards a corporate dominated global economy led to the easing of these restriction and paved the way for the rise of prison industrial complex. The Justice System Improvement Act of 1979, which produced the Prison Industries Enhancement Program and lifted the ban on interstate transportation and sale of prison-made products, permitting a for-profit relationship between prisons and the private sector, and prompting a dramatic – and still escalating - increase in prison labor.
Profiting from prisons was transformed yet again by what is often referred to as the prison industrial complex, and this "new plantation" supported by a host of policies that result in "The New Jim Crow". The rise of the so-called prison industrial complex and the corresponding explosion in U.S. incarceration rates has created new opportunities for profiting from mass incarceration. As before, there is both public and private profit from inmate labor – still overwhelming black, brown and poor whites.
We are approaching the proportion of black prisoners to white, during the era of the southern convict lease and country chain gang systems.Whether this human raw material is used for purposes of labor or for the consumption of commodities provided by a rising number of corporations directly implicated in the prison industrial complex, it is clear that black bodies are considered dispensable within the "free world," but as a source of profit in the prison world.
Much like the military industrial complex -- "The prison industrial complex is not a conspiracy, but a confluence of special interests that include politicians who exploit crime to win votes, private companies that make millions by running or supplying prisons and small town officials who have turned to prisons as a method of economic development."
Of course, those who profit from such arrangements will do what they must to insure a steady and ever-expanding supply of new labor. Moreover, the majority of prisoners are people of color and poor people. This ensures that traditional (oppressive) racial and class power hierarchies remain intact. It is no surprise that the rise of the prison industrial complex is made possible by many varieties of legislation that guarantee to ensnare more and increasingly younger offenders, increase sentence length, and set up released inmates for failure and recidivism.
Within such a system, the concept of justice ceases to have any constructive meaning.
"The prison industrial complex is a self-perpetuating machine where the vast profits (e.g. cheap labor, private and public supply and construction contracts, job creation, continued media profits from exaggerated crime reporting and crime/punishment as entertainment) and perceived political benefits (e.g. reduced unemployment rates, "get tough on crime" and public safety rhetoric, funding increases for police, and criminal justice system agencies and professionals) lead to policies that are additionally designed to insure an endless supply of "clients" for the criminal justice system (e.g. enhanced police presence in poor neighborhoods and communities of color; racial profiling; decreased funding for public education combined with zero-tolerance policies and increased rates of expulsion for students of color; increased rates of adult certification for juvenile offenders; mandatory minimum and "three-strikes" sentencing; draconian conditions of incarceration and a reduction of prison services that contribute to the likelihood of "recidivism"; "collateral consequences"-such as felony disenfranchisement, prohibitions on welfare receipt, public housing, gun ownership, voting and political participation, employment- that nearly guarantee continued participation in "crime" and return to the prison industrial complex following initial release.) ( Brewer and Heitzeg 2008)
The prison industrial complex now houses over 2.5 million persons in state or federal prisons and jails - a rate of 751 out of every 100,000, leaving the US with the highest incarration rate in the world. The PIC includes over 3,300 jails, over 1,500 state prisons, and 100 Federal prisons in the US. Nearly 300 of these are private for-profit prisons. The two largest private prison corporations in the US, GEO, formerly Wackenhut, and Corrections Corporation of America (CCA), are multi-national corporations, managing prisons and detention centers in for the Bureau of Prisons, Immigration and Custom Enforcement, at least 13 states, and several foreign countries including Australia, Canada, South Africa, and the United Kingdom. Both are top performers on the New York Stock Exchange, and boast of investors such as Wal-Mart, Exxon, General Motors, Ford, Chevrolet, Texaco, Hewlett-Packard, Verizon, and UPS.
Prison labor provides profits for both private contractors such as Microsoft, Boeing, Honeywell, IBM, Revlon, Dell, Pierre Cardin, Compaq, Levy, TWA, Dial, Victoria's Secret, Starbucks, and Nordstrom as well as state correctional industry agencies, foreign correctional industry agencies, city and county jail industry programs and the Federal Prison Industries Program known as UNICOR. Profits total in the hundreds of billions of dollars.
Cheap inmate labor, at as low as 21 cents per hour, produces now everything from blue jeans to auto parts, electronics and toys,computer circuit boards and packaging plastic eating utensils for fast-food restaurants. In addition, prison labor is the major supplier for the US military, ranking amongst the top 50 suppliers fot the Army alone.
"Prison workers supply 98% of the entire market for equipment assembly services, 93% of paints and paintbrushes, 92% of stove assembly, 46% of body armor, 36% of home appliances, 30% of headphones/speakers, and 21% of office furniture, airplane parts, medical supplies, and much more. Prisoners are even raising seeing-eye dogs for blind people....
The federal prison industry produces 100% of all military helmets, ammunition belts, bullet-proof vests, ID tags, shirts, pants, tents, bags, and canteens..
Apparently, the military industrial complex and the prison industrial complex (PIC) have joined forces".
In addition to profits from neo-slave labor, the renewed trend towards prison profiteering includes takeover of existing public facilities by private operators, the contracting to private providers for the provision of some direct services to public facilities, contracting for private provider access to inmate labor to produce products for private profit, and the building and operation of new prisons by for-profit prison companies. The private prison is simply the most extreme example from a network that creates multiple pathways for private profit via mass imprisonment, and part of a confluence of special interests that includes the Prison Industries Enhancement Certification Program (PIECP Program), privatized industry self-regulation via the National Correctional Industry Association, the private prison industries,most notably The GEO Group and CCA, a long list of corporations who are now free to exploit inmate labor, and the lobbying influence of The American Legislative Exchange Council (ALEC).Certainly there is a clear argument to be made against the extreme abuses that arise when profit is the singular motive for corporations such as The Corrections Corporation of America (CCA), recently scrutinized again here for their role in the passage of SB1070, Arizona's latest racist anti-immigration bill. And yes what a tangled web of corporate interests, political collusion and human suffering it is.
RESISTANCE
If you oppose capitialism, globalization, corporatization, and militarization, you must also oppose mass incarceration and the increasing "prisonization" of U.S. society. They are part and parcel of the same morass of exploitation and brutalization, all in the pursuit of profit.They are furthered by the same fear-mongering, fueled by the same politics of polarization, and supported by the same repressive public policies. So pick a spot in the action categories below and get involved. If you are new to this struggle, we welcome you. If you're already part of the struggle, please help us reach out to others who aren't yet aware of the issues and their relevance to democracy, racial and economic justice, and human rights.
Boycott Refuse to purcahse products or invest in companies that rely on prison labor. Tell them why. Organize others . The college student campaign against Sodexho is an example to follow.
Support Groups Challenging the Prison Industrial Complex There is a plethora of organizations targeting multiple dimensions of the PIC. Join them, support them. A starting point --
The Sentencing Project
The Real Cost of Prisons Project
The Innocence Project
Families Against Mandatory Minimums
Racial Profiling Data Collection Center
Amnesty International USA
Human Rights Watch USA
Critical Resistance
Prison Activist Resource Center
Death Penalty Information Center
Angola 3 News
Solitary Watch
ACLU: The Racial Justice Program
Death Penalty Discourse Network
Incite! Women of Color Against Violence
Transformative Justice Law Project of IllinoisLegislation & Public Policy Dismantling the PIC will require legislative in a number of areas - racial profiling and police use of force, juvenile justice, school disciplinary policy and the school to prison pipeline, mandatory minimum sentencing and three-strikes laws, crack versus powder cocaine disparities, felony disenfranchisment laws and a host of collateral consequences. The following resources offer excellent overviews and options for action.
Justice Policy Institute
National Criminal Justice Commission Act (Sen. Jim Webb)
NAACP - Disenfranchisement of Prisoners and Former Prisoners
Brennan Center for Justice - Criminal Justice System ReformEducate your self and others Learn more. Talk with others. Form coalitions. Here are outstanding places to start.
Are Prisons Obsolete? by Angela Y. Davis
From the Convict Lease System to the Super-Max Prison, Angela Y. Davis (pdf download)
Our Banana Republic
By NICHOLAS D. KRISTOF
Published: November 6, 2010
Damon Winter/The New York Times
Nicholas D. Kristof
On the Ground
In my reporting, I regularly travel to banana republics notorious for their inequality. In some of these plutocracies, the richest 1 percent of the population gobbles up 20 percent of the national pie.
But guess what? You no longer need to travel to distant and dangerous countries to observe such rapacious inequality. We now have it right here at home — and in the aftermath of Tuesday’s election, it may get worse.
The richest 1 percent of Americans now take home almost 24 percent of income, up from almost 9 percent in 1976. As Timothy Noah of Slate noted in an excellent series on inequality, the United States now arguably has a more unequal distribution of wealth than traditional banana republics like Nicaragua, Venezuela and Guyana.
C.E.O.’s of the largest American companies earned an average of 42 times as much as the average worker in 1980, but 531 times as much in 2001. Perhaps the most astounding statistic is this: From 1980 to 2005, more than four-fifths of the total increase in American incomes went to the richest 1 percent.
That’s the backdrop for one of the first big postelection fights in Washington — how far to extend the Bush tax cuts to the most affluent 2 percent of Americans. Both parties agree on extending tax cuts on the first $250,000 of incomes, even for billionaires. Republicans would also cut taxes above that.
The richest 0.1 percent of taxpayers would get a tax cut of $61,000 from President Obama. They would get $370,000 from Republicans, according to the nonpartisan Tax Policy Center. And that provides only a modest economic stimulus, because the rich are less likely to spend their tax savings.
At a time of 9.6 percent unemployment, wouldn’t it make more sense to finance a jobs program? For example, the money could be used to avoid laying off teachers and undermining American schools.
Likewise, an obvious priority in the worst economic downturn in 70 years should be to extend unemployment insurance benefits, some of which will be curtailed soon unless Congress renews them. Or there’s the Trade Adjustment Assistance program, which helps train and support workers who have lost their jobs because of foreign trade. It will no longer apply to service workers after Jan. 1, unless Congress intervenes.
So we face a choice. Is our economic priority the jobless, or is it zillionaires?
And if Republicans are worried about long-term budget deficits, a reasonable concern, why are they insistent on two steps that nonpartisan economists say would worsen the deficits by more than $800 billion over a decade — cutting taxes for the most opulent, and repealing health care reform? What other programs would they cut to make up the lost $800 billion in revenue?
In weighing these issues, let’s remember that backdrop of America’s rising inequality.
In the past, many of us acquiesced in discomfiting levels of inequality because we perceived a tradeoff between equity and economic growth. But there’s evidence that the levels of inequality we’ve now reached may actually suppress growth. A drop of inequality lubricates economic growth, but too much may gum it up.
Robert H. Frank of Cornell University, Adam Seth Levine of Vanderbilt University, and Oege Dijk of the European University Institute recently wrote a fascinating paper suggesting that inequality leads to more financial distress. They looked at census data for the 50 states and the 100 most populous counties in America, and found that places where inequality increased the most also endured the greatest surges in bankruptcies.
Here’s their explanation: When inequality rises, the richest rake in their winnings and buy even bigger mansions and fancier cars. Those a notch below then try to catch up, and end up depleting their savings or taking on more debt, making a financial crisis more likely.
Another consequence the scholars found: Rising inequality also led to more divorces, presumably a byproduct of the strains of financial distress. Maybe I’m overly sentimental or romantic, but that pierces me. It’s a reminder that inequality isn’t just an economic issue but also a question of human dignity and happiness.
Mounting evidence suggests that losing a job or a home can rock our identity and savage our self-esteem. Forced moves wrench families from their schools and support networks.
In short, inequality leaves people on the lower rungs feeling like hamsters on a wheel spinning ever faster, without hope or escape.
Economic polarization also shatters our sense of national union and common purpose, fostering political polarization as well.
So in this postelection landscape, let’s not aggravate income gaps that already would make a Latin American caudillo proud. To me, we’ve reached a banana republic point where our inequality has become both economically unhealthy and morally repugnant.
SYRIA
Iraqi Kids Struggle on Dangerous Edges
By Rebecca Murray
DAMASCUS, Nov 7, 2010 (IPS) - Leila, 17, presses her hijab-clad head against the front door and strains to hear outside. "There's nothing," she says cautiously, turning towards her mother Rawda, the head of the household, in their quiet basement apartment. Along the brocade couch sit her two sisters, Mona, 19, Nadja, 15, and 10-year-old brother Khaled.*This close knit family is paranoid, and for good reason. They fled Iraq's sectarian violence to Damascus with the children's father in 2006, only to find themselves on the run from him too.
Since the start of the U.S.-led invasion of Iraq in 2003, the United Nations High Commission for Refugees (UNHCR) in Syria has registered 260,000 Iraqis - with this year's total just over 150,000. In reality, an estimated 1.5 million Iraqis have lived in Syria over the past seven years, the largest community outside Iraq.
Although Syria has granted visas at the borders for Iraqi refugees since the U.S. invasion of Iraq in 2003, employment of Iraqis is prohibited.
Rawda's family initially settled in Sayida Zeinab, one of Damascus's chaotic satellite communities with a large concentration of Iraqi refugees. Like most of the recently arrived, they had little option but to register for resettlement with UNHCR, and wait.
Living in impoverished conditions, the family sold all their belongings, including the girls' gold jewelry, piece by piece. Rawda - forced by her parents to marry her much older husband at 13 years old - found informal work at a hairdressing boutique, leaving her vulnerable to sex solicitations from clients.
She says that while she worked, her husband drank alcohol, slept with prostitutes and borrowed cash. The final straw came when he arranged for his daughters to marry what they describe as 'bad' men for cash, starting with Mona, Rawda's eldest daughter.
"The last time he brought his friend over who had a lot of money, and it was clear he wanted her to marry this guy," says Rawda. "Mona became sick and couldn't move her hands...she was paralyzed for three hours."
Last year, when Rawda's husband returned temporarily to Iraq to sell more family furniture, Rawda's family seized the opportunity to go into hiding. They fled to a church-run shelter for ten months, and then to a small basement apartment living anonymously far from the Iraqi enclaves.
Mona is the biggest causality; at 19 years she is too old to re-enroll in school like her sisters and brother, and too paranoid to leave their small flat in case relatives or friends of her father identify her.
When Firas Majeed, himself an Iraqi refugee, visits the family every week, a sumptuous Iraqi meal is cooked and laughter fills the flat. His community- based project, 'Native Without a Nation', aims to teach Iraqi girls and boys essential English language and computer skills. It also organises Internet conferences, bringing together young refugees and school kids their age in the U.S., promoting a better understanding of each other's lives and culture.
Education is the cornerstone to building a new life for the children of Iraqi refugees. UNICEF says over 200 schools in Syria have been rehabilitated by the agency and Syria's Ministry of Education, which mandates compulsory education for all children, including Iraqis, up to 15 years old.
However, UNICEF statistics show enrollment has fallen among Iraqi refugees from over 33,000 in the 2008-2009 school year to around 24,500 this year. These figures mirror the overall decline in registration figures at UNHCR centres, and the driving issue is poverty.
UNICEF's communications liaison, Razan Rashidi, explained to IPS that "people who came here include middle class Iraqis who thought they could slip into the middle class here. But being prevented from working, their savings have been depleted.
"Children dropping out of school is an issue. There are Iraqi children, especially young boys, who have to work... in basic mechanics, market porter work, and textile workshops, particularly in areas outside central Damascus."
Hamed, 18, came from a comfortable middle class background in Baghdad. But after receiving death threats by local militia, and the killing of his beloved uncle, a body building champion, his family fled to Syria in 2006. A year later, their funds exhausted, Hamed's father decided to make the dangerous trip home to obtain more money. But he never made it, and disappeared in the desert somewhere along the Iraqi border.
Hamed says his small family in Damascus was traumatised. They felt safe only when ensconced together in their small flat in the crowded Iraqi neighborhood of Jeremana. He and his mother work as tailors to make ends meet.
"During school I became depressed," says Hamed. "I started asking what am I doing here? What is this world? Am I alive or dead? I was shaving my head, and using the same razor blade to cut my arms and stomach. I felt if I could see my own blood I would feel better."
"There is fear and anxiety from the kids mostly transferred from the parents," says Maysoun Alradi, a counselor with charity Terre Des Hommes Syria (TDH). "Most parents don't know how to deal with it. They become isolated, stop speaking, are inward or aggressive."
TDH project coordinator Elisabeth Finianos explains further. "What children are dealing with now is the fear of the unknown - where they are going to end up. For the large part traumas from the war have been addressed, and the prevalent issue is now fear of the unknown and what is going to happen."
Thanks to TDH, Hamed now has a clearer vision of his future. He took theatre courses at the charity's recreational centre, and fell in love with writing poetry. His counselor gave him a guitar, and his favorite self-taught melodies are classical Flamenco and Arabic.
Hamed is now pushing himself to enroll back in school, and towards a future working with kids. "I will never go back to Iraq," he says unhesitatingly. He pauses and softens. "If I do go back it's to help society. Now there is nothing there."
* The names of the children and mother have been changed to protect their identities. (END)
THE MOMENTUM IS BUILDING! DEMONSTRATIONS AND EVENTS PLANNED NATIONALLY AND INTERNATIONALLY!
JUSTICE ON TRIAL - NEW MUMIA DOCUMENTARY
VIDEO FOOTAGE FROM 10/31 EVENT TO BE POSTED ASAP!
EXCLUSIVE! NEW TESTS SHOW KEY WITNESSES LIED AT MUMIA'S TRIAL!
CONFIDENTIAL MEMO LEAKED "THROWING MUMIA UNDER THE BUS"
STATEMENT FROM EDUCATORS FOR MUMIA ABU-JAMAL
STATEMENT FROM PUERTO RICAN COALITION AGAINST THE DEATH PENALTY
JOIN THE CAMPAIGN FOR A CIVIL RIGHTS INVESTIGATION OF THE CASE OF MUMIA ABU-JAMAL
PHASE III HAS BEGUN! FIND OUT HOW TO GET INVOVLED TO FREE MUMIA NOW!
JULY 4 PROTEST IN PHILLY FOR MUMIA! VIDEOS!
25 YEAR ANNIVERSARY OF MOVE BOMBING - VIDEO AND INFO HERE...
VIEW VIDEO FOOTAGE TAKEN FROM APRIL 26 IN WASHINGTON DC
INTERNATIONAL TEACH IN AND CALL FOR JUSTICE FOR MUMIA ABU-JAMAL
HELD ON FEBRUARY 13 IN PHILADELPHIA...
VIDEOS POSTED!
US SUPREME COURT GRANTS APPEAL BY PROSECUTORS
BRINGING MUMIA ONE STEP CLOSER TO EXECUTIONEMERGENCY PROTESTS WERE HELD ON 1/20 IN HARLEM, CALIFORNIA, PHILLY, MEXICO AND GERMANY!
(View VIDEO FOOTAGE (Harlem) HERE)
(View PRESS RELEASE HERE)
NOVEMBER 12! PETITIONS DELIVERED TO ATTORNEY GENERAL ERIC HOLDER!
---CLICK HERE FOR ALL INFORMATION, ARTICLES, ETC.
ON THE CIVIL RIGHTS CAMPAIGN---
NAACP LEGAL DEFENSE FUND FILES BRIEF IN SUPPORT OF MUMIA
NAACP Legal Defense Fund files important brief in The Supreme Court
US SUPREME COURT REJECTS APPEAL FOR MUMIA
Once again the courts have ignored and changed precedent to illegally continue the imprisonment of Mumia. On July 3rd, the 3rd Circuit Court of Appeals denied Mumia the chance to a new trial. Without help from the U.S. Supreme Court, Mumia will likely be either given life in prison without parole or an execution!
YOUR SUPPORT IS NEEDED NOW!GET MUMIA'S NEWEST RADIO ESSAY'S HERE
NOVEMBER 21 - FREE MUMIA COALITION HOLDS BOOK SIGNING EVENT FOR POLITICAL PRISONERS
Pictures, reportback and more from event!
THIRD CIRCUIT COURT DENIES MUMIA
A NEW TRIALMumia Abu-Jamal was denied a new trial by Federal Court (Third Circuit Court of Appeals). A re-hearing on this decision was subsequently denied. The DAY AFTER the Third Circuit made its horrific ruling, Mumia supporters hit the streets. In Harlem, hundreds marched down 125th street and held a meeting - CLICK HERE FOR DAY AFTER INFO
KRS-ONE AND HIP HOP ARTISTS SUPPORT MUMIA
On June 8, 2008, KRS ONE and other Hip Hop Artists performed live at the Knitting Factory in NYC in support of Mumia. Click on the link to see videos and pictures from the event!
26 ANNIVERSARY OF MUMIA'S DEATH ROW INCARCERATION
Demonstration held on July 4 in Philly. Click link for pictures and video.
MAY 10: DEMONSTRATION IN PHILLY TO RELEASE THE MOVE 9 AS PAROLE IS DENIED FOR MOVE WOMEN!
As of April 22, 2008 all of the MOVE Women have been denied parole.
Demand Justice on May 10!Click Here to sign the online petition
Click Here for a video interview with Ramona Africa
Click Here for a video interview with Mike Africa Junior
Click Here for extensive information
PICKET AT TODAY SHOW AND CAMPAIGN FOR EQUAL TIME WIN IMPORTANT VICTORIES...
Click Here to watch The Today Show segment
Click Here for a flyer responding to "Murdered By Mumia"
Click Here to view a letter written by Veronica Jones
DESMOND TUTU MEETS WITH MUMIA, LEGAL DEVELOPMENTS, AND MORE!
Click on the link for a letter from Mumia's lawyer!
EXPLOSIVE NEW EVIDENCE
New Mumia Abu-Jamal crime scene photos unveiled for the first time in the United States. Click here fore more info
-Frequently Asked Questions on the Photos HERE
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MAY 17: ORAL ARGUMENTS HEARD
Thank you to all who showed support on May 17th for Mumia's Oral Arguments which were heard before the Third Circuit Court of Appeals. In the next coming months we will receive word on the court's decision which could be anything from granting Mumia a new trial, to an execution date.
Please visit the link above for ANALYSIS, photos, articles, radio interviews, report-backs, and more! Check back for updates!
(Charles Barron at our press conference)
THE NYPD ENGAGED IN ILLEGAL ACTIVITY IN ATTEMPT TO SHUT DOWN "MUMIA 911"
Visit this link to view the "NYPD Rant" - the blog where cops posted their illegal plans to threaten and shut down the club which was to host Mumia 911...
HOUSE RESOLUTION 1082
Don't know what House Resolution 1082 is? Click Here to find out!
Write to Representatives who voted on H.R. 1082. Click Here
Write to John Conyers concerning H.R. 1082. Click Here
Thank Donald Payne for voting against H.R. 1082 despite police intimidation. Click Here
INFORMATION ON "RUE MUMIA ABU-JAMAL"
Click here for information on the street that was named in Mumia's honor in Saint-Denis, France
Posted by: ivetteromero | November 7, 2010Battle over Bob Marley Rights Continues
In a recent Gleaner article, “Bob Marley Vibrations: Legal Notes,” attorney Andrea Scarlett-Lozer, who specializes in commercial and intellectual property rights, analyzes the ongoing legal battle over property rights in the Marley estate. She stresses that the Marley case underscores the importance for artists to ensure that contracts involving copyright are fair and provide an accurate reflection of the scope of the rights that the artist intends to transfer. See full article here (with link below):
On September 13, 2010 the US District Court of New York held that Bob Marley’s estate does not own the rights to five (5) of Bob Marley’s most popular albums, namely: “Catch a Fire”, “Burnin”, “Natty Dread”, “Rastaman Vibrations” and “Exodus”. The court held that these works belong to United Music Group (“UMG”). UMG acquired the rights from Island Records, the entity for which Bob Marley had done the recordings in 1973 and 1977. The court held that Bob Marley’s estate did not succeed in a claim against UMG for intentionally withholding royalties, failing to consult with them on key licensing decisions, including the use of Marley’s music as “ringtones” on AT&T, Sprint and T-Mobile phones.
The legal basis on which the court made this finding is that the recordings were done for Island Records under a “work for hire” arrangement, as defined in United States copyright law. Each of the agreements provided that the sound recordings were the “absolute property” of Island Records. Under United States copyright law, “work for hire” means that the work is done under an employment contract, or in other words as “wage labour”. Copyright in the product of this kind of arrangement belongs to the employer and not the employee. This is to be contrasted with commissioned work where the creator of the work is an independent contractor and his work is not automatically assigned to the person who ordered the work. It would be required that the ownership of the copyright be the subject of an express arrangement between the parties.
In Jamaica, the Copyright Act makes no distinction between “work for hire” arrangements and commissioned work arrangements. The Act provides that copyright belongs to the author of the work. The effect of this is that there is no automatic assignment of work done by an employee to an employer. In the case of Paymaster (Jamaica) Limited v Grace Kennedy Remittance Services Limited and Paul Lowe the Supreme Court of Jamaica held that the customary inference is that a licence (permission to use) and not an assignment (or transfer) will be implied for the benefit of the person who commissioned the work unless there is compelling evidence to the contrary.
The effect of the Jamaican legal situation is that an artiste may be entitled to the economic benefits associated with copyright in his work unless he entered into an agreement in which he transferred those benefits to a record company or producer. However, based on the Paymaster case, the artiste’s rights may be limited by an implied licence to the person who ordered his work. From all indications, a local court may have come to a similar ruling in the Bob Marley case because of the express words in the contracts which stated that the sound recordings were the “absolute property” of Island Records.
The Bob Marley case underscores the importance of an artiste ensuring that contracts involving his copyright are fair and provides an accurate reflection of the scope of the rights that he/she intended to transfer. Based on general principles of copyright law, as well as the Paymaster case, it is of paramount importance for artistes to enter into written contracts in order to properly protect their interests. Informal arrangements can prove to be a loss leader in the long run, and sometimes almost immediately. The artiste should also bear in mind that copyright in musical works subsists for approximately fifty (50) years from the year of death of the author, and agreements should reflect long term planning and not just short term gains.
For original article, see http://www.jamaicaobserver.com/Vibrations-from-Bob-Marley_8091194
Bassweight: A Dubstep Documentary by The SKR
November 7, 2010 by Nadia Ghanem
Filed under Documentaries, Reviews
The story of dubstep has been caught and written in silver on screen in a documentary just released by the SRK team. Bassweight is the latest film of The SRK, London-based modern chroniclers of key urban movements.
Dubstep is a London music child, shaped and produced by beat makers and rhythm players who built, from the foundations of dark dark garage and 2-step, a bass line so wickedly spellbinding it enraptured music lovers and spinners across the globe, from the UK to Amsterdam, Russia, Brazil all the way back again.
To tell the story of dubstep, the SKR zoom their lens close-up on this underground world as it once was, and has now become, taking for their narrator the voice of all the major players of the movement: from Dirrty Goodz of the Big Apple record store (vintage footage), Benga, Skream, Hijak, N–Type and Mary Anne Hobbs of Radio 1’s Dubstep Warz, to an ensuing impressive line up who subsequently picks up the narration.
Shake hands with Boomnoise and Sgt Pokes who welcome Goth-Trad on SubFM for one of their (many) iconic shows, on silhouettes of large cones winking, and with Heny G of Anti Social Entertainment who recalls the particulars of pirate radios. Jason Goz, of Transition Mastering, talks dub plates, mastering and subtleties of frequencies.
The international scope of dubstep is opened by Deapoh of Barefiles and Bare Dubs records, who takes the audience to Amsterdam for a phenomenal rave – with Kromestra, Hijak and Mala spinning amongst many others – and we go as far as Brazil to meet DJ Bruno Belluomini, who does not charge money and does not want to charge people for the parties he spins, as he believes dubstep has to be heard live to be felt.
The SRK’s style defines Bassweight. I had encountered them previously through their court métrage Graffiti Asia. Their sped up, accelerated footage shakes cuts, the grainy and the sharp. The slope of time, past-present-future, is gently tinged; black & white for what has come and gone, monochrome-bronze and full colour for the present and future tenses.
The photo-essay aesthetic of static photographs where the onlooker is zoomed slowly out from on reverberating soundscapes, illustrates perfectly the hazy memories of rave parties.
Certain views and angles capture our forever-changing tech world spot on: there is a fantastic shot of Benny Ill, of Horsepower production, chatting before shelves upon shelves of videotapes (remember that, videotapes!).
As Mary Anne Hobbs says, Dubstep is a meeting place for all, in dubstep there is something for everyone.
Bassweight Trailer:
“The minute you’re involved in producing music, you take control of your local sound space. The minute you’re making sound, instead of just being a passive victim of your environment, you actually start to carve an environment, That is why it is so empowering to make music.” –Kode9
Bassweight is available now from bassweightdvd.com. Find out more about The SRK at thesrk.com.
Kicking Out
<p>Kicking Out from The SRK on Vimeo.</p>
This was an 18min short looking at at how getting involved with sports and in particular football can help people and especially children, stay away from a lot of the struggles being poor in Kenya brings.
The film looks at the use of sport to spread positive messages to help address the causes and problems of the HIV/AIDS crisis in Kenya.
Photographed by Joe Cogan and edited by Tim Grabham and Suridh Hassan, the film was produced in association with Alive and Kicking and is dedicated to the memory of Jim Cogan OBE.
aliveandkicking.org.uk
2011 Passager Poetry Contest
FOR WRITERS OVER 50Submit work: September 1, 2010 - February 15, 2011 (postmarked date)
Winner receives $500 and publication.
Honorable mentions will also be published.
- Reading fee: $20, check or money order payable to Passager
Reading fee includes a one-year, two-issue subscription to Passager.- Submit 5 poems, 40 lines max. per poem
- Introduce yourself with a cover letter and brief bio.
- Include name and address on every page.
- Include a Self-Addressed, Stamped Envelope (SASE) for notification of winners.
- Poems will not be returned.
- No previously published work.
- Simultaneous submissions to other journals are okay, but please notify us if the work is accepted elsewhere.
- No email submissions, please!
If you need more information, send us an email: passager@saysomethingloudly.com, or call: 410.837.6047.
Send all submissions to:
Passager
1420 N. Charles Street
Baltimore, MD 21201-5779
2011 OPEN ISSUE for Writers over 50
We are not accepting Open Issue submissions in 2010
Submit work: June 1, 2011 - September 1, 2011 (postmarked date)
No reading fee for Open Issue submissions
- Submit 3-5 poems (50 lines max. per poem) and/or fiction or memoir (4,000 words max.)
- Include cover letter and brief bio.
- Include name and address on all pages.
- No previously published work.
- Simultaneous submissions okay, but notify us if the work is accepted elsewhere.
- No email submissions, please!
If you need more information, send us an email: passager@saysomethingloudly.com, or call: 410.837.6047.
Send all submissions to:
Passager
1420 N. Charles Street
Baltimore, MD 21201-5779
Passager Books publishes older writers. We are not currently accepting manuscripts for consideration by Passager Books. For more information about ordering Keeping Time, A Cartography of Peace, Improvise in the Amen Corner, or one of the books from the Six over Sixty series, visit our Books page.
2011 International Literary Awards Guidelines
— filed under: About Salem, Center for Women Writers2011 International Literary Awards Guidelines More than $4,000 in prizes!
2011 International Literary Awards Guidelines
More than $4,000 in prizes!
Reynolds Price Short Fiction Award for a single short story up to 5000 words
Judge: Michael Parker
Rita Dove Poetry Award for a poem up to 100 lines (up to two poems per submission, any style)
Judge: Allison Joseph
Penelope Niven Creative Nonfiction Award for a single piece of creative nonfiction, including personal essay and memoir, up to 5000 words
Judge: Meghan Daum
The winner in each genre will receive $1,200. The two honorable mentions in each genre will receive $150.
Competition Rules and Requirements:
--All entries should be mailed to Amy Knox Brown, Director of the Salem College Center for Women Writers, 601 South Church Street, Winston-Salem, NC 27101.
--Competitions are open to both women and men who write in English except Salem Academy and College employees and students.
--All submissions must be unpublished. Postmark deadline: February 10, 2011. Winners will be announced by May 16, 2011.
--The author’s name and address must not appear on the manuscript.
--For each entry, you must include all of the following: three clean typed copies of your manuscript (double space all prose entries); one cover sheet per entry with your name, address, telephone number, email, the genre in which you’re submitting (fiction, nonfiction, or poetry), word count (for nonfiction and fiction)/ line count (for poetry), and the title of the work(s); a check/money order for the $15 (in US dollars) reading fee per submission, made out to the Salem College International Literary Awards; and an optional SASE for notification of winners.
For further information, visit www.salem.edu/go/cww; or email cww@salem.edu; or contact Amy Knox Brown, Director of the Salem College Center for Women Writers, 601 South Church Street, Winston-Salem, NC 27101. No phone calls, please.
We congratulate our 2010 winners: Sharon May, Lisa K. Buchanan and Gregory Loselle.