Trailer – “Proceed And Be Bold” (Dowhatchalike)
Trailer for an intriguing upcoming documentary titled, Proceed And Be Bold.
It centers on 40-year-old Amos Paul Kennedy Jr. who abandoned his relatively comfortable, middle-class life, for a meager $7,000 a year income, as a self-proclaimed “Humble Negro Printer,” calling it a “declaration of independence.”
The film tells Amos’ “exhilarating and subversive” story, “while examining the pretensions and provisions of the art world.”
The film has screened at a handful of film festivals over the last couple of years, and the production company is now selling it independently on DVD for $10. Visit the film’s website for more info HERE.
Trailer below:
Exclusive investigation:
Guards cash in on smuggling
Haitian children
The smuggling problem has worsened along the Haiti-Dominican Republic border, with money passed to officers and traffickers willing to sell children.BY GERARDO REYES AND JACQUELINE CHARLES
greyes@ElNuevoHerald.com
OUANAMINTHE, Haiti -- The long-legged young man in a black jacket and shorts carries a child under each arm, given to him on the Haitian side of the border. He steps into the calm waters of the Massacre River and in less than 10 strides, without getting wet above the knees, he's in the Dominican Republic.
It's market day on the border, a chaotic scene where thousands of buyers and sellers pour into this bi-national market, and it provides the perfect cover for the smuggling of children. The young man pushes past stalls, dodges wooden carts, looks back as if pursued, until he reaches a house where arms extend from an open door to receive the children.
Above the river, Dominican border guards, soldiers and United Nations peacekeepers are tasked with keeping the peace and preventing this human trafficking via the river and bridge that links both nations. None of them react.
It took the young smuggler less than five minutes to ferry the children into the Dominican Republic, an easy, well-timed and completely illegal maneuver that repeats again and again on what is supposed to be the most surveilled border between Haiti and the Dominican Republic.
``It's a game,'' said Haitian Prime Minister Jean-Max Bellerive, readily acknowledging to The Herald that smuggling is an economic driver between both countries. ``A lot of people are trafficking. They make money. Everyone along the frontier is benefiting. It's the sole source of revenues. And everyone accepts it like that.''
After the earthquake -- which killed an estimated 300,000 people -- Haitian and Dominican leaders pledged to protect children from smugglers. But an investigation by El Nuevo Herald and The Miami Herald found that the problem has only worsened, with reporters witnessing money being passed to border officers, the brazen smuggling of children, and traffickers even offering to sell children for sex, cooking or laundry.
The newspapers also found that:
• Both countries have long known their 200-plus-mile border is too porous to prevent trafficking, but have done little to tighten security -- even at the four busiests checkpoints, which include the Massacre River crossing. When the countries have cracked down, business interests in both capitals, Santo Domingo and Port-au-Prince, complain that commerce suffers, which happened Monday when Dominican authorities closed the border crossing, inciting tear gas and stone throwing.
``Every time the government tries to control the frontier or clean it up, there are protests; unions are upset. It's a form of manipulation by the big shots of Port-au-Prince and the big shots of Santo Domingo,'' Bellerive said. ``Once the frontier shuts down, it's a political crisis.''
• Traffickers say they routinely bribe Haitian and Dominican border guards to get kids through. There have been only two convictions in four years, even though Dominican authorities created a special unit to combat the problem.
• Despite assurances from Dominican authorities that they crack down on trafficking and child abuse, nearly two dozen smuggled adults and children said they traveled unhindered through checkpoint after checkpoint without being asked for papers. Haitian children are often abandoned in the countryside; other kids are held hostage until their families can cover trafficking fees. Reporters often saw cops ignore kids begging in dangerous intersections or never questioned grown men walking hand in hand with child prostitutes in Boca Chica.
THE NUMBERS
Since the earthquake, more than 7,300 boys and girls have been smuggled into the Dominican Republic by traffickers profiting on the hunger and desperation of Haitian children and their families. In 2009, the figure was 950, according to one human rights group that monitors child trafficking at 10 border points.
The busiest of all border points is the Massacre River Bridge, linking Ouanaminthe in Haiti with Dajabón -- also home to the Dajabón market, which provides cover for traffickers, especially on Fridays and Mondays when Dominican authorities open the iron gate in the middle of the bridge and thousands of merchants and buyers pour in.
No immigration papers are required on market days, and verifying if a child is traveling with a parent or guardian is selective. Immigration authorities in both nations say they try to stop kids who look out of place, well dressed or alone.
Saintlus Toussaint, the Haitian immigration officer in charge on the bridge checkpoint, said after the quake an average of 15 children a day passed illegally on the bridge into the Dominican Republic. He said arrests were made, but did not have figures handy. Toussaint concedes challenges remain.
``I can control the bridge, but not what's underneath it,'' he said, referring to smugglers using the Massacre River. ``I cannot go into the water and arrest them.''
Clarine Laura Joanice, a team leader with Heartland Alliance Haiti, a non-governmental organization whose mission is to prevent child trafficking, said workers who try to curtail traffickers on the river face threats and beatings. ``They have attempted to beat the monitors with rocks.''
On the Haitian side of the bridge, the smugglers cut deals inside makeshift huts. Just outside on a mud-laden field, Dominican and Haitian motorcyclists offer to cross anyone for a fee, no papers needed; others offer children. Standing on a bridge, Alix offers to sell a Herald reporter a 15-year-old girl.
He gives no price, but said the girl previously lived with a Dominican doctor and his Haitian wife in Santo Domingo, and they had bought the teenager for $5,000 Haitian gourdes or $125.
``The couple mistreated the girl and the girl cried to return,'' said Alix, who offered to go get the teenager. ``You can give what you want. She can wash, and she can cook.''
Two smugglers interviewed by The Herald say they charge on average $80 to deliver a child to any Dominican city on foot or by car. The cost includes bribing officers in both nations. ``I paid between 300 to 400 pesos [$8-$11] for each checkpoint,'' said one trafficker, who asked not to be identified because he could be arrested.
Young go-betweens along the river were seen by reporters receiving cash, the equivalent of $1, in the open and in front of border guards. The young intermediaries stopped accepting cash once they noticed journalists taking photos and videos. But NGO monitors told the Herald that the go-betweens later gave the money to Dominican guards with the Specialized Corps for Borderland Security, or CESFRONT.
In late August Herald reporters witnessed two women -- who had crossed the river into the Dominican Republic -- hand CESFRONT guards money one block from the water. Guards chased the women and beat them. When the reporters confronted one guard, he said: ``I was trying to break a bill into change.'' The guard ran off.
Asked why the guards pummeled them, one woman said ``the soldiers had already asked for a bribe but wanted more.''
• • •
Another smuggler explained that he used `road-runners,` bag-men on motorcycles to hand guards cash ahead of a smuggler's caravan once in the Dominican Republic. Another offered a better trick: dress kids in school uniforms pretending they are on a field trip.
``Dominican authorities here have always allowed the flow of illegal migrants, children and adults, young men and women. They encouraged it,'' said Father Regino Martínez, director of Border Solidarity, which works to prevent child smuggling. ``It's corrupt and paid for.''
Francisco Jose Gil, then-CESFRONT chief, repeatedly said that guards are not on the take, and any bribery was an isolated incident, comparing it to ``mischief.'' Gil and other government officials said the Dominican army deploys on market days more than a dozen fixed and mobile checkpoints along 180 miles of highway between Dajabón and Santo Domingo, hoping to curb illegal immigrant smuggling.
NO STOPPING
But at least 20 undocumented adults and kids -- who entered the Dominican Republic in the past six months after paying smugglers -- told The Herald that guards did not stop them when they passed through those posts, and in the few instances that the guards did stop the caravan, no one asked to see the required immigration documents.
• • •
Once across the Massacre River, Herald reporters watched as the smuggled children were hid in clandestine shanties in Dajabón. One of these shanties is a block from the river and also functions as a sex motel, a neighbor complained.
``At night, the moans of pleasure mingle with the cries of children,'' said a neighbor, who asked to remain anonymous because he lives by the shanty. ``It is very sad not to know what is happening with these children, whether or not they are with their parents.''
After midnight, motorcycles and buses park, lights off, on the dark street outside the shanties. The children are led out. Some motorcyclists carry two or three children sandwiched between the driver and an adult. From there, they speed down the main highway to Santiago de los Caballeros and Santo Domingo.
In September a Herald reporter asked Pastora Rodríguez, who operates a shanty, if she knew the children she housed were undocumented.
``Their escorts have passports,'' she said.
``But do the children have them?'' the reporter asked.
``I don't know,'' Rodríguez answered, walking away.
____________________________________
Haiti's children smuggled, exploited
OUR OPINION: Dominican Republic must stop crossings
The heartbreaking stories of abandoned and exploited young Haitians in the Dominican Republic shock the conscience. The traffic in children and adolescents is conducted openly and shamelessly along the Haitian-Dominican border, condemning thousands of young lives to years of pain, destitution and unrelieved misery. It must be stopped.
The complicity of governments willing to turn a blind eye to the abuse of the most vulnerable members of society compounds the outrage. Theirs is not only a failure to act, but a failure to give a damn.
As reported in detail by Jacqueline Charles of The Miami Herald and Gerardo Reyes of El Nuevo Herald, the action takes place right under the noses of police and guards along the border and in the tourist towns where young Haitian prostitutes ply their trade to make a living.
These guardians of law and order are too busy taking bribes or looking the other way while smugglers transport children across the border unhindered and turn them over to be exploited for sex or servitude.
Meanwhile, governments and institutions with the power to take effective action are unwilling to take responsibility.
Haitian Prime Minister Jean-Max Bellerive acknowledged there's a lack of political will to do anything about it. Dominican President Leonel Fernández did not respond directly, but his office said in an e-mail that the government has intensified border security, prosecutions and sanctions against smugglers.
Sure. There are laws on the books, but they're a joke. A U.S. State Department report this year concluded that the Dominican Republic ``does not fully comply with the minimum standards for the elimination of trafficking and is not making significant efforts to do so.''
This scandal has been a long time coming. As far back as 2002, UNICEF issued a report on the existence of a border-crossing network involving ``Haitian traffickers, or `passeurs,' Dominican chauffeurs, and Dominican Army soldiers.'' The report was never made public in the Dominican Republic, where a conspiracy of silence ensures that the trade in smuggled children continues to flourish.
And flourish it has, especially after January's horrible earthquake in Haiti. A non-governmental organization called Jano Sikse Border Network (RFJS in Creole), which keeps a monthly headcount, tallied about 7,320 children ``illegally trafficked'' through September. In 2009, the RFJS tallied 900 kids for the year.
The under-resourced private organizations trying to help exploited children deserve recognition for their work, but they can't cope with the flood of smuggled children when no one else cares. Only governments, acting in concert with the United Nations, can take effective measures by prosecuting criminal activity and finding protection for the victims.
The Dominican Republic is not a wealthy nation, though far better off than Haiti. It can't undertake the responsibility for sheltering every Haitian child who crosses the border, voluntarily or not. But surely it can do much more to stop the horrible smuggling of children, and surely the international community can lend a hand to make sure these children get a chance to have a decent life.
Photo by AFPThe people of Indonesia's Mentawai Islands have been let down by the slow response to the tsunami.
The affected areas are not easy to reach. From the West Sumatra capital Padang, it's a 10-hour boat ride. Once on the islands, it can take another three hours in a small boat from the town of Sikakap to the affected areas.
But even taking that into account, this has generally been a poorly resourced and planned operation.
There are plenty of people doing some excellent work and the aid has been arriving in Sikakap in large quantities, but because of logistics problems it has not been leaving fast enough to the outlying areas where it's needed.
Sikakap is now abuzz with government emergency response teams and aid agencies, but it seems few bothered to think about how they would get themselves and their supplies out to the villages.
There are some large boats that are being used for aid distribution, but there has been a general over reliance on the use of small local boats and there aren't enough to go around. The boat owners have also been reluctant to venture out in the rough seas.
There are two or three helicopters that have only just started making regular flights. Until now, there were only sporadic takeoffs.
We visited two of the most severely damaged settlements and even there, the people have been largely left to fend for themselves, helped by a handful of search and rescue personnel.
One village had emergency supplies, including shelter, the other only had one police tent, which was erected close to the ocean where the villagers are now too scared to stay. They had been visited by the Indonesian president three days after the wave, but they hadn't been given any emergency supplies until we visited, five days after the disaster struck.
As well as food and shelter, the survivors, who've been through so much already, need help finding bodies.
While we were there, a search team, armed with a chainsaw, helped the locals recover a body from beneath the rubble. As we prepared to leave on a police helicopter they found another. But the emergency response crew, and their chainsaw, left with us, leaving the people to dig on their own.
What's Really Going to Destroy the Gulf Coast
(Oct. 30) -- Six months after the Deepwater Horizon rig exploded in the Gulf of Mexico, the areas affected by the massive oil spill are beginning to recover.But for years the Mississippi River delta has faced a threat even more insidious than that of a geyser of oil, and for many in coastal wetlands, "recovery" is a dicey proposition at best. Amid spills and storms, the land in the delta itself is falling away, and some fear that if something isn't done to curb erosion and saltwater intrusion soon, the entire area may just fall into the ocean.
"I'm not saying the oil spill was child's play," Eric Hansen, a shrimp dock manager in Plaquemines Parish, told AOL News. "But compared to this, the oil spill is child's play."
Saul Loeb, AFP / Getty ImagesClint Edds, a fisheries biologist with the Lousiana Department of Wildlife and Fish, examines marsh wetlands, whose natural cycle of replenishment has been interrupted by levees built to control the Mississippi River.
The delta is a shifting landmass by nature. It's not built on bedrock but by silt carried south over thousands of years and deposited at the mouth of the river. Over time, it would be eroded by ocean waves and replenished when the Mississippi flooded.That all changed when engineers in the early 20th century tried to rein in the river. They built levees to control the natural flooding and facilitate development, and the natural cycle of replenishing the land began to break down.
On top of that, oil and gas companies came in behind the levees and started to carve up the marshes to build transportation canals all the way out to the gulf to serve the burgeoning Louisiana energy industry. The longer canals let saltwater into freshwater marshes, killing the vegetation and allowing ocean waves and storm surges closer and closer to the old mud levees protecting the precarious towns and cities set up on thin strips of land.
Without those marshes, cities like New Orleans would be even more vulnerable to storm surges than they are now. The seafood industry would suffer as untold species of animals lose their nurseries. And all the navigation infrastructure in the area, designed for a marsh ecosystem, would become ineffective. The effects could extend all the way to people like duck hunters in Wisconsin, who might find that their prey had nowhere to live for the winter.Some suggest just blowing up the levees and hoping for the best, but the populations in southern Louisiana find themselves in a difficult situation: The structures they built that allowed development and industry to move in to begin with may now be threatening everything they've built in the marshes. Allowing the Mississippi River to flood naturally is no longer an option.
There could be a way to simulate the river's natural floods without damaging vulnerable communities in places like Plaquemines and Terrebone parishes. According to Aaron Viles, campaign director for the Gulf Restoration Network, a system of freshwater introductions connecting the river back up to the marshes in a way that mimics the river's natural flooding could be enough to stabilize the system.
It would be an expensive proposition, costing as much as $15 billion. In the midst of recession, a plan like that might seem impossible. But some money may soon be made available from a certain unpopular benefactor in the area. Viles hopes that if there is an opportunity to be seized in the BP oil disaster, it's that the money the company pays in fines and penalties could be used to build a system that could keep the Mississippi River delta alive."We're seeing historical levels of money coming from legal efforts, and if we don't want that money to disappear into the black hole of the federal coffer, we need to tell Congress that it is only right to stand up and say that it is only right that this area which has been a national sacrifice zone for so long see the bulk of this money put toward recovery," Viles told AOL News.
"I am convinced we can do it. It's not rocket science, but it is river science."
Coba Coba World Tour 2009 epk
Short documentary of the Coba Coba World Tour 2009 done by Ojo Rojo Producciones.
Coba Guarango
Founded by four friends from Lima with a shared passion for traditional Afro-Peruvian music and modern DJ culture, Novalima searches for the common ground between past and future, between tradition and innovation. Having performed for audiences of tens of thousands in Peru, Novalima is now sharing their exciting vision of contemporary Peruvian music abroad.
Hear more music from Novalima at:
http://novalima.bandcamp.comNovalima is currently on tour! For information on Novalima's tour dates visit:
http://www.cumbancha.com/albums/cobac...Become a fan of Novalima on facebook at:
http://www.facebook.com/novalima.offi... Coba Guarango was filmed by Ojo Rojo Producciones in El Carmen, a village two hours south of Lima in the heart of the Afro-Peruvian region of the country.Lyrics - COBA GUARANGO
Coba Coba (3x)
Coba GuarangoQuema la vida, quema la muerte
BURN LIFE, BURN THE DEATH
Mentira quema la verdad
LIES BURN INDEED
Quema el amor, quema el dolor
BURNS LOVE, BURNS GRIEF
Quema la vela, quema candela
BURN THE CANDLE, BURNING FLARE
Quema la sangre, quema mis venas
BURNS MY BLOOD, BURNING MY VEINS
Quema la tierra, quema candela
BURNS THE EARTH, BURNING FLARE
Quema que quema, quema candela
BURN AND BURN, BURNING FLAME
Quema que quema, quema candela
BURN AND BURN, BURNING FLAME
Quema la sangre, quema mis venas...
BURNS MY BLOOD, BURNING MY VEINS
Coba Coba (3x)
Coba Guarango
Coba, Coba, Coba Guarango (2x)Quema que quema, quema candela
BURN AND BURN, BURNING FLAME
Quema que quema, quema la vela
BURN AND BURN, BURN THE CANDLE
Que quema, quema, quema candela
BURN AND BURN, BURNING FLAME
Quema que quema, quema candela
BURN AND BURN, BURNING FLAME
Coba, Coba, Coba Guarango (2x)Quema la sangre, quema mis venas
BURNS MY BLOOD, BURNING MY VEINS
Quema que quema, quema candela
BURN AND BURN, BURNING FLAME
Quema la vida, quema la muerte
BURNS LIFE, BURNS DEATH
Quema que quema, quema la vela
BURN AND BURN, BURNING FLAME
Quema lo cierto, quema el engaño
BURNS THE TRUTH, BURNS THE DECEIT
Quema, que quema la verdad.
BURNS AND BURNS TO TELL THE TRUTH!
Quema, quema, quema....
BURN, BURN, BURN
Quema la vida, quema la muerte...
BURN LIFE, BURN DEATH
Libertá
Sunday Morning Sublime : Peña
October 31, 2010 - Posted by dj umb
The Official Speil!
Here’s the brief story of Peña:
Thanks to the fast moving world of Twitter, Facebook, and blogs, it’s only a few clicks away to share and listen to music from around the world, even across thousands of miles for a whole new audience to enjoy. Every once in a while an incredible form of music may not make it past the nation’s border in which it was created. Such is the case with Afro-Peruvian music. Even with the rich musical history of Peru, only a handful of Afro-Peruvian music has ever been recorded and released outside of the country. Last spring, Minneapolis-based label, Secret Stash Records set out to change that.
In April of 2010, Cory Wong and Eric Foss of Secret Stash Records traveled to Lima, Peru with a translator and assembled Peña, an Afro-Peruvian ensemble featuring a handful of the best musicians within the genre. The group was a revolving door of sorts that included over a dozen players ranging in age from 24 to 65. In seven days they recorded over 50 tracks. With no access to a conventional recording studio they improvised by tracking in classrooms, living rooms, balconies, offices, and even on the stoop of a hostel. The sessions were fast, free spirited, and generally consisted of one or two takes per track. The result is an authentic display of one of the world’s most unique, unexplored and underrated musical styles.
For most people, the question still remains, “what is Afro-Peruvian music?” In the mid 1500s Spanish conquistadors brought African slaves with them to Peru. One of the many restrictions placed on the slaves was that they were not allowed to own or play instruments. In time they began using fruit boxes and dresser drawers as drums. This innovation became formally known as the cajón (large box) and it was the central component in fusing African rhythms with Spanish music. After slavery was abolished in Peru (1856), Afro-Peruvian culture slowly withered away. By the mid 1900s the music (along with other parts of the culture) had almost completely vanished. In the 1960s, a small handful of black Peruvians in Chincha (3 hours south of Lima) started a revival of sorts. It quickly grew and before long the people of Peru were rediscovering this lost music. Today Lima is the center of Afro-Peruvian music, but people of all colors living in coastal Peru celebrate this music and culture.
“It was amazing how everyone we met down there was so excited to help us. They have a sense of pride about their culture that you don’t really see up here. They were just thrilled to share it with outsiders,” said Cory Wong, producer, engineer, and guitarist of Peña. When they arrived in Lima, Wong and Foss had no appointments and only one solid contact. They quickly went to work networking with the area’s most connected figures in Afro-Peruvian music. Within four days they had found the players and organized sessions. All of the musicians were enthusiast about their involvement and willing to record just about anywhere, any time.
“We were very fortunate to experience a real connection with the people who are keeping this music alive today. Because we didn’t have a studio to work out of, we tracked in the places where they live, work, and play. I feel that really shines through in the recordings. This album would not be what it is if it were done in a recording studio,” said executive produer, Eric Foss. The spirit and conditions of the sessions, as well as some great background information and Afro-Peruvian history is captured in the DVD documentary that is included with the Peña CD which will be in stores, and online 10/12/10. It will also be available for digital download through all of the major services.
“El Mayoral” (FREE DOWNLOAD – HERE)
Firewheel Editions Announces the Third Sentence Book Award
And the Fifth Firewheel Chapbook Award.
The Firewheel Chapbook Award is given to a collection of no more than 20 manuscript pages in any genre. Preference is for innovative work (liberally interpreted), work that crosses genres, work that combines images and text, work in formats other than the traditionally bound book, or work that may have difficulty finding publication elsewhere due to the nature, typography, or format of the work. The recipient of the award will receive 50 copies out of a limited edition. Entry fee: $15 by check to Firewheel Editions or by PayPal.
Checks and submissions may be mailed to: Firewheel Chapbook Award, Box 7, WCSU, 181 White St., Danbury, CT 06810.
Electronic submissions may be sent to chapbook@firewheel-editions.org. Postmark/Timestamp Deadline for submissions and fees: November 17, 2010, 11:59 pm PST.
Click the button above to submit your $15 entry fee via PayPal.
The Sentence Book Award will be given to a book-length manuscript of prose poems or a book-length manuscript consisting substantially of prose poems (for example, a book that is half prose poems and half free-verse, or a book-length sequence that mixes passages of prose poetry with other modes). The recipient of the award will receive publication in a trade paper edition with a standard royalty contract and 50 copies of the book. All entrants will receive Sentence #8 (entrants who are already subscribers will have their subscription extended by one issue). Entry fee: $25 by check to Firewheel Editions or by PayPal.Checks and submissions may be mailed to: Sentence Book Award, Box 7, WCSU, 181 White St., Danbury, CT 06810.
Electronic submissions may be sent to sentence@firewheel-editions.org. Postmark/Timestamp Deadline for submissions and fees: November 17, 2010, 11:59 pm PST.
Click the button above to submit your $25 entry fee via PayPal.
Firewheel Editions subscribes to the CLMP Code of Ethics:
"CLMP's community of independent literary publishers believes that ethical contests serve our shared goal: to connect writers and readers by publishing exceptional writing. We believe that intent to act ethically, clarity of guidelines, and transparency of process form the foundation of an ethical contest. To that end, we agree to
conduct our contests as ethically as possible and to address any unethical behavior on the part of our readers, judges, or editors; to provide clear and specific contest guidelines defining conflict of interest for all parties involved; and to make the mechanics of our selection process available to the public.This Code recognizes that different contest models produce different results, but that each model can be run ethically. We have adopted this Code to reinforce our integrity and dedication as a publishing community and to ensure that our contests contribute to a vibrant literary heritage."
The recipient of the Sentence Award will be selected by Brian Clements, Editor of Sentence and Firewheel Editions; the recipient of the Firewheel Chapbook Award will be selected by Brian Clements and Tom Nackid, Design Manager for Firewheel Editions. In the event that no recipient is chosen for either award, entry fees will be returned to all of the award's entrants. Authors who have published a chapbook or book with Firewheel Editions, authors who have served on the Board of Contributing Editors of Sentence, graduate or undergraduate students and relatives of Brian Clements and Tom Nackid, and all past and current staff members of Sentence and Firewheel Editions are ineligible. All manuscripts will come to the editors anonymously after screening and preparation by Firewheel staff.
Submission guidelines:
Chapbook Award entrants must explain any special production requirements for their projects in the cover letter. All entrants must provide email address or SASE for Award results. Unless SASE with sufficient postage for return is included, manuscripts will be recycled. Multiple submissions are acceptable with an entry fee for each submission. Translations are acceptable with proof of permission to publish translations. Electronic submissions must be sent as a single attachment in .rtf (preferred for text-only submissions), .doc, or .pdf
format. All submitted manuscripts must include a one-page cover with author's name, title, author's email address, and name of Award (Chapbook or Sentence); also include a second title page with title only. The author's name should be recognizable nowhere in the manuscript other than on the cover page.For more information on Sentence and Firewheel Editions, email info@firewheel-editions.org.
Perugia Press Prize
for a First or Second Book
by a Woman
Prize: $1000 and publication
Guidelines
(click here for printable version)
Manuscript Requirements
- Send between 48 and 72 pages, on white, 8.5 x 11-inch paper, with legible typeface, pagination, and fastened with a removable clip. No more than one poem per page.
- Include two cover pages: one with title of manuscript, name, address, telephone number, and e-mail address, and one with just title of manuscript. Cover letter and bio not required.
- Include contents and publications acknowledgments pages.
Eligibility
- Poet must be a living US resident.
- Poet must have no more than one previously published book of poems. Chapbooks and books in other genres do not count. If the submission is for a second book, please indicate on acknowledgments page the title of your first book.
- Translations and previously self-published books are not eligible, nor are revisions; the winning manuscript may undergo revisions before publication.
- Poets who have had manuscripts reviewed by Perugia Press Editor Susan Kan are not eligible to enter.
Terms
- An entry fee of $25 must accompany each submission, made payable to Perugia Press. You may submit more than one manuscript; each is considered a separate submission and must include a separate entry fee.
- Individual poems may have been published previously in magazines, journals, chapbooks of fewer than 48 pages, or anthologies, but the collection as a whole must be unpublished.
- Simultaneous submissions permitted. Notify Perugia Press if accepted elsewhere.
Judging Process
- To be certain that manuscripts receive the fairest consideration, all manuscripts are submitted to the judging panel anonymously.
- Identifying material, acknowledgment pages, and bios are removed and filed for reference at the conclusion of the competition.
- All readers are trusted and respected by Perugia Press.
Notification
- Winner is announced via e-mail or enclose SASE. Notification will be by April 1.
- Do not enclose SASE for return of manuscript; all manuscripts will be recycled at the conclusion of the competition. Please do not send your only copy.
Deadline
- Entry must be postmarked between August 1 and November 15.
- Early submissions strongly encouraged.
Mail Manuscript and Entry Fee to: (No FedEx or UPS)
Perugia Press Prize, P.O. Box 60364, Florence, MA 01062
Ethics Statement
We endorse and agree to comply with the following statement released by the Council of Literary Magazines and Presses:
CLMP's community of independent literary publishers believes that ethical contests serve our shared goal: to connect writers and readers by publishing exceptional writing. We believe that intent to act ethically, clarity of guidelines, and transparency of process form the foundation of an ethical contest. To that end, we agree to:1) conduct our contests as ethically as possible and to address any unethical behavior on the part of our readers, judges, or editors;2) provide clear and specific contest guidelines - defining conflict of interest for all parties involved; and3) make the mechanics of our selection process available to the public.This Code recognizes that different contest models produce different results, but that each model can be run ethically. We have adopted this Code to reinforce our integrity and dedication as a publishing community and to ensure that our contests contribute to a vibrant literary heritage.
The Fiddlehead presents its 20th annual literary contest: This year The Fiddlehead is 65 and our literary contest is 20 so we’re commemorating 2010 in a big way . . . .
- $2,010 Ralph Gustafson Prize for Best Poem
$500 each for Two Honourable Mentions
- $2,010 for Best Story
$500 each for Two Honourable MentionsThe winning entries will be published in the Spring 2011 issue of The Fiddlehead (No. 247) and on our web site. The winning authors will be paid for publication in addition to their prizes!
Contest Rules:
- Deadline: Postmarked by December 1, 2010
- Entries must be original and unpublished elsewhere. No simultaneous submissions and no previously published (or accepted for publication) submissions. This includes no simultaneous submissions to any other contest.
- Vetting for the contest is blind. Do not put your name and address on your manuscript. Include a cover page that has on it the entry’s title(s), the category your entry goes in (short fiction or poetry), and your name and contact information (mailing address, phone number, and, if you have one, your email address).
- All entries must be submitted by mail. No faxed, digital, or emailed submissions are allowed.
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Let's agree on Zulu as our first language; at least it's African
Simphiwe Dana, whose mother tongue is Xhosa, wants one unifying indigenous language
Oct 31, 2010 12:00 AM | By Simphiwe Dana
Oops! The year is almost over, and I am reminded of the pain I felt at the beginning of this year when I was looking for schools for my children.
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If our languages die, we only have ourselves to blame
Jacob Zuma
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I am based in Cape Town, but I found it impossible to get them into a good school not far from home that offered an indigenous language as part of the curriculum.
Now, I'm not talking about a third language as is the norm in these previously model C schools. I was looking for a school that offered Xhosa as a first language. A third language is not functional as it provides only a very basic form of communication - what an employer would need in order to pass on instructions to an illiterate servant, while never truly understanding the servant's language.
It definitely does not provide a path to building a culture, or shall I say rebuilding a culture? We say we have 11 official languages but in reality we have two - English and Afrikaans, English being the main language of instruction. Why would a country battling the effects of centuries of oppression allow this? Wouldn't language be the focal point in our struggle for the cultural emancipation of our mangled identity?
You might say to me: go to the townships if you want an indigenous language. To which I would answer: this is Africa! I shouldn't be battling to find a way to learn my own language, or pass that language to my children, in my own back yard. All the races should be learning an indigenous language in schools. In fact, we should have one African language being taught in all schools.
I believe that language serves many purposes, but most importantly it serves to inform you of the essence of your being. I believe that the different African languages and tribes have a common goal: that of informing us of our Africanness, our identity. Despite the existing tribal divisions, there is a unifying African culture that transcends these divisions. Which is why I have no truck with these tribal divisions as they are ephemeral.
We need to focus on the ties that bind us, not the ones that divide us. I think we tend to romanticise our identity - and reduce it to cheap tribal mythology - to a point of rendering it nonfunctional.
When we do this, the only people who gain are the anthropologists, who then get great material for their books, because theirs is to grapple with an idyllic past, instead of helping us get on with today's programme.
We need to look at the past only as a reference point; we are not the people of that past. We are today's people.
Because we have failed to reflect and learn from the past - we only romanticise it - we find ourselves caught in limbo; plodding in a vortex of confusion as to who we are, or who we want to be. As it is, we are a colonial construct and therein lies the problem. We are pathetic versions of our colonial masters. No wonder we are so apologetic about the continued suppression of our identity, of our culture, our languages. How can we expect to evolve our culture when we are caught in this state of mind? If our languages die, we only have ourselves to blame.
As the different tribes, we can love/hate Shaka for the Mfecane wars, but we do need a unifying language. We are too divided, and it is absurd that we would be united by English and Afrikaans. So how about we concede that Zulu is the most widely spoken language in South Africa and urgently install it as an official language in schools? Which would later develop into the official language of instruction. Zulu is a bit like Swahili; it is easy on the tongue. That is the other reason it is so widely spoken. And this is coming from me, a Xhosa-speaking person. That wouldn't take away from our tribes as we would still have our birth languages in our different tribal regions. The linguists can determine which becomes the first language and which becomes the second. Obviously, English and Afrikaans would be options for a third language.
Language is the bringer of culture. What we have forgotten of ourselves is hidden in our African languages. Language might be the revolution Africa needs. I say this because the biggest success apartheid had was making us unsure of ourselves. If I go home and am among people who speak my language, an African language, I feel more sure of myself. If our former colonisers want to reconcile, they must rally behind this cause, this understanding, that this is Africa, and in Africa African culture rules.
But of course, inasmuch as we should blame our colonial past, there is no evidence that the current ruling establishment takes African languages seriously. What is the black business community doing to protect our languages and, therefore, our culture? Are they interested at all?
What is the current government doing to protect and strengthen our languages? What are you and I doing to keep the government's eye on the ball? Yes, our languages are not being used in business, but what stops them?
Afrikaans is so powerful and carries about it a sense of arrogance in that it claims to be an African language. It might have been polished and formalised in Africa, but there's nothing in the language itself that points to African origins, and everything that points to its Dutch origins. Afrikaans was consciously developed by the apartheid regime into a language of science, law and commerce in about two decades. And it is so powerful it can still afford to throw its weight around. And that very much takes me back to the Soweto uprising of 1976 when Afrikaans was a trigger for years of discontent.
We need to take pride in ourselves by protecting and nurturing our languages. Let us learn from other big cultures how to be majestic - China, Japan, Germany, France the Arab states and so on .
- Dana is a musician and cultural activist