AUDIO: No Cover: Meshell Ndegeocello - WNYC Culture

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Now a 20-year veteran of the music biz, bassist and songwriter Meshell Ndegeocello recently brought her band to Joe's Pub to revisit a vital album from the midpoint of her career. Stream the whole set here.

Before You Press Play

Hometown: Born in Berlin, raised in Washington D.C., currently domiciled in Hudson, NY

The Facts: As the sun set on the 1990s, it wasn't clear what would become of Meshell Ndegeocello. At the start of the decade, she had come out swinging: a record deal with Madonna's then-newly launched Maverick label, three Grammy nominations for her '93 debut Plantation Lullabies, and big-time exposure as John Mellencamp's bass-slinging counterpart on a duet-style cover of Van Morrison's "Wild Night." But by the turn of the century, those glints of mainstream glitter had faded, and the promising songwriter seemed all but doomed to obscurity.

That's what made 1999's Bitter such a surprise: on her third release, Ndegeocello abandoned the funk and spunk that had defined her early successes, and took a hard left into darker territory. Inspired by a real-life romantic relationship and its disastrous aftermath, Bitter was just what its title advertised: moody, mid-tempo numbers about life-cracking misery, which critics to this day credit with kicking off the 21st-century soul revival. For this show at Joe's Pub, Ndegeocello and her band recreated the better part of the album live, with a few other favorites thrown in for color.

The Sound: There are a handful of barnstormers here (listen for the wailing guitar solo that pops up around minute 26) -- but for the most part, the Bitter formula remains intact. Armed with a rich and utterly distinctive voice, Ndegeocello leads the band through a set of molasses-slow grooves from the days before neo-soul was officially a thing.

Latest Release: Devil's Halo (2009) on Mercer Street

He Said, She Said: "Ndegeocello’s eighth LP, Devil's Halo, is something of a change of pace, in that it’s not an experiment in free jazz, hip-hop, spiritual verse, or any of the other subgenres she’s explored in recent years. But Devil’s Halo is hardly a straightforward R&B album, either. Running through 12 tracks in just over 35 minutes, Ndegeocello works her buttery voice between fat, fuzzy guitar riffs and spare percussion, crafting an album that relies on brief impressions—a flash of anger here, an expression of longing there, and a pervasive sensuality." - Noel Murray, A.V. Club

"In the search for love, truth and justice, a good vamp never hurts. That's the modus operandi of Meshell Ndegeocello." - Jon Pareles, The New York Times

 

PUB: Carolina Wren Press » Submissions

»
2010 Submission Guidelines

Carolina Wren Press
120 Morris St.
Durham NC 27701
(919) 560-2738

carolinawrenpress at earthlink.net
www.carolinawrenpress.org

Contact: Andrea Selch, President
Established 1976
...

Before you submit, please read the following statement:

Carolina Wren Press is a very small, independent publisher with an interest in voices from beyond the mainstream. We publish prose and poetry by underrepresented writers such as women, people of color, authors with disabilities, LGBT authors, and experimental writers at the rate of 3 books per year. Very occasionally (e.g., once every few years), we publish a children's book that we feel can improve children's lives by helping them deal with disease, difference, gender issues, bullying, etc. We also publish work by North Carolina authors, and this year will inaugurate the Carolina Laureate Series - poetry or fiction chosen for publication by past and present NC Poets Laureate and other esteemed authors.

We do not publish plays, translations, or genre fiction such as detective novels, crime novels, fantasy or science fiction. We do not publish religious tracts, self-help books or academic theses. We do not publish books that have already been self-published or published in their entirety. We do not, at this time, have need of illustrators or employees or interns (though we do love volunteers!).

As of this writing, we are no longer accepting general submissions of poetry and fiction. We welcome submissions to our two contests, which run in alternate years:

  • The Doris Bakwin Award for Writing by a Woman - prose fiction (a collection of short stories or a novel) or memoir. Submissions are accepted in odd-numbered autumns, with a final deadline of December 1st, 2011, 2013, 2015, etc. There is a $20 reading fee for this contest. Full guidelines should be followed - check this website in late summer to see the current guidelines.
  • The Carolina Wren Press Poetry Series - full-length poetry manuscripts by authors who have not had more than one full-length book published. Submissions are accepted in even-numbered autumns, with a final deadline of December 1st, 2010, 2012, 2014, etc. There is a $20 reading fee for this contest. Full guidelines should be followed - check this website in late summer to see the current guidelines.
Full submission guidelines available here. Download PDF

 


copyright © 2010 Carolina Wren Press all rights reserved

 

PUB: Indie Book Awards

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Next Generation
  Indie Book Awards

Entry Guidelines

ENTER NOW - Early Bird Special - Enter online by October 31, 2010 and receive a $50 discount on the entry of a second category.

The Early Bird Special Entry Fee is only $75 and includes the entry of one title in two categories. On November 1, 2010 the price to enter two categories increases by $50.

Click here to go directly to Entry Form

Who can enter the 2011 Next Generation Indie Book Awards (the "Indie Book Awards")?

The 2011 Indie Book Awards is open to all indie book authors and publishers including independent publishers (small, medium or otherwise), university presses, self-published authors, e-book authors, seasoned authors and even first time authors in the U.S., Canada or internationally who have a book written in English and published in 2010 or 2011 or with a 2010 or 2011 copyright date.

What do I need to do to enter the 2011 Indie Book Awards?

  1. Select the category or categories you wish to enter
  2. Complete the entry form
  3. Arrange payment of entry fee
  4. Submit completed entry form, entry fees and books by no later than March 2, 2011; all books must be received in our offices by March 2, 2011

1. Select the category or categories you wish to enter, based on which category most applies to your book or to your marketing strategies, from the categories listed at the bottom of this page. You may enter as many categories as you like. Click here to see categories.

Note: Two copies of the book must be sent for the first category entered and one additional copy of the book for each additional category entered. For example, if you enter three categories, you must send four copies of the book in total (two for the first category, one for the second category and one for the third category entered).

2. Complete the entry form. Note: Only one entry form is required regardless of the number of categories you wish to enter, however, If you wish to enter more than one title, you must complete a different entry form for each title.

Click here to go directly to Entry Form

3. Arrange payment of entry fee. The 2011 entry fee is $75 per title for the first category entered. Plus, there is a $50 fee for each additional category entered. For example, if you enter one book in one category, the total fee is $75. However, if you enter one book in three categories, the total fee is $175 ($75 for the first category plus $50 for the second category plus $50 for the third category).

Early Bird Special Extended - Enter online by February 11, 2012 and receive a $50 discount on the entry of a second category. The Early Bird Special Entry Fee is only $75 and includes the entry of one title in two categories. After the Early Bird Special ends, the price to enter two categories increases by $50.-->

The easiest and most efficient way to pay the entry fee is to pay directly online, when completing the online entry form, by using a Visa or MasterCard credit card through PayPal.

Alternatively, you can pay the entry fee by sending in a company check or an International Money Order made payable to Independent Book Publishing Professionals Group when you send in your books with a copy of the completed entry form. (Personal checks and American Express are not accepted.)

4. Submit completed entry form, entry fees and books by no later than March 2, 2011; all books must be received in our offices by March 2, 2011. The easiest and most efficient way to enter the 2011 Indie Book Awards is by completing the online entry form and paying online with a Visa or MasterCard through PayPal. Shortly after that you will receive a Confirmation of Entry email, which will include all of the details of your entry. Then, all you need to do to complete your entry is send the following by mail:

1) Confirmation of Entry email; and
2) Two copies of the book (plus one additional copy for each additional category entered).

Alternatively, you can print off a Word version or a PDF version of the entry form and complete it and submit the following by mail:

1) Completed entry form;
2) Payment of the entry fees; and
3) Two copies of the book (plus one additional copy for each additional category entered).

In either case, ensure that the items to complete your entry are sent by mail for receipt by no later than March 2, 2011 (all books must be received in our offices by March 2, 2011) to:

Next Generation Indie Book Awards
511 Wilkinson St.
Chelsea, MI 48118
U.S.A.

Note: If you are entering an e-book category, you can enter completely online by following the steps indicated on the online entry form for e-books.

What are the 60 Categories for the 2011 Indie Book Awards?

Categories for the 2011 Indie Book Awards

  • Action/Adventure
  • African American
  • Animals/Pets
  • Anthology
  • Autobiography
  • Biography
  • Business
  • Career
  • Children’s/Juvenile Fiction
  • Children’s/Juvenile Non-Fiction
  • Children’s Picture Book
  • Coffee Table Book/Photography
  • Cookbook and Home/Garden
  • Current Events/Social Change
  • Diet/Nutrition/Food
  • E-book
  • Education/Academic
  • Fiction by Young Authors (18 or younger)
  • First Novel (under 80,000 words)
  • First Novel (over 80,000 words)
  • GLBT (Gay/Lesbian/Bisexual/Transgender)
  • General Fiction/Novel (Under 80,000 Words)
  • General Fiction/Novel (Over 80,000 Words)
  • General Non-Fiction
  • Health/Wellness
  • Historical Fiction
  • Historical Non-Fiction
  • How To
  • Humor/Comedy
  • Inspirational
  • Memoirs (Historical/Legacy/Career)
  • Memoirs (Overcoming Adversity/Tragedy/Challenges)
  • Memoirs (Other)
  • Military
  • Motivational
  • Multicultural Fiction
  • Multicultural Non-Fiction
  • Mystery
  • New Age
  • Novella
  • Parenting/Family
  • Poetry
  • Regional Fiction
  • Regional Non-Fiction
  • Relationships
  • Religious Non-Fiction
  • Religious Fiction
  • Romance
  • Science/Nature/Environment
  • Science Fiction/Fantasy
  • Self Help
  • Short Story - Fiction
  • Spirituality
  • Suspense/Thriller
  • Travel/Travel Guide
  • Women’s Issues
  • Young Adult Fiction

Additional Categories

  • Best Cover Design - Fiction
  • Best Cover Design - Non-Fiction
  • Best Overall Design
* To assist with judging, entrants in the marketing categories must describe in up to 500 words key marketing activities and results (these may be in point form), and why you feel the marketing of your book is deserving of the Next Generation Indie Book Award for Best Marketing or Best Online Marketing.-->

What if I have any other questions?

Click here for more answers to your questions.

 

PUB: Beatrice Hawley Award

Beatrice Hawley Award

The deadline for the 2011 Beatrice Hawley Award

is December 1st, 2010

Alice James Books is pleased to announce that in addition to submitting your manuscript via regular mail, you may now enter your manuscript to the BHA electronically! Submit now electronically to the Beatrice Hawley Award

The winner receives $2000, book publication and has no cooperative membership commitment.

In addition to the winning manuscript, one or more additional manuscripts may be chosen for publication.

 

guidelines for manuscript submission:

 

1. Manuscripts must be typed, paginated, and 50 – 70 pages in length (single spaced). We accept double sided manuscripts.

2. Individual poems from the manuscript may have been previously published in magazines, anthologies, or chapbooks of less than 25 pages, but the collection as a whole must be unpublished. Translations and self-published books are not eligible. No multi-authored collections, please.

3. Manuscripts must have a table of contents and include a list of acknowledgments for poems previously published. The inclusion of a biographical note is optional. Your name, address, and phone number should appear on the title page of your manuscript. MANUSCRIPTS CANNOT BE RETURNED. Please do not send us your only copy.

4. No illustrations, photographs or images should be included.

5. Send one copy of your manuscript submission with two copies of the title page. Use only binder clips. No staples, folders, or printer-bound copies.

6. For notification of winners, include a business-sized SASE. If you wish acknowledgment of the receipt of your manuscript, include a stamped addressed postcard. Winners will be announced in April 2011.

7. Entry fee for the Beatrice Hawley Competition is $28. Checks or money orders should be made payable to Alice James Books.

8. Manuscripts may be submitted online or by mail. For online submissions, visit alicejames.submishmash.com. Mail hard copy entries to: Alice James Books, Beatrice Hawley Award, 238 Main Street, Farmington, ME 04938

 

INTERVIEW: Annie Murphy Paul—"Origins": The explosive new science of pregnancy - Nonfiction - Salon.com

"Origins": The explosive new science of pregnancy

From obesity to diabetes, how startling discoveries about the womb are changing the way we think about health

 

INFO: Young Bahamian Film Maker to Begin Production on Seminal Work with "Look Up" > thebahamasweekly.com

Young Bahamian Film Maker

to Begin Production on

Seminal Work with "Look Up"

By Catalyst Pictures
Oct 7, 2010 - 11:49:01 PM

 


Atlanta, Georgia – Poverty and homelessness are conditions of every country in the world; whether rich or poor, according to Kenrick Prince Andrews, author and director of screenplay entitled “Look Up.”

Kenrick Prince Andrews, a citizen of the Bahamas, gained his first exposure to the film industry at the tender age of seven, while acting in a Borden Dairy commercial.  From this early exposure to film making, he knew that he would either be in front of or behind the camera.  Before he left the Bahamas to study abroad, Andrews produced two episodes of the television show “Teen Scene,” dedicated to showcasing young Bahamian talent.  Since then he has produced award winning short films, documentaries, concerts and charity events.

Andrews’ newest endeavor, “Look Up,” is essentially a meditation on how poverty and homelessness can cause an almost human invisibility.  “Wretched poverty, hunger and homelessness know no race, creed, color, religion, gender, nationality or age, “ stated Andrews in a recent interview.  He went on to say, “Nearly half the world’s population of people living without so much as a tin roof above their heads, are comprised of those who are under the age of 12.”  Andrews went on to elucidate on the juxtaposition of this most startling poverty amidst the ease and opulence afforded by twenty-first century technological advances. 

 

LookUp-poster-1.jpg
 

“Look Up” is a dramatic short film which focuses on the life of its protagonist, John, a homeless male prostitute in his early twenties.  John spends his days roughing it on the streets of Atlanta, whittling away the hours getting drunk; and his nights in alleys and dilapidated hotel rooms, sexually servicing anyone who can pay him. His world is ruled by lawlessness, wretchedness and treachery.  Feeling a desperate need to escape this life, John chooses to find a way out, while he still can. Everything is looking up until he picks up what is supposed to be his last client and his life changes forever.  

 

“Most people don’t wake up and decide that they want to be homeless,” stated Andrews.  His fast paced, edgy film invites the downtrodden to literally look up; but also invites those of us who walk and drive by our fellow, beleaguered brethren – all while looking straight ahead – to literally stop to consider what our individual and community reaction should be to those whose existences are daily ground down upon the dust. 

Andrews’ film, Look Up, is currently in the fundraising process and needs your generous support to bring this powerful, timely, and relevant film to the big screen. For more information on how you can donate, Log on to: http://kck.st/atf8Qu 

For more information about this film, please visit www.lookupthemovie.com

 

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INFO: Mumma Gone a Foreign | Clutch Magazine

Mumma Gone a Foreign

Monday Sep 27, 2010 – By Islandista

What do John Lee Malvo and Germaine Lindsay have in common?

The first and most obvious thing is that they were both teenaged mass murderers.

Malvo was 17 years old when he joined John Allen Muhammad in the Beltway sniper attacks which terrorised the Washington D.C area back in 2002.

Lindsay was 19 years old when he blew himself up on a train travelling from King’s Cross St. Pancras, killing 26 people, half the victims of the London 7/7 bombings in 2005.

A second, less obvious, thing is that both Lindsay and Malvo were Jamaican-born—something that caused Jamaicans no end of shock and chagrin when those tragedies unfolded.

But perhaps the greatest similarity I see between these two is their mothers. By the time they committed their mass killings, both Malvo and Lindsay had been living away from their mothers for a number of years.

Malvo’s mother emigrated from Jamaica to Antigua, and then on to the United States, leaving Malvo behind with Muhammad to take her chances in the USA.

Lindsay’s mother had brought him with her to England when she migrated there, but then she left him in charge of his younger sisters when he was just 17 years old when she migrated to Grenada with her husband.

This common denominator ties right in with the second—that they are Jamaican. And that this happens a lot in Jamaica. It has become such an ingrained part of the culture that Lindsay’s mother defended her decision to leave her children as being okay because they were “supervised.”

It brings to mind something I was moved to write nine years ago, when I was at university in Jamaica:

“It is one of the saddest realities of Jamaican society. It happens everywhere in the Caribbean, but more so in this glorious and tormented island than perhaps anywhere else—in the Anglophone Caribbean, at least. Many of my closest friends have mothers who live “a foreign” in order to make a living that their country cannot offer them. It is one of the most remarkable phenomena of Jamaican society.”

The spur for that was a friend whose mother had been living and working in the United States since my friend was six years old. That year, her mum was coming home in time for Mother’s Day, and my usually blasé friend was beside herself at the thought of spending the day with her mother for the first time in 12 years.

It broke my heart but she was not the only one. Off the top of my head I can name many, many Jamaican friends whose mothers live, or lived, overseas for years at a time.

Jamaica is unusual in that the majority of its migrants are women—up to 55% of all migrants, most of them women of child-bearing age.

Hence “barrel children” has become part of the lingo in Jamaica, and Western Union is an integral part of the economy—in fact, when I lived in Jamaica, a popular Western Union ad showed a mother calling home to make sure her daughter’s school fees had arrived.

It’s not like I don’t understand why. My own father is Jamaican and I was born in Canada. While I wasn’t raised in Jamaica, I lived there for a number of years and I saw for myself the grinding combination of poverty and violent crime that forces many Jamaicans to leave.

Sometimes I don’t know which is the greater. Poverty is one thing—there are too many Jamaicans who are desperately poor—but truth be told, it is middle-class, educated Jamaicans who are more likely to emigrate.

But the violence . . . My God . . . it is the violence—the sheer, bloody minded, cold and relentless violence—that tests the resolve and wears down the spirit of even those Jamaicans who swear they will stay. Every time you think the criminals can’t shock you more, they do.

It creates this great conflict that exists in the hearts and minds of all Jamaicans, for Jamaica is a Jekyll and Hyde country that can both uplift and depress—as beautiful, vibrant and fascinating as it can be cruel and heartless. Sometimes I think even Jamaicans don’t understand how the same place that can create a Usain Bolt can create a Christopher “Dudus” Coke.

And so Jamaica’s mothers leave and “go a foreign.” After it was discovered that one of the Beltway snipers was Jamaican, recriminations flowed in Jamaica.

Malvo’s mother, Una James, told NBC she blamed herself too:

“I said yes, I blame myself [in] looking back. I said if I never had left him in Antigua.”

Still the truth is, as one sympathetic writer to the Jamaican Star put it:

“Every Jamaican family has a Una James. She is in our lives as our sisters, our friends, our aunts even our mothers, who have made the ultimate choice in seeking to achieve the greater prize of a better life for herself and her child. Una James’ decision to rely on others to care for her child is one made daily in Jamaica.”

And so we end up with Malvo and Lindsay and we wonder how differently things would have turned out if they, and their mothers, had been able to stay in Jamaica.

HAITI: Quake-hit Haitians still trapped in ‘state of emergency’ « Repeating Islands

Posted by: lisaparavisini | October 9, 2010

Quake-hit Haitians still trapped in ‘state of emergency’

The humanitarian response in the wake of Haiti’s devastating earthquake appears “paralysed”, with survivors still living in a “state of emergency” nine months after the disaster, Refugees International (RI) said on Thursday.

Some 1.3 million homeless Haitians are sheltering in 1,300 makeshift camps in the impoverished Caribbean country.

Many people are angry about their living conditions and eviction threats, the rights group said in its latest report from the field. Gang leaders and landowners are harrassing the homeless, and sexual violence is on the rise, it added.

“Living in squalid, overcrowded and spontaneous camps for a prolonged period has led to aggravated levels of violence and appalling standards of living,” the report said.

Not only are U.N. police patrols random but they lack vehicles, and police officers do not have translators so cannot communicate with camp residents, RI said.

The report catalogues how medical agencies are receiving large numbers of cases of failed street abortions, some involving girls as young as 10, and details the death of a child when a landowner burned 13 tents to get the displaced off his land.

RI said the U.N. coordination system is still not prioritising activities to protect people’s rights, and was scathing about what it described as the U.N.’s “fundamental dysfunctions”.

It was especially critical of the International Organisation for Migration (IOM), the U.N. body in charge of camps, saying it needs to take its responsibilities more seriously with 70 percent of camps lacking proper management.

“People are being threatened by gangs and women are getting raped. While coping with this crisis would be an enormous challenge for any agency, far more can be done to allocate camp managers and coordinate assistance,” RI President Michel Gabaudan said in a statement.

“Practically no one is available to communicate with the people living in these squalid camps and find better ways to protect them,” he said.

‘INEXPERIENCED AND UNDER-EQUIPPED’

While the IOM is under-equipped to fulfill its protection role with only three protection officers out of a staff of 700, the Office of the High Commission for Human Rights (OHCHR), the U.N. agency charged with protecting people’s basic rights, lacks experience in coping with disasters, RI said.

It recommended the U.N. refugee agency UNHCR play a bigger role in the so-called protection cluster because of its greater experience in this field.

“Not enough emphasis was put at the beginning on ensuring that the protection side of the operation was functioning and not enough attention was put on bringing Haitian civil society groups who have decades of experience of working with the communities…into the operation,” RI’s Melanie Teff told AlertNet.

“I think unfortunately we’re seeing now that things are not functioning as well as they should because of that lack.”

At the top of RI’s list of recommendations is that U.N. Emergency Relief Coordinator Valerie Amos establish a full-time humanitarian coordinator post in Haiti. The current humanitarian coordinator is also the U.N. resident coordinator and deputy special representative of the Secretary-General for the U.N. peacekeeping force MINUSTAH.

However, a U.N. official told AlertNet that idea is inappropriate at a time when the emphasis should be on looking at “synergies” between humanitarian and recovery efforts.

Part of the problem is that money promised by the international community has still not been distributed, RI said. Another factor is unresolved issues over land ownership.

Imogen Wall, a spokeswoman for the U.N. Office for the Coordination of Humanitarian Affairs (OCHA), defended the world body’s response to the disaster.

“It’s one of the biggest humanitarian operations in the world right now. It’s running every day – basic medical services, water supply, shelter redistribution, patrolling of camps, all sorts of stuff (is) going on every day,” Wall told AlertNet by phone from Haiti.

“I think paralysed is the wrong word, totally.”

For the original press release go to http://www.reliefweb.int/rw/rwb.nsf/db900sid/VDUX-89ZTHE?OpenDocument

Photo by Jeremy Cowart

 

VIDEO: Laura Izibor Performs Live On BET Rising Icons (Video) | SoulCulture

Laura Izibor Performs Live On BET Rising Icons (Video)

October 8, 2010 by M. Gosho Oakes  


Irish soulstress Laura Izibor steps into the BET Rising Icons spotlight to perform “Yes (I’ll Be Your Baby)”, “Don’t Stay” and “From My Heart To Yours” [all from her debut album Let The Truth Be Told] and “Gracefully”, exploring apprehension before a relationship break-up, from her forthcoming sophomore album.