PUB: $5,000 Essay Contest - Faith & Prosperity | SEVEN Fund Essay Competition

SEVEN Fund

2010 - 2011 SEVEN-CIFA Essay Competition

Cambridge, MA – April 23, 2010 – The S.E.VEN Fund (SEVEN) is pleased to announce its 2010-11 Essay Competition in partnership with the Washington DC-based Center For Interfaith Action on Global Poverty (CIFA). We are seeking essays on enterprise solutions to poverty from around the globe that are faith-based, faith-inspired, or interfaith efforts. The competition will award two (2) prizes of US $5,000. The submission deadline is October 15, 2010 at midnight Eastern Standard Time (EST). Winners will be announced on December 15, 2010.

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Essay Question
Background
Essay Question: Expanded
About SEVEN
Questions & Answers
Important Dates
Terms & Conditions

Essay Question

Writers are asked to submit a first-person narrative describing enterprise solutions to poverty that are faith-based, faith-inspired, or interfaith efforts. Illustrations may come from any domain, including healthcare, education, consumer products, human rights, and others; examples must represent innovative private solutions to public problems.

Background

We are interested in exploring the relationship of business to faith. Is business, when guided by faith, more effective at creating prosperity around the world? Does a faith perspective change a business’ relationship to its key stakeholders (customers, owners, workers, future generations) in a positive way? Are faith-based and faith-inspired enterprise solutions to poverty more effective than conventional methods? Can interfaith efforts bridge gaps that secular efforts cannot? Does a faith-based understanding of entrepreneurship and profit-making infuse business with a profound moral purpose? Does the combination of sound business principles and concern for others result in sustainable, long-term solutions?

While we often hear of secular efforts to fight poverty and its related issues, we rarely hear profound stories describing the experiences of people who integrate a spiritual perspective. We aim to change that, and are interested in hearing stories exemplifying enterprise solutions to poverty that are faith-based, faith-inspired, or grounded in interfaith collaborations/partnerships.

Foreign economic aid and government programs have spent billions of dollars over the past five decades to alleviate the high number of people living in poverty. No country has been lifted out of poverty solely as a result of these efforts. One-dimensional aid programs do not end poverty because they associate poverty solely with low to no levels of income for individuals and families.

Poverty in its broadest and more relevant sense may be understood as stemming from an impoverished sense of self in relation to God, community, and the environment. A holistic approach that takes account of the full human person is necessary for effective poverty alleviation. Physical, emotional, social, and spiritual aspects need to be considered if we want to truly create abundance. Defining poverty, for example, as a lack of integration with global networks of productivity helps reframe our understanding of the problem and the solution.

The notion of creating wealth is often stigmatized, and businesspeople regarded as too self-interested to be a force for positive social change. But what if they are informed by a spiritual worldview? A faith-based approach helps one regard material rewards from a perspective of temporary stewardship. Sound business principles ensure that efforts result in more than a handout, instead growing into self-sustaining solutions that affirm the dignity of all. Faith compels us to act with others for the common good of all.

Further, what if these efforts take place in an interfaith setting? Are communities of diverse faiths mutually called to tasks of love and service, collaborating to improve the human condition, and participating in their shared faith? Does interfaith action and dialogue on a grassroots level create opportunities to explore a common vision and identify transformed behavior? Perhaps interfaith action redefines the boundaries of who is perceived as a neighbor and who is included in one’s community?

Essay Question: Expanded

Writers are asked to submit a first-person narrative describing enterprise solutions to poverty that are faith-based, faith-inspired, or interfaith efforts. Illustrations may come from any domain, including healthcare, education, consumer products, human rights, and others; examples must represent innovative private solutions to public problems.

We are looking for stories and lessons learned about innovation, failures and projects, collaborations and businesses created, for-profit enterprises funding non-profit solutions, and the people helped by such efforts. The essay should be no longer than 2000 words, in English, and each submission should start with a 100-word abstract and a 100-word biography of the author.

SEVEN and CIFA are looking for stories in which people of faith or faith communities have decided to stimulate human and economic development through an “unorthodox mix” of for-profit entrepreneurship, business strategy, faith, collaboration, local wisdom, and mutual benefit. Essay writers are asked to read the three stories below and, informed by what they read, share their own stories to help us inspire others and highlight where such efforts are taking root and flourishing around the world.

We recommend authors review the following examples as potential models for their submissions:

  1. An interfaith business solution to a pervasive social problem:
    Mrs. Nafiza Nuriddin, a Muslim, and Mrs. Ayen Deng, a Christian, both from a small town in northern Sudan, were concerned about the rate of disappearance of young women in their community. Girls were leaving to take up work in North Africa and Italy. The few that returned shared horrendous tales of forced prostitution and enslavement. Nuriddin and Deng, both women of deep faith, established a sewing school and clothing-manufacturing operation to create jobs at home so that young women could have an alternative means of employment. Six women at a time participated in the three-month training program. Those that completed the course were given a sewing machine and a contract for clothing production, which guaranteed an initial income. Thirty-three women graduated over three years, and twenty-seven continued on to produce for the clothing company. The profits from the clothing company were ploughed back into the training and sewing machine purchases, helping to create sustainable livelihoods for the women. Nafiza and Ayen’s story was told to us orally. We regret that we are unable to find any written information about their story. This is a perfect example of why we are engaging in this competition: we want to unearth stories that have not been told or published, acknowledging and affirming that this work exists, so that these people may inspire others and become the new role models in poverty alleviation.
  2. An individual integrates business and faith to develop new paradigms for wealth creation and poverty alleviation:
    SEVEN Fund co-founder Andreas Widmer’s chapter “My Faith In Capitalism” (In The River They Swim, Templeton Press 2009) tells the story of how his journey as an entrepreneur and his faith came together to shape his views of economic development. The chapter depicts a new model that challenges existing paradigms of top-down aid based on purely secular values, and proposes a faith-based approach that brings together faith and profit, a concern for the poor, and free market wealth creation. As a practicing Catholic, he found inspiration in his faith that applied to the free market model of the economy, realizing that as a system the free market (i.e. democratic capitalism) offers humanity a greater chance to excel than any other economic system. And while this system can also lead to profound abuses and injustice, it can also represent the most direct and sustainable escape from poverty. It is each person’s conscience that makes the difference, and one’s faith is a great source to form the conscience. In his article, Widmer describes the Catholic perspective on how the free market offers a great opportunity to be used as a force for good. Widmer’s essay can be found in “In the River They Swim,” more details of which are available at www.intherivertheyswim.com.
  3. Business experts inspired by faith support African entrepreneurs through hands-on coaching:
    Karisimbi Business Partners was founded by 3 Christian families from the US. They seek to alleviate poverty by mentoring ambitious and strategically-placed Rwandan entrepreneurs through picking up where micro-finance, business incubation, and small business development models leave off. Acting upon their motivation: “The love of Christ compels us to use our best where the need is greatest,” Karisimbi Business Partners builds businesses by developing the management capacity of promising mid-sized ventures with untapped potential. They aim to ensure that enterprises can employ many, export often, pay taxes, build industry sectors, and establish role models for a new generation of Rwandan business leaders.. This intensive work cannot be done quickly or from a distance, but requires a partnership, which entails working alongside ambitious entrepreneurs for years at a time. Karisimbi Partners do not see their work as aid or charity; they see it as a true partnership with the people of Rwanda, affirming the dignity of all participants. To learn more about Karisimbi Partners, please visit their website, www.karisimbipartners.com.

The winners will be announced on December 15, 2010. The winning essays may be published on SEVEN’s and CIFA’s websites, or in selected magazines and publications. SEVEN, in collaboration with CIFA, intends to publish a selection of all submitted essays on its website and in a book. By entering the essay competition, authors give their permission for their essay to be used in selected publications. Any essay published would be done so with proper attribution to the author.

Foreign economic and government programs have spent billions of dollars during the past five decades to alleviate the high number of people living in poverty. No country has been lifted out of poverty as a result of these efforts, but the mindset remains the same: aid programs are the key to poverty alleviation.-->

Questions & Answers

What is the essay question?
Writers are asked to submit a first-person narrative describing enterprise solutions to poverty that are faith-based, faith-inspired, or interfaith effort. Illustrations may come from any domain, including healthcare, education, consumer products, human rights, and others; examples must represent innovative private solutions to public problems.

The essay should be no longer than 2000 words, in English, and each submission should start with a 100-word abstract and a 100-word biography of the author. The abstract, biography, and any sources you may cite are separate from the 2000 word count for the essay.

Who can participate in this competition?
This essay competition is open to all participants globally.

Where do I get a paper application?
There is no paper application required for this competition. Essays should be submitted here:
http://www.sevenfund.org/faith-and-development/join.php

How do I submit my essay?

  • Submit your essay electronically in an MS Word or PDF format only, using the submission form on SEVEN’s website. All information requested, including contact information, abstract, and essay should be included in a single document. The url is:
    http://www.sevenfund.org/faith-and-development/join.php
  • Every essay MUST, in addition to the actual essay, include a 100 word abstract and a 100-word biography at the beginning of the document.

Along with the submission, you MUST include the following information in the submission form, as well as on the first page of your submitted essay:

  • Your full name and mailing address, a contact telephone number and your email.
  • Your degree-level and field of study, or professional position, as applicable.
  • A brief 100-word biography of the author(s).

Why have SEVEN and CIFA selected the short essay format for this competition?
We believe that the short essay format is a powerful and underutilized mechanism in development thinking. It is a versatile medium that requires succinct, insightful writing that can be published in multiple venues.

Does this program support a preferred philosophical or scientific agenda?
The program is co-sponsored by CIFA and SEVEN.

CIFA sees the religious sector as critical to efforts alleviating poverty, hunger, and disease. They see that these efforts are often fragmented, underfunded, under accounted for, and under recognized. CIFA seeks to realize an agenda supporting the tireless work of faith communities and the potential collective impact of the efforts in the development arena. They recognize and honor the extraordinary examples of faith-based collaborative solutions to end global poverty.

SEVEN sees a number of experts who opine about poverty and prosperity: i.e., macroeconomists, businessmen, educators, political scientists, social scientists, etc. Rarely is there enough integration, where the experts of one domain borrow insights from another, and attempt to create an even more robust intellectual framework. Consequently SEVEN intends to foster this kind of integration, at the level of thought leader and practitioner.

Do you offer any guidance to authors preparing essays?
Essays should be original works that directly address the topic as outlined. We strongly discourage writers from repurposing papers from college courses or analysis conducted on another country. Repurposed papers are easy to spot, and lack the integration and insight necessary to win the competition. Further, any incident of plagiarism will be treated very seriously, and reported to the appropriate individuals including those plagiarized and relevant professional or academic authorities.

How long should the essay be?
Essays may not exceed 2000 words and must be written in English. Students may write an essay of less than 2000 words. Do not forget that you MUST submit a 100-word abstract and a 100-word biography along with your essay. The abstract, biography, and any sources you may cite are separate from the 2000 word count for the essay.

What is the 100 word abstract?
We ask you to submit, along with your essay, a 100-word abstract that states the essence of what your paper is about. This is a very useful process for both the writer and the reader as it forces the writer to concisely state his or her point and it allows the reader to enter the reading of the essay with a better understanding of the idea and subject matter.

How will essays be judged?
All essays that comply with the call for essay rules will undergo a competitive process of a confidential jury review. Expert SEVEN-CIFA jurors will evaluate and rank the essays according to the criteria described in the call for essays. The winning writers will be required to enter into a contract with SEVEN-CIFA prior to final award.

Can I submit multiple essays?
No, each writer may only submit one essay.

Can I collaborate with another author?
You may decide to submit an essay together with another author, but the prize money is per essay, not per writer. The two (or more) of you would share the prize. We especially welcome teams of students from different disciplines, as we believe that integration across domains provides the greatest insight into complex global problems.

What if I am unable to submit my application electronically?
Only applications submitted through this form on our website will be accepted. If you encounter problems, please contact SEVEN at info@sevenfund.org.

Important Dates

  • Inaugural SEVEN-CIFA Call for Essays: April 10, 2010
  • Deadline for Essay submission: 12:00AM Eastern Standard Time (EST), October 15, 2010
  • SEVEN-CIFA Essay Award Announcements: December 15, 2010

Terms & Conditions

SEVEN and CIFA have sole and absolute discretion to determine which submission entries, if any, merit an award. The SEVEN Fund and CIFA reserve the right, at their sole and absolute discretion, to change, modify, extend or reduce the terms and conditions of, or to suspend or terminate, the competition without prior notice. SEVEN and CIFA will endeavor to inform participants of any such change, modification, extension, reduction, suspension or termination, as the case may be, through any media outlet deemed appropriate by SEVEN and CIFA at their sole and absolute discretion. SEVEN and CIFA further reserves the right to nullify and/or cancel any part or all of the competition if it appears that any fraud or malfunctions have occurred in any form whatsoever. Each participant undertakes to indemnify and keep SEVEN and CIFA harmless from and against any loss, damage, claims, costs and expenses which may be incurred by or asserted against SEVEN and/or CIFA as a result of such participant's participation in the competition.

About CIFA

The Center for Interfaith Action on Global Poverty, was founded by development philanthropist Edward Scott in September 2008. CIFA’s mission is to improve the capacity and effectiveness of the faith community in its collective effort to reduce poverty and disease. Operating at the intersection of faith and development, CIFA is committed to harnessing the potential of the faith sector as a positive force for global development. CIFA does this through increased interfaith coordination, best practices and model sharing, innovative mobilization of resources, and influential advocacy to governments and the general public. Please visit www.cifa.org.

About SEVEN

SEVEN is a virtual non-profit entity run by entrepreneurs whose strategy is to markedly increase the rate of innovation and diffusion of Enterprise-based Solutions to Poverty. It does this by targeted investment that fosters thought leadership through books, films and websites; supporting role models - whether they are entrepreneurs or innovative firms - in developing nations; and shaping a new discourse in government, the press and the academy around private-sector innovation, prosperity and progressive human values. Please visit www.sevenfund.org.

 

PUB: Second Annual Saints and Sinners GLBT Literary Festival Short Fiction Contest : Saints and Sinners Literary Festival

Second Annual Saints and Sinners GLBT Literary Festival Short Fiction Contest

 

John Berendt

JUDGE: Bestsellling author John Berendt (Midnight in the Garden of Good and Evil, The City of Falling Angels)

The Saints and Sinners GLBT Literary Festivals Second Annual Short Fiction Contest is soliciting original, unpublished short stories between 5,000 and 7,000 words with GLBT content on the broad theme of Saints and Sinners. The contest is open to authors at all stages of their careers and to stories in all genres.

sp.queermojo

The entry fee is $15 per story. There is no limit on the number of stories each author may enter. One grand prize of $250 and two second place prizes of $50 will be awarded. In addition, the top stories will be published in an anthology from QueerMojo, an imprint of Rebel Satori Press. There will also be a book release party held during the 9th annual Saints and Sinners Literary Festival in New Orleans May 12-15, 2011. The deadline for the receipt of manuscripts is November 1, 2010.

DOWNLOAD  Fiction Contest Entry Form (67.9 KiB)

PUB: Call for papers—CEA 2011 CFP

CEA 2011 | FORTUNES

42nd Annual Conference | March 31 - April 2, 2011 | St. Petersburg, Florida

“Henceforth I ask not good-fortune, I myself am good-fortune.” — Walt Whitman, “Song of the Open Road”

Submission: August 15 - November 1, 2010 | Registration opens January 20, 2011

Money, luck, friendship, health, a warm place to sleep. In a world staggered by economic decline and natural catastrophes, what are the new boundaries of success and misfortune? How do art, literature, and the classroom respond to the Rota Fortunae? For our 2011 meeting, CEA invites papers and panels that explore Fortune as both a daunting challenge and an elusive ideal.

We welcome presentations by experienced academics and graduate students on all areas of literature, languages, film, composition, pedagogy, creative writing, and professional writing. Proposals may interpret the CEA theme broadly, including – but not limited to – the following areas:

  • Changing fortunes in the literary canon
  • The cost of books and the rewards of reading
  • Luck, chance, and the accidental in literature
  • Bestsellers in the marketplace
  • Composition, pedagogy, and discovery
  • Class, politics, and poverty in American culture
  • Marxist readings of literature
  • Making a fortune: Representations of wealth and earning
  • Gendered and ethnic fortunes
  • Emerging technologies and technical writing
  • Mining the imagination: Filmmaking and creative writing
  • Fortune-tellers: Prophetic texts in the popular imagination
  • National fortunes, national literatures
  • Literary responses to economic crises
  • Literary responses to natural catastrophes
  • Literature and the future of racism, sexism, and homophobia
  • Natural health and wealth in environmental literature
  • Fortunes of war in literature and film
  • Small fortunes: Children’s literature and its influence
  • Classroom issues: Predictive test scores, textbook pricing, e-learning

General Program

In addition to our conference theme, we also encourage a variety of proposals in any of the areas English and writing departments encom­pass, including book history and textual criticism | composition and rhetoric | comparative litera­ture | computers and writing | creative writing | critical pedagogy | cultural studies | film studies | developmental education | English as a second language | linguistics | literary studies | literary theory | multicultural literature | online courses and the virtual university | pedagogy | popular culture | race, class, and gender studies | reading and writing across the curriculum | student placement | study skills | teacher education | technical communication | multicultural literature.

We also welcome papers on those areas that influence our lives as academics: student demo­graphics; student/instructor accountability and assessment; student advising; chairing the department; the place of the English department in the university overall; etc.

Special Topics

CEA also welcomes proposals addressing the following special topics (with sponsoring organizations indicated in parentheses). Please specify special topic areas using the appropriate drop‐down menu on the online submission form.

  • Academic Leadership
  • African American Literature
  • Afro-Caribbean Literature
  • American Literature: early, 19th-century, 20th- & 21st-century
  • Blackfriars (American Shakespeare Center)
  • Book History and Textual Criticism
  • British Literature: Medieval, Renaissance, 18th-century, 19th‐century, 20th & 21st‐century
  • Byron Society of America (BSA)
  • Children’s and Adolescent Literature
  • Composition and Rhetoric
  • Creative Writing: fiction, poetry, non-fiction
  • Film and Literature
  • Food and the Literary Imagination
  • Graduate Student and Adjunct Concerns
  • Hispanic, Latino, and Chicano Literature
  • Learning Outcomes and Assessment
  • Literature and the Healing Arts
  • Literature Pedagogy
  • Multicultural Literature
  • Native American Literature
  • New Technology & Active Learning in the Literature or Composition Classroom
  • Peace
  • Popular Culture
  • Religion and Literature
  • Scottish Literature
  • Short Story: Criticism
  • Teacher Education
  • Technical Communication (Association of Teachers of Technical Writing)
  • The Sea at CEA
  • Thomas Merton (International Thomas Merton Society)
  • Transatlantic Literature
  • Trauma and Literature
  • Travel and Literature
  • War and Literature
  • Women’s Connection
  • World Literature

Online Submissions

CEA prefers to receive submissions electronically through our conference management database: Electronic submissions open 31 August and close on 1 November 2010. Abstracts for proposals should be between 200 and 500 words in length and should include a title.

Submitting electronically involves setting up a user ID, then using that ID to log in – this time to a welcome page which provides a link for submitting proposals to the conference. If you are submitting a panel with multiple participants, please create a user ID for each proposed participant. If you have attended CEA before and are willing to serve as a session chair or respondent for a panel other than your own, please indicate so on your submission.

Paper Submissions

Though CEA prefers to receive proposals online, we will accept hard copy proposals postmarked no later than 15 October 2010 via regular mail. Please include the following information:

  • Name
  • Institutional affiliation
  • Mailing address
  • Phone number
  • Email address
  • Title for the proposed presentation
  • Abstract of 200-500 words
  • Audio-visual equipment needs
  • Special needs and accommodations

Panel organizers should include the above information for all proposed participants. If you have attended CEA before and can serve as a session chair or respondent for a panel other than your own, please indicate so in your cover letter. Address hard copy submissions to the Program Chair:

Craig Warren, CEA 2011 Program Chair
School of Humanities and Social Sciences
170 Irvin Kochel Center
Penn State Erie, The Behrend College
4951 College Drive
Erie, PA 16563

Important Information for Presenters

  • A-V equipment and any form of special accommodation must be requested at the time of proposal submission.
  • CEA can provide DVD players, overhead projectors, data projectors, and CD/cassette players, but not computers or Internet access.
  • To preserve time for discussion, CEA limits all presentations to 15 minutes.
  • Notifications of proposal status will be sent around 5 December 2010.
  • All presenters must join CEA by 1 January 2011 to appear on the program.
  • No person may make more than one presentation at the conference.
  • Presenters must make their own presentation; no proxies are allowed.
  • CEA welcomes graduate student presenters, but does not accept proposals from undergraduates.
  • CEA does not sponsor or fund travel or underwrite participant costs.
  • Papers must be presented in English.

Note to Graduate Students

  • Graduate students may submit their conference presentation for the CEA Outstanding Graduate Student Paper Award (see below), which carries a small prize. Information on how to submit that paper will be sent to accepted panelists after the membership deadline.
  • Graduate students should identify themselves as such in their proposals so we can send information about the Outstanding Graduate Student Paper Award when it is available.

Venue

CEA 2011 will be held at the Hilton St. Petersburg Bayfront, St. Petersburg, Florida. See the travel page for more information.

Questions?

Contact Craig Warren at cea.english@gmail.com cea.english@gmail.comThis e-mail address is being protected from spambots. You need JavaScript enabled to view it This e-mail address is being protected from spambots. You need JavaScript enabled to view it . (Please include “Program Chair” in the Subject line.)

VIDEO: Natasha Trethewey - UCTV - University of California Television

Lunch Poems: Natasha Trethewey
--> Get Adobe Flash player --> -->

 

First Aired: 4/19/2010
28 minutes

Natasha Trethewey is author of Native Guard, for which she won the 2007 Pulitzer Prize; Bellocq's Ophelia, named a 2003 Notable Book by the American Library Association; and Domestic Work, selected by Rita Dove for the inaugural Cave Canem Poetry Prize. She received the 2008 Mississippi Governor's Award for Excellence in the Arts for Poetry. Currently, she is Professor of English and Phillis Wheatley Distinguished Chair in Poetry at Emory University. (#17125)

via uctv.tv

 

REVIEW: Book—Travesty In Haiti > Marguerite Laurent.com


TRAVESTY in Haiti : A true account of Christian missions, orphanages, fraud, food aid and drug trafficking A book by Timothy T. Schwartz, Ph.D. (buy the book)

An Ezili Dantò Book Review:
I am feeling this book. It's easy to read and it's a courageous book. The back cover of the book explains that it's "An anthropologist's personal story of working with foreign aid agencies and discovering that fraud, greed, corruption, apathy, and political agendas permeate the industry." Travesty in Haiti takes on the powerful and speaks an explosive truth about the do-gooders in Haiti that, as this reviewer and Ezili's HLLN knows well, would not interest most mainstream book publishers. It's a difficult topic but Dr. Timothy T. Schwartz makes the complex and weighty topic of foreign aid to Haiti, Christian missions and the impact of "charitable" works in Haiti interesting, humorous and readily understandable. With this book, Timothy Schwartz has made a significant contribution to the plight of the Haitian people in the struggle against the institutional poverty pimps and Haiti's deliberate containment-in-poverty.

Schwartz has rendered a service here not because there’s authentic value in being a foreigner’s FIELDWORK. For the sum of the parts do not equal the whole and being someone’s fieldwork is in itself a condescension. But Schwartz’s book reports on his own tribe’s corruption in Haiti and that, indeed, is of value to Haitians.

The book is a must read for anyone interested in hearing the truth about Haiti. Schwartz's contribution is a guidepost to those working for charities, working in the development and foreign aid industries who accept corruption and mediocrity because it's part of the status quo, "it's a job." It's laughably idealistic to wish for accountability, honesty, grace and dignity from the folks at USAID, World Bank, the Christian missions and those "doing good" in Haiti for more than a-half century now, but if just a few people, if one person working in the human rights field who read this book began to re-evaluate and nixed the profit-over-people trend of these failed-State-making-organizations, the world, humanity would breathe that much easier.

There are some slight errors throughout in this self-published book (for instance "the 1891 to 1804 Haitian Revolution." It's 1791.) but nothing serious that takes away from the substance, power and honest resiliency of it. Kudos, chapo ba, Timothy T. Schwartz, chapo ba. You are to be commended.

The best way to encourage the Ezili Network to purchase this, the best book that's been written by a foreigner on Haiti since forever, is to present Timothy T. Schwartz to you in his own words.

Below we outline certain excerpts, especially from the chapter on orphanages.

The sections on The Hamlet, The Village, The Survey, the Windmill Fiasco, The History of Aid in Haiti, The American Plan, The Greed, Rudeness and Renegades in Medical Treatments, CARE International Dedicated to Serving Itself, The Disconnected Directors and Arrogant Haitian Elites, The USAID/World Bank waste of research monies on the obvious and nepotism in foreign aid, are all, highly recommended reading. And, most interesting, alarming and crazily humorous is the final chapter entitled: Colombia and It's Drug Trade To the Rescue.

At first when I read the title of the book TRAVESTY in Haiti : A true account of Christian missions, orphanages, fraud, food aid and drug trafficking, I thought: Schwartz, he's surely going to demonize the poor in this chapter. It's par for the course. But Schwartz just lays out how the fall of the Haitian army democratized their previous drug monopoly. I know it's not the whole current story on drug trafficking in Haiti because all Haitians know there are 9,000 UN troops in Haiti, lots of Latin Americans during the job of the old Haitian military and keeping the people excluded and impoverished and the Oligarchy and imperialist in power. But the episode recounted in the final chapter where the most neglected and poorest of peasants living in the coastal fishing village approach the heavily-armed drug traffickers in the dead of night, mostly armed with rocks, for their "toll" is such a typically and rurally Haitian way of making those who pass through their territory remember it's their territory, that I forgot I was looking for examples of some white guy demonizing the Haitian poor.

The roadblock is how the neglected poor majority, pèp la, make city slickers, foreigners, the Haitian Oligarchy and outsiders who pass through their territory remember it's their territory. That sense of ownership is part of why although Haiti is occupied by invaders (over 10,000 so-called charitable NGOS and 9,000 UN troops and their sycophants) its soul is still owned by the descendants of African warriors who fought for the land, fought for their humanity after 300-years of brutal European enslavement. Drug trafficking is a sinister thing but Schwartz writes the episode from the poor's perspective not from Officialdom's - not from the enforcers' point of view. For once, the Haitian poor who are the bait for billions in foreign "aid" and Christian "benevolence" that never reaches them finally, finally by some miracle, won the lottery - got some aid, got some charity. Drugs to the rescue! And even the sting of official police revenge that's recounted and the book's foreshadowing of the drug owners' retribution to-come, seems not so alarming. In fact, parts of the story is really comical.

Schwartz's book unveils paradoxes and lots of critical data on foreign aid, mission schools, orphanages and the world's major multinational charities working in Haiti. He writes on a complicated set of issues and politically sensitive topics with the skill and talent of a seasoned novelist. He explores a current Haiti you'll not read about in current mainstream books and papers on Haiti. His voice is likeable - it's that of a regular guy not some dry academic or saintly eunuch.

I know there's a PH.D. in the byline of the book and I should refer to Schwartz by his Western title, "Dr. Schwartz." But not to put too fine a point on it, the man seems too whole to so compartmentalize. At times the reader sees a self-serving drifter, a calculated and unopologetic bum spear-fishing and drinking with "the natives;" at times we understand his discomfort and aloneness as the outsider. But it all goes to make you believe it when he writes he selected to go to Haiti because he wanted to enjoy "a life of adventure and maybe do some good for people while working largely alone and free of the authoritarian constrictions of a regular job." (p.214). And, most impressive of all, for a white guy in Haiti working with the NGOs and in the charitable field, he seems to have no detectable savoir complex, no religious or political imperative, not too much of the nauseatingly patronizing noble white men's burden thing, no fake righteousness - doesn't claim to have "shared the Haitian people's pain," never talks about experiencing some fake epiphany to share the people's pain that compelled him to live with the poor for over ten years in Haiti.

He's struck me as real. He appropriately expresses self-disgust and derision. He smokes, he drinks, he has sex appeal that, well, at least Sharon, if not others, want to own, maybe put a ring on. He seems to feel a lot of guilt about it, always repeating how Sharon helped him while also showing her and her family's corruption. You can tell he may have, wittingly or unwittingly, used his eligibility/exotic presence in Haiti and his male sex appeal on her and elsewhere to live more comfortably or to be successful in his research. But he's not offensive with it, makes strong sense. And he shows he's aware of the power his gender and white skin gives him in neocolonial Haiti. So, vis-a-vis the Haitians in the Hamlet and Village he tries, at least it seemed from reading the book, not to abuse his mobility and relative privileges indiscriminately.

Perhaps the humility is cunningly deliberate but either way, that would make him a good craftsman. For, when you read the book, you come away with the feeling that the author/anthropologist didn't mean to expose foreign aid, fraud, greed and the apathy he experienced in working with foreign aid agencies and the political agendas that permeates the industry but just found himself part of an unconscionable paradigm, part of a palimpsest painting, part of layers that seemed critical to lift up for a look and then, write about, even if it cost him his chosen career and made him unemployable with the NGOS. Like so many others Schwartz could have just done the regular thing, made unusual alliance for the sake of a job or, simply come back to the US and raised funds "for the poor" and joined in the black exploitation game in Haiti. But, this conscience, this unveiling, this choice, makes Schwartz unique - one in a million. Timotè sa a, li se vagabon pa nou. Enjoy:

***********************

TRAVESTY in Haiti : A true account of Christian missions, orphanages, fraud, food aid and drug trafficking A book by Timothy T. Schwartz, Ph.D. (buy the book) Reviewed by Ezili Dantò/HLLN, December 2009

 

p. 196 "For me and other anthropologists and missionaries working in the country, the many coups and uprisings in the late 1980s and early 1990s were more an inconvenience than a threat. We were not targets and could resign ourselves to working around them. So while the military was gunning people in the Port-au-Prince slums, I chartered a small plane in Miami and flew into the city of Cape Haitian...That night soldiers shot two young men in the street below my hotel window. (During the three days that followed the ouster of Aristide by military leaders, the CIA trained narcotraffickers described in an earlier chapter...at least 3,000 people were slaughtered in the Port-au-Prince slums)... But for the most part, Cape Haitian was quiet. Within several days, I boarded a Haitian sailboat and 36 hours later I sailed into Baie-de-Sol harbor. And that is where I met Sharon, sunbathing on a beach. She invited me to lunch with her parents, siblings and the other teachers. We became friends ...in the ensuing nine years"

Chapter One - Death, Destruction and Development -p. 2 to 3

"This is the inside story of (development and charitable projects and working with foreign aid agencies in Haiti)...and the impact on the people they were meant to help. It is largely a story of fraud, greed, corruption, and apathy, and political agendas that permeate the industry of foreign aid. It is a story of failed agricultural, health and credit projects; violent struggles for control over aid money; corrupt orphanage owners, pastors, and missionaries; the nepotistic manipulation of research funds; economically counterproductive food relief programs that undermine the Haitian agricultural economy; and the disastrous effects of economic engineering by foreign governments and international aid organizations such as the World Bank and USAID and the multinational corporate charities that have sprung up in their service, specifically, CARE International, Catholic Relief Services, World Vision, and the dozens of other massive charities that have programs spread across the globe, moving in response not only to disasters and need, but political agendas and economic opportunity. It is also the story of the political disillusionment and desperation that has led many Haitians to use whatever means possible to better their living standards, most recently drug trafficking...

The accounts I present herein come from my own experiences while living, researching, and working in Haiti over a period of ten years...I have changed names of people and places...The reason that I have made an effort to disguise people and places is because what I hope to accomplish is not to embarrass or denounce individuals or to attack specific charities. Nor do I aim to damage the industry of charity. What I hope to do is to call attention to the need for accountability for I believe that the disaster we call foreign aid --"disaster," at least, in the case of Haiti --comes from the near total absence of control over the distribution of money donated to help impoverished people in the country.

At the level of individuals and NGOS, the lack of fiscal accountability is manifest in the enrichment of the custodians of the money - pastors and directors of NGOs, schools and orphanages - and the redirection of charity toward middle and upper class Haitians for whom it was not intended. At the level of governments, the absence of accountability invites subversion of a different sort: Charity is manipulated to serve political ends. (emphasis added.)

In both cases lack of accountability allows the aid to be distorted into something that arguably does more harm than good. I hope that this book in some way contributes toward correcting the problem and redirecting the millions of dollars that well-meaning citizens of developed countries annually donate to the people it was originally intended: the poorest of the poor in Haiti."

Chapter Eleven - p. 202 to 204

"...Sharon (the principal of the School for Jesus Christ of America in Haiti) had power. When her telephone didn't work and she couldn't get it fixed, she summoned the children of the head of the (Haiti) state-run telephone company from their classroom and sent them home with a message, "tell your parents that you cannot return to school until my telephone is fixed."

When the school (for Jesus Christ of America in Haiti) couldn't get fuel for the generator, Sharon picked up the phone and called the parents who monopolized the regional gasoline trade and who had children in school: gasoline arrived that evening. When she had a problem with papers for vehicles, she simply opened a spot for another child in her school - for the son of the director of the division of motor vehicles - and registration papers were no longer a problem. When she had problems getting goods through customs she did the same thing, admitted the children of the director of customs.

She also had a plush air-conditioned condominium (in Haiti), a video library, refrigerators and freezers the contents of which looked like a merger between a candy shop and a steak house. She had the ability to get anything imported from the U.S. free of charge and with the rapidity of Federal Express - which, need I say, didn't serve the region. Often I did not even have to pay for what I ordered. I had two pairs of free prescription eye glasses, half a dozen high-priced tape recorders for my research, parts for my motorcycle, free medical care.

...The realization that the school was a nest of elites began to eat away at my conscience. These were the same elites who looked down on and spurned the impoverished peasants, fisherman, and slum dwellers; who referred to them as ignorant and uncivilized, as subhuman, who called them dan wouj (red teeth) and pye pete (cracked fee). It infuriated me. The impoverished children in the Hamlet could not get medical care and when they did, it was bad medical care that they had to pay crushing fees for. But the children of the Haitian doctors who extorted them and the children of the other Baie-de-Sol elite were getting medical and dental care for free. (HLLN Note: Baie-de-Sol is a coastal city in Northwest Haiti that's an 8-hour drive from Port au Prince. It's the fourth largest urban center in Haiti whose actual name is altered in the book to Baie-de-Sol.) They were getting Christmas presents flown in. The were getting a virtually cost-free education. It wasn't meant for them. It was meant for poor children like those in the Hamlet. The kids at The School of Jesus Christ of America didn't need it. Their parents could pay for it. If the Baxters didn't give it to them their parents would send them to private school in Port-au-Prince or Miami. Some parents had taken their children out of school in Miami specifically to send them back to Baie-de-Sol (Haiti) to The School of Jesus Christ of America, specifically to take advantage of the free education, of the charity, the charity meant for children like those of the Hamlet.

On top of all this the Baxter's regarded themselves as altruistic. They thought of themselves as good Christians who made a great sacrifice by coming to Haiti to help the poor. Visiting missionaries thought of them as dedicated spreaders of biblical truth, somehow holier than ordinary Christians, closer to God, better than the rest of us.

I am not a religious person but it seemed to me too that the Baxter's embodied charitable and family ideals that while I myself may fall far short of fulfilling, I nevertheless had tremendous respect for. I respected them, admired their honesty, their good works, the closeness of their family. I had gone to their church services, stood with them holding an open bible in my hand as the Reverend read the words. Then it turned out to be bullshit. Helping the poor? The hell they were!

Now what I saw in the Baxters was a perversion of Christian idealism and I despised them for it. The country-style buffet lunches, the candle-light dinners on the patio with Haitian servants standing off the side waiting for tea glasses to get low so they could rush in and refill them, servants who were likely as not the objects of (Reverend Baxter's) the old man's sexual depredations, servants who had been trained by the mother, a sharecropper's daughter, using money meant for the poor to turn them into waiters and maids so that she could live out what were no doubt childhood fantasies of being a wealthy planter's wife. Those meals on the patio became a mockery of everything that The School for Jesus Christ of America was meant to stand for. It was like CARE, a perversion of American charitable ideals with its false claims to be aiding the "poorest of the poor" when what it was really doing was throwing exquisite banquets at plush hotels while carrying out U.S. political policy in the interest of international venture capitalists and ago-industrialists. The charity and Christian morality of the Baxters was a smoke screen, a rationale like "food aid" meant for the hungry. The Baxters were living like royalty, buying their way into Baie-de-Sol elite, rubbing shoulders with the beautiful people, granting them free education in exchange for favors while they used as lords use sefts the poor who they were supposed to be helping."

 

Chapter 8 - Orphans with Parents and Other Scams that Bilk U.S. Churchgoers

"Just on the outskirts of the city (of Baie-de-Sol), rising up from the third world squalor is a neighborhood of splendid houses... (Amid these houses) but quarantined from direct contact by an eight-foot cement wall, rises The School of Jesus Christ of America, a monolithic, brightly painted, stucco, two-story, 20-room school surrounded by equally bright and well constructed apartments and houses, workshops, and administration buildings. A brilliant yellow 30,000-gallon steel water tank looms above the compound like a spaceship from the heavens.

The School is a charitable operations, arguably the most successful in all of Haiti's provinces and unarguably the top K thru 12 school in the Province. Tuition costs are a nominal $1.50 (U.S.) per month, low enough for even the poorest Haitian parents to afford. Every year some 20 U.S. Christians sign on as teachers. They have contracts. But instead of getting paid a salary they pay the school. Each teacher raises $15,000 (U.S.) per year in donations and then gives money to the Missouri family (the Baxters) that administers the school. The money goes into the over-all budget. The mission then covers the teacher's living and travel expenses and provides each teacher with an allowance.

Besides the teachers, some 100-plus members of U.S. churches come throughout the year to visit and help out. They come in teams of a dozen or more. Some are doctors, pediatricians, bone specialists, dentists, but most are working class people who have come to help impoverished Haitians. They stay for several weeks. They build classrooms, fix houses and vehicles, give free medical care, cap teeth, hold fairs and field days and Christmas pageants for the children, organize theatrical events and teach the children to paint, take pictures and use computers.

Unlike so many other charities in Haiti where directors clearly embezzle most of the money meant for impoverished children - a trend that I will describe in greater detail shortly - this particular school has something to show for itself. School of Jesus Christ of America money is spent in Haiti and most of it is spent on Haitian children or on the teachers and other people who are providing the children with educations and maintaining the mission. Three 150-kilowatt power generators provide round-the-clock electricity. The monolithic school building, the administration offices, the houses, and the apartments are all air conditioned. Every classroom, house and apartment are all air conditioned. Every classroom, house and apartment has a television and a VCR. There is an impressive video library with all the latest children's films and a 10,000-book reading library. Every child in the school has a U.S. sponsor who donates $40 per month and some children have as many as four sponsors. Besides the monthly checks, the sponsors send their Haitian children gifts. Many of the children have gone on summer and Christmas vacations to visit their sponsors in the United States. Some sponsors have helped their Haitian children get into U.S. colleges, thrown graduation parties for them, helped them buy vehicles and get scholarships and given them jobs and allowances. It appears to most who have visited to be a heartwarming example of privileged U.S. citizens reaching out to underprivileged Haitians.

The secret of The School of Jesus Christ of America is the Missouri family that runs it. The leader of the flock is Reverend Richard Baxter followed by his wife Madame Reverend Richard Baxter and four of their six children, Kirk and Sharon, who were in their mid thirties when I knew them, and their two considerably younger siblings, Karin and Amethyst, who grew up in Haiti, speak fluent (Kreyòl)...

The Reverend and his wife exemplify conservative American values. Married at the ages of 17, they are still together more than 40 years later. Having grown up on a Missouri farm and worked 20 years for a U.S. electric company, Reverend Baxter can fix or, if necessary, created just about anything mechanical or electrical or that has to do with a house or building. He personally constructed and maintains the school and the faculty houses. He runs and maintains the 150-kilowatt generators and the complex electrical systems that spread energy throughout the mission compound.

Madame Reverend Baxter was the daughter of an impoverished Missouri sharecropper. Today she is the able pre-school teacher and director of the family compound (in Haiti). She orchestrates the activities of the 28 maids and cooks who she herself trained, an endeavor that is celebrated every afternoon at 2:00 when the family and some 20 to 30 American school teachers and visitors gather for a buffet lunch typically including fresh cinnamon rolls, homemade bread, pizza and roast beef. And then, not to be forgotten, there are Madame Reverend Baxter's exquisite candlelight dinners of imported steaks or chicken, potatoes, and fresh salads.

Three of the children, Kirk, Karin and Amethyst teach school ... Sharon Baxer...made it possible for me to help Bokor Ram's daughter Albeit and Arnaud's cousin Tobe escape their miserable lives. Tobe from the beatings and cruelty of Arnaud and Albeit from the tragic death of her mother and father. I took both girls out of Jean Makout and brought them to Baie-de-Sol where I rented an apartment for them and with Sharon's support they attended The School of Jesus Christ of America.

At the time I worked for CARE, Sharon was 37 years old, attractive, with sandy blond hair and a body toned by rigorous daily calisthenics and 10-mile runs through the mountains above Baie-de-Sol. She was my closest friend in Haiti, my confidant, the person whom I turned to when I could no longer deal with the people of Jean Makout...All you have to do is ride through the city with Sharon to sense the appreciation the people of Baie-de-Sol have for her. Wherever she goes someone is calling out after her, "Miss Sharon, Miss Sharon." It was Sharon, as I said, who gave me the means to rescue Albeit and Tobe, and who was helping to care for them and feed them. Indeed, had it not been for Sharon I could never have brought them to the city where I put them in a house with a nanny and where they went to The School of Jesus Christ of America.

And it was there at Sharon's that I began my research into orphanages.
*

Sharon has a second-floor apartment in the compound adjoining her parent's house. It is a refreshing break from the dusty poverty outside the walls, like stepping into a suburban condominium in the States. The central air is blasting. There is a long iron-framed plate-glass dining table, an over-sized refrigerator stocked full of Hershey's Kisses, Mound's Almond Bars, M&Ms, Reese's Peanut Butter Cups, packs upon packs of licorice, Gold Fish crackers, goat cheese. In the freezer are pre-packaged steaks, de-boned chicken breasts, and gourmet sausages.

Sharon is sitting behind her desk, located in the middle of the apartment, her large-screen computer connected to the World Wide Web through satellite is open in frown of her. I pop down on the sofa, pick a selection of chocolates from a bowl on the coffee table in front of me and pop one into my mouth. I tell her about how CARE wants me to investigate orphanages. "Tim," she says, her interest sparked. "You have to visit the orphanage across the street."
*

Across the street from The School is one of the largest orphanages in the Province. The owner is an American named Harry Wothem. Harry spends most of his time in the United States, collecting money for his Haitian charities. But if there is a contemporary Pied Piper of Protestant charity in Baie-de-Sol, it is Harry. Almost all the evangelical missions in the area, including the School of Jesus Christ of America, began in association with him.

Harry is a charismatic bulldog of a man. A Vietnam veteran and a terrific public speaker whose sense of humor causes frequent eruptions of laughter among his audiences. Besides the orphanage, he has a clinic and a mission. Several times a year he brings in teams of over 100 church members from the U.S. Midwest, people who have come to see Haitian poverty and to do something about it. They build clinics and churches, hand out clothes and witness for the Lord. Each visitor pays Harry US$800 for the week-long trip. Harry charters a plane, and when the teams arrive he beds them down on the floor and in cots, feeds them rice and beans, and gives them what they have paid for: A taste of poverty. When they are not working building clinics and churches he packs the teams into the back of a dump truck and drives them through the dusty dirt streets of greater Baie-de-Sol area to tour the squalor.

As Harry drives along with the back of his dump truck full of awestruck middle Americans, he usually disregards the small niceties of Haitian life. Harry rolls his truck through river beds, past peasant woman scrubbing the family laundry, over their drying clothes, up out of the river and over the coffee beans that peasants set out to dry on the edge of the street. In the city, with apparently no awareness of the damage he is causing, Harry crashes through private electric lines and fences. Once I just missed an episode where he drove his dump truck down the road that passes between his orphanage and The School of Jesus Christ of America, swung around a turn-around, passed a man and several of his helpers making cement blocks and, in Harry's typical way, drove right over the blocks, crushing a half dozen or so and kept right on going. The men making the blocks ran screaming after him...

In addition to Harry there is Slimette, his partner. Harry speaks little to no (Kreyòl). But back in the late 1970s he hooked up with Slimette, a thin, suave, attractive Haitian preacher. A partnership was born...

The orphanage has been a smashing success and while I never learned anything of the benefits Harry derives from the endeavor, Pastor Slimette has done quite well. Today he owns a two-story home in Baie-de-Sol, another home in Port-au-Prince, and yet another in Miami.

Besides the orphanage, Slimette has several churches in the area. He also sells swamp land on the outskirts of Baie-de-sol. He drained the land himself and mortgages lots to poor immigrants from the countryside. His success as a pastor and orphanage manager and slum lord spawned an interests in politics. At the time I was doing the CARE survey, Slimette was the mayor of Baie-de-Sol.

 

I went by Slimette and Harry's Orphanage. It is called Orphanage of the Father and it is supported by Mission HW, meaning Harry Wothem. Pastor Slimette and his wife, Madame Slimette, are responsible for the orphanage. But at the time a, Heith and Sandy, an American missionary couple were living with the orphans and supervising them. The Slimettes also run a school on the orphanage grounds and Madame Slimette is present during the day.

I find Madame Slimette giving a class to some older school children ...I learn from Madame Slimette that there are 80 children in the orphanage, 35 girls and 45 boys. All the children are sponsored by U.S. churches.

Madame Slimette tells me "all the children are from rural areas" and smiling, explains how they like the young children "because they can better benefit from what the orphanage has to offer. The big children however," her smile fades, "they are a problem." She goes on to tell me that the day before my arrival Pastor Slimette and the orphanage staff had a meeting about the older children and they are going to have another meeting today. "Something has got to happen," she repeats.

Later that day I visit Madame Slimette again. This time I go to her home. She lives behind an eight-foot wall in a two-story cement house as large as the orphanage itself. I tap on the big metal gates. Tap tap. A guard opens and I am allowed into the driveway. An SUV is parked beneath an awning. Her oldest son's 250 Kawasaki motorcycle is propped against the house. Bicycles lie strewn about. It's a much different sight than the orphanage.

I ask if other Haitian families ever adopted any of the orphans.

"Only the parents can come get the child."

A little confused, "The orphans have parents?" I ask.

Madame Slimette's demeanor suddenly changes to indignation and "Look," she says and then, in a comment that surprises and puzzles me "Our orphanage has been here for 20 years and we do not give people's children away. Non!"

Her indignation causes me to back off. I'm not here to offend her. So I let the obvious question go and decide to clarify the matter on my own.
*

I stop back by the orphanage and ask the cook if I could see the kitchen and depot. As I walk through the compound curious children begin tagging along with me. I profit from the occasion to ask several children, "hey, where do your parents live?" I ask five orphans. The responses: "St. Angle," "St. Angle," "La Fonn," "Baie-de-Sol," "Baie-de-Sol." All cities.

All the children I interviewed not only had parents, they also were not, as Madame Slimette had told me, from rural areas. They were from urban areas. I left the orphanage wondering why they call the children orphans and why Madame Slimette misled me about them being mostly from the rural areas. What difference would that make? Unless, since in Haiti rural is synonymous with poor, it was to suggest that they took in only impoverished children, the kind that appeals to sponsors.

That evening I am back at Sharon's apartment savoring a sirloin steak dinner and the air conditioning. There is a knock at the door. Sharon answers and in come the American couple who live at Slimette and Harry's orphanage. Heith and Sandy, a pear-shaped couple, are plain rural middle Americans from Ohio. They have country common sense. Heith is semi-literate but a crack mechanic and handy at building things. Sandy is almost completely deaf. She is a good homemaker - Christian, faithful wife, devoted mother. She and Heith have two children of their own. It is not clear to me if they know that I am researching orphanages, but they immediately begin complaining.

"Harry Wothem is here," Heith tell us with a country twang, "and this very day he and Slimette kicked out 21 orphans (of 76, not 80 as Madame Slimette had said)." Heith explains that they kicked out all orphans over 14 years of age, some of who were 18 or 19.

"Well, where did the expelled orphans go?" Sharon asks.

Heith, apparently oblivious to the irony, says matter-a-factly, "Most are back with their parents." Then looking, befuddled he says, "Did you know that Madame Slimette has a niece, a nephew and some cousins there?"

"Did they kick them out?" I ask.

Heith smirks at me as if I am teasing him.

"I did not realize it," he goes on, "but some of those kids are from wealthy families. Several are from Port-au-Prince."

Heith clucks his tongue and tells us about two brothers who were kicked out and have already rented the house across the street, one of the more expensive houses in the neighborhood, the most opulent neighborhood in a city of 100,000. Their parents who live in Miami, are paying the rent.

"Some of the orphans have two and three sponsors," Heith continues, and then, shaking his head: "You know what Harry said when I asked him why he was kicking the orphans out? He said that he couldn't sell them anymore. They are too old. People don't want to sponsor them. Can you believe that, "he can't sell them anymore."

As I was to learn in the coming days, what Madame Slimette and Heith had done was inadvertently peel back the first layer of a system that benefited almost everyone involved except poor, destitute and parentless children foreign sponsors intended to help when they licked the stamp and put their checks in envelopes and mailed them off to the orphan foundations. The operators of orphanages and nearby or affiliated schools were, in every case I came across, spending only a fraction of the money they raised for the children and pocketing the rest. Orphanages in the area were a business.
*

...The next morning I headed for Jean Makout. My first stop is my American missionary friends Goliath, a man built like a professional linebacker, and his wife Rose Ann, a woman who looks and behaves like a pioneer on the American West...

Sitting in their kitchen the next morning, Goliath and I are talking about a man named Henry Humperdickel who supports hundreds of children in the area.

Goliath says he knows that Humperdickel gets $20 per child from U.S. sponsors and he knows for a fact that at a school across the street there are eight children sponsored through Humperdickel.

He adds that the money is donated in U. S. dollars, but spent in Haitian dollars.

"(But...)" I say, "Haitian dollars are worth only one-third of U.S. dollars."

"I know that, Tim...I asked Henry about it one time. He said he was using the difference for travel expenses. He said there was always so such to spend it on."

...Henry Humperdickel is a large U.S. Southerner with an amicable baby face and a sharp mind. ...Henry has a story much like that of Harry Wothem....

*

In Gonaives I finally encourter true orphans...(p. 141)
*

[- Disappearing Haitian children from Gros Mon:
Orphans with Parents and Other Scams at p. 145)

"...Nurse Matt was working for a French adoption agency. She would approach poor families and offer to adopt one of their children, usually in the five to six year age range. Promised the child would be educated and well cared for, the family would be given a sum of money and the child supposedly sent to live with a French family. Thirty to forty children let (Haiti) in this way. Not one had been heard from since.

..."Not one of the families ever received a single letter from the agency or from any of the adoptive parents." An SOS (Enfants Without Frontiers) employee obtained the address of the parent organization in Paris but, when they called, the person who answered the phone said that the agency had moved and left no forwarding address...
*

 

I am back in Baie-de-Sol sitting in Sharon's plush apartment. The air conditioner is blasting. Albeit and Tobe are here with us. Perhaps ironically, we have been watching the new version of Cinderella, the one where everyone is black. Whoopie Goldberg is the fairy Godmother and she turns a miserable Cinderella's orphan world into an underprivileged girl's dream come true. But I am barely paying attention. I can't shake the irony of the orphanages and the problem that is facing me: What am I going to tell my employers at CARE?

"Sharon," I say, "I have been to every single orphanage in the Province as well as Gonaives. They all look like scams to me. I don't think I should write a report that says the orphanages are all scams."

Sharon turns her attention away from the fairy godmother and toward me. "You have to do what you think is right," she says.

"Look at this," I say and get up and walk to where my book bag is hanging on a dining room chair. Sharon follows and we both sit down at the table. From the book bag I pull lists I got from a friend in the States.

"This thing is a lot bigger than just the orphanages I visited. Even if the orphanage directors are ripping off a lot of money, at least we know orphanages really exist. But there is much more to this."

I show her the lists.

"World Vision and Compassion International have 58,500 sponsored children in Haiti, a large portion of these are in the Province. CAM (Christian Aid Missions) sponsors 10,000 children in Haiti, some 2,000 of them are out here. The Haiti Baptist Mission has 57,800 sponsored children, many of them out here. And these are the ones I could get the figures for. They are only a fraction of it. In the Province you have Blue Ridge Mountain Homes, Plan International, Child Care, Tear Fund, and God knows who else. Then there are the small operations."

"Look at Pastor Sinner," I say, referring to the major evangelical school in the Village. "He gets $70,000 (U.S.) per year to help some 190 children. There are small sponsorship programs all over the place. There is Henry Humperdickel who may have hundreds of children on sponsorship. There is Harry Wothem. All throughout the mountains there are little Harry Wothem and Henry Humperdickel operations that we know nothing about. This is to say nothing of the Catholic Church which must have its own programs. For Christ's sake, there might be more children on sponsorship out here than there are children. And the corruption? At best, most of the money pays institutional expenses to educate kids who don't really need help. Okay, we could say that it is lifting crooked Haitian pastors and their families out of poverty. But now, now think about all the money that must be collected and never even gets here."

"It looks pretty bad," Sharon agrees.

"I am sure there are at least some needy children in these institutions," I say. "But I can't help feel disturbed by it all. So many people at these orphanages are outright lying. Most of the children are not orphans. That's a misnomer. The least they could do is call them "children's homes."

"That's weird, huh," Sharon muses.

"Ah, Sharon, it is beginning to look like you guys are the only honest charity in the Province?"

"It wasn't easy," Sharon says, and begins to tell me how difficult it was for her and her family to establish a respectable school. "At first everyone laughed at us. The said our school was no good and they sent their children to the Catholic school."
*

As Sharon talks I notice a pile of photos sitting on the table. In my frustration, I pick them up and start flipping through them. Americans, plain ordinary working class Americans. Husband and wife. Husband, wife and kids. Husband, wife and dog. Husband, wife, kids, dog, house and yard. Husband wife and kids on stage in photo studio. I ask Sharon about them. She tells me they are sponsors. I ask her about their occupations. This one is a plumber and his wife is a secretary. Here is a single working mother. Next is a social worker. This one is a school janitor, his wife a homemaker. Here's a farmer. It goes on and on like this, plain ordinary working class American folks doing good things for underprivileged Haitian children.

I ask Sharon about her sponsorship and she proudly says, "Harry Wothem is not the only one who knows how to raise money. All of our children are on sponsorship."

She tells me that the sponsorship for the School is $40 per child per month.

"Many of our children have three and four sponsors," she beams and then, clarifying, she says: "But it's not like one child get more than another. We don't just give the child the money. The money is spent in the interest of the child and that can be interpreted a lot of ways."

Sharon goes on talking and I lean back in my chair and begin to reflect on something that in all the years I have been acquainted with Sharon, her family, and The School, I have never really thought much about: The School is full of rich children.
*

The story of The School began in the mid 1980s when Sharon and her brother Kirk came down with one of Harry Wothem's whirlwind Christian tours of Haiti's poverty. They returned home and told their parents about it. The father, Richard Baxter, promptly retired from the Electric Company, went to Bible school, earned a degree and then Sharon, Kirk, their mother, father, and their two younger sisters all moved to Haiti to work with Harry Wothem. It did not take them long to become disenchanted with Harry's business style approach to charity and so they struck out on their own. As I recounted earlier, they have enjoyed dazzling success.

"It was so tough at first," Sharon is saying again, "everyone laughed at us. They said our school was no good."

The catch is, I am realizing as I sit here listening to her, that what she means by "everyone" is "everyone with money."

Sharon refers to the parents of the School's children as her parents' and as one drives through Baie-de-Sol with her, she is likely to wave at anyone in an SUV, with a large stomach, and with gold jewelry dangling from his or her body and as she waves, she smiles and exclaims, "that's one of my parents."

And "her parents" are easy to spot because most of the people of Baie-de-Sol are scrawny pedestrians in ragged clothes.

There is no doubt about it: The pupils of The School are overwhelmingly not impoverished Haitian kids as it says on The School's website. They are almost entirely composed of offspring from the ranks of the Baie-de-Sol elite. The plumber in the photo I was looking at sponsors the child of a Baie-de-Sol ship owner who also owns the largest regional bakery. The single working mother sponsors the owner of a radio station, an ice plant, a hardware store, an import-export business, and the largest funeral parlor in the city. The janitor sponsors the son of a Port-au-Prince surgeon who works as resident surgeon for the private hospital at La Pwent.

"Sharon," I say, "you're giving charity to the rich. The School is the most elite school in Baie-de-Sol. There are parents in the school who have more money than the people in these photos. Much more money."

"That's not true," she snaps.

"Well let's see, virtually every major ship owner in the harbor and most of the doctors I know in Baie-de-Sol have children in your school. Most of the higher-levels politicians and political administrators, the mayor, the customs inspector, the chief of police, they all have children here. The owner of the Shell gas stations has children in your school. No wait, he has two families in your school because both his wife and his mistress have children here. And, Sousou, who owns the Texaco stations, his wife and mistress have children there, too. The owner of the television station, he has children here. And what about the Benettes? They have seven children in your school. For Christ sake, two percent of the children in your school are Benette children."

"But I love her. Madame Benette is so elegant."

"That is not the point sharon. The point is that the Benettes are among the largest landowners in the Province. Their family has monopolized exports in Baie-de-Sol since before the Marines arrived in 1915. They vacation in France for crying out loud. And you are giving their children cost-free educations. You are giving them school lunches, Christmas presents, free medical care. And it is not yours to give Sharon. The people who give you that money expect it to go to impoverished children. Not to rich people. You are no better than the people who are stealing the money."

"We have poor children, too," she says indignantly. And then, pulling out a list of students to prove it she says: "Let me show you." We go over the list: "More than half the children in that particular class had at least one parent who is a medical doctor.
*

 

At that point I had visited every single orphanage in the Province and some half dozen in the neighboring Artibonite province. The ones I have not described were just as bad and the directors lied just as egregiously - and transparently - as those I have described. I had zero doubt that orphanages for Haitians and for many of the Americans who were helping them procure funds were businesses. Some orphanages, especially those in the cities, helped some Haitian parents and their children even if they do so in unadvertised ways and do not reach the poorest of the poor. By putting kids, at least some of whom are needy, in an orphanage they are giving them an opportunity to get an education with free books, meals and other benefits, not the least of which would be a the chance to meet a blan (a white or foreigner) who might, as they sometimes do, provide visas to the U.S. and a chance to further their schooling or get jobs there. But there is nevertheless something deeply disturbing about what I encountered. That something may, as in the case of the children in Gros Mon who were never heard from again, be far more sinister and dark than simply ripping off well intended contributors and snatching charity from the mouths of the needy. Indeed, and one of the reasons that I have written this book is in the hope that it will bring attention to such cases and lead to further investigation and clarification. But at the same time I want to make it clear that I am not against charity and certainly not charity for orphans. What I am against is false charity. I believe it is tantamount to robbing from impoverished children themselves. The money is theirs and they are not, in the overwhelming majority of cases I encountered, getting it.
*

In any case, my dismay with charity and development was growing. But the job wasn't over. In pursuit of my CARE employers' desire to expand food distribution, my next job was to investigate the Haitian medical system in the Province. I was in for another alarming series of discoveries, findings that would shatter any remaining faith I had in foreign aid to Haiti." (Reviewed by Ezili Dantò/HLLN, December 2009. To purchase Timothy T. Schwartz's book, go to -TRAVESTY in Haiti : A true account of Christian missions, orphanages, fraud, food aid and drug trafficking.)

***
Purchase Timothy T. Schwartz's book TRAVESTY in Haiti

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Donate to support Ezili's HLLN work
http://www.margueritelaurent.com/donate/donate.html

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Standing on truth, living without fear – Supporting Barack Obama’s vision of what can be…
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The Haitian struggle - the greatest David vs. Goliath battle being played out on this plane

 

 

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‘...Hayti (is) the glory of the blacks and terror of tyrants...I hope that she may be united, keeping a strict look-out for tyrants, for if they get the least chance to injure her, they will avail themselves of it...But one thing which gives me joy is, that they (the Haitians) are men (and women) who would be cut off to a man before they would yield to the combined forces of the whole world-----in fact, if the whole world was combined against them it could not do anything with them...’ ---David Walker
from: David Walker’s Appeal, 1829

********************* Dessalines Is Rising!!
Ayisyen: You Are Not Alone!

INFO: Africa Dispatch: Building Breezy Home in Ghana Isn't So Easy - WSJ.com

Africa Dispatch: Building Breezy Home in Ghana Isn't So Easy

afdispatch0901

 

ACCRA, Ghana—Architect Joe Osae-Addo moved back to his native Ghana in 2004 from Los Angeles to build a home for his family. A simple enough idea, except that Mr. Osae-Addo wanted to use local timber, local bamboo, and local adobe mud blocks in the construction of his home, none of which exist in commercial quantities in Ghana.

So Mr. Osae-Addo, a former architecture lecturer at the University of Southern California, had to source the materials himself and work with local builders who weren't necessarily open to his new approach.

"It was very, very difficult," Mr. Osae-Addo says. "Everything takes twice as long in Ghana."

Construction projects in Africa are slow-moving, bureaucratic affairs in the best of times. They rely on imported materials, mostly concrete. To veer from that formula is to invite trouble, frustration, headaches.

But Mr. Osae-Addo does have some experience in this regard.

He designed a house for the Brad Pitt-led charity in New Orleans, Make it Right, and runs his own firm, Constructs LLC, which strives to use local materials for long-lasting, energy efficient housing and commercial projects.

The firm has several large-scale projects in the works in Ghana, Liberia and Angola. Those include a proposed 500-unit site in Ghana's future oil hub, Takoradi, for Anglo-Irish oil company Tullow Oil Plc.

"The way things have been built over the last 30 years [in Ghana] is not sustainable," Mr. Osae-Addo says. "The passion is not about the intrinsic quality of the products we buy locally but how we can use them in a much more commercial and industrial application so they're available to the people."

One such effort led Mr. Osae-Addo to work with a Chinese company to begin building a bamboo-processing facility in Ghana, where bamboo grows in the wild.

"Until Africa, or Ghana, develops the materials and the system for industrial, sustainable construction techniques we will never solve our housing problem," he says. "If we keep importing housing solutions it will never work."

Mr. Osae-Addo's own house is a 2,500-square-feet, one-story environmental marvel. It's slightly hidden from view by trees and vines that hang down from its wrap-around timber balcony. The inside of the house is spacious and breezy, since Mr. Osae-Addo didn't want air conditioning in his home despite the tropical heat and humidity. He built the house on a raised foundation and used slatted window screens to allow air to pass through. Rainwater is collected in several large tanks to be reused, and solar panels on the roof provide supplemental energy during frequent power outages.

Yet the house requires constant vigilance from nearby dangers. Mohamed, the caretaker, lives on the property and often has to run over to neighbors' homes to tell them to stop burning refuse or wood—the sparks could easily waft over the wall and set Mr. Osae-Addo's house on fire.

Since he didn't want to put a coil of barbed wire on top of the wall or install an alarm, as do many homeowners in Ghana, Mr. Osae-Addo has two dogs that act as a security system. A recent visitor to the house was greeted with deterrent-worthy growls and bared teeth before Mohamed came and silenced them. They are likely the only dogs in Ghana with a neatly-made, well-ventilated bamboo house built by an architect.

Each week, Africa Dispatch takes a snapshot of a different African place, offering a ground-level view of change on the continent.

 

PALESTINE: The Search for 1948

The Search for 1948

by Hannah Mermelstein on September 16, 2010 · 17 comments

Shifting Sands cover

The following is a chapter from the important new book Shifting Sands: Jewish Women Confront the Israeli Occupation. From the book's website, "Shifting Sands brings to life the Jewish anti-occupation perspective through personal stories by activists such as Starhawk, Anna Baltzer, Jen Marlowe, Alice Rothchild, Holocaust survivor Hedy Epstein (of the Gaza Freedom Flotilla) and others." The book also includes introductory material from Cindy Sheehan and Amira Hass. Shifting Sands is available on Amazon.com.

“Where do you want to go?” asked the taxi driver, expecting to give me a short ride and collect a few shekels.

“Baqa’a,” I replied, “but it’s a bit of a project.”

The West Jerusalem neighborhood of Baqa’a was only a ten-minute drive from our location in East Jerusalem. The “project” was that the house I was looking for had existed 60 years ago, and time travel takes somewhat more detective work than the simple recitation of an address.

“I’m looking for a house from 1948,” I told the driver, who introduced himself as Abed. I handed him Munir’s diagram of a house that looked similar to hundreds of other old homes in the Jerusalem area.

“Is it yours?” he asked.

“No, a friend’s.”

I had recently discovered that my friend Munir, whom I know from Boston and had always known as Lebanese, had actually been born in Jerusalem. In 1948, at the age of four, he and his family, along with 800,000 Palestinian people, were forced out of their home by pre-Israeli forces. The family fled to Lebanon, where Munir’s father, Najeeb Jirmanus, had lived before moving to Jerusalem 20 years earlier. Nobody in the family had been back to Palestine since 1948, so I asked Munir if, on my next trip to Jerusalem, he would like me to try and find his house. He gathered some information, including a few nearby landmarks and a diagram of the house, which Abed was now studying. Abed agreed to help.

I sat quietly, hoping he knew the neighborhoods well enough to help me. I had planned to seek out an older taxi driver, possibly someone who spoke English so I could make sure to communicate every detail I knew. Abed was a young man who spoke very little English, but he seemed interested in and moved by the project. He immediately began to call all the older people he knew.

“Do you know where the Jordanian embassy was before 1948?” he would ask, offering up our major landmark.

“Yes,” one man told him, “but it wasn’t in Baqa’a.”

“No,” said another, “there was barely a Jordan at that time. How could there be a Jordanian embassy?”

So we began to drive, looking for the other smaller landmarks or for people who might recognize Munir’s father’s name. Abed would pull over next to every older person he saw (Palestinian or Israeli), and ask about the Ummah school, the Jordanian embassy, and the British army women’s headquarters. Some people were vaguely helpful, some not. A few informed us in a slightly insulted tone that they were not yet born in 1948.

We left Baqa’a and crossed the street to another, mostly Palestinian neighborhood. We thought we would have a better chance of finding people who wanted to and could actually help, having perhaps been in the neighborhood before 1948. Not two minutes later, we passed an old man and Abed stopped. We got out of the car, said hello, and explained what we were doing.

“You’re in luck,” said the man, “I know more about these neighborhoods than anyone else in the area.”

Before I knew it, his wife was serving me coffee in the middle of the street. The man suggested she and his daughters go ahead without him, as he would join us in the taxi in exchange for a ride home afterwards.

We drove for half an hour with little success, and then the man suggested we stop at an old house on the corner. We knocked on the door, and an old Israeli man answered. He took one look at the three of us and asked, “Are you looking for someone who used to live here?” He opened the door and let us in.

“You’re in luck,” he said, “I know more about these neighborhoods than anyone else in the area.”

So here I was inside a house with Abed the taxi driver and two older men, one Palestinian and one Israeli, who said they knew everything there was to know about this part of Jerusalem. They talked for a few minutes and argued amicably for a few more in a combination of Hebrew, Arabic, and English. The interaction had an air of pre-Zionism to it that is difficult to explain. They used language of “Arab” and “Jew” instead of “Palestinian” and “Israeli,” which many people do, but it seemed more appropriate in this situation than usual. As though nationalism and the way it has played out could not taint this simple human search for an old home.
I had started the trip late in the day. By this time it was getting dark, and I was running late for a meeting. We had gathered some information that might help us for next time, and I had a few questions to ask Munir. We took our leave, after writing down the name and phone number of the Israeli man so we could try again another day.

 

***

Two weeks later, with semi-clear skies above after a week of nonstop rain, I made plans to meet Abed in Jerusalem. This time, I was armed with more precise directions from Munir, including names of other people who lived and worked in the area and, most importantly, a photograph taken from their front yard in 1940.
Abed met me and excitedly said he knew where the house was, that he had gone back there after our last search. I showed him the photograph and we drove towards the area. We parked and began to walk around, holding up the photograph to each gate and entrance. We found one house that looked similar; however, there was a huge construction project under way directly on top of it. We approached and asked the Palestinian construction workers what they knew about the house, which wasn’t much. We were stopped on the way out by an Israeli manager. Abed explained in Hebrew that we were trying to find a house. The man glanced at the photo and said, “Yes, this looks like the house.”

Another manager came out and ordered us off the property. “This isn’t the house,” he said. “There was nothing here before 1948.”

Feeling torn, we stood outside for a few minutes and looked around.

“We need to find an Israeli to help us,” said Abed finally. “They think you and I are here to claim the house because I’m Arab and you have papers in your hand. They don’t know we’re only here to look and photograph.”

“We should take the house,” I replied, only half joking.

At this point, we realized this was probably not the house. The gate looked the same but we couldn’t figure out the angles in the photograph and it just didn’t seem right. Another older Israeli man on the street asked if he could help. Abed explained that we were searching for a house, and the man joined us for the next 20 minutes as we walked around the neighborhood. We kept finding similar sights, but none of them fit together. Finally he asked, “Are you sure the house is in the German Colony?”

“No,” I replied, “it’s in Baqa’a.”

Apparently, the older Israeli man who had helped us the first time had convinced Abed to come to this area and I, unfamiliar with West Jerusalem’s neighborhoods, had gone along for the ride. Realizing we were in the wrong neighborhood, we got back into the car and headed to the Israeli man’s house, where we had paused our search two weeks earlier. He answered the door and I shared my new information with him. The house we were searching for was near the Trans-Jordanian consulate, I told him, not the Jordanian embassy, and there was a road that went down from the main street towards their house. These two pieces of information were all he needed. He followed me out to the street, pointed, and said, “Go two more traffic lights. The Allenby building is probably what you mean, and that’s on your left. There’s a street that goes down from there on the right.”

We quickly drove those two blocks, turned right, parked, and started walking down. The streets were different than they were described to me, and the building supposedly on the corner wasn’t there. But sure enough, after a few minutes of meandering, I found myself in front of the large building that was in the background of the photo I was holding. I positioned myself exactly at the angle that the photo was taken from, and looked around. One street continued to go down, so I took it. To my right was a synagogue that I guessed was either Munir’s property or their neighbor’s. I hoped it was not his, that I would not have to tell him his house had been completely destroyed and replaced by a synagogue.

We passed the synagogue and stopped in front of the gate to the next house. This was it. Different from the photo, but with the same dimensions, and seemingly the right distance from the larger building up the street. We entered and found ourselves on the stone path described in the e-mail I had in my hand from Munir’s older brother: “…continue along the stone-paved path… some 8 meters, you reach the level of the house… Move some 10 more meters and you will have the six stone steps (to the left) that lead up to the veranda and you will then be facing the main door, entrance to the house.”

I was facing the main door, the entrance to the house. I thought about knocking on the door, but (in case we didn’t get a warm reception here either) wanted to take in as much as possible first. As I walked around the perimeter of the house, I wondered which plants and trees had been there when Munir was a child.

Finally, Abed knocked. No answer. We waited a few minutes and then left. About five minutes later, I came back alone to take more photos, and the door to the house was open.

I walked to the entrance, knocked, and said “hello?” A man appeared.

“My name is Hannah, I’m from the United States, and I have a friend who I think used to live in this house before 1948. Can I come in and look?”

He hesitated, then let me in, introducing himself as Israel. When I asked if I could photograph inside, he hesitated, but again agreed. I asked how long he had been living there, and he replied that it had only been a few years. He said he rented the place from a French Israeli man who has owned it for about five years. Before that, he said, the building was owned by a Moroccan Israeli family.

“Since 1948?” I asked.

"Well, the government probably had it first and then gave it to them, but yes, for a long time.”

I kept photographing, staying quiet as I worried he might change his mind. As I was putting my gear away and getting ready to leave, Israel turned to me as though he had something to say.

“The reason I let you in,” he said, “is that one time my sister went back to Morocco to find our family house. The man currently living there wouldn’t let her in. She cried and cried, and finally he let her in, but he wouldn’t let her photograph. This is why I let you in and let you photograph.”

Seeing this as an opening, I asked, “Would you want to return to Morocco?”

“No,” he replied, almost laughing at the suggestion.

“If the situation changed?”

“No, Morocco is for the Moroccans and Israel is for the Israelis.”

“What about the Palestinians?” I replied.

“We were here first,” he said, “thousands of years ago. This is our land; it says so in the bible.” I had noticed all the Torahs and other religious texts in the house, so it did not surprise me that he was religious.

“Sixty years ago my friend was living here,” I said.

“History doesn’t start in 1948,” he answered.

I briefly considered sharing with him something my Palestinian friend from Hebron often says: “It’s written in the Torah that Abraham came here to Hebron and bought a cave, right? Well, who did he buy that cave from? My great, great, great… grandfather!” Knowing, though, that this Israeli man’s argument was not rooted in, or concerned with, reliable historic analysis, I decided there was no use arguing with religion. We said an awkward goodbye (saying “thank you” did not seem appropriate in this situation), and I left.

My search for 1948 was almost over. But not quite yet…

***
After receiving the photographs I sent, Munir and his brother were thrilled to confirm that this was indeed their house and asked if I might be able to find any legal documentation to corroborate this. Not knowing where to start, I turned to a Canadian-Israeli friend, who agreed to help track down whatever she could. She visited the local Registry of Deeds in Jerusalem, which manages land deeds for the municipality. After being sent from office to office and compiling information about the current address and plot number (according to Israeli zoning laws, not the memories of the prior owners), she finally had the information she needed.

She returned to the Registry of Deeds. The clerk looked at the address and block number and said they had no record of the property before 1992. When she protested, he sent her to the microfilm, saying she could search through it all she wanted. So she did. After almost giving up, she came upon a document that seemed to be for the right property. The document was from the British Mandate period, and was thus written in English. She scanned the paper: 672 square meters, original owners’ names… and then, finally, proof of sale of the property in whole on January 6, 1932, to one Najeeb Jirmanus.

***
There is something about finding the land registry hidden in the microfilm of Israel’s archives (after being told in effect that the property did not exist before 1992) that reminds me that nothing lies too deep under the surface in this part of the world. Beneath every Israeli road lies the dirt of an agricultural path from centuries before. Below every kibbutz field lie the remains of a destroyed Palestinian village. Under all the modern-day addresses and block numbers in the Registry of Deeds office live the memories of a people who cannot forget an old front gate, the very number of steps to their front door, the views from their porch, the place that—despite Israel’s refusal to implement the right of return for more than 60 years—many still call home.

Hannah Mermelstein is an activist and aspiring radical librarian based in Brooklyn, NY. She has lived in Palestine for more than two of the past six years, and is co-creator of Birthright Unplugged and Re-Plugged, Needle in the Groove, and Students Boycott Apartheid. In Brooklyn, Hannah works primarily with the New York Campaign for the Boycott of Israel (NYCBI) and the Palestine Education Project (PEP). She hopes to use library and archives skills to continue the search for 1948 and support the right of return for Palestinian refugees.

 

VIDEO + INFO: Jimi Hendrix: The Epitome Of A Legend | SoulCulture + Jimi @ Woodstock Concert

Jimi Hendrix (Nov 27, 1942 – Sept 18, 1970)

 

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Jimi Hendrix- Live at Woodstock '69

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Jimi Hendrix: The Epitome Of A Legend

September 18, 2010 by Chris Williams   

“There must be some kind of way out of here…” is the first lyric sung so prophetically by Jimi Hendrix on “All Along The Watchtower” recorded in 1970, the same year Jimi Hendrix passed away mysteriously. Regarded as one of greatest musicians to ever record, Saturday 18th September 2010 marks the 40th anniversary of his death in London, England.

James Marshall Hendrix, otherwise known to the world as Jimi Hendrix played his last show in the area of Soho located within the city of Westminster in late summer of 1970. Little did those people at that concert know it would be the last time we would hear something from the virtuoso guitarist and singer/songwriter.

Forty years after his passing, a multitude of  recording artists have come and gone having been inspired by his legendary stature. Contemporary artists across different genres speak on the brilliance of him as an influence and a pioneer to their own production methodologies.

After his discharge from the army in 1962, Hendrix set out to forge a path to become a musician. Between the years of 1963-1970, Jimi Hendrix left his indelible fingerprints on different genres of music. His first recordings were held with the iconic Sam Cooke, Jackie Wilson and other coterminous soul, R&B and blues artists as a backing band member on the TOBA circuit of the early 1960s. TOBA was an acronym for Theater Owners’ Booking Association and sarcastically known as “Tough on Black Asses” because the audiences were demanding of the performers. It was also widely known as the Chitlin’ Circuit and the very place where Hendrix enriched his playing style.

In early 1964, he was offered a guitarist position with the nonpareil group, The Isley Brothers, after winning first prize at the Apollo Theater for his playing talents. Later on that same year, he went on to record and perform with the incomparable Little Richard. Lasting through the end of 1965, he performed and recorded off and on alongside The Isley Brothers, Little Richard and other soul acts of the time period.

His band, The Jimi Hendrix Experience received their big break when his group was signed to a management and production contract in 1966. They released their first album, Are You Experienced, which featured the singles “Hey Joe” “Stone Free” “Purple Haze” and “The Wind Cries Mary.”

The singles were all UK Top 10 hits and were also popular internationally including Europe, Australia, New Zealand and Japan and Hendrix’s popularity grew instantaneously in Europe during this time and had yet to be embraced by the United States audience. Not until Paul McCartney of the Beatles recommended his group to the organizers of the Monterey International Pop Festival. It was here where his unsurpassed talent was on full display for many aficionados of pop music.

The group’s next two albums, Axis: Bold as Love and Electric Ladyland, were also well received by the public at large. Axis: Bold as Love embraced the stylistic approach of Are You Experienced, but Electric Ladyland went into a different experimental direction due to the vacancy left by Chas Chandler, Hendrix’s studio engineer.

Axis: Bold as Love spawned the hit “Little Wing” while Electric Ladyland contained monsters such as “Voodoo Chile” “Crosstown Traffic” and “All Along the WatchTower.” While recording Axis: Bold as Love, Hendrix had to record a solo album entitled Band of Gypsys due to a contractual dispute and the album was the only live album recorded by Hendrix during his lifetime.

His eclectic fashion sense came from his obsession with Bob Dylan. It was one of the many things that made him stand out from his contemporaries. He was also known for his stage antics by playing the guitar with his teeth and behind his back upside down. His musical voice and guitar style were exemplar, later imitated by others, but never duplicated. He left behind more than 300 unreleased recordings, which exemplify his unparalleled work ethic.

His career and death grouped him with Janis Joplin, Jim Morrison and Brian Jones, a group of profound 1960s rock stars who suffered drug-related deaths literally within months of each other. Circumstances around his death remain a mystery to this day.

One can only imagine the music they would have blessed the world with if they lived longer. Drug use and foul play have been the two theories that have reigned supreme over other justifications, but his death still remains unsolved.

To his credit, his creativity did much to further the development of the electric guitar, the hard rock, funk rock and heavy metal genres. His skill set and improvisation took blues and propelled it to even greater heights. His music has also had a great influence on the worlds of funk and Hip Hop, with many legends from each genre citing inspiration from his unquestioned genius.

Voted by Rolling Stone, Guitar World and a plethora of other magazines and polls as the best electric guitarist of all time, the icon is currently enshrined in the US Rock and Roll Hall of Fame and the UK Music Hall of Fame. With eleven studio albums released posthumously, Hendrix ranks 94th on the list of 100 best-selling music artists in US history and was awarded the Grammy Lifetime Achievement Award in 1992.

Jimi Hendrix, in life and in death, undoubtedly is the epitome of a legend.

 

 

VIDEO: VTech Exclusive Premiere: Bilal’s New Video “Is This Love” | The Sounds of VTech

VTech Exclusive Premiere: Bilal’s New Video “Is This Love”

 

FULL SCREEN
The Sounds of VTech / bilal_isthislove_web


On August 30th, 2010, a very special rendition of Bob Marley’s “Is This Love” was recorded in Los Angeles.

It was a very special day. Perfect weather, a studio reminiscent of  a studio in Capitol Records during the 60’s, a great cast of musicians… the stars aligned and this video was made.

Plug Research approached Bilal and Miguel separately with the idea of doing cover songs. Since they’re both friends and admire one another’s work, (Bilal performed at Timeless: Suite for MaDukes), it was a easy match.

It was Bilal’s idea to work on “Is This Love.” Miguel booked the talented cast of musicians, many he had worked with before, and wrote the basic charts. Bilal made sure to get the sound he was looking for.

A couple of songs were recorded during this session… So if you’re interested to hear how Bilal’s renditions of Soft Cells “Tainted Love” turned out, or even Portisheads “Strangers”… well you’ll just have to check back. But for now, enjoy Bilal’s rendition of Bob Marley’s “Is This Love.”

Airtight’s Revenge on Plug Research is Bilal’s first album in 9 years. Make sure to get a copy of it by clicking HERE.

Band:
Bilal (vocals)
Miguel Atwood-Ferguson (musical director, violin)
Om’Mas Keith (piano)
Dennis Hamm (rhodes)
Brandon Coleman (organ)
Marcel Camargo (guitar)
Gabe Noel (bass)
Gene Coye (drums)
Allakoi Peete (percussion)

Executive Producer: Tom Bacon
Produced By: Plug Research
Shot by: Greg Ponstingl and Denny Kim
Edited by Greg Ponstingl
Recorded by Benjamin Tierney
Mixed by: Benjamin Tierney & Miguel Atwood-Ferguson