VIDEO: Eric Roberson - 3 videos

Eric Roberson – “Still” | Video

July 10, 2010 by Tahirah Edwards Byfield  
Filed under Music Videos

 

Eric Roberson releases this emotive video to “Still”. Whenever I played this track in the past I found the lyrics so vivid that I could envisage what visuals would look like. The first half of the video plays out just like I’d imagined in my mind – the second half was even more impacting than I’d anticipated. “Still” is lifted from Music Fan First, one of my favourite albums from 2009.

 

“Still”

This is the new video from MusicFanFirst Entitled "Still". This video was directed by Chris & Blaq for Impakt Studios. www.impaktstudios.com. Also check out www.ericrobersonmusic.com, www.facebook.com/blueerrosoul, www.myspace.com/ericroberson, www.twitter.com/musicfanfirst

>via: http://www.soulculture.co.uk/blogs/music-blog/musicvids/eric-roberson-still-video/#

 

 

“Dealing” - featuring Lelah Hathaway

 

 

Freestyle

Eric Roberson Freestyles at Ask The Artist hosted by Fhena at Mocha Match Coffee Bar in Decatur, GA. July 27, 2007

 

PUB: Sonnet Contest

The Sonnet Contest Returns!

 

The 2010 New England Shakespeare Festival
Sonnet Award

To Benefit the New England Shakespeare Festival

$500 First Prize

Judge: R. Nemo Hill

Winners will be published in the Raintown Review, and will have a video clip of a Shakespearean Actor reading their poems posted here on the New England Shakespeare Festival website by Summer 2011.

Winners will be announced here on the New England Shakespeare Festival website by October 15, 2010.

 

1) Sonnets must be Shakespearean:
  • fourteen lines
  • ababcdcdefefgg rhyme scheme
  • basically written in iambic pentameter, variations and substitutions are permitted.
2) Submissions must be original and unpublished.
3) Writers may enter as many sonnets as they wish.
4) The entry fee is $3 per sonnet. Checks should be payable to "New England Shakespeare Festival."
5) Entries may be submitted using the Sonnet Contest Online Entry Form or via regular mail. If submitting by mail, send two copies of each poem. The author's name, address, telephone number and email, if available, should be typed on the upper left-hand corner of one poem. The other copy should include the poem, the title and the name of the contest only for anonymous judging. Please write "NESF Sonnet Contest" in the upper right-hand corner of each entry.
6) Minors may enter the contest, but a parent/guardian must sign and return the Parent/Guardian permission form. If submitting by mail, please include the form. If submitting online, please mail the form separately. Poems submitted by minors will not be considered until this form is received.
7) Entries sent by mail must be postmarked not later than August 1, 2010 and mailed to:

NESF Sonnet Award
C/O Stephen Scaer
111 East Hobart Street
Nashua, NH 03060

A printable version of the NESF Sonnet Award Guidelines can be found here.


 

The 2010 New England Shakespeare Festival
Rubber Ducky Sonnet Contest

 

Prize: A Shakespeare Rubber Ducky

 

The winner will be published on the New England Shakespeare Festival Website, and will have a video clip of a Shakespearean Actor reading their poems posted on the New England Shakespeare Festival website. The Rubber Ducky Contest is held in conjunction with the Shakespearean Sonnet Contest. Contestants are encouraged to enter both, but may enter either at their discretion.

The winner will be announced here on the New England Shakespeare Festival website by October 15, 2010.

The prize will be awarded to the most amusing poem that incorporates the phrase: "doting mallard" (Antony and Cleopatra, III.xi.).

 

1) Sonnets must be Shakespearean:
  • fourteen lines
  • ababcdcdefefgg rhyme scheme
  • basically written in iambic pentameter, variations and substitutions are permitted.
2) Submissions must be original and unpublished.
3) Writers may enter as many sonnets as they wish.
4) The entry fee is $3 per sonnet. Checks should be payable to "New England Shakespeare Festival."
5) Entries may be submitted using the Rubber Ducky Contest Online Entry Form or via regular mail. When submitting by mail, send two copies of each poem. The author's name, address, telephone number and email, if available, should be typed on the upper left-hand corner of one copy. The other copy should include only the poem, the title and the name of the contest for anonymous judging. Please write "Rubber Ducky Contest" in the upper right-hand corner of each entry.
6) The poem must contain the phrase "doting mallard."
7) Minors may enter the contest, but a parent/guardian must sign and return the Parent/Guardian permission form. If submitting by mail, please include the form. If submitting online, please mail the form separately. Poems submitted by minors will not be considered until this form is received.
8) Entries sent by mail must be must be postmarked not later than August 1, 2010 and mailed to:

 

NESF Rubber Ducky Sonnet Contest
C/O Stephen Scaer
111 East Hobart Street
Nashua, NH 03060

A printable version of the Rubber Ducky Contest Guidelines can be found here.


 

The 2010 New England Shakespeare Festival
Sonnet Contest
Student Category, for students through grade 12

 

$50 First Prize
Judge: Gordan Lang

 

The winner will have a video clip of a Shakespearean Actor reading the poem posted on the New England Shakespeare Festival website by Summer 2011.

Winners will be announced here on the New England Shakespeare Festival website by October 15, 2010.

 

1) Sonnets must be Shakespearean:
  • fourteen lines
  • ababcdcdefefgg rhyme scheme
  • basically written in iambic pentameter, variations and substitutions are permitted.
2) Submissions must be original and unpublished.
3) Writers may enter as many sonnets as they wish.
4) Students must be currently enrolled in a school, or have graduated no earlier than May 2010.
5) Entry to the student sonnet contest is free.
6) Entries may be submitted electronically using the Student Sonnet Contest Online Entry Form or via regular mail. When submitting by mail, send two copies of each poem. The author's name, address, telephone number and email, if available, should be typed on the upper left-hand corner of one copy. The other copy should include only the poem, the title and the name of the contest for anonymous judging. Please write "NESF Student Sonnet Contest" in the upper right-hand corner of each entry.
7) Minors may enter the contest, but a parent/guardian must sign and return the Parent/Guardian permission form. If submitting by mail, please include the form. If submitting online, please mail the form separately. Poems submitted by minors will not be considered until this form is received.
8) Entries sent by mail must be must be postmarked not later than August 1, 2010 and mailed to:

 

NESF Student Sonnet Contes
C/O Stephen Scaer
111 East Hobart Street
Nashua, NH 03060

 

A printable version of the Student Sonnet Contest Guidelines can be found here.

 

PUB: call for papers—Mothers and the Economy: The Economics of Mothering Conference

Motherhood Institute for Research and Community Involvement

CALL FOR PAPERS

 

The Motherhood Initiative for Research and Community Involvement (MIRCI)

presents:

Mothers and the Economy: The Economics of Mothering Conference

October 21-23, 2010, Toronto, Canada

 

We welcome submissions from scholars, students, activists, and workers, artists, mothers and others who work or research in this area. Cross-cultural, historical and comparative work is encouraged. We encourage a variety of types of submissions including academic papers from all disciplines, workshops, creative submissions, performances, storytelling, visual arts and other alternative formats.

 

EXTENDED DEADLINE: AUGUST 1, 2010

 

Topics can include (but are not limited to):

the economics of maintaining sustainable family systems; mothering, appropriate technology and economics; mothering and microcredit; mothering and economic activism; mothering and economic activism through the arts; mothering with reduced resources; social and economic supports for mothering; mothering within the neoliberal context; motherwork and valuation of motherwork, mothering and the economics of unpaid labour; mothers-as-providers, mother-led cooperatives; the effects of privatization/commodification on women; mothering and the economics of raising children with disabilities; the economics of maternal mortality rates; the “selling” of mothering and the economics of consumerism;  consumption and the marketing of mothering; the economics of reproductive technologies and surrogacy; structural adjustment policies and mothering; the financial implications for mothers of family law reforms and welfare state developments, the economic impacts of environmental degradation on mothering; quantifications of mothering/caregiving/parenting as a part of the base structure of the economic productivity of society; children as economic assets/burdens; the actual value of domestic/unpaid labour; motherhood and the gender pay gap, mothering and the feminization of poverty; mothering, occupational segregation and the wage gap; the impacts of economic globalization on mothering and kinship networks; the envisioning and articulation of more human-centered economic systems and policies to enhance mothering/caregiving practices; transformations of male breadwinner-female caretaker models; the economics of caregiving/parenting in nontraditional households; mothering and the “new home economics”; mothering, feminist economics and social justice; mothering and welfare policies; mothering and health care costs; the commodification of domestic labour; global and transnational motherhood, transnational families in the new global economy; the economics of the second shift; global care chains; mothering/caregiving/parenting and economic justice, motherwork in organisations; mothers’ economic transactions; mothers’ labour paid and unpaid; mothers in enterprise and mothers in alternative enterprise; mothers and non-monetary economic flows; mothers in the workplace; homeschooling mothers; mothers as consumers; mothers and Marxism; mothers and neo-liberalism; mothers in a capitalist economy; mothers in a diverse economy; mothers and food economies; mother’s milk and breastfeeding; the economic roles of mothers in undeveloped economies; the economic roles of mothers in non-Western cultures; mothering and economic subjectivity; mothers as alternative economic activists.

CONFIRMED KEYNOTE SPEAKERS:

Patrizia Albanese, author of Mothers of the Nation

Andrea Doucet, author of Do Men Mother: Fathering, Care & Domestic Responsibility

Martha Albertson Fineman, author of The Autonomy Myth: A Theory of Dependency

Eva Feder Kittay, author of Love’s Labor: Essays on Women, Equality, and Dependency
Bonnie Fox, author of When Couples Become Parents

Marilyn Waring, author of If Women Counted: A New Feminist Economics 

If you are interested in being considered as a presenter, please send a 250 word abstract

and a 50 word bio by August 1, 2010 to: info@motherhoodinitiative.org

One must be a member of Motherhood Initiative for Research and Community Involvement (MIRCI) 

to present at this conference. Membership will begin May 1, 2010.

 

Motherhood Initiative for Research and Community Involvement (MIRCI)

140 Holland St. West, PO 13022

Bradford, ON, L3Z 2Y5

www.motherhoodinitiative.org     info@motherhoodinitiative.org

PUB: Flash Fiction Challenge 2010

● Anyone may compete from anywhere in the world.

● There are a total of 4 writing challenges and everyone is guaranteed to participate in at least 2 challenges.

● In each challenge, writers have 2 days to complete a 1,000 word story based on an assigned genre, location, and object.

 

● In the 1st Round, all of the registered writers are divided into twenty groups.  Everyone participates in 2 writing challenges and are assigned points based on how high they place in each challenge.  The points are added up for both challenges, and the top 5 writers from each group advance to the 2nd Round.  Click here for more on the point system.

 

● In the 2nd Round, the 100 writers that advanced out of the 1st Round will be divided into 5 groups and will compete in the 3rd writing challenge.  The top 5 writers from each group will advance to the 3rd and final round.

 

● In the 3rd Round, the 25 writers that advanced out of the 2nd Round will participate in the final writing challenge.  They are assigned a new genre, location, and object and again have 2 days to submit a 1,000 word story.  The judges choose winners and they'll share in thousands in cash and prizes!

 

Feedback will be provided on all the stories submitted in each of the 4 challenges and a special review forum will be available for writers to post and receive feedback during the judging!

 

 

 

 

 

 

It's easy to register.  First, download the Official Rules and Participation Agreement for the Flash Fiction Challenge 2010.  Once you have read, full understand, and agree to the terms, you are ready to register by clicking here.  You will be taken to a secure site to fill out your registration information and pay your entry fee through PayPal.  The entry fee is US $39 until the Early Entry Deadline of July 8, 2010 and US $49 until the Final Entry Deadline of August 11, 2010.

 

 

 

Every registered writer has a great chance to receive feedback.

 

JUDGES COMMENTS / CRITIQUES: NYC Midnight provides judges' comments and critiques for every entered story in each challenge of the competition.

 

PEER REVIEW: During the judging, a special Review Forum will be available for the participants to submit their screenplays for review from fellow writers.  During the 2009 Flash Fiction Challenge, there were over 2,700 comments made on the 175+ stories submitted on the forum.  Click here to check out the forums.

 

 

  Early Entry Deadline July 8, 2010
  Final Entry Deadline August 11, 2010
  Challenge #1 August 13-15, 2010
  Challenge #2 September 17-19, 2010
  Challenge #3 October 15-17, 2010
  Challenge #4 November 5-7, 2010

 

 


Sign up for our newsletter and follow us on facebook and twitter to make sure you receive all of the competition udpates!

 

REVIEW: Book—You Don’t Play With Revolution: The Montreal Lectures of C. L. R. James | Political Media Review – PMR

You Don’t Play With Revolution: The Montreal Lectures of C. L. R. James

You Don’t Play With Revolution: The Montreal Lectures of C. L. R. James

Edited by David Austin
(AK Press, 2010)

Reviewed by Ernesto Aguilar

Renowned as an anti-colonial theorist, intellectual and political activist, C. L. R. James has written books that represent some of the most daring anti-capitalist works of the 20th century. He is best appreciated for pushing readings of Marx beyond what even Marx himself may have originally envisioned. Presentations on capitalism, Negritude and revolutionary strategy employed by Caribbean militants made James an arresting voice, his words at once coming with measured tones and scholarly authority. Through the book You Don’t Play With Revolution, editor David Austin advances some of the more fearless theoretical and practical ideas to the delight of anyone curious about a pragmatic idealist like James.

C. L. R. James came to political prominence in a period of important insurgencies, among which the Caribbean was a part. James, born in Trinidad, worked intimately with fellow travelers in the region and postulated a movement building theory that liberally built on Marx while expanding upon the colonial experience of the Third World. Austin, a journalist and writer who profiled James for the Canadian Broadcasting Corporation, presents James in letters, lectures and interviews as an organizer clear on the political moment at hand and eager to take it on. James writes warmly to compatriots about investing his time and energy into organizing resistance and winning elections. However, it is James as theorist that is You Don’t Play With Revolution’s real treasure.

What many readers will surely find fascinating are the ways James reviews Marx and his expositions on the legacy of Lenin. Though both men have immeasurably contributed to hundreds of movements, James offers a fresh understanding of them as people tied to practical realities of struggles in their day. Lenin, he reminds us, had faith in the Bolsheviks developing a world in which all workers had a say. Utopian indeed, as James effacingly concedes, but the alternative would be criticized as Trotsky’s abstractionism and then later be played out in Stalin’s pessimism in the potential for party members to achieve the socialist ideal. As Austin demonstrates, James threw his lot in with socialism, but his socialism had more in common with the October Revolution than totalitarianism. In discussing the Caribbean experience, James makes his view clear that capitalism in a postcolonial world will only lead to further divisions between haves and have nots, and converting the idea of free will into one controlled by markets.

Those familiar with key James works like Notes on Dialectics and The Black Jacobins will discover a thinker whose signature ability to tie the multi-disciplinary into common bonds of struggle is strong and present here. However, those intrigued by James’ skill as a political organizer long before the Internet made communication instant will be gratified to learn about the ways he believed work on the grassroots and beyond needed to be conducted, and how vast the positioning of ideology to activism needed to be to ensure victory. However, many can best soak in from You Don’t Play With Revolution the mind that influenced the ways we think and how we see our potential for freedom.

 

GULF OIL DISASTER: Burning and flaring of oil leaked into Gulf of Mexico draws growing criticism | NOLA.com

Burning and flaring of oil leaked into Gulf of Mexico draws growing criticism

Published: Friday, July 02, 2010, 7:20 PM

 

With controlled burns temporarily suspended on account of tempestuous weather, Gulf waters have had a reprieve lately from the roaring fires and billowing smoke plumes that, since late April, have come to overwhelm the oily seascape.

gulf_oil_burns.JPGView full sizePlumes of smoke from oil burns are seen near the site of the Deepwater Horizon oil spill in the Gulf of Mexico on June 19.   

But as fire teams prepare to resume their work, the burning and flaring of oil is attracting growing criticism from environmentalists who worry about the hazards it poses to wildlife and Gulf Coast communities. Some say that BP isn't investing enough energy in other methods of cleaning up the roughly 2.2 million to 4.2 million barrels of oil that have spewed into the Gulf of Mexico as of June 29, according to the latest estimates.

As oil continues to pour into the Gulf, the question of how to optimize cleanup efficiency while minimizing environmental risks is still up for debate. Even comparing the efficiency of different methods of cleanup is difficult.

About 670,000 barrels of oily water have been skimmed as of July 1st, BP says, but there's no telling what proportion of that is oil.

By comparison, controlled burns, also known as in-situ burns, have collectively removed 238,000 barrels of oil from the water's surface since they were initiated by the Coast Guard in late April. The burning has cleared up roughly 6 percent to 11 percent of the total spill volume -- an amount that exceeds the generally accepted estimate for the total amount of oil spilled during the 1989 Exxon Valdez incident.

But burning is fraught with complications. The crude that litters the Gulf is highly emulsified and depleted in hydrogen, which means it doesn't burn readily. In many cases, it's easier to skim it off the surface. For the oil to sustain a fire, it needs to be condensed to several millimeters' thickness -- a task accomplished by retrofitted fishing vessels that work in pairs, dragging a 500-foot line of fireproof boom between them in a narrow U-shaped arc.

gulf_oil_surface_burn.JPGOil is burned on the surface of the Gulf of Mexico a few miles from the site of the Deepwater Horizon disaster on June 16.   

On any given day, as many as 10 fire teams are on the water, corralling oil and setting it alight. As the fishing vessels move in tandem at a speed of less than 1 mph, oil at the water's surface pools at the apex of the U. When roughly one-third of the area encased by the boom -- anywhere from 500 to 1,000 barrels of oil in volume -- is filled, an igniter boat releases uses a flare to set fire to a plastic container filled with gelled fuel, which floats toward the pooled oil and eventually burns it.

The ships stay in motion as the fire blazes; slowing down would allow the oil to thin out and eventually extinguish the fire. They try to tow into the wind so the smoke blows away from the vessels, but they're not always able to.

Oil occasionally escapes beyond the boom and creates smaller fires outside the contained area, but the slicks die off themselves within a matter of minutes. The fire inside the boom burns two to three millimeters of oil every 60 seconds, rising as high as 100 feet and generating massive plumes of smoke in its wake.

The National Institute for Occupational Safety and Health, which has been monitoring air quality aboard responder vessels, has recommended that respirators be made available to all burn crew members. As it stands, not all fire team vessels are fully equipped, and crew members head inside the ship's cabin if the smoke gets too heavy.

"Based on the air monitoring we've done to date, we haven't had any situations where respirators have been required," said BP consultant Alan Allen. "We're in the process of determining the best way to [distribute respirators] that so that they have the option to wear masks."

Gulf Coast residents have requested that controlled burns only be conducted when the wind blows out, according to environmental consultant Wilma Subra, who works with the Louisiana Environmental Action Network. Allen says that hasn't been necessary because the in-situ burns occur 40 to 50 miles from the shore.

"If we were to do burns within 10 miles or so we would activate the SMART protocols," he said, referring to a monitoring program for burns and dispersants designed cooperatively by four federal agencies.

Data from the U.S. Environmental Protection Agency show that concentrations of airborne particles from controlled burns are higher than normal at two or more monitoring stations along the Louisiana coast. The agency is also monitoring concentrations of volatile organic compounds evaporating from the oil on the water's surface. It has classified the air quality along the coastline as "unhealthy for sensitive groups," at worst.

But some residents have complained about nausea, sore throats, burning eyes, and respiratory problems, and some try to avoid outdoor activity when the wind blows in. Some of the health complaints may not stem from oil burning, but from the oil's propensity to be churned by wind and waves into an aerosol that can blow onshore.

Subra says BP should cut back on in-situ burns and focus on skimming.

"If they can surround it by a boom they should be able to skim it rather than burn it," she said.

Critics also note burning can imperil wildlife. Last week, the Center for Biological Diversity filed suit against BP under the Clean Water Act, charging the company with burning endangered sea turtles alive in the course of its cleanup efforts. In response, the National Oceanic and Atmospheric Administration's National Marine Fisheries Service announced it would place a NOAA observer with each fire team to inspect oil corrals before they are ignited.

"You can't help but recognize, if we're collecting oil along the convergence line, the oil will be ideal for collecting but that may also be an area where there's a potential for turtles to gather," Allen said. "We go to great lengths...to try to avoid including that in our burn."

gulf_oil_q4000_drilling_rig.JPGView full sizeThe Q4000 drilling rig was photographed June 16 in the Gulf of Mexico at the site of the Deepwater Horizon disaster.  

Some oil is being burned using another method: flaring.

Only one of the two rigs collecting oil from the leaking well has the capacity to process and store the crude oil it captures. That ship, the Discoverer Enterprise, is connected to a cap that contains some of the gushing crude and feeds it to the rig through a riser. The Enterprise is able to isolate and burn the gas, store the oil, and pump the leftover water back into the ocean.

Its cohort, the Q4000, can't process or store the crude oil it collects. So the vessel burns both oil and gas through an "EverGreen" burner, said to provide a relatively clean burn by eliminating visible smoke emissions. Since it went into operation on June 16, the Q4000 has burned an average of 8,556 barrels of oil per day, totaling 119,780 barrels as of June 29 -- about half the oil burned thus far.

Burning oil aboard the Q4000 isn't harmless, says Subra, but it's far preferable to burning it off the water's surface. Gas flaring, meanwhile, is a waste of potentially usable energy, and further burdens the atmosphere with unnecessary greenhouse gas emissions, according to NOAA.

Together the Q4000 and the Discoverer Enterprise have flared more than 1 billion cubic feet of gas -- eight times the volume of the Louisiana Superdome. That's a significant amount -- it's more than 1 percent of the total amount of gas flared in the entire United States in 2008, according to satellite data collected by NOAA's Earth Observation Group.

BP plans to deploy a third containment vessel, the Helix Producer, but has thus far been foiled by the weather. Like the Enterprise, the Helix Producer would separate oil, water, and gas and flare off the gas. The Producer, scheduled to deploy Tuesday, is expected to increase oil collection by 25,000 barrels per day..

That can't come soon enough for critics of burning oil in-situ and aboard the Q4000.
"At least they're getting that material off of the slick and out of the water column," said Subra. "But there's still a long way to go before they recover all oil that's coming out of that well head."


Aimee Miles wrote this report. She can be reached at amiles@timespicayune.com or 504.826.3318.

 

 

HAITI: INFO + VIDEO—Haiti earthquake: six months on | feature | World news | The Observer

Haiti six months on

A view over Port-au-Prince showing damage caused by the Haitian earthquake.

Interactive video: Haiti six months on

What is life like for survivors of the earthquake now that the world's attention has moved on? Special report by Peter Beaumont andMustafa Khalili

Haiti earthquake: six months on

When the earthquake struck on 12 January, the poorest country in the Americas was devastated. The world rallied, but not for long – much of the promised aid has not materialised. And while their government falters, many of the 1.5 million displaced Haitians are still sleeping rough…

Watch a special multimedia report by Peter Beaumont and Mustafa Khalili on what life is like for survivors of the earthquake now that the world's attention has moved on

haiti
The devastation centred on Port-au-Prince, Haiti's capital and most densely populated area. Photograph: Peter Beaumont for the Observer

Six months after Haiti's earthquake, the smell of death has gone. For a while it was on every street corner, a powerful reminder of the estimated 222,570 Haitians who perished. The dozens of aftershocks have also slowly subsided over the months, in frequency and intensity. These days a kind of ordinary life is attempting to reassert itself alongside the ruins where people still dig for bodies or try to shift the mountains of debris. How many of the dead are still under the rubble is unclear. But even now the bodies, as dried out as mummies, are being extracted in ones and twos, attracting small crowds when they are found.

In Port-au-Prince women have returned to their old pitches to sell vegetables and jeans, chickens and car-phone chargers. Near the city centre, the yellow tiled floor of a demolished church has become a football pitch for the local boys. In the ruins of the capital's Catholic cathedral services now take place in the grounds.

Most of the 13,000 US troops who were dispatched to Haiti in the immediate aftermath of the disaster have gone, their mission ended on 1 June. The paratroopers from the 82nd Airborne, who helped keep order and guard food distributions, have returned to North Carolina. The hospital ships that provided medical treatment to thousands have gone back to their home ports. A few hundred soldiers remain involved in reconstruction projects or with helping to keep the docks that are Haiti's lifeline running.

The scores of aid agencies that were either based here before, or rushed to the scene of the catastrophe, are now in transition from emergency relief to more long-term projects supporting the population in everything from food to sanitation. There are big agencies like the UN and Médecins Sans Frontières, as well as church groups and tiny one-man bands. Cubans, Venezuelans and Israelis. Volunteers from Boston, London and Sydney. In the immediate aftermath the ranks of the International Medical Corps (IMC) were swollen by hundreds of volunteer nurses and doctors from across America, who came to work two-week long shifts to help Haiti's medical services cope with an estimated 300,000 injured. Now the IMC is scaling back its emergency effort to concentrate on the primary healthcare support it provided to Haiti's clinics before the earthquake occurred.

The camps for the 1.5 million who were displaced from 200,000 homes damaged by the disaster, have also been transformed. For most the nightmare of sleeping on the street is over. The simple shelters made from branches and bed-sheets have developed over the months into structures of scavenged wood that have filled up with plastic chairs and mattresses. Roads, alleys, whole neighbourhoods have been created. The new shanties occupy public spaces such as the Champ de Mars park in the centre of Port-au-Prince, close to the badly damaged Presidential Palace. They crowd in around the Neg Mawon, Albert Mangones's statue of the idealised slave-rebel of the liberation struggle. These new communities have proper latrines and market stalls at their fringes and, in the Champ de Mars, even a giant screen provided by the government on which to watch the World Cup. At night, under the lights, the residents listen to local music – racine and kompa – or American hip-hop, drink rum and play noisy games of dominoes. Some watch television inside their shelters.

My first visit to Port-au-Prince was a month after the earthquake, the first of three journeys made to follow the lives of ordinary people in the aftermath of disaster. On 12 January this year, at seven minutes to five in the afternoon, a new reality was carved out in the Americas' poorest nation. Even before the earthquake, three-quarters of this country lived on $2 a day or less. Unemployment and chronic underemployment stood at almost 70%. Haiti's economy was already in reverse; its growth falling in real terms from 3.4% in 2007 to minus 0.5% in the year before the catastrophe. Haiti had no state-supported healthcare: no food security other than that provided by international aid agencies. If the country was at zero on 11 January, it is at less-than-zero now.

Not all of Haiti was affected by the earthquake, large areas were left untouched. But it struck in densely populated urban areas, in and around the capital which, with its large satellite suburbs, is home to almost 3 million of the country's 9.8 million inhabitants. Even before the earthquake Port-au-Prince only had infrastructure to support 400,000. The citizens of this earthquake land continue to live with the consequences of disaster heaped upon disaster: houses destroyed or too dangerous to live in; rent inflation of up to 50% in available properties; sharp rises in food prices. Some had paid their rent a year in advance on 1 January. Their homes now destroyed, there is now no way of getting their money back. Their jobs and businesses have been destroyed. They have borrowed to survive from friends, from micro-credit companies and banks and from loan sharks, increasing already high levels of indebtedness.

On my first visit I go to the police station near the airport where the government has settled. Ministers sit at a long table on a raised dais participating in an apparently endless press conference shown on live television for the few who can watch it. As the months go on the government and the state, instead of being reimposed, retreats still further from the view of most Haitians. What ministries are accessible have nothing to say and precious little help or advice to offer.

By my third visit in June senior aid workers are complaining that there is still no plan for the country's reconstruction. It is a complaint endorsed by the US senate, which last month received a scathing report written by the staff of Senator John Kerry on the rebuilding of the country, describing it as "stalled" by a lack of leadership, disagreements among donors and disorganisation. The government was bad before, one senior UN official tells me wearily – now it has all but disappeared.

But, faced with the challenges of rebuilding, it is not only the government of René Préval, elected in 2006 and once popular with the poor, that has faltered. Pledges of billions of dollars in aid from the international community remain unfulfilled, with only a fraction of the more than $5bn promised so far delivered. The delivery of crucial building materials has also been delayed. The Interim Haiti Reconstruction Commission, set up under the chairmanship of former US president Bill Clinton, met last month for the first time.

The displaced in the camps have suffered most, condemned to a cycle of waiting without any visible end. Moise "Jerry" Rosembert is standing in front of a scrap of yellow-plastered wall with his spray cans. It is all that remains of a house. He thinks for a moment and then begins, with areas of ochre paint at first, and then blocks of white and blue and red. It is only at the end, as he sketches in outlines and detail, that it is clear to me what he is painting: an old man with a crying child wrapped in the Haitian flag. It is about "waiting" he explains. Jerry is Haiti's best-known graffiti artist.

In the immediate aftermath of Haiti's earthquake, his response – painted on walls across the capital – became the emblem for the nation. A map of Haiti, imagined as a crying face with a pair of praying hands, it demanded: "Please Help Us." Six months later Jerry's new mural speaks of a different anguish: an angry frustration widespread among Haitians that, despite the huge emergency response in the wake of the catastrophe and the promises of billions, they have been abandoned. A desperate place before the earthquake struck, despite the brief moment of international attention it has become more desperate still. The smell of death may be gone but Haiti is still dying.

Counting the cost: The devastation in numbers

■ Haiti is the poorest country in the Americas. Three-quarters of Haitians survive on $2 a day or less.

■ The population was around 9.8 million people before the earthquake.

■ The main industry is agriculture – coffee, mangoes, corn and sugar cane.

■ Almost half the population is illiterate

When the earthquake hit

■ The earthquake began at 4.53pm on Tuesday 12 January 2010. It registered 7.0 on the Richter scale

■ The epicentre was 25km southwest of the capital, Port-au-Prince. It affected an area where around 3 million people live.

■ It was the worst earthquake to hit the region for 200 years. The aftershocks continued for several weeks afterwards.

The aftermath

■ Almost 230,000 people were killed and 300,000 injured.

■ 250,000 homes were damaged. 19 million cubic meters of rubble need to be removed.

■ Most of Haiti's national landmarks were destroyed, including the Presidential Palace, the National Assembly and Port-au-Prince Cathedral.

■ More than 1,000 camps were set up for 1.5 million displaced people, including 300,000 children.

■ Emergency shelter tarpaulins laid side by side would stretch from Madrid to Moscow.

■ More than $5bn in aid was pledged by the US government, the World Bank and the European Union among others. Only a fraction of this has been received so far.

Gemma Kappala-Ramsamy

 

OSCAR GRANT: Oakland says Johannes Mehserle is guilty | San Francisco Bay View

Oakland says Johannes Mehserle is guilty

July 9, 2010

by Wanda Sabir

This protester carried an empowering reminder. – Photo: Wanda Sabir
It looked like what Louisiana must have looked like when the category 5 hurricane was confirmed and folks packed their stuff in their cars and got on the road headed away from New Orleans.

 

The only folks who stayed behind were those who were shut in, poor, uninformed or stubborn, but the issue is more complex than that. This before the levees gave and millions died, disappeared, dispersed … gone.

When I came home from New Orleans the week after Grant was killed, I thought about the New Orleans shooting that same night that took the life of another young father. Adolph Grimes III was shot 14 times by an undercover New Orleans police officer who did not identify himself. To date, this murder is unresolved, unlike the California movement around Oscar Grant’s case.

Just a little digression or should I say libation to another fallen soldier.

I was down at Frank Ogawa Plaza to pay a traffic ticket early Thursday afternoon when the first of a few text messages about the Grant trial verdict and phone calls about a rally at 6 p.m. came in. As I stood in the lobby to pay a couple of citations, the building began shutting down, employees exiting.

“The verdict is going to be announced at 4 p.m.,” a security guard announced as she waited on the phone for her other officers to check in for the final building sweep. I hoped my ticket wasn’t going up by the time the scare subsided. The natives were getting restless, so those who could ran home and locked their doors.

Something out of Hollywood as in “Tarzan” maybe? But this was Oakland, California, where Black folks are migrating to Antioch and Bay Point and Fairfield, even Sacramento.

What Black town? Oakland is no longer Africa, USA. Try Detroit (smile). Black Oakland is mythical, the stuff now of legends told to children who wonder what happened to Slim Jenkins and Ester’s Orbit Room, not to mention Geoffrey’s Inner Circle, the United Negro Improvement Association, the Black Panther Party’s Community School.

A friend of mine told me at her job the plan was to lock employees in if the verdict occurred while they were still there. No one would be able to leave or enter. I was like wow!

At 5:30 p.m., the freeways and BART were jammed with people fleeing downtown, leaving behind boarded stores and vacant streets. – Photo: Wanda Sabir
On BART – yes, I know, BART – it isn’t the transportation system; it’s the policy that governs its employees – police in that pool, as well. That is the problem.

 

On BART, some kids from a Berkeley summer program get on the train and while they are riding to a station where they can find space – they get on at a downtown station and ride back to 16th Street – a passenger updates chaperons on the Grant case and encourages them to get the kids back to their site as soon as possible.

It was like the bearer of this news was holding a ticking bomb about to go off between 4 and 4:30 p.m.

As I looked over the freeway lanes at cars pouring onto the interstates – the operative coda: get out of Dodge – the lanes were packed. It looked like 6 p.m. rather than 3:30 p.m. In San Francisco on the streets in the Mission District, the bustle wasn’t as noticeable. Oakland – think “bad boy” – was enough of an incentive for everyone elsewhere in the Bay Area to act right.

When I returned to Oakland on BART a couple of hours later, at 5:30 p.m., from my French lesson, the mood had shifted from employees running scared to vacated streets and boarded windows as far away as Ninth and Oak Streets. This mood was helped along by hundreds of uniformed police from the San Francisco Bay Area and beyond.

“I’d never seen so many police before,” Wanda notes. – Photo: Wanda Sabir
I’d never seen so many police before. A person I met at the speak-out said the call had gone out to law enforcement throughout Northern California, with Oakland police acting as escorts to these out of town armed guests. Talk about East Bay hospitality?! It certainly wasn’t extended to those citizens who failed to disperse after 8 p.m. when the permit expired for the speak-out.

 

A friend of mine, Tiyesha, was the stage manager at 14th and Broadway where, at 6 p.m., community was invited to share what was on their hearts. No one was censored and all views were respected, even the young man who said, “All police are not bad.”

The police moved in afterwards, I heard, to disperse the crowd, which it said was assembled illegally. I think it was more to keep the businesses safe, rather than the people still milling around.

Since when is it illegal for folks to get together when the U.S. Constitution guarantees our right to assemble peacefully? This permit business is new. When the Constitution was drafted, where does it say one has to have a permit? Permits cost money and often when one is emotional and caught up in the moment, the last thing on an American’s mind is: Oh my, I need to go get a permit before I can stand on this corner.

I always feel weird when I see how people have to let the government know that they want to assemble – take out permits, pay for stages, security. There is never an element of surprise, which means the government can make counter plans, which is what happened Thursday afternoon. The people were sitting ducks, outnumbered and outgunned – trapped on all sides, including air.

However, that didn’t make some folks shut up and sit down. Many people I saw earlier were arrested and are still locked up, 78 in total, like Jumoke Hodge and Walter Riley.

Where would this country be, how would those righteous laws and civil rights written into the Constitution and Bill of Rights have gotten there had citizens not challenged those carrying weapons?

Yet, then and now, a law is nothing but empty words if not actualized. This is what the movement is all about, claiming the mic and changing the channel.

Oaklanders don’t like being conned. The City-sponsored “rally” in Frank Ogawa Plaza was effectively boycotted in favor of the people’s speak-out a stone’s throw away at 14th and Broadway. – Photo: Wanda Sabir
Set up like an open mic event, people put their names on a list to speak for 2-3 minutes when their turn came up. Oscar Grant’s relatives in the Bay and childhood friends called for love and respect for life and each other, as they named the enemy: this corrupt judicial system that allows killers to go free. Well-known activists like Wilson Riles Jr. spoke along with others like a young woman who said her father and brother were killed in the streets before she was 17, but she didn’t let her grief keep her from completing high school and moving on with her life as she sought justice for the murder of her loved ones.

 

The circle was an opportunity to heal. In African traditional healing, the health of an individual is tied to the well-being of community. Everyone participates in the healing ceremony. Low-tech, the stage, a soapbox on a corner, people surrounded the speakers, stood shoulder to shoulder … breathing in a shared air. No one needed to be alone on a day like today. I wonder what the people were doing who sat fearful behind barricaded doors and windows in front of television sets or radios … as the armed militia stood in formation ready to attack.

There was a sharpshooter at the top of one of the higher buildings overlooking the assembly (look for the dot in the photo) and all along Broadway from 14th down to about Fifth Street police were staged as a red jeep drove between those assembled dropping off people and gear, perhaps checking in.

The verdict came much more quickly than expected, and these sign makers were furiously trying to meet the demand. – Photo: Wanda Sabir
I showed my San Francisco Bay View press pass to pass between 12th and Broadway, as the police line wasn’t letting pedestrians through in cars or on foot. The BART entrances were taped off. I asked my council person, Desley Brooks, what the plan was and she said the community organizers had a permit from 6 to 8 p.m. Later on, as I left with my friend Sidney Coulter (Wo’se House of Amen Ra), his daughter and Sister Venus Noble, whose two sons were shot, one fatally, as they were headed to a protest against the execution of Stanley Tookie Williams in 2005 – I noticed another rally in front of City Hall.

 

Just a handful of people were there. Donald Lacy was the emcee and as we passed by, he invited a pastor up to open the program with prayer. It didn’t make sense that Donald was at 1 Frank Ogawa Plaza ministering to a handful of people when he could have been on the corner of 14th and Broadway with the folks sharing his Lovelife story. He lost both a daughter and son to violence and like the child who spoke earlier at the Oakland Community Dare, he turned this tragedy into his life’s work.

The Shona tradition calls such healing circles “Dare,” while in KiKongo they are called “Mbongi.” Both have to do with dialogue, dreams and healing, where the elders and the youth – the community – come together and, as people pass the talking stick and share their ideas and feelings, the healing begins.

Health is not isolated, rather communal.

With all the guns and military apparatus surrounding us this afternoon, 14th and Broadway was probably the safest place one could have been. The speak-out, the rally, opened a space, provided an opportunity … a moment … a space … a peace … we need to replicate as the movement for justice and righteousness continues and safe houses or the Dare, as a concept, is something we need to secure as a part of the overall strategy as we move forward.

OPD stationed sharpshooters on rooftops. This one is looking (aiming?) down on the peaceable assembly at 14th and Broadway. – Photo: Wanda Sabir
As Congresswoman Barbara Lee said, echoed by Mayor Dellums a little later, the Mehserle verdict is just a first step. There are other appeals and other investigations that will be explored as the verdict is evaluated and found wanting. How can a murderer receive an involuntary manslaughter sentence, even with a weapon enhancement?

 

Revolution Books stated that if such a verdict holds it will signal to all arms bearing employees of the state – police – that they can kill and get away with it. And it will signal to citizens that when people we love are gunned down or killed, a “slap on the wrist is the best we can expect” (revolutionbooks.org).

As Grant’s mother said after the verdict, “First I thank God and I trust in him, that he is the final judge. The system has let us down, but God will never ever let us down. … The race is not given to the swift nor to the strong, but to the one who endures to the end. …

“We could not even get six hours of deliberation. And we have a new juror who came in who has not even probably reviewed the evidence with the other jurors. But the jury had already had their minds tainted.”

She then reflected on Dr. King’s statement regarding Black people one day being judged not by “the color of our skin but by the content of our character.”

Some protesters wore Oscar Grant masks. As Oakland has been saying for a year and a half, “We are all Oscar Grant.” – Photo: Wanda Sabir
“My son was murdered. He was murdered. He was murdered. He was murdered. My son was murdered. And the law has not held the officer accountable the way that he should have been held accountable. And I look at this, and I just say like my brother says to any other family that goes through this: Do not give up. Do not give up. Even though this system may fail us and let us down, God will never fail us, nor will He let us down. And I will trust in Him until I die.”

 

 

Wanda’s Picks Radio

On Wanda’s Picks Radio, Friday, July 9, 2010, we had a spirited and enlightening talk about Oscar Grant, the judicial system, his courageous mother and family and the support for a revolutionary movement for justice kicked off by the events of Jan. 1, 2009. Visit www.blogtalkradio.com/wandas-picks.

Bay View Arts Editor Wanda Sabir can be reached at wsab1@aol.com. Visit her website at www.wandaspicks.com throughout the month for updates to Wanda’s Picks, her blog, photos and Wanda’s Picks Radio. Her shows are streamed live Wednesdays at 6-7:30 or 8 a.m. and Fridays at 8-10 a.m., can be heard by phone at (347) 237-4610 and are archived on the Afrikan Sistahs’ Media Network.

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