GULF OIL DISASTER: Exxon Valdez Lawyer: Louisianans, 'To Use A Legal Term,' Are 'Just F--ked' + Overall Assessment

Sam Stein
Exxon Valdez Lawyer: Louisianans, 'To Use A Legal Term,' Are 'Just F--ked'
Oil Spill

Long after oil stops spilling from the Gulf and the ecological catastrophe caused by the spill begins to be cleaned up, the process of determining the extent to which BP owes the afflicted will be litigated in the courts.

And while the case against the oil company seems fairly clear-cut (BP admits, after all, to being responsible for the worst environmental disaster in U.S. history), a lawyer with perhaps the most relevant experience on the matter at hand is painting a depressing picture about the litigation ahead.

"[I]f you were affected in Louisiana," said Brian O'Neill, an attorney with the firm Faegre & Benson, "to use a legal term, you are just f--ked."

More than any attorney in the country, O'Neill personally understands the implications of that imprecise legal term. For more than two decades, he represented fishermen in civil cases related to the now second-most-damaging spill in U.S. history: the Exxon Valdez spill in 1989. And from it, he learned valuable lessons about how to sue an oil giant for the damages it has caused -- above all, to push for the best and plan for the worst.

"In Valdez we had 32,000 legitimate claims -- that was a lot," he said in an interview with the Huffington Post. "I think there will be more claims in this one."

"These big oil companies, they have a different view of time and politics than we do," he added. "The fact that BP hard-asses it a little bit for 5 to 10 to 15 years, despite all the bad publicity there may be between segments of society and BP as a result [of this spill]. Exxon sure weathered it really well. The market went up the next day for Exxon stock [after the settlement]. They just thrived despite treating an entire state poorly. And there is a lesson there for BP, and that is: it really doesn't matter whether you treat these people nicely or not. The only difference is if you extract oil. It sounds cynical but it might be true."

The similarities between the two crises are telling in many ways. When Exxon's ship hit Prince William Sound's Bligh Reef -- in the process, releasing an estimated minimum of 10.8 million gallons of oil into the water -- the company pledged (like BP has done now) that they would cover the entire cost of the cleanup and all legitimate claims of damages. Two decades of litigation and appeals resulted in punitive damages being reduced from $5 billion to $500 million.

The irony, as O'Neill tells it, is that the law Congress passed in the wake of that spill -- the Oil Pollution Act of 1990 -- may end up hindering the type of relief that Gulf residents can expect currently. Under that legislation, a $75 million cap was placed on economic damages that an oil company can pay as a penalty for a spill (this isn't true, O'Neill notes, in states that have passed their own liability caps -- of which Louisiana isn't one). Congress is currently trying to lift that cap. But there are constitutional questions about whether it can do so retroactively to cover BP.

"Constitutionally, I don't know whether you can do that. I don't know whether it is ex post facto," O'Neill said. "It will likely be challenged. I would, if I was representing BP."

There are other problems that the Exxon Valdez vet recognized when discussing the forthcoming courtroom battles for BP. There are questions, for starters, as to who actually can sue the oil company under the Oil Pollution Act law and whether, in fact, those 11 workers killed on the rig will have their settlements capped by the Death On the High Seas Act. Mainly, however, O'Neill is concerned over the pervasive influence that the oil industry has on all sector of governance -- which he predicts will weigh heavily on the legal process.

"This is more important than banks," he said. "This is oil. And at some point in time, the administration and the states will resolve all their dealings and it will leave fisherman and the tourist industry to resolve their differences in the courts. It could be another 20 years till then because BP [is] going to defend this like Exxon did."

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GULF DISASTER:

END OFFSHORE OIL DRILLING

NOW

This Web site is updated daily — check back for the most up-to-date information. (Last updated: June 12, 11:38 a.m. MST)

How big is the spill?
How fast is it spreading?

What species are threatened?
Who is responsible?
FAQ – dispersants (new)
What if a spill occurs in the Arctic?
Are oil spills inevitable?
How often do oil spills occur?
What can I do?

HOW BIG IS THE SPILL? 

BP initially asserted that 1,000 barrels of oil per day (42,000 gallons) were gushing forth from the broken pipeline. A May 27 estimate from federal government scientists placed the leak rate at between 12,000 and 19,000 barrels per day. On June 10, a government panel doubled its estimate of oil spewing from the BP well: 25,000 to 30,000 barrels (1.26 million gallons per day), but perhaps up to 40,000 barrels per day. The new estimate is for the period before BP cut a pipe on the ocean floor last week to install a new capture device, an operation that may have increased the flow by four to five percent. The BP disaster has already become the worst oil spill in U.S. history (at 1.26 million gallons, an amount equivalent to the Exxon Valdez disaster flows into the Gulf of Mexico every eight to ten days.) The spill is now the second worst world-wide accidental oil spill in history, but is rapidly gaining on the first, the Ixtoc oil well blowout in the southern Gulf of Mexico in 1979 that leaked 138 million gallons of crude. If the wellhead fails completely — which hasn’t happened yet — the spill rate could increase to 6.8 million gallons of oil per day.

On May 19, heavy oil landed for the first time on the delicate marshes near the mouth of the Mississippi River. On May 23, government officials announced that they were directing all water flows from diversions along the Mississippi River out to the Gulf in a desperate attempt to keep more heavy oil from entering the Mississippi Delta. Officials fear that once oiled marsh vegetation dies, the coastal islands and coastlines it holds together will disintegrate. That will accelerate Louisiana’s already serious coastal-erosion problems and obliterate key fish and wildlife habitat. 

Oil and oily debris have reached key bird breeding sanctuaries, including Raccoon Island and Breton National Wildlife Refuge. Oil-covered gannets, egrets, and brown pelicans have been found, and the refuge was closed to the public for safety reasons. The area provides key nesting and migratory stopover habitat for thousands of birds, as well as important fishery habitat. On June 1, heavy oil reached Alabama's white sandy beaches of Dauphin Island. The stench of crude permeates coastal areas, where it’s causing headaches, burning eyes, and nausea among the people who live there and more serious illness among cleanup workers. All in all, the spill has impacted 150 miles of coastline as of May 24, with more heavy crude on the way. Officials reported that an oil sheen had made its way just off the coast of Penscacola, Florida on June 1. Federal and state officials now plan to build miles of sand berms in an attempt to prevent more oil from reaching Louisiana’s fragile coast. Many worry, however, that building such berms could deplete the area’s sediment supply and undermine natural wetlands, rendering the area especially vulnerable to hurricane damage. 

Plugging one of the three leaks in BP’s crumpled pipeline has failed to slow the gush of oil, and BP’s next-best hope of drilling an adjacent well to relieve the pressure from the damaged well, so it can be capped, will not be complete until at least August. BP attempted to contain the spill with a giant steel box placed over the leaks, but put aside the effort after frozen gas hydrates clogged the funnel. On May 16, BP managed after several attempts to fit a tube into the leaking pipe. On May 20, the company reported that the pipe was capturing about 5,000 gallons per day. On May 26, BP began attempts to implement its “top kill” procedure, a method of plugging the well by pumping fluid similar to antifreeze up the pipe to stop the flow of oil, then capping it with cement. The procedure has never been tried in deep water and, if it fails, could blow failsafe systems and dramatically worsen the spill. Late on May 29, BP announced that the “top kill” method had failed.

On June 3, BP announced that it had successfully severed the leaking pipe and put in place a containment dome. By June 10, BP reported it had captured about 15,800 barrels the day before, but significant amounts of oil are still escaping. The amount of oil still spewing from the cut riser has some experts believing that BP’s latest attempt to kill the leak actually made it much worse. The federal government now admits that the leakage rate is likely at least 25,000 barrels — more than one million gallons — per day. Some experts estimate that if BP continues to hit snags in its efforts to stop the leak, it could keep gushing through next December. 

On June 4, 2010, Department of Homeland Security Chief Janet Napolitano and National Incident Commander Admiral Thad Allen sent aletter to Congressional leaders warning that the response effort was in danger of running out of money within two weeks and needed cash from the federal oil spill liability trust fund, financed by fees on oil companies. The letter said that as of June 1, federal agencies had already spent $93 million on the spill response, which BP has yet to reimburse. In comparison, in the first quarter of the year, the London-based oil giant's profits averaged $93 million a day. Florida Governor Charlie Crist on June 3 sent a letter to BP asking for $50 million, then on June 4 sent a letter asking for an additional $100 million to pay for evaluating water conditions and help scientists find ways to combat the threats to Florida waters and beaches. Florida has already received $50 million from BP.

HOW FAST IS IT SPREADING?

The most recent satellite images show that the various surface oil slicks and sheens believed to be associated with the BP spill may cover as much as 28,950 square miles (about the size of South Carolina). The surface sheen has stretched towards north toward the Mississippi Delta, west toward Port Fourchon, and southeast toward the Loop Current and western Florida. On June 1, the National Oceanic and Atmospheric Administration reported that southerly and southwesterly winds could push oil onto the shores of Mississippi and Alabama within days. Compare the size of the spill to your city.

Satellite images also indicate that oil has reached the Loop Current, which forms part of the Gulf Stream and flows between Cuba and the Yucatan peninsula and eventually exits through the Florida Straits. Oil and tar entrained in this current could make their way around the southern tip of Florida and the Florida Keys, and into the Atlantic Ocean all the way up to Cape Hatteras, North Carolina. The oil could foul beaches, mangroves, sea-grass beds, and coral reefs — all of which are crucial to coastal wildlife and economies. 

On May 21, scientists reported that an apparent natural shift in the Loop Current may move it away from the oil and offer Florida and the Atlantic coast at least a temporary reprieve from receiving more oil. Oil residue and tar balls have already been observed on Dry Tortugas, which lies west of the Florida Keys and similarly hosts an abundance of marine life. On June 3, the Coast Guard confirmed that oily sheen and tar had been found along several of the Florida Keys. The government tested the oil to determine whether it came from the Deepwater Horizon spill, and determined that it’s not likely from the oil spill. Oil sheen and tar balls from the spill, however, have washed up on the beaches of the Florida Panhandle. In addition, oil birds have started showing up on Texas beaches as of June 6. The Coast Guard now believes that the spill has spun off hundreds of thousands of smaller oil slicks, which are being spread in different directions by winds and currents.

See the National Oceanic and Atmospheric Administration’s daily map of the spill.

BP is flooding the surface and deep ocean with hundreds of thousands of gallons of toxic chemical “dispersants” in a desperate attempt to keep the visible surface slick in check. These chemicals bind with oil droplets so that they sink and become “dispersed” by currents. As of June 9, more than 803,000 gallons of dispersants have been applied on the surface and 368,000 gallons have been pumped deep into the water column in an effort to dilute the oil. The effects of using dispersants at such depths or in such enormous volumes have not been tested. Moreover, Corexit, the dispersant that BP is pumping into the Gulf, has been banned in the United Kingdom due to concerns that it posed too much harm to the marine environment. On May 24, the U.S. Environmental Protection Agency announced that it would require BP to reduce dispersant use on the surface by at least half, but would allow untested subsurface applications to continue. The agency said it was conducting its own tests of the toxicity of various dispersants after BP refused EPA’s order to switch to a less toxic brand. 

On June 2, the Center filed a notice of its intent to sue the Environmental Protection Agency for authorizing the use of toxic dispersants without ensuring that these chemicals would not harm endangered species and their habitats. The letter requests that the agency, along with the U.S. Coast Guard, immediately study the effects of dispersants on species such as sea turtles, sperm whales, piping plovers, and corals and incorporate this knowledge into oil-spill response efforts. On June 4, a federal panel of about 50 experts recommended the continued use of chemical dispersants to break up the oil gushing in the Gulf of Mexico, despite its harm to plankton, larvae and fish.Learn more. 

Much of the oil remains underwater. On May 16, reports revealed the discovery of enormous oil plumes deep in the Gulf. One of these plumes currently measures 10 miles long, three miles wide, and 300 feet thick. The plume has already sucked nearly one-third of the oxygen from the water surrounding it. On May 28, researchers announced they had found another deepwater oil plume about 20 miles northeast of the collapsed Deepwater Horizon rig. They believe that the 22-mile-long and six-mile-wide plume of oil droplets, hovering more than two miles below the surface, may have resulted from BP’s excessive use of dispersants. Scientists fear that, in addition to poisoning plants and animals at the base of the food web, the oil could cause oxygen levels to drop to levels that would create large “dead zones.” In addition, the submerged oil may end up settling on valuable coral formations in the Gulf, like the Flower Gardens. Scientists say it’s unlikely that any part of the Gulf ecosystem will escape the ill effects of oil and dispersants. On June 2, scientists reported that some of the underwater plumes appear to be located in the vicinity of at least two recently discovered deepwater reefs. At this point, it’s unclear whether oil has settled on these reefs yet.

Astoundingly, BP has flatly refused to help scientists gather the information necessary to determine just how much oil is really spewing into the Gulf ecosystem.

WHAT SPECIES ARE THREATENED?

The BP oil spill threatens some of the most productive — and fragile — marine ecosystems in the United States. About 25 percent of the nation’s wetlands lie in the Mississippi River Delta, providing habitat for nesting seabirds and resting migratory birds. The Gulf itself is home to dozens of threatened and endangered species, as well as commercially important fish, crab, and shrimp that provide much of the basis of the Gulf Coast economy. While the response to the oil spill has largely focused on stopping oil from reaching shore, the offshore ecosystem, from plankton to dolphins, will suffer devastating impacts. Endangered sperm whales and dolphins have been spotted passing through the giant slick — which, on May 7, hit critical habitat for the federally protected piping plover on the Chandeleur Islands. Oiled gannets and brown pelicans were the first victims discovered by response teams, and some recovered birds were released on May 10. On May 22, reporters observed heavy oil coating a pelican colony near North Breton Island off the Louisiana coast. The goo permeated mangroves and had soaked birds and their eggs. By June 7, heavy oil had soaked the Queen Bess Island pelican rookery, a nesting site that has been essential to the recovery of brown pelican population. Experts worry that the spill could set back the Louisiana state bird’s recovery from near-extinction.

The timing of the spill could not have been worse. Imperiled species including the Atlantic bluefin tuna, Kemp’s ridley sea turtles, loggerhead sea turtles, piping plovers, and sperm whales are flocking to the Gulf right now to spawn, migrate, and feed. For many of them, there’s nowhere else to go. As of June 11, federal wildlife officials reported that 351 sea turtles, 296of which were dead, and 39 marine mammals (mostly dolphins, almost all of which had already died) had been collected on or near the shore. Necropsies are being performed to determine whether their deaths were oil-related. Wildlife rescuers have collected 1,183 birds; tragically, 679 of these birds had already died. Many more birds have been oiled as heavy crude continues to seep into the coastal marshes.

The state of Louisiana has identified 210 birds, reptiles, amphibians, and mammals likely to be affected by the spill — including about a dozen threatened and endangered species. Another 445 fish and invertebrate species will also be impacted. No estimate exists yet as to the number of corals and plants such as sea grass and wetland vegetation likely to be covered in oil. This area of the Gulf is home to abundant communities of deepwater corals, which may be smothered directly by sinking globs of oil or indirectly by water robbed of oxygen by oil and dispersants. One recently discovered species, the pancake batfish, could be snuffed out by the disaster. On land, the approaching hurricane season could bring storms that would push the oil into inland freshwater wetlands.

Numerous species of seabirds, dolphins, and sea turtles have been spotted struggling through the oily muck. Dead seabirds, including gannets, herons, and brown pelicans; sea turtles, jellyfish; and fish are being found on the shores of Louisiana, Mississippi, and Alabama. Shoals that are favored by spawning blue crabs, a vital food source for Kemp’s ridley sea turtles and a staple of the regional economy, are awash in oil. On May 15, Louisiana closed shrimping grounds in state waters after fishermen reported that their catches were contaminated with oil. On May 25, the federal government declared a fishery disaster in Louisiana, Mississippi, and Alabama due to the oil spill. On May 28, the federal government expanded the Gulf fishery closure to include a large area of oil-sheen patches crossing the eastern edge of the current boundary, as well as an area currently outside the southern boundary that a small portion of the sheen is moving toward. As of June 8, the closed area covers 78,264 square miles — nearly one third of Gulf waters.

A pod of endangered sperm whales that resides in this area of the Gulf is believed to be present and feeding on squid in deep water. The whales’ food may well be contaminated with oil and dispersants. While no one knows how profoundly this tainted food may affect the population, scientists say that the death of just three sperm whales in one year could deal a harsh blow to the species’ chances of survival.

On May 24, the Center petitioned the federal government to protect bluefin tuna under the Endangered Species Act, pointing out that the few adult tuna that make it past the gauntlet of longlines back to their Gulf spawning grounds are now threatened by oil and toxic dispersants. Smalltooth sawfish, another critically endangered species, also face grave threats should oil continue to move into their coastal habitats.

Read more about threatened species and see a map of the spill and nearby critical habitat.

WHO IS RESPONSIBLE?

1. The Bush administration. The oil-drilling lease was sold to BP by the George W. Bush administration in 2007 under its 2007-2012 Five-Year Offshore Oil Drilling Plan.

2. The Obama administration. The actual exploratory drilling was approved by the Obama administration on April 6, 2009.

Within days of the 2009 approval, the Center for Biological Diversity and its allies won a court order vacating the Bush Five-Year Offshore Drilling Plan. Rather than use the court order as a timeout on new offshore oil drilling to develop a new plan, Interior Secretary Ken Salazar filed a special motion with the court to exempt approved oil drilling in the Gulf of Mexico. He specifically identified BP’s operation as one that should be released from the vacature.

In July 2009, the court agreed to Salazar’s request, releasing all approved offshore oil drilling — including the BP operation — from the vacature.

3. BP. BP has the worst environmental and safety record of any oil company operating in America. Even after the 2005 Texas City Refinery blast that killed 15 people, BP has continued to rack up safety violations. Despite the dangerous nature of all offshore oil drilling and BP’s own egregious safety record, BP’s exploration plan downplayed possibility of a spill, repeatedly asserting that it was unlikely or virtually impossible. Amazingly, Secretary Salazar’s Minerals and Management Service approved BP’s exploration plan without any consideration of the environmental consequences of an oil spill.

4. The oil industry and its political backers. The Gulf crisis shows that the glib safety claims of the oil industry cannot be trusted.

There’s no way guarantee that a massive oil rupture will not occur. And if one does occur, there’s no way to contain it quickly and fully enough to avert unacceptable environmental damage. Ultimately, it’s the inherently dangerous nature of offshore oil drilling that led to this disaster. That’s why the Center is calling on the Obama administration to 1) revoke its 2010 decision to open up Alaska, the eastern Gulf of Mexico, and the Atlantic Coast to offshore oil drilling, 2) revoke all leases to drill off Alaska, including those held by Shell Oil, 3) not permit any new offshore drilling anywhere, and 3) transition the nation away from fossil fuel so the pressure to continue offshore oil drilling dissipates.

WHAT IF A SPILL OCCURS IN THE ARCTIC?

The Gulf of Mexico has by far the largest, best-equipped, most experienced oil spill-containment system in the nation. It has hundreds of experienced volunteer fishing boats at its disposal. The water is warm year round and relatively calm except in hurricane season. Wildlife rehab and cleanup crews have access to a road system in close proximity to much of the shoreline. Yet with all these advantages, the government and the oil industry are unable to contain the spill.

Imagine what would happen if a similar spill occurred in the Arctic — 140 miles from land. In subzero temperatures. With miles of sea ice to hack through, ship-killing icebergs in all directions, and darkness for 20 hours a day in the winter.

It would be a disaster many magnitudes worse than what we’re suffering in the Gulf of Mexico.

There’s no way to clean up a massive oil spill in the broken-ice conditions that prevail in these Arctic areas for much of the year. In fact, the ice-free drilling season is so short in the Arctic — July to early October — that leaking oil from a similar accident there could continue to gush for an entire winter while efforts to drill a relief well were necessarily postponed.

In a huge victory for the Arctic, on May 27 President Obama announced he wouldn’t allow Shell Oil to conduct exploration drilling in Alaska’s Beaufort and Chukchi seas this summer — but we don’t know what will happen next year. In fact, Obama has proposed to open up both the Chukchi and Beaufort seas to additional offshore oil drilling in coming years.

It’s imperative that drilling never goes forward to prevent an Arctic oil-spill catastrophe that could be even worse than the Gulf disaster, threatening the polar bearPacific walrusringed, spotted, bearded, and ribbon seals; cetaceans like the  North Pacific right whale, thebowhead whale, and the Cook Inlet beluga; migratory birds; and many other species.

ARE OIL SPILLS INEVITABLE?

Yes — as long as offshore oil drilling exists. We can and should improve spill prevention technology, but no technology will ever be 100-percent effective. The oil industry, Department of the Interior, and oil-state politicians told us for years that oil drilling in the Gulf of Mexico was completely safe. BP refused to even consider the effects of a catastrophic leak in its drilling plan because it said the likelihood was too remote to imagine. The Department of the Interior agreed, approving the plan without even conducting an environmental review. They were all wrong.

If we drill for oil offshore, we will suffer oil leaks. Many will be small, some big, and occasionally, one will be catastrophically large, like the one in the Gulf.

HOW OFTEN DO OIL SPILLS OCCUR?

Oil spills happen every single year. Year in, year out. Large spills happen every few years, from the 1969 offshore oil-platform catastrophe that dumped 3 million gallons of oil into the Santa Barbara Channel to the April 6, 2010 spilling of 18,000 gallons of oil into the Gulf of Mexico’s Delta National Wildlife Refuge — from a ruptured BP pipeline — to the current cataclysmic spill.

Indeed, the U.S. Minerals Management Service cavalierly assumes that nine large oil spills and 600 small oil spills will occur in the Gulf of Mexico as a result of its 2007-2012 program.

Click here for a timeline of major spills in the Gulf and other U.S. waters.

WHAT CAN I DO?

It’s easy to feel helpless as 1 million gallons of oil spew into the Gulf of Mexico per day with no end in sight.  At the same time, this is our opportunity to stop offshore oil drilling once and for all. You can get involved to save the Gulf, the Arctic, the global climate, and the oceans and all their inhabitants — learn how to take action now and get up-to-the-minute info on the Center’s Twitter page.


Deepwater Horizon explosion photo courtesy U.S. Coast Guard

 

>via: http://www.biologicaldiversity.org/programs/public_lands/energy/dirty_energy_development/oil_and_gas/gulf_oil_spill/index.html

VIDEO: Fat Freddy’s Drop - Live @ Amoeba Music, San Francisco 11-18-09 (Full Set Video) > from All The Way Live

Fat Freddy’s Drop stopped by Amoeba Music in San Francisco on their first ever U.S. tour leg of California last year.  We now have the full video of their set courtesy of the good folks at Amoeba.  Hit the jump to watch the full concert and be sure to get their new release, Live @ The Roundhouse (Available here).

Setlist:

  1. The Raft
  2. Ray Ray
  3. Flashback
  4. Roady
  5. Midnight Marauders
  6. Shiverman

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PUB: Earth Vision Nature Writing Contest

The Earth Vision nature writing contest 2010

short fiction, creative non-fiction, poetic prose, or poetry

 

First Prize $500

Two Second Prizes of $100 each

Entry fee $12 (US)

 

Entries are now invited for the EV 2010 Nature Writing contest. The deadline for receipt of

entries falls on October 15 2010.

 

The EV nature writing contest is held to support the cause of writing on the subject of nature and

deep ecology. Any outstanding proceeds support the EV project.

 

First prize: $500.

Second and third prizes: $100 each.

Two (or more) honorable mentions.

 

This contest is open to any writer in English producing an original short piece of fiction, creative

non-fiction, poetic prose, or poetry on a theme of nature, deep ecology, spiritual ecology, or any

work that has some element of nature woven into it.

 

Submissions can be published or unpublished material, length to range

between 500 and 2500 words per entry (poetry can be smaller). One title per

entry, you can enter as many times as you like, new entry fee to accompany

each entry.

 

Winners will retain all rights, and will be invited to post their entries on the

Earth Vision website.

 

The judge for the EV 2010 Nature Writing contest is Ann Palmer, who received an honorable

mention in 2007, and won in 2009. Her biography and what she’s looking for in the entries for

the 2010 contest are below.

Nasastockphotos.com

Firstpeople.us

 

How to enter.

 

The entry fee is $12 (U.S.), which please pay through the donation link at

www.evbooks.net

 

There is no form for this contest. Please email your entry to

plyons.gress@tiscali.co.uk as either a Word, or PDF document, entering “EV

contest” on the subject line of your email attaching your entry. In a separate

attachment include the title of your entry, your contact and author information,

plus a short biography of not more than 500 words. Please ensure the attachment containing

your entry does not contain your name or contact details; this enables anonymity for the

judging.

 

Only winning entries will be notified. Entries will not be returned. Winners will be posted by

November 15th.

 

To view past winning entries visit the Contest Winner page at

http://www.evbooks.net/contest.htm

 

About the judge…..

Ann Palmer (pictured) is a U.K. based writer with an international publishing

record that includes novels, short stories, poetry, a musical play and nonfiction.

She's taught Creative Writing all her life, with the emphasis on

creative, though she also worked as a journalist for 10 years. Recently, her interest in accessing

the imaginative and Right Brain methods generally led her to write a non-fiction book which is

due for publication by Studymates in 2010: Writing and Imagery: how to deepen creativity and

improve your writing. Ann runs Right Brain workshops at Britain's longest running Writers

Summer School – Swanwick in Derbyshire, England.

Ccconserv.org

Pdphoto.org

 

and what she is looking for in your entries

Anyone who writes about nature deepens their relationship with the Earth. This is organic

empowerment; a gift, a thank-you, from the Earth itself. It is a wonderful experience to wrestle

with words until they yield an expression of feelings and imagination uniquely your own. It

seeds a coming-home in heart, spirit and soul. So you go on a roll, led by passion, originality

and your own sense of right connection with nature.

 

The guidelines for this competition are also nature's own. A seed-idea that not only looks good

but feels good – it has so much energy for you it wants, begs, to grow. Alternatively you may be

attracted to a graft onto an old reliable rootstock still bursting with life and potential. That

rootstock can take you back into history – drawing off other nature writers or artists who started

out on a trail you happily pick up on and take further. Or, like the nature of grafts themselves,

the very rootstock gives you the inspirational juice to create something completely new.

Follow up by giving it some space so the seed-idea deep-roots in your mind while you nurture its

growth. Ninety per cent of the time nature offers us sense-based models of balance, beauty,

expansiveness, colour, diversity, flow and harmony. Tune into them as you summon the

celebratory fire-energy; that inner sunrise. When you want your own words to sing – stark and

simple or rich and resonant – choose the best instrument you own; the music, beat and rhythm

of your own heart.

A wild dolphin playing with the judge

PUB: Teachers & Writers Collaborative - Bechtel Prize

The 2010 Bechtel Prize

Since 2004, Teachers & Writers Collaborative (T&W) has honored the author of an exemplary essay on literary arts education with the annual Bechtel Prize. Submissions for the award address important issues in creative writing education and/or literary studies.

The 2010 Bechtel Prize will be judged by Phillip Lopate. Lopate has written three personal essay collections, two novels, two poetry collections, a collection of film criticism, and Being with Children, a memoir of his work with T&W as a writer in the schools. He is the recipient of a John Simon Guggenheim Fellowship, a New York Public Library Center for Scholars and Writers Fellowship, two National Endowment for the Arts grants, and two New York Foundation for the Arts grants. He holds the John Cranford Adams Chair at Hofstra University, and also teaches in the MFA graduate programs at Columbia, the New School and Bennington College. Lopate serves on the T&W Board of Directors.

The essay selected to receive the Bechtel Prize appears in Teachers & Writers magazine and on the T&W website, and the author receives a $1,000 honorarium. Honoraria totaling $500 are shared by the authors of entries selected as finalists for the prize, which may also be published in Teachers & Writers.

Possible topics for Bechtel Prize submissions include contemporary issues in classroom teaching, innovative approaches to teaching literary forms and genres, and the intersection between literature and imaginative writing. The previous winners of the Bechtel Prize can be found here.

Selection criteria for the Bechtel Prize include the essay’s relevance and appropriateness for readers of Teachers & Writers magazine, most of whom teach at the elementary, secondary, or postsecondary level. Teachers & Writers publishes work that is concise, lively, and geared to a general audience. Prospective entrants for the Bechtel Prize are encouraged to review a sample issue of Teachers & Writers to familiarize themselves with the magazine’s style. Click here to order a sample issue of the magazine for $5.00.

The submission deadline for the 2010 Bechtel Prize is 5:00 PM (Eastern), Wednesday, June 30, 2010. Please refer to the submission guidelines below for additional information.

2010 Bechtel Prize Submission Guidelines
  • Entry fee: $20 for each entry (make checks payable to Teachers & Writers Collaborative). Each fee entitles the entrant to a new one-year subscription to Teachers & Writers or a one-year extension of a current subscription. Please indicate your choice and include a complete address for subscriptions.
  • Submissions should relate to creative writing education and/or literary studies.
  • Submissions must be previously unpublished and under 5,000 words in length.
  • Submissions must be typed, paginated, and double-spaced.
  • Submissions will be judged anonymously. The author’s name and address must not appear anywhere on the essay/article.
  • Two copies of the entry must be submitted. One copy should include a cover page with the following information: the author’s name, mailing address, e-mail address, telephone number, the title of the submission, and where the author learned about the Bechtel Prize. The other copy should include a cover page with only the title.
  • Authors of the Bechtel Prize winner and finalists must permit T&W to publish their submissions in Teachers & Writers magazine. The winner must permit T&W to publish the essay on the T&W website. T&W reserves the right to edit the submissions for publication.
  • Please mail entries to The Bechtel Prize, Teachers & Writers Collaborative, 520 Eighth Ave., Ste. 2020, New York, NY 10018. Entries may be delivered to T&W between 9:00 AM and 5:00 PM, Monday through Friday. Submissions will not be accepted via e-mail or fax.
  • Submissions must be received by 5:00 PM (Eastern), Wednesday, June 30, 2010.
  • Submissions that do not conform to the above guidelines will not be reviewed for the Bechtel Prize.
  • Submissions will not be returned to the authors.

Questions regarding the Bechtel Prize should be directed to bechtel.

via twc.org

PUB: First Crime Novel Contest

First Crime Novel Competition 

Rules for the 2011 Minotaur Books/ Mystery Writers of America First Crime Novel Competition

Sponsored by St. Martin's Minotaur and Mystery Writers of America (MWA)

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1. The Competition is open to any writer, regardless of nationality, who has never been the author of a published novel, as defined by the guidelines below, (except that authors of self-published works only may enter, as long as the manuscript submitted is not the self-published work) and is not under contract with a publisher for publication of a novel. Only one manuscript entry is permitted per writer. 

2. All manuscripts submitted: a) must be original, previously unpublished works of book length (no less than 220 typewritten pages or approximately 60,000 words) written in the English language by the entrants; b) must not violate any right of any third party or be libelous, and c) must generally follow the guidelines below. 

 

GUIDELINES
a. Murder or another serious crime or crimes is at the heart of the story.
b. WHAT CONSTITUTES PREVIOUSLY PUBLISHED: For the purpose of this Competition, previously published material includes the publication or distribution of the entry, in part or whole, in paper or electronic format or in any other medium, including self-published works. This does not include a chapter excerpt on an author's website, subject to the conditions that: (i) the excerpt is the only text that exists for public viewing; (ii) the excerpt is not for sale to the public, and (iii) the number of words in the excerpt does not exceed 10% of the total number of words in the work as a whole.
(The decision of the Competition's judges as to whether or not a manuscript qualifies will be final.)

3. Nominees will be selected by judges chosen by MWA, with the assistance of the editorial staff of Minotaur Books, and the winner will be chosen by Minotaur Books editors on the basis of the originality, creativity and writing skill of the submission. The decision of the editors as to the winner of the Competition will be final. Minotaur Books reserves the right not to select any winner if, in the sole opinion of the editors, none of the manuscripts submitted are of publishable quality. 

4. An attempt will be made to notify the Competition winner, if any, no later than March 31, 2011. The winner will then be recognized at the Edgar Awards Banquet in New York City in April 2011. 

5. If a winner is selected, Minotaur Books will offer to enter into its standard form author's agreement with the entrant for publication of the winning manuscript. After execution of the standard form author's agreement by both parties, the winner will receive an advance against future royalties of $10,000. THE WINNER WILL NOT RECEIVE ANY OTHER PRIZE AND WILL NOT RECEIVE ANY PART OF THE ADVANCE UNTIL THE STANDARD FORM AUTHOR'S AGREEMENT HAS BEEN EXECUTED BY BOTH PARTIES. Those terms of the offer not specified in the printed text of the Minotaur Books standard form author's agreement will be determined by Minotaur Books at its sole discretion. The entrant may request reasonable changes in the offered terms, but Minotaur Books shall not be obligated to agree to any such changes. Minotaur Books may, but will not be required to, consider for publication manuscripts submitted by other entrants. 

6. All requests for entry forms must be received by Minotaur Books at the address below by November 13, 2010. DO NOT SEND MANUSCRIPT SUBMISSIONS TO MINOTAUR BOOKS. For copies of these rules and to request an entry form, please send a stamped, self addressed envelope to: 

Minotaur Books/MWA Competition
St. Martin's Minotaur
175 Fifth Avenue, 18th Floor
New York, New York 10010

Each entrant will receive an entry form containing the address of the judge to whom he or she will send his or her manuscript. Entries must be postmarked no later than November 30, 2010 and received by judges no later than December 15, 2010 and must include: 

a) A double-spaced and neatly typed copy of the manuscript (photocopies are acceptable), with pages numbered consecutively from beginning to end.
b) A letter or cover sheet containing the name, address, email address and telephone number of the entrant and the entrant's previous writing credits, if any.
c) The application form, duly completed, and a self-addressed letter-sized envelope for our response.
d) A digital copy of the manuscript either burned to a CD or saved to a disk as a Microsoft Word document. All disks and CDs should be marked with the author's name and the title of the manuscript.

*Each entrant must keep a copy of the manuscript for his or her own protection. Minotaur Books will not be responsible for lost, stolen, or mislaid manuscripts. Because of the great volume of submissions we receive, the fact that judges are volunteers with full-time responsibilities elsewhere, and the fact that most writers now have the work in their computers, manuscripts, CDs and disks will not be returned. Please do not send return postage or envelopes for return of your manuscript. 

  1. No critical evaluation or commentary will be offered by the judges or the editorial staff of St. Martin's Minotaur unless, in the sole opinion of the editorial staff, evaluation or commentary is appropriate in the case of a manuscript being considered for publication. 

8. This Competition is void where prohibited or restricted by law. 

*It is important that you submit your manuscript as early as possible. Our judges are volunteers who are extremely busy with their primary concerns, and it is inevitable that your submission will get a more careful reading if the judge does not have to contend with a flood of last-minute entries. However, it is not necessary to send it the most expensive way. We judge on-time delivery by the post-mark or equivalent, not by the date the judge receives the manuscript. 

Good luck!

INFO: Chimurenga Online

Chimurenga Vol. 15: The Curriculum is Everything
(may '10)


What could the curriculum be – if it was designed by the people who dropped out of school so that they could breathe? The latest issue of Chimurenga provides alternatives to prevailing educational pedagogy.  Through fiction, essays, interviews, poetry, photography and art, contributors examine and redefine rigid notions of essential knowledge.

Presented in the form of a textbook, Chimurenga 15 simultaneously mimics the structure while gutting it. All entries are regrouped under subjects such as body parts, language, grace, worship and news (from the other side), numbers, parents, police and many more. Through a classification system that is both linear and thematic, the textbook offers multiple entry points into a curriculum that focuses on the un-teachable and values un-learning as much as its opposite.

Inside: Amiri Baraka waxes poetic on the theoretics of Be-Bop; Coco Fusco flips the CIA’s teaching manual for female torturers; Karen Press and Steve Coleman instruct in folk-dancing; Dambudzo Marechera proposes a “guide to the earth”; Dominique Malaquais designs the museum we won’t build; through self-portraits Phillip Tabane and Johnny Dyani offer method to the Skanga (black music family); and Winston Mankunku refuses to teach.

Other contributors include Binyavanga Wainaina, Akin Adesokan, Isoje Chou, Sean O’Toole, Pradid Krishen, E.C. Osundu, Salim Washington, Sefi Atta, Ed Pavlic, Neo Muyanga, Henri-Michel Yere, Medu Arts Ensemble, Aryan Kaganof, Khulile Nxumalo and Walter Mosley amongst others. Cover by Johnny “Mbizo” Dyani.

 

OP-ED: The Rap about Gold diggers > from Womanist Musings

Thursday, June 10, 2010

Kola Speaks: “The Rap about Gold diggers”

image Egyptian-Sudanese-American novelist and poet Kola Boof has been an agent for Sudan’s SPLA and was the National Chairwoman of the U.S. Branch of the Sudanese Sensitization Peace Project.  She has written for television and her many books include, “Flesh and the Devil,” “Long Train to the Redeeming Sin,” “Nile River Woman” and “Virgins In the Beehive.”  She blogs at Kola Boof. com

As the wife of a Black millionaire, bestselling author and mom Kola Boof lets it rip about gold diggers and the Hip Hop community’s double standards on denoting who is and is not one. 
___________________

Everybody’s been in Kim Kardashian’s mouth.  Just as Ray J. stated in a recent television interview, that’s her claim to fame.  And Kim Kardashian’s men, Black as they want to be, have to be rich enough to afford her—yet there’s no song on Black American radio that disses and degrades her.  To the contrary, she’s written about as though we’ve been descended upon by Elizabeth Taylor.

O.J. Simpson’s famously dead wife, Nicole, was an uneducated “waitress” that he purchased Breast Implants for—then married and put in a five million dollar mansion. But there was never any song castigating her for being a skank and gold digger. Jennifer Lopez rose from a Solid Gold dancer and got all her breaks in life by sleeping with successful Black men who could further her career (Keenan Ivory Wayans, Sean Puffy Combs)…at which point…she took her “stardom created by the Black Community” over to White man Ben Affleck, then to her Puerto Rican husband’s bed; mission accomplished! Kimmora Lee Simmons, a rather pretentious phoney that I “viciously” slapped in the mouth several years ago—supposedly because I’m jealous and bitter about her Cabbage-Patch Face; Bread Box Shaped Body and don’t forget—her spectacularly flat ass, girdle-controlled tummy and butt pad supported photo shopped Ebony magazine layouts—started her gold digging in the African-American community, where she knew her failed Chinese model status would command top dollar.  No Black officials greeted her with the words “skank” and no rappers berated her skin complexion or accused her of being a gold digger—as they did the singer Usher’s dark skinned self-employed Black millionaire wife. 

Kimmora married Black hip hop Tycoon Russell Simmons, declared herself a “black woman” (as anyone in America can do at will; the Black Americans are ex-slaves and have no standards) and eventually launched a clothing line using Russell’s money he made off the Black Community (purporting this to be a “talent” in Essence Magazine); then after being dumped by Simmons for a more exotic even less Black-looking bombshell; tacked herself onto Djimon Hounsou (who, of course, I’m jealous that she stole from me; sarcasm intended).  For this new gig, Kimmora had a baby despite the fact he wasn’t about to marry her—and, in my opinion anyway, dutifully produced the “lighter baby with good hair” as a holiday mascot for his skin-bleaching minions back in Benin, West Africa.

Fuck Kola Boof! (Oh he will sugar, he will).

Of course—nobody in the “Hip Hop Culture” refers to women like Gary Coleman’s White wife or Kobe Bryant’s video hoochie turned wife—or Kobe Bryant’s “rape accusing” Blond in Colorado with the SPERM of three men on her panties—as “bitches, Ho’s or gold diggers.”  Black men just don’t disrespect the White Man’s Mother like that.  

A few years ago, Kanye West and Jamie Foxx had a huge hit with a song about Gold diggers. This caused, at last, a music video that focused on beautiful child-bearing age Black women—the Black Man’s mother. At the end of the song Kanye announced, “I’m going to leave you for a White Woman!” And all of Black America and the White Pop music world laughed, applauded, cheered and drove the song to #1 on the charts—despite the fact that almost none of today’s rich and famous Black men being exploited for their money are getting bilked by Black women.

It was a totally different reaction than Marilyn Monroe, Betty Grable and Lauren Bacall got for starring in the 1950’s gold digging blockbuster “HOW TO MARRY A MILLIONAIRE”—an all blond Hollywood celebration of beautiful women’s right to be paid “at the altar” just for being bombshells.  And there’s tons of other films that cheer and celebrate the entitled White gold digger from “GENTLEMEN PREFER BLONDES” to Sigourney Weaver and Jennifer Love Hewitt’s affectionate comedy “GOLD DIGGERS”—to all those celebrated Larry King Live and Anna Nicole Smith tabloid weddings. Amazingly, no one ever writes songs berating these types of women for marrying ugly rich men old enough to be their ancestor.

For beautiful Black women who want to be the rich man’s bombshell wife, however, it’s a whole multitude of double and triple standards.

Thirty years of rap stars, Black, White and Latino have singled out the Black man’s mother as “an innately born gold digger” and “nagging shrew” unworthy of love or respect as a woman.  The message on nearly every single CD is that Bitches and Ho’s (which is how the Black Man’s mother is openly referenced on the public radio or at cookouts in the back yards of Black households in the United States) are to be used as sex mules; suitable for freaky sex, preferably discarded afterward and routinely impregnated.

You’re just a punk (according to many in Hip Hop culture) if you even think about taking her to a candle lit dinner or reading poems about her majestic dark shimmering face. 

If you study songs recorded over the years by T.I., Polow da Don, Young Berg, Dr. Dre and even Jay Z…the lightness or darkness of said Black female’s skin is what these men encourage young boys to use for measuring how soon said Black Woman is to be discarded after receiving her 2-Live-Crew inspired beast fucking.  On those same CDs by artists like Polow da Don, T.I., Young Berg and even early Jay Z, you’ll find songs celebrating Mixed-race Brazilian girls; the prized “Biracial” beauty; the European Hottie—but the slutty things these women do in the lyric are related with affection and not rapped about in a contemptuous hateful manner as when the subject is a “brown girl” or “Sista girl.”  Even the “Red Bone” songs are no longer complimentary.  High Yellow-skinned Negro women who once denied Colorism, benefitted from it and looked their noses down at Real Black Women are now beginning to get the Dark girl treatment in lieu of the White or Mexican fantasy she was always the “stand in” for in the first place.  But skanky whorish gold diggers or not, the White and White-like colored women are promoted by Black men as “wife” material.

Whatever you think about me writing this commentary; I’ve already heard it. I’ve heard it all my life. Dark skinned women like me deserve to be on the bottom of the food chain and we’re just “bitter and jealous” if we dare raise issue with the double and triple standards.

It simply isn’t true.

I’ve had the most wonderful Black Man on earth love me, marry me and give me two beautiful sons (granted, he’s not American, but he’s still a Black Man).  My ex-husband became a millionaire five years after we married, and we were together for ten, so no one can claim that I was a gold digger. Additionally, I’ve dated my own share of rich and famous Black Men.  So I know that beneath the veneer of California’s Colorstruck sun-brine, the phenomenon of Black on Black love defiantly exists.  I’ve had a plethora of interracial relationships as well. Yet still, most often in my life in America, I experienced what the majority of Black women experience; a kind of “color coded target practice”—Black men asking me if I’m dark skinned or light skinned over the telephone…Black men hyping me up to think I have a chance with them; taking advantage of our eagerness to love them, which many times includes food and living space by way of working class and inner city Black girls who often financially support and harbor unemployed Black men for years.  And of course the endless Camel Shit about how being enslaved and raped hundreds of years ago by White invaders was in fact a “love affair” that Black (slave) women enjoyed and not the result of a brutal slave culture.  Therefore, the attitude goes that modern Black women don’t deserve to heal and be happy and that they owe Black men a supernatural loyalty based on all that power and freedom these nappy Cotton patch goddesses wielded and shared with the White man back in the Black Queen’s good old slavery days.

A friend of mine on Twitter named Shine (@nativenotes) claims that it’s not fair to make this case regarding “Black men’s tolerance of Non-Black Gold diggers” using high profile Black men—“they’re not us” he claims. But I know multitudes of Black male Waiters, Lawyers, bookstore owners, Professors, Afrocentric gurus, traffic cops, bus drivers, security guards, bankers and dentists—and it’s the same story on every class level—they break their backs to wine and dine anything that’s lighter than Tapioca while disparaging, exploiting and publicly condemning any woman who looks like their Mother, or symbolically, the Black man’s mother. We won’t even get on the African-looking woman; our real true blood berry and original Mother.  The hatred turned on her “deep dark skin, thick features and nappy hair” is proof positive that more than half of Africans worldwide has a grave waiting for them in hell.  There’s no way that God created a whole race of women to be scorned, hated and lied on like this. There’s also no way that Black people can rationally “explain away” or “look the other way” any longer.

White women think that I hate them. But I honestly don’t.  I idolize and love dozens of White women. I have love and support from many of them in my real every day life. There are several that I call family and am grateful for.

But in a general, National sense—there is also enormous justified resentment on my part. And I have the right to that resentment; to honor and respect it.  Anyone who disagrees can get on their knees and ask God if I give a damn (there’s a good chance you might not get back up).  Because I do not ask permission to feel what I know is true.  Unlike the majority of Black American women I know, I feel enormous “entitlement”—the same sense of entitlement that White, Other and Biracial women seem to naturally exhibit. I am beautiful, brilliant and powerful.  I expect to have the best and to be treated equally.

So when White women make the claim that we are “Sisters”—then deny that Colorism exists or that they benefit from White Supremacy often more than White males do; or that Black men have a specialized historical contempt for their Blackness which translates to an epidemic rejection of his own seed—that’s when I know that we’re not sisters. When White women, Latino Women, Asian women and all other “light brite flowing haired” so called Women of Color join in applauding National images of Black men spitting on the image of their own mothers—then I know that we are not sisters.  When White Women say that it’s not important that Black children be born, that mixed babies are prettier and more valuable than Black babies and that “any child” can be Black—that’s when I damned sure know that we’re not sisters.

When all you can do in the face of my degradation is “feel sorry for me”—then I know that we’re not sisters.  That is no part close to God—feeling sorry for someone. Either you believe in justice and equality or you don’t.  And the fact is most females are selfish and just as greedy and self-serving as men are; so in the midst of the White Feminist “sisterhood” speeches, the Black women’s sassy cum intelligent Oprah-like passivity and the White and “Other” women’s soothing “sympathetic” blank stares—nothing ever changes; the hierarchy stays the same.  The biracial woman is sent forth to act as a kind of “less threatening” Black image, but in reality, regardless of what she wishes to exhibit, her light image ends up reiterating that Whiteness is superior by virtue of her being something other than Black.  In other words, no matter what the society says, she’s not really Black.  She’s an “extraction” of Blackness (like Vanilla extract or Rum extract)—an extraction that Whites/Others can claim credit for whenever it’s convenient for them.

Biracial American women take this as a rejection, but it’s not a rejection of them.  It’s just the truth about Post-Colonial/Post-Slavery society and how, ultimately, their lightness is used against authentic Black women. 

Worse than all that—Black American women mistakenly think they have a stake in the establishment here.  Though they have nothing to lose by completely rebelling against the social boxes (Christianity; our sons; her slave history; sexism’s male privilege; Islam)—they actually lose more and more of their genetic authenticity with each passing decade, because they’re still serving the larger plantation. As much as the Black woman is hated, she’s the one upholding and passing on the stereotypes about her inferiority and lack of human reproductive value.  She doesn’t know how to fight back, and despite being famous for a “smart mouth,” she’s too intimidated to rock the boat…or compete. Her main obstacle is the Black man, because in general, he doesn’t give a shit what happens to her and she doesn’t have the courage to kill him off and giving birth to him over again—she’s no longer the Tulat Queen.  And since she’s never cultivated and demanded her own unique physical “right to be” (a completely Black; un-mixed aesthetic)—she is unable to assert or have anyone (including Black men) back her image as a viable competitive brand amongst the rest of America’s garden.  She only challenges the gaping lie that she is inferior via “sound bites” and “rants”—rarely significant tangible action.

What would be “significant tangible action”? Ten thousand Black women throwing “saved bloody tampons” at BET headquarters and chanting “Kill BET!” would be tangible action.  Ceasing to purchase hip hop music that even suggests you aren’t being affirmed and celebrated would be tangible action.  Ceasing to support videos and films that don’t perpetuate and flatter our public image would be tangible action.

The Black American woman is big and bad enough to shank me, her adopted African daughter, but not brave enough to SHANK the Black Man and White America.  She makes excuses “Well it’s not all of them”…”I don’t want to be seen as bitter and evil”…she can fight for the Black Man to be respected as a man…or fight for her “son” against racist police…but it’s too painful for her to fight only for herself or her daughter’s image when those same sons casually spit back in her face or dismiss her valid complaints as bitterness.  

Many Black American Female Scholars, Writers, Feminists and Public figures have a serious problem with Kola Boof. They feel that I’m obnoxious, out of control and that I exhibit a threatening attitude. To them, I’m an Uppity African woman—a flamboyant attention seeker.  And I say Camel shit!  What I speak…is pure fucking truth.  And I speak my truth for the love of these Black American women (symbolically, daughters of my womb, Africa); I speak it on behalf of my own womb; my people’s authentic African beauty and my children’s right to exist and exist as themselves—Black children. I speak my truth because….I am not a Nigger.  White America and Black America can take that however they want—but truly; you cannot dismiss truthful people as merely “bad attitudes,” “Angry,” “frauds” and “jealous nutcases” just because the breath of God is upon you.

And though quite a few Black American Scholars, Writers and Feminists will not be able to accept the following admonition…I say it anyway and I say it loud…I don’t have to be nice!

That’s a huge part of the problem, the silencing of the rage in Black girls by elder Black women who basically instruct us to stay in our places as we wait for change to come…and from where, I don’t know.  It damned sure isn’t coming from Oprah Winfrey, the Church or nice, safe apologetic India.Arie.  “You don’t want to be seen as angry”…”you can’t act ugly and expect people to care about you” (we won’t be cared about anyway, so where is the loss?)…but we never told Martin Luther King or Malcolm X that shit.  Men have a right to rebel against their oppression and mistreatment.  The room gets silent with respect when males refuse to be demeaned and hated on.

Somehow, I don’t believe that Harriet Tubman or Joan of Arc would tell me that I have to be nice about the color-based double and triple standards that pervade American culture.  Standards that are now, slowly but surely, are infecting African culture.   Just this week, we’ve got Gary Coleman’s White Wife (who looks like a life sized Chuckie Doll; not an angelic White savior) pimping his death by selling hospital photos and pitching a T.V. movie before there’s even been a funeral. Let’s see if the Hip Hop community will produce a rap song about that typical trick-ass White bitch!  And let’s see how many White women purporting to be our “sisters” will cheerfully dance to it.

Yes, America. My Egyptian Sudanese-American ass is out here in sunny California producing Black babies and teaching them all kinds of “Kola” nut wisdom.  You have to admit, I’m as hard as any rapper you’ve got—so how come you don’t like bopping your head to my profane Kola messages?  Well, as we say in Sudan….bana/banu! (I came to stay).  And whenever you feel like you want to kick Kola Boof’s ass—just get in line, take a fucking number and wait your turn.

 

INFO: The Questions Education Reformers Aren’t Asking > from Truthdig

The Questions Education Reformers Aren’t Asking

http://www.truthdig.com/dig/item/questions_education_reformers_arent_asking_20100318/

Posted on Mar 19, 2010

 

HAITI: In Search of (Grass)Roots > from Tande

In Search of (Grass)Roots

 

The New York Times’ most recent story about Haiti summarizes the current situation of growing dissatisfaction and impatience with the little progress that has been made five months after the earthquake. This atmosphere that political scientist Robert Fatton describes as a period of “perilous stagnation,” has descended upon Port-au-Prince and surrounding areas is highlighted by people’s increased frustration with the Haitian government and major non-governmental organizations. Among the organizations that have dominated coverage of relief work are The Red Cross and the United Nations both of which has received thousands in donations towards relief work.

Yet untold numbers of grassroots organizations are also at work in Haiti, some that were created long before and some that have sprung up since, organizing locally since the earthquake. Mainstream media sources in the United States have rarely mentioned this type of local organizing initiated by activists and every day Haitians. Despite this inattention that we find in conventional news sources, there are many examples of people organizing as individuals and in groups and using their networks to do so. I am devoting this post to looking at a few of these in the hopes that people will follow the work that they are doing and look for more information about the different types of organizing taking place on the ground.

As an organization that addresses the issue of violence, KOFAVIV the Commission of Women Victims for Victims, is a coalition of survivors of different forms of violence who have joined together to advocate for victims of violence and affect change by educating and preventing future violence. The group, which lost about 300 members in the earthquake continues to organize out of dire necessity. Members have taken the protection of women and girls in the tents into their own hands, setting up watch in the night or accompanying people on their way to the latrines. This type of intervention has become necessary due to the lack of protective measures and the ineffective procedures offered by the police and MINUSTAH. Today Malya Villard-Appollon, a member of KOFAVIV, will testify before the United Nations Human Rights Council in Geneva along with lawyers from MADRE and the Institute for Justice and Democracy in Haiti. As she herself has stated, Villard-Appollon heads to Geneva with the following goals: “We want to tell the Human Rights Council that the systems for protecting women in the camps are broken. We get no protection from the police, or the peacekeepers. We feel we do not have access to the rooms where decisions about our safety are made. We need the support and commitment of the international community.”

Papaye Peasant Movement (MPP), based in the Central Plateau, is a peasant movement for a sustainable economy and participatory democracy. Since the earthquake MPP has been instrumental is responding to the vast numbers of people leaving Port-au-Prince to resettle in more rural areas. Among the efforts they have taken on since the earthquake, there is the provision of food for people in the hospital in Hinche as well as the provision of food to assist peasant families taking in survivors, and the creation of a shelter to be run out of the Papaye training Center. Because MPP has a long history of grassroots organizing they have been well positioned to respond to the new needs coming out of the earthquake. 

Many of these groups have a history of local organizing that precedes January 12, 2010, while others have been formed in response to post-earthquake needs. Biwo Doleans Sosyal was started by the staff of Bibliothèque Soleil in Carrefour-Feuilles. Bibliothèque Soleil is a community library that was started by Haitian author Pierre Clitandre and his daughter Nadège Clitandre, in order to empower and invest in the youth of Carrefour-Feuilles. The purpose of Biwo Doleans Sosyal, which emerged as an outgrowth of Biblotheque Soleil, is to offer emotional support to those in the Carrefour-Feuilles area who lost loved ones in the earthquake, as well as provide them with other types of assistance. Most notably, this Biwo Doleans has initiated a documentation plan, creating oral histories by documenting the stories of what people were doing as the earthquake happened and what they have been doing in the aftermath. This important step demonstrates how solidarity can translate into the creation of history.

Similarly, the students of the Ciné Lekol in Jacmel, have also turned to history making—using their training to document the footage of the quake as well as the stories of people affected by it. The Cine Institute Recovery and Reportage Blog is devoted to using visual imagery and cinema to document the devastation from the earthquake as well as the reconstruction process. The work of Ciné Institute highlights the role of art as a form of advocacy and memory preservation. Through the use of film, the Institute has gone from being a center for education to becoming a movement for educating others in the aftermath of the earthquake.

Another group of women that have joined together in Port-au-Prince to create change is Plateforme des femmes citoyennes, a coalition of women’s organizations whose goal is to lobby for the inclusion of women’s needs in the rebuilding process. The coalition carries on intentionally in the spirit of the work begun by Myriam Merlet, Anne-Marie Coriolan, and Magali Marcelin three Haitian feminist leaders who perished in the earthquake. This group is a reminder of how devastating loss can transform into new opportunity. By harnessing the energy of those committed to honoring the legacy of what was lost, Plateforme des femmes citoyennes is a reminder that women’s movements did not end with the earthquake.

There have also been transnational efforts likewise centered around women such as Poto Fanm + Fi , a global solidarity initiative made up of women’s rights advocates from Haiti and in the diaspora in order to “to support the needs, voices, and leadership of Haitian women and girls, and grassroots organizations in Rebuilding Haiti.” Poto Fanm was responsible for creating a “Gender Shadow Report” of the official PDNA in order to account for some of the gaps concerning women and girls and to offer solutions for how to account for their future needs in the reconstruction process as well as to advocate for women’s leadership and incorporation.


The grassroots nature of Haitian activism goes as far back as the Revolution (1791-1804) when slaves organized themselves to topple slavery and begin a nation from the bottom up. In many ways grassroots are an integral part of our Haitian roots. The wide-ranging responses by both established and newly formed organizations demonstrates Haitians' ability and constant commitment to effecting change in innovative ways. Besides these organizations there are countless individuals who organized in their neighborhoods to pull people out from underneath rubble, to establish places for shelter from the rain, to provide for medical, health, and food needs of those around them. Indeed, grassroots organizing at its best simply means taking matters into one’s own hands to get something done from the bottom up.

RMJC