This morning I woke up at 5am and while trying to fall back into REM sleep, I happened to catch this interview on Alternative Radio. Not only did it inspire me to stay a wake for another hour,I also found myself fascinated by Amiri Baraka’s interview with college students in Boulder, Colorado. Amiri taught the the students and us listeners about revolutionizing the arts, power of words, power of the vote, organizing in the arts, most importantly revolutionizing the political systems through arts.

Amiri Baraka rose to fame in the 1960s as LeRoi Jones. His 1964 off-Broadway play, “Dutchman” created a sensation. Later he became Amiri Baraka and was a central figure in the Black Arts movement. He is an award-winning playwright and poet and recipient of the American Book Award for Lifetime Achievement. He is a member of the American Academy of Arts and Letters. He is the author of many books including “Home” and “Digging.”

Baraka lives in Newark with his wife and author Amina Baraka; they have five children and head up the word-music ensemble, Blue Ark: The Word Ship and co-direct Kimako’s Blues People, the “artspace” housed in their theater basement for some fifteen years.

His awards and honors include an Obie, the American Academy of Arts & Letters award, the James Weldon Johnson Medal for contributions to the arts, Rockefeller Foundation and National Endowment for the Arts grants, Professor Emeritus at the State university of New York at Stony Brook, and the Poet Laureate of New Jersey

From Allen Ginsberg to Kurt Vonnegut and from Bob Dylan to Michael Franti artists have been on the cutting edge. The arts play a pivotal role in society. The great historian Howard Zinn said: “Whenever I become discouraged I lift my spirits by remembering: The artists are on our side! I mean those poets and painters, singers and musicians, novelists and playwrights who speak to the world in a way that is impervious to assault because they wage the battle for justice in a sphere which is unreachable by the dullness of ordinary political discourse. The billionaire mandarins of our culture can show us the horrors of war on a movie screen and pretend they are making an important statement. But the artists go beyond that, to resistance.”