Frantz Fanon
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Documentary on Frantz Fanon. Before Amos Wilson,Frances Welsing, Joy DeGruy, and countless others, Fanon wrote studied and articulated our modern day colonial existence which still goes on.
The Fanon Symposium:
Remembering the Life and Work
of Frantz Fanon
October 4 and October 6-7
The Sonja Haynes Stone Center for
Black Culture and History
The University of North Carolina at Chapel Hill
A commemoration of the 50th anniversary of the passing of Frantz Fanon and of the publication of Wretched of the Earth
With Keynote Addresses by Mireille Fanon-Mendés France and Ranjanna Khanna
The University of North Carolina’s Stone Center will host a special commemoration marking the 50th year anniversary of the death of cultural and political icon Frantz Fanon.
This 3-day event is a commemoration marking the 50th anniversary of cultural and political icon, Frantz Fanon.
The symposium kicks-off with a screening of “Frantz Fanon: His Life, His Struggle, His Work.” Frantz Fanon, a Martinique-born psychiatrist, theorist and activist, became an unlikely spokesperson for the Algerian revolution against French colonialism in the 1950′s. Fifty years after his death, this documentary reveals the short and intense life of one of the great thinkers of the 20th century.
The Stone Center will host a keynote presentation on October 6 at 7pm with Mirelle Fanon Mendes-France, joined immediately after in conversation and discussion with Professor Linda Carty, Associate Professor of African Studies, Syracuse University.
The program continues on October 7 with panel discussions throughout the day with visiting scholars as well as UNC and other local area faculty.
For more information, or to register for the Fanon symposium, please visit our Facebook event page or email, fanonrsvp@unc.edu.
Click Fanon Symposium Schedule for a complete schedule of sessions and panelists.
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Heroic Africans
Legendary Leaders, Iconic Sculptures
September 21, 2011–January 29, 2012
Accompanied by a catalogue and an Audio Guide
This major international loan exhibition challenges conventional perceptions of African art. Bringing together more than one hundred masterpieces drawn from collections in Germany, Switzerland, Belgium, the United Kingdom, Portugal, France, and the United States, it considers eight landmark sculptural traditions from West and Central Africa created between the twelfth and early twentieth centuries in terms of the individual subjects who lie at the origins of the representations. Analysis of each of these considers the historical circumstances and cultural values that inform the artistic landmarks presented.
The works featured are among the only tangible links that survive, relating to generations of leaders that shaped Africa's past before colonialism, among the Akan of Ghana, ancient Ife civilization and the Kingdom of Benin of Nigeria, Bangwa and Kom chiefdoms of the Cameroon Grassfields, the Chokwe of Angola and Zambia, and the Luluwa, Hemba, and Kuba of the Democratic Republic of the Congo. Harnessing materials ranging from humble clay, ubiquitous wood, precious ivory, and costly metal alloys, sculptors from these regions captured evocative, idealized, and enduring likenesses of their individual patrons whose identities were otherwise recorded in ephemeral oral traditions.
The exhibition opens by posing the question: Who are the individuals that the most gifted artists of their respective times and cultures depicted for posterity? Over the centuries across sub-Saharan Africa, artists memorialized for posterity eminent individuals of their societies in an astonishingly diverse repertory of regional sculptural idioms, both naturalistic and abstract, that commemorate their subjects through customized aesthetic formulations. The original patrons of such depictions intended for them to act as concrete points of reference to specific elite members of a given community. For over a century, however, isolation of those creations from the sites, oral traditions, and sociocultural contexts in which they were conceived has led them to be seen as timeless abstractions of generic archetypes. On a purely formal level it is not self-evident that these works were produced in honor of admired individuals. Instead, cultural context is the key to our appreciation of the significance of such representations and ability to connect them to their historical subjects. While information about those figures has been touched upon in the academic literature of African studies, such a body of work has never before been assembled in an exhibition. Heroic Africanspresents an unparalleled opportunity to bring to life oral history in visual terms and to put a face on Africa's pre-colonial history for the widest possible audience.
An in-depth look at one of Central Africa's most dazzling sculptural genres unfamiliar to American audiences is a highlight of the exhibition. During the nineteenth century, Hemba masters in the northeastern Democratic Republic of the Congo paid tribute to their leaders through these free-standing wood sculptures, impressive for their scale and elegance. An unprecedented assemblage of twenty-two superb works from this sublime tradition is gathered together for the first time and offers viewers an opportunity to examine the subtle distinctions that may be discerned among masterpieces that rank among the most impressive artistic achievements from sub-Saharan Africa.
In addition to key works central to the Metropolitan's own collection, outstanding loans have been contributed by the Kimbell Art Museum in Fort Worth; Seattle Art Museum; Cleveland Museum of Art; Minneapolis Museum of Art; Smithsonian Institution, National Museum of African Art; Brooklyn Museum of Art; British Museum; Welkulturen Museum, Frankfurt; Volkerkunde Museum, Berlin; Dapper Museum and Quai Branly, Paris; Museum aan de Stroom [MAS], Antwerp, and the Afrika Museum in Tervuren, Belgium; and Museu Nacional de Arqueologia and Museu Etnográfico-Sociedade de Geografia, Lisbon.
>via: http://www.metmuseum.org/en/exhibitions/listings/2011/heroic-africans-legenda...
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i art film
by rowan pybus
filmmaker rowan pybus of http://makhulu.blogspot.com/ joined us once again for i art soweto.
here are some stills from his upcoming i art soweto film,wich will be launched at the i art exhibition on the 7th of october
this is the beautiful film he made for i art woodstock earlier this year.
makhuluproductions on Mar 30, 2011
all originals:i art sa community mural project curated by /a word of art
http://www.i-art-sa-project.com/
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we have just learned that it has been selected for the shnit international shortfilmfestival 2011 happening wednesday,5 october at labia on orange at 19h30.
>via: http://www.i-art-sa-project.com/