Envisioning Emancipation:
Black Americans and
the End of Slavery
Through A Lens Darkly Short Shot Series with Deborah Willis: “Dolly – Runaway”
Through A Lens Darkly Short Shot Series with Barbara Krauthamer: “Finding a Lost Photo”
“Tasting Freedom, at Last, in Black, White and Sepia”
By: Felicia R. Lee
December 21, 2012
“Envisioning Emancipation: Black Americans and the End of Slavery, published to coincide with the 150th anniversary of the Emancipation Proclamation of 1863 on January 1, brings together more than 150 images — half never seen by the public — that depict the many ways slavery, Emancipation and freedom were represented by photography during the Civil War era and beyond.”
- Emancipation Day parade, April 3, 1905 in Richmond, Va. Courtesy of Library of Congress via The New York Times
“Dr. Deborah Willis, a professor and the chairwoman of the department of photography and imaging at the Tisch School of the Arts at New York University, and Dr. Barbara Krauthamer, an assistant professor of history at the University of Massachusetts-Amherst, said that in compiling the book they hoped to expand the photographic record in a way that would stimulate fresh considerations of race and freedom. They spent years searching museums, libraries and other archives around the country, poring over more than 1,000 photographs.”
“‘We wanted a range of images that showed the scope of the thinking about what freedom looked like,’ said Dr. Willis in a joint interview with Dr. Krauthamer in the library of the photography department at Tisch. ‘We consciously looked for black photographers; we consciously looked for images of women, whose stories have often not been included.’ “
- Photograph of Sarah McGill Russwurm, 1854. Courtesy of Temple University Press via Daily Mail
“Mostly, she added, they sought evocative photographs of everyday life, to form a collection that could serve, in Dr. Krauthamer’s words, as ‘a family album’ of ‘the collective African-American experience.’ “
“What they found were mainly ‘images that have gone missing from the historical record,’ Dr. Willis said.”
“The lives of black people at that time are ‘such an abstraction, except for cinematic images,’ Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture at the New York Public Library, says. ‘There are real images, though.’”
- Studio portrait of an African American sailor taken between 1861 and 1865. Courtesy of Temple University Press via Daily Mail
Susie King Taylor, pictured left in 1902, was the first African American to teach openly in a school for former slaves. Courtesy of Temple University Press via Daily Mail
By: Daily Mail Reporter
December 24, 2012
“The images themselves played a key part in allowing the men, women and children freedom – being distributed through the northern states as propaganda during the push for abolition, and employed by former slaves to showcase their new images.”
“There are also examples of how photography was used by the supporters of slavery, using images as evidence of its ‘natural order and orderliness’.”
“And following the Emancipation Proclamation in 1863, the use of photography evolved – eventually being used by black men and women to show off their new, post slavery image and to portray their hopes of freedom.”
“Subsequently, the book… shows how photography was central in the war against slavery, racism and segregation.”
- A soldier in Union uniform between 1863-1865. Courtesy of Temple University Press via Daily Mail
To read the complete New York Times article, visit “Tasting Freedom, at Last, in Black, White and Sepia”.
To read the complete Daily Mail article, visit “Picturing freedom: How former slaves used photography to imagine and create their new lives after Emancipation”.
__________________________
Picturing freedom:
How former slaves
used photography
to imagine and create
their new lives
after Emancipation
A scruffy African-American family stands outside their run-down home while a dapper young man sits up straight in a waistcoat and suit: These are the never-before-seen faces of slavery and Emancipation, revealing families' lives before and after they were freed.
The images themselves played a key part in allowing the men, women and children freedom - being distributed through the northern states as propaganda during the push for abolition, and employed by former slaves to showcase their new images.
More than 150 of the photographs feature in a new book, Envisioning Emancipation, which has been published to coincide with the 150th anniversary of the Emancipation Proclamation of 1863 on January 1.
On the road to freedom: An African American soldier in Union uniform with wife and daughters between 1863 - the year of the Emancipation Proclamation - and 1865
Changes: Photography was also used a propaganda to show how former slaves could become respectable people. Left, a studio portrait of an African American sailor taken between 1861 and 1865. Right, a self-liberated teenage woman with two Union soldiers in 1862
At work: Fugitive African Americans fording the Rappahannock River in Virginia in 1862 - the year before the Emancipation Proclamation
Most of the images, which reveal what freedom looked like for black Americans in the Civil War era, were taken between the 1850s and the 1930s.
They have been collated by Dr. Deborah Willis, a professor at the department of photography and imaging at the Tisch School of the Arts at New York University, and Dr. Barbara Krauthamer, an assistant professor of history at the University of Massachusetts-Amherst.
The women spent years searching museums and archives throughout the country in a bid to expand the photographic record that would allow readers to look at race and freedom in a new way.
'We wanted a range of images that showed the scope of the thinking about what freedom looked like,' Dr. Willis told the New York Times. 'We consciously looked for black photographers; we consciously looked for images of women, whose stories have often not been included.'
Respectable: A woman, Sarah McGill Russwurm, is pictured next to her brother, Urias Africanus McGill, a merchant in Liberia. They are pictured in 1854
Working together: A photograph from 1864 reads: 'Colored army teamsters, Cobb Hill, Va'. It is one of 150 pictures in a new book about photography and Emancipation
Horrors: The authors also discovered never-before-seen battle pictures. Here, men collect the bones of soldiers killed in battle, Cold Harbor, Virginia in 1865
Forging on: Top, a soldier in Union uniform between 1863-1865, Below, a formerly enslaved man holds a horn with which slaves were called, near Marshall, Texas
And as they searched, they found numerous images challenging the ideas of slavery - 'images that have gone missing from the historical record,' Dr. Willis said.
Alongside pictures of enslaved people on plantations, there were images of wealthy black families posing together, black Union soldiers, Emancipation Day celebrations and reunions between former slaves, the Times reported.
The book also contains photographs taken in the bid for emancipation. There are 'before' and 'after' images of children, showing how they could transform into respectable youngsters, and slave children with white skin to create sympathy among white northerners.
Other images allowed northerners to witness the cruelty of slavery and the respectable individuals the former slaves had become. And black leaders, including Frederick Douglass and abolitionists Sojourner Truth and Harriet Tubman, often turned to the medium, to further their abolitionist campaigns.
Careers: Susie King Taylor, pictured left in 1902, was the first African American to teach openly in a school for former slaves. Pictured right in 1915 is Booker T. Washington, a teacher, author, orator, and adviser to Republican presidents. He would speak on behalf of black people who lived in the South
New life: A whole family poses by a building in Savannah, Georgia in 1907
Smart: The caption reads: 'District of Columbia, Company E, Fourth U.S. Colored Infantry, at Fort Lincoln'. The image was taken between 1862 and 1865
Documenting change: This image of an African American woman holding a white child in 1855 features in a new book, Envisioning Emancipation
There are also examples of how photography was used by the supporters of slavery, using images as evidence of its 'natural order and orderliness'.
And, following the Emancipation Proclamation in 1863, the use of photography evolved - eventually being used by black men and women to show off their new, postslavery looks and to portray their hopes of freedom.
Subsequently, the book, which was published earlier this month, shows how photography was central in the war against slavery, racism and segregation
Read more: http://www.dailymail.co.uk/news/article-2252946/Picturing-freedom-How-slaves-used-photography-imagine-create-new-lives-Emancipation.html#ixzz2IxR5CLJ8
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