PUB: CALL FOR PAPERS: 2013 EMP Pop Regional Conference at Tulane University

CALL FOR PAPERS:
2013 EMP Pop Regional Conference
at Tulane University

Due South: Roots, Songlines, Musical Geographies

2013 EMP Pop Regional Conference at Tulane University

April 18-21, 2013

New Orleans, LA

 

Jointly sponsored by Experience Music Project and

 The New Orleans Center for the Gulf South at Tulane University

 

 

"The South" has a hold on the cultural imagination as tangled as its musical geography: it represents tradition even as its musical pasts are repurposed for tourism and new genres emerge from cross-pollinations. John Hiatt sings to an imaginary rider, "so when you're feelin' down and out / Come on, baby, drive South," as if the entire region is a balm for modernity. Where is this romanticized South? It depends on who's asking and who's driving. Are they headed to the Upper, Mid-, Deep or Gulf South, to Appalachia or the Delta? Are musics still aligned with geography or specific sites? Along Southern roads lie the elusive roots of many American genres and a host of sonic signatures: Nashville and Memphis, Macon and Athens and the A-T-L, Lafayette and New Orleans, Muscle Shoals and North Mississippi. Yet "the South" still signifies as roots Americana to some outsiders or backwards and bigoted to some others. We'll do the South by driving straight into its tensions: tradition vs. modernity, faith vs. transgression, racial nostalgia vs. new immigrant populations, authenticity vs. performance.

 

Join us at the bottom of the South in New Orleans for discussions on the following themes and panels:

 

-Faith/transgression

-modernity vs. tradition

 

-Hip hop, bounce and rap: Dirty South aesthetics of country and city

-DJ culture

 

-Studio sounds and record labels

-Noise ordinances and city streets

 

-blues highways

-Southern dancefloors

 

-cultural creolization

-Americana roots music

 

-country musics

-Selling the South: Nashville, country, and the business of Southern music

 

-jazz and blues as world musics

-jazz and blues diasporas

 

-gothic

-gospel

 

-songwriting

-accordions

 

-Cajun music

-regionalism vs. nationalism

 

-Appalachia and its roots

-African/Cuban/Caribbean roots

 

-New Orleans and brass band funk

-Memphis and rock'n'roll

 

The EMP Pop Conference, launched in 2002, joins academics, critics, performers, and dedicated fans in a rare common discussion. This year, there are five regional conferences meeting on the same weekend as repercussions of a decade's worth of musical exchange. The Southern Regional is jointly sponsored by the New Orleans Center for the Gulf South at Tulane University and by the Experience Music Project/Science Fiction Museum and Hall of Fame. This year’s program committee members are: Joel Dinerstein (Tulane), Alison Fensterstock (New Orleans Times-Picayune), Alex Rawls (myspiltmilk.com), Gwen Thompkins (WWNO-FM, New Orleans), Holly Hobbs (Tulane), T.R. Johnson (Tulane), Ben Sandmel (author, Ernie K-Doe: The R&B Emperor of New Orleans), David Kunian (WWOZ-FM), Nick Spitzer (American Routes, Tulane), Karen Celestan (Music Rising @ Tulane), Matt Sakakeeny (Tulane, Los Po-Boy-Citos), Melissa A. Weber (WWOZ-FM, Tulane, "DJ Soul Sister")

 

Please send abstracts of individual papers, with 50 word bios, to Joel Dinerstein or Karen Celestan (Tulane University) at GulfSouth@Tulane.edu, jdinerst@tulane.edu, or kcelestan@tulane.edu. Deadline for proposals is February 13, 2013. Panel proposals (90 minutes) or special types of panels (roundtable, performance) should include overview, individual papers or presentations, and bios. We welcome unorthodox proposals aimed explicitly at a general interest audience. Registration is free for presenters and the public. For more information, go to http://www.empsfm.org/programs-plus-education/programs/pop-conference.aspx