FAUBOURG TREME

The Untold Story of Black New Orleans

Lolis Eric Elie, a New Orleans newspaperman, takes us on a tour of the city – his city – in what becomes a reflection on the relevance of history folded into a love letter to the storied New Orleans neighborhood, Faubourg Treme. Arguably the oldest black neighborhood in America and the birthplace of jazz, Faubourg Treme was home to the largest community of free black people in the Deep South during slavery and a hotbed of political ferment. Here black and white, free and enslaved, rich and poor cohabitated, collaborated, and clashed to create America's first Civil Rights movement and a unique American culture. Faubourg Treme: The Untold Story of Black New Orleans is a riveting tale of heartbreak, hope, resiliency and haunting historic parallels.

While the Treme district was damaged when the levees broke, this is not another Katrina documentary. Long before the flood, two native New Orleanians—one black, one white—writer Lolis Eric Elie and filmmaker Dawn Logsdon, began documenting the rich living culture of this historic district. Miraculously, their tapes survived the disaster unscathed. The completed film, Faubourg Treme: The Untold Story of Black New Orleans, which critics have called "devastating", "charming", and "revelatory" is a powerful testament to why New Orleans matters, and why this most un-American of American cities must be saved.

Elie and director Dawn Logsdon make clear the city's present, up through Katrina, remains steeped in its past- one that, for New Orleans, naturally includes an emphasis on music, heightened here by Derrick Hodge's original jazz score and over a hundred years of New Orleans music. This is a film of ideas, a historical film, a personal film and a celebration of place.

• Directed by Dawn Logsdon
• Co-Directed & Written by Lolis Eric Elie
• Produced by Lucie Faulknor, Dawn Logsdon, & Lolis Eric Elie
• Edited by Dawn Logsdon, Sam Green & Aljernon Tunsil
• Directors of Photography: Diego Velasco, Keith Smith & Bobby Shepard
• Executive Producers: Stanley Nelson & Wynton Marsalis
• Original Score by Derrick Hodge

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Faubourg Treme:
The Untold Story of Black New Orleans
Preview of the Month

The neighborhood of Faubourg Tremé gave the world much of what is special about New Orleans' rich expressive culture. Take an eye-opening journey through three centuries of African American history in this eye-opening and poignant film.

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Winner of the Award of Commendation from the Society for Visual Anthropology Winner of the Peter C. Rollins Award for Best Documentary, Popular Culture Association/American Culture Association  Long ago during slavery, Faubourg Treme was home to the largest community of free black people in the Deep South and a hotbed of political ferment. Here black and white, free and enslaved, rich and poor co-habitated, collaborated, and clashed to create much of what defines New Orleans culture up to the present day. In so many ways its story reflects the tortuous path taken by African American history over the centuries.  Faubourg Treme: The Untold Story of Black New Orleans was largely shot before the Katrina tragedy but edited afterward, giving the film both a celebratory and elegiac tone. It is a film of such effortless intimacy, subtle glances and authentic details that only two native New Orleanians could have made it. Our guide through the film, three centuries of black history and the fascinating neighborhood of Faubourg Treme is New Orleans Times-Picayune columnist Lolis Eric Elie (now a writer for David Simon's new HBO TV series, Treme) who decided that rather than abandon his heritage after Hurricane Katrina he would invest in it by rehabilitating an old house in the Treme district. His 75 year-old contractor, Irving Trevigne, whose family has been in the construction business there for over 200 years, becomes a symbol of the neighborhood’s continuity and resourcefulness; Irving Trevigne represents a man who, unlike many Americans, is deeply rooted in his community and its traditions.  Louisiana Poet Laureate Brenda Marie Osbey and noted historians John Hope Franklin and Eric Foner explain on the DVD what made Treme different, and such a fertile ground for African American life. New Orleans was a French and Spanish city before it was incorporated into the United States as part of the Louisiana Purchase of 1803. Latin and urban attitudes towards slavery tended to be more relaxed than in the plantation South; slaves were allowed to walk freely through the city, to work for themselves and hence often to buy their freedom. New Orleans had the largest number of free people of color in the South, a dangerous anomaly in a slave society.  As the city outgrew its walls, a new district, Faubourg (suburb in French) Treme was constructed, a mixed neighborhood, a majority of whose residents were free people of color. The district developed its own institutions, for example, St. Augustine’s Church, the oldest predominantly black Catholic parish in the country. The district grew up around Congo Square where African American commerce flourished and a unique Creole culture emerged. Even today when Treme’s children go ‘second lining’ behind one of the city’s storied brass bands, their dances immediately reveal their African origins. A century before the Harlem Renaissance and the modern Civil Rights Movement, Treme was a center of black cultural and political ferment. In 1862, after Northern troops captured the city, Paul Trevigne, an ancestor of Irving, edited the oldest black-owned daily newspaper in the U.S., The Tribune, which became an eloquent advocate for African Americans’ civil rights. Before the 14th,15th and 16th Amendments, it demanded the right to enlist in the Union army, to vote and to be subject to equal treatment under the law. During the heady days of Reconstruction, black New Orleanians employed sit-down strikes to integrate the city's streetcars; it became the only city in the South with desegregated schools. At one point, more than half the state legislators were African Americans, as well as the governor.  With the withdrawal of Federal troops in 1877, however, white supremacists rapidly rolled back black gains. Separate and unequal schools were re-established and 99% of black citizens were purged from the voting rolls; anyone who protested was likely to be lynched by the Ku Klux Klan. As a last stand in 1892, a ‘Citizens Committee’ deliberately challenged a law resegregating all public transportation, the infamous Plessy vs. Ferguson case. There the Supreme Court upheld the law as constitutional, legalizing 60 years of American-style apartheid.  The black population was devastated but precisely during this dark period, a new kind of music was born in Faubourg Treme: jazz. Legendary jazz great and New Orleans native, Wynton Marsalis observes on the DVD that this music gave African Americans, excluded once again from mainstream American society, a free cultural space to voice their grief and hopes. The film pulsates with the resilient spirit of the residents of this quintessential New Orleans neighborhood, which has swept the world as America’s most lasting contribution to music.  Treme was a hotbed of New Orleans’ civil rights struggles in the ‘50s and ‘60s but with its success prosperous residents began to move out. The familiar pattern of inner city urban decay set in poverty, crime, drugs. Urban re-development rammed an interstate highway through the business center of the neighborhood and historic homes were replaced by demoralizing segregated housing projects. Faubourg Treme even lost its name; now it was simply known as the Sixth Ward.  Then in late August, 2005, Katrina hit. The filmmakers revisited Treme to survey the destruction and find out what had happened to the characters they had met during the film. The indifferent, incompetent federal response to the catastrophe left many residents angry and discouraged; once again, as with slavery and Jim Crow, America seemed to have rejected its African American residents. Some, like Lolis Eric Elie, returned and rebuilt. But Irving Trevigne, his life’s work in ruins, moved to Vermont where he died the next year. St. Augustine’s church was given 18 months to recover its congregation or close.  A deeply moved but defiant Brenda Marie Osbey concludes Faubourg Treme: “This catastrophe is not greater than we as a people. Everywhere we go we must take with us the spirit of this city, the spirit of its heroes and the will to live and fight again.” Faubourg Treme does not just commemorate, it reminds us that American society still confronts the same battles that the residents of Treme have waged through two centuries - demands for economic justice, voting rights, equal education, decent public services, in short, full citizenship for African Americans. Chapter Listing 1. Intro - Spirit of Treme  2. Resistance: Slavery & Free Black People 3. First Black Daily in the US  4. Reconstruction: From Promise to Defeat 5. Plessy Court Case 6. Jazz is Born 7. Urban Renewal and Displacement 8. Katrina and Its Aftermath With 20 years of experience in arts administration, Lucie Faulknor has worked with and produced several projects such as Ireland’s Women in Film and Video film festival, and San Francisco’s Artists Up-Close series.  Dawn Logsdon was an acclaimed editor in the San Francisco Bay Area for many years until she returned to her New Orleans hometown in 1999 to begin work on her first feature-length directing debut. She has previously edited The Weather Underground and The Castro: Hidden Neighborhoods of San Francisco, and has directed and produced several short documentaries. Lolis Eric Elie is a writer and filmmaker based in New Orleans who is a respected food and culture critic, having published several anthologies on Southern food as well as a thrice-weekly column in theNew Orleans' Times-Picayune for 14 years. He is currently writing for the HBO series, Treme. Faubourg Treme is a co-production of Serendipity Films, LLC, Independent Television Service (ITVS), WYES TV12 New Orleans, Louisiana Public Broadcasting (LPB) and National Black Programming Consortium (NPBC). Major funding for this program was provided by the Corporation for Public Broadcasting, State of Louisiana Department of Culture, Recreation and Tourism, The Ford Foundation, Southern Humanities Media Fund, Open Society Institute, LEH & others. For a complete list please go to www.tremedoc.com  The Faubourg Treme filmmakers are available for speaking engagements. Please visitwww.tremedoc.com for contact information. >via: http://newsreel.org/video/FAUBOURG-TREME