PUB: Omnidawn Publishing Poetry Open Book Contest > Poets & Writers

Poetry Open Book Contest

Deadline:
December 31, 2012

Entry Fee: 
$25

E-mail address: 
submissions@omnidawn.com

A prize of $3,000, publication by Omnidawn Publishing, and 100 author copies is given annually for a poetry collection. Cole Swenson will judge. Submit a manuscript of 40 to 120 pages with a $25 entry fee by December 31. For an additional $3, entrants will receive one book of their choice from the Omnidawn catalogue. Visit the website for complete guidelines.

Omnidawn Publishing, Poetry Open Book Contest, 1632 Elm Avenue, Richmond, CA 94805. (800) 792-4957. Rusty Morrison and Ken Keegan, Coeditors.

via pw.org

 

PUB: CFP:Indo-Hispanic Dialogue: Bridging the Cultural Gap « Repeating Islands

CFP:Indo-Hispanic Dialogue:

Bridging the Cultural Gap

holi3

Call for papers

International Conference

Indo-Hispanic Dialogue: Bridging the Cultural Gap

March 6 – 8, 2013, Hyderabad

Organizer

Centre for Study of Foreign Languages,

School of Humanities, University of Hyderabad, India

 Media Partner:

HISPANICINDIA, New Delhi

Hispanic Countries, particularly from the region of Latin America, have begun to occupy the attention they deserve in India’s official and private sector perception as against the traditional biases built up over the years for historical, geographic or commercial reasons. It is fact that the investments of the Indian companies in the South American market have increased drastically in recent times. For the growing bilateral and multilateral relations with these countries to have an enduring effect there is need for an academic engagement with the whole domain of mutual cultural understanding of the societies involved. How have we perceived each other, economically, socially, culturally, philosophically in the past and whether in the face of the changing country profiles vis-à-vis the global scenario there is a parallel shift in mutual awareness? Does that get reflected in our occupation in the private and public sphere (the print, electronic media, our class rooms, course contents in educational institutions) with each others’ output in various fields like foreign policy, environment, joint initiatives, cultural issues etc? From our perspective, we need to expand our interactive possibilities at the institutional level to strengthen our engagement with the Hispanic societies. What are the potential areas of culture, economy, trade etc. that can fruitfully be promoted for this purpose? Just for example, in cultural sphere Tagore and Neruda could be the central figures for our common approaches towards the achievement of a reconciled universal which could become the cornerstone of our future projections as pluri-cultural societies. Or is the literary piece “Vislumbres de la India” a product of the comparative understanding of Paz of Mexican past? Likewise, one can make comparative study of economic, political and social systems of Hispanic countries and India. 
The Centre for Study of Foreign Languages, University of Hyderabad proposes to hold a three-day international conference to explore such areas that would contribute to strengthen the mutual understanding of our societies and cultures and create an awareness of the same in this area. Papers are invited tentatively in the following areas:

• Indian and Hispanic Literature

• Comparison of Indian and Hispanic Languages

• Teaching of Indian languages in Hispanic World and vice-versa

• Study of Translations

• Comparison of Folklore

• Influence of various Philosophic thoughts

• Cultures and Societies

• Language Endangerment

• Diasporas Studies

• Hispanic Policy and Culture

• Culture and Economic Relations with Hispanic countries

Working languages: English and Spanish

Format of presentations: The abstract should not exceed 300 words, while the full paper should be between 10-15 pages (including references, notes, and tables). Biographical data should not exceed 100 words. Your paper must be double-spaced and typed using 12 pt. Times New Roman font. With the abstract and paper submissions, please include: the title of your paper or poster display; your name and title; institution; e-mail address; and mailing address. If the abstract is in Spanish, an English version of the same can also be submitted.

Extended date of submission of abstracts: 15th December, 2012

The abstracts may be sent to the Director of the Conference with a cc to the Organizing Secretary. All papers will be reviewed by the Scientific Committee of the Conference. Selected papers will be published in the conference proceedings. **The conference committee reserves the right to edit typographical errors in the abstracts and papers prior to publication**

Registration fee: International Participants USD 75;

Indian National Participants INR 2,500

Registration fees include: Local hospitality during conference days and a conference kit. The registration fee may be paid at the venue of the Conference in Indian currency.

Director of the Conference:

Prof. J. Prabhakara Rao,

E-mail: pjandhyala1@gmail.com;

Tel.: +91 40 2313363; 23133661; Fax: + 91 40 23010356

Organizing Secretary:

Mr. Ranjeeva Ranjan,

E-mail: r.ranjeev@gmail.com;
Mobile: +91-8897253603

Venue: Centre for Study of Foreign Languages, University of Hyderabad, India

More details available at website of HISPANICINDIA (Media Partner)

http://www.hispanicindia.org/web/newsarticle/international_conference_indo_hispanic_dialogue_bridging_the_cultural_gap_university_of_hyderabad.html

 

 

VIDEO: 4 Powerful Documentaries about African Women Everyone Should Watch > Spectra Speaks

By On November 30, 2012

The London Feminist Film Festival opened with a bang last night — a sold out viewing of the UK premiere of Lesbiana, about the lesbians, philosophers, and activists that were key players in creating a revolutionary sisterhood. This weekend, audiences interested in more (Black feminist) lesbian history can look forward to the documentary, Audre Lorde — The Berlin Years 1984 – 1992. Note: This show is sold out — seems it’ll be a packed house!

But lesbians (and everyone else who loves them) aren’t the only group that’ll get to enjoy the London Feminist Film Festival. The organizers have made sure that the interests of African Feminists have been woven into the program as well. Four powerful documentaries highlighting the lives of African women in Kenya, Ghana, and Senegal will be making their debut with feminists this weekend.

I’ve gotten a chance to watch a number of these films, and I can assure you, they are not to be missed. So, if you’re based in London, and are on the fence about attending the inaugural festival, I encourage you to check out the synopses (and mini reviews) below.

4 Power Films about African Women at the London Feminist Film Festival

Taxi Sister (UK Premiere)

Mini ReviewTake a drive with Boury, a taxi driver in Dakar, Senegal, as she forges her way through a male-dominated profession. “There are no such things as Taxi Sisters!” a man growls. He towers over Boury, his voice loud and thunderous as he attempts to get her to submit to the idea that she is an impostor in the popular Dakar taxi stand. Boury vacillates between shaking her head and pacing back and forth in frustration while also keeping her eyes open for customers; she’s not driving a Taxi to make a point, she’s trying to make a living to support her family. When she’s on break, she and another Taxi Sister talk about being single working women, dating and relationships, and American tourists: “Watch out for people with big backpacks. They just walk.” Charting its own course, Taxi Sister takes viewers on a tour through Dakar’s streets, segregated by gender, class, and tourist visas, offering poignant, insightful, and humorous insights along the way.

Theresa Traore Dahlberg / Senegal / 2011 / 30 mins / Wolof and French with English subtitles

 

 The Witches of Gambaga

Synopsis: This award-winning documentary is about a community of women condemned to live in a camp for ‘witches’ in Northern Ghana. More than 1000 women accused of witchcraft in northern Ghana live in refuges, where they pay for protection from the chief who runs them. The Witches of Gambaga follows the extraordinary story of one of these communities of women. Made over the course of five years, this exposé is the product of a collaboration between members of the 100-strong ‘witches’ community, local women’s rights activists, and feminist researchers, united by their interest in ending abusive practices and improving women’s lives in Africa. Told largely by the women themselves, this is a uniquely intimate record of the lives of women ostracized from their communities.

Yaba Badoe / UK & Ghana / 2010 / 55 mins / English and local languages with English subtitles

 

KungFu Grandma

Synopsis: Elderly women in Kenya undertake a self-defense course to help protect themselves from rape by young men in their community. The rape of elderly women by young men is a big problem in the slums of Korogocho, Kenya. This documentary follows a group of elderly women who are taking a self-defense course to enable them to better protect themselves. The daily realities of the slums and the myths that may contribute to these violent attacks are explored. A powerful portrayal of women who have come together in solidarity to teach each other self-defense skills and to fight back. The film was shortlisted for an award at the One World Media Awards 2012.

Jeong-One Park / UK / 2012 / 27 mins / Swahili and Kikuyu with English subtitles

 

Ladies Turn

Synopsis: In Senegal, as in most of the world, football is largely considered a sport for men not women. Ladies’ Turn is a non-profit organisation working to give Senegalese women and girls their turn to play football and to develop important leadership and teamwork skills. Ladies’ Turn recognizes women’s football as a powerful tool for promoting gender equality, both by empowering the women who play and presenting new role models to other women and girls. This film shows the determination of the players and of the Ladies’ Turn organisation, despite the challenges and prejudices they face. With the help of Ladies’ Turn, Senegalese women fight to follow their passion for playing football all the way from small neighborhood fields to the tournament finals in Dakar’s newest stadium. An inspiring story of women pushing boundaries.

Hélène Harder / France & Senegal / 2012 / 65 mins / French and Wolof with English subtitles

 

About The London Feminist Film Festival

LFFF was set up as a response to the under-representation of women in the film industry, as well as to the lack of films addressing feminist issues and the fact that the representation of women on screen is often narrow and stereotypical. The festival will be a celebration of feminist films past and present, and aims are to inspire discussion about feminism and film, to support women directors, and to get feminist films seen by a wider audience.

Catch the London Feminist Film Festival this weekend at the Hackney Picturehouse. Check out the full program at the festival’s website: www.londonfeministfilmfestival.com

++++++++++++++

Meet Spectra: Queer Nigerian Afrofeminist Writer and Media Activist. Social Entrepreneur Nurturing Principled Diaspora and Women's Philanthropy in Media and Tech. Self-Care and Self-Love Evangelist. Idealist Warrior Woman. Big Dreamer. Big Thinker. Big Doer, Too.

 

VIDEO: Dead Prez discuss 'Information Age', politics, state of society > SoulCulture

[Video]

Dead Prez discuss

‘Information Age’,

politics, state of society 

By Michell C. Clark

December 1, 2012

Veteran hip-hop duo Dead Prez, composed of Brooklyn native M1 and Floridian stic.man, sat down with Out Da Box TV to discuss a number of issues, including their recent album Information Age, their artistic growth and the state of America. The group has always been freethinking and outspoken, and they pulled no punches when asked for their opinions on an array of topics.

stic.man describes Information Age, which was released October 16th, as “a brand new sound and spirit with the same old struggle,” noting that as a group they’ve “been growing a lot as human beings, taking life lessons and using them to continue making an impact.”

Information Age is a conceptual album and in reference to that M1 noted, “it’s hard to translate something we learn every day into music but in essence that’s what we try to do. We really tried to encompass what the highest awakening can be, in hip-hop form.”

It should be no surprise that a group renowned for their social commentary and criticism was asked about politics. In reference to President Obama’s election, M1 was cautious and reserved; “a lot of black people had a sense of satisfaction behind Barack Obama’s selection, we have a long way to go at the end of the day.”

Continuing a string of social commentary, stic.man targeted “lack of functional and progressive education” as a root cause of the continuous trend of youth violence in urban centers. As musicians, Dead Prez seeks to raise awareness; stic.man noted that “everything Dead Prez does is a drop in the bucket to try and help change circumstance.”

Their successful Turn Off The Radio mixtape series, in which both emcees rap over popular instrumentals, qualifies as one of those aforementioned drops. Many critics classify the series as simply a strategy to reach the masses, but stic.man asserts that “it’s just another creative way to do what we do. We have a perspective that is not the trend in capital America. Words are powerful, and we need to really think about what we call the mainstream.”

Dead Prez might not qualify as mainstream, but they have certainly amassed a loyal following over the years. The duo seems as focused as ever and doesn’t appear ready to stop any time soon.

Information Age is available via iTunes or Amazon. Watch the full interview for yourself below.

 

 

HEALTH + VIDEO: World AIDS Day - We Will Not Die Like Dogs

dynamicafrica:

FEATURED DOCUMENTARY:

We Will Not Die Like Dogs (2005)

Conceived of by two African medical students at Yale who were tired of Africans portrayed only as victims to the epidemic and directed by international health specialist, Lisa Russell, We Will Not Die Like Dogs helped launch the National Black Programming Consortium’s new television series AfroPop that focuses on contemporary pop culture in Africa. 

We Will Not Die Like Dogs is a documentary that profiles AIDS activists from Nigeria, Uganda, Burkina Faso, and Zambia, providing open and some times provocative testimonies of individuals living with the epidemic including two HIV-positive women fighting stigma and discrimination, a doctor working to care for HIV-infected children in rural villages, and a reggae artist using his status among youth and the media to bring awareness to HIV/AIDS. 

If the above video does not work in your area, try watching it on IMDB.

 

__________________________

 Share this World AIDS Day infographic to raise awareness of the impact HIV/AIDS has on youth.

Young people ages 13–24 account for 26% of all new HIV infections each year.A look at the sources of HIV infection among young men and women.
Only 13% of high school students have ever been tested for HIV. 60% of high school students say they used a condom during their last sexual experience.
Young men who have sex with men (MSM) are disproportionately affected by HIV/AIDSIn 2010, 57% of new HIV diagnoses among youth ages 13–24 were among black youth.20% of young, ubran trans women report living with HIV.

yourhue:

artoftransliness:

World AIDS day is December 1st.

fenwayhealth:

Read more about new information on HIV/AIDS among young people in the U.S.

You can also help raise awareness by sharing these infographics on Facebook.

Download/share a high-res PDF of this infographic here. 

Today, December 1, is World AIDS Day

KNOWLEDGE IS > A.I.D.S

>via: http://daughtersofdilla.com/post/36867435892/youthworldaidsday

 

 

 

HISTORY + VIDEO: DECEMBER 1: ROSA PARKS... > Daughters of Dilla

ROSA PARKS
pbsthisdayinhistory:  DECEMBER 1: ROSA PARKS REFUSES TO GIVE UP SEAT, 1955 On this day in 1955, Rosa Parks refused to give up her seat for a white passenger, leading to her arrest and sparking the Montgomery Bus Boycott. For many, this day became a symbolic start for the civil rights movement. American Experience’s acclaimed “Eyes on The Prize” series covered all the major events of the civil rights movement. On the accompanying site, read the national press during the boycott and browse through photos of Rosa Parks, Dr. Martin Luther King, Jr. and even ordinary citizens who participated in this historic campaign for equality.

pbsthisdayinhistory:

DECEMBER 1:

ROSA PARKS REFUSES

TO GIVE UP SEAT, 1955

On this day in 1955, Rosa Parks refused to give up her seat for a white passenger, leading to her arrest and sparking the Montgomery Bus Boycott.

For many, this day became a symbolic start for the civil rights movement.

American Experience’s acclaimed “Eyes on The Prize” series covered all the major events of the civil rights movement.

On the accompanying site, read the national press during the boycott and browse through photos of Rosa Parks, Dr. Martin Luther King, Jr. and even ordinary citizens who participated in this historic campaign for equality.

Posted on Saturday, December 1st 2012, by LEXX DIGS

 

VIDEO: Marvin Gaye @ Montreux 1980

MARVIN GAYE

Tracklist:

1 - Got To Give It Up

2 - Funky Space Reincarnation

3 - Come Get To This

4 - Let's Get It On

5 - After the Dance

6 - If This World Were Mine

7 - Ain't Nothing Like The Real Thing

8 - Ain't No Mountain High Enough

9 - How Sweet It Is (To Be Loved By You)

10 - Ain't That Peculiar

11 - I'll Be Doggone

12 - I Heard It Through the Grapevine

13 - Trouble Man

14 - Distant Lover

15 - Inner City Blues

16 - Mercy Mercy Me (The Ecology)

17 - What's Going On

VIDEO: Friday Bonus Music Break > Africa is a Country

Friday Bonus Music Break

Azonto and its growing global reaches… Somebody should write a book about it. ‘Tribal Azonto’ above: Ghana via the UK — sampling South African electro? Next, from Accra proper, a rap convo with Trebla, Hotjam, EL and Stargo (and many other cameos):

Rap from a different kind and country: here’s a new video for Milk Coffee & Sugar (that’s Edgar Sekloka and Gaël Faye):

Nigerian D.i.s Guise’s track ‘Mr Bambe’ now has a video:

And one last rap. The video is older, but Tanzanian collective X Plastaz released the long (and excellent) Shule mixtape this week. Ziggylah’s ‘Bang Bang’ is on it:

‘Mabone’ is a dance tune by Lesotho-born Refiloe “Chocolate Soul” Thoahlane. It comes with a glorious video:

We haven’t included too many Mozambicans here recently. A pretty wild video for Dama do Bling’s poppy ‘Champion’:

More pop, from Uganda come Radio and Weasel (remember their 2010 classic ‘Heart Attack Vuvuzela’ — they’ve upped the production quality of their music videos since):

Meanwhile in London: DJ Yoda, Afrikan Boy and Soom T throwing a party on a bus:

And Melina Matrsoukass shot the video below in Jamaica for Chicago dance-hall duo Wild Belle’s (brother and sister in fact) track ‘Keep You’. It has elicited some interesting YouTube comments:

H/T’s to @zach_rosen, @TIholie (via @nemesisinc), @ianbirrell, @Tribalmagz, @25toLyf and @Birdseeding.

 

PUB: Money for Women/Barbara Deming Memorial Fund Individual Artist Grants for Women > Poets & Writers

Money for Women /

Barbara Deming Memorial Fund

Individual Artist Grants for Women

Deadline:
December 31, 2012

Entry Fee: 
$20

Grants of up to $1,500 are given twice yearly to feminist writers who are citizens of the United States or Canada. The current round of grants will be awarded to fiction writers. Submit three copies of a short story or novel excerpt of up to 20 pages, a project description, a budget, and a resumé with a $20 entry fee during the month of December. Send an SASE or visit the website for the required entry form and complete guidelines.

Money for Women/Barbara Deming Memorial Fund, Individual Artist Grants for Women, P.O. Box 309, Wilton, NH 03086. Susan Pliner, Executive Director.

via pw.org