CULTURE + VIDEO: The Beauty of “The Curl” > Afrolicious

Joy Frempong

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 The Beauty of “The Curl”

Shout out to everyone who put Afrolicious on to this series from Carol’s Daughter TV feature our favorite naturalistas. It’s called “The Curl” and the latest three episodes are embedded here for your viewing pleasure. Enjoy!

 

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AFRICAN HAIR

derica:

J. D. ‘Okhai Ojeikere 

J. D. ‘Okhai Ojeikere (1930- ) is a Nigerian photographer who began taking pictures in 1950. He is best known for his portraits which draw attention to the sculpural qualities of African hair/styling.

Thinking about the politics of hair with Kobena Mercer & buying Ojeikere’s book.

(via baobabavenue:)

Congrats to JD, who will be featured in the Venice Biennale.

>via: http://blackcontemporaryart.tumblr.com/post/45288899853/ojeikere-hair

 

 

 

ISRAEL: Meet Israel's Blunt, Bold Ethiopian-Born Beauty Queen > Tablet Magazine

Israel’s Bold New Queen

The latest Miss Israel, Ethiopian-born Yityish Aynaw, says it’s about time a black woman wore the crown

Yityish Aynaw. (Collage Tablet Magazine; original photos Daniel Estrin)

For anyone familiar with the saccharine judges of America’s prime-time beauty pageants, it might be jarring to hear how the director of Israel’s national competition describes Yityish “Titi” Aynaw, the Ethiopian-born 21-year-old who was just crowned Miss Israel. “I think she was not the most beautiful, by classic beauty,” said director Iris Cohen, comparing her to the 19 other finalists in this year’s competition. But she does give Aynaw this: “She stands on the stage and you cannot ignore her.”

The new Miss Israel is just as blunt. Sitting with her last week in the green room at the Tel Aviv offices of La’Isha magazine—the Israeli equivalent of Vogue and sponsor of the annual pageant—I told her about the stereotypical American beauty queen who seeks to impress the judges with her earnest hopes for world peace. “To say a sentence like that, in my opinion, is to sound retarded,” Aynaw replied. Then she stopped and wondered out loud if she should have said that. She changed “retarded” to “stupid,” and barreled on. “Iran is trying to develop a nuclear weapon, China is trying to become a superpower,” she said. “To say that I want world peace, of course I want it. It’s a dream. But I don’t think it will happen now.”

Israelis are better known for their grit than their grace, but Aynaw’s got both. Almost 30 years since the first clandestine Israeli airlift of Ethiopian Jews—the fabled descendants of the lost biblical tribe of Dan—to the Promised Land, the Jewish state has finally anointed one of them Israel’s most beautiful woman. Asked by judges why she deserved the title, Aynaw said it was about time that a black woman wore the crown.

I met Miss Israel a day after one of her first solo photo shoots. Aynaw was wearing a blue sleeveless dress with silver studs lining the shoulders. She teetered a bit in gold-strapped heels, but confidently strutted down the hallways of the magazine offices, one slender leg cutting across the other like scissors. Measuring in at 5 foot 9, not including her bun, she towered over the rest of the magazine’s editorial staffers, who congratulated her as she walked past their offices. She attributes her beauty to her Ethiopian heritage. “We have these chiseled faces. Everything is in the right place,” she said. “I never saw an Ethiopian who was stuck with some big nose.” She looks like a fiercer version of Tyra Banks, one of two role models she named in the competition. The other one was Martin Luther King.

***

The Miss Israel pageant has been held uninterrupted for the last 63 years. That’s a startling feat in a country only 65 years old, in a culture that typically rejects pomp and circumstance, and where most long-standing annual events commemorate tragedy and war. The late Hemda Nofech-Mozes, who married into the country’s most powerful media family, founded La’Isha magazine a year before Israel’s war of independence in 1948 and instituted the competition two years later. “Everyone was talking about war, everyone was talking about settlement. She said, wait a minute, there is a nation here … there are beautiful women,” said Cohen, the current pageant director.

You can learn a lot about the face Israeli society has tried to put forward by the faces its judges choose each year. In 1952, at the height of tensions between Israel’s European veterans and Middle-Eastern Jewish newcomers, Yemen-born Ora Vered became the first Miss Israel of Middle-Eastern Jewish descent. In 1993, in the midst of Israel’s tidal wave of Soviet immigration, Kiev-born Jana Khodriker won, and in 1999, the peak of Israel’s optimism that Arab-Israeli peace was imminent, judges crowned Rana Raslan the first Arab Miss Israel.

In the early days of the competition, each Miss Israel cast away her ethnic name for pure Hebrew ones; Israel’s first beauty queen, Miriam Yaron, was born in Germany as Giselle Freilich, while Ora Vered’s original last name was the Yemeni name Jamili. Similarly, in the last 30 years, many Ethiopian newcomers have adopted Hebrew names.

Not Aynaw, whose given name is connected to the circumstances of her birth. “I was born sick, but my mom believed I had a future,” she told me. Yitayish is Amharic for “look,” or as Aynaw explains it, “looking toward the future.”

“I’d never change my name,” said Aynaw. “Ever.”

Aynaw’s biography is, as she calls it, a Cinderella story. Born in a small township near Gondar in northwest Ethiopia, she was orphaned by age 10. Her father died a year after she was born—she never found out how—and a decade later her mother died of a sudden illness. Her mother’s parents, who had already uprooted to Israel in 2000, arranged for her and her brother to move, too.

Aynaw grew up like many Ethiopian Jews, dreaming of going to Israel. “I was told this was the land of milk and honey,” she said, laughing. “That I’d go on the street, bend down, and pick up golden coins. I’d open the faucet and milk would pour out.”

In fact, Aynaw stood out from the pack from the beginning. She became student council president, excelled in track and field, and won first place in a national student film competition. Her short feature film, which she wrote and directed, told the story of an Ethiopian immigrant girl in Israel who tried to ignore her heritage—a character she says was based heavily on her classmates. When Aynaw would show up in a traditional Ethiopian white kamis as her costume for the Purim holiday, or when she brought homemade injera bread to school, her Ethiopian-born peers became embarrassed. “We immigrants want to integrate into society. And we forget where we come from,” she said.

After graduation, Aynaw, then 19, joined an army course that trains talented Ethiopian-born Israelis to be military commanders. She missed the cutoff date to be in Karakal, Israel’s co-ed combat unit, so she ended up a military police commander responsible for 90 rowdy soldiers. In their three-month training, she taught her soldiers how to fire a weapon, perform security checks at checkpoints, and detect bombs. “For three months, they would never see my smile,” she said, flashing a grin that’s hard to imagine she once concealed.

“I taught them to be human,” Aynaw said of her soldiers, who checked Palestinians driving through military checkpoints. “My soldiers would ask, ‘How can I be so nice when there were instances of a 9-year-old kid or a pregnant woman blowing themselves up at a checkpoint?’ ” She’d tell them: “There are many Palestinians who have a wife waiting at home, a family waiting for dad to bring bread home.”

In October 2012, while most of her friends traveled to popular post-army destinations in India and Thailand, Aynaw spent the savings she’d earned in the army on a ticket to Addis Ababa. She wanted to come to terms with her mother’s death and face her history. “I never looked at her photos, I never talked about her. I decided to erase everything,” she said. It was a defense mechanism: “I needed to succeed,” she added. “I don’t have parents that I can crash with till I’m a 40 year old.”

A distant relative brought her to the Jewish graveyard where her mother is buried. She was shocked by the condition of the cemetery: Headstones were cracked, and rainwater would flow in streams around the graves. She hired the groundskeeper to cover her mother’s grave with marble, to add a Hebrew verse from Psalms next to the Amharic inscription, and to encase the grave in a roofed structure. She waited three weeks in Addis until it was completed. Aynaw showed me photos of the refurbished grave on her cracked iPhone screen.

“Poor thing, I’m upsetting you with my stories,” Aynaw said to me suddenly. She adjusted the large sunglasses on her head, and we switched topics to a recent photoshoot in the Mediterranean sea, when photographers struggled to make her hair look drenched. “How do you give me a wet look? I have an Afro!” she said.

***

Aynaw’s win comes after a year of rekindled accusations of racism toward Israel’s Ethiopian Jewish community. Ethiopian Jews took to the streets in January 2012 to protest after Israeli landlords in a low-income southern town refused them rent. And a month before, Ethiopian Jewish spiritual leaders made noise after Israel’s rabbinate announced it would phase them out because their customs run against normative Orthodox Judaism. Aynaw’s victory certainly has its critics; some say she won because of her skin color alone. Others have posted derogatory jokes on Facebook, like calling her “toffee queen,” instead of yoffee (Hebrew for beauty) queen, or saying that it was too bad her poor family couldn’t watch the pageant because they don’t own a television. “Tell me I’m ugly. That would hurt less,” she said of the racist jokes.

And yet, these past few years have been trailblazing ones for Ethiopian-born Israeli women. In 2011, Hagit Yaso was the first Ethiopian-born winner of the Israeli version of American Idol. In 2012, Belaynesh Zevadia was appointed Israel’s first Ethiopian-born ambassador, sent to represent the Jewish state in her native Addis Ababa. And in January, Pnina Tamano-Shata became the first Ethiopian-born woman to be elected to parliament. “There is hope that Israeli society has gotten a little bit more open,” said Semai Elias, a spiritual leader in the Ethiopian Jewish community, about their accomplishments. “The community has been given a chance.”

Still, there are virtually no black faces on Israeli billboards and in magazine ads. That should change with Aynaw’s expected appearances in ads by Israeli casual-wear line Golf and high-end jewelry seller H. Stern, co-sponsors of the pageant. Aynaw also wants to make a social impact during her tenure: She wants to institute dance and drawing activities for Ethiopian kids like those in her immigrant neighborhood who roam the streets after school. Someday, she wants to be an Israeli diplomat.

Aynaw will get a taste of foreign relations this year: This week she flies to New York to address a gala at the Waldorf Astoria for the Friends of the Israeli Defense Forces. This winter, she’ll be in Paris. And pageant director Cohen says organizers of this year’s Miss World competition in Indonesia—a country with which Israel shares no diplomatic relations—are working on securing a visa for her to compete.

If Aynaw makes it to the international competition, she’ll be asked to strut down the runway wearing her national dress. Japan has kimonos, and Brazil has carnival costumes. But what gown represents the melting pot of Israel?

This year, that decision will be easy for Israeli fashion designer Berta, said Cohen. “Berta will go with an Ethiopian theme,” she said.

***

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President Obama Invites

First Black Miss Israel

to Dinner

Miss IsraelPresident Obama is leaving American soil next week for a trip through Israel. He will meet with dignitaries and attend a prestigious dinner at Israeli president Shimon Peres’ home. Guess who’s coming to dinner? Israel’s first black Miss Israel, Yityish Aynaw.

The recently-crowned beauty queen was thrilled when she received the invitation, but never imagined “such a thing” could happen in her life. Now she’s reasoning its fate. The 22-year-old told The Guardian, “The first black Miss Israel to be chosen and [Obama] is the first black American President. These go together.”

She also sees the president as a role model for her groundbreaking victory.

“For me, he is a role model who broke down barriers, a source of inspiration that proves that every person really can reach any height, regardless of their religion, race or gender,” she told The Telegraph.

Aynaw will stand in these shoes for a legion of Ethiopian-Israelis, who are often marginalized in their adopted homeland. According to The Guardian, though there are more than 100,000 Ethiopians living in Israel, “the Ethiopian Jewish community is marginalized in Israel, where some rabbis have questioned the authenticity of their Jewish faith.” She emigrated from Ethiopia when she was 12 and fought to assimilate into her adopted society. Aynaw refused to adopt a Hebrew name.

“I’d never change my name,” she told Jewish publication The Tablet. “Ever.” This could have jeopardized her chances of winning the Miss Israel pageant, but the former Israeli military officer leveraged her origins to her advantage.

Aynaw told the pageant’s panel of judges: “It’s important that a member of the Ethiopian community win the competition for the first time. There are many different communities of many different colours in Israel, and it’s important to show that to the world.”

Dinner table discussion will include Aynaw telling the president he’s her inspiration – and that he should free Jonathan Pollard, an American who spied for Israel and was sentenced to life in prison.

>via: http://www.clutchmagonline.com/2013/03/president-obama-invites-first-black-mi...

 

INTERVIEW +VIDEO: Alice Walker - Beauty In Truth

ALICE WALKER
Beauty In Truth

This year's WOW Festival included the world exclusive premiere of 'Alice Walker: Beauty In Truth', a feature documentary film directed by Pratibha Parmar about the life and art of the Pulitzer Prize-winning author of 'The Color Purple'.

After the screening, Mariella Frostrup chaired a Q&A discussion with Alice Walker and Pratibha Parmar.

More information: http://wow.southbankcentre.co.uk/even...

This session was part of the Women Of The World Festival at the Southbank Centre, 6-10 March 2013 in London.

OBIT: Black Scholar Magazine Editor, Robert Chrisman Joins Ancestors > Black Bird Press News & Review

Black Scholar Magazine Editor,

Robert Chrisman

Joins Ancestors

 

From: abdul

Every Black Studies ac academic unit and journal should think about a special focus on the impact of Robert Chrisman on all aspects of Black Studies given the importance of The Black Scholar and his leadership. Here is some of his work and commentary on him.

Bob's PhD dissertation
Robert Hayden : modernism and the Afro-American epic mission
http://www.worldcat.org/title/robert-hay
den-modernism-and-the-afro-american-epic-mission/oclc/68808487

Retirement from the Black Scholar
http://en.wikipedia.org/wiki/The_Black_Scholar#Robert_Chrisman.E2.80.99s_Retirement

The Dirty Wars (book of poems by Bob)
http://www.theblackscholar.org/books.php

Commentary about Bob
http://leoadambiga.wordpress.com/2011/03/08/letting-1000-flowers-bloom-the-black-scholars-robert-chrisman-looks-back-at-a-life-in-the-maelstrom/

Books by Robert Chrisman
http://www.alibris.com/booksearch?author=Robert+Chrisman&aid=933067

Ten Reasons: A Response to David Horowitz by Robert Chrisman and Ernest Allen, Jr.*
http://www.umass.edu/afroam/hor.html

H-Afro-Am
http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=h-afro-am&month=0502&week=d&msg=E1h35qZP5pDJyxCySC%2BNVw&user=&pw=

Nebraska conference on Malcolm X
http://brothermalcolm.net/2002/omaha/brochure.htm

The crisis of Harold Cruse
The Black Scholar November 1969

Observations on Race and Class
at San Francisco State
http://www.freedomarchives.org/Documents/Finder/Black%20Liberation%20Disk/Black%20Power!/SugahData/Essays/Chrisman.S.pdf

Go Down Moses
http://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0037.423;rgn=main;view=text;xc=1;g=mqrg


From: johnwood@umich.edu

Bob Chrisman was a real giant. A quiet one, but kind, honest, brilliant,
fearless; he was supremely ethical personally and politically; he was
helpful and generous, especially to young scholars. On top of that, he was a wonderful and powerful poet. I hope he and Robert Allen get the respect and gratitude they deserve, putting out an independent, progressive and needed journal of Black scholarship and criticism for more than 40 years.


 

The Dirty Wars
The Dirty Wars:
New Poems by Robert Chrisman
San Francisco: The Black Scholar Press
65 Pages
ISBN-10: 0-578-08767-2
$15.00 paper
Robert Chrisman, Ph.D., is the co-founder and retired Editor-in-Chief of The Black Scholar, Journal of Black Studies and Research. Chrisman holds an M.A. from San Francisco State College and a Ph.D. in English from the University of Michigan. He retired from a Professorship and Chair of Black Studies at University of Nebraska, Omaha in 2005. His previous teaching includes Michigan, Williams, UC Berkeley, University of Vermont, and Wayne State University. He lives in San Francisco.
Robert Chrisman’s latest volume of poems, The Dirty Wars: New Poems by Robert Chrisman, continues and expands upon the themes of his first two volumes, Children of Empire (1981) and Minor Casualties (1993). Chrisman perceives a universe in which the U.S. thrust for total global hegemony has resulted not only in global havoc for various peoples, but also corrupts individual relationships and psyches with its strain.
In such a world, “There is no sleep but pain/ There is no victory, nor valedictory/ There is no peace. There is no forgiveness/ There is no chamber music.” On the other hand, Chrisman finds consolation in individual efforts of fraternity, such as the building of a housing collective in Cuba: “We have planted the seeds of our lives, / They grow beyond us, / Large, vast, fragrant, / Like the ceiba, that large tree/ That guided your labor seven years ago, / And still sways, much larger, / Over the fruits of Los Naranjos.” He also celebrates the endurance and strength that can be found within when facing oppression, such as that of ANC President Nelson Mandela during his incarceration: “He was constant as Orion, / A broad-shouldered winter clock/ who shoulders time and betrayal,/ spray of doves and spears.”
Chrisman also observes closely the reverberations caused by different assaults to the human psyche. He comments on the limited lives of single parent women in “Mother of the Movement:” “She fight in the chains of child care, / baby sitters, no car, short money/ and the daily double commute to baby sitter and work,” or grieves for a partner stricken with terminal cancer in recalling their summer together, “I share these memories as my comfort in your hard time,/ Much as helpless people offer their finest gifts/ To capricious gods,” and probes the duplicities forced upon women by patriarchy in “Procne is Among the Slaves:” “Theirs is an epic spun in coded nocturnes/ among sisters of ravished silence:/ it does not celebrate/ a glittering sword nor homebound sails.” The foibles of the new black bourgeoisie, the talented tenth, are satirized in “Lexus Blues:” “Did you ever wake up one morning’ / and find yo’ Lexus gone? Ever wake up one mornin’ / And find yo’ Lexus gone? / My baby stole it and all my Dom Perignon.” Chrisman resolves his vision with an image of memory and rebirth: “You stand naked on your wash tub/ your family rinses your body with rain water/ your inner and outer skin are one: / The Baja breeze irradiates your groin.”
The Dirty Wars is organized into 4 parts: “The Dirty Wars,” “Letter to a Feminist,” “Letter of Reference,” and “My Father’s Mittens,” respectively. Each section commences with an eponymous elegy, in which Chrisman examines themes that filter into the accompanying poems in the section. In this respect, Chrisman draws upon the classical use of the elegy as a poem of serious meditation. The subsequent poems extend these ideas, in which Chrisman is equally at home with classical allusions, blues idiom, and song lyrics enveloped in an accentual verse that maneuvers through his subjects with astonishing meter and symmetry. Chrisman’s crafted imagery is matched by his intimate attention to detail in poems that address at once a broad and very personal audience.
As poet Melba Joyce Boyd writes, “Robert Chrisman’s cosmic vision harbors profound insight derived from the mystery of human frailties and our uncanny, liberating pursuits in love and war. The Dirty Wars evinces Chrisman’s mastery of poetics in a collection expertly crafted to convey harsh demographic and global truths in a vocabulary that is hauntingly beautiful and strangely gentle, even when posed in confrontation. His poetry lingers in the mind’s eye like ‘a wraith of light,’ ‘a spray of doves and spears,’ warning us about ‘rat-eyed maggot men,’ and ‘the incoherent hum and curse of something inside,’ as he challenges us to explore ‘deeper channels/ than the wounds of memory.’”
To purchase copies or obtain review copies contact:
Maurisa Thompson, Editorial Assistant
THE BLACK SCHOLAR PRESS
Box 399
236 West Portal Avenue
San Francisco, California 94127
blackscholarpress@gmail.com

 

 

 

HISTORY: Five Important (But Overlooked) Figures in the Black Liberation Struggle > MY TRUE SENSE

Five Important

(But Overlooked)

Figures in the

Black Liberation Struggle

We Live in an Encouraging Time!

Notwithstanding the continued legacy of white supremacy, anti-Black propaganda, and racial oppression, we  live in a time where we have more access to our true history more than ever before. Black intellectuals unearth more pieces of our historical jigsaw puzzle via books and articles while Internet search engines point us to pictures, documents, and multimedia clips  to supplement the information provided even in the most deficient social studies textbooks and mainstream media outlets.

Yet history is broad, and even with these encouraging developments, important people, information and experiences remain obscured in our historical narratives. For example, we can all name some significant figures in the Black Liberation Struggle, but our list often contains the same celebrated names recycled redundantly across generations. Therefore, we must reclaim our history and its meaning by expanding our pool of references and actively using them.

Objective of This Article

This article identifies and attempts to explain the significance of five important figures in Black history whose influence often is obscured. This is not a complete or final list by any means. For various reasons these five people resonate with me, but I encourage us to add to this list.

history quote

Our rich history contains hundreds, thousands, perhaps even millions of individuals we need to learn from and whose examples we need to build upon. In this spirit, I do not wish to contribute to the “roll-call” approach to history or the tradition of hagiography where we recite the names of great people we idolize; my aim here is to explore the meaning and enduring impact of ordinary people that thought or did extraordinary things so that we can draw inspiration.

Toward a Living and Relevant Understanding of History

 History is not an old or irrelevant regurgitation of  old experiences or people (no matter what our ill-equipped and uninspired history teachers believed) but a living reminder that “there is nothing new under the sun,” and consequently no need to completely “reinvent the wheel” in our quest for meaning, direction, and resolution. History is a living thing, and the only thing “dead” about it are the minds and imagination of those who fail to appreciate this fact.

Five Under-appreciated and Utilized Figures of the Black Liberation Struggle

callie houseCallie House: Born in 1861 in Tennessee, Callie House was a mother, wife and washerwoman who created the  National Ex-Slave Mutual Relief, Bounty, and Pension Association in 1894. As the organization’s leader, House spearheaded efforts to lobby the U.S. government to provide financial and social service reparations for formerly enslaved Black people. While Blacks debate the validity of reparations today, House and her supporters saw reparations as a moral, practical and civil rights issue. She traveled throughout the south educating former slaves about their right to reparations and pensions as compensation  for their years of unpaid labor in the slave South.  House hired a lawyer and sued the U.S.Treasury Department for $68,073,388.99 in cotton taxes traced to slave labor in Texas. The case was eventually dismissed, but her organization did provide charitable aid to many Black families. Threatened by her amazing grassroots organizing abilities and uncompromising leadership (not to mention the enormous amount of money it stood to pay Black people), government agencies monitored her mail and her activities. Falsely accused of using the postal system to defraud the public (the same tactic used years later to neutralize Marcus Garvey), House received a one-year prison sentence. Her fearless and outspoken leadership despite limited education and financial means challenges the concept that only exceptional men can lead movements and forces us to acknowledge and appreciate the issue of reparations with renewed vigor.

cyril briggsCyril Briggs: We are familiar with Marcus Garvey as a champion of the “New Negro” Moment in Harlem, but he was not alone.The Caribbean-born Communist intellectual Cyril Briggs was a contemporary and critic of Marcus Garvey. His Harlem-based organization, the African Blood Brotherhood, fused Communist analysis with Pan-African and Black Nationalist ideologies. His magazine The Crusader reached approximately 36,000 readers nationwide and his organization never became national or global like Garvey’s, his focus on Black self-defense, anti-imperialist activities, capitalist exploitation, and racism, along with his critique of Black nationalism’s rigid aspects foreshadowed later groups like the Black Panther Party. You can get a glimpse of his penetrating analysis and indomitable spirit by reading his article “The American Race Problem” written in 1918 or  Summary of the Aims and “Summary of The Aims and Program of The African Blood Brotherhood,” written in 1920.The relevance of his insights to our contemporary times is simply amazing.

charles houstonCharles Hamilton Houston: Most current social studies textbooks make mention of the groundbreaking Brown vs. Board of Education Supreme Court case which declared racial segregation in american public schools unconstitutional. We often don’t know that this case was actually one of six cases aimed at dismantling school segregation; nor do many of us know that the famed NAACP legal Committee began their methodical legal campaign against school segregation nearly two decades before the Supreme Court ruled on Brown vs. Board in 1954. Known as “The Man that killed Jim Crow,” Harvard Law School graduate, civil rights attorney, and legal scholar Charles Hamilton Houston  outlined the NAACP’s legal long-term strategy to end Jim Crow practices in American schools. Drawing from the 14th Amendment and the infamous Plessy vs. Ferguson Supreme Court decision which supported racial segregation (it permitted such segregation so long as whites provided “separate but equal” facilities for Black people), Hamilton’s brilliant strategy involved three components. He pressured states to provide separate but equal colleges for whites (knowing this option would prove too expensive), attack the myth that the presence of Black students might lower white school/social standards, and prove that racial segregation psychologically damaged Black students.  Not only did Houston become an expert on these legal issues, he wisely trained a cadre of Black attorneys to help with the campaign. One Houston protegé – Thurgood Marshall - later won the Brown vs. Board case and became the first Black Supreme Court Justice in 1967. Hamilton embodies our need to think strategically, plan long-term movements, and use the law to fight for our liberation. His famous quote directed to Black lawyers says it all: ”A lawyer is either a social engineer or a parasite on society.”

ella bakerElla Baker: No meaningful discussion of the Civil Rights Movement during the 60s can omit the courageous contributions of  the Student Nonviolent Coordinating Committee (SNCC). Seasoned activists and organizers like James Forman, Cleveland Sellers, Stokely Carmichael (Later Kwame Ture), future D.C. Mayor Marion Barry, Diane Nash, William Strickland, and Judy Richardson honed their skills through SNCC and changed the course of history in various respects. SNCC owes its existence to longtime activist and civil rights organizer Ella Baker who began her political activities in the 1930s. She was a national NAACP leader in Harlem and later picked by Dr. Martin Luther King to be the Executive Director of the Southern Christian Leadership Conference in 1957. Baker challenged sexism and the male-dominated culture of the organization, along with its top-down style of leadership. Supportive of the college sit-in movement, Baker organized a student activist conference in 1960 at which SNCC was born. Originally formed to be the student wing of King’s organization, sncc Baker encouraged student activists to lead their own group and address the issues/tactics of their choice. SNCC patterned their philosophy after Baker and changed the structure of leadership during the Civil Rights Movement. In contrast to older movement leaders, SNCC members traveled throughout the South helping Blacks in various communities to develop their own indigenous leadership rather than imposing SNCC politics and policies on them. Baker’s mentorship of SNCC yielded tremendous results as SNCC went on to participate in the freedom rides, create freedom schools, and establish an independent Black political party for rural Blacks in Mississippi. Ella Baker’s insistence on gender equality, inclusive rather than elitist leadership, and her willingness to mentor rather than command young activists mark her as a woman ahead of her time and a source of inspiration for us today.

Robert F WilliamsRobert F. Williams: Malcolm X typically receives credit for advocating Black self-defense during the 50s and 60s. Sadly, he was assassinated before he could realize his evolving political ideas. Yet there was another individual during the same time frame that advocated and practiced armed Black self-defense….and lived to talk about it. A veteran of the U.S. army, Williams served as a NAACP leader in North Carolina during the 1950s. Upon realizing that nonviolent strategy made Black people perpetually vulnerable to racist white brutality, he organized the Black Armed Guard to provide armed self-defense. In 1959, after his new beliefs became known publicly, NAACP Director Roy Wilkins suspended Williams. After dispersing a Klan mob with gunfire from Black men he trained, and a highly contested attempt to integrate a public swimming pool, Williams incurred the wrath and scorn of white residents. In 1961, after being falsely accused of kidnapping a white couple (that he actually protected from an angry Black mob) Williams and his wife fled to the airport and settled in Cuba, fearing indictment by the courts and murder at the hands of white vigilantes. Their interstate travel involved the FBI which promptly listed Williams on their “most wanted” list. His defection to Soviet-backed Cuba during the cold war period caused the United States great concern and embarrassment as it collided with America’s false image as a global beacon of freedom and human rights.Williams soon aired a radio show in Cuba called “Radio Free Dixie” which became very popular with Blacks in the American South. He used these broadcasts and his newspaper The Crusader to denounce American racism and call for armed revolution. He published his book Negroes With Guns While living in Cuba, which became a huge influence on

Cover of Williams' influential book "Negroes With Guns."

Cover of Williams’ influential book “Negroes With Guns.”

many young Blacks in America including Huey P. Newton. Eventually and his wife Mabel left Cuba for China, and they returned to the United States in 1969. Authorities cleared him of all charges and he died in 1996 after many years as an educator and community activist.

These courageous and visionary individuals combined intelligence, activism, and dedication to Black liberation and social justice. Whether we know it or not, we benefit from them and many others we don’t often hear about. And hence we benefit by learning about their activities and ideas and building upon them.

_______________________

Additional References

My Face Is Black Is True: Callie House and the Struggle for Ex-Slave Reparations by Mary Frances Berry

Race, Africa, and Empowerment for the “New Negro”: Contrasting the Racial Ideology and Political Programs of Marcus Garvey and Cyril Briggs by Agyei Tyehimba

“The American Race Problem” by Cyril Briggs

Summary and Aims of the African Blood Brotherhood by Cyril Briggs

Root and Branch: Charles Hamilton Houston, Thurgood Marshall, and the Struggle to End Segregation by Rawn James Jr.

Negroes With Guns by Robert F. Williams

Radio Free Dixie: Robert F. Williams and the Roots of Black Power by Timothy B. Tyson

Robert F. Williams: “The Man They Don’t Want You To Know About” (video)

______________________

Agyei Tyehimba is a former NYC public schoolteacher, co-founder of KAPPA Middle School 215 in the Bronx, NY, and co-author of the Essence Bestselling book, Game Over: The Rise and Transformation of a Harlem Hustler, published in 2007 by Simon & Schuster. Agyei has appeared on C-SpanNY1 News, and most recently on the A&E documentary, The Mayor of Harlem: Alberto ‘Alpo’ Martinez.” Mr. Tyehimba is a professional consultant and public speaker providing political advice and direction for Black college student organizations, community activist groups, and nonprofit organizations. If you are interested in bringing Agyei to speak or provide consultation for your organization, please contact him at truself143@gmail.com.

 

AUDIO: » thank you: a cfc women’s history month mix > The Crunk Feminist Collective

thank you:

a cfc women’s history month mix

13 Mar

CF’s Moya and Jalylah at The March for Women’s Lives on April 25, 2004 in Washington, D.C..

“You are magnificent.” So read the final line of an email I received from the CFC’s Moya Bailey the first Friday of 2012. The subject line was, “Love for you in the new year!” It recalled the summer we became friends and its consequence on her journey. She offered thanks and called me by a name I still shrink from.

We met ten Junes earlier in Harlem. We both were attending Kevin Powell’s HipHop Speaks! event at Riverside Church. She wrote I said hello. I remember that being the first of many summer days we sat together. Wee hours talking on the steps of Union Square are what I mostly remember and dancing to Donnie at Brooklyn Academy of Music’s R&B Festival at MetroTech. She insisted on the genius of his debut, The Colored Section. I remembered the roar of Atlanta’s Yin Yang Café when he sang and underage-I checked IDs at the door but I was dismissive. I have always preferred pretend aloofness to exclusion.

We both had our dragons to slay. A few remain at my neck and, to their fiery breath, I will attribute my recent hair loss. To Moya, I will attribute unconditional love. Ever open to people and process, she has modeled courage. Ever-embracing, she has made me feel like enough even when I was a mess. It is good to know Moya and I call her name in celebration of sisterhood. I call her name because she constantly calls me and you to justice whether in her blessed company, in her brilliant classes, in this crucial collective, in her activism, in her writing or her epic good-time making.

This is how I celebrate Women’s History Month. I call magnificent the women who have worked miracles in my life from Mom to Moya, Geneva to Aisha, L’Erin to Kristel, Iquo to Simone, Sunanda to Courtney, Brooke to Amy, Devin to Marcia, Kimerie to Maxine, Gabby to Xenia, Jane to Velma, April to Kristen, Frances to Lynn, Nzingha to Elizabeth, Ebony to Malika, Alysia to Teresa, Evans to Jamila, Camara to Kandia, Ruby to Roberta, Sister Bisi to Tarshia, Kyra to Lyneka, Taneya to Tiona, Sabrina to Laylah, Ana to Adom, Gwendolyn to Georgia, Spelman College to Imani House and the gratitude goes on. The full can never be told but I will not stop trying and I invite you to do the same in the comment section, in an email, a blog post, a Tweet, a Facebook status or even an old-fashioned phone call. Spread love, it’s the feminist way.

thank you: a women’s history month mix

“Miss Celie’s Blues” Tata Vega

“Giving Something Up” Amel Larrieux

“Lag Time” Ani DiFranco/ “Crutches” Nikki Giovanni

“My Crew” Jean Grae

“Apple Tree” Erykah Badu/ “Apple Tree” [Live at Black Girls Rock] Erykah Badu

“Bad Girls (Switch Remix)” M.I.A. feat. Missy Elliott and Rye Rye

“Run The World (Girls)” Beyonce

“Estragen” Apani B-Fly Emcee feat. Ayana, Helixx, Heroine, Lyric, Pri The Honey Dark, What? What? & Yejide Apani B-Fly Emcee

“Grandmother And Mother’s Legacy” Radmilla Cody

“Black Mona Lisa” Lamya

“Star” Janelle Monáe

“Cinderella” The Cheetah Girls

“Making Friends: Episode 1” Chelsea Peretti

“You’ve Got A Friend” LaBelle

“Kind & Generous” Natalie Merchant

[STREAM/DOWNLOAD]

*Special thanks to Eesha Pandit. It was after receiving her International Women’s Day tweet of gratitude to members of this collective that I decided to make this mix.

 

AUDIO: ESP Sun Ra Radio Tribute - 14 hrs in 6 Parts > . Adventure-Equation .

ESP Sun Ra Radio Tribute

- 14 hrs in 6 Parts

 

 

After receiving a few requests from interested readers to re-up portions of this series, I decided that featuring the entire collection of webcasts in one post would help to bring some attention to this marvelous historical narrative.  Several years ago, Arkestra member and official Sun Ra archivist, Michael D. Anderson, "The Good Doctor," enhanced the ESP-Disc website with a 14-hour Sun Ra retrospective.  In this unprecedented audio documentary, The Good Doctor presents a timeline of Sun Ra's career featuring both classic releases and unheard nuggets from the Archive.  The tribute is divided into 6 parts, each approximately 2 hours for a total of 14 hours of amazing information and music.  Throughout the broadcasts, Michael D. Anderson relates biographical information about Ra and shares many anecdotes of his time with the Arkestra; I find these are particularly interesting and entertaining.

 

A few of my favorite moments from these broadcasts have already been featured here.  You might remember Rusty Morgan's "Blame Shame" or the Arkestra's remarkable performances of I Roam the Cosmos (if you missed these, rectify!).  There are plenty more incredible rarities peppered throughout these broadcasts.  If you are interested in reviewing the playlist for each segment, please click the 'part #' below each stream to be whisked away to the original post where you will find newly refreshed download options.  Each post features the original master tape offered in both FLAC and 320k mp3 as well as an mp3 audio stream of the show.

If listening to the entire transmission in one sitting doesn't suit your schedule, please consider bookmarking this page so that you can easily return for future listens.  Or if you happen to have 14 hours to spare... click & enjoy!

 

MANY THANKS to our friend, I-), for sending me these wonderful recordings.


ESP Sun Ra Radio Tribute - 14 hrs in 6 Parts

 

 

 

 

 

 

 

PUB: Call for Poetry: Veils, Halos and Shackles Anthology (India/ worldwide) > Writers Afrika

Call for Poetry:

Veils, Halos and Shackles Anthology

(India / worldwide)

Posted 12 March 2013 | For Veils, Halos and Shackles, an anthology of international poetry that will respond to the horrifying incidence of rape and other forms of violence and oppression directed at women in our time, Smita Sahay & Charles Fishman are seeking published and unpublished poems that center on any aspect of this issue.

Please send 1-3 poems (up to 10 total pages), to both editors, in a single Word attachment, along with a short bio of approximately 100 words and a paragraph or two regarding your reasons for addressing this subject in your poem(s).

CONTACT INFORMATION:

For queries/ submissions: Charles Fishman at carolus@optimum.net or Smita Sahay at sahaysmita@gmail.com

 

 

PUB: Call for Papers - Writing South Africa Now: A Colloquium (University of Cambridge) > Writers Afrika

Call for Papers

- Writing South Africa Now:

A Colloquium (University of Cambridge)

Posted 13 March 2013 | Deadline: 8 April 2013

Writing South Africa Now is a new collective of research students and scholars based in the English Faculty at the University of Cambridge. It is committed to the literary critical study of South Africa in the broadest of terms, with interests ranging widely from the contemporary novel, the short story, and creative non-fiction, through to oral history narratives, testimonial theatre, and documentary film. Motivated by an ambition to make new critical voices from within the UK heard, Writing South Africa Now is delighted to announce its call for papers to be delivered at its inaugural colloquium to be held in Cambridge on Tuesday, July 2nd 2013.

The convenors invite proposals from postgraduate students and early-career scholars engaged in research on any aspect of the field of South African literary studies. Writing South Africa Now particularly encourages proposals that have as their focus, however, the work of writers, directors or creative practitioners seen to have emerged in the decades since the nation’s first democratic elections as well as those that attempt to draw into focus work from the more distant past that has been neglected or occluded from critical scrutiny. Proposals that explore the complications of the ‘now’ in a critical landscape that often simplifies or elides any substantive scholarly or social distinction to a ‘then’ would be equally welcome. The convenors do not seek to limit otherwise the range of topics available for discussion and are eager for proposals that will broaden the categories by which we understand the field. South Africa’s literary terrain, as the recent 'Cambridge History of South African Literature' attests, continues to yield a rich crop of literary work from a diverse range of linguistic, ethnic, geographic, economic, and even national backgrounds that continue to exceed and overflow the bounds of our former knowledge. Writing South Africa Now intends this colloquium to be a space in which emerging scholars can present and debate this new material. It hopes this may forge new critical directions for the field and construct significant individual and institutional scholarly links to the profit of future research.

The extended deadline for proposals Monday, April 8th, 2013. Please send an abstract of no more than 300 words, including your name and institutional affiliation, to:

The convenors aim to notify all speakers whose proposals are accepted within a week of the new deadline and will provide further details of the arrangements for the day, including options for accommodation, at this time.

There is no cost for attendance and Writing South Africa Now warmly welcomes all those interested by the ambitions of the colloquium to attend as a generous provision of time has been allocated for discussion. We kindly request those not giving a paper to confirm their attendance at least one month in advance. A reminder, detailing the specific times and location for the event, will be sent out nearer the time.
Details of the event and the timetable for the day will also be available through Writing South Africa Now’s webpage .

Any questions or queries, please contact the convenors.

CONTACT INFORMATION:

For queries/ submissions: writingsouthafricanow@gmail.com

Website: http://writingsouthafricanow.wordpress.com/

 

 

PUB: Winter 2013 Story Contest > Narrative Magazine

 Home

Winter 2013 Story Contest

Our winter contest is open to all fiction and nonfiction writers. We’re looking for short shorts, short stories, essays, memoirs, photo essays, graphic stories, all forms of literary nonfiction, and excerpts from longer works of both fiction and nonfiction. Entries must be previously unpublished, no longer than 15,000 words, and must not have been previously chosen as a winner, finalist, or honorable mention in another contest.

 

Prior winners and finalists in Narrative contests have gone on to receive other awards, and to be published in prize collections, including the Pushcart Prize, the Whiting Writers’ Award, the Atlantic prize, and others. View some recent awards won by our writers.

 

As always, we are looking for works with a strong narrative drive, with characters we can respond to as human beings, and with effects of language, situation, and insight that are intense and total. We look for works that have the ambition of enlarging our view of ourselves and the world.

 

We welcome and look forward to reading your pages.

 

Awards: First Prize is $2,500, Second Prize is $1,000, Third Prize is $500, and ten finalists will receive $100 each. All entries will be considered for publication.

 

Submission Fee: There is a $22 fee for each entry. And with your entry, you’ll receive three months of complimentary access to Narrative Backstage.

 

All contest entries are eligible for the $4,000 Narrative Prize for 2013 and for acceptance as a Story of the Week.

 

Timing: The contest deadline is March 31, 2013, at midnight, Pacific daylight time.

 

Judging: The contest will be judged by the editors of the magazine. Winners and finalists will be announced to the public by April 30, 2013. All writers who enter will be notified by email of the judges’ decisions. The judges reserve the option to declare a tie in the selection of winners and to award only as many winners and finalists as are appropriate to the quality of work represented in the magazine.

 

Submission Guidelines: Please read our Submission Guidelines for manuscript formatting and other information.

 

Other Submission Categories: In addition to our contest, please review our other Submission Categories for areas that may interest you.