LITERATURE: Curating new writing: Uganda Calling « Lady Oracle Loves

Curating new writing:

Uganda Calling

18 Jun

I am clearly being pulled to Ugandan literature of late as I grudgingly come to the end of the wonderful “Tropical Fish – Tales from Entebbe’ by Doreen Baingana. I will move on to ‘Waiting’ by Goretti Kyomuhendo next. I digress, as I stumble on this collection of short stories curated under the umbrella ‘Uganda Modern Literary Digest’.

I love the stories I have read on this site so far and discovering new authors (Mildred Ayenpo et al) in ’some very fine writing from Uganda’ is not an overstatement on their part….check it out! Enjoy……….Curating new writing: Uganda Calling

 

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    There is that one person you fall in love with and know you will never climb back out. They are your soul mate, the love of your life. Hers, like yours, remains permanently lodged in a special chamber of the heart even though she never was able to find appropriate place for him [...]

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§217 · June 13, 2012 · Uncategorized · Comments Off ·


¶ again

  “Again! Throw more, daddy; put!” Gabby squeals, giving me a wary look and then kicking Joshua for space around the courtyard fire; a fire made of pampers, empty NAN tins, old boxes, fleshy aloe vera stalks and about three actual lengths of wood, all elevated by strategically placed bricks. My father drops another aloe [...]

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§214 · June 13, 2012 · Uncategorized · Comments Off ·


    A rustle of little feet in the grass is the only announcement of Solo’s arrival. Six blinking yellow rounds meet in the darkness, look up to mirror the moon, then separate out into the darkness. The boys settle into familiar places. Aleku spreads naturally in the crook of the tree while Solo and [...]

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§212 · June 13, 2012 · Uncategorized · Comments Off ·


“He is gay.” Syson said as he tapped Medius’ shoulder. “No surprises, he looks,” Medius turned to focus on Jim who was obliviously involved in an animated discussion just behind them. He threw his arms in the air as he spoke. When he laughed, his laughter reverberated with a wave that seemed to sweep his [...]

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§187 · June 13, 2012 · Uncategorized · Comments Off ·


      I saw him standing outside Café Javas in a red plaid shirt and dark blue jeans. He wore white and red sneakers that screamed loudly: “OC!” His face was the same, the same wide eyes staring out from behind the round glasses. He was hunched over what looked like a Ushs. 10,000 MTN [...]

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§156 · January 18, 2012 · Uncategorized · Comments Off ·

 

 

 

MEDIA: Africans to Follow on Social Media « Independent Global Citizen

Africans to Follow

on Social Media

Posted: January 6, 2012

Social media has revolutionized how people communicate with each other. It has become the standard for personal and professional networking. It provides an effective and inexpensive method of connecting people with other people, products, causes, ideas, and information.

Applications like Facebook and Twitter are made more useful because of the proliferation of devices such as smartphones and digital tablets. Individuals are constantly utilizing these devices, which makes it possible to stay in constant contact with them.

Independent Global Citizen has been following innovative African thinkers for several years in the quest for understanding and wisdom. That is the reason for compiling this list of “Africans to Follow on Social Media”. These are individuals who have proactively decided to have a strong presence in cyberspace.

This is not intended to be an exhaustive list. It’s intended to be a starting point for others who wish to engage in a dialogue regarding issues that impact Africa and Africans.

This is an old African proverb that expresses the challenge of speaking the truth depending on your perspective:

Until the lion learns to speak , the tale of the hunt will always glorify the hunter.

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Social media is giving a voice to the lion. Many Africans are using social media to continue the African tradition of storytelling. The audience has become the global village.

The List

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Marieme Jamme (@mjamme) is a London-based social entrepreneur, blogger, and technologist with a passionate commitment to helping empower Africans through education, leadership, and economic development. She is a co-founder of Africa Gathering.

TMS Ruge (@tmsruge) is a photographer and social entrepreneur who is the co-founder of Project Diaspora. The innovative Villages in Action conference is a great example of grassroots community engagement to find solutions to global challenges.

Maurice Kirya (@mauricekirya) was named the winner of the Radio France International (RFI) Discovery Prize for Best New African Artist in 2010. He has won numerous awards for his unique style and talent.  His music and videos are available on his website and Reverbnation.

Binyavanga Wainaina (@binyavangaw) is an author, journalist, and winner of the prestigious Caine Prize for African Writing. His memoir, “One Day I Will Write About This Place” was published in 2011 and his satirical essay “How Not To Write About Africa” caught the attention of millions of people around the world.

Kathleen Bomani (@katebomz) is a passionate social commentator and activist on African issues.  She is an event coordinator with TEDxDar.

George Ayittey (@ayittey) is a Ghanaian economist, educator, author, and founder of the Free Africa Foundation. His book, “Africa Unchained: The Blueprint for Africa’s Future“, sends a call for a Cheetah Generation of young Africans to become innovative, fast-moving entrepreneurs to take charge of their countries.

Wanjiru Kamau-Rutenberg (@wanjirukr) is an activist, social entrepreneur, and Assistant Professor of Politics at the University of San Francisco. She is the founder and director of Akili Dada.

Ida Horner (@idahorner) is an entrepreneur and inspirational speaker who has developed an expertise on sustainable development and issues affecting poverty stricken women in Africa.  She is the founder of Ethnic Supplies.

Emeka Okafor (@emeka_okafor) is an entrepreneur and venture catalyst who lives in New York City. He is the curator of Maker Faire Africa and the creator of Timbuktu Chronicles.

Dambisa Moyo (@dambisamoyo) is a Zambian economist and author of the bestselling book “Dead Aid“.  She was named as one of 100 most influential people in the world by Time Magazine in 2009.

Andrew Mwenda (@andrewmwenda) is the managing editor of The Independent magazine in Uganda and a prolific critic of foreign aid to Africa.

Milton Allimadi (@allimadi) is the publisher of Black Star News in New York City and the author of “The Hearts of Darkness: How White Writers Created the Racist Image of Africa“.

Solomon Jagwe (@soreel) is an animator and independent filmmaker. He is passionate about preserving wildlife in Africa and is working on the animated film “Galiwango“. The film is about a mountain gorilla’s tale of survival and perseverence.

Kambale Musavuli (@kambale) is a Congolese human rights activist raising awareness and mobilizing people around the world to bring an end to the injustice and violence in Congo. He is the spokesperson for Friends of the Congo and a coordinator for Breaking the Silence.

Mona Eltahawy (@monaeltahawy) is an award-winning columnist and an international public speaker on Arab and Muslim issues. She is a lecturer and researcher on the growing importance of social media in the Arab world.

Magatte Wade (@magattew) is a self-proclaimed cultural adventurer and entrepreneur from Senegal. Her newest adventure explores the world of love, happiness, peace, and human sensuality. Discover Tiossano.

Evelyn Namara (@enamara) has a strong background in information technology and systems management.  She is the program coordinator for Solar Sister in Uganda. The organization seeks to alleviate energy poverty by empowering women with economic opportunity by utilizing the potential of solar technology.

Vava Tampa (@vavatampa) is an activist raising awareness for the struggles of the Congolese people. He is the director of Save the Congo based in London.

Ato Ulzen-Appiah (@abocco) is an entrepreneur with a focus on technology. He is a passionate advocate of African arts and entertainment. He is the founder of Museke, which gives global exposure to African musicians.

Nii Thompson is (@myweku) is the founder and editor of MyWeku. The website covers a diverse range of topics including music, film, fashion, culture, and politics related to Africa.

Rosebell Kagumire (@rosebellk) is a multimedia journalist working on peace and conflict issues in eastern Africa. She is passionate about promoting the work of bloggers and journalists to enhance human rights coverage.

Ezioma Anosike (@EziAnosike) is the publisher of Amoize Magazine. The publication is a lifestyle and cultural magazine focused on the rich and beautiful diversity of African heritage.

Jackson Kaguri (@Twejaka) is an author and founder of the Nyaka Project based in western Uganda. His memoir “A School For My Village” is an inspiring story of how one person can really make a difference in the world.

Calestous Juma (@Calestous) is a professor at the John F. Kennedy School of Government at Harvard University. He specializes in science, technology, and globalization issues that impact Africa.

Shirlene Brown (@jamati) is the  Editor-In-Chief of Jamati.  The publication is a premier online destination for African entertainment. The portal covers African music, film, fashion, books, sports, and lifestyle.

to be continued . . .

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OBIT: Remembering and Celebrating the Life and Legacy of Aaronette M. White > The Feminist Wire

Remembering and Celebrating

the Life and Legacy of

Aaronette M. White

August 18, 2012

 

It is with deep sadness and profound devastation that I share that radical Black/Pan-African feminist activist and social psychologist Aaronette M. White, Ph.D., recently made her physical transition. While there is presently uncertainty about the exact date and time of her sudden death, no foul play or harm was done to her in the last hours of her life. Her body was found in her apartment on Tuesday, August 14, 2012. The belief is that she suffered an aneurysm. She was 51-years old.


Aaronette on the NO! production set.
photo credit: Scheherazade Tillet

Aaronette was one of my dear and close friends who was also a trusted confidante. I first met her in September 1996 at the Black, Male & Feminist/Womanist conference, which was organized by Black Men for the Eradication of Sexism, a student group at Morehouse College. At that point, I was barely in year two of the twelve-year journey to make my feature-length film NO! The Rape Documentary. Thanks to radical, trailblazing Black feminist scholar-activist, and Big Sister-friend Beverly Guy-Sheftall, Ph.D., who is the founding director of Spelman College’s Women’s Research and Resource Center and their Anna Julia Cooper Professor of Women’s Studies, I was invited to be a presenter at the conference. In remembering that historic gathering, Beverly wrote,

[…]Though not many of us were at Morehouse in 1996 (bell hooks was also there as the keynote speaker), it was a critical moment in the development of a young cohort of brothers who claimed unapologetically their allegiance to [B]lack feminists and FEMINISM!!!!

It was a powerful moment in which some friendships, camaraderies, and allegiances were formed and are still going strong today.

When Aaronette heard that I was making a film about intra-racial rape, other forms of sexual violence, and healing in the Black community, she immediately came up to me at the conference to ask how could she be involved with this project. Shortly after my return home, she sent me a package, which included a donation towards the making of NO!, her curriculum vitae, extensive resources directly related to her ground breaking research and scholarship on anti-rape activism in the Black community. The package also included a letter offering to be involved, for free, in any way possible. This past June, we laughed hysterically during one of our many Sister-friend marathon phone conversations remembering her first mailing to me. Little did she know at the time of sending me her very extensive package in 1996, I was desperate for any and all assistance and expertise in support of the making of NO!.  Aaronette literally thought she had to convince me that she would be a wonderful resource for the project.  Shortly after receipt of her first of many packages over the years, she became one of the five Black feminist scholar-activist advisors[1] to NO!. Equally as important, Aaronette, was a featured interviewee who shared both her testimony as a survivor of rape; and her scholar-activism on sexual violence on camera. Without expecting anything in return, Aaronette worked tirelessly in support of NO! always looking for ways for me to secure funds to help me cross the finish line; and to spread the word about the making of the documentary. She most generously gave her time both as a scholar-activist and also as one of the consistent trusted shoulders upon which I leaned for ten out of the twelve years it took for me to make NO!.

Aaronette’s activism, scholarship, and writings were frequently ahead of the curve. She constantly championed unsung warrior feminist women who were predominantly of African descent. However, she celebrated the resiliency and (sometimes armed) resistance of all women she defined as freedom fighters.

At the time of her untimely death, Aaronette was working on at least two book projects. One co-edited project with her dear friend and pro-feminist scholar-activist Gary L. Lemons, Ph.D., which is tentatively titled Black Feminist and Womanist Pedagogies: When the Personal is Political and Academic. Based upon my understanding from Aaronette, this book project is an edited collection of previously published and original essays by Black feminist and womanist scholar-activists on their experiences and lessons learned from teaching radical pedagogies in what I personally call the Academic Industrial Complex. I was thrilled when she asked me to write an essay about my experiences teaching an undergraduate course on Diasporic African women filmmakers when I was an Artist-in-Residence at the University of Chicago‘s Center for the Study of Race, Politics, and Culture.

The other project, which I believe was presently untitled at the time of her death, was envisioned to be an in-depth comparative study, based upon her first-person interviews with African women war veterans who fought in Ethiopia’s 17-year civil war; in South Africa’s armed wing of the anti-Apartheid struggle; and in the Rwandan army to end the 1994 genocide. Aaronette was concerned that we very rarely, if ever, heard from the voices of African women freedom fighters. Often, while fighting in their countries, many (but definitely not all) of these women warriors were raped by their own male comrades with whom they were fighting. She was also interested in exploring what happened to these African women war veterans after the wars ended. She wanted to know how they were received and treated in their countries. In a Pan-African context, she wanted to lift up their testimonies to add her voice, research, and writings to the growing chorus of diasporic African feminists who challenge the sexist notion that revolution is something that only men wage.

Aaronette signing Cornelius Moore’s copy of her book “Ain’t I A Feminist: African American Men Speak Out on Fatherhood, Friendship, Forgiveness, and Freedom”
photo credit: Aishah Shahidah Simmons

Aaronette’s first book, Ain’t I A Feminist? African American Men Speak Out on Fatherhood, Friendship, Forgiveness, and Freedom (S.U.N.Y. Press, 2008) examined the experiences of African-American men who self identify as feminists. Aaronette’s process with identifying each of the (anonymously) featured men required a personal recommendation from a Black (woman) feminist. Her belief was that it was not enough for a man to believe he was a feminist, she needed to also hear from at least one, but preferably more than one Black feminist to confirm that this was the case. Her second book African Americans Doing Feminism: Putting Theory into Everyday Practice (S.U.N.Y. Press, 2010), is an edited collection of personal stories and testimonials about how feminism has influenced the lives of feminist African-American women and men.

Aaronette lived her life out loud and without apology for her bold, take no prisoners radical feminism. She didn’t suffer fools wisely. The few times we were able to present NO! The Rape Documentary together, she was adamant that the first three questions or comments, immediately post the screening of the film, were from survivors of child sexual abuse and/or sexual violence. She wanted to make sure the voices of survivors were centralized and heard first and foremost. If she thought a person (man or woman) was trying to condone rape especially in the name of playing “devil’s advocate,” she would shut the conversation down immediately. She always did everything that she could to ensure that survivors felt safe and supported, most especially at NO! events where she was present.

A true global citizen, Aaronette became an integral part of the communities she lived in the several countries she called home.

Aaronette at brunch in Berkeley, California
photo credit: Aishah Shahidah Simmons

The last time I saw her was in March 2012 when I was in Berkeley, California for a two-day symposium on Gendered Violence Against African American Girls and Young Women, which was hosted by the Thelton E. Henderson Center for Social Justice at University of California, Berkeley School of Law. At the end of the symposium, Aaronette drove up from Santa Cruz and we spent most of one day together. While we were frequently in touch through our marathon phone conversations, we hadn’t seen each other since April 2008. It was a Sister-friend reunion of the highest order. We ate lots of good, organic vegetarian food. And, we laughed so much until we cried tears of joy about being together in person. I will always cherish that time. Recognizing that NO! is a documentary, which very unfortunately is still relevant, we envisioned an opportunity where we might be able to bring all of the survivors, scholars, activists, and/or cultural workers featured in NO!, and the key production and post-production personnel who made NO! for both a screening and public dialogue about all of the issues raised in the film and how it relates to where we are today as a non-monolithic community. Aaronette and I weren’t sure if it should be a one-day or two-day event. We talked about ideas for the location and potential funders who might be interested in supporting this vision.

This summer Aaronette received an endowed chair at University of California, Santa Cruz where she was on the faculty in the psychology department. We were rejoicing because while she was always fortunate to receive some of the most prestigious fellowships for her unapologetically radical work, this was the first time where she felt like would be able to exhale completely. She was in the process of purchasing a condo on (or near the ocean) in Santa Cruz. In fact, she was going to close within the next week or two. And, true to form, Aaronette was strategizing how to support her Sister-friends whose work she believed in and supported. When I casually shared with her that I was scheduled to present at the National Women’s Studies Association (NWSA) annual meeting this November but shared that I had no idea how I would be able finance the trip, she immediately said,

Oh, that’s simple. I’ll bring you out to screen and discuss NO! at U.C. Santa Cruz. You’ll receive your full honorarium; and then we’ll go to NWSA together. Problem solved, Gurl, PROBLEM SOLVED! These are the things I can do now that I have an endowed chair. What better way to use these funds than to talk and educate about Black women and rape.

I first received word about Aaronette’s death on August 15, 2012 from scholar-activist and friend Tamara K. Nopper, Ph.D. Tamara assumed I knew and sent me an email to offer her deeply felt condolences and to thank me for helping to “get [Aaronette’s] story and analysis out there (through NO!).” When I read Tamara’s email, I was in a remote part of Marshall, CA attending a Ms. Foundation for Women sponsored and hosted gathering for invited predominantly women of color and gender queer of color activist-leaders who work on ending child sexual abuse. My cell signal was practically non-existent and internet was not readily accessible at the venue where the gathering was held. I thought there had to be a major mistake. I talked to Aaronette at the end of June, right before I departed for my 35-days off of the grid journey to deepen my 10-year practice of vipassana meditation as taught by S.N. Goenka. We were going to talk when I returned in August. I was going to see her in her new home in November. She wasn’t sick. I had to immediately find a computer with consistent access to the internet. I had to google her name to prove that Tamara made a major mistake. There must’ve been another Aaronette White who transitioned. Much to my horror, Tamara was right. I saw the article, with her photograph, posted on U.C. Santa Cruz’s site.

I am grateful that I was at the Ms. gathering of activist-leaders who work on ending child sexual abuse when I received the (still) shocking news in the form of a heartfelt email from Tamara. While some of the people “knew” Aaronette through her powerful presence in NO!, no one in attendance at the gathering knew her personally. In spite of this we held her name, her life, and her transformative Black feminist legacy up. It was a powerful sacred circle of radical women and transpeople who “spoke her name” and celebrated her contributions to making this world a more just, compassionate, and humane place for all its inhabitants during her lifetime.

While still in California, my friend Cornelius Moore, who’s the co-director of California Newsreel (co-distributor of NO!, with AfroLez® Productions), and I spoke Aaronette White’s name over dinner, through some of the night, and in the morning on my way to the airport home to Philadelphia. He, along with one of her four sisters and best friends Lisa Diane White, who’s the director of programs for SisterLove, Inc., were some of the last people I personally know who spent extended time with Aaronette in July.  It was heartwarming to be able to hear poignant and funny stories from both Lisa and Cornelius about Aaronette during what became the last month of her life. The wound from this tremendous loss is very deep and still festering for all of us who knew and loved her. I’m grateful for the community sharing in person, on the phone, and in cyberspace in my first 24-hours of living knowing that I will never see, talk to, cry with, laugh with, celebrate with, and confidentially share with Aaronette Michelle White.

In an August 16, 2012 Facebook post remembering Aaronette, my sister-survivor, dear friend, and poet extraordinaire Honorée Fanonne Jeffers who is one of the three featured poets[2] in NO! wrote,

Aaronette and I were young women, only in our thirties, when we met during a magical weekend in Philadelphia. We had been calledd–”called” is the only word I can think of-by Aishah Shahidah Simmons to appear in the film NO! The Rape Documentary. We had been called to tell our stories as Black women rape survivors. We had been called to break our silence and dispel our shame. We had been called to love each other and accept each other, not to roll our eyes and pick apart each other’s appearances and take out our pain on each other.
I always remember the night Aaronette and I spent talking, her warmth and the way she pulled in others with that warmth. I remember thinking, “THIS woman is a rape survivor?! How can this be? She is so happy and so stylish and so full of good self-awareness.” Meeting Aaronette and spending that weekend with her, Aishah, Salamishah Tillet and others was the beginning of my finding and loving myself…
That weekend was a healing, the beginning of my lifelong journey to embrace self-acceptance, self-love, love for others, and spirituality. I can say with all that is in me that if it hadn’t been for that weekend, I would not be the poet and the woman I am today, and I would not have the happiness and peace I have found within. Aaronette and Aishah were the first Black women of my age (that I didn’t grow up with) who gave me unconditional acceptance. Who made me feel safe, even in the middle of the horrific experience of sharing my story as a rape survivor on film, breaking my silence, and putting aside shame and trauma in order to help other women. In order to help myself…

Echoing Honorée, Beverly [Guy-Sheftall] also captured the sentiments of many who knew Aaronette when she wrote,

[…]Though I didn’t see [Aaronette] enough, she was always on my mind when I thought about the [B]lack feminist community that all of us were able to craft over the years–her smile, her spirit, her wisdom, her productivity, and so much more…

I rejoice knowing that Aaronette’s legacy will live on through all of the lives she personally touched; her radical Black feminist activism, which centralized margins; and her published writings. I am eternally grateful for her powerful presence in NO! and in Breaking Silences. I am also holding on to the vision that one day in the not too distant future, my and Aaronette’s vision of all of the NO! interviewees, performers, and production crew coming together for private sharing, public screening and dialogues. It willwomanifest in Aaronette’s name.

VIVA the life, legacy, fierce, and unapologetic RADICAL BLACK FEMINIST SPIRIT of daughter, sister, friend, comrade, activist, scholar, and teacher Aaronette Michelle White. I will honor her legacy as long as there is conscious breath in my body.


[1] The other four scholar-activists advisors to NO! are Janelle L. White, Ph.D., Charlotte Pierce-Baker, Ph.D., Elsa Barkley Brown, Ph.D., and Kimberly D. Coleman, Ph.D.

[2] The other two featured poets in NO! are the late Essex Hemphill and Samiya A. Bashir.

 

HISTORY: Fort Mose: America's Black Colonial Fortress of Freedom > FLMNH - Historical Archaeology

Fort Mose

America's Black Colonial Fortress

of Freedom

More than 250 years ago, African born slaves risked their lives to escape English plantations in Carolina and find freedom among the Spanish living at St. Augustine. Battling slave catchers and dangerous swamps, they helped establish the first American underground railroad more than a century before the Civil War. Courageous Africans and their Indian allies shuttled runaways southward, rather than to the north, as the later railroad would. In Florida the Spanish freed the fugitives in return for their service to the King and their conversion to the Catholic faith. The Spanish were glad to have skilled laborers, and the freedmen were also welcome additions to St. Augustine's weak military forces. In 1738 the Spanish governor established the runaways in their own fortified town, Gracia Real de Santa Teresa de Mose, about two miles north of St. Augustine, Florida. Mose (pronounced "Moh- say") became the first legally sanctioned free black town in the present-day United States, and it is a critically important site for Black American history. Mose provides important evidence that Black American colonial history was much more than slavery and oppression. The men and women of Mose won their liberty through great daring and effort and made important contributions to Florida's multi-ethic heritage.

From 1986-1988 a team of specialists headed by Dr. Kathleen Deagan of the Florida Museum of Natural History carried out an archaeological and historical investigation at Ft. Mose. Their discoveries show that African Americans played important roles in the rivalry and confrontations between England and Spain in the colonial Southeast. The people of Mose were guerrilla fighters who made politically astute alliances with the Spaniards and their Indian allies, and waged fierce war against their former masters. The Black militia fought bravely alongside Spanish regulars to drive off the English and Spanish forces who attacked St. Augustine in 1740, and the Black troops also fought in the Spanish counter-offence against Georgia two years later.

The men and women who formed the community at Mose are no longer anonymous. Centuries-old documents recovered in the colonial archives of Spain, Florida, Cuba, and South Carolina by historian Dr. Jane Landers tell us who lived in Mose and something about what it was like to live there. We know that in 1759 the village consisted of twenty-two palm thatch huts which housed thirty-seven men, fifteen women, seven boys and eight girls. These villagers attended Mass in a wood church where their priest also lived. The people of Mose farmed the land and the men stood guard at the fort or patrolled the frontier. Most of the Carolina fugitives married fellow escapees, but some married Indian women or slaves living in St. Augustine.

Archaeology has filled in some of the details about daily life at Mose. In the first season's excavation archaeologists uncovered the remains of the fort itself, with its moat, clay-covered earth walls and wooden buildings inside the fort. They also found a wide variety of artifacts; military items such as gunflints, flattened bullets, metal buckles and hardware; household items such as thimbles, nails, ceramics, and glass bottles; food items such as burned seeds and bone, and even a hand-made St. Christopher's medal.

The villagers came from many different tribal and cultural groups in West Africa and were taken as slaves to English Carolina. While struggling to gain their freedom they had extensive contact, both friendly and hostile, with many Native American peoples, and ultimately settled among the Spanish. How much of the way of life at Mose was African? How much was Spanish? How much was Indian or English? Archaeologists are looking for the answers to these questions and other questions. Whatever the answers might be, the archaeological investigation of Ft.Mose is helping to document the critical, and previously unrecognized role of African Americans on the colonial frontier, and produce a better understanding of how various ethnic groups interacted in the Americas.

Mose stands as a monument to the courageous African Americans who risked, and often lost, their lives in the long struggle to achieve freedom. It is the only site of its kind in the United States, and is a precious and valuable part of our state and national patrimony. The Florida State Legislature, with the encouragement of Representative Bill Clark and Florida's Black Legislative Caucus, has supported the ongoing research at Mose, and has approved acquisition of the site in order to protect and preserve it. Thanks to their efforts Ft. Mose was named as a National Historic Landmark in 1995, and is an important element in Florida's Black Heritage Trail.

Learn more

You can learn more about Ft. Mose in Ft. Mose, Colonial America's Black Fortress of Freedom by Kathleen Deagan and Darcie MacMahon (University Press of Florida, Gainesville. 1995), and by visiting the Ft. Mose Historical Society web site at http://www.fortmose.org/.

 

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Fort Mose Historical Society 

 

African American Community of Freedom

 

Fort Mose Mission Statement

On June 26, 1996 the founding members of the Fort Mose Historical Society: African American Community of Freedom, donned knee high rubber boots and waded into the marsh, heading towards a small patch of trees surrounded by water and mud flats. In the mid-morning sun on the site of Garcia Real de Santa Teresa de Mose or Fort Mose, these visionaries voted the Fort Mose Historical Society into existence. Since that day, the Fort Mose Historical Society has been instrumental in the preservation and interpretation of the Fort Mose site. Fort Mose is the site of the first free African settlement in what is now the United States. Founded in 1738, it is one of the original sites on the southern route of the Underground Railroad. The primary mission of the Fort Mose Historical Society is to support the Florida Park Service in its efforts to preserve, protect and interpret this remarkable site and to interpret the significance of the Fort Mose community for present and future generations. Since its inception, the Fort Mose Historical Society has been instrumental in the development and implementation of a number of work projects, events, outreach programs, educational activities, interpretive programs, and fundraising events supporting the organization’s mission statement. Currently in its 16th year, the Fort Mose Historical Society is dedicated to assuring that the Fort Mose site and the story of its African inhabitants are seamlessly woven into the tapestry of American history.

 

Fort Mose: Birthplace of Freedom

Hidden away in the marshes of St. Augustine, Florida is one of the most important sites in American history: the first free community of ex-slaves, founded in 1738 and called Gracia Real de Santa Teresa de Mose or Fort Mose (pronounced Moh-Say).

More than a century before the Emancipation Proclamation, slaves from the British colonies were able to follow the original "Underground Railroad" which headed not to the north, but rather south, to the Spanish colony of Florida. There they were given their freedom, if they declared their allegiance to the King of Spain and joind the Catholic Church.

Fort Mose was the northern defense of St.Augustine, the nation's oldest city.

The events that took place there should cause all American history textbooks to be rewritten.

Fort Mose Historical Society

The Fort Mose Historical Society is dedicated to bringing this story to the American people and the people of the world, so it will no longer be a part of our hidden history. We began meeting in 1995, the same year that Fort Mose was declared a National Historic Landmark by the U.S. government. We were incorporated in 1996, and serve as the official Citizens Support Organization for the Florida Park Service, which owns the Fort Mose site. We have sponsored many public programs to increase knowledge of the Fort Mose story, worked to acquire land so that a museum can be built in the area, and we welcome your membership and support as we carry the effort to turn our dream into realty.

 

Fort Mose ©2012 
St. Augustine Web Design by Old City Web Services. 
Hosted in St. Augustine on Oldcity.com

>via: http://www.fortmose.org

 

 

 

 

 

 

 

HISTORY: Fort Mose: America's Black Colonial Fortress of Freedom > FLMNH - Historical Archaeology

Fort Mose

America's Black Colonial Fortress of Freedom

More than 250 years ago, African born slaves risked their lives to escape English plantations in Carolina and find freedom among the Spanish living at St. Augustine. Battling slave catchers and dangerous swamps, they helped establish the first American underground railroad more than a century before the Civil War. Courageous Africans and their Indian allies shuttled runaways southward, rather than to the north, as the later railroad would. In Florida the Spanish freed the fugitives in return for their service to the King and their conversion to the Catholic faith. The Spanish were glad to have skilled laborers, and the freedmen were also welcome additions to St. Augustine's weak military forces. In 1738 the Spanish governor established the runaways in their own fortified town, Gracia Real de Santa Teresa de Mose, about two miles north of St. Augustine, Florida. Mose (pronounced "Moh- say") became the first legally sanctioned free black town in the present-day United States, and it is a critically important site for Black American history. Mose provides important evidence that Black American colonial history was much more than slavery and oppression. The men and women of Mose won their liberty through great daring and effort and made important contributions to Florida's multi-ethic heritage.

From 1986-1988 a team of specialists headed by Dr. Kathleen Deagan of the Florida Museum of Natural History carried out an archaeological and historical investigation at Ft. Mose. Their discoveries show that African Americans played important roles in the rivalry and confrontations between England and Spain in the colonial Southeast. The people of Mose were guerrilla fighters who made politically astute alliances with the Spaniards and their Indian allies, and waged fierce war against their former masters. The Black militia fought bravely alongside Spanish regulars to drive off the English and Spanish forces who attacked St. Augustine in 1740, and the Black troops also fought in the Spanish counter-offence against Georgia two years later.

The men and women who formed the community at Mose are no longer anonymous. Centuries-old documents recovered in the colonial archives of Spain, Florida, Cuba, and South Carolina by historian Dr. Jane Landers tell us who lived in Mose and something about what it was like to live there. We know that in 1759 the village consisted of twenty-two palm thatch huts which housed thirty-seven men, fifteen women, seven boys and eight girls. These villagers attended Mass in a wood church where their priest also lived. The people of Mose farmed the land and the men stood guard at the fort or patrolled the frontier. Most of the Carolina fugitives married fellow escapees, but some married Indian women or slaves living in St. Augustine.

Archaeology has filled in some of the details about daily life at Mose. In the first season's excavation archaeologists uncovered the remains of the fort itself, with its moat, clay-covered earth walls and wooden buildings inside the fort. They also found a wide variety of artifacts; military items such as gunflints, flattened bullets, metal buckles and hardware; household items such as thimbles, nails, ceramics, and glass bottles; food items such as burned seeds and bone, and even a hand-made St. Christopher's medal.

The villagers came from many different tribal and cultural groups in West Africa and were taken as slaves to English Carolina. While struggling to gain their freedom they had extensive contact, both friendly and hostile, with many Native American peoples, and ultimately settled among the Spanish. How much of the way of life at Mose was African? How much was Spanish? How much was Indian or English? Archaeologists are looking for the answers to these questions and other questions. Whatever the answers might be, the archaeological investigation of Ft.Mose is helping to document the critical, and previously unrecognized role of African Americans on the colonial frontier, and produce a better understanding of how various ethnic groups interacted in the Americas.

Mose stands as a monument to the courageous African Americans who risked, and often lost, their lives in the long struggle to achieve freedom. It is the only site of its kind in the United States, and is a precious and valuable part of our state and national patrimony. The Florida State Legislature, with the encouragement of Representative Bill Clark and Florida's Black Legislative Caucus, has supported the ongoing research at Mose, and has approved acquisition of the site in order to protect and preserve it. Thanks to their efforts Ft. Mose was named as a National Historic Landmark in 1995, and is an important element in Florida's Black Heritage Trail.

Learn more

You can learn more about Ft. Mose in Ft. Mose, Colonial America's Black Fortress of Freedom by Kathleen Deagan and Darcie MacMahon (University Press of Florida, Gainesville. 1995), and by visiting the Ft. Mose Historical Society web site at http://www.fortmose.org/.

VIDEO: Happy Birthday Isaac Hayes

ISAAC HAYES

From his 1995 album "Branded"

Isaac Lee Hayes, Jr. (born August 20, 1942, Covington, Tipton County, Tennessee August 10, 2008) was an American singer-songwriter, actor and musician. Hayes was one of the main creative forces behind southern soul music label Stax Records, where he served as both an in-house songwriter and producer with partner David Porter during the mid-1960s. Alongside, Bill Withers, the Sherman Brothers, Steve Cropper and John Fogerty, Hayes & Porter were named to the Songwriters Hall of Fame in 2005 in recognition of their string of successful hit songs for Sam & Dave, Carla Thomas and others In the late 1960s. Their hit song "Soul Man" by Sam & Dave has been recognized as one of the best or most influential songs of the past 50 years by the Grammy Hall of Fame, The Rock and Roll Hall of Fame, Rolling Stone magazine, and the RIAA Songs of the Century.

"Fragile" is a song composed by English musician Sting from his 1987 album ...Nothing Like the Sun. Released as a single the following year, it placed to number 70 on the UK Singles Chart. Sung additionally in both Spanish and Portuguese under the title Fragilidad, it appeared twice more on his 1988 EP variant of the album, Nada como el sol. The Spanish version features as a b-side to I'm So Happy I Can't Stop Crying.

The song is a tribute to Ben Linder, an American civil engineer who was killed by the Contras in 1987 while working on a hydroelectric project in Nicaragua.

PUB: 3rd NATIONWIDE Annual Beyond Baroque Poetry Contest

Our 3rd NATIONWIDE Annual

Beyond Baroque Poetry Contest

- Updated Rules

 


CALLING ALL POETS!
3rd ANNUAL BEYOND BAROQUE POETRY CONTEST
ENTRY DEADLINE: September 1, 2012 (postmarked)


PRIZES
First Prize: $1000
Second Prize: $500
Third Prize: $250
Five honorable mentions will also be given.


RULES
1. You may submit up to 3 unpublished poems, all themes and styles welcome. 42 lines max. The entry fee for 1-3 poems is $15.


2. Poems should each be on their own sheet of paper. Multiple page poems should be numbered and have the title on each page. Poems should not have any identifying text on them except their title, but should be accompanied by a cover letter containing the author’s contact info and the title(s) of the poem(s) being submitted.


3. Send entries, including the entry fee, to:
Beyond Baroque Poetry Contest
681 Venice Blvd., Venice, CA 90291

4. If you would like confirmation that we received your entry, please include your email address. Receipt confirmation will only be sent via email.


5. Entries accepted from inside the U.S. only.

Entries will be judged by SUZANNE LUMMIS,
poet, teacher and director of the Los Angeles Poetry Festival.
W inners will be featured at a poetry reading at Beyond Baroque
SUNDAY, OCTOBER 21, 2012, 2:00 - 4:00 PM
All participants in the reading are responsible for their own travel and lodging.

Thank you for your participation!
Your Beyond Baroque Team

 

 

PUB: Call for Papers for Edited Volume: Middle East Studies After September 11 > Writers Afrika

Call for Papers for Edited Volume:

Middle East Studies

After September 11


Deadline: 10 September 2012

At the MESA annual meeting of 2011 in Washington DC, we (Mohammed Bamyeh and I) organized a panel on Middle East Studies in the Post September 11 Era. I am now preparing for the publication of an edited volume on Middle East Studiesafter September 11: Neo-Orientalism, American Hegemony and Academia. I invite submission of articles and chapters to be considered for this volume, which will be published in late 2013.

In this book, we will look at and attempt to understand Middle East Studies through the lens of Sociology, Political Science, Social and Political Theories and as such, the work is intended as a contemporary exploration of Edward Said¹s thesis first laid out in his book Orientalism; that Middle Eastern Studies produces not value-free knowledge but policy-oriented knowledge. Moreover, that the field of Middle East Studies is tied to the culture of colonialism. In the post-September 11th era, we have witnessed an increased tendency to build closer, more explicit and multifaceted relationships between universities and the state. Our hypothesis is that in the case of Middle East Studies, this may be understood as a brand of Neo-Orientalism. Several examples may be identified within the US academic study of the Middle East and Islam, especially where the field is most strongly connected to the work of think-tanks, governmental and non-governmental organizations.

Contributors for this project include: Hamid Dabbashi (Columbia University), Mohamed Bamyeh (University of Pittsburg), Osamah Khalil (Syracuse University), Shah Mahmoud Hanifi (James Madison University), Ozcan Hidir (Islamic University of Rotterdam) and Kemal Silay (Indiana University), among others to be selected.

If you are interested in participating and contributing to this project, please send me your proposed title, an abstract (300-400 words), and a short bio (100-200 words) as word attachments to Tugrul Keskin tugrulkeskin@pdx.edu or tugrulk@vt.edu

YOU FIND THE TOPICS WE ARE INTERESTED IN BELOW:

  • Orientalism, Neo-Orientalism and Middle East and Islamic Studies

  • Orientalism and Turkish, Arabic, Persian/Iranian, Pakistani and Central Asian Studies

  • Orientalism and Area Studies (Muslim Societies)

  • Middle East Studies, and Think-Tanks, NGOs, MESA, etc.

  • Comparisons of Orientalism and Neo-Orientalism across US and European academic cultures or elsewhere

  • The Role of the State in Middle East Studies in the Post-September 11 era, such as Title VI, Flagship programs, ARIT, US Institute of Peace, NED, etc.

IMPORTANT DATES
  • Deadline for abstract submissions is September 10, 2012

  • Full Paper submission deadline: January 14, 2013

  • Proposed Publication Date is October 2013.

Tugrul Keskin
Assistant Professor of International and Middle Eastern Studies
Affiliated Faculty of Black Studies
Sociology and Center for Turkish Studies
Middle East Studies Coordinator (INTL)
Portland State University

CONTACT INFORMATION:

For queries/ submissions: Tugrul Keskin tugrulkeskin@pdx.edu or tugrulk@vt.edu

 

PUB: Zoetrope: All-Story: Contests

SIXTEENTH ANNUAL ZOETROPE:

ALL-STORY SHORT FICTION CONTEST

Guest Judge: Karen Russell

First prize: $1,000
Second prize: $500
Third prize: $250

The three prizewinners and seven honorable mentions will be considered for representation by William Morris Endeavor, ICM, Regal Literary, the Elaine Markson Literary Agency, Inkwell Management, Sterling Lord Literistic, Aitken Alexander Associates, Barer Literary, the Gernert Company, and the Georges Borchardt Literary Agency.

Important Dates:
The contest will open for entries July 1.
Entries must be complete by October 1, 2012, at 11:59 P.M. PDT. Results will be announced at the website December 15 and in the Spring 2013 issue of Zoetrope: All-Story; and the winning story will be published as a special online supplement to that Spring 2013 issue.

Complete Guidelines:
We accept all genres of literary fiction. Entries must be: unpublished; strictly 5,000 words or less; and accompanied by a $20 entry fee per story. There are no formatting restrictions; please ensure only that the story is legible.

We welcome multiple entries ($20/story) and entries from outside the U.S. We will e-mail contest updates and results to anyone who provides an active e-mail address. Entrants retain all rights to their stories. Once a story is submitted, we cannot accept an updated draft. (However, an entrant is welcome to submit an updated draft as a new entry.) Entry fees will not be returned or adjusted.

Please e-mail us at contests@all-story.com with further questions. Thank you for your interest, and good luck!

ENTER CONTEST

 

 

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