POV: Fear of a Black President by Ta-Nehisi Coates > The Atlantic

Fear of a Black President

As a candidate, Barack Obama said we needed to reckon with race and with America’s original sin, slavery. But as our first black president, he has avoided mention of race almost entirely. In having to be “twice as good” and “half as black,” Obama reveals the false promise and double standard of integration.


By Ta-Nehisi Coates
Bill Sanderson

 

The irony of President Barack Obama is best captured in his comments on the death of Trayvon Martin, and the ensuing fray. Obama has pitched his presidency as a monument to moderation. He peppers his speeches with nods to ideas originally held by conservatives. He routinely cites Ronald Reagan. He effusively praises the enduring wisdom of the American people, and believes that the height of insight lies in the town square. Despite his sloganeering for change and progress, Obama is a conservative revolutionary, and nowhere is his conservative character revealed more than in the very sphere where he holds singular gravity—race.

Part of that conservatism about race has been reflected in his reticence: for most of his term in office, Obama has declined to talk about the ways in which race complicates the American present and, in particular, his own presidency. But then, last February, George Zimmerman, a 28-year-old insurance underwriter, shot and killed a black teenager, Trayvon Martin, in Sanford, Florida. Zimmerman, armed with a 9 mm handgun, believed himself to be tracking the movements of a possible intruder. The possible intruder turned out to be a boy in a hoodie, bearing nothing but candy and iced tea. The local authorities at first declined to make an arrest, citing Zim­mer­man’s claim of self-defense. Protests exploded nationally. Skittles and Arizona Iced Tea assumed totemic power. Celebrities—the actor Jamie Foxx, the former Michigan governor Jennifer Granholm, members of the Miami Heat—were photographed wearing hoodies. When Rep­resentative Bobby Rush of Chicago took to the House floor to denounce racial profiling, he was removed from the chamber after donning a hoodie mid-speech.

 


VIDEO: Ta-Nehisi Coates talks with Atlantic magazine editor Scott Stossel about the anger behind this article.


 

The reaction to the tragedy was, at first, trans-partisan. Conservatives either said nothing or offered tepid support for a full investigation—and in fact it was the Republican governor of Florida, Rick Scott, who appointed the special prosecutor who ultimately charged Zimmerman with second-degree murder. As civil-rights activists descended on Florida, National Review, a magazine that once opposed integration, ran a column proclaiming “Al Sharpton Is Right.” The belief that a young man should be able to go to the store for Skittles and an iced tea and not be killed by a neighborhood-­watch patroller seemed un­controversial.

By the time reporters began asking the White House for comment, the president likely had already given the matter considerable thought. Obama is not simply America’s first black president—he is the first president who could credibly teach a black-studies class. He is fully versed in the works of Richard Wright and James Baldwin, Frederick Douglass and Malcolm X. Obama’s two autobiographies are deeply concerned with race, and in front of black audiences he is apt to cite important but obscure political figures such as George Henry White, who served from 1897 to 1901 and was the last African American congressman to be elected from the South until 1970. But with just a few notable exceptions, the president had, for the first three years of his presidency, strenuously avoided talk of race. And yet, when Trayvon Martin died, talk Obama did:

When I think about this boy, I think about my own kids, and I think every parent in America should be able to understand why it is absolutely imperative that we investigate every aspect of this, and that everybody pulls together—federal, state, and local—to figure out exactly how this tragedy happened …

But my main message is to the parents of Trayvon Martin. If I had a son, he’d look like Trayvon. I think they are right to expect that all of us as Americans are going to take this with the seriousness it deserves, and that we’re going to get to the bottom of exactly what happened.

The moment Obama spoke, the case of Trayvon Martin passed out of its national-mourning phase and lapsed into something darker and more familiar—racialized political fodder. The illusion of consensus crumbled. Rush Limbaugh denounced Obama’s claim of empathy. The Daily Caller, a conservative Web site, broadcast all of Martin’s tweets, the most loutish of which revealed him to have committed the un­pardonable sin of speaking like a 17-year-old boy. A white-­supremacist site called Stormfront produced a photo of Martin with pants sagging, flipping the bird. Business Insider posted the photograph and took it down without apology when it was revealed to be a fake.

Newt Ging­rich pounced on Obama’s comments: “Is the president suggesting that if it had been a white who had been shot, that would be okay because it wouldn’t look like him?” Reverting to form, National Review decided the real problem was that we were interested in the deaths of black youths only when nonblacks pulled the trigger. John Derbyshire, writing for Taki’s Magazine, an iconoclastic libertarian publication, composed a racist advice column for his children inspired by the Martin affair. (Among Derbyshire’s tips: never help black people in any kind of distress; avoid large gatherings of black people; cultivate black friends to shield yourself from charges of racism.)

The notion that Zimmerman might be the real victim began seeping out into the country, aided by PR efforts by his family and legal team, as well as by various acts of stupidity—­Spike Lee tweeting Zimmerman’s address (an act made all the more repugnant by the fact that he had the wrong Zimmer­man), NBC misleadingly editing a tape of Zimmerman’s phone conversation with a police dispatcher to make Zimmer­man seem to be racially profiling Martin. In April, when Zimmerman set up a Web site to collect donations for his defense, he raised more than $200,000 in two weeks, before his lawyer asked that he close the site and launched a new, independently managed legal-defense fund. Although the trial date has yet to be set, as of July the fund was still raking in up to $1,000 in donations daily.

But it would be wrong to attribute the burgeoning support for Zimmerman to the blunders of Spike Lee or an NBC producer. Before President Obama spoke, the death of Trayvon Martin was generally regarded as a national tragedy. After Obama spoke, Martin became material for an Internet vendor flogging paper gun-range targets that mimicked his hoodie and his bag of Skittles. (The vendor sold out within a week.) Before the president spoke, George Zimmerman was arguably the most reviled man in America. After the president spoke, Zimmerman became the patron saint of those who believe that an apt history of racism begins with Tawana Brawley and ends with the Duke lacrosse team.

The irony of Barack Obama is this: he has become the most successful black politician in American history by avoiding the radioactive racial issues of yesteryear, by being “clean” (as Joe Biden once labeled him)—and yet his indelible blackness irradiates everything he touches. This irony is rooted in the greater ironies of the country he leads. For most of American history, our political system was premised on two conflicting facts—one, an oft-stated love of democracy; the other, an undemocratic white supremacy inscribed at every level of government. In warring against that paradox, African Americans have historically been restricted to the realm of protest and agitation. But when President Barack Obama pledged to “get to the bottom of exactly what happened,” he was not protesting or agitating. He was not appealing to federal power—he was employing it. The power was black—and, in certain quarters, was received as such.

No amount of rhetorical moderation could change this. It did not matter that the president addressed himself to “every parent in America.” His insistence that “everybody [pull] together” was irrelevant. It meant nothing that he declined to cast aspersions on the investigating authorities, or to speculate on events. Even the fact that Obama expressed his own connection to Martin in the quietest way imaginable—“If I had a son, he’d look like Trayvon”—would not mollify his opposition. It is, after all, one thing to hear “I am Trayvon Martin” from the usual placard-waving rabble-rousers. Hearing it from the commander of the greatest military machine in human history is another.

By virtue of his background—the son of a black man and a white woman, someone who grew up in multiethnic communities around the world—Obama has enjoyed a distinctive vantage point on race relations in America. Beyond that, he has displayed enviable dexterity at navigating between black and white America, and at finding a language that speaks to a critical mass in both communities. He emerged into national view at the Democratic National Convention in 2004, with a speech heralding a nation uncolored by old prejudices and shameful history. There was no talk of the effects of racism. Instead Obama stressed the power of parenting, and condemned those who would say that a black child carrying a book was “acting white.” He cast himself as the child of a father from Kenya and a mother from Kansas and asserted, “In no other country on Earth is my story even possible.” When, as a senator, he was asked if the response to Hurricane Katrina evidenced racism, Obama responded by calling the “ineptitude” of the response “color-blind.”

Racism is not merely a simplistic hatred. It is, more often, broad sympathy toward some and broader skepticism toward others. Black America ever lives under that skeptical eye. Hence the old admonishments to be “twice as good.” Hence the need for a special “talk” administered to black boys about how to be extra careful when relating to the police. And hence Barack Obama’s insisting that there was no racial component to Katrina’s effects; that name-calling among children somehow has the same import as one of the oldest guiding principles of American policy—white supremacy. The election of an African American to our highest political office was alleged to demonstrate a triumph of integration. But when President Obama addressed the tragedy of Trayvon Martin, he demonstrated integration’s great limitation—that acceptance depends not just on being twice as good but on being half as black. And even then, full acceptance is still withheld. The larger effects of this withholding constrict Obama’s presidential potential in areas affected tangentially—or seemingly not at all—by race. Meanwhile, across the country, the community in which Obama is rooted sees this fraudulent equality, and quietly seethes.

Obama’s first term has coincided with a strategy of massive resistance on the part of his Republican opposition in the House, and a record number of filibuster threats in the Senate. It would be nice if this were merely a reaction to Obama’s politics or his policies—if this resistance truly were, as it is generally described, merely one more sign of our growing “polarization” as a nation. But the greatest abiding challenge to Obama’s national political standing has always rested on the existential fact that if he had a son, he’d look like Trayvon Martin. As a candidate, Barack Obama understood this.

“The thing is, a black man can’t be president in America, given the racial aversion and history that’s still out there,” Cornell Belcher, a pollster for Obama, told the journalist Gwen Ifill after the 2008 election. “However, an extraordinary, gifted, and talented young man who happens to be black can be president.”

Belcher’s formulation grants the power of anti-black racism, and proposes to defeat it by not acknowledging it. His is the perfect statement of the Obama era, a time marked by a revolution that must never announce itself, by a democracy that must never acknowledge the weight of race, even while being shaped by it. Barack Obama governs a nation enlightened enough to send an African American to the White House, but not enlightened enough to accept a black man as its president.

Before Barack Obama, the “black president” lived in the African American imagination as a kind of cosmic joke, a phantom of all that could never be. White folks, whatever their talk of freedom and liberty, would not allow a black president. They could not tolerate Emmett’s boyish gaze. Dr. King turned the other cheek, and they blew it off. White folks shot Lincoln over “nigger equality,” ran Ida Wells out of Memphis, beat Freedom Riders over bus seats, slaughtered Medgar in his driveway like a dog. The comedian Dave Chappelle joked that the first black president would need a “Vice President Santiago”—because the only thing that would ensure his life in the White House was a Hispanic president-­in-waiting. A black president signing a bill into law might as well sign his own death certificate.

The moment Obama spoke, the Trayvon case passed out of its mourning phase and into something dark and familiar—racialized political fodder.

And even if white folks could moderate their own penchant for violence, we could not moderate our own. A long-suffering life on the wrong side of the color line had denuded black people of the delicacy necessary to lead the free world. In a skit on his 1977 TV comedy show, Richard Pryor, as a black president, conceded that he was “courting an awful lot of white women” and held a press conference that erupted into a riot after a reporter requested that the president’s momma clean his house. More recently, the comedian Cedric the Entertainer joked that a black president would never have made it through Monicagate without turning a press conference into a battle royal. When Chappelle tried to imagine how a black George W. Bush would have justified the war against Saddam Hussein, his character (“Black Bush”) simply yelled, “The nigger tried to kill my father!”

Thus, in hard jest, the paradoxes and problems of a theoretical black presidency were given voice. Racism would not allow a black president. Nor would a blackness, forged by America’s democratic double-talk, that was too ghetto and raw for the refinement of the Oval Office. Just beneath the humor lurked a resonant pain, the scars of history, an aching doubt rooted in the belief that “they” would never accept us. And so in our Harlems and Paradise Valleys, we invoked a black presidency the way a legion of 5-foot point guards might invoke the dunk—as evidence of some great cosmic injustice, weighty in its import, out of reach.

And yet Spud Webb lives.

When presidential candidate Barack Obama presented himself to the black community, he was not to be believed. It strained credulity to think that a man sporting the same rigorously managed haircut as Jay-Z, a man who was a hard-core pickup basketball player, and who was married to a dark-skinned black woman from the South Side, could coax large numbers of white voters into the booth. Obama’s blackness quotient is often a subject of debate. (He himself once joked, while speaking to the National Association of Black Journalists in 2007, “I want to apologize for being a little bit late, but you guys keep on asking whether I’m black enough.”) But despite Obama’s post-election reluctance to talk about race, he has always displayed both an obvious affinity for black culture and a distinct ability to defy black America’s worst self-conceptions.

The crude communal myth about black men is that we are in some manner unavailable to black women—either jailed, dead, gay, or married to white women. A corollary myth posits a direct and negative relationship between success and black culture. Before we actually had one, we could not imagine a black president who loved being black. In The Audacity of Hope, Obama describes his first kiss with the woman who would become his wife as tasting “of chocolate.” The line sounds ripped from Essence magazine. That’s the point.

These cultural cues became important during Obama’s presidential run and beyond. Obama doesn’t merely evince blackness; he uses his blackness to signal and court African Americans, semaphoring in a cultural dialect of our creation—crooning Al Green at the Apollo, name-checking Young Jeezy, regularly appearing on the cover of black magazines, weighing the merits of Jay-Z versus Kanye West, being photo­graphed in the White House with a little black boy touching his hair. There is often something mawkish about this signaling—like a Virginia politico thickening his southern accent when talking to certain audiences. If you’ve often been the butt of political signaling (Sister Souljah, Willie Horton), and rarely the recipient, these displays of cultural affinity are powerful. And they are all the more powerful because Obama has been successful. Whole sections of America that we had assumed to be negro­phobic turned out in support of him in 2008. Whatever Obama’s other triumphs, arguably his greatest has been an expansion of the black imagination to encompass this: the idea that a man can be culturally black and many other things also—biracial, Ivy League, intellectual, cosmopolitan, temperamentally conservative, presidential.

It is often said that Obama’s presidency has given black parents the right to tell their kids with a straight face that they can do anything. This is a function not only of Obama’s election to the White House but of the way his presidency broadcasts an easy, almost mystic, blackness to the world. The Obama family represents our ideal imagining of ourselves—an ideal we so rarely see on any kind of national stage.

What black people are experiencing right now is a kind of privilege previously withheld—seeing our most sacred cultural practices and tropes validated in the world’s highest office. Throughout the whole of American history, this kind of cultural power was wielded solely by whites, and with such ubiquity that it was not even commented upon. The expansion of this cultural power beyond the private province of whites has been a tremendous advance for black America. Conversely, for those who’ve long treasured white exclusivity, the existence of a President Barack Obama is discombobulating, even terrifying. For as surely as the iconic picture of the young black boy reaching out to touch the president’s curly hair sends one message to black America, it sends another to those who have enjoyed the power of whiteness.

 

In America, the rights to own property, to serve on a jury, to vote, to hold public office, to rise to the presidency have historically been seen as belonging only to those people who showed particular integrity. Citizenship was a social contract in which persons of moral standing were transformed into stakeholders who swore to defend the state against threats external and internal. Until a century and a half ago, slave rebellion ranked high in the fevered American imagination of threats necessitating such an internal defense.

In the early years of our republic, when democracy was still an unproven experiment, the Founders were not even clear that all white people should be entrusted with this fragile venture, much less the bestial African. Thus Congress, in 1790, declared the following:

All free white persons who have, or shall migrate into the United States, and shall give satisfactory proof, before a magistrate, by oath, that they intend to reside therein, and shall take an oath of allegiance, and shall have resided in the United States for one whole year, shall be entitled to all the rights of citizenship.

In such ways was the tie between citizenship and whiteness in America made plain from the very beginning. By the 19th century, there was, as Matthew Jacobson, a professor of history and American studies at Yale, has put it, “an un­questioned acceptance of whiteness as a prerequisite for natural­ized citizenship.” Debating Abraham Lincoln during the race for a U.S. Senate seat in Illinois in 1858, Stephen Douglas asserted that “this government was made on the white basis” and that the Framers had made “no reference either to the Negro, the savage Indians, the Feejee, the Malay, or an other inferior and degraded race, when they spoke of the equality of men.”

After the Civil War, Andrew Johnson, Lincoln’s successor as president and a unionist, scoffed at awarding the Negro the franchise:

The peculiar qualities which should characterize any people who are fit to decide upon the management of public affairs for a great state have seldom been combined. It is the glory of white men to know that they have had these qualities in sufficient measure to build upon this continent a great political fabric and to preserve its stability for more than ninety years, while in every other part of the world all similar experiments have failed. But if anything can be proved by known facts, if all reasoning upon evidence is not abandoned, it must be acknowledged that in the progress of nations Negroes have shown less capacity for government than any other race of people. No independent government of any form has ever been successful in their hands. On the contrary, wherever they have been left to their own devices they have shown a constant tendency to relapse into barbarism.

The notion of blacks as particularly unfit for political equality persisted well into the 20th century. As the nation began considering integrating its military, a young West Virginian wrote to a senator in 1944:

I am a typical American, a southerner, and 27 years of age … I am loyal to my country and know but reverence to her flag, BUT I shall never submit to fight beneath that banner with a negro by my side. Rather I should die a thousand times, and see Old Glory trampled in the dirt never to rise again, than to see this beloved land of ours become degraded by race mongrels, a throw back to the blackest specimen from the wilds.

The writer—who never joined the military, but did join the Ku Klux Klan—was Robert Byrd, who died in 2010 as the longest-serving U.S. senator in history. Byrd’s rejection of political equality was echoed in 1957 by William F. Buckley Jr., who addressed the moral disgrace of segregation by endorsing disenfranchisement strictly based on skin color:

The central question that emerges—and it is not a parliamentary question or a question that is answered by merely consulting a catalog of the rights of American citizens, born Equal—is whether the White community in the South is entitled to take such measures as are necessary to prevail, politically and culturally, in areas in which it does not predominate numerically? The sobering answer is Yes—the White community is so entitled because, for the time being, it is the advanced race.

Buckley, the founder of National Review, went on to assert, “The great majority of the Negroes of the South who do not vote do not care to vote and would not know for what to vote if they could.”

The myth of “twice as good” that makes Obama possible also smothers him. It holds that blacks feel no anger toward their tormentors.

The idea that blacks should hold no place of consequence in the American political future has affected every sector of American society, transforming whiteness itself into a monopoly on American possibilities. White people like Byrd and Buckley were raised in a time when, by law, they were assured of never having to compete with black people for the best of anything. Blacks used in­ferior public pools and inferior washrooms, attended inferior schools. The nicest restaurants turned them away. In large swaths of the country, blacks paid taxes but could neither attend the best universities nor exercise the right to vote. The best jobs, the richest neighborhoods, were giant set-asides for whites—universal affirmative action, with no pretense of restitution.

Slavery, Jim Crow, segregation: these bonded white people into a broad aristocracy united by the salient fact of unblackness. What Byrd saw in an integrated military was the crumbling of the ideal of whiteness, and thus the crumbling of an entire society built around it. Whatever the saintly nonviolent rhetoric used to herald it, racial integration was a brutal assault on whiteness. The American presidency, an unbroken streak of nonblack men, was, until 2008, the greatest symbol of that old order.

Watching Obama rack up victories in states like Virginia, New Mexico, Ohio, and North Carolina on Election Night in 2008, anyone could easily conclude that racism, as a national force, had been defeated. The thought should not be easily dismissed: Obama’s victory demonstrates the incredible distance this country has traveled. (Indeed, William F. Buckley Jr. later revised his early positions on race; Robert Byrd spent decades in Congress atoning for his.) That a country that once took whiteness as the foundation of citizenship would elect a black president is a victory. But to view this victory as racism’s defeat is to forget the precise terms on which it was secured, and to ignore the quaking ground beneath Obama’s feet.

During the 2008 primary, The New Yorker’s George Packer journeyed to Kentucky and was shocked by the brazen declarations of white identity. “I think he would put too many minorities in positions over the white race,” one voter told Packer. “That’s my opinion.” That voter was hardly alone. In 2010, Michael Tesler, a political scientist at Brown University, and David Sears, a professor of psychology and political science at UCLA, were able to assess the impact of race in the 2008 primary by comparing data from two 2008 campaign and election studies with previous surveys of racial resentment and voter choice. As they wrote in Obama’s Race: The 2008 Election and the Dream of a Post-Racial America:

No other factor, in fact, came close to dividing the Democratic primary electorate as powerfully as their feelings about African Americans. The impact of racial attitudes on individual vote decisions … was so strong that it appears to have even outstripped the substantive impact of racial attitudes on Jesse Jackson’s more racially charged campaign for the nomination in 1988.

Seth Stephens-Davidowitz, a doctoral candidate in economics at Harvard, is studying how racial animus may have cost Obama votes in 2008. First, Stephens-­Davidowitz ranked areas of the country according to how often people there typed racist search terms into Google. (The areas with the highest rates of racially charged search terms were West Virginia, western Pennsylvania, eastern Ohio, upstate New York, and southern Mississippi.) Then he compared Obama’s voting results in those areas with John Kerry’s four years earlier. So, for instance, in 2004 Kerry received 50 percent of the vote in the media markets of both Denver and Wheeling (which straddles the Ohio–West Virginia border). Based on the Democratic groundswell in 2008, Obama should have received about 57 percent of the popular vote in both regions. But that’s not what happened. In the Denver area, which had one of the nation’s lowest rates of racially charged Google searching, Obama received the predicted 57 percent. But in Wheeling, which had a high rate of racially charged Google searching, Obama’s share of the popular vote was only 48 percent. Of course, Obama also picked up some votes because he is black. But, aggregating his findings nationally, Stephens-Davidowitz has concluded that Obama lost between 3 and 5 percentage points of the popular vote to racism.

After Obama won, the longed-for post-­racial moment did not arrive; on the contrary, racism intensified. At rallies for the nascent Tea Party, people held signs saying things like Obama Plans White Slavery. Steve King, an Iowa congressman and Tea Party favorite, complained that Obama “favors the black person.” In 2009, Rush Limbaugh, bard of white decline, called Obama’s presidency a time when “the white kids now get beat up, with the black kids cheering ‘Yeah, right on, right on, right on.’ And of course everybody says the white kid deserved it—he was born a racist, he’s white.” On Fox & Friends, Glenn Beck asserted that Obama had exposed himself as a guy “who has a deep-seated hatred for white people or the white culture … This guy is, I believe, a racist.” Beck later said he was wrong to call Obama a racist. That same week he also called the president’s health-care plan “reparations.”

One possible retort to this pattern of racial paranoia is to cite the Clinton years, when an ideological fever drove the right wing to derangement, inspiring militia movements and accusations that the president had conspired to murder his own lawyer, Vince Foster. The upshot, by this logic, is that Obama is experiencing run-of-the-mill political opposition in which race is but a minor factor among much larger ones, such as party affiliation. But the argument assumes that party affiliation itself is unconnected to race. It pretends that only Toni Morrison took note of Clinton’s particular appeal to black voters. It forgets that Clinton felt compelled to attack Sister Souljah. It forgets that whatever ignoble labels the right wing pinned on Clinton’s health-care plan, “reparations” did not rank among them.

Michael Tesler, following up on his research with David Sears on the role of race in the 2008 campaign, recently published a study assessing the impact of race on opposition to and support for health-care reform. The findings are bracing. Obama’s election effectively racialized white Americans’ views, even of health-care policy. As Tesler writes in a paper published in July in The American Journal of Political Science, “Racial attitudes had a significantly greater impact on health care opinions when framed as part of President Obama’s plan than they had when the exact same policies were attributed to President Clinton’s 1993 health care initiative.”

While Beck and Limbaugh have chosen direct racial assault, others choose simply to deny that a black president actually exists. One in four Americans (and more than half of all Republicans) believe Obama was not born in this country, and thus is an illegitimate president. More than a dozen state legislatures have introduced “birther bills” demanding proof of Obama’s citizenship as a condition for putting him on the 2012 ballot. Eighteen percent of Republicans believe Obama to be a Muslim. The goal of all this is to delegitimize Obama’s presidency. If Obama is not truly American, then America has still never had a black president.

White resentment has not cooled as the Obama presidency has proceeded. Indeed, the GOP presidential-primary race featured candidates asserting that the black family was better off under slavery (Michele Bachmann, Rick Santorum); claiming that Obama, as a black man, should oppose abortion (Santorum again); or denouncing Obama as a “food-stamp president” (Newt Ging­rich).

The resentment is not confined to Republicans. Earlier this year, West Virginia gave 41 percent of the popular vote during the Democratic primary to Keith Judd, a white incarcerated felon (Judd actually defeated Obama in 10 counties). Joe Manchin, one of West Virginia’s senators, and Earl Ray Tomblin, its governor, are declining to attend this year’s Democratic convention, and will not commit to voting for Obama.

It is often claimed that Obama’s unpopularity in coal-­dependent West Virginia stems from his environmental policies. But recall that no state ranked higher on Seth Stephens-­Davidowitz’s racism scale than West Virginia. Moreover, Obama was unpopular in West Virginia before he became president: even at the tail end of the Democratic primaries in 2008, Hillary Clinton walloped Obama by 41 points. A fifth of West Virginia Democrats openly professed that race played a role in their vote.

What we are now witnessing is not some new and complicated expression of white racism—rather, it’s the dying embers of the same old racism that once rendered the best pickings of America the exclusive province of unblackness. Confronted by the thoroughly racialized backlash to Obama’s presidency, a stranger to American politics might conclude that Obama provoked the response by relentlessly pushing an agenda of radical racial reform. Hardly. Daniel Gillion, a political scientist at the University of Pennsylvania who studies race and politics, examined the Public Papers of the Presidents, a compilation of nearly all public presidential utterances—­proclamations, news-conference remarks, executive orders—and found that in his first two years as president, Obama talked less about race than any other Democratic president since 1961. Obama’s racial strategy has been, if anything, the opposite of radical: he declines to use his bully pulpit to address racism, using it instead to engage in the time-honored tradition of black self-hectoring, railing against the perceived failings of black culture.

His approach is not new. It is the approach of Booker T. Washington, who, amid a sea of white terrorists during the era of Jim Crow, endorsed segregation and proclaimed the South to be a land of black opportunity. It is the approach of L. Douglas Wilder, who, in 1986, not long before he became Virginia’s first black governor, kept his distance from Jesse Jackson and told an NAACP audience: “Yes, dear Brutus, the fault is not in our stars, but in ourselves … Some blacks don’t particularly care for me to say these things, to speak to values … Somebody’s got to. We’ve been too excusing.” It was even, at times, the approach of Jesse Jackson himself, who railed against “the rising use of drugs, and babies making babies, and violence … cutting away our opportunity.”

The strategy can work. Booker T.’s Tuskegee University still stands. Wilder became the first black governor in America since Reconstruction. Jackson’s campaign moved the Democratic nominating process toward proportional allocation of delegates, a shift that Obama exploited in the 2008 Democratic primaries by staying competitive enough in big states to rack up delegates even where he was losing, and rolling up huge vote margins (and delegate-count victories) in smaller ones.

And yet what are we to make of an integration premised, first, on the entire black community’s emulating the Huxt­ables? An equality that requires blacks to be twice as good is not equality—it’s a double standard. That double standard haunts and constrains the Obama presidency, warning him away from candor about America’s sordid birthmark.

 

Another political tradition in black America, running counter to the one publicly embraced by Obama and Booker T. Washington, casts its skepticism not simply upon black culture but upon the entire American project. This tradition stretches back to Frederick Douglass, who, in 1852, said of his native country, “There is not a nation on the earth guilty of practices more shocking and bloody than are the people of the United States at this very hour.” It extends through Martin Delany, through Booker T.’s nemesis W. E. B. Du Bois, and through Malcolm X. It includes Martin Luther King Jr., who at the height of the Vietnam War called America “the greatest purveyor of violence in the world today.” And it includes Obama’s former pastor, he of the famous “God Damn America” sermon, Jeremiah Wright.

The Harvard Law professor Randall Kennedy, in his 2011 book, The Persistence of the Color Line: Racial Politics and the Obama Presidency, examines this tradition by looking at his own father and Reverend Wright in the context of black America’s sense of patriotism. Like Wright, the elder Kennedy was a veteran of the U.S. military, a man seared and radicalized by American racism, forever remade as a vociferous critic of his native country: in virtually any American conflict, Kennedy’s father rooted for the foreign country.

The deep skepticism about the American proj­ect that Kennedy’s father and Reverend Wright evince is an old tradition in black America. Before Frederick Douglass worked, during the Civil War, for the preservation of the Union, he called for his country’s destruction. “I have no love for America,” he declaimed in a lecture to the American Anti-Slavery Society in 1847. “I have no patriotism … I desire to see [the government] overthrown as speedily as possible and its Constitution shivered in a thousand fragments.”

Kennedy notes that Douglass’s denunciations were the words of a man who not only had endured slavery but was living in a country where whites often selected the Fourth of July as a special day to prosecute a campaign of racial terror:

On July 4, 1805, whites in Philadelphia drove blacks out of the square facing Independence Hall. For years thereafter, blacks attended Fourth of July festivities in that city at their peril. On July 4, 1834, a white mob in New York City burned down the Broadway Tabernacle because of the antislavery and anti­racist views of the church’s leaders. Firefighters in sympathy with the arsonists refused to douse the conflagration. On July 4, 1835, a white mob in Canaan, New Hampshire, destroyed a school open to blacks that was run by an abolitionist. The ante­bellum years were liberally dotted with such episodes.

Jeremiah Wright was born into an America of segregation—overt in the South and covert in the North, but wounding wherever. He joined the Marines, vowing service to his country, at a time when he wouldn’t have been allowed to vote in some states. He built his ministry in a community reeling from decades of job and housing discrimination, and heaving under the weight of drugs, gun violence, and broken families. Wright’s world is emblematic of the African Americans he ministered to, people reared on the anti-black-citizenship tradition—poll taxes, states pushing stringent voter-­ID laws—of Stephen Douglas and Andrew Johnson and William F. Buckley Jr. The message is “You are not American.” The countermessage—God damn America—­is an old one, and is surprising only to people unfamiliar with the politics of black life in this country. Un­fortunately, that is an apt description of large swaths of America.

Whatever the context for Wright’s speech, the surfacing of his remarks in 2008 was utterly inconvenient not just for the Obama campaign but for much of black America. One truism holds that black people are always anxious to talk about race, eager to lecture white people at every juncture about how wrong they are and about the price they must pay for past and ongoing sins. But one reason Obama rose so quickly was that African Americans are war-weary. It was not simply the country at large that was tired of the old Baby Boomer debates. Blacks, too, were sick of talking about affirmative action and school busing. There was a broad sense that integration had failed us, and a growing disenchantment with our appointed spokespeople. Obama’s primary triumphs in predominantly white states gave rise to rumors of a new peace, one many blacks were anxious to achieve.

And even those black Americans who embrace the tradition of God Damn America do so not with glee but with deep pain and anguish. Both Kennedy’s father and Wright were military men. My own father went to Vietnam dreaming of John Wayne, but came back quoting Malcolm X. The poet Lucille Clifton once put it succinctly:

They act like they don’t love their country
No
what it is
is they found out
their country don’t love them.

In 2008, as Obama’s election became imaginable, it seemed possible that our country had indeed, at long last, come to love us. We did not need our Jeremiah Wrights, our Jesse Jacksons, our products of the polarized ’60s getting in the way. Indeed, after distancing himself from Wright, Obama lost almost no black support.

Obama offered black America a convenient narrative that could be meshed with the larger American story. It was a narrative premised on Crispus Attucks, not the black slaves who escaped plantations and fought for the British; on the 54th Massachusetts, not Nat Turner; on stoic and saintly Rosa Parks, not young and pregnant Claudette Colvin; on a Christlike Martin Luther King Jr., not an avenging Malcolm X. Jeremiah Wright’s presence threatened to rupture that comfortable narrative by symbolizing that which makes integration impossible—black rage.

From the “inadequate black male” diatribe of the Hillary Clinton supporter Harriet Christian in 2008, to Rick Santelli’s 2009 rant on CNBC against subsidizing “losers’ mortgages,” to Representative Joe Wilson’s “You lie!” outburst during Obama’s September 2009 address to Congress, to John Boehner’s screaming “Hell no!” on the House floor about Obamacare in 2010, politicized rage has marked the opposition to Obama. But the rules of our racial politics require that Obama never respond in like fashion. So frightening is the prospect of black rage given voice and power that when Obama was a freshman senator, he was asked, on national television, to denounce the rage of Harry Belafonte. This fear continued with demands that he keep his distance from Louis Farrakhan and culminated with Reverend Wright and a presidency that must never betray any sign of rage toward its white opposition.

Thus the myth of “twice as good” that makes Barack Obama possible also smothers him. It holds that African Americans—­enslaved, tortured, raped, discriminated against, and subjected to the most lethal homegrown terrorist movement in American history—feel no anger toward their tormentors. Of course, very little in our history argues that those who seek to tell bold truths about race will be rewarded. But it was Obama himself, as a presidential candidate in 2008, who called for such truths to be spoken. “Race is an issue that I believe this nation cannot afford to ignore right now,” he said in his “More Perfect Union” speech, which he delivered after a furor erupted over Reverend Wright’s “God Damn America” remarks. And yet, since taking office, Obama has virtually ignored race.

Whatever the political intelligence of this calculus, it has broad and deep consequences. The most obvious result is that it prevents Obama from directly addressing America’s racial history, or saying anything meaningful about present issues tinged by race, such as mass incarceration or the drug war. There have been calls for Obama to take a softer line on state-level legalization of marijuana or even to stand for legalization himself. Indeed, there is no small amount of in­consistency in our black president’s either ignoring or upholding harsh drug laws that every day injure the prospects of young black men—laws that could have ended his own, had he been of another social class and arrested for the marijuana use he openly discusses. But the intellectual argument doubles as the counterargument. If the fact of a black president is enough to racialize the wonkish world of health-care reform, what havoc would the Obama touch wreak upon the already racialized world of drug policy?

What we are witnessing is not some new racism—it’s the dying embers of the same old racism that rendered the best pickings the province of unblackness.

The political consequences of race extend beyond the domestic. I am, like many liberals, horrified by Obama’s embrace of a secretive drone policy, and particularly the killing of American citizens without any restraints. A president aware of black America’s tenuous hold on citizenship, of how the government has at times secretly conspired against its advancement—a black president with a broad sense of the world—should know better. Except a black president with Obama’s past is the perfect target for right-wing attacks depicting him as weak on terrorism. The president’s inability to speak candidly on race cannot be bracketed off from his inability to speak candidly on every­thing. Race is not simply a portion of the Obama story. It is the lens through which many Americans view all his politics.

But whatever the politics, a total submission to them is a disservice to the country. No one knows this better than Obama himself, who once described patriotism as more than pageantry and the scarfing of hot dogs. “When our laws, our leaders, or our government are out of alignment with our ideals, then the dissent of ordinary Americans may prove to be one of the truest expressions of patriotism,” Obama said in Independence, Missouri, in June 2008. Love of country, like all other forms of love, requires that you tell those you care about not simply what they want to hear but what they need to hear.

But in the age of the Obama presidency, expressing that kind of patriotism is presumably best done quietly, politely, and with great deference.

This spring I flew down to Albany, Georgia, and spent the day with Shirley Sherrod, a longtime civil-rights activist who embodies exactly the kind of patriotism that Obama esteems. Albany is in Dougherty County, where the poverty rate hangs around 30 percent—double that of the rest of the state. On the drive in from the airport, the selection of vendors—­payday loans, title loans, and car dealers promising no credit check—evidenced the statistic.

When I met Sherrod at her office, she was working to get a birthday card out to Roger Spooner, whose farm she’d once fought to save. In July 2010, the conservative commentator Andrew Breitbart posted video clips on his Web site of a speech Sherrod had delivered to the NAACP the previous March. The video was edited so that Sherrod, then an official at the U.S. Department of Agriculture, appeared to be bragging about discriminating against a white farmer and thus enacting a fantasy of racial revenge. The point was to tie Obama to the kind of black rage his fevered enemies often impute to him. Fearing exactly that, Sherrod’s supervisors at the USDA called her in the middle of a long drive and had her submit her resignation via BlackBerry, telling her, “You’re going to be on Glenn Beck tonight.”

Glenn Beck did eventually do a segment on Sherrod—one in which he attacked the administration for forcing her out. As it turned out, the full context showed that Sherrod was actually documenting her own turn away from racial anger. The farmer who was the subject of the story came forward, along with his wife, and explained that Sherrod had worked tirelessly to help the family. The farmer was Roger Spooner.

Sherrod’s career as an activist, first in civil rights and then later in the world of small farmers like Roger Spooner, was not chosen so much as thrust upon her. Her cousin had been lynched in 1943. Her father was shot and killed by a white relative in a dispute over some cows. There were three witnesses, but the grand jury in her native Baker County did not indict the suspect. Sherrod became an activist with the Student Nonviolent Coordinating Committee, registering voters near her hometown. Her husband, Charles Sherrod, was instrumental in leading the Albany Movement, which attracted Martin Luther King Jr. to town. But when Stokely Carmichael rose to lead SNCC and took it in a black-nationalist direction, the Sherrods, committed to non­violence and integration, faced a weighty choice. Car­michael himself had been committed to nonviolence, until the killings and beatings he encountered as a civil-rights activist took their toll. Sherrod, with a past haunted by racist violence, would have seemed ripe for recruitment to the nationalist line. But she, along with her husband, declined, leaving SNCC in order to continue in the tradition of King and nonviolence.

Her achievements from then on are significant. She helped pioneer the farm-­collective movement in America, and co-founded New Communities—a sprawling 6,000-acre collective that did everything from growing crops to canning sugar cane and sorghum. New Communities folded in 1985, largely because Ronald Reagan’s USDA refused to sign off on a loan, even as it was signing off on money for smaller-scale white farmers. Sherrod went on to work with Farm Aid. She befriended Willie Nelson, held a fellowship with the Kellogg Foundation, and was shortlisted for a job in President Clinton’s Agriculture Department. Still, she remained relatively unknown except to students of the civil-rights movement and activists who promoted the rights of small farmers. And unknown she would have remained, had she not been very publicly forced out of her position by the administration of the country’s first black president.

Through most of her career as an agriculture activist, Sherrod had found the USDA to be a barrier to the success of black farmers. What hurt black farms the most were the discriminatory practices of local officials in granting loans. Sherrod spent years protesting these practices. But then, after the election of Barack Obama, she was hired by the USDA, where she would be supervising the very people she’d once fought. Now she would have a chance to ensure fair and nondiscriminatory lending practices. Her appoint­ment represented the kind of unnoticed but significant changes Obama’s election brought.

But then the administration, intimidated by a resurgent right wing specializing in whipping up racial resentment, compelled Sherrod to resign on the basis of the misleading clips. When the full tape emerged, the administration was left looking ridiculous.

And cowardly. An e-mail chain later surfaced in which the White House congratulated Agriculture Secretary Tom Vilsack’s staff for getting ahead of the news cycle. None of them had yet seen the full tape. That the Obama administration would fold so easily gives some sense of how frightened it was of a protracted fight with any kind of racial subtext, particularly one that had a subtext of black rage. Its enemies under­stood this, and when no black rage could be found, they concocted some. And the administration, in a panic, knuckled under.

Violence at the hands of whites robbed Shirley Sherrod of a cousin and a father. White rage outlined the substantive rules of her life: Don’t quarrel with white people. Don’t look them in the eye. Avoid Route 91 after dark. White racism destroyed New Communities, a fact validated by the nearly $13 million the organization received in the class-action suit it joined alleging racial discrimination by the local USDA officials granting loan applications. (Which means that her being forced out by Vilsack was the second time the USDA had wronged her directly.) And yet through it all, Sherrod has hewed to the rule of “twice as good.” She has preached nonviolence and integration. The very video that led to her dismissal was of a speech aimed at black people, warning them against the dangers of succumbing to rage.

Acceptance depends not just on being twice as good but on being half as black. The community in which Obama is rooted sees this fraudulent equality and seethes.

Driving down a sparse country road, Sherrod and I pulled over to a grassy footpath and stepped out at the spot where her father had been shot and killed in 1965. We then drove a few miles into Newton, and stopped at a large brick building that used to be the courthouse where Sherrod had tried to register to vote a few months after her father’s death but had been violently turned back by the sheriff; where a year later Sherrod’s mother pursued a civil case against her husband’s killer. (She lost.) For this, Sherrod’s mother enjoyed routine visits from white terror­ists, which abated only after she, pregnant with her dead husband’s son, appeared in the doorway with a gun and began calling out names of men in the mob.

When we got back into the car, I asked Sherrod why she hadn’t given in to rage against her father’s killers and sided with Stokely Car­michael. “It was simple for me,” she said. “I really wanted to work. I wanted to win.”

I asked Sherrod if she thought the president had a grasp of the specific history of the region and of the fights waged and the sacrifices made in order to make his political journey possible. “I don’t think he does,” Sherrod said. “When he called me [shortly after the incident], he kept saying he understood our struggle and all we’d fought for. He said, ‘Read my book and you’ll see.’ But I had read his book.”

In 2009, Sergeant James Crowley arrested Henry Louis Gates Jr., the eminent professor of African American studies at Harvard, at his front door in Cambridge, for, essentially, sassing him. When President Obama publicly asserted the stupidity of Crowley’s action, he was so besieged that the controversy threatened to derail what he hoped would be his signature achievement—health-care reform. Obama, an African American male who had risen through the ranks of the American elite, was no doubt sensitive to untoward treatment at the hands of the police. But his expounding upon it so provoked right-wing rage that he was forced away from doing the kind of truth-telling he’d once lauded. “I don’t know if you’ve noticed,” Obama said at the time, “but nobody’s been paying much attention to health care.”

Shirley Sherrod has worked all her life to make a world where the rise of a black president born of a biracial marriage is both conceivable and legal. She has endured the killing of relatives, the ruination of enterprises, and the defaming of her reputation. Crowley, for his actions, was feted in the halls of American power, honored by being invited to a “beer summit” with the man he had arrested and the leader of the free world. Shirley Sherrod, unjustly fired and defamed, was treated to a brief phone call from a man whose career, in some profound way, she had made possible. Sherrod herself is not immune to this point. She talked to me about crying with her husband while watching Obama’s Election Night speech. In her new memoir, The Courage to Hope, she writes about a different kind of tears: when she discussed her firing with her family, her mother, who’d spent her life facing down racism at its most lethal, simply wept. “What will my babies say?,” Sherrod cried to her husband, referring to their four small granddaughters. “How can I explain to my children that I got fired by the first black president?”

 

In 2000, an undercover police officer followed a young man named Prince Jones from suburban Maryland through Washington, D.C., into Northern Virginia and shot him dead, near the home of his girlfriend and 11-month-old daughter. Jones was a student at Howard University. His mother was a radiologist. He was also my friend. The officer tracking Prince thought he was on the trail of a drug dealer. But the dealer he was after was short and wore dreadlocks—Prince was tall and wore his hair cropped close. The officer was black. He wore dreadlocks and a T-shirt, in an attempt to look like a drug dealer. The ruse likely worked. He claimed that after Prince got out of his car and confronted him, he drew his gun and said “Police”; Prince returned to his car and repeatedly rammed the officer’s unmarked car with his own vehicle. The story sounded wildly at odds with the young man I knew. But even if it was accurate, I could easily see myself frightened by a strange car following me for miles, and then reacting wildly when a man in civilian clothes pulled out a gun and claimed to be a cop. (The officer never showed a badge.)

No criminal charges were ever brought against Carlton Jones, the officer who killed my friend and rendered a little girl fatherless. It was as if society barely blinked. A few months later, I moved to New York. When 9/11 happened, I wanted nothing to do with any kind of patriotism, with the broad national ceremony of mourning. I had no sympathy for the fire­fighters, and something bordering on hatred for the police officers who had died. I lived in a country where my friend—twice as good—could be shot down mere footsteps from his family by agents of the state. God damn America, indeed.

I grew. I became a New Yorker. I came to understand the limits of anger. Watching Barack Obama crisscross the country to roaring white crowds, and then get elected president, I became convinced that the country really had changed—that time and events had altered the nation, and that progress had come in places I’d never imagined it could. When Osama bin Laden was killed, I cheered like everyone else. God damn al‑Qaeda.

When trans-partisan mourning erupted around Trayvon Martin, it reinforced my conviction that the world had changed since the death of Prince Jones. Like Prince, Trayvon was suspected of being a criminal chiefly because of the color of his skin. Like Prince’s, Trayvon’s killer claimed self-defense. Again, with little effort, I could see myself in the shoes of the dead man. But this time, society’s response seemed so very different, so much more heartening.

Then the first black president spoke, and the Internet bloomed. Young people began “Trayvoning”—mocking the death of a black boy by photographing themselves in hoodies, with Skittles and iced tea, in a death pose.

In a democracy, so the saying goes, the people get the government they deserve. Part of Obama’s genius is a remarkable ability to soothe race consciousness among whites. Any black person who’s worked in the professional world is well acquainted with this trick. But never has it been practiced at such a high level, and never have its limits been so obviously exposed. This need to talk in dulcet tones, to never be angry regardless of the offense, bespeaks a strange and compromised integration indeed, revealing a country so infantile that it can countenance white acceptance of blacks only when they meet an Al Roker standard.

And yet this is the uncertain foundation of Obama’s historic victory—a victory that I, and my community, hold in the highest esteem. Who would truly deny the possibility of a black presidency in all its power and symbolism? Who would rob that little black boy of the right to feel himself affirmed by touching the kinky black hair of his president?

I think back to the first time I wrote Shirley Sherrod, requesting an interview. Here was a black woman with every reason in the world to bear considerable animosity toward Barack Obama. But she agreed to meet me only with great trepidation. She said she didn’t “want to do anything to hurt” the president.

 

INFO: Venus and Serena Against the World > NYTimes

Venus and Serena
Against the World

Damon Winter/The New York Times; Stylist: Deborah Afshani. Hair: Angela Meadows. Makeup (Serena): Sheika Daley. Makeup (Venus): Kazumi Brown.

GO HERE TO VIEW BEHIND-THE-SCENES VIDEO

There’s video that exists of Venus and Serena Williams playing tennis when they were kids — 8 and 7, respectively — in the late ’80s, on unshaded but otherwise decent-looking public courts in California. This is not one of the clips you’ve maybe seen, taken from various news segments, but an earlier, stranger video, made by their father and longtime coach, Richard Williams, as a kind of audition tape for the tennis-instructional guru Vic Braden, ostensibly requesting an invitation to Braden’s camp, although the real reason for it, you can’t help feel in watching, simply was to let Braden know that greatness had arrived in the world. Richard’s face in the film as he presents the girls to Braden seems, as it does so often, on the brink of laughter. This was in Compton, the low-income, gang-afflicted hub city outside Los Angeles, an area made infamous by many a rap song. Although they enjoyed about as stable an upbringing as you could have in Compton back then, its problems were no mere abstraction: they supposedly knew to lie down on the court when gunshots rang out in the park. And there’s a story that Richard, when asked what he would do if his daughters ever won a Grand Slam, said he would go back and try to help the Crips who sometimes looked out for the girls during their practice sessions. “Venus Williams Is Straight Outta Compton!” read an early promotional poster their father made, to post on telephone poles. He billed the two as celebrities before they were even famous. That was how you did it. Not fake it till you make it. You decided what you were. First you had the belief, and then you had the training. “Belief and training,” Venus told me a couple of weeks ago when I met with her in Cincinnati, where she and Serena were playing in a tournament just days after returning from the Olympics. “That was unconquerable.”

    She sat at a round, empty table in the meeting room at the Hyatt, first messing with her dog, a little terrierlike creature, and then placing it inside a duffel bag, where it apparently liked to hang out, because it stayed completely silent there for the better part of two hours, not even receiving any treats or anything. “He’s unemployed,” she said, forcing him with her fingers to make a face at me.

    Because she’s usually frowning and scowling on court, or squinting and chewing the inside of her mouth, or looking bummed in the changeover chair — or finally at the end sometimes grinning and laughing maniacally — it’s easy to find yourself unprepared for her sheer prettiness, as witnessed when she’s more or less at ease, 6-foot-1 in pale designer jeans, quietly flashing the smile that made her at one time the richest woman in sports (before Maria Sharapova came along).

    I was trying to bring the person across the table into some kind of stereoscopic harmony with the girl on the tape, the one whose short, beaded braids hang like a fringe of tassels on the side of her head. It showed her hitting big, swinging volleys from midcourt at about the skill level of a decent college player, except that she was catching them up above her head, scything the fed balls out of the air with enough topspin to send them arcing down toward the lines. After an especially good shot, Richard would say, “Good shot, Venus,” and Venus would say, in dulcet tones that retained a trace of his Louisiana syrup, “Thank you, Daddy.”

    Richard addresses the camera directly. Venus and Serena stand on either side of him, taking shelter in the shadow of his legs as if the camera might not find them there. Richard reveals to Braden that they have been watching his popular tape, “Tennis Our Way,” quoting his fantastically optimistic slogan, “You’ll be famous by Friday.” Richard can’t remember the exact wording. “You kept saying we’d be good by Friday,” he tells Braden. “We was good by Tuesday. We should be great by Friday.”

    The remarkable thing about the tape, from the point of view of someone interested in tennis, isn’t the almost voyeuristically candid preflight glimpse it gives of some soon-to-be superstars but simply the footage of Venus hitting. She doesn’t bounce on her feet yet between every shot, she hasn’t fully learned that readiness; she just stands there, in her jeans, waiting to be fed the next ball. Nor is it even the excellence of her technique, although her technique, it goes without saying, is ridiculous for an 8-year-old. It’s more something that she doesn’t even know she’s doing, something having to do with the transfer of force, of mass, from the back of her body to the front, and the way that this transference is passed along into the shot, the way it enters her racket head at precisely the millisecond she hits the ball, resulting in a kind of popping sound, the distinctive pop in ball-striking that signals someone who can really play, the thing you simply cannot and will never learn to do if you are a hack or even a pretty good player who has hit that cruel ceiling, the limits of your own physical ability, beyond which you cannot progress, even after decades of lessons and work, but beyond which some 8-year-old girls can go and indeed beyond which they were born. It’s the tyranny of talent. Watching this little girl do it, watching her have it, that lays it bare, undeniably evident, extracted from the game like the Higgs boson from those protons.

    I asked Venus about this tape, if she remembered it at all. She did, she said (vaguely, I sensed), but in general she tries not to look back, preferring to remain “at a continuum of moving forward.”

    If Braden ever watched the tape, there survives no mention of it. He must have had parents trying to sell him on their little prodigies every day, and even if he had noticed — as he could not have failed to — that the girls, especially the older one, possessed the proverbial “thing that can’t be taught,” there was plenty else in the tape to put him off. The father’s boasting (relatively subdued, for this performance) has about it the whiff of slight insanity. The way he keeps mentioning the “famous by Friday” business, the way he talks about the girls not as promising youngsters but as celebrities, as princesses, as if he worships his own creation. His Southern accent verges at times on the unintelligible. “Stay in touch with us,” spoken pathetically, hopefully, toward the end of the tape, sounds like, “Stain touch widders.”

    Although he has been the subject of excellent profile writing (notably in Sports Illustrated, by S. L. Price and L. Jon Wertheim), Richard Williams remains an eternally elusive and evasive figure. I find him powerfully and movingly American somehow. His whole personality seems to have evolved as a complex reaction-structure to an insecurity so profound that it must remain secret, especially from him. Throughout his daughters’ careers, he has gone about fanning a splendor of boxing-promoter language, of lies, half-truths, boasts, misstatements, non sequiturs, buffoonery, needless exaggerations, megalomania, paranoia — as well as here and there genuinely wise, amusing lines — all of which, you begin to feel, are designed (subconsciously, yes, but no less shrewdly) to deflect attention away from a still, small center, the place where he dwells and operates. It’s there that he is who he is, whoever he is.

    He came from a part of Shreveport, Lurr-zeeana, as he pronounces it, in a neighborhood whose school was called, amazingly, Little Hope. At various times he has told reporters or anyone who listened that he was a sports star there in his youth — and certainly it seems plausible, given his height (6-4-ish) and what we realize to have been present at least in a nascent way in the genes — but there are no records of these exploits, if they occurred. Perhaps he dreamed them. Perhaps he assigned them to himself the way a great novelist might give them to a character, as a necessary past for the Father of the Williams Sisters. Perhaps (most likely) he needed them in order to be the girls’ father, to carry the necessary authority in their eyes. Listen to me, now. I was like you. I was a great athlete, too. That may have been useful.

    The source that brings us closest to him, precisely because of its complete lack of objectivity, is an extraordinary documentary made just over a decade ago, “Raising Tennis Aces: The Williams Story, by a black Englishman named Terry Jervis, who himself possesses, from what can be gauged, self-promotional instincts downright Richard Williams-like in aspect. The film is about Richard Williams, mainly, but also done in collusion with him.

    Most of it takes place on the grounds of a Florida compound, near where the Williams family relocated in the mid-’90s to hide from the junior playing circuit (Richard’s great stroke of genius — when the other girls were burning themselves out playing the Young Ladies Lipton Cup or what have, his girls were hiding, practicing). In the film, Venus and Serena sit for interviews, under a patio awning, saying their half-meant teenage-athlete phrases, as Richard sits beside them, grim-faced, gripping his thighs, controlling the narrative.

    Mainly he is the narrative. We watch him riding around the place on a clay-court-cleaning machine. We meet others — the family lawyer, the family adviser — who speak of Richard and his integrity and foresight. We meet, curiously, another man named Richard Williams, a tennis teacher back in Compton, who gave the sisters some of their first extrafamilial lessons. Williams generously acknowledges his influence. A civil rights activist appears, testifying to how hard Richard had it growing up.

    We follow him back to Shreveport, where he pays a visit to his childhood home, the place he shared with his sisters and their mother, Julia Mae Williams. His shock at its dilapidation is such that he sits down and cries. He tells the story of his closest childhood friend, killed by a car that was driven by a white woman who barely stopped to see what she’d done. “She went on her way, gracefully,” Richard says.

    It’s not that the story is at all implausible for the South in the ’50s. No reason to doubt it. But there’s something about Richard’s manner. We see him weaving the physical objects of his immediate surroundings into the tale. He puts his hand on a tree in the front yard and says that he planted it after his friend died, because in the wake of that loss, he needed something “solid.” But wouldn’t the tree have been only a sapling at that time? He says the mere idea of its future growth gave him that solid feeling. But those don’t sound like a boy’s thoughts. Richard’s drive to self-mythologize is total. All must be included, even the trees; all must contribute inevitably to what came later. The trauma of the black Southern past is recast by force of will and audacity, becoming prelude to the glory of the Williams present. “Venus was born in ’80,” he says, with cryptic syntax, “but she was . . . taught like a child who was being brought up in the ’40s and the ’50s, and that’s why today if you see Venus and Serena, and we’re at a tennis tournament, and you boo us, it doesn’t hurt us, because we was taught for things like that many, many years ago, we came up in the ’40s and the ’50s.”

    The mention of “you boo us” isn’t random. Richard was referring, without mentioning it explicitly, to the notorious incident at Indian Wells, Calif., in 2001, still a recent memory when “Raising Tennis Aces” was shot. People argue about exactly what went down that day, but the flash point was that Venus withdrew from a semifinal match against Serena. She didn’t feel well enough to play. Tendinitis. It’s often reported that she did this with only minutes to go before the match, but in her book (“On the Line,” a better-than-average entry in the genre of the co-written sports memoir), Serena wrote that Venus had been telling the trainer for hours she didn’t think she could do it. That was the protocol: you were supposed to tell the trainer first. But the trainer kept stalling, no doubt hoping she would recover and change her mind. At one point during the day, Venus approached Serena in the locker room and said: “I really don’t know why they’re not making some kind of announcement. I told them I couldn’t play two hours ago.” This game of chicken went on until, in the end, the stadium was full. A tournament official came on the loudspeakers and informed the crowd that the match had been canceled. Rumors of match-fixing began to swirl. A day before, the Russian player Elena Dementieva had joked-not-joked that Richard would decide which of his girls went on to the final.

    (Just as an aside, I’ve never bought any of the match-fixing accusations regarding the sisters: yes, their matchups could be weird to watch, sort of hesitating, but is there any mystery to that? They’ve been playing together, more as practice partners than as opponents, practically since they were babies. Their style of play was about feeding each other, testing each other’s strokes, not winning. That dynamic couldn’t be changed overnight. Their matches grew in intensity and passion as their careers advanced, just as you would expect. Also, and perhaps most compellingly, the whole idea of Richard asking one of his daughters to lose to the other goes entirely against his style. It would have been more like him to set them against each other to strengthen them.)

    Two days later, when the family returned to the court for Serena’s match against the big-hitting Belgian Kim Clijsters, the crowd began to boo. Both Richard and Serena assert that they heard the word “nigger.” The booing continued throughout the match, which Serena won in a display of all but inexplicable poise — or really something more like fearsomeness, when you witness it. But the most astonishing and little-remarked moment occurred before the match even started, when Richard and Venus walked down to their seats in the players’ box. The booing intensified — it was Venus, after all, who committed the sin, and Richard whom many despised for his frequently asinine Svengali persona (and darker tendencies too — reportedly, a couple of years before the Indian Wells fiasco, he hurt his wife, Oracene, the girls’ mother and co-trainer, badly enough to break a few of her ribs; Oracene later confirmed the reports; he denied them; either way, the marriage was crumbling just as the girls were making it). He turned and faced the crowd, as if to show them his lack of fear. He said a few things back, you can’t hear what. And then he raised his left fist in the air, like John Carlos at the ’68 Olympics. He held it there for a few seconds. The look in his face suggests that he did it almost with a kind of irony. Still, the boldness of the gesture stuns. Tennis had never seen anything like that.

    In her postmatch remarks, Serena thanked her father for giving her strength, after first thanking, as she almost invariably does, Jehovah God. “I want to thank those who supported me,” she added. “And if you didn’t, I love you guys anyway.” But not so much, as it turned out. It has been more than a decade since that day, and the Williams sisters have never returned to Indian Wells, one of the tour’s bigger tournaments.

    Richard Williams often receives an undue share of attention in discussions of the Williams sisters, their game and how they got started. Partly this is appropriate: he’s their coach. Partly it’s because, for many years, he demanded, or at least commanded, that attention with his bizarre pronouncements and antics. But all of this has led to a persistent distortion in the telling of the Williams story, which is, after all, a story of powerful women — not just Venus and Serena, but the household of women who surrounded and nurtured them.

    In the beginning, there were three sisters, none of whose names you may have heard: Yetunde, Isha and Lyndrea. They were Oracene Price’s daughters from her first marriage. Oracene became Richard’s second wife when they married in 1980. So Richard lived in the house in Compton with four women — three girls and their mother — just as he had grown up in Shreveport with three sisters and Julia Mae. He had recreated the dynamic of his childhood home.

    When he and Oracene first began to talk and dream about founding some kind of tennis dynasty — in the oft-heard tale, it happened after Richard watched a women’s match on TV and heard that the victor, Virginia Ruzici of Romania, would receive $30,000 for her efforts, just for smacking a ball, as they say — Richard first taught Oracene to play. He himself had taken up the game not long before, and he quickly became quite good. But Oracene, too, was an athlete. In her youth she played volleyball and played basketball with her brothers (“Till they got bigger than me”).

    “It was like a family recreation early on,” she told me. “I myself learned to play in a year. I always wanted to learn and to learn the right way, like a professional. And Richard would show everyone my backhand.”

    She explained that because she was pregnant with Venus when they first started hitting together, the traditional way of hitting a backhand — turning to the side and twisting your torso — didn’t feel comfortable for her. “I would hit the backhand open,” she said. At the time, the shot was rare and barely existed at all in the women’s game. “I made it into a comfortable stroke. I knew I’d feel better if I was low, and then I’d just whack it.”

    At first they began with Oracene’s three children. Yetunde, the oldest — who was shot and killed in 2003 in Compton — wasn’t especially athletic. But Isha, many people believe, could have been the third Williams sister, if not for her back problems, and Lyndrea went on to play at the college level. But although the two girls were good, they weren’t great — perhaps they hadn’t been exposed early enough.

    With Venus and Serena, Oracene said, “it’s almost like they were raised on the court.” She remembers Serena as a toddler, off to the side while they played. Oracene noticed early that something was different about their game. “They still weren’t as athletic as me,” she said — a thing you learn quickly about Oracene is that she says exactly what she means and never says anything she doesn’t mean, to a degree that can be intimidating and even seem aggressive until you realize that it isn’t negatively charged, she’s just very unto herself — “but I did notice one thing: they had a natural swing. That’s what I looked for first.” She didn’t elaborate on that, but I knew what she meant — the pop. It was the unquantifiable kinesiology of the pop. These two new daughters had it. (Richard would later claim that they were engineered for it, by an express and all but eugenical logic — he saw Oracene’s long, powerful gams and thought they would make great legs for a tennis player. Jehovah God knows if these things are true, but unlike the sturdy-tree story, it feels like something he might have thought.)

    Richard and Oracene had become uncannily expert, if unavoidably eccentric, tennis coaches and analysts by the time Venus and Serena started hitting. Indeed, behind the minor miracle of there being two tennis virtuosos in this single family with no previous tennis background, there had been the previous miracle of both parents’ understanding the game well enough to teach and guide the girls. “I don’t honestly know how that happened,” Venus told me in Cincinnati. “It’s interesting. I don’t know how my parents were able to learn the game so well.”

    The story has been told so many times, of these early years, when Compton got used to the sight of the little girls who would always be playing tennis at the public park — or riding around in their faded yellow VW bus with the middle seat taken out to accommodate the grocery cart full of balls — but somehow the strangeness and drama of it retain a power to fascinate. The idea of this African-American family organizing itself, as a unit, in order to lay siege to perhaps the whitest sport in the world and pulling it off somehow. “I remember even talking to my sisters and brothers,” Oracene said, recalling a time before anyone had ever heard of the Williams sisters, “and telling them: ‘The girls are going to be professional. We’re going to need a lawyer, and we’re going to need an accountant.’ ”

    Isha, the middle daughter — sharply funny and practical, fiercely loyal to the family — told me: “Life was get up, 6 o’clock in the morning, go to the tennis court, before school. After school, go to tennis. But it was consistency. I hate to put it [like this], but it’s like training an animal. You can’t just be sometimey with it.” She still can’t sleep past 6.

    “For the most part,” she said, “Venus would be on my dad’s court, Serena would be on my mom’s court, and we’d jump. It was like this rotating system.” All the sisters agree that Oracene’s court was the toughest. Richard liked to play games and goof, but their mother was all business and was matter-of-fact in her criticisms. “Even now,” Serena wrote in her book, Oracene is “one of the best at helping to break down my game.” In conversation, Isha points out that it’s always her mother who goes with Serena to the Australian Open, not her father. “And she’s won the Australian five times.”

    Oracene did not grow up a Jehovah’s Witness. She belonged to a religious family in Michigan but lacked a church to attend in L.A. Some Witnesses came to her door one day, and she liked their message, with its emphasis on their strict interpretation of the Bible. In 1984, just as Venus and Serena were picking up rackets for the first time, Oracene was baptized and began raising her girls in the faith. Richard never did convert. He read some of the teachings, but he was not and is not a Witness. As much power as he possessed in the family, there remained a kind of inner circle — of women and faith — of which he remained outside, which may go some way toward explaining how the girls can both revere him and roll their eyes at him. He’s their father, but he’s other. Among themselves, the women in the family maintain what Oracene, quoting Colossians, calls “a perfect bond of union.” When I spoke with Lyndrea, the youngest of the three older girls (and perhaps the most unforcedly sweet of all the sisters; about Lyn, as they call her, there was nothing forbidding or closed), she was in the car on her way to the Kingdom Hall in Los Angeles to give a talk. And when I asked Isha if the girls ever went around house to house, the way Jehovah’s Witnesses do, she said yes, she had been “out in service” with Venus and Serena. “It’s a trip, too,” she said, “people be blown away.”

    It’s impossible not to feel that this fierce closeness of the Williams women — strengthened by their shared faith, with its emphasis on separation from the world — has had not a little to do with the tremendous psychological stability Venus and Serena have demonstrated over the nearly 17 years of their careers. It’s amazing to think, but when this article was first in the planning stages, only a few months ago, it was conceived as a story that would mark the decline of their careers, the beginning of a conversation about their legacy. The word “retirement” had begun to appear in discussions of both sisters. This wasn’t writing them off; it just seemed like an accurate read of the situation. Venus found out she had Sjogren’s syndrome, an autoimmune disorder that often causes severe joint pain, among other symptoms. She’d fallen quite far back in the rankings, because of a lack of match play. The illness dogged her for years, until the doctors finally figured out what was wrong. It had been hard for her to accept that she was sick. “I spent my whole life playing sports and training and pushing myself to the limits,” she told me. “When you get told that you have a disease, it’s like: ‘Really? Nah, it’s all right. I don’t believe that. It must be something else, I’m just making an excuse, let me push harder.’ ” Serena, meanwhile, had cut a tendon in her foot with a piece of glass, requiring several operations, which led to a pulmonary embolism. She also suffered a giant hematoma, caused by one of the shots she took to prevent another embolism. Naturally their fitness suffered. It seemed, frankly, physically impossible that the sisters would ever regain the tip of the tennis pyramid. A good time to talk about what they had meant to the game, how they had changed it and been changed by it.

    But last month, Serena won Wimbledon again. Then she won the Olympic gold medal in women’s singles. Then she and Venus (Venus actually playing slightly better than Serena, according to Serena) won gold in women’s doubles. The whole thing was a joke, a comedy. The Williams sisters were dominating tennis again. Serena, in her final match, machine-gunned her onetime rival Sharapova off the court so brusquely and efficiently, it looked as if she had an urgent appointment somewhere that she couldn’t miss. Venus, in closing out the gold-medal doubles match, hit what she felt was the best shot of her career. Her description of it in Cincinnati was beautiful (it can be hard to get tennis players to talk about their game in an analytical way). “I did a play that I normally don’t do,” she said. “Something moved my body.

    “Serena was serving from the ad court, and I don’t really like to cross, to poach on the ad court, because I usually like to poach when I have a forehand. I’m thinking: I gotta help Serena out, because she always helps me on my serve. I’m not helping her enough.

    All this is going through my head. So my plan is like, I’m gonna go over, but I’m not gonna go too early; I don’t want [the other player] to see me. But this is all subconscious almost. The next thing I know, I’ve left. I don’t remember making my body move. I’m just hitting the shot. Now, I have a great one-handed backhand volley. But I hit it two-handed! I don’t know what happened. It was like watching myself from above when that happened, and like I feel like, this is the best shot of my whole life.”

    I asked Oracene what she felt, watching her daughters reclaim the heights after what they’d been through. “Honestly?” she said. “I reflected on the fact that in the United States, you don’t have many players that are doing well. And then you have these two old, black girls, up in age now, and they’re still holding up America. That to me was remarkable.” I thought about it. She was right. There isn’t another American right now who’s capable of really penetrating at a major. Or maybe, in fairness to Andy Roddick and a couple of other people, it’s better to say that there isn’t another player whose penetration at a Slam would not make your eyebrows jump. It’s just these two girls, these two sisters. They’re what America has right now.

    I met Serena a couple of weeks ago in Paris, where she spends several months of each year. She lives in a quiet, pretty part of the Seventh Arrondissement, in a beautiful but not ostentatious apartment that she described as “humble.” It had black floors and big airy windows that let in the sound of children playing on the sidewalk below. Most of the furniture and art pieces were things she picked up at the outdoor markets in Paris. She showed me a binder full of her plans for the interior design.

    There had been some mix-up about the time. I’d stood there buzzing for about 10 minutes. Suddenly the door bolted open. The assistant, I thought, maybe coming down to explain.But it was Serena. In purple spandex workout pants, a white top and sunglasses, her hair natural and a little wild, the way she’s wearing it these days.

    “You’re early,” she said.

    “Really? I thought it was 7.”

    “I thought 7:30.”

    “I’m happy to hang out for a while.”

    “No,” she said. “Walk with me.” She needed something from the pharmacy.

    As we walked, she moved back and forth between French and English. Her French was good. Even very good. I had always heard this about the Williams sisters, that they were into languages. But you know how it is with some people — they take a Berlitz course and tell you they can speak Russian. She was expressing herself in the language, charming the Greek guys in the little takeout joint where we stopped, where she seemed to order one of every dish they had. They couldn’t hold sample spoons out to her fast enough. I thought what I’d been thinking for months: that I knew more or less nothing about the Williams sisters. They like it that way, you get the sense. Not many people get very close. This of course warps the perception of them by the public and the media. It feeds the idea to many people that there’s something weird and aggressively off-putting about them. They both seem conscious of the trade-off and O.K. with it.

    When we returned to her apartment, she asked, “Do you want a drink drink?” She had just flown in, and there was nothing in the place but Jack Daniels, which she poured for me on the rocks, showing a nonshowy graciousness I didn’t expect. “That oughta get you going,” she said with a laugh. She didn’t have any herself. (Jehovah’s Witnesses are allowed to drink in moderation, but whiskey wasn’t part of her training regimen.)

    After I moved through the congratulations and the how-are-you-feeling (she showed me the locations of her various scars, including a long and nasty one on her shin), I asked her about Indian Wells. “I’m not going to ask you if you’ll ever go back,” I said, “because I know you won’t. I just want to know if that’s your personal decision or a family decision.”

    “It was my decision,” she said, sounding not so much annoyed as saddened by the subject. The rest of her answer, reproduced here in its entirety, surprised me both with its eloquence and its confidence. It was a woman’s answer, not a girl’s. And not a diva’s. She wasn’t trying to be provocative. She was letting her yes be yes and her no be no, the way Oracene had taught her.

    “I don’t know if my dad said something. But I don’t need to go back there. They don’t like me. I don’t need to be there. If you can boo a teenager, and you can be white and 60 years old, you know what? I’m cool on you. I can understand maybe if they were 20, 15. But like at the French Open, the crowd boos you, but they’re young, they’re kids, they’re a younger crowd. It is what it is. You just know every time you go to Paris, you get booed, but you see so many kids in the crowd. At Indian Wells, everybody goes there when they’re retired. It’s like Palm Beach. I thought, People like Martin Luther King Jr. boycotted things. And this is nothing on that level. Look at Muhammad Ali, he didn’t even play, he went to jail because he didn’t want to go to war. The least I can do is stand up for my people and not go there. That’s the very least I can do. It’s not even that hard of a decision. I get a vacation on those two weeks. It’s like the easiest decision of my career. They can penalize me to death, I’m never going back.”

    She gave me a bit of a look, as if she were peering over the rims of her glasses, though she wasn’t wearing glasses. Something along the lines of, “Does that answer your question?” She had a row of books on her shelf, the kind of beige, 19th-century books you find in the stalls along the Seine (which turned out to be where she found them). I asked if she read any of them. “No, I just bought them for show,” she said. They were beautiful; they made good décor. One faced out, on the end. It was a biography of Toussaint Louverture, the former slave who led the Haitian revolution near the end of the 18th century. The book’s cover had a great old color illustration of him on horseback, brandishing a sword. His blue-and-red coat and gray-black face.

    Because she seemed to be handling uncomfortable topics surprisingly well, I moved on to maybe the second-biggest oncourt scandal of her career — her notorious outburst at a lineswoman who had made a questionable foot-fault call against her during the 2009 U. S. Open. To be fair, the call looked bogus in replay, and Serena has suffered enough bad calls at that tournament — some that were almost surreally so, including one in a 2004 match against Jennifer Capriati — to justify a little paranoia. Even so, she went over the line and said things that would have scared the living hell out of me if I’d been in that chair.

    “How do you feel about that now?” I asked.

    “I was definitely stressed, and I was angry,” she said. “I don’t foot-fault. Like, I have in the past, but this woman should never make a call in the semifinals of a Grand Slam on a person who doesn’t foot-fault. She was totally wrong. I’m sorry. I’m not sorry. I looked at her like — I tried to warn her. And then she did it again. And I’m thinking, This is ridiculous.”

    “But you admit you went over the top?” I said.

    “What bothered me most was that I was representing my religion. I just felt like anyone who knew I was a Witness was stumbled. And I really don’t want to stumble anybody.” Indeed, Oracene had told me that the Witnesses called Serena in for a dressing-down. “They had to have a talk with me,” Serena said. “And I knew it was coming. I just felt really bad, though, because it’s like, that’s not who I am.”

    “How does that work?” I asked. “Were you summoned by a minister?”

    “They just talk to you,” she said. “They show you Scriptures. Not ministers, they call them elders. It’s almost like a reprimand, but it’s not bad, because in the Bible it says God loves you, and if someone reprimands you, they love you.”

    She went on, talking about how “every year at the Open something happens. Like last year I got a point penalty because of a grunt. Meanwhile, I can name five girls who grunt way louder than I do, and the umpire didn’t even give them a warning. And then I had the ball called out that was this far in. It’s always something. I’m thinking, already, something’s gonna happen this year at the Open. I’m just thinking, Serena, say your prayers, fall on your knees. It’s frustrating, because it’s my home country, you’re playing for the home, but it’s like, the way the umpires have been makes me not want to play there. I’d rather play in Australia, or I’d rather play at Wimbledon.”

    The window behind us had an exquisite view of Paris in the twilight. Looking past me, she said: “I love how the city’s all even. I love how you can see the sky. You can’t have too many tall buildings. I mean, there are a few, but for the most part, it’s Old World. I like it.”

    Something about her life there, the little I glimpsed of it — she had told me how she liked being alone in this place, how she would “come here just to be around nobody” and how she liked the way people in this neighborhood didn’t make a big deal out of her — it gave me the sense that she was hiding there. From what, though? From America, probably, a country that couldn’t decide if she was a goddess or a threat. And from her father. In the latter case, at least, she had been successful. His energy was nowhere in that apartment. This was what I was seeing, I realized, in meeting both Venus and Serena. They have quietly absconded from his shadow.

    Venus had even joked about him in Cincinnati, when I asked her if he was still their coach. She rolled her eyes. “Sometimes he’ll send lengthy e-mails,” she said. “Sometimes they’re really long, and I don’t read them. I get the gist. He’s very, very into it. I think he loves it most. Out of all of us, I think he loves tennis most.”

    In fact, not even Oracene accompanied the girls to Cincinnati. “They’re probably tired,” Venus said. “They say, ‘We’re over it, we’ll stay at home.’ ” Her smile had levels I wasn’t equipped to explore. It had coyness in it, it had irony in it, it even had some melancholy in it. “We’re on our own,” she said.

     

    John Jeremiah Sullivan is a contributing writer and the author of “Pulphead.” He last wrote about the reissue of “Absalom, Absalom!”

    Editor: Joel Lovell

     

    VIDEO: Lupe Explains Why Being a Bad B*tch Ain’t All It’s Cracked Up to Be > Clutch Magazine

    Lupe Explains Why

    Being a Bad B*tch Ain’t All

    It’s Cracked Up to Be

    I don’t know about you, but calling me a b*tch will do little but get me upset.

    Much like the n-word, I never understood how some women “reclaimed” this word and now use it as a term of endearment for their closest friends. Or worse, how a man could fix his lips to call his significant other his b*tch (*cue Jay-Z*). Parsing out the inflection in someone’s voice when they use the b-word takes too much effort, so I don’t use it as anything but a dagger, and even then, I reserve it for only the vilest folks—both male and female alike.

    You see, I come from the Latifah School of Queendom, and back in ’94 when I was coming into my own her in-your-face song, U.N.I.T.Y., which challenged any man (or woman) who dared to step to her wrong, became my anthem. Years later it inspired my first foray onto the web. And even today, now that I’m on the other side of 30, it is still is my go-to joint when I need a bit of a pick-me-up.

    As an avid hip-hop head it sometimes feels like we’re in an abuse relationship. I love the music that doesn’t quite love me the way I want it to, and too often seems like it is on a mission to break me down. But sometimes artists shine through and remind me why I fell in love with hip-hop in the first place.

    This time Lupe Fiasco takes the reins and explains why being the baddest b*tch on the block is a hollow victory.

    Check it.

    *Via WhoUCallinABitch

     

    VIDEO: Hazel Scott > mujer dorada

    HAZEL SCOTT

    notime4yourshit:

    It’s difficult for a woman alone in this industry. Everyone wants to sleep with you. If you don’t, you’ve got problems. When you brush off the bosses and the geniuses in the front office, you automatically become a lesbian. If you do go along with these idiots, you’re a bum. Name it and take your choice. This is the story of my life. I have been called a lesbian since I entered this business at 15 and made it clear that I did not intend to go along with shoddy practices. This, strange to say, is the accepted practice in show business. Some girls on the way up find it easier if they accept the intentions of certain powerful individuals. This is not always the case and I am case in point. …I am sick and tired of being stepped on and talked about and called names because I will not compromise.   —Hazel Scott

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    PUB: Short Sharp Stories Competition (a project of The National Arts Festival, South Africa) > Writers Afrika

    Short Sharp Stories Competition

    (a project of The National Arts Festival,

    South Africa)


    Deadline: 30 November 2012

    CEO Tony Lankester of the Grahamstown National Arts Festival and his team have agreed to underwrite prize money for a new fiction award under the name Short Sharp Stories. A collection of short fiction will be published annually, and will be launched during that year’s National Arts Festival in Grahamstown.

    Joanne Hichens is thrilled to announce that the first of these volumes, with prize money attached, will be this collection of crime-thriller fiction stories.

    In this collection veteran crime authors will be included as well as new voices, with an original take on things. At least twenty stories will be published in what will be an exciting home-grown collection which shows the diversity of writers in SA. With this latest development, then, the deadline has now been extended to 31 November 2012.

    All writers interested in the seamy, nasty, murderous, sometimes all too human side of life may submit their slick, sexy, flirty, dangerous, thrilling, twist-in-the-tale stories set in South Africa. The competition is open to South African citizens. Stories of between 2500 and 5000 words are to be written in English. Independent judges will choose the winning stories after the initial selection process by a panel of writers.

    A full set of rules will be published on the website on 30 August 2012. Any queries can be directed to Joanne Hichens and submissions are also to be made via email.

    CONTACT INFORMATION:

    For queries/ submissions: short.sharp.stories@gmail.com

    Website: http://shortsharpstories.com/

     

     

     

     

     

     

     

     

     

    PUB: Call for Papers: Georges Castera ‘Legacy,’ International Colloquium on Haitian Poetry in the Latin American and Caribbean Context « Repeating Islands

    Call for Papers:

    Georges Castera ‘Legacy,’

    International Colloquium

    on Haitian Poetry

    in the Latin American and

    Caribbean Context

    A call for papers is out for participation in “Georges Castera ‘Legs’: La Poésie haïtienne dans le contexte Latino-Américain et Caribéen” [Georges Castera, “Legacy”: Haitian Poetry in its Latin American and Caribbean Context] is an International Colloquium that will explore Haitian poetic production in the context of the wider Caribbean and Latin America, while analyzing the special place that Georges Castera’s work occupies in this arena. Papers (20-minute talks) will be presented in French or Creole. The deadline for submissions is September 27, 2012.

    This International Colloquium is sponsored by Fondation Culture Création (FCC), Université d’État d’Haïti (UEH), Université Quisqueya (UniQ), Institut Français Haïti (IFH), Fondation Connaissance et Liberté (FOKAL), Fondation Anne Marie Morisset (FAMM), Fondation Haïtienne de l’Enseignement Privé (FONHEP), and Les Ateliers Jérôme, Centre PEN Haïti.

    Description: While poetry seems to be relegated to a secondary status in some places, in many countries of Latin America and the Caribbean it occupies a highly privileged space. In Haiti, is even referred to as a major genre, with an exceptionally robust production. From the point of view of genre in the Haitian literary stage, many authors have emerged a priori as poets before becoming novelists, short story writers, playwrights and essayists; others continue to maintain their relationship with poetry, while producing writings or works of art of a different nature and significance.

    Contemporary Haitian poetry, both local and diasporic, evolves and is enthusiastically executed in the now dual official languages: French, which arcs in a broad cultural and literary memory, and Creole, which has affirmed itself, for nearly forty years, as a writing language, after endless struggles, research, and work conducted by linguists, educators, academics, and creators, including the poet Georges Castera, whose production in both languages ​​has kept a steady pace in terms of his publications, which constitute an impressive corpus.

    The Colloquium will bring to the fore, among other things, a complete Haitian literary heritage taking into account its modern scope, its gaps and coherences, its weaknesses and its levels of progress, its range and impact. It will also identify the rapport that poetry and authors have with neighboring cultural and geographical spheres, highlighting certain singularities and commonalties. Furthermore, it will explore a variety of complexities having to do with this poetic production.

    Abstracts and submissions may be delivered (by September 27) to 21 rue Moise prolongée (between Magny and Metellus), HT6140, Pétion-Ville, Haiti. Submission or inquiries may also be sent to dir@fondationculturecreation.org or info@fondationculturecreation.org

    [Many thanks to Nadève Ménard for bringing this item to our attention.]

     

    PUB: James Hearst Poetry Prize > North American Review

    James Hearst Poetry Prize

    Entry Guidelines for the 2013 James Hearst Poetry Prize

    • First Prize $1000
    • Second $100
    • Third $50

    Hearst

     

    All winners and finalists will be published in the Spring 2013 issue. 

    Deadline: October 31, 2012

    Entry fee: $20.00

    All entry fees include a one-year subscription. This year, all submissions to the James Hearst Poetry Prize will be handled online through our online submission system. (Click here to access the submission system)

    If you have problems with the online submission system or are unable to upload your submission, please call us at (319) 273-3026 for other entry options.

    Rules: You may enter up to five poems in one file. No names on manuscripts. please. Your poems will be "read blind." Simultaneous submission to other journals or competitions is not allowed.

    If you wish to receive the list of winners, please state this in your cover letter and be sure to supply an email address. Winners will also be announced in the writers' trade magazines and on this website.

    Tips: We have noticed that long poems rarely do well -- too much can go wrong in a large space. Poems that have reached the finalist stage in our competition in the past are typically one to two pages (often much shorter). Winning poems always balance interesting subject matter and consummate poetic craft. We value both free verse and formal poems in rhyme and meter -- both open and closed forms.

    Questions? nar@uni.edu • 319 273-6455 • FAX 319-273-4326

     

    WOMEN + VIDEO: How the Right’s Using Women of Color to Shame Abuse Survivors > COLORLINES

    How the Right’s

    Using Women of

    Color to Shame

    Abuse Survivors

    Rep. Gwen Moore (D-WI) testifies

    Monday, April 9 2012

    Since the mid-March madness of those senate judiciary Republicans who voted no on reauthorizing the Violence Against Women Act (VAWA) because it would extend a few more U-visas to abused immigrant women, cover people in same-sex relationships and enhance funding for community-based programs that directly address people of color, I’ve been suffering from an acute case of cognitive dissonance.

    I don’t think any sane person could argue that since it passed in 1994, VAWA hasn’t done a lot of good. It has indeed funded and facilitated the work of thousands of people who shelter, counsel, advise and advocate for victims of intimate partner violence. Its most recent iteration addresses sexual violence, a necessary step given the prevalence of this form of harm. I also believe that VAWA represents and seeds a cultural shift away from the blatant acceptance of violence against women. Without a VAWA, Rep. Gwen Moore (D-WI) wouldn’t stand on the House floor and talk about how she’d been sexually abused, raped and beaten. She wouldn’t have declared that “violence against women in this country is not levied against just Democrats but Republicans as well. Not blacks or whites or Hispanics but against native people as well. Not just Christians or Muslims and Jews but non-religious people—atheists. Not just rich people or poor people but middle-class people. And not just against heterosexual women but homosexual couples. It knows no gender. It knows no ethnicity. It knows nothing. And I’ll tell you: violence against women is as American as apple pie.”

    Still, I have to say that in its funding and implementation, this (previously) bipartisan legislation has also made law enforcement its priority—a scary prospect for the systematically criminalized massive that includes black and brown, poor, undocumented and LGBT folks.

    Back in 2000 before radical conservatives successfully soaked the media, public and legislative bodies in tea, Angela Davis laid out some still-essential, still-relevant theoretical questions about VAWA:

    On the one hand, we should applaud the courageous efforts of the many activists who are responsible for a new popular consciousness of violence against women, for a range of legal remedies, and for a network of shelters, crisis centers, and other sites where survivors are able to find support. But on the other hand, uncritical reliance on the government has resulted in serious problems. I suggest that we focus our thinking on this contradiction: Can a state that is thoroughly infused with racism, male dominance, class-bias, and homophobia and that constructs itself in and through violence act to minimize violence in the lives of women? Should we rely on the state as the answer to the problem of violence against women? …

    The major strategy relied on by the women’s anti-violence movement of criminalizing violence against women will not put an end to violence against women—just as imprisonment has not put an end to “crime” in general.

    I should say that this is one of the most vexing issues confronting feminists today. On the one hand, it is necessary to create legal remedies for women who are survivors of violence. But on the other hand, when the remedies rely on punishment within institutions that further promote violence—against women and men, how do we work with this contradiction?

    To her point, the VAWA version that Democrats, major anti-violence advocacy organizations and their allies are currently fighting for includes a random amendment from Sen. Chuck Grassley (R-IA) that provides for “an alien’s [sic] third drunk driving conviction to be considered an aggravated felony, and thus a deportable offense for purposes of the Immigration and Nationality Act.” It also includes a five-year mandatory minimum for aggravated sexual assault. From the fatally flawed War on Drugs, we know that mandatory minimums don’t serve folks of color very well.

    So my question, which is not a rhetorical one, is this: How can we, in real time, push for the much-needed resources VAWA provides without criminalizing the very groups it seeks to serve?

    Of course we can’t let allow Republicans who proudly rejected this critical bill on grounds that it gives undocumented women, people of color, and LGBT folks too much help to win. It would be a crime to let them turn VAWA into another installment of what polite media call the culture war and I call the same old white supremacist patriarchial dog whistles.

    But in our fight to secure the bare minimum that VAWA represents, we all have to speak up about the new-old ways people of color might be penalized by certain provisions.

    Right?

    More:

    Visit 4vawa.org for the National Task Force to End Sexual and Domestic Violence Against Women’s breakdown of the current bill.

    For a prison-abolitionist take on VAWA and criminalization, read this Rainbow Times op-ed by Black and Pink founder Rev. Jason Lyndon.

     

    VIDEO: Documentary: In Survivor, Former Sex Trafficking Victims Share Their Stories > emPower magazine

    Documentary:

    In ‘Survivor–Living Above

    the Noise’, Sex Trafficking

    Victims Share Their Stories


    Written by
     

    In America, human sex slavery is more prevalent than one might think. Between 2008-2010, more than 2,500 incidents of human sex trafficking were investigated.

    Sex trafficking victims are more likely to be African-American (40 percent). After months and sometimes even years of abuse, many of these women somehow are able to escape, but oftentimes the mental scars remain.

    Survivor: Living Above the Noise tells of life after sex-slavery and abuse. Actress Brook Bello shares her story of survival from rape and sex slavery and how she was able to overcome suicidal thoughts, pain and addiction. Brook partnered with the International Black Women’s Public Policy Institute to expose the problem of sex trafficking in the African American community.

    In the documentary, Brook travels to the Middle East and rediscovers herself. There, she becomes free of the guilt and shame of her past while hearing stories of young girls and women who have survived sex trafficking there. Written, directed and produced by Brook, the film also has other stories of abuse, molestation, drug addiction, sex slavery by the voices of the victims and those who worked tirelessly to soothe their minds and restore their spirits.

    “Through the film, I speak for those who didn’t make their way out,” Brook told to a group of African-American female leaders in March. “I speak for the prostitutes on the street.”