VIDEO: Josephine Oniyama "What A Day" > Put Me On It

Remember when I got all excited about Tinashé a few years ago? Well around about the same time Island Records scooped up another talent of equal measure with a slew of great songs named Josephine Oniyama. Despite being the label who brought us artists like Bob Marley, Grace Jones and Baaba Maal, it seems that when Chris Blackwell left the company much of his vision, taste and flair for breaking artists who didn’t fit a pre-existing mould disappeared with him.

I first stumbled across Josephine’s brilliant and ridiculously catchy song A Freek A two years ago through Dom Servini, so I was very excited to discover that she has been working on an album with Ed Harcourt and Seb Rochford entitled “Portrait” due out on October 8th. She has also found the loveliest possible new home at Peacefrog Records (Little Dragon, José Gonzaléz, Nouvelle Vague) and all seems to be going well. I suggest watching the video below by way of brief introduction -

By rights the likes of Josephine and Tinashé (and many others you can find on this blog such as Tawiah, Tanya Auclair, Joshua Idehen, L.A. Salaami, Rahel, Ghostpoet and ESKA), are a new generation of homegrown singer-songwriters who probably grew up with The Smiths and Joni Mitchell as much as King Sunny Ade or Michael Jackson, as well as the artists Chris Blackwell worked with. The originality and richness of their music is the result, but so far it seems to be proving somewhat of a challenge for much of the industry to wrap their heads around (what some of us see as a no-brainer). Happily things change much faster now than ever before, and what with the quality of her voice and songwriting Josephine is undoubtedly about to make some serious headway. We will be supporting her with the very fibre of our beings.

Connect @thisisJosephine

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PUB: International Submissions Sought: 1853 (short story chapbook | £15 per story) > Writers Afrika


International Submissions Sought:

1853 (short story chapbook

| £15 per story)


Deadline: 1 August 2012

1853. The companion volume to A Town Called Pandemonium. Town features ten authors writing about one tiny corner in the American West. But the world is bigger than one small town and 1853 is your chance to build a part of it. We're looking for alternate history adventure tales. A touch of the supernatural is fine by us, but the weirdness shouldn't be the star of the story. The most important thing: your story should take place outside of North America - tell us something we don't know about what's happening in the rest of the world. And, of course, it needs to be set in the year 1853.

1853 will be published as an ebook only, as part of our electronic chapbook series. Submissions should be in doc, docx or rtf format and under 1,200 words. No reprints or poetry. We're paying a flat rate of £15 on acceptance of the final story (plus contributor copies). Our publications are all time-limited, and the books will be removed from sale one year after first publication. First anthology rights only. International submissions are very, very welcome, but stories must be in English.

Please send submissions to jared at jurassic-london.com with [1853] in the subject line. We will endeavour to respond to all submissions as promptly as possible after the submissions window has closed.

CONTACT INFORMATION:

For queries/ submissions: jared@jurassic-london.com

Website: http://www.pandemonium-fiction.com

 

 

 

 

 

 

PUB: Deadline August 1 | Malawi Writers Union - FMB Short Story Awards (K120,000 cash in prizes) > Writers Afrika


Malawi Writers Union

- FMB Short Story Awards

(K120,000 cash in prizes)


Deadline: 1 August 2012

Malawi Writers Union is pleased to announce the 2012 FMB Short – Story Awards. K120,000 up for grabs!

GUIDELINES

  • Entrants must be citizens of Malawi, including those residing outside the country

  • Stories must be original and must not have been previously published

  • Stories must be on any topic and must not exceed 2,500 words

  • Stories must be typed and double spaced on A4 paper

  • Entries must not bear any name and address, only covering letter must bear name, address, telephone number or e-mail address

  • Entries must be in English

  • Closing date is 1st August, 2012

PRIZES:
  • 1st Prize : K120,000.00

  • 2nd Prize : K70,000.00

  • 3rd Prize : K40,000.00

  • Two consolation prizes of K10, 000. 00 each

CONTACT INFORMATION:

For submissions: send entries to FMB/MAWU Short-Story Awards, Malawi Writers Union, (MAWU), P. O. Box 32734, Blantyre 3, Malawi

 

 

 

PUB: Deadline August 1 | Call for Essays/ Poetry: Journal of Black Masculinity > Writers Afrika

Call for Essays/ Poetry:

Journal of Black Masculinity


Deadline: 1 August 2012

The Journal of Black Masculinity is a peer-reviewed international publication providing multiple discoursed and multiple-discipline-based analyses of issues and/or perspectives with regard to black masculinities. We are currently seeking essays, empirical research, poetry, art, and interdisciplinary writings that speak to our theme: Black Music in the Global Diaspora.

POEMS AND OTHER ARTISTIC MATERIALS

The Journal of Black Masculinity welcomes submissions of poetry or other artistic material. Please submit your material in 12 point Times New Roman font and indent it 0.5 inches on the left and right (as if it were a block quote). You may use textboxes in Microsoft Word to achieve exact placement of text blocks as needed. If you have special layout needs, please advise the editor of this requirement and provide detailed instructions for laying out your material. JBM does not have specialized typesetting equipment and we cannot honor requests to insert special symbols in your text. You can contact JBM's editor, Dr. Gause, at drcpgause@gmail.com to discuss special concerns. The copyeditor is not authorized to provide specialized typesetting services for submissions.

CONTACT INFORMATION:

For queries/ submissions: drcpgause@gmail.com

Website: http://www.blackmasculinity.com/

 

FOOD + VIDEO: Bryant Terry > Turning Wheel Media

Secret Buddhist Reveal and

Book Giveaway:

Bryant Terry


Secret Buddhist Reveal and Book Giveaway: Bryant Terry

Brilliant and historically grounded Afro-Diasporic recipes — like Sweet Coconut Ginger Creamed Corn, Jamaican Veggie Patties, and Collard Confetti — are reason enough to appreciate the work of eco-chef and cookbook author Bryant Terry. And there’s also his fabulous food justice activism, including a web series that highlights urban farms in communities that need them most. But did you know that Terry also draws inspiration from the Venerable Thích Nhất Hạnh and engaged Buddhism?

Listen as Bryant shares with Turning Wheel Media: how he found Buddhism; lessons from unsuccessful ethical proselytizing; and practicing mindfulness in the kitchen and gratitude at the table.

Then, enter to win a copy of Bryant’s latest cookbook, The Inspired Vegan!  (Directions for entry below.  Many thanks to Maia Duerr for showing us how a book giveaway done on her Liberated Life Project blog!)

A great big thanks goes out to Ecaterina Burton, Laurel Maha, and especially Matt Ducot for making this video for Turning Wheel.

Enjoy!

 


How To Enter the Giveaway Drawing for The Inspired Vegan

 

1. Comment on this post. You can say anything you want in your comment, but if you need some inspiration, you can share a meaningful experience in your dharma practice that involves food or food justice.

2. Share the link from BPF’s Facebook page. *Update: for us to see your Share, you gotta (1) Be friends with us and share from our post so we can track it. (Come on, be our friend!  We’re not so bad. :) OR (2) Make sure that your post is visible to everyone. If you have any questions, please message us on Facebook.

3. Tweet about it. post this on your Twitter feed:  RT @BuddhistPeace Secret Buddhist Bryant Terry video and book giveaway… enter here! http://wp.me/p1DCWU-Ci

4. Sign up for our e-newsletter to get TWM/BPF updates in your email inbox. Bonus: If you’re already a subscriber, you don’t need to sign up again — by leaving a comment below, you’ll automatically have two entries.

Deadline to enter is 7:00 PM PST, Sunday, August 5. We’ll draw the winner and announce the results on Monday, August 6. Good luck!


[Photo: Hidden Buddha Head by Nopadon Wongpakdee.  Available for purchase here.]

 

 

 

FOOD + VIDEO: Farming For Food Justice

 How corporations influence what we eat

Up w/ Chris Hayes guests Frank Bruni, New York Times columnist; Jamila Bey, reporter for Voice of Russia Radio; Natalie Foster, CEO and co-founder of Rebuild the Dream, and Dennis Derryck, founder/president of Corbin Hill Farm, discuss how corporations condition people to eat certain foods and the proper role of government in influencing what you eat.

>via: http://video.msnbc.msn.com/up-with-chris-hayes/47754775#47754775

 

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Dennis Derryck

Farming For Food Justice

Video by Lorena Galliot

From the filmmaker:

Founded by Harlem resident Dennis Derryck, the Corbin Hill Road Farm share offers fresh-picked fruit and vegetables from Schoharie County, upstate New York to the “food deserts” of New York City. Reported and produced by Lorena Galliot.

About Harvest, LLC shares stories about food and agriculture. Subscribe to receive stories about the science, history and relevance of agricultural crops grown and harvested around the world.

 

VIDEO: Model Minority > Racialicious

The Film Synopsis:

L.A. teenagers survive the treacherous world of peer pressure, drug dealers, juvenile hall and dysfunctional families. Kayla, an underprivileged Japanese American 16-year-old, endangers her promising future as an aspiring artist when she becomes involved with a drug dealer. It’s a new take on growing up bicultural in multicultural LA.

The film deals joins Wassup Rockers, Kids, Mosquita y Mari, and Better Luck Tomorrow in dealing with the pressures and temptations of youth. It rocked the LA Asian American Film Festival; the next stop is the 2012 Asian American International Film Festival in New York.

 

A LUTA CONTINUA + VIDEO: Grace Lee Boggs > Racialicious

June 29, 2012

By Andrea Plaid

I need to admit something about the Crush posts about Dwayne “The Rock” Johnson and Oppressed Brown Girls Doing Things I did in April: I partly did it because I wanted to give myself a birthday present that week, and what’s better than a sharing some love on one’s birthday, right?

Well, this week’s Crush just celebrated a birthday this week–like two days ago–and I try not to be selfish about sharing birthday love. So…the Racialicious Crush Of The Week is Grace Lee Boggs, who just celebrated her 97th year on this earth–and she’s still rocking the activism.

Grace Lee Boggs. Courtesy: boggsblog.org

 

Some flashback on her facts, in her own words:

Over the past few years I have become much less mobile. I no longer bound from my chair to fetch a book or article to show a visitor. I have two hearing aids, three pairs of glasses, and very few teeth. But I still have most of my marbles, mainly because I am good at learning, arguably the most important qualification for a movement activist. In fact, the past decade-plus since the 1998 publication of my autobiography, Living for Change, has been one of the busiest and most invigorating periods of my life.

I have a lot to learn from. I was born during World War I, above my father’s Chinese American restaurant in downtown Providence, Rhode Island. This means that through no fault of my own, I have lived through most of the catastrophic events of the twentieth century-the Great Depression, fascism and Nazism, the Holocaust, World War II, the A-bomb and the H-bomb, Hiroshima and Nagasaki, the cold war, the Korean War, McCarthyism, the Vietnam War, 9/11, and the “taking the law into our own hands” response of the Bush administration. Perhaps eighty million people have been killed in wars during my lifetime.

But it has also been my good fortune to have lived long enough to witness the death blow dealt to the illusion that unceasing technological innovations and economic growth can guarantee happiness and security to the citizens of our planet’s only superpower.

Since I left the university in 1940 [she earned her PhD from Bryn Mawr College that year--Ed.], I have been privileged to participate in most of the great humanizing movements of the past seventy years-the labor, civil rights, Black Power, women’s, Asian American, environmental justice, and antiwar movements. Each of these has been a tremendously transformative experience for me, expanding my understanding of what it means to be both an American and a human being, while challenging me to keep deepening my thinking about how to bring about radical social change.

James Boggs and Grace Lee Boggs. Courtesy: boggscenter.org

She also shared quite a bit of this incredible life with her partner, James Boggs, whom she married in 1953. They moved to Detroit, where, as Boggs herself says, they dedicated themselves to putting “the neighbor back in the ‘hood” in the spirit of acting locally while thinking globally. From this homeplace, the Boggses started “Detroit Summer,” an intergenerational activism program, in 1992. They modeled it after the Civil Rights Movement’s Mississippi Summer to help get young people involved in rebuilding the city. Lee Boggs said of the program:

“We wanted to engage young people in community-building activities: planting community gardens, recycling waste, organizing neighborhood arts and health festivals, rehabbing houses, painting public murals…[e]ncouraging them to exercise their Soul Power would get their cognitive juices flowing. Learning would come from practice, which has always been the best way to learn.”

Since that time, according to Yes Magazine in 2009, Detroit Summer morphed into other programs and initiatives such as “the Detroit Summer Live Arts Media Project, which involves young people in collecting oral history and in activism through media; the Boggs Center to Nurture Community Leadership, an organization created to promote and continue the work of Jimmy and Grace Lee Boggs; and Detroit: City of Hope, an organization that builds connections among nonprofit organizations and activists in their work to rebuild Detroit.” (The Boggs Center is hosting the “Detroit 2012″ conference to further help people learn to grow their communities through “visionary organizing.” Check here for more information.)

Lee Boggs has authored and co-authored several books articulating what “visionary organizing” means, including her autobiography, Living for Change; Revolution and Evolution In The Twentieth Century (co-authored with James Boggs); The New American Revolution: Sustainable Activism For The 21st Century. (All of these, among other works by Lee Boggs and James Boggs, are available at the Boggs Center website.)

And the famed activist articulates what “visionary organizing” means in this celebrated interview with PBS’ Bill Moyers:

(The entire interview and transcript are here.)

Hyphen Magazine asked her this year to reflect on her life and her ideas around racial solidarity and activism:

How do you think being born a Chinese female has impacted your outlook on your life and your activism? [sic]

I think being born a Chinese female helped a great deal to make me understand the profound changes necessary in the world. My mother never learned how to read and write because she born in a little Chinese village where there were no schools for females.

Because I was born in the United States, there was more opportunity for women in the United States that was very different from China. And as a result, she felt very envious of me for the opportunities that I had and this created a lot of tension between us. I don’t know whether that exists for Chinese or the Asian families that are coming here to the United States today. So that being born Chinese was not so much a question of being discriminated against because I was Chinese, though there’s some of that, but a sense that I had a different outlook on life. I had the idea, for example, from my father that a crisis is not only a danger but also an opportunity and that there is a positive and negative in everything. Being born Chinese meant a big deal to my life, I think.

I did not join any movement that was Asian because there was no Asian movement. There weren’t enough of us. There were so few of us, we were almost invisible until very late in the 20th century. I can remember when the idea of being Asian was born. Until the late 60s, we were Chinese or Japanese or Filipino. The idea that there was an Asian identity only came about at the end of the 1960s. We began to see ourselves more in numbers than in the past.

Did you form any friendships with other Asian activists since the 60s?

I was very fortunate here in Detroit, that we formed a group called the Asian American Political Alliance, which is made up of some Chinese, some Japanese. Some of the Chinese were born here, and some born in China. This gave us a sense of the diversity among Asians and also of an Asian identity. I think that was very important in my political development.

How did your parents view your marriage to an African American man, and your involvement in a mostly black movement?

Well, by the time Jimmy and I got married, I had been living away from home a long time. So they weren’t very much involved in my marriage. Toward the end of his life, my father lived with us for a while and he and James were very, very friendly and very close. My mother was living in Hawaii most of the time. I did not see her very much. By the time I left home, left New York in the middle 50s, my mother lived either in California or in Florida or in Hawaii with my brother so I did not see very much of her.

How do you maintain your Chinese identity over the years?

I’m not sure whether I maintained it. I don’t have only a Chinese identity. I see my identity as more that of an activist, as more that of a person who has worked with many different people, who has been a philosopher. I think that the ethnic identity has been useful and helpful and part of who I am but not what I am predominantly.

How do Asian Americans carve out a space in a country that still mostly sees race issues as black and white?

The opportunities are enormous for Asian Americans to be integrated or co-opted into the system. Fortunately, there’s been an Asian American movement that has sought to align itself with all people of color … The Asian American movement has an enormous amount of promise. But you have to make choices. You have to decide whether you’re going to take advantage of your ability to be cooperative with the system, or see how profound the contradictions in this system are. The challenge is, how do we create a more human society, how do we ourselves become more human?

Sometimes, we just have to give props to those people who love humanity–love us–so much that they stay fighting for this world to get better. So, we at the R raise our glasses and send the best of birthday wishes and and a bouquet of gratitude to Ms. Lee Boggs for loving us with her life.

 

HISTORY: On This Day: The New Orleans Race Riot of 1866 « Publishing the Long Civil Rights Movement

On This Day:

The New Orleans

Race Riot of 1866

 On July 30, 1866—146 years ago today—New Orleans descended into racial violence that, by the end of the day, would leave an estimated 38 individuals dead and dozens injured.

Racial tensions, which were already high soon after the close of the Civil War, flared after African Americans were denied the right to vote. The enactment of the so-called “Black Codes” infuriated Republicans determined to secure citizenship rights for all Americans, and they ultimately reconvened the Louisiana Constitutional Convention in hopes of seizing control of the state government.

During a break in the Convention, violence broke out between armed white supremacists and African Americans marching in support of suffrage—and the African Americans were not prepared for the fight. Unarmed African Americans were attacked and murdered, and many law enforcement officials perpetrated the crimes.

The riot did not last long; it was suppressed the same day. However, an estimated 38 people died, all but a few of whom were African Americans. The city existed under martial law for several days.

The riot—and others like it—shocked the country and convinced many Northerners that firm action was needed to control ex-Confederates. After Republicans gained control of Congress that fall, they quickly put Reconstruction policies into effect.

To learn more, check out James G. Hollandsworth’s An Absolute Massacre: The New Orleans Race Riot of July 30, 1866 (Louisiana State University Press, 2001) and Gilles Vandal’s The New Orleans Riot of 1866: Anatomy of a Tragedy (The University of Louisiana at Lafayette Press, 1983).

To read the Encyclopedia Britannica article, click here.

To view images depicting the violence, check out this page from the New York Public Library.

For an account printed in the New York Times on August 1, 1866, click here.

This was not the last riot New Orleans would face; another riot in 1868 left more than twenty people dead.

To learn more about Reconstruction, check out John Hope Franklin’s Reconstruction after the Civil War (University of Chicago Press, 1994) and Mark Summers’ A Dangerous Stir: Fear, Paranoia, and the Making of Reconstruction (UNC Press, 2009).