ENVIRONMENT: Black Fishermen “Still Bleeding” After BP Oil Spill > BET

Black Fishermen

“Still Bleeding”

After BP Oil Spill

Once self-sufficient, seafaring men and women must rely on the support of charities and fishing advocates. Black fishermen say they are being excluded and unfairly compensated in settlements.

04/30/2012

Oyster fisherman Byron Encalade. (Photo: Joe Raedle/Getty Images) 

 

Byron Encalade knows fishing. It’s in his blood.

As a third-generation oyster fisherman from East Point A’La Hache, Louisiana, Encalade and his family fisheries harvest oysters and shrimp transported across all Gulf Coast states. With Louisiana being the No. 1 provider of shrimp, oysters, crab and crawfish in the United States, income, theoretically, should be limitless. But two years after the BP oil spill, which dumped 4.9 million barrels of oil into the Gulf and resulted in the deaths of 11 rig workers, life, as well as business, has not been the same.

“We were recovering,” Encalade tells BET.com of his business in 2010, post-Hurricane Katrina. “It was literally five years from Katrina. My oyster beds were full of oysters. My boats were thriving again for the first time” he says. “Then, finally, when you get your oyster business back, which is the bulk of my business, you get the oil spill. You can imagine what kind of devastation happened to our community.”

Point A’La Hache, a small fishing village in Plaquemines Parish, Louisiana, has approximately 300 people, mainly African-Americans, whose primary industry is seafood. In addition to harvesting his own oysters, Encalade serves as president of the Louisiana Oysterman Association and the South Plaquemines United Fisheries Cooperative. He says he and the other fisherman believe it will take years before they are able to recover — time many of the African-Americans at sea like himself, in their 50s and 60s, may never live to experience. Encalade says the area’s seafood supply was completely destroyed after the oil spill and residents continue to hurt today.

“We’re still bleeding,” Encalade says. “The oysters is the heart of this economy in our Black community, and there are none. They’re dead, they’re not reproducing. A lot of these fishermen in my community got forced to take this $5,000 and $25,000 settlement to survive.

"Their lights were being cut off. They were losing their homes and their trailers, and they felt they had no other choice. That money didn’t last long," Encalade says. "So they’re right back where they were. Right now, they’re surviving off the good deeds of county charities.”

On Thursday, the Justice Department announced thousands of people affected by the BP oil spill will receive $64 million in additional compensation after an independent audit identified “significant” errors in the claims process set up after the disaster. Roughly 7,300 individuals and businesses were found to have not been adequately compensated by the Gulf Coast Claims Facility (GCCF), which has doled out about $6.2 billion out of a $20 billion fund BP created to compensate victims. Although funds have been made available, many Black fishermen have not been compensated, and advocates say Black fisherman are being excluded and unfairly compensated.

“There are things that have been used to deter Black people from taking part in these settlements,” John Boyd, president of the National Black Farmers Association, tells BET.com. “A lot of the landowners and Black fisherman may not have the documentation these larger white outlets have and that are being required to get these settlements. But, they were affected just like the next man, whether they had the documentation, tax returns or receipts of how much they had been selling before.”

Boyd has been on the ground meeting with fisherman and landowners, and he says they’re concerned what BP has put on the table may not be what they need to move forward. To see just how difficult it would be to file a claim when the process began, Boyd called the given 800-number and says he was given “a whole lot of run-around.”

“If those settlements are out there, make them readily available and accessible without a whole lot of loopholes," Boyd says. "You have some persons, I can say firsthand, who don’t have the education skills here, and because of that they shouldn’t be taken advantage of in these settlements.”

The Sprit of Hope Program is operated by Catholic Charities and currently helps approximately 1,000 fishermen in the Louisiana area to pay mortgages and bills to ensure that the fishermen and their families don’t get evicted. The charity tells BET.com that starting May 1 it will implement a “Back to the Water” program to help boat captains return to sustainable fishing by providing equipment, supplies, fuel and other necessities for the upcoming boat season, but, simply put, they say they “can’t do it all.”

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CULTURE + VIDEO: The Gift of Charles > CNN

San Leandro, California (CNN)

Forest Thompson lifts his 15-year-old son into a whirlpool. The boy can no longer speak. He can barely move. This is the last time Forest will ever hold him.

Silence — and memories — fill the room.

He’s the boy who traded his dream of meeting Beyonce for a final vacation with his brothers and sisters: “I want us to go on a big family trip, all of us together. Can we do that?”

The warrior who awoke from brain surgery, smiled and said, “When can I go back to school?”

The proud student who walked across the stage at 8th-grade graduation without his knit cap, revealing his surgical scars: “I don’t care what they say today!”

That boy, he’s slipping away.

Charles Ray Daniel endured eight surgeries, countless rounds of chemotherapy and radiation, and a bone marrow transplant to treat his brain cancer. For two years, no matter what was thrown at him, Charles figured out a way to smile and crack a joke. He’d bust into a Tyler Perry “Madea” skit. Or he’d quote Snoop Dogg: “Drop it like it’s hot!”

The Thompson Family

Hello
Charles Daniel

Charles Daniel

The family comedian, Charles enjoyed quoting Tyler Perry, playing practical jokes and dancing. And, like so many teens, Charles loved Beyonce. His biological father, imprisoned for life, asked Forest and Tremica to raise him.

Forest Thompson

Forest Thompson

The patriarch of the family, he resembles Atlas: strong, resilient, trying to carry family on his shoulders through the defining moment of losing Charles. Since his son’s death, he has started his own business to allow more time with family.

Tremica Thompson

Tremica Thompson

Tremica is the rock of the family who holds everyone together. “If I break, everyone breaks.” Of Charles’ terminal illness, she says, “We can’t change it. We can’t go around it. We have to walk straight through it together as a family.”

Nate Kinsey

Nate Kinsey

The oldest of the siblings, Nate projects calm. He believes it’s his duty to remain strong for his brothers and sisters. His message to other siblings: “Why argue and fight? Life really is just short. You don’t have time for that.”

Trayshaun Kinsey

Trayshaun Kinsey

He’s the Hollywood-handsome dancer, personable and fun. He and Charles shared a room and, his parents say, became so close they were like twins separated at birth. “We created a bond together. I like taking care of him.”

Shaunee Thompson

Shaunee Thompson

She is the outgoing singer with a sensitive streak. Charles protected her from annoying boys, saying, “Get away, get away, get away!” She misses him but is happy he “won’t suffer any more.”

Ariel Thompson

Ariel Thompson

The youngest in the family, Ariel doesn’t talk about her brother’s condition. She provides a note of levity, carrying a camera around George Mark and ordering people to smile. She hopes to become a photographer one day.

Forest and Tremica Thompson brought their son and his siblings to George Mark Children’s House, a pediatric palliative care and hospice center just outside Oakland, when caring for Charles at home became too daunting.

The place is beautiful, set amid plush gardens, high on a hill. No family wants to make the journey. Yet those who do discover their own resilience.

It’s Tuesday, January 11, 2011, their 16th day here.

Charles hoped to become a child psychologist. He wanted to help troubled kids. He knew what that life was like.

Charles fell into the family’s arms in November 2007. Tremica’s cousin, Charles’ biological father, had been imprisoned for illegal possession of a firearm, his third felony conviction in California. That made Ray Charles Daniel a lifer.

“Will you take care of my son?” he asked.

“Absolutely,” Forest replied. “You always take care of family.”

Charles was 13, in foster care with the state. His father was in prison; his mother had abandoned him. He’d never known stability, never had a childhood.

Forest and Tremica’s goal was simple: to let him be a boy.

The hydrotherapy room grows dark as the sun drops behind the horizon. The whirlpool lights up with an array of colors: purple, yellow, green. As he floats in his father’s arms, Charles’ breathing slows to a hush.

A child’s life grows in water in the womb, and now, Dad is helping midwife his son into the next transition.

It’s a way of holding on while letting go.

Two days earlier, Forest shuffled down the hall of George Mark Children’s House. At 6 feet, 240 pounds, Forest resembles Atlas, the weight of the world on his shoulders. Today, everything is bearing down.

It’s like that when your son is dying.

Questions clutter Forest’s mind: Is there really nothing left to help my son? Is he in pain? What will it be like at the dinner table with an empty seat? Am I communicating enough with my other children?

Forest, 39, rounds the corner into Charles’ room. The boy holds up his left hand for his dad. The two lock hands. Charles smiles. And for a brief moment, so does Dad.

Tremica, 37, watches her husband and son. She is the family rock, the powerful matriarch helping everyone cope with the tragedy that’s brought them here. She places her hand over her heart. “Charles is on a journey,” she says, “and he’s going home soon.”

Palliative Care in America

Hello Volunteer George Warren wheels a young patient through George Mark.Volunteer George Warren wheels a patient through George Mark.

Doctors and nurses traditionally have been slow to address the possibility of patients’ deaths, especially when those patients are children. But in the past decade, that paradigm has shifted.

In the early 2000s, only a handful of hospitals had palliative-care programs aimed at maintaining quality of life for the terminally ill. Today, more than 80% of hospitals have palliative-care programs, says Thomas Smith, director of palliative care at Johns Hopkins medical institutions in Baltimore.

The shift, he says, is a result of the medical profession listening to patients. The fear of dying is the “existential threat that runs through every conversation and every thought” a patient has upon diagnosis.

“We are getting to the point as a nation where we can have some of these tough discussions,” he says.

Doctors and medical professionals, he says, must discuss the seriousness of an illness at the outset, “saying ‘these are the possible outcomes,’ and then remember to bring it up so we know what people’s choices are.”

“It’s never easy,” he says. “I will tell you, as a doctor, it’s very hard to sit down with another person, whether they’re young or old, and say, ‘There’s nothing medical science can do to make you live longer or better.’”

Facilities like George Mark Children’s House are rare in America. In fact, there are only three such facilities dedicated solely to children, because insurance companies until recently have been unwilling to reimburse the benefit.

Britain, by comparison, has nearly 40 child hospices. Catherine, the duchess of Cambridge, recently visited one in Ipswich, saying the “feelings of love and hope offer a chance to families to live a life they never thought could be possible.”

“It’s not just Charles’ struggle,” Forest says. “It’s our struggle as a family.”

In a culture where accepting the inevitable death of a child remains taboo, Forest and Tremica talk openly about their journey, providing a rare glimpse into how parents hold their family together during such a defining moment.

“When you hear a word like ‘cancer,’ the first thing a parent thinks about is: Is my child going to die?” says Nancy Hutton, medical director of Johns Hopkins University’s pediatric palliative care program in Baltimore.

Trained to focus on sustaining life, doctors and nurses traditionally have been slow to address the possibility of death, especially when their patients are young. But in the past decade, that paradigm has shifted, Hutton says. Health professionals are encouraged to talk about end-of-life care when cancer is first diagnosed.

“As a society, we have a lot of information about how to bring a child into this world,” says George Mark co-founder Barbara Beach, “but there really is very little for parents who are looking at the prospects of losing their child, of having to escort and support their child through the process of dying.”

George Mark Children’s House is a rarity in the United States: a place solely for children and their families to come during such a traumatic time. Largely supported by private donations, the facility allows families to stay for free. Volunteers cook meals. A tutor helps patients’ siblings keep up with missed schoolwork. A team of supporters — a social worker, a psychologist, a child-life specialist, a chaplain, doctors and nurses — meets with the family regularly to offer guidance. Pets are allowed, too. Anything to provide normalcy at a time when nothing is normal.

Charles’ parents decided to include his siblings — Nate, 19; Trayshaun, 17; Shaunee, 12; and Ariel, 6 — in the dying process. They wanted their children to learn that death is not to be feared, that families stick together in times of crises and, most of all, that Charles, whom they legally adopted in 2010 as he fought his brain tumor, needs each of them as death approaches.

Nate is the family’s athlete, pensive and quiet; Trayshaun is the Hollywood-handsome dancer, outgoing and personable; Shaunee is the promising singer with a sensitive streak; and young Ariel is the budding academic. During this week in January 2011, the family will lose its comedian.

By sharing their experience, Forest and Tremica hope to help someone else with a dying child.

“No parent wants to bury a child,” Tremica says. But those who must, she says, “need to know they’re not alone.”

“We can’t change it. We can’t go around it. We have to walk straight through it together, as a family.”

Life and death inside George Mark

Trayshaun runs his fingers through Charles’ hair. He styles the curls straight up in the air. His brother stares back at him, his deep brown eyes transfixed.

“Quit the mohawking,” Dad says.

Charles glances across his room, almost in slow motion, taking in everyone who surrounds him.

Trayshaun pokes his brother’s nose. Charles fends him off with his left hand, the only limb he can move.

“Blink once if you want me to punch Trayshaun in the face,” Dad says.

Charles blinks. The room erupts with laughter.

Around Charles’ wrist is a rosary. His brothers bought it for him after a child died in a neighboring room. Though Charles has lost most of his mobility, he finds a way to shift the rosary so he can clutch the cross between his thumb and index finger.

His brothers wear rosaries around their necks. They have kept vigil in Charles’ room ever since the family arrived on December 27, 2010, from their home in Stockton, 60 miles away. One sleeps on the floor, the other in a nearby bed. If Trayshaun leaves the room, Nate stays behind. They want Charles to know his brothers have his back, always.

George Mark Children's House

Hello4 Handprints of former patients and family members at the George Mark house decorate an activity room wall.Handprints of former patients and family members at the George Mark house decorate an activity room wall.

George Mark Children's House became the first children's hospice in the nation when it opened in 2004 in San Leandro, California. The facility, however, provides more than end-of-life care. The staff helps children who have debilitating diseases and critically ill conditions undergo therapy in a comforting environment.

Pediatric palliative care, as the field is known, aims to provide children and their families with a better quality of life by providing support during extremely stressful and difficult times.

FOUNDERS

George Mark is the brainchild of two doctors: a child oncologist and a psychologist.

Barbara Beach, the medical director, worked as a pediatric oncologist for more than 30 years. She wanted a place where a child could receive all the medical care he or she needed “and the entire family could be cared for.”

With most hospitals, she says, it is very difficult “for the extended family to really be a part of that child’s life and for that child to fully live their life for whatever period they have left.”

She realized the need for such a facility in the 1970s, when one of her patients dying of cancer “wanted nothing more than to go home.” The patient’s insurance company refused to pay for a hospice nurse, and he died in the hospital. “That left quite an impact on me.”

Kathy Hull, co-founder and clinical psychologist, says the gift that George Mark provides is to bring families together during the most defining moment of their lives. People “approach with trepidation: ‘Oh, my gosh, children die right here.’ But rather than focusing on a child’s death, we are celebrating their life.”

“The decision that the parents ultimately make is a gift. They’ve watched this little person be poked and prodded and sick from chemotherapy and have a series of surgeries, and he or she isn’t getting any better: How much more do we want to subject this little person to?”

The facility is named after two of Hull’s brothers: George died in 1969 at the age of 30 in a hospital that couldn’t manage his pain; Mark was killed in an auto accident at the age of 16 in 1962. “I lost two brothers by the time I was 25.”

She became a psychologist to help families navigate grief.

FUNDING

George Mark is a nonprofit organization. Private individual donors have traditionally been its biggest supporters, along with some corporate donations. With the struggling economy, donations have shrunk.

Insurance companies initially were slow to pay because there was no protocol in the United States for such treatment. But Beach and Hull say insurance companies have gotten better in recent years at reimbursing costs.

Families, even those with no health insurance, stay for free.

When they first came to the hospice, the brothers wheeled Charles to a playroom, the cafeteria and the gardens outside. Now that he has lost his ability to speak and eat, the days are passed mostly in his room. But their playfulness with their brother, that has not changed.

When Charles was diagnosed with brain cancer, Trayshaun and Nate shaved their heads as a show of support. “Y’all are crazy,” Charles told them.

“He knows he’s not going to pass alone,” Trayshaun says now.

Their camaraderie wasn’t always like this. When Charles first came to live with them, friction formed before the bonds of brotherhood.

Trayshaun wasn’t too keen on the new teen; he back-talked their mother. “Don’t talk to Mom like that!” Trayshaun would say. He’d jump on Charles’ back and hold on tight. “She’s your mom too, so you gotta respect her.”

Charles’ girlfriends were an issue, too. He’d bring them over to hang out at the house, but “every time, they’d end up liking me,” Trayshaun says with a grin.

Over time, friendship replaced jealousy. The two shared a room and stayed up late chatting about shared interests: girls and dancing. Mom and Dad watched them grow so close, they were like twins separated at birth.

After Charles’ diagnosis, when darkness consumed the boys’ room late at night, Charles confided that he was scared of dying. Trayshaun comforted him, in his keep-it-light way.

“I’ll catch you on the flip side,” he told Charles.

“I’ll see you there,” Charles responded. “If I die, I don’t want you crying and feeling sad. I want you to go for higher things and achieve in life.”

In the hospice, Trayshaun, 17, holds his brother’s left hand. They square off in thumb war. “We created a bond together. I like taking care of him. It’s really not a burden.”

They’ve been brothers for nearly three years, enough time to let their relationship grow. “I always wanted to have a little brother. Now, I got one.”

The oldest of the siblings at 19, Nate sits in the corner of the room. He projects calm in front of his brothers and sisters. He believes that’s his role. “I need to be as strong as possible for them.”

When family and friends visit, Nate stays in the background, soaking up the moment. But when others are not around, Nate stands next to his brother’s bed. Charles touches his face and pulls him close. “He knows I’m right there — that I’ll always be right there.”

He has physically carried Charles from room to room. “If I was in his shoes and in his situation, he would do the same for me,” Nate says. “I see it as just love.”

Sometimes, Nate plays a video on the television in Charles’ room. It shows Charles beaming in the backseat of the car while their dad speeds down the highway. Charles sings “Bleeding Love” by Leona Lewis.

I don’t care what they say
I’m in love with you
They try to pull me away …

The video was shot on a trip to Los Angeles. Charles had been invited on a Make-A-Wish-Foundation vacation to see Beyonce — his crush — in concert in Arizona. But Charles traded the chance to meet the singer for a family vacation to Los Angeles. They shopped in Hollywood, dined on soul food at Aunt Kizzy’s, played at Universal Studios and ran around Venice Beach.

There were no hospital stays, no chemotherapy. Everyone was just able to feel free. “It was the best trip,” Nate says simply.

Even in this hospice room, memories from that trip bring smiles. Mom, Dad, Aunt Janice Mays, Nate and Trayshaun share laughs over how silly Charles was. Trayshaun leans in so close to Charles, it looks as if the boys will kiss.

The two hold hands. But as Charles gasps for breath, he lets go of his brother’s hand and reaches for his mother’s.

“Ohhh, you wanna go to the old lady’s side,” Trayshaun teases.

He picks up a tube near the top of the bed and suctions his brother’s mouth. “Am I annoying you?”

An audible grunt comes from Charles. “Uh-huh,” he says.

“Did you hear him?” Forest says.

“We thought we were teaching Charles to be a child, how to just be a kid.” — Tremica Thompson, Charles' mom

It’s 10:10 p.m., a long day nears its end.

“We’re staying up all night,” Trayshaun says, “because we’re some party animals.”

As he lifts Charles to make him more comfortable, he discovers that Charles has urinated in bed, one of those things that happen when your body is failing. “Come on, Nate, we need to change him.”

As everyone begins to leave, Charles’ breathing grows louder, more labored. His moans echo through the room and down the hall.

Tremica pulls her son close.

“Don’t you leave me, baby,” she says. “Not now, baby. Not now.”

Charles slipped out of the house and ran.

It was June 20, 2008. He’d been living with the family just four months. Forest and Tremica were always saying he was part of their family, that he’d made them whole. Charles had never known such compassion.

His feet hit the pavement running. He would put these folks to a test: Will they miss me if I’m gone?

Tremica put out an all-points bulletin. She called police. She went to the local bus and train stations. She passed out his photo. Minutes turned into hours.

Around midnight, Charles slinked home. Nate and Trayshaun covered for him. They sneaked him upstairs and into bed.

The next morning, it was family meeting time.

“Whatever lies in store, we'll face it as a family.” — Forest Thompson, Charles' dad

Mom and Dad spoke of being united. “We don’t run away from our problems,” Tremica said.

Charles glanced around the table at his new family. “I’m sorry,” he said. “I’ll never do it again.”

An even greater test would come five months later, in early November 2008, when Charles awoke with a crooked eye. A series of medical tests showed that Charles had a brain tumor.

“Mom,” he asked, “am I going to die?”

Caring for their son would cost Forest his manufacturing job and Tremica her transportation job. Charles spent much of that time in hospitals. Seizures wracked his body. Radiation made him itch all over. Chemotherapy made him bald. Once, a kid at school pulled off Charles’ knit cap in front of classmates. Trayshaun came to his brother’s rescue, his fists clenched.

Charles celebrated his 14th birthday with a limousine ride and life-size poster of Beyonce. At one family gathering, he told everyone he was thankful to be alive.

The day after Thanksgiving 2010, the neurologist met with Forest, Tremica and Charles. The cancer had spread.

“There’s nothing more we can do,” the doctor said.

Tremica’s shoulders shook. Dad cried, too. So did Charles. But just as quickly as he’d absorbed the news, the teen forgot what the doctor said.

On the car ride home, Tremica wept more. It was one of those open-the-floodgates, rattle-your-soul cries.

“Dad, did you say something to upset Mom?”

“No, son.”

“Mom, why are you crying?”

“Oh, Charles,” she said. “Somebody said something to me that hurt.”

Charles Daniel, far left, poses with his family for a portrait.Charles Daniel, far left, poses with his family for a portrait.

The family set a goal of celebrating Christmas at home. “Whatever lies in store,” Forest told his kids, “we’ll face it together as a family.”

The days crept by. On Christmas Eve, the home buzzed with excitement. Charles and his siblings waited for the clock to strike midnight. As soon as it did, they tore into their gifts.

The boy with the brain tumor squealed when he saw one gift: an Xbox 360 Kinect and the interactive video game “Dance Central.” They popped in the disk.

Salt N Pepa’s “Push It” blared from the TV. Charles shook his hips and threw up his arms. His family clapped and shouted, “Go Charles! Go Charles! Push it REALLLLLLLLL good!”

The revelry lasted hours.

But by night’s end, Charles writhed on the floor. Doctors warned that when his seizures intensified, he would decline quickly.

For his two brothers, it was a call to action. Nate and Trayshaun sealed off the room so their sisters wouldn’t see. Trayshaun held Charles’ head and patted his chest. “Look at me, Charles! You’re going to be OK! I’m here with you!”

Charles had looked at everyone earlier that day. “I love you, Mom. I love you, Dad. I love you, family.”

Now, at George Mark, his 12-year-old sister, Shaunee, wipes the tears running down her cheek. She says she loved it when Charles was healthy, because he’d chase off annoying boys. “He’d go in front of the yard, and if a boy was trying to come to the house, he’d be like, ‘Get away! Get away! Get away! You better hurry up!’”

“It’s just fun to have him around,” she says.

Six-year-old Ariel doesn’t talk about her brother’s condition. Bubbling with energy, she provides a note of levity: She walks around with a camera, ordering everyone to smile before she snaps away.

Forest and Tremica sit in the hospice gardens, a white chapel behind them. The couple’s faces, sunken by stress, stretch with smiles when they talk about their son. They hold hands. They finish each other’s sentences.

“He’s a big part of all of us,” Mom says. “It’s hard to say good-bye.”

“You live every day hoping that he comes back and is just Charles,” Dad says.

Mom: “It’s hard every day to watch a piece of your child go away.”

“To have him not be able to tell you what’s going on with him — if he’s hurting … ” says Dad.

“But it’s the best for him, because he’s fought a battle,” Mom says. “In the end, he’s still going to win. The cancer’s going to die.”

Adds Dad, “He deserves to rest now.”

Forest and Tremica believe in second chances, like the one they provided Charles, because both are living proof of that transformative power.

Forest was a member of the Bloods, a gang that ruled the crime-ridden streets of Stockton, California, a city that consistently ranks among the top 10 most dangerous in the nation.

He might’ve stayed that course if it hadn’t been for the woman at his side. Tremica gave him an ultimatum when they met at a house party: “I was always up-front and honest with him about what I wanted and how I wanted him to change. And he wanted to change, too.”

"I accepted something I couldn't change and tried to find the good in it." — Tremica Thompson, Charles' mom

Tremica grew up in the inner city of East Palo Alto, with a mother hooked on drugs. When Tremica was about 10, a youth minister invited her and her neighborhood friends to Bible study. She didn’t know much about God, but the message appealed to her. “We thought we had to fight to gain respect, but they taught us that we didn’t have to always fight.”

She prayed daily for her mother to get off drugs, and she eventually got clean. The youth minister paid Tremica’s tuition to attend private school. Without the help, Tremica says, she’d have ended up in state care or foster care.

“That’s how we ended up with Charles. It wasn’t even a second thought when we were asked to take him in,” she says. “It was like: I know I have to do this for what was done for me.”

In the gardens behind the couple, a fountain with oval stones rests next to the front door of the chapel. Etched into each rock is the name of a child.

Charles will soon have his stone.

“We thought we were teaching Charles to be a child, how to just be a kid, how to grow up, how to go through school, achieve certain things in life,” Tremica says.

Charles ended up being their teacher.

Hydrotherapy SessionForest Thompson holds Charles in a hydrotherapy session to calm his son.

Forest’s arms wrap around Charles in the hydrotherapy pool. Dad closes his eyes to cherish the moment, to release months of agony held inside. “You’re with me now,” he whispers.

He wasn’t there the day Charles was born. But he wants his son to know his father is with him to the end.

“I felt something in that water,” Forest says later. “I don’t think I’ve ever felt somebody’s energy like that.”

Charles died three days later, on Friday, January 14, 2011 — 19 days after he entered George Mark. It was supposed to be family picture day. Trayshaun walked down the hall to fetch Charles’ favorite shirt, a tuxedo T-shirt he purchased on a family trip to downtown San Francisco, and returned to the room just in time.

Charles took three deep breaths. Mom, Dad and Trayshaun stood at his bedside.

A week after his death, more than 50 friends and relatives crowded the chapel for a Celebration of Life service.

Charles’ aunt, Janice Mays, read a message she imagined Charles might’ve written:

I won the battle. I am in heaven now. That ole cancer has no way to cause me any more pain or discomfort, nor does it live within me. So, to my family and friends, thank you for being a part of my life and loving me in your own special way.

On a television screen, an image of a vibrant Charles appeared. It was the video from the trip to Los Angeles. The family beamed as they listened, one more time, to Charles croon.

More than a year after his death, photographs of Charles adorn the house he called home the last three years of his life. The sheets are tucked in tightly on his bed, his favorite stuffed animals sitting where Charles once slept. “I always keep it nice, because that’s exactly the way he would want it,” says Nate. He has moved into the room with Trayshaun and sleeps on a third bed.

Reporting This Story

Hello!

Forest and Tremica Thompson invited CNN to document the final week of their son’s life to help other families going through similar ordeals.

In January 2011, reporter Wayne Drash and digital content producer Brandon Ancil spent six days, around the clock, with the Thompsons at George Mark Children’s House outside Oakland, California. They also interviewed each family member and the founders of the facility.

Many nights, Forest awakens with tears in his eyes. Charles performs Madea skits in his dreams. Other times, they’re on vacation in Los Angeles. Charles dances and sings.

“It’s like the loss just happened,” he says. “Just not having Charles here with us, not being able to see him grow up into a man, to go out on his own …”

Tremica keeps Charles’ rosary on display in the master bedroom. When the pain of losing him overcomes her, she holds the cross.

“No one should be ashamed to lose a child. It’s not by choice. It’s something that happens, and it shouldn’t be secretive and something nobody talks about.

“I accepted something I couldn’t change and tried to find the good in it. I got to be a part of a courageous, strong, special child, and I’m proud to have been his mom.”

Forest thinks of the phone call that brought Charles into their life. “I’m glad I was chosen,” he says. “It always takes something greater than ourselves to make us change.”

Change comes in many forms, often when one least expects it.

The feet of a 2-year-old patter across the floor; her squeals bring smiles to Forest and Tremica. Again, the couple was asked by a relative to raise a child; how could they say no?

Forest and Tremica hope to adopt their little girl soon. Already, she’s family, another child with a second chance.

Additional photography and video provided by the Thompson family, PF Studio and CNN’s Gregg Canes. To contact the author of this piece, e-mail Wayne.Drash@Turner.com

via cnn.com

HISTORY: Cinco de Mayo: Marking it’s 150th Anniversary & it’s hidden link to African people « Davey D's Hip Hop Corner

Cinco de Mayo:

Marking it’s

150th Anniversary &

it’s hidden link

to African people

 

Quantcast

By Ron Wilkins

In 1861, the 1st year of the U.S. Civil War, the Secretary of State for the Confederate States of America Robert Tombs sent John Pickett as his envoy to Mexico City. Since Union forces had blockaded southern ports, Pickett’s mission was to persuade the government of President Benito Juarez to allow slave produced cotton from the U.S. south to be transported overland and loaded onto ships anchored in Mexican ports. The cotton was to eventually be sold to various European countries to help support the Confederate war effort.

Despite persistent attempts to gain Mexico’s approval the Mexican government refused and John Pickett’s mission failed. To compound Pickett’s failure and disappointment prior to his return empty handed to the U.S. south, he was thrown into jail in Mexico City after getting into a fist fight with a Union sympathizer there. U.S. rulers have been careful to exclude this event and any acknowledgement of the mutually beneficial history that Mexican and African people share.

The destiny of Africa’s scattered people has been impacted and decided in more countries than popular history has acknowledged. Mainstream history does not reveal how Africans benefited from France’s humiliating defeat at Puebla, Mexico on May 5, 1862. Cinco de Mayo is a fitting and spirited annual celebration which reminds us of Mexico’s heroic, although short-lived victory over Napoleon 3rd’s larger and better-armed forces.

Black people should also celebrate the French army’s defeat at the hands of Mexican forces for two reasons. First, Napoleon’s generals, who commanded the French invaders, supported the slave-holding Confederacy in the U.S. Second, Benito Juárez, the president of Mexico at that time, gave land to anti- colonial Black-Seminoles.

Napolean III

Napoleon III had hoped that the Confederacy would quickly win the U.S. Civil War, retain slavery and supply southern cotton to French textile mills. Napoleon was encouraged by the major Confederate victory over union forces at Bull Run. He envisioned an alliance between himself and slaveholding U.S. southerners to guarantee raw materials for French industry. Napoleon was well on his way to satisfying this ambition when the defenders at Puebla, although out- manned and out-gunned, interrupted his imperialist ambitions to conquer and subjugate Mexico’s people, and position himself side by side with those who held Africans in bondage.

The French forces, considered to be the best army of that day, were so contemptuous of Mexican forces that they attempted to push right through the center of Puebla’s defenders in their first assault. This tactical error cost the French over a thousand casualties, dead or wounded, strewn on the battlefield. The Mexican army was so heartened by their success that they left their positions and chased the humiliated French troops. The defeat of a Confederate ally such as Napoleon, is a historic event that descendants of enslaved Africans and all others who uphold democracy should celebrate with enthusiasm. It was President Benito Juárez who gave land to a faction of the Black-Seminole freedom fighters that had carried on a long and courageous war of liberation against Spanish and U.S. colonizers. It was certainly in the interest of Blacks on both sides of the Rio Grande, that the Juárez government which had befriended rebellious slaves, and whose predecessor had outlawed slavery, survive Napoleon’s invasion and continue in office.

It is interesting to note that Napoleon was urged to invade and overthrow the Mexican government by the brother of Austria’s emperor Archduke Maximilian. Maximilian’s involvement in the plot gives Africans even more cause to join with Chicano neighbors in celebrating Cinco de Mayo. Six years before Napoleon’s ill-fated invasion of Mexico,

Maximilian married Carlotta, sister of the infamous King Leopold 2nd of Belgium- a racist despot who was personally responsible for colonizing, mutilating and annihilating millions of Congolese in his drive for profits. It is also worth noting that during this period Europe’s ruling elites were busily plotting the conquest of non-Western people-often cooperating with one another and occasionally competing. By 1884 at the infamous Berlin Conference France, Britain, Germany, Portugal, Spain, Belgium, Italy and the Netherlands, joined by the U.S. as godfather, resolved their differences and divided the African continent among themselves.

Through shared misfortune – conquest and slavery – the histories of Mexicans and Blacks in this hemisphere have become inseparably linked. Few, if any, oppressed people have overcome adversity without assistance from allies. Indigenous and African people have been one another’s primary ally in many instances, since the beginning of the pillage, slavery and genocide initiated by Columbus in the Americas over 500 years ago. From Canada to the southern tip of South America, countless acts of joint resistance to colonization and slavery are central to the suppressed history of both peoples. Present-day Black and Brown conflicts whether at high school campuses, on the streets, on the big yard at San Quentin or between equally disempowered Latino and Black laborers in South L.A., rewards the same elites whose wealth and power are dependent upon divided and unorganized people of color.

Whether the flashpoint is Puebla or Chiapas, Cinco de Mayo is a perfect time to reflect upon and discuss the continuing resistance by Mexico’s people to domination, and when appropriate, the complimentary dynamics of the struggles for Black and Brown liberation. Cinco de Mayo is not to be commercialized by opportunists or trivialized as a one day superficial and lukewarm acknowledgement of Mexican culture. When honest accounts of history are finally written into textbooks, African and Mexican (Latino) youth will be be better able to affirm, deepen and project their long-established unity into the future.

written by Ron Wilkins (Professor & original LA Slauson)

source: http://thesoundstrike.info/2012/05/03/cinco-de-mayo-marking-its-150th-anniversary-its-hidden-link-to-african-people/

 

VIDEO: The Music of Ilê Aiyê > Global Axe – Diasporic Cultural Conference & Tour

The Music of Ilê Aiyê

The Afro-Brazilian group Ilê Aiyê was founded on 1974 by Antônio Carlos “Vovô” and Apolônio de Jesus in the neighborhood of Liberdade, the largest black population area of Salvador, Bahia, Brazil.

Ilê Aiyê works to raise the consciousness of the Bahian black community. Persecuted by the police and the media during its first years, and still controversial for only allowing blacks to parade with the group, Ilê Aiyê is a renowned element of Bahia’s carnival.

During Bahian carnival, the group includes hundreds of musicians, dozens of dancers, and thousands of members. As Ilê Aiyê passes, carnival crowds sing along by the thousands to songs about the importance of African and Afro-Brazilian culture and religion.

Ilê Aiyê is a lead partner for Global Axé.

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__________________________

 

Video:

Ilê Aiyê ft Criolo

- "Ilê Aiyê" -

Celebrating African carnival

in Bahia Brazil


The Afro-Brazilian group Ilê Aiyê and Brazilian rapper Criolo joint together for the video "Ilê Aiyê". The video is sponsered by the Brazilian energy company Petrobraz. 

Ilê Aiyê was founded in 1974 in the neighborhood of Liberdade, the largest black population area in Salvador, Bahia. Ilê Aiyê means “house of life” in Yoruba. Ilê Aiyê combined the art of carnival including costumes, music, accessories, songs and dance with principles of respect for heritage, ancestry, elders, spirituality, symbolism and community development to become a leading institution representing African culture in Bahia.

Check out the music of Ilê Aiyê at http://globalaxe.org

 

 

VIDEO:Unsung Episode: DeBarge > SoulTracks

Watch full Unsung Episode:

DeBarge

 

They were the natural heirs to the Jackson family. Physically attractive and extremely talented, the large Grand Rapids, Michigan native DeBarge family wowed fans around the world with a string of terrific hits in the 80s, before pressures, addictions and problems almost too numerous to mention caused the family act to split up at its peak of popularity.

This week's Unsung takes a look at the triumph and tragedy of the very talented family vocal group, DeBarge.

.

 

PUB: Other Voices Poetry Prize (for Harvest Journal's international contributors) > Writers Afrika

Other Voices Poetry Prize

(for Harvest Journal's

international contributors)


Deadline: 15 June 2012

In celebration of cultural unity and respect, Harvest International welcomes poetry submissions in any language. International contributors are welcomed to submit as well.

Each issue, Harvest International awards two poetry prizes:

  • Steve Whaley Poetry Prize — $200 — to the U. S. contributor whose poetry most eloquently expresses the human condition while promoting greater awareness of human interrelatedness.

  • Other Voices Poetry Prize — $200 — awarded by Roger Humes to the international contributor whose poetry best fulfills the above criteria.

Submitted poems are automatically entered for consideration into their appropriate contest.

The winner must provide tax ID number or social security number, signature, and full legal name in order to receive payment from Cal Poly Pomona Foundation. The recipient has the right to refuse payment.

SUBMISSION GUIDELINES

Harvest International is seeking original, unpublished poetry, short fiction, song lyrics, essays, and black and white artwork from children and adults.

In celebration of cultural unity and respect, we welcome poetry submissions in any language, as well as submissions from international contributors.

Entrants may submit one piece in each category. Manuscripts must be typed, double-spaced, and should not exceed 3000 words. Please follow MLA standards where applicable.

Please e-mail your manuscript and a brief bio to the Harvest Editor-in-Chief, Jill Walker, at jswalker@csupomona.edu. Submit two copies: one with no identifying information, and one with a cover page including your name, preferred mailing address, telephone number, and email address.

If you prefer, send hard copies of your manuscripts, along with a WORD (not PDF) formatted disk and a brief bio to the following address:

Harvest International
c/o Faculty Advisor, Professor Gill-Mayberry
Cal Poly University, EFL Department
3801 West Temple Ave.
Pomona, CA. 91768

All rights revert to the author upon publication.

CONTACT INFORMATION:

For inquiries/ submissions: jswalker@csupomona.edu

Website: http://www.csupomona.edu

 

 

PUB: Creative Nonfiction Submission Guidelines

SPECIAL ISSUE AND CONTEST:

SOUTHERN SIN

 
Deadline: July 31, 2012

Creative Nonfiction and the Oxford Creative Nonfiction Writers Conference & Workshop are looking for essays that capture the South in all its steamy sinfulness--whether you're skipping church to watch football, coveting your neighbor's Real Housewife of Atlanta, or just drinking an unholy amount of sweet tea. Confess your own wrongdoings, gossip about your neighbor's depravity, or tell us about your personal connection to a famous Southerner headed down the broad road to Hell. Whether the sin you discuss is deadly or just something that would make your mama blush we want to hear about it in an essay that is at least partially narrative--employing scenes, descriptions, etc.

Your essay can channel William Faulkner or Flannery O'Connor, Alice Walker or Rick Bragg; it can be serious, humorous, or somewhere in between, but all essays must tell true stories, and must incorporate both sin and the South in some way.

Usually the wages of sin is death, but this time we're making an exception. The selected essays will be published in Creative Nonfiction #47, and CNF and Oxford will be awarding $5000 for Best Essay.

There is a $20 reading fee (or send a reading fee of $25 to include a 4-issue CNF subscription--U.S. submitters only); multiple entries are welcome ($20/essay) as are entries from outside the U.S. (though due to shipping costs, the subscription deal is not valid).

Guidelines to submit by mail:
Essays must be unpublished, 4,000 words maximum, postmarked by May 28, 2012 July 31, 2012, and clearly marked "Southern Sin" on both the essay and the outside of the envelope. Please send manuscript, accompanied by a cover letter with complete contact information including the title of the essay, word count, SASE and payment to:

Creative Nonfiction
Attn: Southern Sin
5501 Walnut Street, Suite 202
Pittsburgh, PA 15232

Guidelines to submit electronically:
Essays must be unpublished, 4,000 words maximum, and uploaded by 11:59 PM EST, May 28, 2012 July 31, 2012. To submit, please click the appropriate link:

Reading fee only ($20)
Reading fee + 4-issue subscription ($25; U.S. submitters only)

 

PUB: Foyle Young Poets of the Year Award 2012 (worldwide) > Writers Afrika

Foyle Young Poets

of the Year Award 2012

(worldwide)


Deadline: 31 July 2012

With entries from over 7,200 young people last year across from the UK and worldwide, Foyle Young Poets of the Year Award is the largest competition of its kind and its importance is widely attested. Poems can be entered by anyone aged 11-17 from anywhere in the world.

THE FOYLE YOUNG POETS OF THE YEAR AWARD

The Foyle Young Poets of the Year Award is an opportunity for any young poet aged 11-17 to accelerate their writing career. Since it began 15 years ago the Award has kick-started the career of some of today’s most exciting new voices, including this year’s judge Helen Mort, a highly successful poet whose next collection is to be published by Chatto & Windus.

Each year 100 winners (85 Commendations and 15 Overall Winners) are selected by a team of high profile judges, and receive their awards at an annual prize-giving event on National Poetry Day. Thanks to funding from the Foyle Foundation the competition remains completely free to enter and we are able to offer a wide range of prizes, opportunities and resources to young people and schools across the UK.

Overall Winners from the 15 to 17 age category attend a week-long intensive residential Arvon course where they develop their creative writing skills alongside fellow poets. Winners aged 11-14 group benefit from poetry residencies at their school followed by distance mentoring.

These winners are among the most promising young literary talent in the UK, and the ceremony is the first step in an ongoing process of developing this potential; many of our former winners have gone on to publish work with major publishing houses such as Faber & Faber and Carcanet, and we support them through a number of initiatives helping them to establish themselves in the literary and publishing world.

FOYLE YOUNG POETS- THE PRIZES:

There are 15 Overall Winners and 85 Commended Poets.

  • The 15 Overall Winners aged 11-17 will have their poems printed in the winners' anthology and all Commended Poets will have their name published inside - 20,000+ of these are sent out across the UK and beyond.

  • 15-17 year olds in the Overall Winners category will attend a week-long residential course at one of the prestigious Arvon Centres - take a look at a previous course here

  • 11-14 year olds in the Overall Winners category will win a short residency in their school by a leading poet followed by distance mentoring

  • All 100 winners (Overall and Commended) receive a year's Youth Membership and the opportunity to contribute to our brand new YM magazine

  • All 100 winners (Overall and Commended) will be invited to a prestigious Awards Ceremony in London in October 2011

  • All 100 winners (Overall and Commended) will receive prizes including books published by Faber & Faber, Bloodaxe Books, Carcanet, Picador, Seren, and tall-lighthouse

  • Extra goodies to be supplied courtesey of Divine Chocolate

  • Each Winner receives a beautiful Paperblanks notebook for their future scribblings

  • The 6 schools who inspire the most entries will receive a special selection of books from Carcanet, Faber & Faber, Bloodaxe Books tall-lighthouse, Seren Books and Picador for their libraries

  • Each year we award we select a small group of new Teacher Trailblazers who have demonstrated outstanding innovation and commitment to inspiring young people to write poetry who will be invited to and celebrated at the award ceremony in London on National Poetry Day, 4th October 2012

RULES:

You must be aged 11-17 on the closing date of the 31st July 2012 (i.e. Under 18 years old) in order to enter. The competition closes at midnight on the 31st July 2012.

FYP is about what you want to write. So you can enter poems written in class, or poems you've written at home, from exercises or from your own imaginings. The competition is free to enter and poems can be of any length and on any theme. Individuals may enter more than one poem, however we strongly advise that you concentrate on drafting and redrafting your poems and send only a selection (we suggest no more than 6-8 absolute maximum) of your very best. Remember, quality is more important than quantity!

Please take a moment to read the full rules carefully:

  • Each poem must be the original work of the author, and must not have been previously published (online on any website, blog or on social media i.e. Twitter or Facebook), broadcast on TV or radio or have won another competition.

  • Entrants must be aged 11-17 on the closing date of the 31st July 2012.

  • Poems must be in English and can be entered by anyone aged 11-17 from anywhere in the world (however please note that we are unable to cover the travel fees for any Top Fifteen International Winners invited to the Arvon Course).

  • Competition entries cannot be returned under any circumstances so please make sure you make note of all poems entered and send copies only.

  • Please note that entries sent in by e-mail (as attachement or written in the body of email) will not be accepted under any circumstances. If you would like to enter online only entries through the formal online form at http://foyleyoungpoets.org/entry will be accepted.

  • Due to the large number of entrants we are unable to respond individually to submissions.

  • No acknowledgment of receipt can be made for postal entries unless a stamped, self-addressed envelope is included with the entry. Please ensure the correct postage is used as late entries cannot be accepted. NB online entries will receive an email notification if a correct email address is provided.

  • The judges’ decision is final, and no correspondence will be entered into concerning this decision.

  • All online entries must be received by midnight on the 31st July 2012. Late entries will not be accepted under any circumstances.

  • All postal entries must be post dated on or before the 31st July 2012.

  • Winning poets will be notified directly between the 13th and 20th September 2012.

  • Unsuccessful applicants will not be notified, but full winners will be announced publicly on the website on the 4th October 2012.

  • The copyright of each poem remains with the author. Authors of the winning poems will grant the Poetry Society permission to publish or broadcast the poems.

  • All 100 winners will be invited to attend an awards ceremony on National Poetry Day, the 4th October 2012, in London.

HOW TO ENTER:

The competition is free to enter. Individuals may enter more than one poem, however we strongly advise that you concentrate on drafting and redrafting your poems and send only a small selection of your very best (we suggest no more than 6-8 maximum). Remember, quality is more important than quantity!

CONTACT INFORMATION:

For inquiries: fyp@poetrysociety.org.uk

For submissions: enter online here

Website: http://www.poetrysociety.org.uk

 

 

VIDEO: Watch Now: Tina Mabry's Compelling Futurestates Short "Crossover" > Shadow and Act

Watch Now:

Tina Mabry's Compelling

Futurestates Short

"Crossover"


Features by Cynthia Reid | May 1, 2012

We've covered some very thought-provoking short films, such as Remigration by Barry Jenkins and White by Sayeeda Clarke, from the popular Futurestates series and today we get to add another one to the list.  Crossover, directed by Tina Mabry (Mississippi Damned), was just released and -- as expected -- does not disappoint.

A synopisis for the short states...

In 2028, in a world where separate but equal has been re-instated along socioeconomic lines, a struggling mother of two must decide whether to illegally sell her own organs in order for her kids to crossover to a community where opportunities are limitless. When she learns that her son's autism will prevent him from crossing over, she has to make a heart-wrenching choice whether to allow her gifted daughter to crossover alone or to keep their family intact in an eroding, dangerous, and dead-end community.

Presented and produced by ITVS, Futurestates is a series of fictional short films that present intriguing visions about what life in America will be like in the decades and centuries to come.

You can learn more about the series HERE.

GO HERE TO VIEW FULL MOVIE

 

POV: The NFL or The Hunger Games? Some Thoughts on the Death of Junior Seau > NewBlackMan in Exile

Wednesday, May 2, 2012

The NFL or

The Hunger Games?

Some Thoughts on

the Death of Junior Seau

by David J. Leonard | NewBlackMan

Last weekend I saw The Hunger Games.  When I walked into the theater, I could not have told you one thing about the film, and if not for the uber publicity, I likely would have thought it was a show on the Food Network.  While there is much to say about the film, I was left thinking about how it merely recycled the common Hollywood Gladiator trope.  Mirroring films like The Running Man and The Gladiator, The Hunger Games highlights the ways that elite members of society make sport and find pleasure out of the pain and suffering of others.  That is, they find arousal and visceral excitement in watching people battle until death.  Within such a narrative trope is always a class (and at times racial) dimension where those with power and wealth (the tenets of civilization?) enjoy the spectacle of those literally and symbolically beneath them fighting until death.  The cinematic representation of the panopticon, whether within the past or in futuristic terms, allows for commentary about the lack of civility, morals, and respect for humanity amongst the elite outside of our present reality.   As these morality tales take place in the past (and or future), they exists a commentary about our present condition, statements about how far we have evolved and/or the danger of the future. 

 

Yet, what about The Hunger Games in our midst?  What about the NFL, a billionaire enterprise that profits off the brutality, physical degradation, and pain of other people?  What about a sport that celebrates the spectacle of violence? Unlike The Hunger Games or Gladiator, films that depict a world where people bear witness to death, hungrily waiting the next kill, football and hockey fans sit on the edge of their seat waiting for the knock out hit, the fight, and bone crushing collision.  The game doesn’t end with death but death results from the game. Out of sight, out of mind, yet our hunger for games that kill are no different.

Junior Seau committed suicide today; he shot himself in chest.  While his death certificate will surely say “self inflicted gun shot wound,” it might as well say death by football.  He, like so many former NFL players, have fallen victim to football-induced death.  The links between suicides and concussions, between obesity and heart disease, and between drug abuse and post-NFL physical pain, are quite clear.  The NFL Games are killing men before our eyes; yes, death is not taking place on-the-field with fans screaming from the rafters or the comfort of their couches, but make no mistake about, death is knocking on every player’s door.  “Suicide, drugs, alcohol, obesity—are ailments the National Football League is getting to know all too well,” writes Dave Zirin.  To him, Seau is yet another reminder of the brutality of the NFL and the callousness to this epidemic.  He continues:

 

These are issues NFL Commissioner Roger Goodell and the various team owners are loathe to discuss, but with Seau, they won’t have a choice. In Seau, a larger than life Hall of Fame player, we have someone with friends throughout the ranks of the league and especially in the media. It will be incredibly difficult to keep this under wraps. People will want answers. Over the summer, former Chicago Bears safety Dave Duerson took his own life with a gunshot to the chest so his brain could be studied for the effects of concussive injuries. Junior Seau now joins him, a gunshot to the chest. There is a discussion that the NFL is going to have to have with a team of doctors, players and the public. Right now, this is not a league safe for human involvement. I have no idea how to make it safer. But I do know that the status quo is absolutely unacceptable.

 

Lester Spence also pushes us to think about suicide as a potential consequence of NFL/NHL careers. 

 

The first thing we should do is think about Wade Belak, Rick Rypien, and Derek Boogaard. They were three NHL enforcers (people who made their hockey careers through their fists rather than through their sticks), who committed suicide over the past year. Each of them had a history of concussions. Boogaard made the courageous decision to offer up his brain to science. The results suggest his suicide may have been the result of brain damage.

 

It is only after thinking about Belak, Rypien, and Boogaard, that we have the medical context to understand Seau. Not so much to understand why he committed suicide–if there were a simple relationship between concussions and suicides the suicide rate of former NFL/NHL players would be far higher than it is. BUT to understand how his suicide may be at least a partial function of his NFL career. 

 

It is hard not to think about the consequences of sporting violence.  It is hard to deny the implications here when NFL players commit suicide at a rate six times the national average; it is hard not to think about a rotten system when 65 percent of NFL players retire with permanent and debilitating injuries.  It is hard not to think of the NFL and NHL as a modern-day gladiator ring where our out-of-sight childhood heroes are dying because of the game, because of sport, because we cheered and celebrated brutality and violence.  It is hard not to think of the NFL as nothing more than the real-life hunger games, our version of death as sport, when we look at reports following suicide of Dave Duerson:

 

This intent, strongly implied by text messages Duerson sent to family members soon before his death, has injected a new degree of fear in the minds of many football players and their families, according to interviews with them Sunday. To this point, the roughly 20 N.F.L. veterans found to have chronic traumatic encephalopathy — several of whom committed suicide — died unaware of the disease clawing at their brains, how the protein deposits and damaged neurons contributed to their condition.

 

How much data do we need; how much proof; how many suicides, how many twenty-something football stars need to die with chronic traumatic encephalopathy before we see a problem; how many ex-players need to die, only to find out that football had left their brain “consistent with that of an 85-year-old man” until we demand change?  How many more deaths before we realize that the hunger games aren’t in the future but it is are our current national pastime.  How many families need to lose a father and brother, son and husband, before we stand-up and walk away because death should never be sport.  That seems to be the message of The Hunger Games; one can only hope we can catch up to the future. 

 

***

 

David J. Leonard is Associate Professor in the Department of Critical Culture, Gender and Race Studies at Washington State University, Pullman. He has written on sport, video games, film, and social movements, appearing in both popular and academic mediums. His work explores the political economy of popular culture, examining the interplay between racism, state violence, and popular representations through contextual, textual, and subtextual analysis.  Leonard’s latest book After Artest: Race and the Assault on Blackness was just published.

 

1 comments:

MissMe said...

The wikipedia page on "The Hunger Games" talks about the author's inspiration for the story. "Collins says that the inspiration to write The Hunger Games came from channel surfing on television. On one channel she observed people competing on a reality show and on another she saw footage of the invasion of Iraq. The two 'began to blur in this very unsettling way' and the idea for the book was formed." The film merely accentuates society's long-standing fascination with gladiator-like spectacle. Our "current national pastime," as you said. Just as our soldiers come home from duty with mental battle scars, our modern day gladiators obviously do as well. Our fascination with brutality comes at too high a price, in my humble opinion.