PUB: Fiction Contest > Saturday Evening Post

Saturday Evening Post Fiction Contest

In its nearly three centuries of existence, The Saturday Evening Post has published short fiction by a who’s who of American authors including F. Scott Fitzgerald, William Faulkner, Kurt Vonnegut, Ray Bradbury, Louis L’Amour, Sinclair Lewis, Jack London, and Edgar Allan Poe. Now you have the opportunity to join that illustrious line-up by taking part in the 1st Annual Saturday Evening Post Great American Fiction Contest. The winning story will be published in the Jan/Feb 2013 edition of the magazine and on our website. The winning writer will receive a payment of $500. Five runners-up will be published on our website and receive payment of $100 each.

Entries must be character- or plot-driven stories in any genre of fiction that falls within the Post’s broad range of interest—one guided by the publication’s mission: Celebrating America, Past, Present, and Future. “We are looking for stories with universal appeal touching on shared experiences and themes that will resonate with readers from diverse backgrounds and experience,” says Joan SerVaas, publisher of The Saturday Evening Post.

Stories must be submitted by the author, previously unpublished (excluding personal websites and blogs), and 1,500-5,000 words in length. No extreme profanity or graphic sex scenes, please. All stories must be submitted via the following form and should be in Microsoft Word format with the author’s name, address, telephone number, and email address on the first page. There is a $10 entry fee, which you can pay via credit card below. Deadline for entry is July 1, 2012.

<a href="https://saturdayeveningpost.wufoo.com/forms/z7x1m7/" _mce_href="https://saturdayeveningpost.wufoo.com/forms/z7x1m7/" title="html form">Fill out my Wufoo form!</a>


 

PUB: Call for Submissions: Mixed Race 2.0 > Writers Afrika

Call for Submissions:

Mixed Race 2.0

 

Deadline: 16 April 2012

"Mixed Race 2.0: Mixing Race, Risk, and Reward in the Digital Age" is a project dedicated to examining the intersections of multiracial identities that lurk behind the scenes of everyday life in an increasingly networked world. In recent years, multiracial identities have seen increased representation in media, politics, art and activism. To explore these exciting transitions..., "Mixed Race 2.0" will pose questions and provide analyses that strike the core of what multiracial identities have meant, currently mean, and will mean to generations across the globe.

The primary question is: What does mixed race 2.0 mean to you? Potential themes with which to address this question include, but are not limited to:

  • 2010 v. 2000 US Census
  • Digital v. Analog
  • “Hapa” v. “Mulatto”
  • Book v. e-Media
  • One Box v. Check All that Apply
  • Consumers and Marketing
  • The Ivory Tower v. The Real World
  • America v. The World
  • History v. Future

TARGET AUDIENCE

There is a significant market for a contemporary and analytically engaged, yet very accessible, book and media project on the meanings of multiracial identities in the digital age. The target audiences are both popular and academic consumers. The general consumer interested in race, identity, politics, demographic shifts, popular culture and media subject matter will find "Mixed Race 2.0" interesting and engaging. The academic consumer will find this text to be multi-disciplinary, and suitable for undergraduate and graduate students, as well as researchers and practitioners in the fields of communication studies, journalism, critical cultural studies, racial/ethnic studies, popular culture studies, mass communication and media studies, media literacy, sociology, and education.

SUBMISSION PROCEDURE

We welcome the following formats of submission: essays, high-resolution images of artwork, short films no longer than 3 minutes, and music in mp3 form no longer than 3 minutes. Essay contributions should be approximately 2000 words, Chicago formatted, in 12-pt Times New Roman font. All submissions are due on or before Monday, April 16, 2012. Submissions should include contact information and a brief 50-word bio for each author. Authors of accepted projects will be notified no later than Tuesday, May 15, 2012.

All inquiries and submissions should be sent to the editors below:


CONTACT INFORMATION:

For inquiries: mixedrace2.0@gmail.com

For submissions: mixedrace2.0@gmail.com

 

 

PUB: Print Express Poetry Competition (worldwide) > Writers Afrika

Print Express

Poetry Competition (worldwide)

 

Deadline: 9 April 2012

We would like to invite all poets, new and experienced to take part in our happiness theme poetry competition. What are we looking for? Any form of happiness will be accepted, in any style, but your poem must be original and it has to make us smile. There's no entry fee, and everyone is welcome.

When you enter the Print Express competition you could be in with a chance to win £100! To enter, email poetry@printexpress.co.uk with a poem that you've written (no more than 45 lines) on a topic of happiness before April 9th 2012.

- Open to all

- No entry fee

- Poems must be in English, and no longer than 45 lines

- Must be the original work of the entrant

CONTACT INFORMATION:

For inquiries: poetry@printexpress.co.uk

For submissions: poetry@printexpress.co.uk

Website: http://www.printexpress.co.uk

 

 

ACTION + VIDEO: Trayvon Martin—Without Demonstrations There Would Be No Investigations - Resist! Resist! Resist!

 

WATCH:

What Trayvon's Shooter Says

v. the Evidence

 

Fri Mar. 30, 2012 12:15 PM PDT

Mother Jones reporter Andy Kroll appeared on Current TV's Countdown to discuss the latest developments in the Trayvon Martin case. George Zimmerman claims that Martin attacked him, punched him in the face, and "repeatedly slammed his head into the sidewalk" before Zimmerman shot him. But police surveillance video of Zimmerman recorded the night of the shooting shows Zimmerman without any visible blood or wounds. Andy Kroll analyzes what this new evidence could mean for the outcome of the investigation.

 

__________________________

Trayvon  Martin Eye Witness

Talks On CNN [video]

Witness says heard two "pops" and the fight was on grass

BY MAURICE GARLAND

Mar 30th, 2012

 

CNN seems to be doing the job that the Sanford, Florida police department can't do.

Thursday night, Anderson Cooper spoke with a person claiming to be an eye witness to the fight between Trayvon Martin and George Zimmerman that led to Martin's death.

He says that he saw two figures on the ground scuffling and that he heard two "pops" that he believes were gunshots. 

>via: http://www.loop21.com/life/trayvon-martin-eye-witness-talks-cnn-video

 

__________________________

 

 

Five Things You Didn't Know

About Sanford's Racist Past

 

BY AARON MORRISON

Mar 29th, 2012

 

 

Suburban town’s history places Trayvon Martin tragedy among horrid record of racism

There’s a reason why the chapters on slavery in most high school textbooks are short -- it's rarely an easy subject to revisit for descendents. 

In Sanford, Fla., the suburban town that is now infamous for allegedly mishandling the investigation of 17-year-old Trayvon Martin’s shooting death, racial tensions seemed to have always bubbled just below the surface.

Mother Jones report by Adam Weinstein detailed several reasons why this is. Here are five of them:

1. Sanford’s founder wanted to ship freed blacks back to Africa

Henry Shelton Sanford established the town in the 1870s, conceiving it as a citrus hub. Although the industry never really took off there, Sanford had established a trade relationship with Belgium, which controlled the African territory of Congo. Sanford advocated sending freed African American slaves to rid white residents of the “gathering electricity from that black cloud spreading over the Southern states," as the founder is on record for saying.

2. Racial tensions swelled after town merged with black enclave

There was no “back-to-Congo movement,” Weinstein wrote. A merger with a neighboring black community, Goldsborough, created new tensions. That community’s black officials – the mayor, the Council people, the postmistress, the jailers and the marshal – were not given municipal jobs to replace the ones they lost.

3. Racists chased a young Jackie Robison out of town

“Before he broke Major League Baseball's race barrier in 1947, Robinson played for a Dodgers farm team in Sanford,” Weinstein wrote. White residents didn’t like that one bit and violently demanded the mayor remove Robinson from the town team. The Robinson family was “run out of Sanford,” fearing violence, Robinson’s daughter recentlytold The Nation.

 

4. Town officials resisted integration of public accommodations

In addition to Sanford’s record for clinging to barbaric laws well into the 1980s, town officials resisted racial integration of public facilities. Instead of opening public pools to all residents, whites and blacks, town officials closed them altogether, according to archived newspaper clippings.

[GET THE LATEST IN THE TRAYVON MARTIN CASE]

5. Police have failed at proper investigations before

The initial (and lackluster) investigation of Trayvon Martin’s death is hardly the first occasion when local police officials seemed to drop the ball. In 2006, two off duty security guards, one the son of a Sanford cop, “killed a black teen with a gunshot in his back. Even though they admitted to never identifying themselves, the guards were released without charges,” Weinstein wrote. In 2010, the son of a Sanford PD lieutenant was videotaped sucker-punching a homeless black man. Officers on the scene released him without charges.

It’s worth noting that the town of Sanford has been on the radar of black civil rights activists from some time. Rev. Jesse Jackson made remarks about Sanford’s past, during a press conference with Martin’s parents last week.

 

>via: http://www.loop21.com/life/five-things-sanford-racist-past?page=1

VIDEO: JAMES BALDWIN: Interview (Florida Forum, Miami)~~1963

JAMES BALDWIN:
Florida Forum - 1963

Author James Baldwin taped a candid and fascinating studio interview at WCKT - Miami in 1963. Featured in this edition of the long running program, "Florida Forum": questions by an in-studio audience and a panel of local journalists.


bio:

James Arthur Baldwin (August 2, 1924 -- December 1, 1987) was an American novelist, essayist, playwright, poet, and social critic.

Baldwin's essays, for instance "Notes of a Native Son" (1955), explore palpable yet unspoken intricacies of racial, sexual, and class distinctions in Western societies, most notably in mid-20th century America, vis-à-vis their inevitable if unnameable tensions with personal identity, assumptions, uncertainties, yearning, and questing.[1] Some Baldwin essays are booklength, for instance The Fire Next Time (1963), No Name in the Street (1972), and The Devil Finds Work (1976).

His novels and plays fictionalize fundamental personal questions and dilemmas amid complex social and psychological pressures thwarting the equitable integration of not only blacks yet also of male homosexuals—depicting as well some internalized impediments to such individuals' quest for acceptance—namely in his second novel, Giovanni's Room (1956), written well before the equality of homosexuals was widely espoused in America.[2] Baldwin's best-known novel is his first, Go Tell It on the Mountain (1953).

 

HEALTH: Suzan Stirling: A Mother's Heartbreaking Story About Pediatric AIDS

Suzan Stirling

A Mother's Heartbreaking Story

About Pediatric AIDS

Posted: 03/23/2012

My name is Suzan. I'm an ambassador for the Elizabeth Glaser Pediatric AIDS Foundation, where I advocate for people to join the fight of mothers around the world to protect their children from HIV. I'm also the author of The Silence of Mercy Bleu -- a story about a young woman who grows up harboring the secret of AIDS.

When people ask me what propelled me to write a novel about HIV/AIDS, they're often surprised to learn that I am a 26-year survivor of the disease. But unlike my character, Mercy, who grows up with the disease and later strives to have a healthy baby, I didn't learn the truth until it was almost too late.

I met and married the love of my life in 1988, and a couple of years later we decided to start a family. In 1990, our wish came true and we welcomed a beautiful baby girl into our lives. In those early years, everything was perfect.

But then in 1996, shortly after the birth of our second child, something began to go terribly wrong. In the matter of a few months, both of our children became very sick.

Alee, our then 5 year-old daughter, began to rapidly lose weight. At the same time, our newborn baby, Mitch, had to be put on a respirator in the ICU, where he would spend weeks fighting a respiratory virus his young body couldn't fend off.

The doctors were candid -- things weren't looking good. There were numerous tests and long hospital stays, but still we had no answers. It was a parent's worst nightmare. We were losing both of our children and no one could tell us why.

I'll never forget the phone call that saved my children's lives. It was a new doctor. She was quick to the point. She said, "Something in your son's blood work warrants an AIDS test. I suggest your whole family be tested."

I was in complete shock. I just remember thinking, "I'm going to have to watch my children die." I didn't think I was strong enough to handle that.

We took our HIV tests, and tragically, our doctor was dead on. I tested positive for HIV. So did Alee and Mitch. We were very lucky in that my husband was negative.

Almost overnight, my family became just another face of AIDS.

It wasn't hard to trace where I'd contracted the virus. Before I'd met my husband, I'd been engaged to a young man who I was later told had died of cancer, but who I now believe died of AIDS. I had carried the virus for nearly 10 years without ever knowing it.

My husband and I nearly lost Alee and Mitchell that year, but 1996 -- the year we were diagnosed -- was also the same year that protease inhibitors became available. My husband and I would crush the blue pills into pudding, clap and cheer, and somehow our children would manage to swallow the brown, sticky mess.

Daily, we saw improvements. This new medicine, in combination with two others, literally brought our children back to us. It was and still is the most miraculous thing that I have ever witnessed.

People often ask me how HIV has changed me, and I almost want to say, "How has it not changed me?" To be completely honest, you can't go through what I've been through -- any life-threatening illness really -- and not come out a completely changed person. HIV is even more difficult because it's a disease that many people suffer with in silence, myself included, for many years.

There were so many things that my family and I had to work through to get to where we are today. HIV forced me to be a much braver, more open person, and I'm thankful for that.

It's never easy for me to share my story, but I think it's important for me -- especially as a mother -- to do so. Today, with medicines that drive the virus to undetectable levels, there is now more hope than ever of staying healthy and stopping HIV transmission. This means being able to protect your partner from the virus, and being able to have a child born free of HIV.

My husband and I were fortunate. We didn't lose our children. The same can't be said for families in other parts of the world, like Africa where our youngest son Yonas was born.

Every day around the world, one thousand mothers -- many of them unaware that they carry HIV-transmit the virus to their own babies in utero, during labor, or through breastfeeding. Without access to the right medicines, they are helpless to protect their own health and that of their babies. Being a mother with three children who are all positive, yet remarkably healthy, I can only imagine what that feels like.

The hardest part of my having HIV was never that I might die -- the hardest part was that I had given this terrible disease to my children. No mother should have to carry that burden. Not today, not ever. Especially when mother-to-child transmission of HIV is completely preventable. With preventative services, the chances of a mother passing the virus on to her children are extremely low -- less than 2 percent. Those are some pretty terrific odds.

We can stop mothers and their children from dying. Really, we can. I know because I've seen it with my own eyes, with my own family.

It's been 16 years now since my children's health was restored. I will get to see my children grow up, and I know that for a parent, there's no greater gift.

As an ambassador for the Elizabeth Glaser Pediatric AIDS Foundation, I get the privilege of joining in the fight to eliminate pediatric AIDS. The work done by the Foundation and its partners around the world is saving children's lives and sparing families unimaginable heartache.

The Foundation has made huge strides to help mothers like me, and lifesaving medicines are now reaching more people than ever. You can be a part of that progress.

Join the fight of mothers around the world, and help us get closer to a new generation born free of HIV.

 

 

 

__________________________

 

What's It Like to

Live With AIDS?

Three HIV-Positive Women

Share Their Stories

"The stigma surrounding HIV/AIDS is debilitating...” In honor of World AIDS Day, we'd like to introduce you to three fearless and inspiring women.


 

Meet Suzan Stirling:

“I want to see my children cured of HIV.”

Suzan Stirling is a 45-year-old mother, AIDS activist, and writer. Diagnosed with HIV at the age of 29, she lives in Kentucky with her husband, two biological children, and an adopted son from Ethiopia whose birth parents died from AIDS.

How did you find out that you were HIV-positive?

I’ll never forget that phone call. It came shortly after we brought our son home from the hospital. He’d been very sick and in and out of intensive care for months with a respiratory virus that his body wasn’t fending off. I was at my mother’s house when I got the call that literally saved his life. It was a new doctor. She was quick to the point. She said, ‘Something in your son’s blood work warrants an AIDS test. I suggest your whole family be tested.’ I just remember thinking, ‘I’m going to have to watch my children die.’ I didn’t think I was strong enough to handle that. That was sixteen years ago. I’d unknowingly contracted the virus in 1985 (before I’d met my husband) from a young man I’d been engaged to who I was told, years later, had died of cancer. Back then we didn’t even think that women or heterosexual men were at risk, but we know better now. At the time I was diagnosed, I’d carried the virus for nearly ten years without ever knowing it. I’ve lived with HIV for a total of twenty-six years now, more than half of my life.

How often do you visit a doctor?

I have a wonderful ID doctor who I see once every few months. Our visits run like clockwork. He accesses my health, orders the appropriate tests, and always asks me point blank, ‘How are you doing?’ My answer, I’m thankful to say is always, ‘I’m doing great.’ And I am. Amazingly, my viral load–– which is the amount of virus that can be detected in the blood––remains undetectable, and my CD-4 count (immune system count) is better than the average “healthy” person. I’m happy to say that all of my children are doing equally well. We’re very fortunate to have access to life saving treatment. I think it’s hard for people to even fathom that in other parts of the world, like Africa, where my adopted son is from, people are still dying every day from AIDS, a disease that’s now completely treatable.

What side effects do you experience from your medication?

In the early years, after my diagnosis, the medicines I took were very difficult and the side effects almost intolerable --s o much so that at one point I stopped taking them. I just couldn’t do it anymore. I thought, if this is how my life is going to be, I’d rather take my chances. They were making me that sick. Today, it’s a whole different story: due to some wonderful advances in medicine and an experienced clinician, my medicines are easy to take and I have no side effects from them. I take three pills in the evening and two in the AM. That’s it. Simple. I feel like I’m living the best years of my life, right now.

How has your diagnosis changed you?

I almost want to say, ‘How has it not changed me?’ because to be completely honest, you can’t go through what I’ve been through -- any life-threatening illness really -- be it cancer or what have you, and not come out a completely changed person. HIV is even more difficult because unlike cancer, it’s a disease that so many people suffer with in silence, myself included, for many years. I was so fearful of what people would think of me, or worse, that they’d be afraid of me. There were so many things that I had to work through to get to where I am today. HIV forced me to be a much braver, more open person, and I’m thankful for that.

How did your family and friends react to your diagnosis?

So much love. So much support … there isn’t a day that goes by that I’m not thankful for the family, friends and even total strangers who have built this palatial wall of support around my children and our family. They are the reason we’re healthy and whole today. They’re the reason we’re able to openly share our status and story with others.

How do those outside of your inner circle react when you disclose your diagnosis?

I remember my son needing a surgery years back, and my telling the doctor, ‘My son is HIV positive…’ thinking this would be a problem. She just looked at me and said, ‘Okay, that doesn’t change anything. I can help your son. I’m not worried about the HIV.’ This woman was a complete stranger. Moments like that you don’t forget.

I understand people’s fear of HIV (I used to be one of those people) and I also know that a little education goes a long way. I encourage people to ask me questions. We just need to open the lines of communication.

How has HIV affected your romantic relationships?

I’m glad that someone finally had the guts to ask this question because it’s a really important one that deserves an honest answer. We need to feel free to talk openly about (and this will make my teens cringe) sex and intimate relationships. Plus, I like talking about sex. I also enjoy the act of lovemaking very much and have been doing it on a regular basis for the last twenty-four years of my marriage … before and yes, after finding out that I had HIV. I can’t speak for everyone in a romantic relationship where one or both are positive, but for my husband and I, although we’ve had bumps and dips in our marriage like any couple, sex has never been one of them. Maybe that’s because we’d already been together for almost ten years before I was diagnosed, I don’t know, but what I do know is that people meet and fall in love every day. HIV isn’t going to stop that.

In fact, in my novel I’ve addressed the “sex” issue with what’s probably the first sex scene EVER written to involve a condom! Plus, with today's treatment the virus is suppressed to such low levels that it makes transmission highly unlikely. What I’m trying to say is we're not so different from everyone else. What I’m trying to say is that HIV doesn’t change that we’re still human. We still have desires, and a need to love and be loved. I used to tell my daughter when she first started dating that HIV would weed out the Mr. Wrongs, but wouldn’t matter to that special Mr. Right. It’s true. With the right person and knowledge as your ally, HIV won’t stop you from finding that special someone to share your life with.

Do people treat you differently because you have HIV? How does that feel?

No, I really don’t think so, only because I don’t act differently. I’ve got a pretty healthy attitude and after having lived with HIV for so many years, it’s like anything else¬–you grow with it, you become more comfortable, and I think that people pick up on that. I’m not worse for having HIV; if anything, I’m better for having survived it.

What is the hardest part of living with HIV?

A few years ago, I would have said not being able to talk about my disease openly. Today, the hardest part for me is feeling that I have a responsibility to talk about it openly. It’s not easy for me to share my story, there are some really painful moments I don’t like to re-live, but I’ll keep doing it because if it helps one person, then it’s worth it to me.

In which ways do you take a stand for those who have HIV or AIDS?

Over the years my family and I have had the opportunity to work with a number of amazing organizations including The National AIDS Memorial GroveamfAR, and The Elizabeth Glaser Pediatric AIDS Foundation –– an organization dedicated to ending mother to infant transmission around the world. My goal is to facilitate HIV awareness and help end mother to infant transmission of HIV, a goal that’s been achieved here in the United States, and with support and necessary funding there’s no doubt in my mind, we’ll one day achieve those goals around the world. You can learn more about what I’m doing to help in the fight against HIV/AIDS by visiting my blog (http://www.redribbondiaries.blogspot.com/)

Your biggest fear:

My biggest fear used to be losing my children. I don’t fear that anymore. I know that they’ll live long, productive lives and that makes me happier than I can even express. My biggest worry today is health coverage. If I didn’t have health insurance, my medicine alone would cost over two thousand dollars a month. So, yes, my biggest fear is that something could happen, I could lose my health insurance, and then not be able to afford the medicine that keeps me healthy.

You’ve written a novel, The Silence of Mercy Bleu, which will be coming out in March 2012. The main character in the book has HIV -- can you tell us how closely your fictional story relates to your own personal story?

The Silence of Mercy Bleu was a story that had been stirring inside of me for years. I always knew that my first novel would be a story about a young woman with AIDS because it's a topic so close to my heart, but to answer your question: Is Mercy's story similar to my own? I'd like to say that my life and my experiences have been exciting enough to conjure up a "best-seller" but truth be told, probably not! What I am, though, is an avid observer; I love to watch and wonder. In actuality, the character of Mercy and her life experiences are vastly different from my own. I did that intentionally. But the feelings of isolation and shame -- the stigma that my character faces, those are very real things that many people living with the secret of HIV, myself included, have experienced first-hand.

What do you want most out of life?

What a great question. I want to make a difference. I want my life and my journey to have meant something. I want a lifetime of happiness. I want to love and be loved. I want to learn something new each day. I want to live. I want to see my children cured of HIV. I want… I guess I want a lot of things. But, if I had to boil it down to the one thing I want most, the thing I can’t live without, it would be a life filled with hope because with hope, I truly believe that all things become possible.

What's something you wish everyone knew about people who are living with AIDS?

I want them to know that HIV is just an illness. It doesn’t define who a person is, any more than a person who is diagnosed with cancer, or hepatitis, or diabetes. Get to know the person and then you’ll see beyond the stigma, beyond the disease. More than anything, people living with HIV need your compassion. Give us a hug. I can’t tell you how much that simple gesture means to a person living with HIV.

What would you tell women and girls who have just been diagnosed with HIV?

This is important. I would tell them that your life is not over. Don’t let HIV stop you from realizing your full potential. Be brave, be hopeful, be kind…and all good things will find you.

Anything else you want to share with our readers?

I just want to thank BettyConfidential and its editors for giving me this opportunity to share my story with readers on such an important day, World AIDS Day. And to all who read this: Be brave. Get tested. Knowing your status is your best defense against HIV/AIDS.

To learn about Suzan’s upcoming novel visit SuzanStirling.com.

Diana Denza is a regular contributor to BettyConfidential.

 

 

 

 

POLICE BRUTALITY: White Plains, NY Police Called Out on Medical Alert Shoot Dead Black Veteran, 68

Killed at Home:

White Plains, NY Police

Called Out on Medical Alert

Shoot Dead Black Veteran, 68

 

<div id="player_not_available"> <p> Javascript is required to watch video inline on this page.<br/> You can choose another option on the listen/watch page if you prefer. </p> 

As the Trayvon Martin case draws national attention, we look at another fatal shooting of an African-American male that has received far less scrutiny. Kenneth Chamberlain, Sr., a 68-year-old African-American Marine veteran, was fatally shot in November by White Plains, NY, police who responded to a false alarm from his medical alert pendant. The officers broke down Chamberlain’s door, tasered him, and then shot him dead. Audio of the entire incident was recorded by the medical alert device in Chamberlain’s apartment. We’re joined by family attorneys and Chamberlain’s son, Kenneth Chamberlain, Jr., who struggles through tears to recount his father’s final moments, including the way police officers mocked his father’s past as a marine. "For them to look at my father that way, (with) no regard for his life, every morning I think about it," he says.

 

__________________________

 

White Plains police

respond to medic-alert call,

break down the door,

shoot and kill

68 y.o. black Marine

wary of the police


In November of last year, a police shooting occurred in White Plains, New York.

Kenneth Chamberlain was a 68 year-old former Marine with a heart condition. After accidentally triggering his medical alert pendant in the middle of the night, the cops knocked on his door, waking him up. He responds to police by going to the door but not opening it. Frankly, he’s distrustful of the police. He tells them that he’s fine. There’s no problem, they can go away.

They refuse to go away. They keep telling him to open the door. They grow angrier and angrier with him, warning Kenneth that they’re going to break down the door. It becomes a police-driven confrontation that spirals off into hell. Democracy Now interviewed Kenneth Jr., the victim’s son:

KENNETH CHAMBERLAIN, JR.: Ultimately, after using expletives and racial slurs, they broke down the door. You can see on the video from the taser that they fired a taser at him. And I’m assuming that both prongs didn’t go in. He stood about maybe eight to 10 feet away from them with his hands down to his side. And at one point, you hear one of the officers say, “Cut it off.” And it was at that point they shot and killed my father.

Who checks in on a veteran with a heart condition and tasers him? The police report indicates they then shot him with a beanbag. After that, they shot Chamberlain dead, right in his own apartment. Why? They say he wielded a knife. That claim isn’t supported by audio and video of the incident. What’s more likely is that this was a homicide involving racist cops:

KENNETH CHAMBERLAIN, JR.: I’ve heard—I heard several things on there. One thing you hear is my father pleading with them to leave him alone. Excuse me. You hear him asking them why are they doing this to him. He says, “I’m a 68-year-old man with a heart condition. Why are you doing this to me? I know what you’re going to do: you’re going to come in here, and you’re going to kill me.” You also hear him pleading with the officers again, over and over. And at one point, that’s when the expletive is used by one of the police officers.

AMY GOODMAN: What did they say?

KENNETH CHAMBERLAIN, JR.: Where they say, “I don’t give a F.” And then they use the N-word. And then, as I said, ultimately, they bust down the door. And it hurts because, as I said, it didn’t have to go to that point. You also hear the operators from the LifeAid company call the police station and say that they want to cancel the call, Mr. Chamberlain is OK. And at one point you hear the officer there at their central office say, “We’re not canceling anything.” They say, “Call his son. Contact his son.” And they say, “We’re not contacting anyone. We don’t need any mediators.” …

KENNETH CHAMBERLAIN, JR.: And in 45 years of me being on this earth, that was the very first time that I ever heard my father where he was pleading and begging for his life, someone who I looked at as being extremely strong, to hear him beg for his life, to say that this was his sworn testimony on the audio, which the police did not know that was being recorded. He said, “My name is Kenneth Chamberlain. This is my sworn testimony. White Plains police are going to come in here and kill me.”

While Kenneth Jr. and his attorney have seen and heard the tapes, the police refuse to release them to the public. Police won’t release the names of the officers, and won’t say whether they’ve been suspended or are still on active duty. The District Attorney has done nothing so far. The whole thing reeks. Does anybody really wonder why black people still view cops with distrust?

 

 

 

 

 

HISTORY: Remembering Marcus Garvey « Publishing the Long Civil Rights Movement

Remembering Marcus Garvey

On March 23rd, 1916—96 years ago today—a man who would soon become one of America’s most well-known  black nationalists—the self-proclaimed “Provisional President of Africa”—arrived in the United States.

Marcus Garvey, a native of Jamaica, traveled to America on Booker T. Washington’s invitation. Although Washington died before Garvey arrived, Garvey settled in the United States and organized a chapter of the Universal Negro Improvement Association—an organization he had originally founded in Jamacia to push for racial uplift and improved educational and industrial opportunities for blacks.

Within two years, the United Negro Improvement Association (UNIA) would expand to cities and towns across America and the world, arguing for African American autonomy, self-sufficiency, and economic improvement. Promoting the idea of establishing an independent nation of African Americans in Africa, Garvey utilized elaborate dress, energizing events, inspiring banners, and more, as a way to instill in African Americans pride in being black.

He had high hopes for the movement now known as Garveyism or the “Back to Africa” movement. He incorporated the Black Star Line—a shipping line to foster black trade and transportation—in 1919. He also founded The Negro World, a weekly newspaper with international circulation and a strong agenda of black consciousness and economic independence. Banned in many areas of the world, the newspaper published work by African American figures such as Zora Neale Hurston and T. Thomas Fortune, and remained in circulation for roughly 15 years.

Garvey’s reign was short-lived; the Bureau of Investigation (now the Federal Bureau of Investigation) kept the UNIA under investigation for many years, and Garvey was eventually incarcerated for federal mail fraud and ultimately deported. However, he continued his movement in Jamaica and London, and loyalists kept the UNIA alive after Garvey’s death in 1940. A version of the organization, now called the Universal Negro Improvement Association and African Communities League (UNIA-ACL) still functions today.

To learn more about Marcus Garvey, click here.

UCLA’s Marcus Garvey and Universal Negro Improvement Association Papers Project provides information, a photo gallery, and two audio clips from Marcus Garvey’s speeches (click here to hear Marcus Garvey speak).

To learn more about Garvey’s life and actions, check out PBS’s film Marcus Garvey: Look for me in the Whirlwind.

To learn about Amy Jacques Garvey, Marcus Garvey’s wife and a UNIA staffer, check out Ula Yvette Taylor’s The Veiled Garvey: The Life and Times of Amy Jacques Garvey (UNC Press 2002).

For more on Garveyism, check out Mary Rolinson’s Grassroots Garveyism: The Universal Negro Improvement Association in the Rural South, 1920-1927 (UNC Press 2007).

 

AUDIO: José James – Coltrane Unreleased EP (Download) (2012)

José James – Coltrane

Unreleased EP

(Download) (2012)

 

 

Vocalese noun \ˌvōkəˈlēz, -ˈlēs\ A style or genre of jazz singing wherein words are sung to melodies that were originally part of an all-instrumental composition or improvisation.

The aforementioned art is a unique, daunting technique that was pioneered by jazz vocalists such as King Pleasure, Jon Hendricks, and Eddie Jefferson, who took scat a step further by supplanting abstract syllables with actual lyrics.

It can be difficult to sing the head of many jazz standards, let alone the high flying solos associated with many of their original recordings. With intricate runs that often leap across daunting intervals, instrumental solos require a degree of agility most voices lack. At best, these efforts often lead to bizarre or comical results, but every now and then someone just nails it. Jose James’ nimble delivery on a handful of Coltrane classics show he’s up for the job.

Beyond commanding every note of these solos, James uses original lyrics that complement the beauty and depths of the recordings. Avoiding hackneyed couplets just to fit with Trane’s complex phrasing, he projects inspired lyrics with a memorable baritone reminiscent of Kurt Elling or Gil-Scott Heron.

Sadly, the triptych was never officially released due to the wishes of the Coltrane estate. Fortunately James made the tunes available for free download online, and live footage from a performance of the songs and others from the Coltrane catalog remains online. There’s plenty more ink that could be spilled about the masterful technique at work here, but instead of overthinking, sometimes it’s just best to listen.

Download: Coltrane Unreleased EP
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José James – Equinox

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You can witness José James’ live set in its entirety by clicking here.

Written by: @BrotherHayling

 

 

VIDEO + AUDIO: Lonnie Liston Smith & The Cosmic Echoes – Astral Traveling

Lonnie Liston Smith

& The Cosmic Echoes

– Astral Traveling (1973)

 

“On Thembi, that was the first time that I ever touched a Fender Rhodes electric piano. We got to the studio in California — Cecil McBee had to unpack his bass, the drummer had to set up his drums, Pharoah had to unpack all of his horns. Everybody had something to do, but the piano was just sitting there waiting. I saw this instrument sitting in the corner and I asked the engineer, ‘What is that?’ He said, ‘That’s a Fender Rhodes electric piano.’ I didn’t have anything to do, so I started messing with it, checking some of the buttons to see what I could do with different sounds. All of a sudden I started writing a song and everybody ran over and said, ‘What is that?’ “And I said, ‘I don’t know, I’m just messing around.’ Pharoah said, ‘Man, we gotta record that. Whatcha gonna call it?’ “I’d been studying astral projections and it sounded like we were floating through space so I said let’s call it ‘Astral Traveling.’ That’s how I got introduced to the electric piano.”

 

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There are a few Jazz artists that have a mystical sound, one that transcends the realm of a media-driven genre title, and one that can be defined as spiritual. One of those artists who’s mystical sound is truly one of a kind is keyboardist Lonnie Liston Smith, who on his 1973 LP Astral Traveling is the combination of an auditory out-of-body experience and a Hip Hop producers playground. With the graces of Jazz legends such as Miles Davis, Rahsaan Roland Kirk, Pharoah Sanders, and many more, Lonnie Liston Smith has the freedom to do whatever he feels as a front man, and the result of his free-spirited musical style is a gift that he is able to share with his listeners. Lonnie Liston Smith played as a sideman to the before mentioned artists, and as a front man for the Cosmic Echoes, he still isn’t as prominent as most front men. While Liston composed each track, it is the tenor and soprano saxophone of George Barron that plays a lot of the melodies, while the serenity of Smith is more of an accompaniment. In the latter part of the 70′s, recordings from Lonnie Liston Smith & The Cosmic Echoes would occasionally contain vocals, which were mostly sung by Lonnie’s brother Donald, who also played flute. Also, let’s not forget that the percussion on Astral Traveling is graced by the great James Mtume

If you were to give Astral Traveling the injustice of a sub-genre, you may want to label it as Free Jazz, or Abstract Jazz in the same vein as Miles or Pharoah Sanders, but what makes Lonnie Liston Smith different is that the instrumentation of the Fender Rhodes electric piano gives Smith’s sound such a warm melody, where other instrumentations and songs that fall into the abstract category tend to be a bit uncontrolled. As mentioned before, the sounds that are expelled from these recordings have beat makers drooling, as you can have you’re smooth Hip Hop instrumental manufactured in minutes, as all you need is any section of any of these songs on a loop, and add some drums and a bass line, and you will have yourself a certified classic. But beyond the Hip Hop appreciation of this particular album, it is certainly a unique sound, and one that can only be defined as Lonnie Liston Smith.



Written by: @Haylow