PUB: Call for entries: The Writer 2012 Short-Story Contest > The Writer Magazine

Call for entries:

The Writer 2012 Short-Story Contest


Here's your chance to win money and get published!  In collaboration with Gotham Writers' Workshop, we're pleased to bring you The Writer 2012 Short-Story Contest, which offers great prizes to the top three finishers!


Contest prizes:

First prize: $1,000; a free 10-week creative writing workshop offered online by Gotham Writers' Workshop ($420 value); publication in The Writer and on WriterMag.com; and a one-year subscription to The Writer.

Second prize: $300; free enrollment in a four-week How to Get Published seminar taught online by a literary agent and Gotham Writers' Workshop ($150 value); publication on WriterMag.com; and a one-year subscription to The Writer.

Third prize: $200; free enrollment in a four-week How to Get Published seminar taught online by a literary agent and Gotham Writers' Workshop ($150 value); publication on WriterMag.com; and a one-year subscription to The Writer.

Contest Overview:

We're looking for your original, unpublished short stories up to 2,000 words. Entries must be in English and submitted by the author, who must be at least 18 years old at the time of entry. No explicit sex, graphic language or graphic violence. Entries will be judged based on creativity, sense of story, characterization, and overall quality of writing, including grammar, punctuation and syntax. Writers may submit more than one story, but each story must be accompanied by a separate entry fee. Complete rules and FAQs are available at WriterMag.GothamWriters.com.
 

Entry fee: $10 per story submitted.

Deadline: All entries must be submitted online by midnight (EDT) on April 30, 2012.

 


Notification: Winners will be notified by e-mail by Aug. 15, 2012. All entrants will be notified of the results by Aug. 31, 2012.

Questions: If you have any questions, please send an e-mail to contest@writermag.com.

Resources: Check out WriterMag.com for articles about writing short stories.

 

PUB: Black River Chapbook Competition

Twice each year Black Lawrence Press will run the Black River Chapbook Competition for an unpublished chapbook of poems or short stories between 16 and 36 pages in length. The winner of this contest will receive book publication, a $500 cash award, and twenty-five copies of the book. Prizes are awarded on publication. Past winners include Helen Marie Casey (poetry), D. E. Fredd(fiction), Frank Montesonti (poetry), Sandra Kolankiewicz (poetry), T.J. Beitelman (poetry),Tina Egnoski (fiction), David Rigsbee (poetry), Lisa Fay Coutley (poetry), Charlotte Pence(poetry), Amelia Martens (poetry), Russel Swensen (poetry), and Nick McRae (poetry).

Entry Periods:
Spring: April 1 - May 31
Fall: September 1 - October 31

To enter, please refer to the guidelines below.

CONTEST GUIDELINES

How to submit:

In order to reduce the costs of printing and postage and in the spirit of being a bit greener, Black Lawrence Press only accepts electronic submissions rather than hard copies for our contests. Please submit your manuscript and submission fee via Submishmash.

Need help with our submissions manager? 

Deadline:

The annual deadlines for the prize are May 31 for the Spring contest (we accept entries starting on April 1) and October 31 for the Fall contest (we accept entries starting on September 1). 

About the judges:

Black Lawrence Press does not use interns to screen entries. All entries are judged by the editors.

Notification:

Because of the high volume of entries received, all finalists and semi-finalists will be announced 
on the Black Lawrence Press blog. All finalists for the fall prize will be announced on or before December 15 of each year. All finalists for the spring prize will be announced on or before July 15 of each year. The winners will be announced shortly after the finalists are announced.

Other Notes:

Simultaneous submissions are acceptable, but you must notify Black Lawrence Press immediately if your manuscript is accepted elsewhere for publication. 

All finalists will be considered for standard publication. In addition to each year's winner, Black Lawrence Press often offers standard publication to one or more other finalists.

Thank you for your interest in Black Lawrence Press. 

PUB: World Nomads Southeast Asia 2012 Travel Writing Scholarship (open to all nationalities) > Writers Afrika

World Nomads Southeast Asia

2012 Travel Writing Scholarship

(open to all nationalities)

 

Deadline: 23 April 2012

 

DO YOU WANT TO BE A PUBLISHED TRAVEL WRITER?

This year we decided to shake things up a bit and instead of choosing just one country for our scholarship…we’ve decided to send you off to three different countries in Southeast Asia! Once on the ground, you’ll have the opportunity to see for yourself life beyond the banana pancake trail, and get to know Southeast Asia from the local perspectives, through the eyes of three amazing writers.

HERE’S THE TRIPLE-DIP DEAL:

First you’ll head off to Singapore to go on assignment for five days under the mentorship of Rough Guides writer Richard Lim to review and update ‘The Rough Guide to Singapore’.

Then you’ll fly to Bali and meet up with Stuart McDonald, founder of Travelfish, the online travel guide to Southeast Asia, before heading off on six days of cultural insight and adventure in Indonesia.

For the last leg of the scholarship, you will be whisked off to Malaysia for a food odyssey through Kuala Lumpur and Penang with former local and cookbook author of award winning hsa*ba Burmese cookbook, Tin Cho Chaw, to explore how cuisine shapes the lives of Malaysians.

IMPORTANT DATES

**You need to be available between June 18th – July 6th, 2012 to participate on the assignment.**

April 23 Submission deadline

April 24-May 11 Judging preliminary shortlist

May 11-16 Finalists shortlist

May 17 Winner confirmed and announced

May 17-June 17 Trip preparation

June 18 Arrive in Singapore

June 19-20 Meet Richard Lim – Singapore, shadow for two days

June 21-22 Solo assignment for two days

June 23 Meet up with Richard, feedback on assignment etc.

June 24-30 Indonesia: Culture & Adventure

July 1-July 5 Malaysia: Food Odyssey

July 6 Depart

August 20 Copy deadline

WHO CAN APPLY

* This opportunity is open to students, emerging and non-professional writers and lovers of travel looking for a career change.

* The scholarship is open to all nationalities, however, you must have a high degree of proficiency in written English.

* The opportunity is designed to give you a taste of what it’s like to be a travel writer on the road, so you must be comfortable doing some travel on your own.

* Minimum age 18 by the date the scholarship application close (April 23, 2012)

* A current passport with at least six months before expiry

* You must be available as per the dates set out. Please note these dates are not changeable in anyway, you must be available for the entire assignment.

* You should be an exceptional writer with a lust for adventure travel, a desire to experience new cultures (and eat them!)and above all, a burning desire to become a professional travel writer!

WHAT CONSTITUTES A PROFESSIONAL TRAVEL WRITER?

Essentially this is a ‘learning opportunity’ for someone who is looking for an introduction into the travel writing industry and importantly keen to be mentored.

As a guide, for the purposes of the opportunity, we would consider you to be professional travel writer if you have been published regularly in newspapers, travel magazines or travel journals. We would also consider you to be a professional travel writer if you derive more than 25% of your income from travel writing.

If you have had a few stories published, or keep a regular travel blog then we would not consider this professional.

We would also like to further clarify that a professional writer of any sort (travel writer or otherwise) is not eligible to apply if they derive more than 25% of their income from writing.

Please consider the spirit of the program which is intended to help those with a burning desire to be a professional travel writer and need some help getting started.
Apply now

IF YOU WANT IT, YOU’VE GOT TO SHOW IT. TO APPLY YOU NEED TO:

1. Write. Craft a 2000 character or less (about 500 words) travel focused essay based on a personal experience around one of the following themes;

a. ‘Understanding a Culture through Food’

b. ‘A Local Encounter that Changed my Life’

c. ‘Seeing the World through Others Eyes’

d. ‘Giving Back on the Road’

It’s up to you to convince our judging panel through your writing that you have the spirit of adventure and passion for travel writing to be chosen for this scholarship. We will be looking for:

- great descriptive ability
- strong eye for detail
- ability to uncover and tell a compelling story
- excellent spelling and grammar and a knack for avoiding clichés

2. Complete an entry form which includes contact details and a maximum 800 character (about 200 words) essay on why you should be chosen and what the opportunity will mean for you. Your answer will provide considerable weight in the judging process.

3. One entry per person.

4. The entry must be submitted in English.

Applications close April 23, 2012 at 2pm (AEST)

The recipient of the Scholarship, along with the shortlist of best entries will be published on the WorldNomads.com website on May 17th, 2012.

Read the full terms and conditions here >>

CONTACT INFORMATION:

For submissions: apply online here

Website: http://www.worldnomads.com/

 

 

INFO: BoL - Ramsey Lewis, D.D. Jackson, 18 versions of "Skylark"

Ramsey Lewis sets a swinging pace for the week. We follow with Canadian pianist D.D. Jackson. And close out the week with 18 versions of “Skylark” featuring Abbey Lincoln, Ahmad Jamal, Aretha Franklin, Frank Morgan, Carmen McRae, Casandra Wilson, Freddie Hubbard, Dianne Reeves, Erroll Garner, Ernestine Anderson, Sonny Rollins, Ray Brown, Singers Unlimited, Art Blakey, Leon Ware & Don Grusin, Nnenna Freelon, Gregory Porter, and Sunny Sumter.

>http://www.kalamu.com/bol/

 

The truth is Ramsey Lewis is a hell of pianist not only in terms of technique but also in terms of his sense of structure and melodic sensitivity, all of which you can hear in the West Side Story medley that opens the Mixtape. Ramsey’s use of dynamics, literally moves the crowd to be whisper-quiet during certain passages, and out-right screaming raucous during more dynamic parts as they provide spontaneous choral accompaniment. Ramsey Lewis is a masterful event planner when it comes to audience appeal and involvement.

When the first trio broke up in 1966 after working and recording together for over a decade, Maurice White joined the band as the percussionist. White would subsequently leave to form Earth, Wind and Fire but also provided the foundation for “Sun Goddess,” one of Lewis’ major hits.

On through the eighties and nineties when many jazz artists struggled to survive, Ramsey Lewis remained popular constantly touring and recording. With well over eighty albums as a leader, Ramsey Lewis has won three Grammys and probably holds a record as a recording jazz pianist, including a trio of albums featuring vocalist Nancy Wilson, the last of which, Simple Pleasures, features an outstanding "God Bless The Child" Nancy and Ramsey duet.

—kalamu ya salaam

 

VIDEO: Indie Documentary "Contract" Looks at the Legacy of Cape Verdean Indentured Servants > Shadow and Act

Indie Documentary

"Contract"

Looks at the Legacy of

Cape Verdean

Indentured Servants

by Jasmin | March 9, 2012

 

Directed by Genny Pires, CONTRACT, a 79-minute docudrama, tells the story of two African countries (Cape Verde and São Tome and Príncipe) linked by a history of poverty and slavery, and two people forever linked by the bonds of family and love.

The film explores the story of Cape Verdean indentured servants who left their homes for a better life only to be bound by "contracts" that won't ever be paid off. It also documents the filmmaker's journey to reunite his uncle, an indentured servant as well, with his family, 44 years after leaving home on a contract.

See the trailer below:

CONTRACT screens in Pawtucket, Rhode Island on March 30th at Cape Verdean American Community Development (CACD), 120 High Street. For more information, visit the film's website.

 

PHOTO ESSAY: Respect the Shooter: Dennis Morris > Life + Times

RESPECT THE SHOOTER:

DENNIS MORRIS

GROWING UP BLACK

“Once we were colored – then we became Black. Then we became proud ’cause we said it loud. We came from the back of the bus to owning the bus. Martin Luther King had a dream, we are now the reality. Obama said: ‘Yes we can.’ He did, and we will. History has been made, history has been written. Growing Up Black is a chronicle of the making of a community, a mirror of how we started and how far we came. We have to keep pushing, keep building, keep the faith” – Dennis Morris

Best known for his music photography – including Bob Marley, Marianne Faithful, The Sex Pistols, Radiohead, Goldie, and The Prodigy – Dennis Morris starting taking photos at a young age while he was given a camera when in his church choir in London. His latest book, Growing Up Black which will be released at the end of the month, is a photographic record of inner city London in the late ’60s and early ’70s and shows domestic life at an important time in Black history, as well as images of inter-racial marriages, sound systems and the sense of community of the area. A beautiful study in simplistic imagery with an important undertone, here are a few shots from his upcoming release, exclusively for Life+Times.

 

HEALTH: HIV Infection Rate For African-American Women Five Times Higher Than Average In Some U.S. Cities > ThinkProgress

HIV Infection Rate For

African-American Women

Five Times Higher

Than Average

In Some U.S. Cities

In some “hot spot” U.S. cities, the HIV infection rate for African-American women is five times higher than the national rate — close to the rate in some African countries.

Researchers who conducted the study expected the rate to be higher in these urban areas, but after one year, 0.24 percent of the women in the study tested positive for HIV. That’s five times higher than the Centers for Disease Control’s previous estimate for African-American women. And the rate for African-American women surprised researchers in a field that focuses more on African-American and gay men.
The study showed that the annual rate of infection was 24 per 10,000 African-American women in six cities: Baltimore; Atlanta; Newark, New Jersey; New York City; Raleigh-Durham, North Carolina; and Washington, D.C. Nationally, African-American women’s rate is 5 per 10,000. In the Congo, it is 28 per 10,000.

“This disease is alive and well in this country,” said Dr. Carlos Del Rio, principal investigator for the Atlanta area of the study. “But this epidemic is the face of the forgotten people.” And the cities highlighted by the 2009 study, which included 88 percent African-American women and 12 percent Latina women, have high poverty rates:

“Along with the results, a lot of other statistics came out of this study,” said Dr. Sally Hodder, lead author of the study and professor of medicine at New Jersey Medical School in Newark. “Slightly more than 40 percent of the women did not know the HIV status of their last sexual partner. And more than 40 percent of our participants had an annual household income of $10,000 or less.”

And out of all the women enrolled, after a one-year follow-up, 10 had died of reasons unrelated to HIV.

“This just goes to show that women don’t just have HIV risk to worry about in these areas of the country,” Del Rio said. “I’ve had women look at me and say, ‘OK, I’m at high risk for HIV, but I’m also at high risk of getting shot.’”

Del Rio pointed out that other factors such as poverty, food insecurity, and substance abuse also increase the HIV risk. Rather than only offering information about AIDS, he said these cities also need better access to medical care for HIV screenings, substance abuse treatment, education, and job availability to lower the risk.

Dr. Patrick Chaulk, Baltimore’s assistant commissioner for HIV and STD services in the Health Department, said the city is targeting all high-risk groups in its plan to cut the HIV infection rate by 25 percent by 2015. He said much of the city’s resources go toward men because they account for two-thirds of new cases. Nationally, the CDC reports that men make up three-quarters of new cases.

 

HISTORY: Brief History of Sierra Leone

BRIEF HISTORY OF
SIERRA LEONE

Slavery and freedom: 17th - 19th century AD
The Sierra Leone river, with a natural harbour at its mouth where Freetown now stands, is one of the places where slaving ships of the European nations regularly put in to trade with local rulers for their transatlantic cargo. But it is also the site selected by a British abolitionist, Granville Sharp, for a practical experiment in philanthropy.

In the 1780s the number of freed slaves in London is growing, as a result of actions such as Sharp's in the 1772 case of James Somerset. The question is where they should best live and be employed. Sharp's answer is that they should settle in the continent from which they or their ancestors came. 

By agreement with a local chief of the Temne tribe, known to the British as King Tom, twenty miles of hilly coast are secured for the purpose (they lie between the mouths of two notorious slaving rivers, the Sierra Leone and the Sherbro). Here there arrives from London, in 1787, a naval vessel carrying 331 freed slaves, 41 of them women, and - somewhat confusing the issue in philanthropic terms - 60 white London prostitutes.

The experiment gets off to a disastrous start. Half the settlers die in the first year. Several of the freed slaves opt for a prosperous new life working for local slave traders. And King Tom's successor, King Jemmy, attacks and burns the settlement in 1789. 

But it is rebuilt on a new site, and is given the name Freetown. A corner is turned with the arrival of 1000 freed slaves from Nova Scotia and other black settlers from Jamaica, and with efficient administration from 1794 by a new governor, Zachary Macaulay.

The future of the settlement becomes secure when the British government, after abolishing the slave trade in 1807, takes responsibility for Sierra Leone in 1808 as a base in the campaign against slaving ships. It is also used as a refuge for slaves freed by naval action in the Atlantic. Known as 'recaptives', as many as 50,000 are brought in British vessels to Freetown during the next half century. 

Captured by slave traders in regions throughout west Africa, the recaptives have not even a common language. Anglican and Methodist missionaries in Freetown achieve the task of providing them with a shared culture, in the form of the English language and Christianity.

The most famous of the recaptives demonstrates the point. Samuel Crowther, married to an African woman released from the same slave ship as himself, becomes the first African to be ordained an Anglican priest (a distinction which brings him an audience with Queen Victoria in 1851). Crowther spends the last thirty years of his life as bishop of a vast diocese, centred on Lagos and known simply as the Niger territory. 

 

Protectorate: AD 1896-1961

During the 19th century the territory of the colony around Freetown remains small, though treaties of friendship are made with neighbouring chiefs along the coast. However the colonial scramble for Africa, beginning in the 1880s, makes the British government realise that a deeper hinterland is essential if the valuable port of Freetown is to remain viable. There is danger of encirclement by the French, busily extending their colony of Guinea to the east of Sierra Leone.

During the 1890s frontiers are agreed with French Guinea and with independent Liberia to the south. In 1896 Britain declares a protectorate over the entire region within these frontiers.

The imposition of a protectorate enrages many of the inland chiefs, unconsulted on the matter, and leads to an uprising in 1898. In the long term the chiefs retain much of their local authority under the overall British administration, and some of their number are appointed to the legislative council in Freetown. Similarly a few descendants of the original freed slaves, known locally as Creoles, are elected to the council.

After World War II this token political involvement is widely seen as inadequate. Internal self-government based on universal suffrage is introduced in 1951. In 1961 Sierra Leone becomes an independent state within the Commonwealth. 

 

Independence: from AD 1961

An initial few years as a functioning democracy end with the election in 1967 of an opposition party led by Siaka Stevens. From this point Sierra Leone declines into a long era of repressive rule, military coups and - by the end of the century - terrifying and violent anarchy.

Siaka Stevens remains in control for eighteen years by dismantling the country's checks on the abuses of power. From 1971 Sierra Leone is a republic with himself as executive president. From 1978 it is a one-party state, increasingly crippled by high-level corruption (the nation has considerable wealth of a kind easy to misappropriate, in the form of diamonds). 

In 1985 Stevens retires and nominates the head of the army, Joseph Momoh, as his successor. Corruption and economic decay continue, until a coup topples Momoh in 1992. The result is a military council led by a 29-year-old captain, Valentine Strasser.

Sierra Leone's problems are compounded by a rebel guerrilla force, the RUF (Revolutionary United Front). From 1991 the RUF, led by Foday Sankoh, launches attacks from bases in Liberia against the southern regions of Sierra Leone. Strasser, while trying to cope with the steady advance of the guerrillas, claims to be about to return the country to civilian rule. But before doing so he is himself toppled in another military coup, in January 1996. 

 

Election and anarchy: AD 1996-1999

The new military junta honours the existing plan for imminent elections. They are held in February 1996 and a civilian, Ahmad Kabbah, becomes president. The junta hands power over to him an orderly fashion but a year later, in May 1997, Kabbah is removed from office in a third military coup. The leader on this occasion, Johnny Koroma, declares himself head of state.

Neighbouring nations, led by Nigeria, now take a hand. Troops arrive to restore Kabbah, the elected president. But by this time Sierra Leone is sinking into a violent anarchy almost matching the recent horrors in Rwanda

Thugs supporting the two rebel leaders, Sankoh and Koroma, roam country districts wielding machetes to sever limbs (often of children) in a campaign of terror which forms part of an attempt to grab the nation's diamonds.

By June 1997 Koroma and Sankoh are partners, with Sankoh accepting a role in Koroma's military government. But subsequent events bring very rapid changes. In February 1998 Nigerian forces expel Koroma from Freetown and reinstate the legitimate president, Ahmad Kabbah. In January 1999 Sankoh and the RUF drive Kabbah once again from his capital city, while civil war between the factions continues elsewhere in the country.

 

The Lome agreement: AD 1999

In July 1999 Kabbah and Sankoh reach a controversial peace agreement in Lomé, the capital of Togo, putting in place arrangements for a shared government. The proposal is that Sankoh will occupy the role of vice-president to Kabbah's presidency. He will also have the potentially lucrative post of head of the nation's Mineral Resources Commission. An amnesty is at the same time agreed for Koroma and his rebel troops.

Foreign governments (including Britain, the former colonial power) support the compromise. But many regard with dismay a deal which places Sierra Leone's precious diamonds in hands bloodied by so many atrocities. 

In October 1999 the two rebel leaders, Sankoh and Koroma, arrive together in Freetown. They surprise everyone by apologizing for the atrocities committed during the eight years of civil war and asking for forgiveness.

The performance may not be entirely convincing. But the eagerness of the rest of the world to secure the fragile treaty is evident later in the same month, when the UN security council commits 6000 troops to a peace-keeping role in Sierra Leone. One of the rebel leaders, Foday Sankoh, is given a ministerial position in the government under the power-sharing agreement. But he fails to fulfil his pledge to disarm his troops in the RUF. 

In the early months of 2000 the situation again spirals out of control in a renewal of civil war. There is panic as the violent men of the RUF move inexorably towards the capital, Freetown. In May the rebels seize 300 members of the UN force, which is too weak to oppose them. Britain, the ex-colonial power, sends 700 paratroops and two warships to safeguard the evacuation of foreigners.

A few days later the situation is, at least temporarily, transformed. A pro-government demonstration turns violent outside the Freetown house of Foday Sankoh. He escapes over his garden wall and vanishes - until being discovered in hiding ten days later. Amid public jubilation, he is paraded through the streets and then thrown into gaol.

Nevertheless the situation remains tense and uncertain. The RUF still controls the diamond mines in the north and east of the country. And the other rebel leader, Johnny Koroma, while proclaiming his intention of cooperating with the government (and indeed chairing the National Peace Council), has a track record of violent insurrection.

During 2001 some 60% of the country remains in the hands of the brutal RUF, who have a habit of terrorizing local populations by chopping off the limbs of children. They are supported by the corrupt president of neighbouring Liberia, Charles Taylor, who like everyone wants a share of Sierra Leone's diamond wealth. 

 

A new beginning: AD 2002

By 2002 there is in Sierra Leone an international peace-keeping force of 17,500 troops (the largest in the world at the time). In January a new peace treaty is signed between President Kabbah and the rebel forces. The war is declared to be over, and a general election is planned. The election, held in May, provides the most promising opportunity for many years of a genuine new beginning for Sierra Leone. President Kabbah wins a massive 70% of the vote. The RUF, at 1.7%, fails to win a single seat (it is by now under a new leader, Pallo Bangura, with Foday Sankoh in gaol awaiting trial on many charges of murder). The other rebel leader, Paul Koroma, wins a mere two seats. President Kabbah has at last a real chance of returning his country to peaceful rule.

 

VIDEO: Bud Powell > jazz (& scrap) pages

Rare Video:

Bud Powell In Europe

This footage collects three separate rare performances by Bud Powell during his time living in Europe. The best of the lot is the 1959 set at Club St. Germaine in Paris. Powell is evidently free of demons on this evening, brightened by the presence of trumpeter Clark Terry and saxophonist Barney Wilen, along with his regular trio consisting of bassist Pierre Michelot and drummer Kenny Clarke. Powell plays without a slip and solos with gusto, particularly in ‘Blues In The Closet’, which also features Michelot. Terry is the featured soloist in the hip blues ‘Pie Eye’ and Wilen in ‘52nd Street Theme’. Later the same year at the Blue Note in Paris Powell’s trio is accompanied by tenor saxophonist Lucky Thompson and guitarist Jimmy Gourley. Powell is once more playing with plenty of fire, while Thompson and Gourley devour ‘Anthropology’ whole. The 1962 selections from Cafe Montmartre in Copenhagen features the pianist with the teenaged but accomplished bassist Niels-Henning Ørsted Pedersen and drummer Jorn Elniff. Powell once again proves that he is at full strength on this shorter set.

 

VIDEO: The Jazz of Samuel Yirga Mitiku (Ethiopia) > Africa is a Country

The Jazz of

Samuel Yirga Mitiku

I was in Dubai recently, working on a documentary, and on the way back to Cape Town I visited Ethiopia to see some friends and experience some of the Ethio-jazz music I had fallen in love with ever since I first heard Mulatu Astatke and the “Ethiopiques” compilations. Even though I had high hopes, Ethiopia completely exceeded my expectations. On my first night in Addis, I was lucky enough to see an Ethio-jazz funk band called The Nubian Arc play live. For me the standout performance was by Samuel Yirga Mitiku, a young piano prodigy, who also plays in the acclaimed UK-based band Dub Collosus, known for their blending of dub and Ethiopian traditional music. Samuel’s solo stuff is particularly interesting, as he revisits traditional Ethiopian folk songs, with their unique scale progressions and ancient, mystical sounds, giving them a contemporary jazz interpretation. You can sense in his interviews that his aim (like Mulatu before him) is to preserve Ethiopia’s rich musical heritage, and after listening to those fingers play you know it’s in good hands.