HISTORY: Frantz Fanon's Call to Anti-Colonial Violence > ProQuest Discovery Guides

Frantz Fanon’s Call to
Anti-Colonial Violence
 
(Released October 2011)

by Erin McCoy

Contents

 


INTRODUCTION
Only three years before Martin Luther King Jr.’s campaign of nonviolent dissent achieved the passage of the 1964 Civil Rights Act in the United States, psychiatrist and black Martinique native Frantz Fanon endorsed a very different method of rebelling against oppression. Fanon had served as a propagandist and subversive in the Algerian uprising against colonizing France, propelled by what years of research and observation had taught him about the psychological state of the colonized person. Fanon himself came from a territory of France, and through his interviews with colonized peoples he concluded they were often subjected to violence, physical and emotional, which led them to develop all varieties of neuroses, from inferiority complexes to the desire to be white. In his book The Wretched of the Earth (1961), Fanon outlined the cure to colonialism, which he believed induced mental illness in the colonized and colonizers alike — and that cure was “pure violence.”
Fanon described the colonialist system as a Manichean world built by the colonist, where all that is white is good and all that is black is bad — and the colonized is helpless to battle this lack of reason with a reasoned argument in return. Instead, to throw off the shackles of colonialism, Fanon argued that colonized peoples have no other choice but to meet colonists’ physical and emotional acts of violence with a violence of the same magnitude, until “the last become first” (Wretched of the Earth 10). Fanon further believed violent rebellion has the capacity to cure the ailments of the colonized while unifying a people as a basis for a new nation.

Scholars today continue to find new applications for Fanon’s work — whether in the study of the psychological effects of racism on minority groups (Sanders-Phillips) or in the analysis of Islamic militants’ justification for their violence (Zulfiqar). Fanon’s writings influenced the Black Power movement in America — a country he detested for its poor treatment of blacks — and were read by prisoners during South Africa’s Apartheid and impacted members of the Irish Liberation Army (7). Yet while Fanon’s ideas can be applied outside the context that incubated them, at least one scholar has warned that “when speaking of violence, Fanon was very context specific” (129

Therefore it is necessary to understand what experiences led Fanon to reject the colonialist system and how his work as a psychiatrist formed the foundation for his revolutionary message.

 

Go To Life

via csa.com

 

VIDEO: M3nsa’s Ten Essential African Love Songs + ‘Fanti Love Song’ Remix feat Terri Walker (Exclusive First Listen) > AfriPOP!

M3nsa’s Ten Essential

African Love Songs

+ ‘Fanti Love Song’ Remix

feat Terri Walker

(Exclusive First Listen)

 

 

For international love day we asked Ghanaian MC and producer M3nsa (also one half of FOKN Bois) to curate a list of ten essential African love songs. He dug deep, reaching across the decades to indulge our collective nostalgia. Look out for the never heard before remix of his Fanti Love Song featuring Terri Walker right up top!

Alhaji K Frimpong – Obi Agye Mi Dofo (They Took My Lover From Me)
One of the funkiest heartbreak songs I’ve ever heard. I clearly remember as a kid watching the older folk jam to this song at EVERY party! Just imagine a 35-year-old lady in her kaba and slit, nursing the same bottle of star beer for over an hour, moving gracefully on the dance floor to Alhaji lament about how he’s turned to the bottle to help him cope with life. Hahaa! The emotion is a combination of facial expressions and the gentle sway of hips and insertion of her personal situation (usually mentioning her lover’s name in discord over the song ending with ”ooh ooh”) and repeatedly giving shout outs to ‘uncle’ behind the sound system. This song is nothing but good memories chale!

CK Mann – Fa W’akuma Mami (Give me your heart)
Where do I start? CK Mann is by far one of my favourite song writers. I’ve always wished I could write like him in Fanti. The song is very poetic and he displays a vulnerable yet honest trait that most (African) men are not popular for, and does it with such skill. And you don’t have to understand what he’s saying to appreciate it either. This may be lost in translation but he says some shit like ”Life would be fucked up without a love like yours to balance it all out” Haha! Obviously, more sensually but you get the gist! I love this guy as an all-round musician chale!

Dr Paa Bobo – Comfort
OK I won’t say much, this song is purely for ‘representin” purposes! Anyone around my age growing up in Ghana around the time I was there should know this. I mean the few English words he speaks in the beginning should sum it up!

Kojo Antwi – Dadie Anoma (Iron Bird or Airplane)
”Let this Iron Bird take this love letter to my love”. I’m not a big Kojo Antwi fan but this is the ultimate 80′s love song! I asked a couple of mates of mine about their favorite African love songs and this song came up every time. I actually remember hearing this song with my dad in his car as a kid. He asked me how I knew the words to it and rest is a whole nother story. Basically ended with ”You need to focus on your books and read more your on spare time.” (hater!) Mind you, I was only about 9 or 10 years old.

Yvonne Chaka – From Me To You
This song was a smash hit! Period! I don’t even know if it was a ”love song” per se but I can call out a few people who jacked lyrics from this song to woo some poor naive secondary school girl. Never mind all of that, Yvonne Chaka is gorgeous! And I’ve been crushing on her since day one.

Nayanka Bell – Maria
One more song from the 80′s and this is essential! I have no idea what this song is about but I was deeply in love with her and that’s what matters. So to me it’s a love song. Now allow this song to bring back memories you didn’t know still existed in your brain somewhere!

VIP – Obaa Sweetie
This for me is one of VIP’s greatest songs to date, I was actually around when this song was made in Nana King’s Studio in DC. And this is why I might be biased, but then again I was privy to the production of another album of theirs at DKB studios back in the early 2000′s. Amazing album also but this one does it for me. Obaa Sweetie beautifully merges annoying midi sounds and a snare that sends dogs howling with such an earthy and heartfelt performance by the boys! I’m yet to meet anyone who didn’t like this song when it first came out!! Absolute dance-floor filler, highlife or hip-life… Bring it!

Reggie Rockstone – Sweetie Sweetie
My list would be incomplete without one of Ghana’s most prolific MCs, never mind him being the godfather of hip-life music. This song had the whole young nation at a stand still! New sound, new movement, super cool, braggadocios and just FUNKY! From the sample to the delivery and the timing of its release! I mean this guy is saying things you only hear the elders in the Ashanti region say in Akan in the funniest most contemporary way. Every girl wanted to be Reggie’s Sweetie Sweetie!
This is the remix by MA, who produced the album title track for No.1 Mango street

Nothing beats the original though.

Asa – Eye Adaba
I don’t ever want to find out what this song is about. Just in case she’s talking about guppies washing aprons by the Nile river after fighting for British troops in the first world war. I’d be VERY disappointed. All I ask is that you listen to this song by Asa and go fall in love with something, anything. But you will fall in love…with the song also.

M3nsa – Fanti Love song Remix featuring Terri Walker

I’ve always been a fan of Miss Walker’s work, I think I probably even had a crush on her back in the day, We’d bumped into each other on a few random occasions (once she actually gave me directions to a video shoot in the middle of nowhere)
Then when we met again in preparation for the Africa Express Sound System for Standon Festival last year and we just hit it off. We actually wrote a couple of songs together for that event and I knew there had to be another opportunity for us to work in the studio.
When I eventually invited her to my studio for Fanti Love Song’s remix I had no idea how it was going to pan out. I just lured her with the promise of Jollof rice and she caught the bait! Twenty minutes into the session and it was already magical! I love working with (talented) professionals.

Download the brand new FOKN Bois album Fokn Wit Ewe here.
Friend him on Facebook
Follow him in twitter.

 

VIDEO: Venezuela: The Essence of African Music in Videos > Global Voices

Venezuela:

The Essence of

African Music in Videos

 

TranslationsThis post also available in:

Français · Venezuela : L'esprit africain de sa musique en vidéos
русский · Венесуэла: сущность африканской музыки на видео
srpski · Venecuela: Smisao afričke muzike u video materijalu
Español · Venezuela: La esencia musical de África vista en la 2.0

Venezuela’s African origins can be strongly felt in the music and culture of the country’s coastal regions. The tradition is great and takes on many forms. As such, with each beating of the Venezuelan drum there is a connection with the coast, the beach, the santería, their celebrations and dances. The different forms of expression vary greatly with each having its own characteristics.

Social networking websites play an important role in helping people to become more familiar with the drum festivals. Citizen media sites, particularly YouTube, feature videos of the music and dancing performed during events such as family parties, national celebrations or weekends on the beach. Here are some examples:

In the video titled ‘Afro-Venezuelans’, unique5589 explains the origins of some of the African influences in Latin America – one of the main themes of this YouTube channel.

There are many occasions throughout the year where you can hear this type of music being played in various different ways. The instruments and the style of dance can change according to each region. Watching a few videos on YouTube would be a good start in getting to know the vast world of Afro-Venezuelan music. The videos enable you to experience the most deeply-rooted and profound customs of the mestizo culture in Venezuela.

A deeper search among citizen media websites will produce a vast amount of videos recording the different types of musical expression. The following videos show regional differences in dances, rhythms and the types of drum that are used:

Drums from the central northern region of Aragua, shared by malajunta:

7 Chimbagueles; a particular type of drum that is played whilst seated to celebrate the feastday of Saint Benedict, shared by Adrián Herrera

Drums from Naiguata, a northern coastal village, shared by Genuinos Venezolanos:

Calypso drums from the Antilles Islands. The video shared by Jameg556 [es] explains the history of these instruments and presents examples of the rhythms that can be produced:

Finally, the Venezuelan Christmas tradition: the bass drum – the sound you are most likely to hear during the celebrations in December. Originally from the west of the country, the rhythms can be heard across the country during the Christmas period. In the video shared by Fools942, you can clearly see the uses of this type of bass drum.

The image “Tambores de Curiepe” from Flickr user danielito311 is used under licence Creative Commons Attribution-NonCommercial 2.0 Generic (CC BY-NC 2.0)

 

PUB: Call for Book Reviewers - Wordstec: a South African Literary Journal > Writers Afrika

Call for Book Reviewers -

Wordstec: a South African Literary Journal

 

Deadline: 23 February 2012

Wordsetc is looking for competent and excellent reviewers. Below is a list of books. Word count: 600 words. We don’t pay monetarily. But you get to keep the book and a get a free copy of the journal when it comes out.

If you are interested and can do this by 23 February 2012, write to Flamencomail@gmail.com with the name of the book you’d like to receive and include your name, postal address. Please note: first come, first serve.

Books:

1. Nobody Will Ever Kill Me by Mbu Maloni

2. Marginal Space: Reading Ivan Vladislavic edited by Gerald Gaylard

3. Missing & Murdered by Allan G. Morris

4. Stranger At Home by Ashlee Neser

5. Children of Paradise by Mbulelo Vizikhungo Mzamane

6. Planet Savage by Tuelo Gabonewe

7. Becoming Worthy Ancestors: Archive, Public Deliberation and Identity in South Africa edited by Xolela Mangcu

8. An Inconvenient Youth by Fiona Forde

9. A Testament Of Hope: The Autobiography of Dr Sam Motsuenyane by Dr Sam Motsuenyane

10. Mugabe And The White African by Ben Freeth

11. Things I Thought I Knew by Kathryn White

12. Belly Of Fire by Shafinaaz Hassim

13. Eish, but is it English? By Rajend Mesthrie with Jeanne Hromnik

14. Monkey Business by Mike Nicol

15. After Just Now by Gillian Schutte

CONTACT INFORMATION:

For inquiries: Flamencomail@gmail.com

For submissions: Flamencomail@gmail.com

Website: http://www.wordsetc.co.za/

 

 

PUB: No Application Fee: The Royal Court Playwriting Residency Programme (worldwide) > Writers Afrika

No Application Fee:

The Royal Court Playwriting

Residency Programme (worldwide)

Deadline: 10 April 2012

Since 1989 the Royal Court Theatre has collaborated with emerging playwrights from all parts of the world. International Playwriting Residencies offer playwrights from around the world an opportunity to develop a new play with the Royal Court Theatre. At the same time these Residencies provide international playwrights with a forum to meet and work with leading British writers, directors and performers.

The Royal Court Theatre is one of Europe’s leading theatres, which since 1956 has presented a programme of new and innovative drama that has become known throughout the world. Since its foundation, it has presented premieres by almost every leading contemporary British playwright, from John Osborne’s Look Back in Anger to Caryl Churchill’s Top Girls to Jez Butterworth’s Jerusalem. Some of the other writers who have premiered their work at the Royal Court include Samuel Beckett, Edward Bond, Martin Crimp, David Hare, Sarah Kane, Harold Pinter, Mark Ravenhill, Simon Stephens, Wole Soyinka, and debbie tucker green. The Royal Court is the only British new writing theatre with a commitment to working with playwrights across the world to develop new plays. Many new and exciting theatre projects have evolved in different parts of the world as a result of the programme including seasons of new international work at the Royal Court. Most of this work is supported by the Genesis Foundation and the British Council.

The Royal Court has two theatres: the Jerwood Theatre Downstairs (a 400-seat proscenium arch theatre) and the Jerwood Theatre Upstairs, which has been the Royal Court’s studio for exploration and experiment since 1968, providing a home for the early work by many major British writers, directors and performers. The Royal Court typically produces 15 to 20 new plays each year, most of which are premières of plays commissioned, developed or discovered by the theatre.

Programme

International Playwriting Residencies are attachments lasting up to four weeks during which playwrights will be asked to develop a new play in collaboration with members of the Royal Court Theatre artistic team. Playwrights will be teamed with their own British theatre director and translator who will work throughout the Residency to help realise the play. Writing space and computer facilities will be provided by the Royal Court Theatre. There will also be the opportunity to work with a specially chosen team of actors in a workshop environment during the Residency. The Royal Court Theatre will arrange complimentary tickets to all shows at the theatre for the duration of the Residency, as well as productions at other venues in London.

Dates

International Playwriting Residencies will take place throughout the year, at a time mutually agreed between selected candidates and the Royal Court Theatre.

Language

Playwrights will be expected to write in their mother tongue and this work will be translated by the Royal Court. However, playwrights will need to have a good working knowledge of English as all meetings and workshops will be conducted in English.

Travel and Accommodation

International travel, entry visas and accommodation will be provided by the Royal Court Theatre. Accommodation is self-catering, within walking distance or a short bus ride from the theatre.

Funding

The Royal Court Theatre may seek funding for successful candidates in order to pay for their participation. Playwrights may be asked to help in researching and applying for grants available in their home countries. Please note that acceptance on International Playwriting Residencies is NOT dependent on funding.

Applications

Please provide us with the following:

- a completed application form

- a recent example of your work (this should be an original, full-length stage play, in the original language, and not an adaptation)

- two letters of recommendation from people who know your theatre work

Applications are welcomed from previous participants on Royal Court Theatre projects and residencies. If you have applied for, or participated in, any Royal Court Theatre programmes in the past, please do not send the same example of work.

Applications will be accepted until 6pm (BST) on Tuesday, 10 April 2012. All applications should be printed single-sided and unbound. We will acknowledge your application within two working days of receiving it.

Please send your completed application to:

Elyse Dodgson, Royal Court Theatre,
Sloane Square, London, SW1W 8AS, UK
Tel: +44 20 7565 5050
Email: residencies@royalcourttheatre.com

Download application form >>

CONTACT INFORMATION:

For inquiries: international@royalcourttheatre.com

For submissions: Elyse Dodgson, Royal Court Theatre, Sloane Square, London, SW1W 8AS, UK

Website: http://www.royalcourttheatre.com

 

 

PUB: 2012 CLARION Workshop

About Clarion

Clarion was founded by Robin Scott Wilson in 1968 at Clarion State College (now Clarion University) in Pennsylvania. Wilson built his system partly on the tradition of mutual criticism in use at the Milford Science Fiction Writers' Conference, a workshop for professional SF writers established by Damon Knight and Kate Wilhelm (who helped Wilson with Clarion as well).

From 1972 through 2006, Clarion was hosted by Michigan State University in East Lansing, Michigan. In 2007 Clarion relocated to the beautiful beachside campus of the University of California, San Diego, where the workshop enjoys broad-based faculty, administrative, and financial support and opportunities for student interaction with eminent scientists engaged in cutting-edge work are unparalleled.

Geisel Trees
UC SAN DIEGO LIBRARY. Photo courtesy of flickr.com/people/mraffin/

Clarion is an intensive six-week summer program
 focused on fundamentals particular to the writing of science fiction and fantasy short stories. It is considered a premier proving and training ground for aspiring writers of science fiction, fantasy, and horror. Instructors are among the most respected writers and editors working in the field today. Over one third of our graduates have been published and many have gone on to critical acclaim. The list of distinguished Clarion alumni includes Ed Bryant, Octavia Butler, Bob Crais, Cory Doctorow, George Alec Effinger, Nalo Hopkinson, James Patrick Kelly, Vonda McIntyre, Kim Stanley Robinson, Martha Soukup, Kelly Link, Bruce Sterling, and many others.

Clarion participants are selected from applicants who have the potential for highly successful writing careers and who submit writing samples with an application. Some have already been published. Though most come from the United States, students from countries worldwide frequently participate. Clarion students range in age from late teens to those in mid-career, and represent a wide variety of academic and working backgrounds.

A different professional writer or editor conducts the workshop during each of the first four weeks. The last two weeks are run by a two-writer anchor team. Workshoppers are housed in college apartments, and classes are held in seminar facilities. The resident writers live nearby and are continuously available to students. Mornings are devoted to critiquing manuscripts in a workshop setting. Afternoons, evenings, and weekends are devoted to individual writing, conferences with the current writer-in-residence, social activities, and the completion of class assignments.

Stpryteller For a concise, vividly presented description of the Clarion experience, readStoryteller: Writing Lessons and More from 27 Years of the Clarion Writers' Workshop written by Clarion co-founder Kate Wilhelm.

Two other Clarion workshops have sprung from the original: Clarion South in Australia and Clarion West in Seattle, Washington. Founded by Clarion alumni, the workshops follow the Clarion model but are independently run. Applicants are encouraged to apply concurrently to Clarion and Clarion West, which operate on similar schedules.

2012 Workshop

DATES

Workshop
June 24 - August 4

Application Period
December 1 - March 1 (11:59pm Pacific)

Notification of Acceptance
December 1 - March 20

Tuition and Housing Fees Due
Two weeks after acceptance

Scholarships Awarded
March 1-April 15 (read more)

Withdraw with Full Refund
April 30

Waitlisted Applicants Accepted
April 15 - June 5 (as spaces open)

HOUSING


In order to foster the group bonding that is part of the Clarion experience, it is mandatory that students reside in Clarion housing. Students stay in college apartments. Each participant has a private bedroom in a three-student apartment with shared bathroom and small kitchen. Laundry facilities are conveniently located.

 

University Apartments
UNIVERSITY APARTMENTS. Photo courtesy of flickr.com/photos/seidior/

The UC San Diego campus offers a bookstore, coffee houses, a post office, several convenience stores, recreation facilities, fast-food eateries, and an upscale restaurant. Beaches and shopping centers can be reached on foot or by public transportation. Students who bring their cars will be given a permit for parking on campus. Summer temperatures in San Diego are normally 70-80°F, dry and comfortable.

Check-in time at the housing facility is 2pm Sunday. Check-out time is 2pm Saturday. Information about nearby hotels will be provided for students who would like to arrive early or stay late.

 

 

FEES
The workshop is funded partially by student fees and partially by donations to the Clarion Foundation (the workshop's parent organization) or the Clarion Workshop at UC San Diego. Donations are tax deductible. Workshop fees are payment for services and are not tax deductible.

The workshop fees are as follows:

APPLICATION FEE: $50, non-refundable, due with the application.

WORKSHOP FEE (Tuition, Room, and Board): $4,957 payable by cashier's check made out to "UC Regents" two weeks after communication of acceptance to the workshop. The fee includes the semi-private accommodations described above and three meals a day, seven days a week, at a college dining facility. The room and board period begins at 2pm on the first day of the workshop and ends at 2pm on the last day. If scholarship has been allocated, the amount will be reduced from the total fee.

The workshop fee is fully refundable if the participant withdraws in writing by the deadline specified at the top of this page. We may be able to refund part or all of the workshop fee after the deadline if someone on our waitlist agrees to take the space. There will be no refunds after June 5.

 

 

 

 

 

INCIDENTAL EXPENSES
San Diego is a premier tourist destination. You may want to budget for visits to attractions such as Comic-Con 2012, SeaWorld, the San Diego Zoo, the La Jolla Playhouse, and The Old Globe Theatre. Although the campus is served by public transportation, we recommend you bring your personal vehicle if you can, or else open an account with ZipCar (use zip code 92093 to see vehicle locations on campus).

A campus parking permit and internet access will be provided at no charge. There is an optional fee of approximately $45 a month for the use of campus recreation facilities and pools, payable upon arrival at Clarion.

 

 

SCHOLARSHIPS
Scholarships and other financial assistance are available through both UC San Diego and the Clarion Foundation. You may apply by completing the scholarship section of the workshop application. Awards are based on a combination of merit and financial need. Most scholarships are in the range of $500-$1500.

 

START APPLICATION

 

 

 

VIDEO: Episode 1 of the MTV Base Africa Series – Shuga: Love, Sex, Money > Bella Naija

Watch

Episode 1 of the

MTV Base Africa Series

– Shuga: Love, Sex, Money


Posted on Wednesday, February 15th, 2012 

By BellaNaija.com

Set in Nairobi, Kenya, and back for a hotly anticipated second series, Shuga: Love, Sex, Money is a hard-hitting drama that follows the lives, loves and ambitions of a group of young people whose bright lives and fabulous futures are balanced on a knife edge due to their love of living dangerously.

Watch Episode 1 of the new series here on BellaNaija.com

Shuga: Love, Sex, Money – Episode 1 from mtv staying alive on Vimeo.

 

VIDEO: Take A Peep At First Official Trailer For Bob Marley Doc > Shadow and Act

Take A Peep

At First Official Trailer

For Bob Marley Doc

Video by Sergio | February 16, 2012

Here's your first look at the official trailer Kevin KcDonald's (The Last King of Scotland) documentary on the brief life and amazing career of music icon Bob Marley.

 

The nearly two and half hour film, which was screened at the Berlin Film Festival and will be seen at SXSW Film Festival in Austin next month, has gotten mainly positive reviews and will open theatrically and VOD through Magnolia Pictures on April 20th

 

ECONOMICS: Bernstein on Income Inequality > Off the Charts Blog

Bernstein on Income Inequality

February 9, 2012 

Testifying at a Senate Budget Committee hearing today on “Assessing Inequality, Mobility, and Opportunity,” CBPP Senior Fellow Jared Bernstein explained that, “even with recent improvements in the job market, the American economy still faces significant challenges, particularly the historically high levels of income and wealth inequality, the squeeze on middle-class incomes, and elevated rates of poverty.”  Below are the main findings of his testimony:

  • It is important to examine trends in income inequality through the lenses of various different data sources, as each has its own strengths and limitations. The fact that all of these series show similar trends toward increased dispersion of incomes is itself good evidence of the validity of their findings.
  • A key factor driving the ups and downs in the inequality trend in recent decades is capital incomes, particularly capital gains; the fact that such income is given preferential treatment in our tax code relative to ordinary income from wages is thus a relevant issue for both inequality and tax reform.
  • Some analysts and policy makers cite income mobility — movements by persons and families up and down the income scale over the course of their lifetimes, or from one generation to the next — as a reason why policy makers should be less concerned about historically high levels of inequality. However, a key finding here is that the rate of income mobility has not accelerated in recent decades; if anything, it may have slowed. Therefore, it is incorrect to argue that income mobility has offset the greater distance between income classes over time — i.e., higher inequality. It is also notable that there is considerably less mobility in the US than in most other advanced economies, including those with far lower levels of income inequality.
  • These findings suggest a negative feedback loop wherein higher inequality is blocking key opportunities, such as educational attainment, that would in turn reduce inequality and enhance mobility.
  • The potential interactions between our major economic and fiscal challenges remain a challenge for policy makers. Along with inequality, there is the related squeeze on low- and middle-class incomes, high rates of poverty, and the high, though declining, rate of unemployment. And, of course, a central concern of this committee is our bleak fiscal outlook. Addressing one of these problems could potentially exacerbate another.

For example, recent Congressional Budget Office analysis predicts that full and sudden expiration of the 2001 and 2003 tax cuts in 2013 would push unemployment higher.  Similarly, cuts to programs that are supporting low and moderate income families, like nutritional assistance, the Earned Income Tax Credit, or the Child Tax Credit, could worsen poverty and inequality.  This worsening would further exacerbate inequality if we were to then turn around and use some of these savings to lower taxes on the wealthiest households.

While this may sound fanciful, it is not. In fact, the 2011 budget proposed by House Republicans does precisely this. As analysis from the Center on Budget and Policy Priorities shows, almost two-thirds of that budget’s spending cuts over ten years — $2.9 trillion —come from programs targeted at households with low and moderate incomes. And those budget savings are used to support tax cuts for the wealthiest households.

With this in mind, a central question of this testimony is how policymakers can address these three problems — inequality, economic slack, and the fiscal path — without solving one problem at the expense of exacerbating another problem. Most pointedly, revenue and spending policies designed to put the nation on a sustainable budget path must not exacerbate inequality, poverty, or the ongoing middle-class squeeze.

Click here for the full testimony.

 

CULTURE: Interracial Marriages At All Time High, And It’s Not Just Black & White > Clutch Magazine

Study:

Interracial Marriages

At All Time High,

And It’s Not Just

Black & White

Thursday Feb 16, 2012 – by

According to a new study by the Pew Research Center, interracial marriages are at an all-time high.

Researchers say the increase–to 4.8 million people, or 1 in 12 couples–can be traced to the constant influx of Asian and Hispanic immigrants, who have “substantially increased” the dating pool.

The study found that 8.4 percent of all marriages are now between interracial couples, up from 3.2 percent in 1980. Despite racism continuing to plague the nation, the increase in cross-racial coupling is boding well for race relations.

Daniel Lichter, a sociology professor at Cornell University, told the Associated Press, ”The rise in interracial marriage indicates that race relations have improved over the past quarter century. Mixed-race children have blurred America’s color line. They often interact with others on either side of the racial divide and frequently serve as brokers between friends and family members of different racial backgrounds,” he said. “But America still has a long way to go.”

Some interesting findings from the study:

  • Hispanics and Asians are the most likely to marry someone from outside their race/ethnic group

  • The biggest increase in interracial marriages are among blacks

  • Interracial marriages were more popular in the West followed by the South, Northeast and Midwest.

  • In 2010 more than 15% of all new marriages were between couples of different races

  • Biracial children are a small, but growing segment of the population (8 percent or 9 million).

  • More than 25% of Hispanics and Asians, 17.1% of blacks, and 9.4% of whites had a spouse of a different race.

  • Black men were more than twice as likely as black women to marry someone outside their race — 24% to 9 %.

  • Asian women were twice as likely as Asian men to marry outside their race — 36% to 17%

__________________________

 

Interracial marriage in US

hits new high: 1 in 12

 

 

By HOPE YEN | Associated Press 

 

HOLD FOR RELEASE 12:01 A.M. EST; Chart shows trend in interacial marriage

WASHINGTON (AP) — Interracial marriages in the U.S. have climbed to 4.8 million — a record 1 in 12 — as a steady flow of new Asian and Hispanic immigrants expands the pool of prospective spouses. Blacks are now substantially more likely than before to marry whites.

 

Pew Research Center study, released Thursday, details a diversifying America where interracial unions and the mixed-race children they produce are challenging typical notions of race.

"The rise in interracial marriage indicates that race relations have improved over the past quarter century," said Daniel Lichter, a sociology professor at Cornell University. "Mixed-race children have blurred America's color line. They often interact with others on either side of the racial divide and frequently serve as brokers between friends and family members of different racial backgrounds," he said. "But America still has a long way to go."

The figures come from previous censuses as well as the 2008-2010American Community Survey, which surveys 3 million households annually. The figures for "white" refer to those whites who are not of Hispanic ethnicity. For purposes of defining interracial marriages, Hispanic is counted as a race by many in the demographic field.

The study finds that 8.4 percent of all current U.S. marriages are interracial, up from 3.2 percent in 1980. While Hispanics and Asians remained the most likely, as in previous decades, to marry someone of a different race, the biggest jump in share since 2008 occurred among blacks, who historically have been the most segregated.

States in the West where Asian and Hispanic immigrants are more numerous, including Hawaii, Nevada, New Mexico and California, were among the most likely to have couples who "marry out" — more than 1 in 5. The West was followed by the South, Northeast and Midwest. By state, mostly white Vermont had the lowest rate of intermarriage, at 4 percent.

In all, more than 15 percent of new marriages in 2010 were interracial.

The numbers also coincide with Pew survey data showing greater public acceptance of mixed marriage, coming nearly half a century after the Supreme Court in 1967 barred race-based restrictions on marriage. (In 2000, Alabama became the last state to lift its unenforceable ban on interracial marriages.) About 83 percent of Americans say it is "all right for blacks and whites to date each other," up from 48 percent in 1987. As a whole, about 63 percent of those surveyed say it "would be fine" if a family member were to marry outside their own race.

Minorities, young adults, the higher educated and those living in Western or Northeast states were more likely to say mixed marriages are a change for the better for society. The figure was 61 percent for 18- to 29-year-olds, for instance, compared to 28 percent for those 65 and older.

Due to increasing interracial marriages, multiracial Americans are a small but fast-growing demographic group, making up about 9 million, or 8 percent of the minority population. Together with blacks, Hispanics and Asians, the Census Bureau estimates they collectively will represent a majority of the U.S. population by mid-century.

"Race is a social construct; race isn't real," said Jonathan Brent, 28. The son of a white father and Japanese-American mother, Brent helped organize multiracial groups in southern California and believes his background helps him understand situations from different perspectives.

Brent, now a lawyer in Charlottesville, Va., says at varying points in his life he has identified with being white, Japanese and more recently as someone of mixed ethnic background. He doesn't feel constrained with whom he socially interacts or dates.

"Race is becoming a personal thing. It is what I feel like I am," he said.

According to the Pew report, more than 25 percent of Hispanics and Asians who married in 2010 had a spouse of a different race. That's compared to 17.1 percent of blacks and 9.4 percent of whites. Of the 275,500 new interracial marriages in 2010, 43 percent were white-Hispanic couples, 14.4 percent were white-Asian, 11.9 percent were white-black, and the remainder were other combinations.

Still, the share of Asians who intermarried has actually declined recently — from 30.5 percent in 2008 to 27.7 percent in 2010. In contrast, blacks who married outside their race increased in share from 15.5 percent to 17.1 percent, due in part to a rising black middle class that has more interaction with other races.

Intermarriage among whites rose in share slightly, while among Hispanics the rate was flat, at roughly 25.7 percent.

"In the past century, intermarriage has evolved from being illegal, to be a taboo and then to be merely unusual. And with each passing year, it becomes less unusual," said Paul Taylor, director of Pew's Social & Demographic Trends project. "That says a lot about the state of race relations. Behaviors have changed and attitudes have changed."

He noted that interracial marriages among Hispanics and Asians may be slowing somewhat as recent immigration and their rapid population growth provide minorities more ethnically similar partners to choose from. But Taylor believes the longer-term trend of intermarriage is likely to continue.

"For younger Americans, racial and ethnic diversity are a part of their lives," he said.

The Pew study also tracks some divorce trends, citing studies using government data that found overall divorce rates higher for interracial couples. One study conducted a decade ago determined that mixed-race couples had a 41 percent chance of separation or divorce, compared to a 31 percent chance for those who married within their race.

Another analysis found divorce rates among mixed-race couples to be more dependent on the specific race combination, with white women who married outside their race more likely to divorce. Mixed marriages involving blacks and whites also were considered least stable, followed by Hispanic-white couples.

Other findings:

—Broken down by gender, black men were more than twice as likely as black women to marry someone outside their race — 24 percent to 9 percent. The reverse held true for Asian men — 17 percent intermarried, compared to 36 percent among Asian women.

—White-Asian couples who married had the highest median income, nearly $71,000. Behind them were the following race combinations: Asian-Asian ($62,000), white-white ($60,000), white-Hispanic ($57,900), white-black ($53,187), black-black ($47,700) and Hispanic-Hispanic (nearly $36,000).

—The top three states for white-black married couples are Virginia, North Carolina and Kansas, all with rates of about 3 percent.

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Online:

http://pewsocialtrends.org/

http://www.census.gov