EGYPT: Egypt is Free, But Not The Women? - A Luta Continua > theHotness

Egypt is Free,

But Not The Women?

A week ago today, after 18 days or rallying and protesting, Egyptians successfully won “liberation” and forced Mubarak to resign. The world saw both men and women on the front lines. In a country where women are marginalized, harassed and openly discriminated against, it was hugely empowering to see women– veiled and unveiled– walk side by side their husbands, brothers, sons and fellow countrymen demanding change and reform. It was truly a revolution of the people!

Revolution, particularly in the US, is rare in our modern day supersize-me, high-def, Starbucks era, but the idea of women and revolution is not. If it weren’t for women like Angela Davis, Assata Shakur and Kiilu Nyasha there probably would not have been a Black Panther Party. And Rosa Parks, Fannie Lou Hamer & Ruby Dee were pivotal in the success of the Civil Rights Movement.

So during those 18 days of protests I tried to get as informed as I could about modern-day politics in Egypt and how they informed and/ or challenged the women there. The first piece I read “Let Me, a Muslim Feminist, Confuse You” was this brilliant essay by activist Mona Eltahawy. It started with the title as the first sentence and ended with: “I’m a bumble bee who carries ideas– pollen– from one place to another in the hope that they will blossom into a wild and challenging orchard. The pollen might be sweet, but I ‘sting like a bee’ because like the great Muhammad Ali, I will not hesitate to knock you out. Confusion is both my right and left hook.” Mona got me. I was hooked. The women fighting for equality in Egypt were outspoken, brave and unapolegetic… kinda sounded like me. And unlike the media who wants to say they are Middle Eastern, I think of Egyptians as Africans and therefore as kindred souls from the same root.

In reading Rebecca Walker’s interview with activist Nawal El Saadawi– an Egyptian physician, novelist, and activist, I could feel her excitement and urgency surge through every single word uttered: “Women and men are in the streets as equals now. We are in the revolution completely… This revolution has unified us. We are not men and women, Christian and Muslim, professional and nonprofessional; we are all Egyptians, and we will not let Egypt burn.”

The 79-year old feminist who was thrown in prison for her activism in 1981 by then President Anwar Sadat penned her memoirs on a roll of toilet paper. No doubt she knows the costs of struggle and is clear that democracy doesn’t come overnight let alone 18 days:

Of course if you know the history of revolutions, you find that after the revolution, often men take over and women’s rights are ignored. In order to keep our rights after the revolution, women must be unified. We must have our women’s union again. We cannot fight individually.

But it seems that not even a week after Mubarak’s resignation and the brutal sexual assault on Lara Logan that the women are fighting individually to be heard and recognized. I was forwarded this story by Dina Zayed and it seems that after only six days of proclaimed freedom, women are already being marginalized and silenced in shaping Egypt’s new democracy: “The lack of women on a committee charged with amending Egypt’s constitution for elections post-Mubarak casts doubt over whether the country can develop into a true democracy,” states the article.

My grrrl Nae told me and others last Friday on Facebook not to dance for joy quite yet because she had a feeling that a military-run country like Egypt saddled with not only sexism, but ethnic racism as well was far from true freedom. Clearly the news of women’s exclusion from the newly reformation party is a sign that she was unfortunately right in her move to not break out the hooka and hummus quite yet.

 

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Pedestrians stop to argue with Abu Rahman, right, Matt Sky, second from right, and Julia Lundy, third from right, as they stand in front of the site of a proposed mosque near Ground Zero in New York, Aug. 19, 2010.

Pedestrians stop to argue with Abu Rahman, right, Matt Sky, second from right, and Julia Lundy, third from right, as they stand in front of the site of a proposed mosque near Ground Zero in New York, Aug. 19, 2010.

SETH WENIG/AP

Mona EltahawySpecial to the Star

NEW YORK CITY

I a Muslim. I'm a feminist. And I'm here to confuse you,” I told attendees at the TEDWomen conference, where I was a speaker, in Washington this week.

The conversation on Muslim women usually revolves around our head scarves and our hymens — what's on our heads (or not), what's between our legs, and the price we pay for it.

For kick-ass feminist icons, I have a long history to choose from.

In the 7th century, there's Khadijah, Prophet Muhammad's first wife. She was a rich divorcee who owned her own business, who was his boss, who was 15 years older than him and who proposed to him.

My fondness for younger men clearly has a precedent.

But the first wave of feminism for many Muslim women started at a Cairo train station in 1923 where Hoda Shaarawi removed her face veil, which, long before anyone was burning their bras, she described as a thing of the past. She must be turning in her grave as some today try to justify covering women's faces.

My paternal grandmother was a teacher, a furious smoker, a fast walker and an adamant supporter of a soccer club hated by most of her children

My maternal grandmother — whose sexually racy jokes would outrage her children — was pregnant 14 times. Eleven of those children survived.

My mother — the eldest of those children and the first woman in her family to get a PhD — has three children.

I am the eldest of the three and I've chosen not to have any children. My mother had her youngest when she was 42. My sister is now herself working on a PhD and is longing for a baby.

I was born in Egypt, where I belonged to the Sunni Muslim majority. When I was 7, we moved to London, where I learned to become a minority and learned too how little was expected of Muslim women, Teachers assumed my dad's work brought us to London and were shocked to hear Muslim wives didn't take the husband's name.

We moved to Saudi Arabia when I was 15 and I fell into a deep depression as I struggled to find a place among very different Islams.

At home, I was taught an Islam by parents who were equals and who were raising my brother and me to be equals. Outside our new home was an Islam that treated women like the walking embodiment of sin. I was done with Muslim men.

I chose to wear a head scarf and became a feminist (the two weren't mutually exclusive) after I discovered essays by Muslim women scholars who taught me women could reinterpret religion. They terrified the hell out of me.

When I returned to Egypt at 21, I learned Muslim men were not the enemy after all, as progressive, liberal Muslim women and men helped me define my own place in Islam.

My headscarves-and-hymens moment came when I took off my head scarf — it no longer represented the Muslim woman I was becoming — and I became increasingly obsessed with female genital mutilation after I learned how many members of my extended family had been subjected to it.

Both Muslims and Christians practise genital cutting in Egypt. It's not about religion. It's about hymens — and that's about controlling women's sexuality.

I moved to Israel, where I was the first Egyptian to live and work there for a western news agency. I became a liberal Muslim because my ultra-Orthodox Jewish neighbours reminded me of ultra-orthodox Muslim Saudis. Orthodoxy serves men much more than it does women.

I moved to the U.S. 10 years ago after marrying an American, but when we divorced two years later I got into my car and spent 18 days driving alone to New York City. It was my American pilgrimage. My reward was a community of like-minded Muslims together with whom I prayed behind Amina Wadud, an American Muslim scholar, in the first public female-led mixed-gender Friday prayer. Without a head scarf and on my period, I prayed next to a man — sacrilege to many but a delight to me.

I belong to Musawah — the global movement for equality and justice in the Muslim family. A young British Muslim woman told me at the launch in Malaysia last year that if she had to choose between Islam and feminism, Islam would win. A young Egyptian Muslim woman told me if she had to choose between Islam and feminism, feminism would win.

For my sister-in-law, it is about head scarves and hymens. She wears a head scarf and she's a gynecologist. For the past five years she was the only woman ob/gyn doctor in a tiny Ohio town.

She was the true “jihadi” — every time her patients heard Fox News talk about Moozlums and “them Ayrabs” she was there as the antidote.

This summer I confused people outside the Islamic Community Centre near Ground Zero known as Park51. When a bigoted couple came to insult and provoke us, I gave them the middle finger. I mustered patience with others. But when Bill Keller, a right-wing televangelist came to shed crocodile tears over Muslim women it was clear he was boosting his ego, not my rights.

I'm no fool. I know that terrible violations of women's rights are committed in the name of my faith. But Islam belongs to me too.

I'm in a boxing ring. On one side is Bill Keller's right wing: bigoted and xenophobic. On the other side is the Muslim right wing, which uses Islam against me to fuel its misogyny.

I'm a bumble bee who carries ideas — pollen — from one place to another in the hope that they will blossom into a wild and challenging orchard. The pollen might be sweet, but I “sting like a bee” because like the great Muhammad Ali, I will not hesitate to knock you out.

Confusion is both my right and left hook.

Mona Eltahawy is an award-winning columnist and public speaker on Arab and Muslim issues.

>via: http://www.thestar.com/news/insight/article/905569--let-me-a-muslim-feminist-...

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Egypt's Nawal El Saadawi:

'We Will Not Let Egypt Burn'

For more than five decades, the famed Egyptian physician, writer and feminist has been fighting the powers that be. The Root caught up with her just hours before President Mubarak stepped down.

 

The activist protesting in Barcelona in 2004 (Courtesy of AFP/Getty Images)

 

Nawal El Saadawi -- an Egyptian psychiatrist, scholar, novelist, feminist and activist -- has been agitating for change in her home country for more than 50 years. An outspoken opponent of female genital mutilation, she was fired from her position as Egypt's director of health education in 1972. When President Anwar Sadat threw her in prison for her activism in 1981, she penned her memoirs on a roll of toilet paper. A committed secularist, her name appears on fundamentalist death lists.

Now 79, she has lived in exile off and on for the past 15 years, teaching at Duke University and Spelman College. For the past year or so, she's been back at home in Egypt, writing and organizing young activists. The Root's Rebecca Walker caught up with her early this morning as she was heading out into the streets of Cairo -- right before President Mubarak stepped down.  

The Root: Where are you now?

Nawal El Saadawi: I am home in my apartment in Cairo, and we are preparing to go out into streets. 

TR:  Are you going to [Tahrir] Square?

NS: The square is full. There is no more room in the square, and so we have decided that we will be everywhere. Egyptians will be in every square, on every street, at the Presidential Palace and at the national television station. We will be in every place. This revolution has unified us. We are not men and women, Christian and Muslim, professional and nonprofessional; we are all Egyptians, and we will not let Egypt burn.

TR: How are you organizing this revolution? Is there leadership among the people?

 NS: We are doing it all with Facebook and mobile phone and e-mail.

TR: Are you concerned about who will take Mubarak's place? What about the Muslim Brotherhood, or other extremist groups?

NS: I am not at all worried about the Brotherhood. There is a lot of exaggeration about this organization, and it is used to frighten women here and Western women, too. The Muslim Brotherhood is a minority. They do not lead the revolution, and many of the men involved in the organization want a secular constitution. Men and women protested in the square and died in the square together.

 There was not one single harassment of a woman in the square. And these are covered women, secular women, all women from every background. No, it was not the Muslim Brotherhood who hurt women, it was Mubarak's people who entered the square and killed. All of this talk about the Brotherhood is an attempt to use religion to divide the people. Do not worry; the Muslim Brotherhood will never rule Egypt.

TRWhat role would you like the U.S. to play?

NS: I don't expect the power or support or interference of anyone, of any government. We here in Egypt are fed up with U.S. colonialism. Obama is a pragmatic person and thinking of the interests of his country; I understand this. But now he is confused: One minute he supports Mubarak, one minute he doesn't; one moment he is afraid of the Muslim Brotherhood, the next he is not. Now I believe in the people of Egypt only, I depend on the people of Egypt only.

TR: Your work has mainly revolved around women's rights and equality. How are these issues playing out in the revolution? What is the role of women on the ground?

NS: Women and men are in the streets as equals now. We are in the revolution completely. Of course if you know the history of revolutions, you find that after the revolution, often men take over and women's rights are ignored. In order to keep our rights after the revolution, women must be unified. We must have our women's union again. We cannot fight individually.  

TR: How do you know that the people who will follow Mubarak will honor your hopes for change?

NS: This revolution changed everything. In history, the millions win, that is democracy. Now the people in the street say no to Mubarak and then will form a temporary government, protected by the army. Then we have to protect the revolution from being aborted; that is the most important fight.

I must go now. There are many people waiting here for me. It is time to go on and do the next things that must be done.

Rebecca Walker writes frequently for The Root.

Like The Root on Facebook. Follow us on Twitter.

>via:  http://www.theroot.com/views/egypt-catching-history-nawal-el-saadawi?page=0,0

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Egypt activists ask:

"Where are the women?"

 

CAIRO | Wed Feb 16, 2011 7:18pm GMT

(Reuters) - The lack of women on a committee charged with amending Egypt's constitution for elections post-Mubarak casts doubt over whether the country can develop into a true democracy, a group of activists said on Wednesday.

The group of over 60 non-governmental organisation and activists said the committee, which is presided over by a respected retired judge known for his independence, had begun work on Wednesday by "marginalising female legal experts."

"This sheds doubt over the future of democratic transition in Egypt and raises questions about the future of participation, and whether this revolution sought to liberate all of society or just some of its sectors," a statement said.

Mass demonstrations that ousted President Hosni Mubarak from his 30-year rule were led by both men and women.

"We affirm that Egyptian woman participated in the revolution, and proof of such is that many remain missing or arrested. They have every right to participate in building the Egyptian nation," the group said in a statement sent by Nahed Shehata of the Egyptian Centre for Women's Rights.

Protesters have demanded several changes, including making presidential races fair and putting limits on a president's term in office. Mubarak served almost five six-year terms and had been expected to seek a sixth.

The committee is due to propose its changes within 10 days as a prelude to parliamentary and presidential elections due to take place in six months.

STANDARDS OF SELECTION

The committee includes one senior Muslim Brotherhood legal expert in an unprecedented move to include the Islamist opposition group, but the panel did not give details on how it selected its members.

"Signatures to this statement have received with great concern the list of committee members as there is no participation from female experts, which is unacceptable marginalisation of half of society," the statement said.

"We also question the standards used to select the members of the committee," the group said, although adding they supported the military's efforts in moving to a democracy.

The role of women in Egyptian politics has been limited, with few occupying ministerial and parliamentary seats. Their role in the judiciary has been the subject of wide debate in recent years.

Last year, a top court ruled that women should be allowed to serve on the State Council, a court that tries cases involving the government and which had resisted including female judges.

Mubarak appointed Tahany el-Gibali, Egypt's first woman judge, to the Constitutional Court in 2003. Conservative judges campaigned to stop what they regarded as an exception from becoming a trend.

Activists called on the Higher Military Council to revisit "values of citizenship" and asked that female experts be incorporated in the constitutional committee.

(editing by Elizabeth Piper)

>via: http://uk.reuters.com/article/2011/02/16/uk-egypt-women-idUKTRE71F3Z220110216

 

 

 

 

AUDIO: Andrew Cyrille & Haitian Fascination – Route De Frères (2011)

Andrew Cyrille &

Haitian Fascination

Route De Frères (2011)


Posted by

photo: Stefania Zamparelli


Brooklyn-born to Haitian parents, drummer Andrew Cyrille had gone on to record with Mary Lou Williams, Coleman Hawkins and Roland Kirk before beginning a decade-plus stint in Cecil Taylor’s band during some of Taylor’s most creative periods. Cyrille’s legacy only grew further as a leader and co-leader of groups that included the likes of Billy Bang, David S. Ware, Milford Graves and Rashied Ali.

 

After a five decade career that put him in the elite among drummers of modern and free jazz, Cyrille is looking back. Not at his career, mind you, but the heritage of his parents. Having visited Haiti himself for the first time at the age of seven, Cyrille has decided it was time to make music that honored the music of this Caribbean nation and thus formed a band, Haitian Fascination, to carry out his ideas. The first product of this special ensemble is Route De Frères.

Reflecting Cyrille’s desire to bring Haiti to jazz, he surrounded himself with musicians who understood both and/or, at least, understood Cyrille. double bassist Lisle Atkinson has played with Cyrille since the 1960s and along the way, he’s worked with Nina Simone, Betty Carter, Benny Carter, Dizzy Gillespie and Wynton Kelly. The baritone saxophonist Hamiet Bluiett made his mark performing with Charles Mingus, Abdullah Ibrahim and Sam Rivers, and co-founded the World Saxophone Quartet. Alix Pascal is a native Haitian who moved up to NYC and made his mark starting the Haitian/modern jazz group Ayizan. Percussionist Frisner Augustin also hails from Haiti and has likewise championed the music of his homeland in New York, most notably as the artistic director of the La Troupe Makandal Haitian music and dance company out of Brooklyn.

If you’re not familiar with Haitian music, you might be struck by how such joyful music can originate from a land that has seen so much tragedy. Nonetheless, it’s “island music” by way of it’s breezy cadences and African-derived rhythms. The Port-Au-Prince/New York hybrid fits together so naturally because, well, these are great musicians. Bluiett and Cyrille built their reputations on being versatile and pragmatic, skills they serve them so well on this record. Atkinson is steady as surgeon, providing unwavering bass patterns that Cyrille and Augustin can create lively rhythms around.

Augustin also provides vocals in the native tongue for the traditional Haitian song “Marinèt” and “Ti Kawòl,” adding cultural spice to these tracks. Bluiett’s big, gregarious sax adds a counterweight to Pascal’s light, no-nonsense acoustic guitar on numbers like Pascal’s “Deblozay” and Cyrille’s “Hope Springs Eternal” an opulent melody, which only needed Pascal’s guitar to bring out its beauty. Bluiett’s frictionless baritone is like a pat of butter on this delectable pastry. “Spirit Music” (Youtube below) is an organic trance set up by Atkinson’s cyclical pulse, fleshed out by Cyrille and Augustin and articulated by Bluiett and Pascal. Atkinson bows his bass for the avant garde “Sankofa,” the stormiest track of this set. Cyrille has done percussion duos with Graves back in the 1970s and he does so again on “Mais,” a hip-shaking pairing with Augustin.

The centerpiece of the record is Cyrille’s three part “Route De Frères” suite. Each project different moods: “Hill Of Anjubeau” is festive, rich, robust like the sights and sounds of the Haitian countryside. The relaxed, jazzy strut of “Memories of Port-au-Prince” is intended to resemble ambling through the streets of the nation’s capital city. “Manhattan Swing” is also jazz, but in a more metropolitan way, intended to resemble the bustle of New York as Cyrille’s parents might have experienced it when they first arrived from Haiti in the 1920s.

Andrew Cyrille’s fascination with Haitian music, bolstered by a healthy dose of Cyrille’s extensive jazz legacy and a well-chosen lineup, makes Route De Frères a welcome new front in an already significant and storied career.

Route De Frères was released Oct 18 by TUM Records.

     

    VIDEO: Music Break. Friday Bonus Edition « Africa is a Country

    Music Break.

    Friday Bonus Edition

    November 18, 2011

    Thalma de Freitas

     

    An eclectic one. Ethiopian and Ivorian pop, Philly neo soul, Swedish and South African rap and Brazilian jazz.

    Philadelphia neo soul keeps it topical. One thing we could not figure out: Bilal–half breaking with the dress code of his hosts Kindred–does a guest verse and throws in a line about ‘USA to Africa’: “And your moving out cause the cost of living is sky high and you know we working on it but its no word from USA to Africa.” What does he want?

     

    In Ethiopia, pop is doing fine. Listen to Nigusu Tamrat:

    Almost as poppy, from the Ivorian diaspora comes this song by Dobet Gnahoré and Manou Gallo which, they hope, ‘will contribute to bring back together and reconcile all Ivorians’:

    Swedish rapper Ken Ring and Norwegian producer Tommy Tee went to record the video for ‘Plocka Han’ in Korogocho (Nairobi, Kenya):

    From KwaMashu (Durban, South Africa) comes Zakwe:

    And to end the week: Rio de Janeiro’s Guanabara Bay as seen through the eyes of French director Vincent Moon, Brazilian pianist Laércio de Freitas and his daughter, singer Thalma:

     

     

    PUB: Feminist Flash Fiction 2011 - Feminist writing competition

    Feminist Flash 2011

    Enter our feminist fiction writing competition - judged by a panel of noted feminist writers - to win £100, 1 yr BUST Magazine subscriptions & get your blog and writing promoted. Start writing!

    Competition closing date: 30 November 2011. Enter now!

    Slut shaming. Contraception. Body dysmorphia. Ladette culture. Impossible Disney princesses. The glass ceiling for women in everything from banking to comedy. Acid attacks in S Asia. Systematic rape in Sierra Leone. FGM. Saudi women permitted to vote but not drive themselves to the polling station. Being told it's, uh, you know, dude, a little bit uncool to call yourself a feminist. Feminism is prevalent in all aspects of society and affects, ooh, pretty much 100% of the population!

    To promote feminism in writing, Mookychick is proud to announce a new annual writing competition, FEMINIST FLASH 2011. It's dead easy to enter, and you should. Right now! Channel your inner Dorothy Parker / Caitlin Moran / Margaret Atwood / Naomi Wolfe and you'll win wealth, fame and a 1 year digital subscription to BUST Magazine.

    LOOK AT THE GORGEOUS PRIZES WE'RE GIVING AWAY!

    First Prize

    • £100 (or your country's equivalent)
    • Publication with a link to your blog on Mookychick
    • 1 Year digital subscription to the fabled BUST magazine!

    2 x Runner-Up Prizes

    £25, Publication on Mookychick, 1 Year digital subscription to BUST magazine!

    10 x Shortlisted Prizes

    Publication on Mookychick.

    All featured works will be linked to your blogs. We'll be spreading the love.

    HOW TO ENTER

    1) Entry is free. Of course. Other writing competitions may have entry fees, but not Mookychick.

    2) First, you need an online presence you can post work on: A blog, a Tumblr, a DeviantArt account, a website to call your own. A place where you can put words.

    3) Next, you need to create a haiku, poem or flash fiction under 200 words. Maximum word count per entry is 200 words. Your poetry or fiction needs to relate to an aspect of feminism!

    What is a haiku, we hear you cry? It's a very short, very structured poem (ie, 3 lines: 5 syllables, 7 syllables, 5 syllables - we know that's not technically how it works, but let's not get snarky, eh?) Hang on, you want an example of a feminist haiku? Okay, since you asked...

    Feminist haiku example #1

    Patriarchy smash
    A joyous endeavour, yeah?
    Not a violent sport

    Feminist haiku example #2

    First date. Doing great
    until he called me a whore.
    Feminist? Nuh-uh.

    4) Post your competition entry on your blog.

    5) In this same post, you must copy and paste the following bolded text under your entry:

    This is an entry for the Mookychick blogging competition, FEMINIST FLASH FICTION 2011. Enter now.

    ("FEMINIST FLASH FICTION 2011. Enter now" should link to http://bit.ly/femflash)

    This is an entry for the Mookychick FEMINIST FLASH FICTION competition. Enter now.-->

    6) Email competitions@mookychick.co.uk with your entry. Make the email subject header FEMINIST FLASH 2011. In the body of the email, please include 2 things: The URL of your entry and your name.

    7) You can enter the FEMINIST FLASH FICTION contest as many times as you like! Just make a new post for each entry (be sure to include the link underneath) and email us with the entry's details.

    MEET OUR PANEL OF JUDGES

    Shortlisted entries will be judged by our panel of noted feminist writers and activists...

    Lena Chen is a queer and feminist activist, the founder of The Ch!cktionary, and a self-described "reluctant sexpert". A blogger and personal essayist, she started her writing career with the controversial Sex And The Ivy, a blog about her sex and love life at Harvard.

    Julie Zeilinger is founder and editor of the teenage feminist blog The FBomb. She also loves brunch, is fluent in sarcasm and wishes her life was the movie WHIP IT.

    Kaite Welsh is an author and journalist. She has written for The Guardian, Diva, Bitch and others, and is an occasional contributor to Radio 4's Woman's Hour, where she discusses LGBT issues. Her fiction has been nominated for several prizes, including the Cheshire Prize for Fiction and the Gaylactic Spectrum Best Short Story award.

    NOW... IT'S UP TO YOU. ENTER. SPREAD THE WORD. WE LOOK FORWARD TO WIT, PASSION, INTELLIGENCE, FURY, GOOD HUMOUR, DISGUST, JOY... EVERYTHING. GOOD LUCK!

     

    PUB: Hackney Literary Awards

    Enter your original work in the Hackney Literary Awards.


    This prestigious writing competition recognizes excellence in poetry and fiction with prizes at the national level and for the state of Alabama.


    The Hackney Literary Awards, sponsored by the Cecil Hackney family of Birmingham, Alabama, was established in 1969.


    The annual competition awards $5,000 in prizes for poetry and short fiction ($2,500 national and $2,500 state levels: 1st place, $600; 2nd, $400; 3rd, $250).


    A $5,000 prize is also sponsored by the Morris Hackney family for an unpublished novel.

    PUB: Eco Arts Awards

    Eco Arts Awards

    E-col-o-gy – the totality or pattern of relations between organisms and their environment

    It has been said that art is an expression of what we aspire to be…

    It is also true that art is a powerful catalyst for new thinking and cultural values!

    In our present world, ecology and the balance of humanity with nature is the most important challenge we face. Being ‘green’ is becoming mainstream and top of mind. We want to collaborate with you, to make it more top of focus in the creative industries. Eco Arts Awards has created a platform of self-expression that reflects our passions for deep ecological balance in the world, together with the joy and happiness that art brings us in our daily lives.

    In six creative categories, we invite artist to submit their ecologically inspired creative works for entry into the first of its kind annual awards program. Together we can bring about a greater awareness with more inspiration for living our lives in balance and harmony with our natural environment. $6,000 in cash awards will be provided, $1,000 each for first prize awards in the categories of songwriting, literature, photography, fine art, functional art and short videos. Deadline for submission is November 30, and winners will be announced no later than April 20th 2012. Our professional panel of jurors will select the winners for each category from approximately ten finalists. There will also be a “Peoples Choice” award, so bookmark this site and return in the new year to vote for Peoples Choice, or better yet, sign up for our e-newsletter to stay up to date on the contest.

    We look forward to viewing/hearing/experiencing your ecologically inspired creations!

    Urging Artists to Create a World of Difference

     



     

     



     

    PUB: New Issues Poetry Contest Guidelines

    The 2012 New Issues Poetry Prize

    $2,000 and publication for a first book of poems
    Judge: Jean Valentine, author of Break the Glass

    Guidelines:

    • Eligibility: Poets writing in English who have not previously published or self-published a full-length collection (48+ pages) of poems.
    • Please include a $20 reading fee. Checks should be made payable to New Issues Press.
    • Postmark Deadline: November 30, 2011. The winning manuscript will be named in April 2012 and published in the spring of 2013.

    General Guidelines:

    • Submit a manuscript at least 48 pages in length, typed on one side, single-spaced preferred. Photocopies are acceptable. Please do not bind manuscript. Include a brief bio, relevant publication information, cover page with name, address, phone number, and title of the manuscript, and a page with only the title.
    • Enclose a stamped, self-addressed postcard for notification that the manuscript has been received. For notification of title and author of the winning manuscript enclose a stamped, self-addressed envelope. Manuscripts will be recycled.
    • A manuscript may be submitted that is being considered elsewhere but New Issues should be notified upon the manuscript’s acceptance elsewhere.

    Send manuscripts and queries to:

    The New Issues Poetry Prize
    (or) The Green Rose Prize
    New Issues Poetry & Prose
    Western Michigan University
    1903 West Michigan Ave.
    Kalamazoo, MI 49008-5463

     

    VIDEO: “Dreams Of A Life” (An Investigation Into The Mysterious Life & Death Of Joyce Vincent) Gets A Full Trailer > indieWIRE

    “Dreams Of A Life”

    (An Investigation Into

    The Mysterious Life & Death

    Of Joyce Vincent)

    Gets A Full Trailer

    News   by Tambay | November 18, 2011 

    Carol Morley's critically-acclaimed docudrama Dreams of a Life, which stars Zawe Ashton, is already scheduled for an initial limited December 16th release in London, playing at 7 theaters (including 1 in Sheffield and another in Manchester), and will expand to several more cinemas through March 2012, though only in the UK; good news for our readers across the pond; the rest of us will have to wait and hope that the film travels.

    You can also arrange to host your own screening of the film by visiting www.popupcinema.net  (only for UK folks again); as long as you can pay the licensing fee that is... 200 pounds... though any profits you make from your screening are yours to keep!

    For a full listing of cities and theaters currently confirmed, visit the film's site HERE.

    The film's synopsis again reads...

    Nobody noticed when Joyce Vincent died in her bedsit above a shopping mall in North London in 2003. Her body wasn’t discovered for three years, surrounded by Christmas presents she had been wrapping, and with the TV still on. Newspaper reports offered few details of her life - not even a photograph. Who was she? And how could this happen to someone in our day and age- the so-called age of communication? For her film Dreams of a Life, filmmaker Carol Morley set out to find out. Joyce may have died in tragic isolation, but Morley was not going to let her be forgotten. She placed adverts in newspapers, on the Internet, and on the side of a London taxi. What she finds out is extraordinary. A range of people that once knew Joyce help to piece together a portrait of the woman that became so forgotten. “She was very sweet, beautiful looking, a bit of a mystery. We weren’t too sure where she came from. It’s almost like she was a ghost, even then.” Dreams of a Life becomes as much about the people who remember her as it is about Joyce herself.

    We featured 2 or 3 clips from the film in past posts; and earlier today, a brand new trailer for the film surfaced, which I embedded below; I hope this travels:

     

    WAR: Missing Limbs, More Suicides, No Jobs: 9 Battles for Today’s Vets > Wired.com

    Missing Limbs,

    More Suicides, No Jobs:

    9 Battles for Today’s Vets

    The wars in Iraq and Afghanistan were in many ways acutely different from their predecessors. This time, American soldiers were fighting in urban settings, dodging improvised explosives and often searching for enemies indistinguishable from civilians.

    With a new kind of war came a new host of challenges for those who fought in it. Fewer fatalities has led to more life-long injuries, an economy in crisis will translate to fewer jobs and less federal funding, and the use of unconventional weaponry is already apparent in the prevalence of invisible, untreatable mental wounds.


    No Longer Fatal,

    Injuries Become Life Sentences

    More soldiers than ever are surviving their injuries: Last year, 7.9 percent were fatal, which represents an all-time low for the American military. But the mangled limbs, burned flesh, shredded muscles and missing body parts that once guaranteed death now need to be patched up. And despite improvements, the results are far from ideal.

    The military has invested upwards of $100 million in cutting-edge prosthetics, from research into brain-controlled limbs to the development of synthetic skin. They've also thrown $250 million into regenerative medicine to help repair some of the damage. Still, a prosthetic that's as good as the real thing is likely a decade off, while new body parts will no doubt take even longer. "I’m not satisfied we’re doing it rapidly enough," Joint Chiefs of Staff Chairman Admiral Mike Mullen said last year. "Ten years doesn't satisfy any of us."

    Photo: U.S. Air Force

    Suicides

    Less Stigma, But Still More Suicides

    Now more than ever, the military is talking about suicides. In 2010, an Army task force released a massive report, including 250 recommendations, on reducing suicides among soldiers and veterans. "The hard part is eliminating the long-standing stigma, breaking down the invisible barrier," Army Gen. Peter Chiarelli said. "I do not believe we are losing this battle."

    That's up for debate. A stunning 18 veterans commit suicide every day, another 1,000 attempt suicide every month, and suicides among this generation's active-duty soldiers and vets frequently break their own monthly records.

    Photo: U.S. Marines

    Budgetary Crunch

    A Government Low on Money,

    a Country Low on Jobs

    The VA's budget is set to increase slightly in 2012, but it's still a reflection of lean times for the federal government. The budget, proposed at $132 billion, won't go nearly as far as it needs to in covering the growing expenses of American veterans, which are estimated to hit $55 billion spread over the next 10 years for medical care of today's vets alone.

    And vets won't have an easy time paying their own way. Around 12.1 percent of veterans who deployed after 2001 are currently unemployed. That rate continues to rise, even as joblessness in the U.S. takes a turn in the right direction and the federal government launches new initiatives to help vets and their spouses find work.

    Photo:Barmony Flickr


    Traumatic Brain Injuries

    Foreshadow Lifelong Illness

    An estimated 200,000 troops have suffered a traumatic brain injury since 2002 — but since military officials still can't accurately diagnose the condition, and often ignore symptoms among soldiers, that number is likely much higher.

    Granted, the Pentagon is investing billions into better diagnostic tools and treatments for TBIs, the rates of which soared because of exposures to IED blasts. But for this generation of veterans, the damage might already be done: In addition to neurological symptoms like confusion and vision loss, vets with TBI are also more vulnerable to dementia, Parkinson's and other degenerative brain ailments — most of which can't be treated, either.

    Video: PBS


    Families

    State of the Unions

    We can be grateful that fewer military families are mourning a loss from this decade's wars. But living with a dad, sister, uncle or wife who's endured combat has its own implications for today's households.

    Recent research suggests that military kids are more likely to suffer learning disabilities, behavioral disorders and violent tendencies. Military spouses are vulnerable to alcohol and drug abuse, as are veterans themselves. And as a couple, they're twice as likely as civilians to divorce and four times more likely to contend with domestic violence.

    Photo: U.S. Air Force

    Women

    The Singular Struggles of Women

    They've gone to war before, but never like this: Women still aren't sanctioned to take combat roles, but thousands in Iraq and Afghanistan experienced it nonetheless. The wars "advanced the cause of full integration for women in the Army by leaps and bounds," Peter Mansoor, a retired Army colonel, said in 2009.

    As veterans, these women now face unprecedented challenges. One 2010 study estimated that 15 percent experienced sexual trauma overseas, while a recent Pentagon report found that female vets were twice as likely as men to develop combat-related PTSD, but less likely to seek treatment. Not to mention that for women, a return from war often means reconciling life as a former soldier with life as a mother.

    Photo: U.S. Marines

    Drugs

    A Pandemic of Pill-Popping

    A combination of chronic pain and mental health symptoms mean thousands of soldiers have been prescribed narcotic pain-killers, psychotropics, sleeping pills and other addictive, often dangerous drugs: 14 percent of Army soldiers have been proffered an opiate pain-killer, and 73 percent of the Army's accidental deaths in 2010 were blamed on prescription medication overdoses.

    For many of those coming home with a bottle of pills, the habit can be tough to shake. At least 25 percent of injured soldiers in one warrior transition unit were hooked on prescription meds, according to an Army inspector general report, and 31 percent of those at Walter Reed were using both prescription and street drugs.

    Photo: Texas National Guard


    PTSD

    Plenty of Ideas for PTSD, But No Cure

    Arguably the signature wound of the wars in Iraq and Afghanistan, post-traumatic stress disorder affects at least 20 percent of all soldiers deployed since 2001. And symptoms like insomnia, rage and depression are, despite a swath of prescription meds doled out by VA doctors, largely untreatable.

    At least, for now. The Pentagon has invested millions into all kinds of research that aims to find a better remedy for PTSD. So far, the military has studied dozens of treatments, including fear-erasing drugs, yoga, virtual-reality therapy and meditation. Sadly, they still aren't open to everything: Marijuana, one substance that's got a lengthy track record helping vets calm down, has yet to get the green light.

    Photo: U.S. Pacific Command

    Burn Pits

    Lungs Clouded With Chemicals

    Today's veterans might also be up against their very own Agent Orange. Open-air burn pits, used to incinerate household trash, computer parts and human waste at most bases in Iraq and Afghanistan, are now being linked to a host of serious health ailments.

    But we might never know what — whether burn pits, toxic dust storms or chemical agent exposure — caused the conditions, which so far include neurological disorders, cancers and chronic respiratory infections. A recent Institute of Medicine report noted that it was impossible to determine the source of airborne toxins overseas, because of "a lack of data" collected by the Department of Defense.

    Photo: U.S. Air Force

     

     

     
    Katie Drummond is a New York-based reporter at Danger Room, covering the wild world of military research, and a contributing editor at The Daily.
    Follow @katiedrumm on Twitter.

     

    MEDIA: How Storifying Occupy Wall Street Saved The News

    How Storifying

    Occupy Wall Street

    Saved The News

    In the dead of night on Monday, November 14, Zuccotti Park in New York City was raided by police. In the preceding days, there were crackdowns at several of the major Occupy protests around the country. The effort had apparently been coordinated between cities. Monday night's actions against the original Occupy Wall Street encampment were stern, heavy enough to bring a decisive end to the protest. But the raid only served to turn up the heat in New York and around the country.

    As they have since the Occupation began, people on the ground fired up their smartphones to report the events as they happened, and curators around the Web gathered and retweeted the salient messages. But early on in the raid, mainstream media outlets began reporting that the police were barring their reporters from entering the park. The NYPD even grounded a CBS News helicopter. The night had chilling implications for freedom of the press. But the news got out anyway. The raw power of citizen media - and the future of news envisioned by a site called Storify - thwarted the media blackout.

    Saving The News

    xeni.pngThis is a new media age. The news of the Occupation has countless reporters, and some of the Web's best curators have taken on the task of weaving the Occupy stories together. In particular, Xeni Jardin has been a machine on Twitter, providing a one-woman breaking news channel of so many successive Occupy confrontations.

    But for the Monday night raid at Zuccotti Park, and indeed for much of the Occupation, Storify has come into its own as the social news curation tool par excellence. In fact, thanks to the media blackout Monday night, some of the most important news outlets in the country would not have had a story if not for Storify.

     

    Josh Harkinson, a reporter for Mother Jones, crashed the barricades and reported from the scene, becoming a source for all the curators, including his own publication: storifywallst1.jpg

     

    Storify's New Role: The Backbone of News

     

    "Most of the content comes from the people on the ground, from the 99%."
    Storify is one of those companies that arrives at its point in history just in the nick of time. Its co-founders pitched the idea during the Green Revolution in Iran, one of the first popular uprisings driven by social media. "Now it's actually happening here, on the soil of America, with the Occupy movement," says co-founder Xavier Damman.

     

    The world needed a shareable, embeddable way to gather the tweetstorm of breaking news and turn it into a lasting document. Storify has made that possible. After a closed beta period with professional journalists, Storify opened to the public in April.

    In October, it rolled out a brand new editing interface making the tool vastly easier to use. And one week ago, just before the police raided Zuccotti Park, Storify made its move, redesigning its homepage as a destination featuring the most important stories on the social Web. Storify's vision is no less than a leveling of the media playing field. On the Storify homepage, lifelong and first-time journalists stand side by side.

    storifyhomepage1.jpg

    "All news is social now," says Storify CEO and co-founder Burt Herman. Whoever's on the ground is the reporter, and whoever's curating on the Web is the editor. It doesn't matter who is whom. "We always talk about quoting from the original sources, from politicians, companies and everybody else, but now the journalists who are normally reporting are the sources."

    From a Dorm Room to the Front Page

    bendoernberg.jpgWhile career journalists were being removed from Zuccotti Park, Ben Doernberg was watching the Web from his dorm room at Wesleyan University in Middletown, Connecticut. Ben is a college junior, and journalism is not his major. But his Storify of the Occupy Wall Street raid reached tens of thousands of people and was embedded by the Washington Post.

    "This is not actually my first Storify," he says, despite fun rumors to the contrary. "I was at Zuccotti Park about a month ago and happened to take a video that ended up getting on CNN, so this is kind of the second bizarre media day I've had in the last month."

    Doernberg used Storify to track the reports of the media blackout. "I looked at Twitter around 1 o'clock, and everything was going insane," Doernberg says.

    storifyviews.jpg"By the time I decided to make a Storify, I had already read probably 100 tweets on this issue, so I tried to figure out what the overarching themes or the story seemed to be to me, and I went back through my memory of who tweeted what at what time." What resulted was a comprehensive document of tweets, links, photos and videos of instances of the NYPD suppressing the media presence in Zuccotti Park. The Washington Post ran it, and the post has been viewed more than 20,000 times.

    The 99% Media

    The founders of Storify couldn't be more delighted that students are making headlines using their platform. The day after the raid on Zuccotti Park, Storify shared two student stories from the raid on their blog. Doernberg's was one. The other was by Columbia journalism grad student XinHui Lim, whose Storify post captured the grisly details from the ground and included embedded live-streamed video. At one point in the night, that amateur video stream had 23,000 viewers.

    Damman says this is the perfect demonstration of the Storify redesign. These social media documents are the real story, and the NYPD's obstruction of credentialed journalists only shows how out of touch the police are. "The police in New York don't realize that it doesn't matter to not have journalists on the scene," Damman says, "because everybody is a reporter. What happened last night shows that they don't get that."

    "Most of the content comes from the people on the ground, from the 99%."

    lrad.jpg

    Herman agrees that Monday's events prove that the distinction between legacy media and new media is no longer important. During the raid, journalists became sources, regular people became journalists, and they traded places with each other throughout the night. It's all one medium now. "Let's not spite the Internet," Herman says. "Let's let the Internet be what it is."

    The Gatekeepers

    The NYPD's censorship efforts were thwarted by smartphones, Web technology and good, old-fashioned gumption. But authorities are working hard around the country to block journalists from covering the Occupation. Twenty six reporters have been arrested so far, ten of them in Zuccotti Park on Monday night.

    Fortunately, those incidents are being captured on Storify, too, and the curator wants to make sure the free press is protected.

    Next page: Josh Stearns of FreePress.net on new media, arrested journalists and the implications of the OWS blackout.

    __________________________

    Josh Stearns, Associate Program Director at Free Press, has beenstorifying journalist arrests at Occupy protests since September. He's using Storify as a living page, updating each time another journalist is arrested. You can help him by sending tips and tweets to @jcstearns.

     

    Free Press is also holding a petition for their Save The News campaign urging New York Mayor Michael Bloomberg and the U.S. Conference of Mayors to stop attacking freedom of the press.

    Watching the Story Unfold

    November 15 was a big night for journalist arrests, and Stearns was watching Twitter closely. "I think of Twitter as the place where I watch the story unfold," Stearns says, "but then I often look to a place like Storify or an article or liveblog where there's somebody intentionally trying to contextualize and weave things together."

    storifywallst2.jpg

    One of the things Stearns struggled with during Monday's raids was "that reports were coming in at all different times. Trying to piece together when something happened" was a challenge, since both the events and tweets about the events were displaced in time.

    "Twitter's so great for seeing the story unfold, but I think there's a lot of awesome work that can be done in contextualizing it." That's where Storify comes in. "I think Storify is a very flexible tool, being able to do that kind of rapid reporting or to bear witness over time."

    Media Symbiosis

    Stearns was impressed with Doernberg's work Monday night and how Storify enabled it. "His Storify wouldn't have been possible without people on the ground, and people on the ground weren't able to get their story out until his Storify collected those from all over the place and broadcasted it, and that story got into the Washington Post."

    sternsdoernberg.jpg

    Storify provides the bridge between legacy and new media in situations like this. "I think there's really nice symbiosis between the two," Stearns says. "I think that's one thing Storify has done really well, positioning itself within a new media realm but making new media approachable for traditional organizations."

    The Gatekeepers Are Changing

    But legacy institutions aren't weathering the transition well. The Associated Press came down hard on its staff for tweeting too eagerly about their arrests in an email that feels awfully shy about new media participation. It warns AP reporters not to get "caught in the moment."

     

    "If we're having people who are non-traditional journalists doing critical reporting, and they're getting thrown in jail because they don't have the right press credentials, we need to figure that out."
    And law enforcement agencies seem to have little conscience about arresting journalists, even ones who are waving press credentials at them.Doernberg's Storify captures two police officers replying "not tonight" and "don't care" to protestations by journalists.

     

    For Stearns, the important question is why. "The question becomes, were [the police] effective only to the point because they were only paying attention to one kind of media? And what was the intention behind that?"

    "Why was there the decision to have a media blackout? Why were helicopters grounded? Why were journalists kept to the edges? If we ask those 'why' questions, and it turns out there was actual intentionality behind it, then that's profoundly troubling." If the police are really concerned about any message getting out at all, Stearns worries, they will learn to adapt to new media eventually.

    Adapting To The New Reality

    For some law enforcement agencies, that adaptation is already underway. "We've heard about Occupy protests around the country where they do strobe lights that actually blind camera phones and other kinds of cameras. Or things like the BART stations in San Francisco shutting down the cell networks when the protests come in."

    Law enforcement isn't the only force that threatens freedom of the press. The technology companies who make the devices used by citizen journalists are a bottleneck for what kinds of reporting are possible. And many of the big ones have shown a disturbing willingness to comply with authorities.

    "Whether it's Amazon taking down all of WikiLeaks that was stored on their cloud servers because Senator Joe Lieberman asked them to," Stearns recounts, "or whether it's Apple and their patent for the camera [that blocks recording in designated areas], or Verizon blocking NARAL text messages, regardless of what issue it is, as the platforms change, the gatekeepers are changing."

    Taking Back The Media

    occupystorify.jpg

    Stearns sees hope in the way Storify and social media platforms have broken the police barricades around the media. "The one thing I think is really encouraging is that people are actually feeling ownership of their media," Stearns says. "People feel like, 'This is my phone. I'm creating my media on this.' People want to take back the media."

    This is what the Storify founders have in mind. "This is a chance to create this whole new form of news," Herman says. Storify held a gathering called Occupy The News at its San Francisco headquarters on November 7, where career journalists from a range of publications came together to discuss the possibilities of new media. You can soak in their insights - where else - on Storify.

    A tumultuous time like ours is ripe for a disruption of the ways in which we capture our stories and work toward the truth. The gatekeepers are changing, but the media are changing faster. There have never been more ways to experiment with information. Thanks to platforms like smartphones, Twitter and Storify, the barriers to participation are vanishing.

    You can see all Storify posts about the Occupation on the occupy topic page.

    Check out our guide on How To Curate Conversations With Storify.

    Sign the petition to Save The News.

    Have you ever used Storify? Share your posts in the comments.

     

     via readwriteweb.com