ENVIRONMENT: Gov't: No quick fix for leaky nuclear reactors - CBS News

Gov't: No quick fix

for leaky nuclear reactors

 

This photo made available by the Nuclear Regulatory Commission shows a 10-gallon-per-minute leak which sprung Oct. 19, 2007, in rusted piping that carried essential service water at the Byron nuclear plant in Illinois. (AP/NRC)

Read more: http://www.cbsnews.com/stories/2011/06/22/national/main20073181.shtml#ixzz1Q4SOvc3U
 

 

U.S. nuclear power plant operators haven't figured out how to quickly detect leaks of radioactive water from aging pipes that snake underneath the sites — and the leaks, often undetected for years, are not going to stop, according to a new report by congressional investigators.

 

The report by the Government Accountability Office was released by two congressmen Tuesday in response to an Associated Press investigation that shows three-quarters of America's 65 nuclear plant sites have leaked radioactive tritium, sometimes into groundwater.


Read more: http://www.cbsnews.com/stories/2011/06/22/national/main20073181.shtml#ixzz1Q4QTt7xz

 

 

Separately, two senators asked the GAO, the auditing and watchdog arm of Congress, to investigate the findings of the ongoing AP series Aging Nukes, which concludes that the U.S. Nuclear Regulatory Commission and the nuclear power industry have worked closely to keep old reactors operating within safety standards by weakening them, or not enforcing the rules.

 

U.S. nuke regulators weaken safety rules
Feds seek nuke plants' plans for terror attacks
High radiation prompts evac at Ohio nuke plant

 

A third senator, independent Bernie Sanders of Vermont, said the AP series has raised disturbing allegations about safety at aging plants and reiterated his demand that the Vermont Yankee plant be shut.

 

In the report released Tuesday by Democratic Reps. Edward J. Markey of Massachusetts and Peter Welch of Vermont, the GAO concluded that while a voluntary initiative that industry recently adopted is supposed to identify leaks, the U.S. Nuclear Regulatory Commission doesn't know how fast problems are detected.

 

"Absent such an assessment, we continue to believe that NRC has no assurance that the Groundwater Protection Initiative will lead to prompt detection of underground piping system leaks as nuclear power plants age," the report's authors concluded.

 

No leak is known to have reached aquifers that hold the drinking water supplies of public utilities, though tritium, a radioactive form of hydrogen, has contaminated residential drinking wells near at least three nuclear power plants. The tritium in those wells did not surpass the federal health standard. Though mildly radioactive, tritium poses the greatest risk of causing cancer when it ends up in drinking water.

 

Markey's spokeswoman said his office received the GAO report in early June after requesting it in 2009 following reports of a tritium leak at the Indian Point nuclear plant north of New York City. Typically congressional offices hold reports for 30 days, but Markey released it in response AP's tritium story, part of an ongoing investigative series.

 

In a written statement, he compared the ongoing nuclear crisis at Japan's Fukushima Dai-ichi plant to the kind of meltdown he said could happen in the U.S. if a pipe that is supposed to carry water to cool a reactor's core fails.

 

"There would be no warning because no one ever checks the integrity of these underground pipes," Markey said.

 

 

The industry's Nuclear Energy Institute cited its "underground piping integrity initiative policy," launched voluntarily in 2009, as proof that it takes tritium leaks seriously.

 

"The initiative commits the industry to a series of actions to establish more frequent inspection and enhance dependability of underground piping with a goal of protecting structural integrity and preventing leaks," the institute said in a statement.

 

The institute also criticized AP's overall findings and "selective, misleading reporting in a series of new articles on U.S. nuclear power plant safety."

 

Previously, the AP reported that regulators and industry have weakened safety standards for decades to keep the nation's commercial nuclear reactors operating. While NRC officials and plant operators argue that safety margins can be eased without compromising safety, critics say these accommodations are inching the reactors closer to an accident.

 

In response to those findings, New Jersey's two Democratic senators asked the GAO for a new investigation based on "the serious allegations" documented by the AP.

 

"It would be of grave concern to us if, in fact, aging power stations have achieved compliance with operating rules because of weakened NRC rules, rather than demonstrated compliance with existing standards," Sens. Frank R. Lautenberg and Robert Menendez wrote.

 

In a Senate speech Tuesday, Sanders said the NRC and Vermont Yankee operator Entergy have ignored the will of Vermonters. The Vermont state Senate recently voted to close the plant once its license expires next year.

 

He also called for a GAO investigation into the safety issues raised in the AP series. "These allegations by the AP are incredibly disturbing," Sanders said. "Safety at our nuclear plants should be the top priority at the NRC, particularly after what we saw happen in Japan. They should not answer to the nuclear industry, the NRC must answer to the public."

 

Sanders said the investigation should determine whether the NRC is systematically working with industry to undermine safety standards to keep aging plants operating.

 

California Democrat Barbara Boxer, chairwoman of the Senate's Environment and Public Works Committee, said she is supporting Sanders.

 

Late Tuesday, the NRC said it disagreed with AP's conclusions in the stories, but welcomed the attention to nuclear plant safety the stories have generated. The agency defended its standards and approach to safety.

 

"The NRC never wavers from its primary mission — ensuring that the public remains safe during the civilian use of radioactive materials in the United States," the statement said.

 

Addressing the main issue of the AP series regarding weakening of standards, the NRC said it "only endorses changes when they maintain acceptable levels of public safety; this can include adding or strengthening requirements."

__________________________

Jun 21, 2:42 PM EDT

AP IMPACT:

Tritium leaks found at many nuke sites


BRACEVILLE, Ill. (AP) -- Radioactive tritium has leaked from three-quarters of U.S. commercial nuclear power sites, often into groundwater from corroded, buried piping, an Associated Press investigation shows.

The number and severity of the leaks has been escalating, even as federal regulators extend the licenses of more and more reactors across the nation.

Tritium, which is a radioactive form of hydrogen, has leaked from at least 48 of 65 sites, according to U.S. Nuclear Regulatory Commission records reviewed as part of the AP's yearlong examination of safety issues at aging nuclear power plants. Leaks from at least 37 of those facilities contained concentrations exceeding the federal drinking water standard - sometimes at hundreds of times the limit.

While most leaks have been found within plant boundaries, some have migrated offsite. But none is known to have reached public water supplies.

At three sites - two in Illinois and one in Minnesota - leaks have contaminated drinking wells of nearby homes, the records show, but not at levels violating the drinking water standard. At a fourth site, in New Jersey, tritium has leaked into an aquifer and a discharge canal feeding picturesque Barnegat Bay off the Atlantic Ocean.

In response to the AP's investigation, two congressman - Edward J. Markey of Massachusetts and Peter Welsh of Vermont, both Democrats - on Tuesday released a study by independent federal analysts who had identified problems with the regulation of underground piping.

The report by the U.S. Government Accountability Office noted that while the industry has a voluntary initiative to monitor leaks into underground water sources, the NRC hasn't evaluated how promptly that system detects such leaks. "Absent such an assessment, we continue to believe that NRC has no assurance that the Groundwater Protection Initiative will lead to prompt detection of underground piping system leaks as nuclear power plants age," the report's authors concluded.

Any exposure to radioactivity, no matter how slight, boosts cancer risk, according to the National Academy of Sciences. Federal regulators set a limit for how much tritium is allowed in drinking water, where this contaminant poses its main health risk. The U.S. Environmental Protection Agency says tritium should measure no more than 20,000 picocuries per liter in drinking water. The agency estimates seven of 200,000 people who drink such water for decades would develop cancer.

The tritium leaks also have spurred doubts among independent engineers about the reliability of emergency safety systems at the 104 nuclear reactors situated on the 65 sites. That's partly because some of the leaky underground pipes carry water meant to cool a reactor in an emergency shutdown and to prevent a meltdown. Fast moving, tritium can indicate the presence of more powerful radioactive isotopes, like cesium-137 and strontium-90.

So far, federal and industry officials say, the tritium leaks pose no health or safety threat. Tony Pietrangelo, chief nuclear officer of the industry's Nuclear Energy Institute, said impacts are "next to zero."

---

LEAKS ARE PROLIFIC

Like rust under a car, corrosion has propagated for decades along the hard-to-reach, wet underbellies of the reactors - generally built in a burst of construction during the 1960s and 1970s.

There were 38 leaks from underground piping between 2000 and 2009, according to an industry document presented at a tritium conference. Nearly two-thirds of the leaks were reported over the latest five years.

For example, at the three-unit Browns Ferry complex in Alabama, a valve was mistakenly left open in a storage tank during modifications over the years. When the tank was filled in April 2010, about 1,000 gallons of tritium-laden water poured onto the ground at a concentration of 2 million picocuries per liter. In drinking water, that would be 100 times higher than the EPA health standard.

And in 2008, 7.5 million picocuries per liter leaked from underground piping at Quad Cities in western Illinois - 375 times the EPA limit.

Subsurface water not only rusts underground pipes, it attacks other buried components, including electrical cables that carry signals to control operations.

A 2008 NRC staff memo reported industry data showing 83 failed cables between 21 and 30 years of service - but only 40 within their first 10 years of service. Underground cabling set in concrete can be extraordinarily difficult to replace.

Under NRC rules, tiny concentrations of tritium and other contaminants are routinely released in monitored increments from nuclear plants; leaks from corroded pipes are not permitted.

The leaks sometimes go undiscovered for years, the AP found. Many of the pipes or tanks have been patched, and contaminated soil and water have been removed in some places. But leaks are often discovered later from other nearby piping, tanks or vaults. Mistakes and defective material have contributed to some leaks. However, corrosion - from decades of use and deterioration - is the main cause. And, safety engineers say, the rash of leaks suggest nuclear operators are hard put to maintain the decades-old systems.

Over the history of the U.S. industry, more than 400 known radioactive leaks of all kinds of substances have occurred, the activist Union of Concerned Scientists reported in September.

Nuclear engineer Bill Corcoran, an industry consultant who has taught NRC personnel how to analyze the cause of accidents, said that since much of the piping is inaccessible and carries cooling water, the worry is if the pipes leak there could be a meltdown.

"Any leak is a problem because you have the leak itself - but it also says something about the piping," said Mario V. Bonaca, a former member of the NRC's Advisory Committee on Reactor Safeguards. "Evidently something has to be done."

However, even with the best probes, it is hard to pinpoint partial cracks or damage in skinny pipes or bends. The industry tends to inspect piping when it must be dug up for some other reason. Even when leaks are detected, repairs may be postponed for up to two years with the NRC's blessing.

"You got pipes that have been buried underground for 30 or 40 years, and they've never been inspected, and the NRC is looking the other way," said engineer Paul Blanch, who has worked for the industry and later became a whistleblower. "They could have corrosion all over the place."

---

EAST COAST ISSUES

One of the highest known tritium readings was discovered in 2002 at the Salem nuclear plant in Lower Alloways Creek Township, N.J. Tritium leaks from the spent fuel pool contaminated groundwater under the facility - located on an island in Delaware Bay - at a concentration of 15 million picocuries per liter. That's 750 times the EPA drinking water limit. According to NRC records, the tritium readings last year still exceeded EPA drinking water standards.

And tritium found separately in an onsite storm drain system measured 1 million picocuries per liter in April 2010.

Also last year, the operator, PSEG Nuclear, discovered 680 feet of corroded, buried pipe that is supposed to carry cooling water to Salem Unit 1 in an accident, according to an NRC report. Some had worn down to a quarter of its minimum required thickness, though no leaks were found. The piping was dug up and replaced.

The operator had not visually inspected the piping - the surest way to find corrosion- since the reactor went on line in 1977, according to the NRC. PSEG Nuclear was found to be in violation of NRC rules because it hadn't even tested the piping since 1988.

Last year, the Vermont Senate was so troubled by tritium leaks as high as 2.5 million picocuries per liter at the Vermont Yankee reactor in southern Vermont (125 times the EPA drinking-water standard) that it voted to block relicensing - a power that the Legislature holds in that state.

In March, the NRC granted the plant a 20-year license extension, despite the state opposition. Weeks ago, operator Entergy sued Vermont in federal court, challenging its authority to force the plant to close.

At 41-year-old Oyster Creek in southern New Jersey, the country's oldest operating reactor, the latest tritium troubles started in April 2009, a week after it was relicensed for 20 more years. That's when plant workers discovered tritium by chance in about 3,000 gallons of water that had leaked into a concrete vault housing electrical lines.

Since then, workers have found leaking tritium three more times at concentrations up to 10.8 million picocuries per liter - 540 times the EPA's drinking water limit - according to the New Jersey Department of Environmental Protection. None has been directly measured in drinking water, but it has been found in an aquifer and in a canal discharging into nearby Barnegat Bay, a popular spot for swimming, boating and fishing.

---

EXELON'S PIPING PROBLEMS

To Oyster Creek owner Exelon - the country's biggest nuclear operator, with 17 units - piping problems are just a fact of life. At a meeting with regulators in 2009, representatives of Exelon acknowledged that "100 percent verification of piping integrity is not practical," according to a copy of its presentation.

Of course, the company could dig up the pipes and check them out. But that would be costly.

"Excavations have significant impact on plant operations," the company said.

Exelon has had some major leaks. At the company's two-reactor Dresden site west of Chicago, tritium has leaked into the ground at up to 9 million picocuries per liter - 450 times the federal limit for drinking water. Leaks from Dresden also have contaminated offsite drinking water wells, but below the EPA drinking water limit.

There's also been contamination of offsite drinking water wells near the two-unit Prairie Island plant southeast of Minneapolis, then operated by Nuclear Management Co. and now by Xcel Energy, and at Exelon's two-unit Braidwood nuclear facility, 10 miles from Dresden. The offsite tritium concentrations from both facilities also were below the EPA level.

The Prairie Island leak was found in the well of a nearby home in 1989. It was traced to a canal where radioactive waste was discharged.

Braidwood has leaked more than six million gallons of tritium-laden water in repeated leaks dating back to the 1990s - but not publicly reported until 2005. The leaks were traced to pipes that carried limited, monitored discharges of tritium into the river.

"They weren't properly maintained, and some of them had corrosion," said Exelon spokeswoman Krista Lopykinski.

Last year, Exelon, which has acknowledged violating Illinois state groundwater standards, agreed to pay $1.2 million to settle state and county complaints over the tritium leaks at Braidwood and nearby Dresden and Byron sites. The NRC also sanctioned Exelon.

Tritium measuring 1,500 picocuries per liter turned up in an offsite drinking well at a home near Braidwood. Though company and industry officials did not view any of the Braidwood concentrations as dangerous, unnerved residents took to bottled water and sued over feared loss of property value. A consolidated lawsuit was dismissed, but Exelon ultimately bought some homes so residents could leave.

---

PUBLIC RELATIONS EFFORT

An NRC task force on tritium leaks last year dismissed the danger to public health. Instead, its report called the leaks "a challenging issue from the perspective of communications around environmental protection." The task force noted ruefully that the rampant leaking had "impacted public confidence."

For sure, the industry also is trying to stop the leaks. For several years now, plant owners around the country have been drilling more monitoring wells and taking a more aggressive approach in replacing old piping when leaks are suspected or discovered.

But such measures have yet to stop widespread leaking.

Meantime, the reactors keep getting older - 66 have been approved for 20-year extensions to their original 40-year licenses, with 16 more extensions pending. And, as the AP has been reporting in its ongoing series, Aging Nukes, regulators and industry have worked in concert to loosen safety standards to keep the plants operating.

In an initiative started last year, NRC Chairman Gregory Jaczko asked his staff to examine regulations on buried piping to evaluate if stricter standards or more inspections were needed.

The staff report, issued in June, openly acknowledged that the NRC "has not placed an emphasis on preventing" the leaks.

And they predicted even more.

---

The AP National Investigative Team can be reached at investigate(at)ap.org

 

EDUCATION: Teach for America: A Failed Vision > NewBlackMan

Wednesday, June 22, 2011

Teach for America:

A Failed Vision

by Mark Naison | special to NewBlackMan

 

Every spring without fail, a Teach for America recruiter approaches me and asks if they can come to my classes and recruit students for TFA, and every year, without fail, I give them the same answer: “Sorry. Until Teach for America changes its objective to training lifetime educators and raises the time commitment to five years rather than two, I will not allow TFA to recruit in my classes. The idea of sending talented students into schools in high poverty areas and then after two years, encouraging them to pursue careers in finance, law, and business in the hope that they will then advocate for educational equity rubs me the wrong way”

 

It was not always thus. Ten years ago, when a Teach for American recruiter first approached me, I was enthusiastic about the idea of recruiting my most idealistic and talented students for work in high poverty schools and allowed the TFA representative to make presentations in my classes, which are filled with Urban Studies and African American Studies majors. Several of my best students applied, all of whom wanted to become teachers, and several of whom came from the kind of high poverty neighborhoods TFA proposed to send its recruits to teach in.

 

Not one of them was accepted! Enraged, I did a little research and found that TFA had accepted only four of the nearly 100 Fordham students who applied. I become even more enraged when I found out from the New York Times that TFA had accepted 44 out of a hundred applicants from Yale that year. Something was really wrong here if an organization who wanted to serve low income communities rejected every applicant from Fordham who came from those communities and accepted half of the applicants from an Ivy League school where very few of the students, even students of color, come from working class or poor families.

 

Since that time, the percentage of Fordham students accepted has marginally increased, but the organization has done little to win my confidence that it is seriously committed to recruiting people willing to make a lifetime commitment to teaching and administering schools in high poverty areas.

 

Never, in its recruiting literature, has Teach for America described teaching as the most valuable professional choice that an idealistic, socially conscious person can make, and encourage the brightest students to make teaching their permanent career. Indeed, the organization does everything in its power to make joining Teach for America seem a like a great pathway to success in other, higher paying professions.

 

Three years ago, the TFA recruiter plastered the Fordham campus with flyers that said “Learn how joining TFA can help you gain admission to Stanford Business School.” To me, the message of that flyer was “use teaching in high poverty areas a stepping stone to a career in business.” It was not only profoundly disrespectful of every person who chooses to commit their life to the teaching profession, it advocated using students in high poverty areas as guinea pigs for an experiment in “resume padding” for ambitious young people.

 

In saying these things, let me make it clear that my quarrel is not with the many talented young people who join Teach for America, some of whom decide to remain in the communities they work in and some of whom become lifetime educators. It is with the leaders of the organization who enjoy the favor with which TFA is regarded with captains of industry, members of Congress, the media, and the foundation world, and have used this access to move rapidly to positions as heads of local school systems, executives in Charter school companies, and educational analysts in management consulting firms.

 

The organization’s facile circumvention of the grinding, difficult but profoundly empowering work of teaching and administering schools has created the illusion that there are quick fixes, not only for failing schools, but for deeply entrenched patterns of poverty and inequality. No organization has been more complicit than TFA in the demonization of teachers and teachers unions, and no organization has provided more “shock troops” for Education Reform strategies which emphasize privatization and high stakes testing. Michelle Rhee, a TFA recruit, is the poster child for such policies, but she is hardly alone. Her counterparts can be found in New Orleans ( where they led the movement toward a system dominated by charter school) in New York ( where they play an important role in the Bloomberg Education bureaucracy) and in many other cities.

 

And that elusive goal of educational equity. How well has it advanced in the years TFA has been operating? Not only has there been little progress, in the last fifteen years, in narrowing the test score gap by race and class, but income inequality has become greater, in those years, than any time in modern American history. TFA has done nothing to promote income redistribution, reduce the size of the prison population, encourage social investment in high poverty neighborhoods, or revitalize arts and science and history in the nation’s schools. It’s main accomplishment has been to marginally increase the number of talented people entering the teaching profession, but only a small fraction of those remain in the schools to which they were originally sent.

 

But the most objectionable aspect of Teach for America–other than its contempt for lifetime educators—is its willingness to create another pathway to wealth and power for those already privileged, in the rapidly expanding Educational Industrial Complex, which offers numerous careers for the ambitious and well connected. An organization which began by promoting idealism and educational equity has become, to all too many of its recruits, a vehicle for profiting from the misery of America’s poor.

 

***

 

Mark Naison is a Professor of African-American Studies and History at Fordham University and Director of Fordham's Urban Studies Program. He is the author of three books and over 100 articles on African-American History, urban history, and the history of sports. His most recent book White Boy: A Memoir, published in the Spring of 2002.

 

 

VIDEO: Nina Simone 

Seven For Saturday:

7 Nina Simone Videos

Nina Simone"Seven for Saturday" is a great way to see some of the men and women of jazz in action.  Today, you get to sit back and enjoy the one and only Nina Simone

Ms. Simone's music has a little bit of everything in it - jazz, blues, soul, folk, gospel and pop.

I hope that you enjoy the videos. Let me know what you think by leaving a comment. :)

"She was one of the most extraordinary artists of the twentieth century, an icon of American music. Ms. Simone was the consummate musical storyteller, a griot as she would come to learn, who used her remarkable talent to create a legacy of liberation, empowerment, passion, and love through a magnificent body of works.

 Miss Nina earned the moniker ‘High Priestess of Soul’ for she could weave a spell so seductive and hypnotic that the listener lost track of time and space as they became absorbed in the moment. She was who the world would come to know as Nina Simone." [from ninasimone.com]

Bonus! I couldn't present Nina Simone to you without having Mississippi Goddam, Feelin' Good and Sinnerman. :)


 

PUB: Grand Rapids Region Writers Group: Writing Contest

Writing Contest

 

If "Enter a Contest" is on your list of writing goals, well, have we got the opportunity for you. Send us your very best work, and it'll be judged by a panel of authors both published and unpublished. If it makes it to the final round, your work will be seen by one of the top genre agents in the United States, Miriam Kriss from the Irene Goodman Agency*

 

Official rules:

Genre fiction only.

Unpublished entrants only. If you are previously published, you must be out of contract for at least 1 year by the entry deadline.

 

The entry fee for the contest is $25.00 entry fee must be paid via Paypal within 24 hours of entry submission.

All submissions must be in .doc form.

All submissions must be electronic. No paper entries will be accepted.

Submission should include the first chapter of your novel, up to thirty pages in 12pt monotype font, double spaced.

If your category should receive less than 3 entries, you will be contacted via the email address you provide.

The highest rated entrant in each category will advance to final round judging.

Official Schedule of Events:


July 15, 2011 All entries and entry fees must be received by July 15.
August 20, 2011 Finalists will be announced.
October 22, 2011 The winner will be announced at GRRWG's "I've Always Wanted to Write A Book!" conference. Winner will be contacted via email and results will be posted on the GRRWG blog.

How to Enter:


To enter, please email your name or pseudonym (if applicable), genre of your story (the contest is open to mystery/thriller, scifi/fantasy/horror, romance, western/adventure, and young adult submissions), and your submission (in .doc format, as an attachment) to GRRWG at grrwg@yahoo.com with CONTEST in the subject line. PayPal your $25.00 entry fee to grrwg@yahoo.com with CONTEST in the memo line. You will receive a confirmation email once the payment is processed.

*GRRWG makes no promise of an offer of representation should an entrant advance to the final round

 

 

PUB: The Shroud Publishing 2011 Collegiate Fiction Award

The Shroud Publishing 2011 Collegiate Fiction Award

 

Submission Dates:  March 1st, 2011 through July 31st, 2011

Response Time:  1 to 3 months after the end of the submission period

Submission email:  cfa@shroudmagazine.com

Format and word count:  Electronic submissions only; .rtf or .doc file attachment; no more than 500 words.

Awards:

1st place -- $100, publication in Shroud Magazine, two free contributor copies, and a hand-lettered “Hiram Award” presented at the Anthology 2011 Conference (anthocon.com) at the Wynwood Best Western in Portsmouth NH, November 11-13, 2011.

Honorable Mentions (4) -- Publication in Shroud Magazine, one contributor copy, and a hand-lettered “Hiram Award” presented at the Anthology 2011 Conference at the Wynwood Best Western in Portsmouth NH, November 11-13, 2011.

All awardees will receive a free weekend pass to the Anthology 2011 Conference, where they may participate in workshops and seminars focussed on the craft of genre writing.

Details:  Shroud Publishing, a Milton, NH-based publisher of Shroud Magazine, The Journal of Dark Fiction and Art, is accepting submissions of exceptional flash fiction from college students. Shroud endeavors to discover the bold new voices emerging from within the realm of dark speculative fiction. Stories may be on any topic, provided that they are speculative in nature, and would fit the thematic orientation of Shroud Magazine as stated in its submission guidelines at www.shroudmagazine.com. There is no fee to enter.

Stories will be judged by Shroud’s editorial team using the following general criteria:

Originality, uniqueness;
Exceptional use of craft techniques (dialogue, narrative tension, subtext, POV, etc.)
Basic compositional ability;
Adherence to Shroud’s submission guidelines at www.shroudmagazine.com

Shroud will acknowledge receipt of submissions, but will be unable to personally respond to, or critique every submission.

Learn more about Shroud at www.shroudmagazine.com; Twitter: Shroudmag

 

 

PUB: Call for papers - Black Resistance in an Age of Revolution: A Symposium Commemorating the 200th Anniv. of LA's 1811 Rebellion

CFP:

Black Resistance in an Age of Revolution:

A Symposium Commemorating the 200th Anniv. of LA's 1811 Rebellion

by Shantology on Tuesday, June 21, 2011 at 12:12am

 

Passing On Information.

 

CALL FOR PAPERS

 

Black Resistance in an Age of Revolution:

 

A Symposium Commemorating the Bicentennial of the 1811 Slave Uprising in Territorial Louisiana

 

Tulane University, New Orleans, Louisiana, USA

 

OCTOBER 13th- October 15th, 2011

 

In January of 1811 at least two hundred and possibly as many as five hundred enslaved Africans and African-Americans living west of New Orleans (in present day St. John the Baptist and St. Charles Parishes) launched the largest slave rebellion in the history of North America and the United States.  Like all slave rebellions in the Americas-with the singular exception of the Haitian Revolution-this revolutionary struggle failed and dozens of people were summarily tried and executed in the aftermath.  Although other slave rebellions have received far greater attention both in popular history venues and in academic arenas, the 1811 Rebellion was both a singular and an emblematic event which occurred in the midst of an age of revolutionary change for enslaved African-descended peoples through the Americas.  This era, beginning in the late 1700s, was marked most significantly by the success of the Haitian revolution (1791-1804) but also included the liberation of enslaved black populations amidst independence struggles from New England to South America, and dozens of major slave uprisings which occurred from the 1760s up until the final emancipations of enslaved African-descendants which occurred in the United States, Cuba, Puerto Rico and Brazil between 1861 and 1888.

 

Beginning in 2009 Tulane University entered into a collaborative effort with Destrehan Plantation (a significant site in the 1811 rebellion) and the New Orleans African American Museum planning a series of events designed to raise the awareness of this major historical event among both popular and academic audiences.  Papers are invited on any subject related to the conference theme.  However, preference will be given to submissions which focus on armed slave rebellion, rather than other forms of slave resistance.  Possible paper themes may include:

 

 

*          The 1811 Louisiana slave uprising (sometimes called the German Coast Rebellion)

 

*          Regional impacts of the Haitian Revolution

 

*          Public history, memory and commemoration of slave rebellions and slave rebels

 

*          Slave uprisings in Latin America & the Caribbean in the Age of Revolution

 

*          Women, gender and slave rebellion in the revolutionary Americas

 

 

Please email abstracts of 200-250 words to: 1811uprising@tulane.edu <mailto:1811uprising@tulane.edu>

Deadline:  Friday 12th August, 2011.

 

Abstracts should be accompanied by a one-page curriculum vita and relevant contact details.  Support for airfare and accommodations may be available for symposium participants.  Further details will be provided later.  Inquiries about the conference may also be sent to the conference email address.  The conference will be jointly hosted by Tulane University, the New Orleans African-American Museum, the River Road Historical Society and Destrehan Plantation.

 

 

 

 

EVENT: London Literature Festival 2011 > UK Black Writers Board

London Literature

Festival 2011

 

This years Festival will run from 30th June  – 14th July at  The Southbank Centre

This years  Festival will feature the folowing Authors;

Thursday 7th July 2011  @ 7.45pm  , £8.00

African Writers Evening

sarah19of23fscopy

To celebrate the South Bank’s history as a brewery site, African Writers’ Evening explores the role of the bar as a key location in fiction. The evening features readings and conversation with Ben Okri, whose Madame Koto’s Bar plays a pivotal role in the Booker Prize-winning The Famished Road, and Sarah Ladipo Manyika, author of the novel In Dependence. Ben Okri was born in Minna, Nigeria and is the author of eight novels as well as collections of poetry, short stories and essays. Sarah Ladipo Manyika was raised in Nigeria and has lived in Kenya, France and England. She published her first novel, In Dependence, in 2008 and is also the author of essays and short stories.

  

8th July 2011 @ 7.45pm   £10.00

 Carlos Moore joins Southbank Centre Artist in Residence Lemn Sissay for a night of readings and recollections about his amazing life, including previously unseen footage of Fela Kuti in performance. Banished from his native Cuba for his opposition to Castro’s racial policies, Carlos Moore has since lived in many lands during his 34-year exile. A distinguished academic, journalist and writer, he met Fela Kuti in Nigeria and wrote his biography in This Bitch of a Life in 1982. His most recent book is Pichón: Race and Revolution in Castro’s Cuba from 2008.

Saturday 9th July @  7.45pm   £10

Colin Grant & Linton Kwesi Johnson: Trench Town Rock

Linton Kwesi Johnson discuss one of the biggest and most influential groups of the 20th century, The Wailers. Colin Grant’s book I & I – The Natural Mystics is the remarkable story of the rise and history of The Wailers, from ghetto life to worldwide acclaim, which digs deeper into the politics and ideologies that provoked their spirit. He argues that in their different characters each member of the trio offered a role model, and his exploration concludes with a search for the last surviving Wailer. The event includes rare film footage and music.

Monday 11th July 2011  @7.45pm  £8.00

Helen Oyeyemi takes us in a new direction with a reading from her latest novel Mr Fox, a mischievous story of love, lies and inspiration. Mr Fox is a magical book, as witty and charming as it is profound in its truths about how we learn to be with one another. Helen Oyeyemi was born in Nigeria in 1984 and moved to London when she was four. She is also the author of White is for Witching, which won a 2010 Somerset Maugham Award.

The event is chaired by critic Suzi Feay.

Thursday 14th July @8pm  £13.00

Rhythm & Poetry

Photo of Polarbear

A no-clutter, no-fuss, straight-up nostalgic evening of hip-hop inspired poems and favourite hip-hop songs, featuring Charlie Dark, Inua Ellams, PolarBear, Roger Robinson, Jacob Sam La-Rose, Kate Tempest, Warsan Shire, Poetic Pilgrimage and Zena Edwards.

FOR FURTHER INFORMATIION CONCERNING THE LONDON LITERATURE FESTIVAL http://ticketing.southbankcentre.co.uk/find/festivals-series/london-literature-festival

 

VIDEO: Hot Grrrl: Ntozake Shange > theHotness

Hot Grrrl: Ntozake Shange

NOVEMBER 24, 2010

Last Monday afternoon, after switching up my schedule, I nervously went to the Nuyorican Poets Café website to purchase tickets. I had postponed a conference call and changed my dinner plans, yet I wasn’t even sure if there were still tickets available for Ntozake Shange’s rare appearance that night at the legendary hot spot for spoken word, poetry and music. I clicked “1-Ticket” and sho nuff my card was charged $12 to see the woman who had penned “for colored girls who have considered suicide/ when the rainbow is enuf,” “Nappy Edges,” “Sassafras, Cypress & Indigo,” and “Liliane.” She’s currently working on creating a play or some sort of live performance piece based on Liliane and decided that she would share what she and her ensemble were working on in front of a live audience. I was amped like party speakers at a Boogie Down block party. I was finally going to see, in person, one of my writing idols!

After all the hullabaloo with Tyler Perry’s movie adaptation– For Colored Girls, I didn’t know what to expect from the audience at Nuyorican and I didn’t even know what to expect from sister Shange. The only image I had of her was from her book flaps– her café au lait skin, her long blondish locks and that soft knowing smile. On November 15th I walked into a packed room at Nuyorican Poets Café and I stood by the bar. With a racing heart, I looked over at the stage and saw HER. Sitting barefoot on a couch in a beautiful custom-made hot pink and black jumpsuit with feather earrings and long gold painted fingernails, Zake, as her friends like to call her, looked just a lil older rocking a baldy, but was still oh so fly!

She was joined on stage by a singer, a couple of instrumentalists and a male actor who was amazing. The rapport between Ntozake Shange, which means “she who has her own things who walks/lives with lions” and this fine thespian was a slow simmer that at times boiled, baked and even burned with street talk, sex and salsa. Hearing about a gringa negra, coconut milk & ‘clits dat glowed in the dark,’ reminded me of Ntozake Shange’s futuristically urban voice. Afroed-space. Milky way matanzas.

My favorite line of the night came early on when Ntozake, as Liliane, declared, “I don’t turn men off I turn them down.” Yeah, Zake is gully like that!

I’ve only read half of Liliane, but because of that reading I’m now starting it again. Looking at my book I noticed one of my favorite passages highlighted:

That depends on what you mean by success. Is the Negro going to be really free at say midnight tonight, no. Are we going to be free of the insanity of Jim Crow by dawn, absolutely not. But you girls have to realize the freedom you wage your most serious battle for is your very own mind. No white man on this earth has the power or the right, for that matter, to control a single inch of your brain. Your minds, girls, are the first battlefields for freedom.

Ya, yayyyyaaaaaa, nya zo!!!!!! (sorry reading that always causes me to speak in tongues).

Hearing Ntozake’s voice was also enlightening. She didn’t sound as I thought she would. She had had a stroke and that made her pronunciation, at times, a lil unsteady, but her tone was always warm, sharp and soothing at the same time. It was balm. Can’t imagine how good she probably sounds reading her famous choreopoems.

During the Q&A session many things were revealed:

* Someone asked Ntozake what she had to say to “the puritans” who hated Tyler Perry’s film. She said that they would probably be happy with the version that’s coming to Broadway next year!

* She is interested in bringing Sassafrass, Cypress & Indigo to the big screen and is working on a screenplay now.

* When asked how she feels about For Colored Girls relevance today, Ms. Shange answered: “What makes me sad is that the issues in “For Colored Girls” are still relevant today.”

* Ntozake Shange is especially interested in doing something with Liliane because it is her only character that she feels is stuck. (“I’m trying to move her… hopefully to the stage.”) Also through Liliane she’s able to explore mental health & Black folk: “With over 400 years of slavery and oppression, it’s no wonder Black folk and mental health is such a huge issue. I want to open the darkroom.”

Here is Ntozake at Nuyorican in 2008 for the premiere of “Mad Woman”:

   

 

 

INTERVIEW + AUDIO: Andrea Levy > guardian.co.uk

Andrea Levy wins

Walter Scott prize

The Long Song takes £25,000 award for historical fiction

Andrea Levy
'Very honoured' ... Andrea Levy. Photograph: Murdo Macleod

 

Andrea Levy's story of the end of slavery, The Long Song, has won the £25,000 Walter Scott prize for historical fiction.

 

Told as the memoir of an old Jamaican woman who was once a slave on a sugar-cane plantation in early 19th-century Jamaica, The Long Song beat titles including David Mitchell's tale of 18th-century Japan, The Thousand Autumns of Jacob de Zoet, and Tom McCarthy's experimental take on the life of a first world war radio operator, C, to win the award.

 

Levy said she was "very honoured" to have been chosen by judges as this year's winner. "This is a generous literary prize which focuses attention on an important aspect of the role of fiction. Fiction can – and must – step in where historians cannot go because of the rigour of their discipline. Fiction can breathe life into our lost or forgotten histories," said the author, who won the Orange prize for her evocation of a Jamaican immigrant couple in postwar London, Small Island.

 

"My subject matter has always been key to what and why I write – the shared history of Britain and those Caribbean islands of my heritage," she added. "So lastly I would like to remember all those once-enslaved people of the Caribbean who helped to make us all what we are today."

 

The judging panel, which included children's author Elizabeth Laird and journalist and historical novelist Allan Massie, said The Long Song was "quite simply a celebration of the triumphant human spirit in times of great adversity".

 

"Andrea Levy brings to this story such personal understanding and imaginative depth that her characters leap from the page, with all the resilience, humour and complexity of real people," they said in a statement. "There are no clichés or stereotypes here."

 

The Walter Scott prize is sponsored by the Duke and Duchess of Buccleuch, whose ancestors were closely linked to Scott, and uses Scott's famous novel Waverley to pin down what constitutes historical fiction: events must have taken place at least 60 years before publication, making them outside the author's own "mature personal experience". Last year's inaugural award was won by Hilary Mantel, for her story of the life of Thomas Cromwell, Wolf Hall.

 

__________________________


Guardian book club podcast:

Andrea Levy

 

 

 

 

The writer explains how Small Island was driven by a wish to write about her parents' experience as immigrants, and that of the white British who met them

guardian.co.uk, Monday 31 January 2011 15.01 GMT

Andrea Levy explains to the book club that the motivation driving Small Island was a wish to better understand both her parents' generation – her father being among the generation of West Indians who arrived in England on the Empire Windrush – and the experience of the white English getting used to their new neighbours.

She says that during the research for the book, she was very struck by the differences between the reception met in wartime Britain by black American and Caribbean soldiers: how the former, living in segregated barracks, were met with immediate hostility; while the Caribbeans only began to encounter discrimination in the late 40s as the Windrush generation settled in England.

The novelist also talks about Small Island's structure, which moves backwards and forwards in time around the pivot of 1948 (and how only American reviewers were able to get the hang of this). The structure, she explains, was only constructed after she had finished writing the book, weaving together bits of the story written at different times. The title itself, she says, was something she only found after the novel was completed.

The craft of writing, meanwhile, she says was a skill she learnt from watching TV rather than reading books.

 

__________________________

Small Island by


Andrea Levy

 

Week three: Andrea Levy on how her book emerged through her own family history


I hadn't realised I was starting a novel, I thought I was just being curious about my own family history when, in my 40s, I finally got my mum to tell me about her experiences of emigrating from Jamaica to Britain. She always claimed that I was never interested in her past when I was younger. But the way I remember it, neither she nor my dad ever seemed to want to talk about their lives in Jamaica, or about why in 1948 they made the momentous decision to leave that island to come to another. Whatever the truth, that silence was finally breached and my mother, reluctantly, began to speak to me about her life before I was born. I was gripped from the start as those two familiar parents of mine began to emerge as fully rounded human beings with an amazing story to tell.

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My dad had died in the 1980s, but I remember him mentioning, almost in passing, that he had sailed to this country on a ship called the Empire Windrush. Over the next decade or so the name of that ship kept cropping up – in TV documentaries, books, newspaper articles. By the mid-90s there was even talk of the "Windrush generation". The arrival of that ship in 1948, with its 492 West Indian migrants looking for work and betterment in the mother country had become an important moment in our recent history – a point at which British society began to change. And he was one of the pioneers. My Dad!

I wanted to explore the relationship that the Caribbean islands had with Britain. After all it was no accident, no sticking a pin in a map, which brought my parents here. It was a legacy of the British empire. My parents believed themselves to be British. They really thought they would be welcomed here. They really did get a shock.

But throughout my mum's story of arriving in England, she would talk about the white English people she met. Some she dismissed with a wave of her hand, but others she would talk of fondly. That they helped her, and made an impact on her, was clear. I realised if I was going to tell this story I had to tell it from all sides. Not only the immigrants' tale, but also from the point of view of the people that those immigrants came to live among. Their lives were changed by that migration to Britain just as my parents' lives were.

I had also been talking to my mother-in-law about her childhood. She had grown up in the 1920s and 30s on a farm in the East Midlands. Those conversations became very important in forming Queenie's back-story. In my mother-in-law's conversations she talked about her husband, who died in the 1960s and who I never met. He had been in the RAF in Burma during the second world war. I suddenly realised what a catalyst the war must have been. That conflict was barely over when my parents arrived in bombed-out London.

I was also struck by how much my parents and my parents-in-law would have had in common despite the obvious difference of the colour of their skin. What would have happened if by some chance they could have met at that time? Would they have been able to discover this common ground? That's when I began to imagine four people – two white English, two black Jamaican – in a rundown house in Earls Court in 1948. What happened to them to bring them to that place and time? And what would they think of each other?

So the book was started. At first I was very nervous writing a totally researched book. Unlike my previous novels I was venturing out of my own experience and into another world. But it became so fascinating that the fears disappeared. I read books, old newspapers, visited archives and museums, watched films. I talked to war veterans and people who had lived through those times. I immersed myself in the period I was writing about, the speech, the attitudes, even the music and the styles of dress. It was such fun. Four distinct characters began to form in my head, and all of them seemed to demand that they tell their own stories. So four first-person narratives became the structure of the novel. And as I explored their stories I came to better understand the relationship between the country of my birth and the country of my heritage. Small Island was a joy to write and those characters will stay with me forever. It became a work of fiction, but for me it still remains something of a family history, too.