PUB: Vallum Magazine

Vallum Award for Poetry 2011

DEADLINE June 30, 2011 (postmark)

Some of the best poets in the world have graced the pages of
Vallum: new international poetics. Time to join the ranks!

Vallum is accepting original and previously unpublished poetry submissions for the Vallum Award for Poetry 2011.

ENTRY FEE:

$20 CDN for Canadian residents, $20 USD for international entrants, which includes a free one-year subscription to Vallum. Payment can be made by cheque or through our online store hosted by Paypal. 



CONTEST RULES:

  1. Submit up to 1-3 poems of no more than 25 lines each. Do not label your poems with your name or address; instead include a cover letter with all pertinent information.
  2. All submissions must arrive through regular mail. (No electronic submissions).
  3. Poems may be on any theme or subject, but must be original and not previously published.
  4. 1st prize is $500, 2nd $250. Honourable Mentions may be selected and published but are not eligible for cash prizes. 

 

website url: http://www.vallummag.com/contest.html

 

PUB: The Prize | Lorenzo Natali Journalism Prize

In a Nutshell

Established in 1992 by the European Commission, the Lorenzo Natali Prize is awarded to journalists for outstanding reporting on Human Rights, Democracy and Development issues.

To organize the Lorenzo Natali Prize, the European Commission works closely with the Reporters Without Borders, winner of the Sakharov Prize in 2005. The Prize has numerous regional multipliers.

Three print and online press winners from each of the five geographic areas – Africa, The Arab World and the Middle East, Asia and the Pacific, Europe, and Latin America and the Caribbean – will receive prize money (1st prize: EUR 5 000, 2nd prize: EUR 2 500, 3rd prize: EUR 1 500) and a trophy.

The two winners of the Special TV Prize and Special Radio Prize, drawn from entries from all regions, will be awarded EUR 5 000 each.

The Lorenzo Natali Grand Prize of an additional EUR 5 000 will be awarded to the winning journalist(s) submitting the best piece of work overall, as determined by an independent Grand Jury.

All Prize winners will be the special guests of the European Commission at an Awards Ceremony organised in their honour in December 2011.

The deadline for receipt of applications is 31 August 2011 and more information about the application process can be found in the FAQs and Rules sections.

 

REVIEW: Book—Sex and Race in the Black Atlantic Mulatto Devils and Multiracial Messiahs > Black Atlantic Resource Debate

Sex and Race
in the Black Atlantic
Mulatto Devils and
Multiracial Messiahs

Daniel McNeil, Sex and Race in the Black Atlantic Mulatto Devils and Multiracial Messiahs 2010 (Routledge, London)

 

Review by: Muli Amaye Published: March 2011

 

As a part of the Routledge Studies series on African and Black Diaspora this book is a necessary and useful addition. The fact that it brings a lot of research and theory together makes it a good starting point for information on an important part of the Diaspora that is often overlooked, other than with curiosity or somewhat derogatory terms.

 

Overall the book is informative and provides the reader with extensive notes at the end broken down by chapters and a thorough bibliography. McNeil has linked theories and philosophies to literature and contemporary TV/film in a way that provides the reader with understandable examples and brings the text to life. The writing is accessible and readable using language in a way that opens the book up from pure academia and puts it into the public sphere.

 

The book is split into 6 main chapters plus a preface and a conclusion. The headings for the chapters do not give a lot of information to the reader looking for specific information, however, the short preface deals with this. Each chapter draws on what has been written previously i.e. Schulyer, Rank and Dubois are used comparatively throughout, which gives the book coherence.

 

Overall this book is a comprehensive look at the mixed race population bringing the debate right up to date and offering a fresh look at theories and philosophies by introducing creative expression into the forum. By challenging what has been written and debated before, McNeil encourages the reader to think beyond what has always been on offer by leading theorists and to question whether it is time for a fresh look.

 

The following is a very brief overview of each chapter.

 

Preface

 

The preface introduces the book immediately by offering opening literary credits followed by a personal anecdote. This promises a fresh look at theory and literature grounded in reality. It gives a brief outline of each chapter, which is a useful for research purposes, although the length and accessibility of the text makes reading the whole book easy.

 

McNeil begins his acknowledgement outlining his reasons for writing this book, which once more added a personal touch for the reader particularly when he explains that the text was born from anger. The reading belies this emotion because it is offered as a scholarly text and fits well within that remit.

 

Chapter 1 – New People?

 

Starting with a quote from Rudyard Kipling, The White Man’s Burden (1899) ending with the line ‘Half devil and half child’ McNeill sets up the tone of the chapter and alerts the reader to his critique of what has gone before. The title indicates that McNeill is not making a judgment with what is to come but is questioning and enquiring through the literature that has gone before.This chapter, as expected, is a literature review and offers the reader an in depth insight into the literature that has gone before and gives a historical account of the ‘half-caste’ and ‘mulatto’ from colonization onwards. This is very informative and gives the reader the opportunity to research further from Dubois, Schulyer and Rogers to the novel Quicksand by Nella Larsen. McNeill refers to philosophers such as Rank and Freud, Fanon and introduces lesser-known theorists as well as making reference to modern day mixed race celebrities. This chapter is American-centric although there are a few references to the UK. What stands out immediately is the reference to female writers and actors, which makes a welcome change.

 

Chapter 2 – An Individualistic Age?

 

This chapter begins with a quote from Otto Rank making reference to Freud and opens with a reference to both Marx and Freud dreaming about ‘grotesque racial hybrids’. This sets the tone for the chapter, which then goes on to give a brief history of Otto Rank and his ‘psychoanalytic study of the artist’. McNeil covers Du Bois and Fanon in separate headed sections that are informative and turns up some little known information that questions the male orientated view of these well-known philosophers, particularly around light skinned females.

 

What is interesting is the references McNeil makes throughout to females rather than males, which is a refreshing change.

 

Chapter 3 – Je suis metisse

 

This chapter begins with two quotes, one from The Diary of Anais Nin 1934-1939 and one from Nancy Cunard’s Negro (1970) both of which make reference to Harlem. The chapter focuses on the female and American culture. It gives an insight into the life of concert pianist and composer, Philippa Schuyler and her denial of her racial background in the 1950s.

 

McNeil explores this fully with referencing and quotes that shows his extensive research. He offers a fully complex character who does not conform to what is expected either of a female or a person of colour and it is this thorough investigation and reference to the philosophies that have gone before that make it interesting and thought provoking.

 

Chapter 4 – “I. Am. A Light Grey Canadian.”

 

This chapter begins with quotes by Marx and Rank. As the title suggests it is an exploration of the mixed race Canadian and introduces the work of Lawrence Hill who is also a novelist and is described by McNeil as ‘probably the most famous name in Canadian Studies of mixed race.’

 

The chapter quickly moves on to Dr Daniel Hill’s studies and after thorough and comparative investigation concludes that the writer does not necessarily agree with other scholars who claim his work updates Fanon’s Black Skin, White Masks, but as his final sentence in this chapter states it is about adding ‘context and understanding...in the study of mixed-race identities.’

 

Chapter 5 “I’m Black. Not Mixed. Not Canadian. Not African. Just Black.”

 

This chapter begins with quotes from Fanon and Rosa Emilia Warder.

 

The focus is once more on Canada and the ‘Atlantic thinkers’ but is informative and explores Fanon and James then moves onto Merseyside, which brings the text to the UK and McNeil’s personal interest. This is once more well researched and is thorough in its approach looking at both male and female perspectives as it moves from Nova Scotia to Merseyside and incorporates Hollywood stars and TV personalities.

 

Chapter 6 “Yes, We’re All Individuals!” “I’m Not.”

 

This chapter begins with a long quote from Maria P. Root, Multiracial Bill of Rights and a further quote from Siobhan Somerville.

 

The whole chapter is dedicated to mixed race celebrities and explores and examines through film and books and reference to philosophies and theories. This chapter incorporates sexuality, which the quote from Somerville suggests. McNeil uses contemporary films such as Walking Tall (2004) which starts ‘The Rock’ to illustrate his points. He ends the chapter in discussion of footballs Stan Collymore and referring to Rank and bringing the discussion back to Liverpool and the UK.

 

Conclusion

 

The short conclusion starts with a quote by SuAndi and a short paragraph outlines her stance with regard to Gilroy’s Black Atlantic.

 

McNeil does not offer the usual summing up within his conclusion but offers an in-depth look into the British comedy, The Office and makes reference to Star Trek. This does not detract from the book as an excellent source of information but reiterates the fresh eye with which he has surveyed the literature and film that has gone before and offered it to the reader with a new and clear perspective.

 

ENVIRONMENT: Greenland ice sheets melting faster than predicted > PRI's The World

Greenland ice sheets melting

faster than predicted

 

Download MP3

By Daniel Grossman

Two NASA pilots peer through the windshield of a four-engine turboprop plane flying low and slow over Greenland’s glistening ice sheet near Baffin Bay. The Orion P3 was built to ferret out Soviet subs during the Cold War, but now it’s searching for a new threat — melting ice near the Earth’s poles. Scientists on board are using remote sensing devices to measure the thickness of the ice sheet around the Jakobshavn Glacier, one of the fastest flowing glaciers in the world.

Climate researchers need accurate measurements of the changing thickness of the Greenland ice sheet in order to know how quickly it’s responding to global warming. NASA glaciologist Lara Koenig said the trend over the last few years is pretty clear.

“What we’ve seen is that the ice sheet is losing ice,” Koenig said. She added the melting is contributing to a rise in sea levels around the world.

The NASA findings dovetail with those of a new report released this week that projects global warming will cause sea levels to rise from three to five feet over the next 90 years, inundating many coastal regions, and that much of the increase will come from melting ice in the Arctic and Greenland.

Melting at an increasing rate

The Greenland Ice Sheet is huge — bigger than France, Spain and Germany combined, and more than a mile thick. If completely melted, its ice would raise global sea level by about 23 feet. No one expects that to happen in the foreseeable future. But the data collected by a series of NASA projects and others have shown that the Greenland Ice sheet is melting at an increasing rate.

University of New Hampshire glaciologist Mark Fahnestock said the speed with which things are changing here has changed how he thinks about his work. If you work on glaciers, he said, you get a lot of jokes about the glacial pace of things. “People think about that as being slow. But glaciologists don’t think about change as being slow anymore.”

Fahnestock studies the Jakobshavn glacier from the ground. He said in the late 1990s, the glacier suddenly doubled its speed. Now, each year, it releases about 10 cubic miles of ice, enough to flood the entire state of Texas in two inches of water. Fahnestock said pieces snap off the edge in incomprehensibly large blocks weighing up to a billion tons.

“You get these icebergs that are about a kilometer thick and maybe 400 meters wide along the glacier,” Fahnestock said. “And they flip on their sides and go horizontal. It sounds like 50 fright trains all moving at the same time.”

Fahnestock said so many icebergs crash into the ocean that the edge of the ice sheet around Jakobshavn has thinned like a deflated air mattress. And he said the same thing is happening to glaciers all over Greenland.

“The retreats now are very dramatic. They are, in combination around Greenland, a very large change,” Fahnestock said.

New study

The comprehensive new study released this week by a team of scientists from the eight Arctic countries shows that the change isn’t limited to Greenland. The report says the entire northern part of the world, from Alaska to Siberia, is warming and changing far faster than scientists had predicted just a few years ago.

But to paraphrase Bob Dylan, you don’t need a glaciologist, to know which way the ice flows.

Just ask Adam Lyberth, a native Inuit guide who’s lived all of his 49 years here in Greenland.

On a recent spring day, Lyberth was bringing tourists to the edge of the ice sheet near the town of Kangerlussuaq.

“We tell the tourists that this is the cleanest air you can inhale on Earth,” Lyberth said. And there were a lot of awestruck faces as the group looked out over a landscape of black, white and blue ice.

But recently Lyberth has noticed some weird changes in the landscape he thought he knew so well. Like a 100 foot high mound of smelly grey mud that had squirted up through a crack at the ice sheet’s glassy edge. It smelled awful, “like a pig farm. It’s a new experience, a pig farmer smell on ice cap,” he said.

Lyberth said it seems the ground beneath the ice edge was melting, releasing partly decomposed organic matter. And he’s noticed other changes, like more frequent ice quakes — shaking caused when the ice sheet lurches.

Lyberth can’t guess what this might mean for the future of Greenland. But NASA’s airborne scientists hope their research flights will help better predict the future here at the edge of the Greenland ice sheet and beyond.

 

HAITI: Martelly: Haiti's second great disaster - Opinion > Al Jazeera English

Martelly: Haiti's second great disaster

Haiti's new president is a friend of coup-plotters, fascists, and armed right-wing groups in his country and abroad.

 

Last Modified: 04 May 2011 19:14

Many of Haiti's poorest citizens were not dissuaded by former singer Michel 'Sweet Micky' Martelly's near-total lack of political experience [GALLO/GETTY]

No sooner had Michel "Sweet Micky" Martelly been confirmed the winner in Haiti's deeply flawed presidential election than he jumped on a plane and headed to Washington, where he met with his country's real power brokers: officials from the World Bank, the International Monetary Fund, the US Chamber of Commerce and the State Department. 

There, he committed his desperately poor country - where some 700,000 people are still homeless as a result of last year's earthquake - to fiscal discipline, promising to "give new life to the business sector". In exchange, Secretary of State Hillary Clinton gave him a strong endorsement. "We are behind him; we have a great deal of enthusiasm," she said. "The people of Haiti may have a long road ahead of them, but as they walk it, the United States will be with you all the way," she added.

Martelly, a well-known kompa singer, is an unusual choice to lead Haiti. With no political experience, he represents a clear break with the country's other democratically elected presidents since the island nation ousted the dictator Jean-Claude Duvalier and ushered in an unprecedented era of democracy.   

The US press billed his victory as "overwhelming". But with Haiti's most popular political party, Jean-Bertrand Aristide's Fanmi Lavalas, banned from participating in the election, a vast majority of Haitians didn't vote. Martelly took the presidency with just 16.7 per cent of the electorate. 

Compare this dismal turnout with the election of Haiti's last two presidents. Aristide, a popular liberation theologian priest, won the presidency twice in landslides where a majority of the electorate voted, first in 1990 and again in 2000. Aristide's first prime minister, Rene Preval likewise was elected twice by large margins with high turnouts, in 1995 and 2006. In this election, Martelly got two-thirds of the vote - but three-quarters of registered voters didn't turn up. 

It bodes ominously for Haiti, but Martelly may have more in common with Gerard Latortue, the head of state imposed on Haiti following the 2004 US-backed coup d'etat against Aristide. A South Florida talk-show host, Latortue, like Martelly, had no background in politics. But, like Martelly, he did have friends in Washington.  During Latortue's brief stint in office, 2004 - 2006, Haiti experienced some 4,000 political murders, according to The Lancet - while hundreds of Fanmi Lavalas members, Aristide supporters, and social movement leaders were locked up - usually on bogus charges. Latortue's friends in Washington looked the other way.

Martelly's Washington friends include Damian Merlo, his presidential campaign manager. Merlo's CV should alarm anyone concerned with democracy in Haiti. Merlo has worked for Otto Reich, the Iran-Contra veteran and supporter of coups in Honduras and Venezuela. Merlo has also worked with the International Republican Institute, which - under the banner of "democracy promotion" - funds "civil society" organisations to destabilise governments it deems to be a problem. 

During his stint at IRI, Merlo took steps to weaken Brazil's governing Workers' Party. Prior to taking on Sweet Micky's campaign, Merlo beefed up his experience with John McCain's failed 2008 presidential bid. McCain, interestingly, chairs IRI's board, and brought Reich on as a foreign policy adviser during the 2008 campaign.

Many Haiti observers may be familiar with the IRI for the key role it played in overthrowing Aristide's government during his second term. IRI trained and funded various anti-Aristide groups, promoted anti-Aristide propaganda, and, as described in a New York Times feature article in 2006, even worked to undermine political solutions being negotiated with Aristide by the US embassy and the Organisation of American States. Two years earlier, the IRI was also deeply involved in the failed coup against Venezuela's Hugo Chavez.

Support and campaign

While in Washington, Martelly promised his supporters that he would promote transparency when it came to foreign aid. That openness, however, apparently doesn't apply to his campaign donations, raising the possibility that he is funded by the same groups which drove Aristide from power in 2004. Martelly admits that he received financial support from foreign sources but, in response to questioning by the Miami Herald, he refused to identify them other than saying they are "people who believe in us". When pressed, he deflected, telling the interviewer, "you talk to them".

All told, Martelly reportedly spent some six million dollars on his campaign - the equivalent of $15billion in the US. To put this in perspective, Obama is hoping to spend US$1billion on his upcoming reelection campaign.  These deep pockets were probably the deciding factor in his victory.

It was Merlo, along with right wing Spanish PR group Ostos & Sola with close ties to Spain's neo-fascist Popular Party, that successfully made-over Martelly's public persona, putting him in a suit and encouraging him to tone down his rhetoric. These spin doctors counselled him to go from "Sweet Micky" - popular and bawdy entertainer, to the more respectable Michel Martelly - presidential candidate.

Still, some disturbing "Sweet Micky" outbursts bubbled up towards the end of the campaign - troublesome YouTube moments that might have doomed a presidential contender in the United States.  In one, apparently recent, video, Martelly was filmed surrounded by a small group of friends at a club. "All those shits were Aristide's faggots," he shouts in kreyol in the candid video, while pulling his T-shirt up and rubbing his belly. "I would kill Aristide and stick a dick up his ass."  This was followed by an audio recording - also posted on YouTube, accompanied by a photo of Martelly in a suit - in which the candidate denounced Fanmi Lavalas: "The Lavalas are so ugly. They smell like s**t. F**k you, Lavalas. F**k you, Jean-Bertrand Aristide."

Martelly's ties with coup-supporting Republicans in the US and neo-fascists in Spain are perhaps the least worrisome of the president-elect's relationships. His relationship to Haiti's violent far-right goes way back. It is well known, for instance, that he ran a nightclub frequented by Duvalierists in the late 1980's and early 1990's. He has also admitted to having joined the Tonton Macoutes - the world-infamous, murderous militia of the Duvalier dictatorships - in his younger days.  Martelly has also spoken freely about his friendships with convicted murderer Michel François and others involved in the coups against Aristide - which Martelly also admits he supported. His famous song, "I Don't Care" is a rebuff to controversy about such associations.

Obama's push

Despite all these documented troublesome statements and associations, the Obama administration went to great lengths to ensure that Martelly wound up running in the election's second round.

Official results in the disputed first round initially had the government-supported candidate, Jude Celestin, placed second, with Martelly close behind in third. Martelly's campaign alleged widespread fraud and other irregularities. True enough, but it was not clear that the net fraud went against him. When an Organisation of American States "expert" mission was sent in to determine the actual runner-up, they selected Martelly by recounting only a sample of the ballots, without using any statistical inference. The 234 tally sheets that they disqualified turned out to be from areas where Celestin had strong support. Six of the seven members of the OAS mission were from the US, Canada, and France - that is, the countries that supported the 2004 coup against Aristide. When questioned by independent experts from the Centre for Economic and Policy Research (who actually counted all the voter tally sheets in their independent election report), the mission could not explain its methodology. 

In fact, the mission's chief statistical expert - US statistician Fritz Scheuren - admitted that the OAS mission had no statistical basis for its recommendation: to replace Celestin with Martelly. Observers noted that it was also highly unusual - perhaps unprecedented - for an election to be overturned without a full recount.  

But that is exactly what happened. The Obama administration insisted that Haiti's electoral authorities accept the OAS mission's conclusions and put Martelly on the ballot. Hillary Clinton made a surprise trip to Haiti - in the midst of the Egypt uprising - just for this purpose. Preval was threatened with a cut off of US aid and even with being flown out of the country before his term was up - ala Aristide in 2004 - to pressure him to weigh in with the electoral council - even though the council, by law, is supposed to be independent.

Ultimately, the council never achieved a majority of members to support putting Martelly on the ballot.  But the council's spokesperson publicly stated that it had, and the election proceeded - with Martelly running instead of Celestin - with legal experts unsure whether the election would have any legal validity.

In short, the US government got its way. Following the deeply flawed first round of elections, Martelly supporters launched violent protests, sometimes attacking other candidates' partisans. By the time they were over, five people had been killed in the riots. Other disturbing incidents persisted even after Martelly was selected for the runoff ballot. On March 8, for example, three campaign workers for Martelly's opponent, Mirlande Manigat, were found murdered, their bodies mutilated in apparent signs of torture. The killers remain unknown, as does the motive.

Martelly and the army

To many observers, the violence seemed well-orchestrated, and Martelly conspicuously did or said little to attempt to reign in his raging supporters. Journalist Kim Ives has noted that, during the campaign, Martelly began organising something that looked familiar to the old system of Tonton Macoute "volunteers".  

"For $30, before the election, potential voters could join the Base Michel Joseph Martelly," writes Ives, "and invest in a pink plastic membership card, with photo, which promises many advantages (such as a job, say) when the Martelly administration comes to power."

As Ives notes, during the Duvalier period, "every Macoute received a card that afforded him many privileges, like free merchandise from any store he entered, entitlement to coerced sex, and fear and respect from people in general". The Macoutes became one of the most notorious death squads to wage terror in the region during the Cold War - no small accomplishment.

Considering this history, one proposal Martelly made on the campaign trail is especially alarming. He has promised to reconstitute the Haitian army, which Aristide disbanded over fifteen years ago.

The modern Haitian army was notoriously bloodthirsty. Established by the US military during its 1915-1934 occupation of Haiti, the army has long been denounced as a prolific human rights abuser. Since its 1995 disbanding - following overwhelming support for the measure in a popular poll - its "veterans" (including suspected narco-trafficker, Guy Philippe, and Louis Jodel Chamblain - head of security for Duvalier since his surprise return in January) have played a prominent role in the country's violent right wing. They were involved in overthrowing Aristide in 2004 and, in the past, have also engaged in occasional attacks on police stations, pro-Fanmi Lavalas communities, and even the presidential palace - sometimes wearing their old uniforms. When the death squad named the Front for the Advancement of the Haitian People terrorised the Lavalas support base following Aristide's 1991 ousting, it too was headed up by former soldiers - who were also funded by the CIA.

The Associated Press visited one would-be "army" camp just weeks before the second round of elections, encountering men there who proudly acknowledged their role in the 2004 coup. Some had served in the military during Aristide's first exile, when the army ruled Haiti, killing and raping thousands. The AP called it "a tableaux of the pro-military fringe right, a looming presence in Haiti".

Some of these "soldiers" and "officers"-in-waiting told freelance journalists just a few weeks later that Martelly had visited their camp during his campaign - certainly an ominous sign of things to come.

In the past, Martelly has made other worrying statements. He has said that, "Haiti needs a Fujimori-style solution" - a reference to Peruvian president Alberto Fujimori's power grab, when he dissolved Congress - and called for the outlawing of "all strikes and demonstrations" - something his backers in Washington would undoubtedly welcome. 

Greg Grandin is a professor of history at New York University and a member of the American Academy of Arts and Sciences. He is the author of a number of prize-winning books, including most recently, Fordlandia: The Rise and Fall of Henry Ford’s Forgotten Jungle City (Metropolitan 2009), which was a finalist for the Pulitzer Prize in History, as well as for the National Book Award and the National Book Critics Circle Award. 

The views expressed in this article are the author's own and do not necessarily reflect Al Jazeera's editorial policy. 

 

VIDEO: The Making Of The King James Bible

BBC: The Making of

The King James Bible

What Medieval catacombs have to do with remix culture and the evolution of the English language.


This week, the King James Bible celebrated its 400th anniversary. The third official translation of the Bible in English, it was completed by 47 scholars from the Church of England over the course of 7 years, with the grand goal of bringing new life to the churches. To this day, the King James version is commonly considered the greatest piece of English Literature ever produced (regardless of whether you consider it fiction or nonfiction) and remains a key to understanding not only one of the world’s largest religions but also a pivotal era of European scholarship, the history of collaborative creation. and even the evolution of the English language. (Did you know that many modern phrases and idioms — “by the skin of your teeth,” “flesh and blood,” “labour of love” — originate from the KJB?)

When God Spoke English: The Making of the King James Bible is a fascinating new BBC documentary exploring the surprising story of the great volume, from it uncanny similarity to the Millennium Dome to rare recently discovered 17th century manuscripts to the actual translation process itself, revealing why this antique work of art and science is anything but antiquated.

17th-century England was a chaotic, violent, often bureaucratic place. The most unlikely beginnings for a book that would change the world. So how did they make it happen? In this program, I look back to a world of religious power and majesty, of immense seriousness and linguistic skill, fraught with religious and political passions, to show how and why it produced the greatest book of all time.” ~ Adam Nicolson

For a related journey into the history of the epic tome, do see the newly released documentary, KJB: The Book That Changed the World (trailer), in which beloved Welsh actor John Rhys-Davie tours historical landmark and explains essential relics that shaped the culture and context of the King James Bible.

 

VIDEO: WAR SCHOOL on Vimeo

WAR SCHOOL
__________________________

Social Justice with a Twist: Ctrl.Alt.Shift

Blurring the boundaries between activism, advertisement, and art, or how you can get hand grenades to hang on your Christmas tree.

More often than not, you can tell the age of a social institution by its name. The NAACP’s etymology clearly has its origin in the early-20th century. Friends of the Earth? Obviously a late 1960s lovechild. So you might guess that Ctrl.Alt.Shift, an organization whose name refers to computer keyboard commands, almost certainly harks from recent years—and you’d be correct.

A UK-based social initiative, Ctrl.Alt.Shift is a formally incorporated social movement for global justice. In an interesting departure from traditional anti-establishment associations, Ctrl.Alt.Shift locates its arena of action as much within prevailing systems as outside them. This approach has come to define millennial movements, in fact; these days the phrase “by any means necessary” could refer equally to change initiated within the boardroom or protests led by bullhorn from the street below.

Whether you’re into music, fashion, politics or direct action, photography, design, dance, art or journalism, there’s a place for you within our movement to fight social and global injustice.

(Okay, maybe business is missing from that career list—but you get the point.)

The movement’s most recent incarnation took the form of a comic book called Ctrl.Alt.Shift Unmasks Corruption. Launched this month, the limited-edition anthology collected original political work from artists and satirists including Dave McKean and Peter Kuper. The cleverly subversive comics, currently on view in the Lazarides Gallery in London, take on subjects such as imperialism (in “Reagan’s Raiders,” featuring the former President’s face superimposed on Captain America) and race (in “I Am Curious, Black!” with Lois Lane transforming into a Blaxploitation-style character).

Ctrl.Alt.Shift’s efforts so far have focused on governments’ HIV travel bans (with a campaign cleverly entitled “Nothing to Declare”), Latin American conflict, and broader issues of social justice such as gender inequality. Taking notes from the provocation playbook of TEDsters (and Brain Pickings favorite) The Yes Men, Ctrl.Alt.Shift has staged media-savvy public interventions like demonstrations outside foreign embassies, and a planned march through London to raise awareness of female infanticide in India. And like another urbane media brand, VICE (with whom it has co-sponsored exhibitions), Ctrl.Alt.Shift publishes an eponymous magazine, which it makes available in clubs and shops throughout the UK.

Other strategies seek to engage participation through competition, like a short-film contest held earlier this year (the winning entry was HIV: The Musical) as well as other targeted actions and social networking features on its website. And with a roster of hip collaborators like musician Estelle, photographer Nan Goldin, and the environmental group Plane Stupid, Ctrl.Alt.Shift seems well situated to bring its high-profile brand of activism to greater global attention. We say if a slick sell will get people talking about rape as a weapon of war, or greater buy-in around climate talks, then sell, sell away.

Have a look at Ctrl.Alt.Shift’s videos and blog to see if you’d literally like to buy into their program.

Kirstin Butler is writing an adaptation of Gogol for the Google era called Dead SULs, but when not working spends far, far too much time on Twitter. She currently lives in Cambridge, MA.

 

VIDEO: “Learning Uncle Vernon” - The Short Film That Common’s “L.U.V.” Drama Feature Is Based On > Shadow and Act

Watch

“Learning Uncle Vernon”

- The Short Film That

Common’s “L.U.V.” Drama

Feature Is Based On

I just happened across this short film by director Sheldon Candis - a name we’ve mentioned at least twice on this site in the last 2 weeks, thanks to the fact that he’s currently in production on his feature film debut titled L.U.V. (an acronym that stands for Learning Uncle Vincent), which centers on a day in the life of William “Woody” Watson (played by newcomer Michael Rainey Jr), a shy and timid 13-year old in search of a family and a better life, who looks to his Uncle Vincent, an ex-con, played by Common, hoping to find the father figure he’s never had, and has always wanted.

The film takes place over the course of 1 single day.

Joining Common (who is also acting as one of the producers on the project) is an all-star cast of mostly seasoned actors in Dennis Haysbert, Danny Glover , Charles S. Dutton, Lonette McKee, Megan Good, Michael K. Williams, Russell Hornsby, and Tracey Heggins.

The below short film, which Sheldon Candis, a graduate of the USC School of Cinematic Arts, made for the Film Independent’s Director’s Lab in 2009, is essentially a short-form version of the feature that’s currently in production in Baltimore, MD. In it, you’ll get an idea of what the feature might look, sound and feel like, as well as the dramatic starring role Common will play as Uncle Vincent, and maybe be able to visualize the rapper-turned-actor in the part… or not.

So, watch the short 8-minute film, which was then called Learning Uncle Vernon, below:

 

PUB: Deadline Extended - Call for Submissions: Remembering Marechera|Writers Afrika

Deadline Extended - Call for Submissions:

Remembering Marechera

 

Deadline: 29 February 2012 (from 6 April 2011)

Firstly we would like to thank all those who submitted work to the anthology, we greatly appreciated your entries. We congratulate the following writers whose work has been selected:

Poetry: Abigail George, Yemi Soneye, Tinashe Muchuri, Vivid Gwede, Mukoma Wa Ngugi, and Dami Ajayi.

Essays: Joseph Chikowero, and Josephine Muganiwa.

Short Stories: Raisedon Baya, Austin Kaluba, Tinashe Chiurugwi, Fungai Rufaro Machirori.

Interviews: Tinashe Mushakavanhu and Eric Nzaramba.


We have re-opened submissions until the 29th February 2012, and will be publishing (if all goes well) on Marechera's 60th Birthday next year.

We are looking for excellence in essays, reviews, short stories, poems, and interviews, which show new insights into Marechera's works and life. Fun, interesting, and probing works that feature Marechera, directly or indirectly, as a major theme. What effects did he have personally, socially, in literature, academically, historically, contemporary, and what effects did they have on him? What drove his demons and saints, etc.?

Guidelines:

You are invited to enter your submissions until the 29th of February 2012.

Editors:

  • Emmanuel Sigauke – Poetry
  • Tinashe Mushakavanhu – Essays/interviews
  • Ikhide Ikheloa – Reviews
  • Ivor Hartmann – Short Stories
Poetry (doc, docx, rtf)

1) Theme: “Remembering Marechera”

2) Word count: 10-1000 words.

3) Submission format: single line spaced, font Times New Roman 12pt, no indents, and set to UK English.

4) Must be unpublished (not previously published in print or online).

5) No simultaneous submissions (only submitted to this anthology and no other publications).

6) Multiple submissions are allowed but only one work per author will be selected.

7) Deadline: 29th of February 2012.

Essays/Interviews (doc, docx, rtf)

1) Theme: “Remembering Marechera”

2) Word count: 1000-5000 words.

3) Submission format: single line spaced, font Times New Roman 12pt, no indents, and set to UK English.

4) Must be unpublished (not previously published in print or online).

5) No simultaneous submissions (only submitted to this anthology and no other publications).

6) Multiple submissions are allowed but only one work per author will be selected.

7) Deadline: 29th of February 2012.

Reviews (doc, docx, rtf)

1) Theme: “Remembering Marechera”

2) Word count: 1000-5000 words.

3) Submission format: single line spaced, font Times New Roman 12pt, no indents, and set to UK English.

4) Must be unpublished (not previously published in print or online).

5) No simultaneous submissions (only submitted to this anthology and no other publications).

6) Multiple submissions are allowed but only one work per author will be selected.

7) Deadline: 29th of February 2012.

Short Stories (doc, docx, rtf)

1) Theme: “Remembering Marechera”

2) Word count: 1000-5000 words.

3) Submission format: single line spaced, font Times New Roman 12pt, no indents, and set to UK English.

4) Must be unpublished (not previously published in print or online).

5) No simultaneous submissions (only submitted to this anthology and no other publications).

6) Multiple submissions are allowed but only one work per author will be selected.

7) Deadline: 29th of February 2012.

Contact Information:

For inquiries: dambudzo.marechera@gmail.com

For submissions: click here