VIDEO: Remembering Nat Turner… On Film > from Shadow And Act

Director, Charles Burnett

 

 

Remembering Nat Turner… On Film

item14thumb

Today in history… the short story goes… August 21st, 1831, in Virginia, Nat Turner led a slave rebellion, hoping to inspire a slave uprising in the south. Several dozen whites are killed before the revolt is defeated. Turner is later capture, tried and hanged.

For the longer story, watch the hour-long documentary below – Nat Turner: A Troublesome Property, directed by Charles Burnett, and released in 2003, played the festival circuit, and eventually aired on PBS about a year later. It’s not the full-length biopic that many have been hoping for, so, it’ll have to do for now. I believe DVD copies of the film are only available via California Newsreel, for $27. It’s certainly not on Amazon nor Netflix, which is unfortunate.

via shadowandact.com

_____________________________

Nat Turner: Freedom Fighter or Terrorist?

A Forum Discussion

Partner:
Ford Hall Forum
Location:
Ford Hall Forum
Boston, MA
Event Date:
04.02.09
Speakers:
Charles Burnett,
Frank Christopher,
Kenneth S. Greenberg

Summary
What are the distinctions between a freedom fighter and a terrorist? The debate over the meaning of Nat Turner's slave rebellion has been at the heart of race relations in the United States for the past 178 years.

Charles Burnett, MacArthur Award-winning American filmmaker, Frank Christopher, award-winning producer, director, writer and editor, and Kenneth S. Greenberg, Dean of the College of Arts and Sciences at Suffolk University and Distinguished Professor of History, screen their film Nat Turner: A Troublesome Property and explore the significance of Nat Turner today.

Watch the film now on FORA.tv: Nat Turner: Freedom Fighter or Terrorist?

PUB: Annual Full-Length Play Competition : Saints and Sinners Literary Festival

Annual Full-Length Play Competition

 

DOWNLOAD  Full-Length Play Competition Entry Form and Information (149.7 KiB)

The Saints and Sinners Literary Festival in association with the Marigny Theatre Corporation and the Tennessee Williams/New Orleans Literary Festival is now taking submissions for the annual full-length play competition.

Registration: There is a $15 fee for every play submitted. Participants can enter more then once. Click here to open and print the registration form in your browser. Note: you cannot complete this form online; you must print it and return the completed paper form with each of your submissions. This requires the free Adobe Acrobat Reader version 3.0 or above.

Prizes: The winning entry will receive complimentary registration to the Saints and Sinners Literary Festival and a stipend of $250. The winning play from our fifth annual contest will also be produced by the Marigny Theatre Corporation and will premiere the weekend of the 9th annual Saints and Sinners Literary Festival in May 12-15, 2011.

Finalists: The finalists’ names and titles will be announced on the Saints and Sinners website.

Dates: Deadline for submission is December 31st yearly. (Entries postmarked later than December 31st will not be considered) The winner will be announced in March of the following year.

Entry Fees: Participants can make more than one submission. There is a $15 entry fee per submission to cover administrative costs such as copying, postage, judging, etc.

Contest Guidelines: Previously produced full-length plays will be considered as long as they have not been produced in the greater New Orleans area. Characters should be kept to a minimum—preferably 5 or under. Staging should be simple or adaptable to a small stage.

Correspondence: If you would like to verify that your submission was received, please consider using the tracking service that is offered by the U.S. postal service, or send a self-addressed postcard with your submission. Postcards will take longer to process. DO NOT send manuscripts certified mail or signature required.

Judging: Judges come from all over the country, and all entries are judged anonymously. Please send two title pages with the text: one with the play’s title only, another with all author information unattached. Plays must be typed. Please do not append professional resumes or biographies to your entry: the judges only consider manuscript quality. We regret that we are unable to return manuscripts. Please make sure to keep a copy of your entry for future use.

Contact: For questions or further information concerning the full-length play contest, contact Saints and Sinners Literary Festival at saintandsinnola@aol.com

Please Note: The Saints and Sinners Literary Festival reserves the right to publish all winning contest entries in special edition Festival anthologies and/or collections if appropriate. Mail your entry, check, and registration form to:

Saints and Sinners Play Contest
938 Lafayette St.
Suite 514
New Orleans, LA 70113

All submissions requiring an entry fee should have checks payable to:
The Tennessee Williams/New Orleans Literary Festival.

PUB: Second Annual Saints and Sinners GLBT Literary Festival Short Fiction Contest : Saints and Sinners Literary Festival

Second Annual Saints and Sinners GLBT Literary Festival Short Fiction Contest

 

John Berendt

JUDGE: Bestsellling author John Berendt (Midnight in the Garden of Good and Evil, The City of Falling Angels)

The Saints and Sinners GLBT Literary Festivals Second Annual Short Fiction Contest is soliciting original, unpublished short stories between 5,000 and 7,000 words with GLBT content on the broad theme of Saints and Sinners. The contest is open to authors at all stages of their careers and to stories in all genres.

sp.queermojo

The entry fee is $15 per story. There is no limit on the number of stories each author may enter. One grand prize of $250 and two second place prizes of $50 will be awarded. In addition, the top stories will be published in an anthology from QueerMojo, an imprint of Rebel Satori Press. There will also be a book release party held during the 9th annual Saints and Sinners Literary Festival in New Orleans May 12-15, 2011. The deadline for the receipt of manuscripts is November 1, 2010.

DOWNLOAD  Fiction Contest Entry Form (67.9 KiB)

PUB: "To the Lighthouse" Poetry Publication Prize | A Room Of Her Own - A Foundation For Women Artists and Writers

To the Lighthouse Poetry Publication Prize
Award: $1000 and publication of collection by Red Hen Press
Deadline: August 31, 2010 postmark
Judge: Alice Quinn
Page Limit: 48 to 96 pages
Fee: $20 per entry
Announcement Date: December 15, 2010

AROHO's To the Lighthouse Poetry Publication Prize will be awarded for the best, unpublished poetry collection by a woman. Submit 48 to 96 pages of poetry postmarked by August 31, 2010. The $20 reading/entry fee is payable by check or money order to A Room of Her Own; please indicate “To the Lighthouse PPP” in the memo line. Include an SASP [self-addressed stamped postcard] with your package for notification of receipt. Your name and address should appear on the cover sheet only, along with the manuscript title, and your address and telephone number. The award amount is $1000 and publication of your poetry collection by Red Hen Press. The winner will be contacted by phone or email prior to the web announcement date.

 

Send manuscript along with SASP, cover sheet, and check (postmarked 8/31/2010) to:

 

A Room Of Her Own
Attn: To the Lighthouse PPP
PO Box 778
Placitas, NM 87043

 

VIDEO: Lunch Poems: Al Young - UCTV - University of California Television

Lunch Poems: Al Young
--> Get Adobe Flash player --> -->
  •  

First Aired: 1/16/2006
28 minutes

California Poet Laureate Al Young has created a profound and enduring body of work that represents our time. Young's numerous publications in poetry, fiction, nonfiction, and for the stage and screen explore the American, human condition through the lens of the individual voice. Tune in as he reads a selection of his poems before a live audience at UC Berkeley. (#11155)

via uctv.tv

 

REVIEW: Book—Sweet Liberty: The Final Days of Slavery in Martinique

Rebecca Hartkopf Schloss. Sweet Liberty: The Final Days of Slavery in Martinique. Philadelphia: University of Pennsylvania Press, 2009. vi + 300 pp. ISBN 978-0-8122-4172-3.

Reviewed by Bernard Moitt (Virginia Commonwealth University)
Published on H-Caribbean (August, 2010)
Commissioned by Audra A. Diptee

The Meaning of Liberty in Martinique: The Final Days of Slavery

At the outset of  Sweet Liberty: The Final Days of Slavery in Martinique Rebecca Schloss states definitively that her book, “ a history of Martinique from French reacquisition of the island in 1802 to the abolition of slavery in 1848, chronicles the complicated social relationships on the island during those years and argues the ways race, slavery, class, and gender intersected in Martinique shaped what it meant to be French in the early nineteenth century, not just in Martinique and the Caribbean but in continental France as well” (p. 3). This is an ambitious and wide sweep of major regions of the French Atlantic world, even if it does not include French West Africa, which would have been worthy of mention, if only peripherally. Nonetheless, Schloss sets herself a task that represents nothing short of a major undertaking because she sets out to examine social relations in a slave society without using race as a primary unit of analysis to chart change--a course of action usually associated with French scholars who seek to avoid confronting disturbing issues of race head-on, which, by all appearances, is not Schloss’s intention. What should not be lost sight of is that although slavery is the major element that underpins the work, race is but one factor in analyzing change. What the author shows is that whiteness was not tantamount to being French; every group in society (not just whites, however powerful they may have been), had a hand in carving and creating the end product--French. As she explains, “What it meant to be French between 1802 and 1848 resulted in part from the persistence of race-based slavery in places like Martinique and also the presence of Creoles as well as enslaved and free people of African descent in metropolitan France” (p. 4). In essence, Schloss contends that race was not static or necessarily a limiting factor in the period under study. During this period, individuals and groups were able to transcend racial boundaries, especially in the latter stages of slavery when racial markers waned and did not have the same significance as in earlier times. These changes did not come about overnight; they resulted from prolonged interactions, even clashes, between various ethno-cultural groups in the French Atlantic. Indeed, Schloss indicates that her book deals with how people in this region “defined, challenged, and policed the legal, social, political, and cultural meanings of labels like “Creole,” “French,” or “gens de couleur.” It was, she argues, the confrontations over the meaning of these labels, both in metropolitan France and the French Antillean colonies in particular, that resulted in shifting configurations of what it meant to “black, white or mixed-race, rich or poor, male or female, French or not” (p. 3). And Martinique--a French colony since 1635 which was subjugated to British occupation from 1809 to 1815, when the French regained hegemony, provided Schloss with “a good opportunity  to examine the complex interplay between rhetoric and lived experience during the last fifty years of slavery in the French Empire” (p. 3).

Following a succinct introduction, the author begins with the early Napoleonic period going from 1802 to 1815--a means that enables her to present a view of Martinican society before British occupation. Here she highlights Martinique’s racially stratified and fluid population of about 110,000 people, the vast majority of them enslaved Africans, whom Schloss refers to as “enslaved workers.” The divisions among the island’s white population--composed mainly  of French colonial administrators and locally-born whites or Creoles, many of them planters--and the interplay and tensions between the array of local and metropolitan whites ever mindful of the example set by the enslaved in Saint-Domingue who showed that slavery could successfully overthrown, were palpable. Add to this the fear of racial mixing both in France and the colonies where the presence of enslaved and free Africans of different hues was felt, and where laws and restrictions were enacted to combat this fear on both sides of the Atlantic, and the complexity of the social relations Schloss aims to illuminate is driven home. In 1802, for example, French authorities instituted a law that prohibited people of African descent, including the gens de couleur (free coloreds) from entering France, but Schloss shows that it was not effective. On a whole, Schloss is effective in presenting the social dynamics that governed Martinican society, but her concentration on white elites, mostly Creoles, here and throughout the book, is problematic in that change is viewed largely through the lens of a white slave-owning minority.

The power and influence that white elite Creoles wielded in Martinique during the period of British occupation--an era that has unfortunately been ignored by scholars--is amply and effectively demonstrated in Schloss’s book. Indeed, she shows how they used their status advantageously to buttress the occupiers who needed their support in governing the colony. Both groups had much to gain, for, in return, the British helped the elites to maintain what Schloss refers to as “the myth of appropriate white behavior Creoles had so carefully crafted” (p. 48). There are racial undertones that the author could have explored here because in a society of predominantly white slaveowners and black enslaved people “white behavior” could only have been constructed in racial terms. The emphasis Schloss puts on the struggle that white Creoles waged to maintain and defend “white dominance” and the established “racial hierarchy” in Martinique would appear to warrant such exploration. And one needs to question whether “racial supremacy” is not a more appropriate term than “racial dominance” for what Schloss describes. In any case, Schloss uses this section of the work to highlight the life and careers of rich white elites such as Pierre Dieudonne Dessalles, whose family plantation business in Martinique began in the mid-eighteenth century. Others, like Jean Baptiste Marie de Fonrose, who came to Martinique in 1801, became entangled in an 1811 plot hatched by enslaved and free mixed-race individuals aimed at setting fires and eliminating whites, starting in the town of Saint-Pierre. Interestingly, Fonrose was one of five Creoles allegedly involved in the plot. Bringing to light the lives of elite whites who had an impact on the colony in this manner, and slave plots that have received little attention by scholars, are among the gems that Schloss’s book offers. Likewise, illuminating the condition of the petits blancs (poor whites) for whom the British instituted charity bureaus in order to maintain social cohesion while offering concessions to the gens de couleur by way of civil rights, adds to the substance of the work.

In subsequent chapters, Schloss focuses on the reintegration of Martinique into the French Empire as the colony sought to regain stability, and the Creoles, their economic prowess; shifts in colonial policy and implementation of laws that had an impact on the social structure of society; the struggle for human rights and liberty by the gens de couleur and enslaved Africans; and the alliances and shifts in relations between racial groups in the last decades of slavery. Using the first decade of the Restoration (1815-31) and the July Monarchy (1830-48) as major chronological markers, Schloss amplifies the ways in which slavery, race, class, and gender intersected in Martinique, often in surprising and unexpected ways.

The cases she highlights in this regard constitute some of the most interesting parts of the book. The case of Tholosan, a free mixed-race Martinican who was deported from his homeland during the early years of the French Revolution of 1789, and his white wife, both of whom returned to the island in 1815 at a time when mixed-race people outnumbered whites, is an example. A staunch supporter of racial segregation, Governor Pierre-René -Marie Vaugiraud viewed the union as a degradation of a white woman, a danger to society and ‘“subversive to the colonial system’” (p. 73). “For Vaugiraud,” as Schloss concludes, “Tholosan’s wife fell well short of the model of white womanhood and her behavior threatened to banish her from the ranks of whites into that of the gens de couleur”--a demotion (p. 74).

Actual banishment of white women from the colonies for transgressions of elite norms of behavior (primarily interracial sex) occurred, as Schloss discovered through official court records which indicate that white women from the best families ‘“threw themselves entirely into the middle of the slave quarters and could only be made to leave by force’” (p. 102). Women were not the only transgressors, even thought they were dealt with more harshly than men. In April, 1828, the Tribunal of First Instance in the town of Fort-Royal sentenced the Creole male, Saint Maur Desfontaines, to lifelong deportation for abusing and threatening to kill his widowed mother--a plantation owner--because she refused to facilitate his interracial relationship with the mixed-race woman, Virginie.

Attempts to maintain el ite white norms and the prevailing racial hierarchy resulted in Creoles reigning in their own for other transgressions besides sexual contravention, while continuing their oppression of the enslaved. The court cases Schloss provides as proof are well chosen. In one such case, a white Martinican and his two sons appeared before the Fort Royal Tribunal accused of beating a white man with a whip--the most common instrument of discipline and torture used on blacks during slavery. Not surprisingly, the “tribunal’s Creole members sent a message about how whites should behave, banishing the oldest son, accused of the murder, for ten years and sentencing the youngest son and father each to three months in prison for their actions” (p. 117). 

As in former times, the courts were more lenient with whites accused of abusing, even murdering blacks, which they did with impunity throughout slavery. In 1828 when Dame Dubuc de Rivery came before the Fort Royal Tribunal accused of excessively punishing several of her 150 slaves and contributing to the death of her enslaved male domestic, Rémy, she was found not guilty, despite strong evidence to the contrary. However, the court ordered that the enslaved people she owned be sold, imposed court fines on her, and banished her from both continental and colonial French territory for twenty years. Schloss does not give Dubuc de Rivery’s age, but if she were young enough, she could certainly return to the colonies to resume slave ownership, although in this case timing would not have been on her side. What needs to be investigated as well is the extent to which judgments were carried out, and this aspect of slave society in the French Antilles remains fertile ground for future research.

It goes without saying that enslaved people were not nearly as fortunate when accused of similar crimes, for when Théresine, an enslaved domestic of the Creole woman Dame St. Yves came before the Royal Court in 1828 accused of theft and premeditated murder of her owner, she was convicted on both counts and subjected to a gruesome punishment, all too familiar to the enslaved--“amputation of her right hand for the theft, and then strangulation and hanging for the murder of Dame St. Yves” (p. 118).

Throughout Sweet Liberty, Schloss provides evidence of resistance of gens de couleur and the enslaved against white oppression. In addition to the slave uprising of 1811 mentioned above, she cites cases of free gens de couleur who defied French authorities, engaged in armed resistance, fought for political rights, and challenged deportation imposed on them by Creoles, in some cases for assisting blacks. Also, the slave revolt of October,1822 in which enslaved blacks sought to massacre gens de couleur and whites on plantations in Saint-Pierre and surrounding regions, and the Grand Anse Affair in which significant numbers of gens de couleur and enslaved people staged an armed rebellion in Martinique, are used to illuminate the struggle for equality that free coloreds waged, and the battle in which enslaved people engaged  “to mitigate the brutality of the plantation system,” according to Schloss (p. 153). However, details of the brutal murder of a white plantation manager, Lapeyronnie, by Lucien, an enslaved Martinican, in 1844 hint at the pent-up rage of African bondmen and -women, to which Schloss pays little attention.

In the last chapter of Sweet Liberty, which focuses on the end of slavery in the French Atlantic, Schloss shows how economic downturn in the colonial sugar economy, the enactment of antislavery legislation by French authorities, and antislavery forces in France finally brought down slavery, and with it, the Creoles, who nevertheless remained a force to be reckoned with. Much of the chapter centers on the planter Pierre Dessalles, whose journal reveals that he engaged in interracial sex and fathered at least one mixed-race son--Saturnin--whom he never acknowledged. Once at the pinnacle of Creoledom, Dessalles was reduced to virtual poverty, isolation, and despair as slavery ended.

Drawing upon an array of solid sources, many previously untapped, Schloss’s well-researched and clearly written book is a work of intellectual merit and an important contribution to the historiography of French Atlantic studies. Even so, the complicated relations revolving around slavery, race, class, and gender she set out to untangle remain complicated to the end. Indeed, what each group actually contributed to what it meant to be French could have been better articulated. Also, the power dynamics that governed these relationships throughout the period of study ought to have been explored. For a black person, enslaved or free, what did it mean to be French? Who determined what input they had in relations with others? How did they see themselves as racial beings? These are some of the questions that Schloss or others might one day address.

If there is additional discussion of this review, you may access it through the list discussion logs at: http://h-net.msu.edu/cgi-bin/logbrowse.pl.

Citation: Bernard Moitt. Review of Schloss, Rebecca Hartkopf, Sweet Liberty: The Final Days of Slavery in Martinique. H-Caribbean, H-Net Reviews. August, 2010.
URL: http://www.h-net.org/reviews/showrev.php?id=25625

 

EVENT: London—TEDx Euston > from Black Book News

TEDx Euston

 



I am excited to see that TED the not-for profit free talks to the world organisation has franchised out its concept, allowing groups and networks to set up events in their likeness under the TEDx banner. The mission of ‘Ideas worth spreading’ still applies. TEDx Euston will take place on Saturday 27 November, at University College London, Gower St, from midday to 8pm. It costs £50, but before you pay you will have to fill in an application form and be approved to attend. There are only 100 places available. The website looks good but I found it a bit clunky to use. Instead go to their blog – its hyperlinked from the top left hand corner of the webpage, read the story dated 8 August and register for a place from there - http://www.tedxeuston.com/abouttedx.html Once you have been accepted you will probably have to have a Paypal account in order to make payment – which is actually only £40 with the early bird discount, which ends on 31 August. [Yes, it's the most I have ever spent on a book event, I did have a few intakes on breath on the cost!]

 

However, It looks like it will be a truly amazing day - I only have total praise for whoever has put the programme of speakers together. Under the title of Our Destiny in Our Hands a wonderful mix of thinkers and doers will be talking about Africa. The speakers include authors Petina Gappah and Hannah Pool, the Nigerian publisher Muhtar Bakare – who I am so looking forward to hearing; the Ugandan activist Winnie Ssanyu-Sseruma, and Kemi Adeyoki the Conservative party candidate who stood against Tessa Jowell in the UK's May elections. The journalists/authors Michela Wrong and Richard Dowden (also of the Royal African Society) will be taking part too, and so hopefully by 27 November I will have read both their books It's Our Turn to Eat: The Story of a Kenyan Whistleblower and Africa: Altered States Ordinary Miracles,  which I am embarrassed to say have been on my bookshelves for months and months – well actually a couple of years in the case of the latter.

_________________________________

Hannah Pool - Eritrean writer

Hannah Pool is, in her own words, British-Eritrean, Eritrean-British. She was born in Eritrea in 1974 and was adopted at the age of six months by a British scholar who lived and worked in the Sudan. She was raised in Manchester, England, believing that both her parents had died shortly after her birth. At the age of nineteen, she received a letter from her brother informing her that her father was alive and she had a sister and several brothers who lived in Eritrea.

It took ten years for her to make the decision to meet with her birth family. She then embarked on a journey which took her back to her origins and which she recounts in her book titled My Fathers’ Daughter (Hamish Hamilton, 2005.) She now lives in London where she works as a columnist for The Guardian

 

Petina Gappah – Zimbabwean writer 

Petina Gappah is a Zimbabwean lawyer with law degrees from Cambridge and the University of Zimbabwe and a doctorate in international law from Graz University in Austria. 

Petina is also a writer, her first book, An Elegy of Easterly, a collection of 13 stories which offers a moving portrait of contemporary Zimbabwe, won the Guardian First Book Award in 2009 and will be translated into more than a dozen languages. She grew up in Zimbabwe during the transformation from Ian Smith's white minority rule to Robert Mugabe's increasingly authoritarian regime.

She has lived in Europe since 1995, first as a student in Graz and Cambridge, then in Geneva, where she works for an organisation advising developing countries on the complexities of the law of the World Trade Organization. She is currently on a sabbatical from her job in Geneva, and is based in Harare where she is writing her second novel and second short story collection, and where she is engaged in a literacy project that aims to ensure that every one of Zimbabwe’s 6000 plus schools is equipped with a

Muhtar Bakare retired from banking after 12 years, in June 2004, to launch the publishing house; Kachifo Limited. In 2005, Kachifo published the West African Paper Edition of Chimamanda Ngozi Adichie's Purple Hibiscus. It was widely received in the country and remains one of the most read Nigerian books. 

It was soon followed by work from established names such as Sefi Atta, Biyi Bandele and Ngugi Wa Thiong'o and newcomers such as Eghosa Imasuen. Kachifo is not just publishing but organises through its affiliate non-profit organisation; Farafina Trust, writing and editing workshops. It also ran a free-online literary magazine, Farafina. He is on the verge of some exciting new projects on the cultural scene in Nigeria. Bakare is a confident believer in the power of ideas as change leaders in society.

He recently told a conference audience that “The internet is our own Gutenberg moment; it is going to democratize knowledge in Africa.” He is also a social entrepreneur who believes that African leaders and intellectuals should spend more time pandering to their own internal audiences, markets, and citizens than to foreign donors and other agents of the subsisting global power structure. While Farafina is still Nigeria's leading independent publisher, it is still struggling - perhaps the greatest setback is the lack of distribution networks - but because of Bakare's vision, writers are energised and Nigerians are beginning to see literature as viable again

 

Winnie Ssanyu-Sseruma - Ugandan activist

Winnie currently works with Christian Aid as HIV Mainstreaming Coordinator and was one of the first people from the African community in the UK to have the courage go public with her HIV status, a step she took to counter the stigma and discrimination that she confronted following her diagnosis. She also works with HIV i-Base as Treatment Development Worker.

Until October 2006, she was Chair of the African HIV Policy Network (AHPN) for six years.  Since 1996, she has coordinated and been a research assistant on a number of studies exploring issues affecting people living with HIV. Winnie initiated Vital Voices, a leadership project for African men and women living with HIV in the UK in 2007 and is also a trustee of both the National AIDS Trust (NAT) and Tackle Africa. Winnie is currently working as a trainer and is involved in a number of leadership initiatives


 

OP-ED: Targeted African American Advertising Here To Stay > from kiss my black ads

Targeted African American Advertising Here To Stay



Here's an interesting column from Clutch Magazine discussing the ad game as it relates to African Americans and the oodles of cash we spend. Enjoy it, I did.



BY ZETTLER CLAY @ Clutch Magazine Online
It’s become a full-fledged assault.  From an Everest guy yelling at us through the television set, telling us that we’re “sitting on the couch, watching TV and your life is passing you by,” to McDonald’s conducting wholesale music videos, companies have gotten downright blatant in their attempts to reach and study Black audiences.
Last week, Farhad Manjoo wrote a piece for Slate explaining “how Black people use Twitter.”  According to Manjoo, Black people are fond of hashtags (#) and topics that evince some of the, let’s say, nuanced aspects of Black culture.  Some examples listed to support the author’s argument:
#wordthatleadtotrouble

#ifsantawasblack

#ghettobabynames

#annoyingquestion



Of the many points this article made, the larger one is this: there are a host of people at institutions that make a living studying the behaviors and actions and likes and dislikes of Black people.  This isn’t problematic on the surface.  However, in the interest of taxonomy and marketing, the lowest denominator tends to characterize a whole group of people.  Manjoo quotes a Ph.D student from Carnegie Mellon who downloaded 100 million African American tweets (which is interesting, being that marking your race isn’t required to have a Twitter handle).
Twitter has, in effect, become a marketer’s dream.
To the initiated eye, such pandering is insulting and revealing.  It recalls many limiting stereotypes some Black folks have worked their whole lives, even generations, to debunk.  For every stereotypical depiction of singing, dancing, jesters, sass and flamboyance, there are millions more who are just the opposite.  Contemporary advertisements seem to have no room for distinction, but caricature.  As obvious as these images are in pursuit of profit, businesses have no incentive to stop them.
For one, these commercial spots are the result of a behind-the-scenes process that has to pass the test of 40 and 50 year-old executives.  Secondly, these commercials are working.  Thirdly, these commercials are working.  During the behind-the-scenes process, the advertising copywriter has to convince execs that their money is not being wasted.  Nuance is discouraged because that would require the consumer to think more than he/she has to.  A marketing no-no. It’s better for ads to err on the side of obviousness.
In marketing terms, this is called targeted advertising.  To get to this point, businesses generally hire an outside advertising agency to assess the market demographic, psychographic, and social habits, of the desired audience. For example, when McDonald’s instituted one dollar meals, this was specifically aimed at a lower-income Hispanic and Black group. What McDonald’s has done since is mine that hole.
Even the most progressive-minded ad copywriter would face the harshest of resistance if he or she deviated from this formula.  The executives must be convinced there is a clear line between marketing to the general audience and targeted audience.  For a Black agency to get the chance to do ads for black consumers, it has to convince White clients and businesses they know how to do it. They have to use devices to hit that bulls-eye.  Why would a business use subtlety and nuance to attract a culture not known for subtlety and nuance?
Cue the obligatory dancing, singing and playing of sports—preferably basketball.

So let’s see: the advertisement comes out formulaic and market researched (read: stereotypical).  The sellout process began long before it hit the television airwaves.  Who does this hurt more?  Well, the people being confined in a box via mass media.  Are the hurt people in position to change this?  Of course not.  And even if they—we—were, what would stop these images from pervading our screens, magazines and newspapers if the formula is making dollars?


Society and mass media have a symbiotic relationship.  Movies, music, television sitcoms and news programs—all are complicit in the image marketing firms use in their commercials.  A lot of industries depend on the demoralization and stagnation of  the personal and collective development of humans. This is insidious, no doubt, but it is for a purpose: money.  Black people aren’t the only group exploited; they’re just among the easiest.
As Lupe rapped, “Don’t think you safe though, because you not Black. Greed is colorblind . . . they gon’ f–k with yours, soon as they done with mine.”
Targeted advertising isn’t stopping anytime soon.  African Americans have an $803 billion spending power, according to Target Market News.  The top areas of consumption:
Housing—$166.3 billion


Food—$65.3 billion


Vehicles—$31.5 billion


Clothing—$26.9 billion


Health Care—$23.9 billion



Look at the commercials that pander to Black audiences.  A pattern has been developed, sustained and fortified.  And what is the lowest area of consumption for African Americans, you ask?
Books—$289 million.
The next lowest area of consumption: sports and recreational equipment at $1 billion.  I don’t imagine we’ll be seeing a slate of commercials showing Black folks reading books anytime soon.


Special thanks to DeDe and and all the bright talent that is Clutch Magazine

HAITI: Barred from ballot, Wyclef remains an inspiration - By Edwidge Danticat - MiamiHerald.com

Barred from ballot, Wyclef remains an inspiration

 

Special to the Miami Herald

It was the presidential bid heard around the world. However, to those who have been following Wyclef Jean closely, it was no surprise. I remember as early as 2004 hearing of a Wyclef Jean candidacy being discussed by friends and family members, some uneasy and others thrilled at the possibility. As much as carriers of Haitian passports are pestered at borders all over the world, Wyclef, who travels constantly, never traded his Haitian passport for any other.

``His journey,'' one friend told me, ``will begin with his foundation [Yele Haiti] and end at the national palace.''

The timing of his presidential run, Wyclef recently told Time magazine, had a lot to do with the Jan. 12, 2010, earthquake that all but leveled Port-au-Prince and several other cities. Otherwise, he would have waited another 10 years to run. Now, unless Article 135 of the Haitian constitution -- which requires habitual residence in the country for five consecutive years prior to the election -- is amended or unless, in spite of reported death threats, Wyclef moves to Haiti for the next five years, he will not be able to run. Haiti's electoral council has decided that he is ineligible because he has failed to meet the residency requirement. That too is no surprise. Had they ruled in Wyclef's favor, they might have opened a Pandora's box that might cast further doubt on their desire and ability to hold elections that are as fair and transparent as possible given the already tenuous and potentially volatile post-earthquake situation in Haiti.

At this point, I should mention that I know Wyclef Jean. From the very beginning of his musical career, I have seen him perform on both small and large stages, but I have also seen him write a song on the spot while looking at footage of a dead friend. I have seen him play with his 5-year-old daughter, and I have seen him act as master of ceremony at both a brother and sister's weddings. I cannot vouch for him as a presidential candidate (and less so as a president), but I must admit that I initially found his candidacy exciting. The idea that he might be our first forty-something, Creolophone, diaspora-hailed candidate -- anticipating this very outcome, I had not allowed mind to go as far as president -- was rather electrifying. His entry into the race has energized thousands of disempowered young people. It has also brightened a fading international media spotlight on Haiti, where 300,000 people recently lost their lives and more than a million still remain homeless.

Among both his supporters and detractors, Wyclef's candidacy has also generated a passionate dialogue about the kind of leader Haiti needs at one of the most critical moments of its 206-year-old existence. The fact that only Haiti's current president, Rene Preval, has been able to finish a full democratic term in office speaks volumes about the office. Whoever becomes president of Haiti this fall will have the Sisyphean task of rebuilding a nation even as other potential disasters -- health, economic and environmental -- loom ahead. For example, should Haiti be struck by one or a string of hurricanes as it was it was two years ago around this time, there could be as many casualties as during the earthquake.

Now that the decision has been made, we must return to the less exiting and more somber business at hand. Nine million people, many of whom live in deplorable conditions in makeshift shelters, deserve no less. Haiti's next president must burrow in, and along with the people of Haiti, fight corruption, create housing, educational opportunities and jobs, among many other grueling and unglamorous tasks. He or she -- there is one woman in the race -- will have to keep expectations low while working as hard as possible to deliver tangible results to a long suffering population.

I hope that my friend will not be too disappointed that these tasks will not fall on his shoulders. The burden will be enormous on whoever takes on the job. Now there will, of course, be people who lose interest in the race, who feel that they have no dog in the fight. I hope Wyclef Jean is not one of them. What he has promised to do before -- create jobs and educational opportunities and inspire young people who have already lost so much to the earthquake that inspired him to run -- he can continue to do through a reformed version of his Yele Haiti foundation and his music. As our roving ambassador, he can now do this more freely, without the statesman straitjacket and forced political lingo. He can speak directly to us and from his heart. He can console his young supporters and urge them once again to remain calm. And he won't have to do it en francais. That could be his most important contribution yet to a country for which he has proven his love and devotion over and over again. What could be more presidential than that?

Edwidge Danticat is an author whose most recent works are y ``Eight Days'' and ``Create Dangerously: The Immigrant Artist At Work.''

 

 

 

Edwidge Danticat is an author whose most recent works are y "Eight Days'' and "Create Dangerously: The Immigrant Artist At Work."