OP-ED: What Do You Think Rich People Do? > from (Notes on) Politics, Theory & Photography

What Do You Think Rich People Do?

Tony Hayward’s yacht, left, sailed in the J. P. Morgan
Asset Management Round the Island Race on Saturday.
Photograph © Chris Ison/Press Association, via Associated Press.

Last week BP CEO Tony Hayward sat before a Congressional Committee to endure a ritual humiliation exercise. After the Congressional Reps took their turns posturing, Hayward like many illustrious predecessors - think here of say, Bush cronies like Alberto Gonzalez and most recent nominees to the Federal Courts - basically took the fifth. He admitted nothing and plead ignorance of virtually everything. The event was a massive waste of everyone's time. I hate to be cynical, but the Congressmen (I do think they are all male) could have used their time more profitably by attending to some piece of pending legislation, or something. But Hayward did look like he was hedging and dissembling the whole time.

This weekend Mr. Hayward is on vacation, Yachting with other really rich folks. The Guardian and The New York Times each devote front page column inches to his escapade - here and here. Oh, the outrage! Here, with oil spewing into the Gulf of Mexico from the BP well, the boss is off yachting! This is an insult to the residents of the gulf ... yada, yada, yada! Well, what do you think Mr. Hayward is going to do to stop the disaster this afternoon? After all, he knows nothing - as the Congressmen compelled him to admit. He is not an engineer. And would it be much worse if the oil industry were not blatantly ruining the environment? What if there were no disaster? What if there were simply the day to day ooze and filth of reliance on fossil fuels? Would it then be OK for this wealthy man and his buddies to be off spending huge sums on yachts and other play things? You will note too, that the race is sponsored by J.P. Morgan, that other corporate paragon. We'll let that one pass.

Come on people! This is what rich people do. They do frivolous things while other people work and while those other people bear the consequences of the follies and venality of the rich. Some of those consequences are productive, many are not. Today is no different than any other. If Mr. Hayward outrages you, you should be outraged every other weekend as well. This is not about his personal moral failings and insensitivity. It is about the systematic mal-distribution of wealth and privilege. Where is the outrage about that?

VIDEO: The Roots - Dear God 2.0 (ft. Jim James) (Live on LNJF) > from All The Way Live

The Roots went all out to perform their new single, Dear God 2.0, with the help of Jim James and an orchestra last night on Late Night with Jimmy Fallon.  Pretty epic performance right here.  How I Got Over is in stores this Tuesday, and on iTunes Sunday night at midnight.

The Roots - Dear God 2.0 (Live on Fallon)

VIDEO: Somalia/ United States: K'Naan on Hip Hop Learning > from A BOMBASTIC ELEMENT

Saturday, June 19, 2010

Somalia/ United States: K'Naan on Hip Hop Learning

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Father-Son Bond Inspires Memoir Of Love And Reflection


Above is a talk about young African-Americans seduced by the threatening power they gain and exude when they conform to a representation of blackness, which a lot of mainstream hip hop glorifies, templates and makes accessible. In the American context it seems like a given that the inverse effect of the music's swagger and what it glorifies is the undermining of other tools of empowerment (i.e. reading and schooling etc). I recall authors Ta'Nehisi Coates and John McWhorther went a few rounds on the issue back in the day and in the excerpt below McWhorther says the seduction comes from hip hop's "confrontational cadence" and "how it is a musical evocation of a middle finger stuck up at the world":

But in the African context, apart from being all those things stated above, could hip hop indirectly, because of the cultural context the lyrics assume and which the non-American or African will need to acquire, be a learning tool or platform as K'Naan attests to below?

 

 

 

PUB: NANO Fiction | CONTEST

CONTEST


NANO Fiction is now accepting entries for the Second Annual NANO Prize. $500 and publication will be awarded to a flash fiction piece, prose poem, or micro essay of 300 words or less.

The entry fee is $15 for the first three pieces and $2 for each additional piece. Each entrant will also receive a one year subscription to NANO Fiction.

All submitted pieces will be considered for publication. Previously published work will not be accepted and all entrants will be notified of the winner by email in October.

Contest deadline is August 31, 2010.

HOW TO ENTER

This year, you have two options for entering the contest:

ONLINE: Electronic entries will only be accepted with a payment through PayPal. To submit online, submit your payment by clicking the link below then email your entry with the subject line, “2010 Contest” to nanofictionmag@gmail.com. The body of the email must include your payment ID number along with your name, contact information, short biography, and the stories in both the body of the email and a Word document.

Please notify us if the PayPal account is registered under a user other than you.

Reading fee $15


Additional Reading Fee $2


MAIL: All mailed entries may be sent to: NANO Prize, PO Box 667445, Houston, TX 77266-7445. Please make all checks and money orders payable to NANO Fiction.

PUB: White Pine Press Poetry Contest

White Pine Press
White Pine Press Poetry Prize

The Sixteenth Annual

White Pine Press Poetry Prize Competition

The Sixteenth Annual White Pine Press Poetry Prize competition will open for submissions on July 1. The award consists of a $1,000 cash award and publication by White Pine Press.

Manuscripts must be between 60 and 80 pages in length. Poems must be original, but may have appeared in magazines, anthologies, or chapbooks. Translations are not eligible.

Manuscripts must be postmarked by November 30th. They must be typed and should include a table of contents. The author’s name, address, email address, and telephone number should appear on the cover sheet only. Manuscripts will be recycled at the end of the competition. Please include a self-addressed, stamped, business-size envelope with your submission if you wish to be notified of the results.

Manuscripts must include a $20 entry, reading, and processing fee. Checks should be made out to White Pine Press. The manuscript, along with a self-addressed, stamped postcard for notification that it has been received, if so desired, should be sent to:

White Pine Press Poetry Prize
P.O. Box 236
Buffalo, New York 14201

If you send the manuscript via express mail services, the manuscript should be sent to:

White Pine Press Poetry Prize
5783 Pinehurst Court
Lake View, NY 14085

Manuscripts are screened by the editorial staff, and a poet of national reputation makes the final selection. The name of the final judge is not revealed until the end of the competition. We alternate between a male and a female poet each year as final judge.

Due to the large number of entries received, manuscripts cannot be returned.

 

 

 

 

 

 

 

 

PUB: call for submissions—Stone Telling: The Magazine of Boundary-crossing Poetry

Stone Telling

STONE TELLING is looking for literary speculative poems with a strong emotional core. We focus on fantasy, science fiction, surrealism, and slipstream, but would consider outstanding science poetry and non-speculative poetry that fits the flavor of the magazine. Please note that we are not a mainstream literary poetry market, and non-speculative poetry will be an extremely hard sell.

While we are open to all speculative poetry, we are especially interested in seeing work that is multi-cultural and boundary-crossing, work that deals with othering and Others, work that considers race, gender, sexuality, identity, and disability issues in nontrivial and evocative ways. We’d love to see multilingual poetry, though that can sometimes be tricky. Try me!

STYLE: there are no style limitations, but rhymed poetry will be a hard sell. Please try me with visual poetry, prose poetry, and other genre-bending forms. I will consider experimental poetry, but please remember that not all experimental poems are easy to represent in an e-zine format.

READING PERIODS: For the inaugural issue of Stone Telling, submissions will open on June, 14th and will remain open till August 14th. Additional reading periods will be announced.

LENGTH: I will consider short and long poetry, but please don’t send me poems of epic length.

PLEASE SEND up to THREE (3) poems per submission. I prefer to receive poetry in the body of the email, but if your poem has non-standard formatting, you can send an attachment in .doc, .docx or .rtf format. Please put SUBMISSION: Author's name in the subject line.
Editorial address is poetry at stonetelling dot com

REPRINTS: Reprints are solicited, but if you have a reprint that you feel is especially appropriate for publication at Stone Telling, please query.

RIGHTS: If accepted, you will be granting Stone Telling first North American serial, promotional, non-exclusive anthology, and archival rights. Copyright will revert to the author upon publication. If the piece is subsequently published in another venue, we ask that you source Stone Telling as first publication.

PAYMENT: 5$ per unsolicited poem upon publication. Payment by Paypal strongly preferred, although other methods can be arranged.

 

INFO: ACORN Leader says critics Mounted ‘McCarthy-Era War Against the Poor’ After Report Clears Organization of Wrongdoing | CommonDreams.org

ACORN Leader says critics Mounted ‘McCarthy-Era War Against the Poor’ After Report Clears Organization of Wrongdoing

by Stephen Janis

The former president of the now-dissolved activist group ACORN struck back at Republicans, Democrats and even the Obama Administration Thursday after a federal report cleared the organization of misusing federal funds and election fraud.

 

[Bertha Lewis, former President of ACORN, spoke openly about her disappointment with those who did little to defend the community advocacy group when they were targeted by the Rightwing for attack. “It just pisses me off that the right can get away with attacks on the organization while the left and progressives just stood by and did nothing to defend us.” (Raw story)]

Bertha Lewis, former President of ACORN, spoke openly about her disappointment with those who did little to defend the community advocacy group when they were targeted by the Rightwing for attack. “It just pisses me off that the right can get away with attacks on the organization while the left and progressives just stood by and did nothing to defend us.” (Raw story)

 

In an exclusive interview with Raw Story -- her first public remarks since the report's release -- ACORN's Bertha Lewis said the findings of the Government Accountability Office proves the withering criticism against ACORN  that all but shuttered the group was an orchestrated right wing attack against the poor.

"This was a McCarthy-era style war against the poor and minorities, nothing more," the group's former leader told Raw Story.

"This proves the right will resort to anything to maintain power to continue the war on poor black and brown people," she added.

"Glen Beck and Rush Limbaugh can call me a racist all they want to," she said. "But there is no way there was not a racial element and class element to this whole attack."

She also hinted that the favorable report might serve as a catalyst for a reincarnation of the group, founded in 1970 to advocate for better housing, jobs, and healthcare for working families.

"Some new organization will be continuing the mission," she said. "It might not be exactly the same."

"But we will be back," she said referring to now defunct local chapters of the organization that may re-emerge under different names.

The GAO found in a report released Tuesday that nearly $40 million in contracts awarded ACORN by a myriad of federal agencies was spent properly. The report also revealed that the group had not violated any federal campaign laws related to voter registration, an oft repeated claim of the right wing media critics like Beck and Limbaugh.

The report was commissioned by Congress as both parties voted to ban federal funding for the group after selectively edited videos were released depicting ACORN employees counseling two right-wing provocateurs posing as a college student and a prostitute.

The ban was later ruled unconstitutional.

But the report comes too late, Lewis said, to completely salvage the reputation of the organization that was relentlessly attacked by conservative commentators like Beck as corrupt.

"You get upset and angry about the unfairness of this," she said of the onslaught of negative publicity from the videos that were criticized as being heavily edited.

"This is just the 21st century version of high-tech lynching."

Lewis laid some of the blame for the group's demise on the lack of support from Democrats and progressives, who she said failed to support the group and voted for the funding ban.

"It just pisses me off that the right can get away with attacks on the organization while the left and progressives just stood by and did nothing to defend us."

The report bolsters her argument that entire campaign was to neutralize the group's efforts to register poor and minority voters, Lewis said.

"When we began to register poor people to vote we became an issue, that's when the Republicans started coming after us," she continued. "Remember, we've been accused of stealing the election for Obama."

Key to reviving the group's mission is a lawsuit currently on appeal in federal court arguing the ban on funding was unconstitutional.

Lewis said the ban amounts to a "bill of attainder" when a legislature accuses a group or a person of crime without the benefit of a trial.  The constitution specifically bans the practice, and a federal judge recently ruled in ACORN's favor granting a temporary injunction of the ban.

The ban has effectively prevented former associates of ACORN from applying for federal funding.  If  not overturned, similar bans could be aimed at other activist groups.

"If this is allowed to stand, a politician could get a government ban on a person or group and single them out."

Lewis was also critical of the Obama administration's continued effort to fight the lawsuit by filing appeals.

"It's politics pure and simple," she said. "They're scared."

A hearing is scheduled on the Justice Department's appeal June 24 in the Second Circuit Court of Appeals in New York.

 

VIDEO: Stephen Wiltshire: The Human Camera

Stephen Wiltshire draws cities from memory


If you have’nt already heard of Stephen Wiltshire, you’re in for a treat. He’s a British artist who can breifly view a complex landscape one time and then draw a detailed rendering of it. Like the time he took in Tokyo’s skyline durring a 30 minute helicopter ride and proceeded to create a 10 meter long drawing of the city from memory. His amazing “human camera” abilities are attributed to his autism.
For more on Stephen, check out  his personal site.
>via: http://bartlettyear1architecture.blogspot.com/2010/01/stephen-wiltshire-draws-cities-from.html
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Stephen Wiltshire Draws Rome From Memory


erg0n  May 05, 2006 — Stephen Wiltshire has been called the "Human Camera." In this short excerpt from the film Beautiful Minds: A Voyage into the Brain, Wiltshire takes a helicopter journey over Rome and then draws a panoramic view of what he saw, entirely from memory.
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STEPHEN WILTSHIRE
Stephen Wiltshire draws London Skyline

Stephen Wiltshire is an artist who draws and paints detailed cityscapes. He has a particular talent for drawing lifelike, accurate representations of cities, sometimes after having only observed them briefly. He was awarded an MBE for services to the art world in 2006. He studied Fine Art at City & Guilds Art College. His work is popular all over the world, and is held in a number of important collections.

Stephen was born in London to West Indian parents on 24th April, 1974. As a child he was mute, and did not relate to other human beings. Aged three, he was diagnosed as autistic. He had no language and lived entirely in his own world.

At the age of five, Stephen was sent to Queensmill School in London, where it was noticed that the only pastime he enjoyed was drawing. It soon became apparent he communicated with the world through the language of drawing; first animals, then London buses, and finally buildings. These drawings show a masterful perspective, a whimsical line, and reveal a natural innate artistry.

Aged eight, Stephen started drawing cityscapes after the effects of an earthquake (all imaginary), as a result of being shown photographs of earthquakes in a book at school. He also became obsessed with illustrations of classic American cars at this time (his knowledge of them is encyclopaedic), and he drew most of the major London landmarks.

The teachers at Queensmill School encouraged him to speak by temporarily taking away his art supplies so that he would be forced to ask for them. Stephen responded by making sounds and eventually uttered his first word - "paper." He learned to speak fully at the age of nine.

In 1987, the BBC QED programme, 'The Foolish Wise Ones', featured Stephen's astounding talent. Stephen was introduced by Sir Hugh Casson (past president of the Royal Academy), who described him as "the best child artist in Britain". Stephen's work has since been the subject of numerous television programmes around the world. He has been featured in many books, and his own third book Floating Cities (1991) was number one in the Sunday Times Bestseller List.

Meanwhile, Stephen's artworks were being exhibited frequently in venues all over the world. In 2001 he appeared in another BBC documentary, 'Fragments of Genius', for which he was filmed flying over London aboard a helicopter, and subsequently completing a detailed and perfectly scaled aerial illustration of a four-square-mile area within three hours. His drawing included 12 historic landmarks and 200 other structures.

In October and November 2003, thousands flocked to the Orleans House Gallery in Twickenham, near London, England, to see the first major retrospective of Stephen's work. The exhibition covered the 20-year period, from 1983 to 2003, and comprised 150 examples of Stephen's drawings, paintings and prints.

In May 2005, following a short helicopter ride over Tokyo, he drew a stunningly detailed panoramic view of the city on a 10-meter-long canvas, from memory. Since then he has drawn RomeHong KongFrankfurtMadridDubaiJerusalem and London on giant canvasses. The last drawing in the series was of his spiritual home, New York. He completed his masterpiece at Pratt Institute, the world-famous college of art and design, in New York in October 2009.

In January 2006, it was announced that Stephen was being named by Queen Elizabeth II as a Member of the Order of British Empire, in recognition of his services to the Art world. Later that year he opened his permanent gallery in London. Work from Stephen’s entire career is permanently on display, alongside new originals and prints available for sale at the Stephen Wiltshire Gallery in the Royal Opera Arcade, Pall Mall, London.

>via: http://www.stephenwiltshire.co.uk/

 

INFO: Are American schools returning to segregation? - CSMonitor.com

Are American schools returning to segregation?

The Supreme Court launched the desegregation of schools with Brown v. Board of Education in 1954. Now, once diverse districts like Goldsboro, N.C., are reverting to segregation, concerning civil rights advocates.

Black and white residents of Goldsboro, N.C., mingle at a farmers’ market. Natasha Hopkins (r.), a new resident, says the school district told her that the city’s schools were predominantly black and many parents preferred to drive their children to suburban schools. School segregation is a rising concern in the US.

Patrik Jonsson/The Christian Science Monitor

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By Patrik Jonsson, Stacy Teicher Khadaroo, Staff writers of The Christian Science Monitor / June 18, 2010

Goldsboro, N.C.

Fronted by tall, proud columns, Goldsboro High in North Carolina was once a flourishing school reflecting the city's 50-50 black-white mix. But the nearly 100-year-old school has verged on academic failure in recent years.

Goldsboro High School is the focus of a civil rights complaint charging inequity and racial isolation for the student body, now 99 percent black.

Patrik Jonsson/The Christian Science Monitor

Related Stories

Particularly troubling to civil rights advocates, the student population has become racially and economically isolated – to the point that the high school is now a symbol of "resegregation" in America's classrooms.

In the central attendance zone for Wayne County's schools – a zone that includes Goldsboro High – 93 percent of the students are African-American, and 90 percent are low-income, according to county statistics. By contrast, another attendance zone in the county is 69 percent white, 41 percent low-income.

This past December, the National Association for the Advancement of Colored People (NAACP) filed a civil rights complaint against the Wayne County Board of Education. Now, a federal investigation is under way to assess charges that the school board has maintained a segregated, high-poverty attendance area rife with educational inequities.

Earlier this month North Carolina Governor Beverly Purdue told members of the North Carolina Legislative Black Caucus that the state was "in a war" against school resegregation.

School-system officials blame both white and black flight for Goldsboro High School's educational slide.

Yet Wayne County is not an obvious setting for concerns about resegregation. Amid the pines and hog farms of eastern North Carolina, it's home to the racially diverse Seymour Johnson Air Force Base. Black and white residents of Goldsboro mingle easily as they pick up tomatoes and collards at a small farmers' market.

The lack of integration at the high school surprised the Rev. William Barber II when he moved here in the early 1990s.

"If you can't get it right in Goldsboro ... you can't get it right anywhere in the country," says Dr. Barber, president of the state chapter of the NAACP.

The case is a test of how aggressively the Obama administration will pursue such complaints. As such, it could resonate well beyond Goldsboro.

"I'm hopeful that ... other school [districts] in the state and potentially around the country would see that it's no longer acceptable to allow the students in these high-poverty, racially identifiable schools to get a lesser-quality education [than] their white, middle- or upper-class peers," says Mark Dorosin, an adjunct law professor at the Center for Civil Rights at the University of North Carolina in Chapel Hill.

Nationally, 39 percent of African-American students attend intensely segregated schools, where at least 90 percent are students of color, according to an analysis of 2007 data by the Civil Rights Project at the University of California, Los Angeles. And it's no longer simply a black-white issue: Forty percent of Latinos are in such schools as well.

In North Carolina, 18 percent of black students and 13 percent of Latino students attended these intensely segregated schools in 2008.

"Resegregation is a national trend [that has been building] for over a decade," says John C. Brittain, a law professor at the University of the District of Columbia.

Among the reasons: white families moving out of central cities or removing their children from the public schools there; school districts being released from court-ordered plans, or abandoning voluntary plans, to promote integration after the 1954 Brown v. Board of Education decision; and a series of Supreme Court decisions since the early 1990s that have limited the tools districts can use for integration.

The most recent Supreme Court case came in 2007 and struck down integration plans in Seattle and Jefferson County, Ky. The court ruled 5 to 4 that districts could not assign students to schools solely on the basis of race, but it held that diversity was a compelling interest that could be pursued in other ways. While some districts have come up with alternatives using a variety of demographic factors, including family income, many have dropped their integration plans.

In Wake County, N.C., less than an hour's drive from Goldsboro, the school board recently voted to end an assignment plan based on socioeconomics, once seen as a national model.

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As for the Wayne County case, investigators from the civil rights divisions of the US Education and Justice Departments visited Goldsboro last month for a compliance review related to Title VI of the 1964 Civil Rights Act, which prohibits discrimination by entities that receive federal funds. Officials won't comment on the investigation.

Typically, school districts cooperate to come up with a remedy if there's a finding of discrimination. Absent such cooperation, the government could sue the district and ultimately withhold federal funds.

Broadly speaking, "we wouldn't want to see schools become increasingly segregated again," says Russlynn Ali, assistant secretary for civil rights in the US Department of Education. "Diversity is important for lots of reasons. There's evidence that it improves achievement. Certainly [it helps students] to be prepared for this new and interconnected global marketplace.... Damage [is] caused ... when those tools for desegregation are taken away."

The issue of segregation doesn't necessarily resonate strongly with the public, however. Nearly 8 out of 10 Americans said they favor letting students go to their local school, even if it means most of the students would be the same race, according to an Associated Press/Ipsos Public Affairs poll in 2004.

Fletcher Cobb is a Goldsboro High alumnus who is now a janitor there. When he asked his niece, a current student, why she wasn't doing homework, she told him there aren't enough books for students to bring home. Other schools in the county have books that students can take home, a teacher told a local newspaper.

Other disparities, according to the complaint, include lower test scores; lower participation in advanced classes; higher suspension rates; and lower graduation rates (50 percent of Goldsboro High students graduated within four years in 2009, compared with 72 percent for the county schools as a whole).

"It should be mixed," says Goldsboro High junior Kaban Costello. A parent waiting to pick up a student after school says, "The kids need to be together, or else they're going to be always stuck in this framework of black and white."

School-system officials say they fund the Goldsboro High attendance zone just as well as the county's other schools, and there's nothing intentional about the racial makeup.

Wayne County is a low-wealth region trying to deal with a population drain from Goldsboro's 1940s-era downtown, says Ken Derksen, spokesman for the Wayne County Public Schools.

"The city of Goldsboro is comparable to a lot of cities around the nation looking at issues of black and white flight," Mr. Derksen says. "To turn around 30 years of flight overnight is not going to happen, and it's going to take a lot of effort on everybody's part."

One part of the civil rights complaint is that a waiver policy allows some families in the central attendance area to drive their children to schools in other zones. Out of 197 white students, 152 are shuttled to other schools. Among black students, 419 families have waivers, while about 2,000 stay in the central zone.

To improve opportunities for kids in the central attendance zone, officials three years ago started the Wayne School of Engineering on the Goldsboro High campus. Students from various zones attend the school through a lottery system. Thirty-seven percent of the pupils are from the central attendance area.

About 40 percent of the students at the engineering school are white. Students from the two schools mix on sports teams, but not in classes or at lunch. Many parents are scared away by rumors of weapons and violence at Goldsboro High, says Phylicia Nelson, a student at the engineering school.