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VIDEO: Roy Ayers Live/ Documentary Trailer Vol. 1 > from PUT ME ON IT

Roy Ayers Live/ Documentary Trailer Vol. 1

 


I challenge you to find anyone who doesn't love Roy Ayers - the last time I saw him live was in a muddy field on a gloomy day, he came out in a pristine white suit (so you know he's doing good), and the sunshine actually came out when the song started. This slightly strangely edited piece is great and gives a little insight in to what he's up to - he reminds me of a very hospitable young boy, the way he's so excited about his instruments and lady. Apparently the DVD is set for a Japan only release (makes sense), but you can buy it here if you can get your Japanese friend to work the page out for you.

Big up Spine TV

 

 

PUB: 2011 Kore Press First Book Award

2011 KORE PRESS

FIRST BOOK AWARD

Judge: Bhanu Kapil

Deadline: July 31, 2010

A prize of $1,000 plus book publication by Kore Press
will be given for a book-length poetry manuscript.

This competition is open to any female writer who has not published a
full-length collection of poetry. Writers who have had chapbooks of less than

42 pages printed in editions of no more than 400 copies are eligible.

How to Submit

Submit your manuscript and $20 reading fee on-line here.

Comment box should include:

  • daytime and evening telephone numbers
  • where you heard about the contest

Manuscripts must be:
• a minimum of 48 pages and a maximum of 80 pages. no cover letter needed.
• anonymous (do not include your name anywhere on the manuscript)
• original poetry written by applicant (translations are not eligible)

 

Click here to read an interview from Poetry Contest Insider

with publisher Lisa Bowden and fiction editor Shannon Cain

 

 

For more information email kore@korepress.org,
or call 520-327-2127.

 

PUB: call for interns & submissions - Kweli Journal

Litmag for Writers of Color Seeks Interns

Hi--I'm on the Board for Kweli, a literary journal for writers of color. Kweli
is currently seeking interns; below is more information. Please forward widely,
and many thanks in advance. Cheers, Marcela

Litmag for Writers of Color Seeks Interns
Kweli is a newborn journal and yet it is set to become home to the most
curious and most compelling artists of color. As a collective, their work
reflects a world that is "complex, multi-vocal and contradictory." Recent
and forthcoming contributors to Kweli include Nelly Rosario, Thomas
Sayers Ellis, Lorna Goodison, Victor LaValle, and Santee Frazier.

Kweli is looking for highly motivated editorial interns who want to learn
the literary journal business. Intern responsibilities include reviewing
manuscripts, conducting research, and assisting with administrative tasks.
Kweli needs interns that are detail-oriented, close readers, and strong
writers. Internships are generally unpaid; interns must work a minimum
of 8-10 hours per week. Artists of color are encouraged to apply. Research
will be on two fronts:

1. Kweli wants to expand its outreach to emerging writers of color. They
have recently added Diné College to their e-blast list (Diné College is a
two-year, tribally controlled community college on Navajo Indian
Reservation) and they will soon reach out to the Farafina Trust Creative
Writing Initiative in Lagos (a writing workshop spearheaded by
Chimamanda Ngozi Adichie).

2. Kweli also needs help gathering research material for their author
interview series, KWELI in CONVERSATION. Previous interviews and essays
(both online and print) need to be compiled and then forwarded to
designated editors.

To apply read the journal by visiting http://www.kwelijournal.comthen
mail them a cover letter, resume, and two writing samples. Internships are
available for the summer and timing is flexible. Kweli can be contacted at:

KWELI JOURNAL
P.O. Box 693
New York, NY 10021
E-mail: kwelijournal@me.com
Website: http://www.kwelijournal.com

PUB: call for submissions | Narrative Magazine

Home

Submission Guidelines


 

How to Send Us Your Work: We accept submissions only through our electronic submission system. We do not accept submissions through postal services or email. You may send us manuscripts for the following submission categories: General Submissions, Narrative Prize, Story of the Week, Readers’ Narrative, or a specific Contest. Your manuscript must be in one of the following file forms: .doc, .rtf, .pdf, .docx, .txt, .wpd, .odf, .mp3, .mp4, .mov, and .flv.

 

Technical Difficulties: If you have any questions or encounter technical difficulties, please Contact Us.

 

Formatting Your Manuscript: All manuscripts should be in 12-point type, with at least one-inch margins, and sequentially numbered pages. Fiction and nonfiction should be double-spaced. Poetry should be single-spaced. The author’s name, address, telephone number, and email address should be typed at the top of the first page. Contributors are asked to include a brief biographical note with their submissions.

 

Timing: Submissions may be sent to us at any time, year-round.

 

Simultaneous Submissions: We accept multiple submissions, since we feel that it’s unreasonable to expect writers to give a magazine an exclusive look at a work unless the magazine can respond within two to three weeks. We want writers to have every possible opportunity for success, so we’re willing to risk losing a story we want when someone at another magazine may have done their reading before we have, and in that case we’ll be sorry to lose the piece but happy for the writer.

 

Response Time: Our response time varies from four to twelve weeks, with the slowest times usually being August/September and December/January.

 

Submission Fees: Narrative is a nonprofit organization with the ambition of encouraging good literary work. We do not charge readers for the magazine. However, for unsolicited submissions, we do charge a nominal fee, which helps cover the basic administrative costs related to receiving, reading, and responding to submissions. Also, a portion of the reading fee helps fund our annual Narrative Prize. Our desire is to connect readers and writers, and we strongly encourage anyone interested in submitting work to read the magazine before submitting. You may read the magazine for free. If you enjoy reading it and wish to submit, we hope you will feel that the reading fee, which is lower than most literary magazine subscription fees, is more than justified by the quality of the work the magazine offers. We are strongly committed to publishing debut and emerging writers. The reading fee is $20 for prose manuscripts, $15 for up to five poems, and $20 for audio or video submissions.

 

Open Reading Periods: During the first two weeks of April, we do not require a reading fee for general submissions made specifically to the Open Reading category via our submissions page. However, manuscripts submitted during this period are not eligible for the Narrative Prize.

 

Payment to Authors: Narrative is strongly committed to supporting our authors' work. Our current rates for work are as follows:

 

—$150 for a Story of the Week, with $500 each for the annual Top Five Stories of the Week.
—$150-350 for 500-2,000 word manuscripts.
—$350-$1,000 for 2,000-10,000 word manuscripts.
—$1,000-$5,000 minimum for book-length works, and we may offer more, depending on the length and nature of the work.
—$50 minimum for each accepted poem and audio piece
—We do not pay for Readers’ Narratives.

 

All submissions with a reading fee, from new or emerging writers, are eligible for the $5,000 Narrative Prize, awarded annually.

 

$5,000 Narrative Prize: The $5,000 Narrative Prize will be awarded annually for the best short story, novel excerpt, poem, or work of literary nonfiction published by a new or emerging writer in Narrative. The deadline for entries for each year’s award is June 15. The winner is announced each September, and the prize is awarded in October. Notices of the award, citing the winner’s name and the title and genre of the winning piece, will be placed in prominent literary periodicals. Each winner will also be cited in an ongoing listing in Narrative. The prize is judged by the magazine’s editors and, in some years, may be divided between winners, when more than one work merits the award.

 

Word Count Guidelines:

SHORT SHORT STORY manuscripts must be between two and five pages in length, and no less than 500 and no more than 2,000 words.

 

MANUSCRIPTS OF 2,000 to 10,000 WORDS can include short stories, essays, and other complete short works of nonfiction, and excerpts from longer works of fiction and nonfiction.

 

NOVELLAS and other long works that are less than book length may run between 10,000 and 40,000 words. For works of this length, please submit the first 10,000 words with a synposis. (Based on our reading of the first 10,000 words, we will ask to see the complete manuscript if we think the work is suitable for Narrative.)

 

SERIALIZATION OF BOOK-LENGTH WORKS. For consideration for serialization, please send the first chapter and a one-page synopsis of the book. (Based on our reading of the first chapter and synopsis, we will ask to see the complete book manuscript if we think the book is suitable for serialization in Narrative. For further information on our program of serializations, please click here.)

 

POETRY submissions may contain up to five poems. Your submission should give a strong sense of your style and range. We accept submissions of all poetic forms and genres but do not accept translations.

 

NARRATIVE OUTLOUD AUDIO PROSE submissions may be fiction or nonfiction but should take a storytelling form. Audio prose submissions must be in MP3 format and may be up to ten minutes long.

 

NARRATIVE OUTLOUD AUDIO POETRY submissions must be in MP3 format and may be up to ten minutes long.

 

NARRATIVE OUTLOUD VIDEO submissions may be short films and documentaries of up to 15 minutes. Submissions must be in .mp4, .mov, or .flv. format.

 

READERS’ NARRATIVES may run up to 1,500 words.


Click here to submit your work.

 
 
 
 
 

 

 

INFO: Breath of Life: The Winstons, Keb' Mo', Trio Mocoto, and 20 versions of "Song For My Father"

FATHER'S DAY SPECIAL 

We kick off with two versions of the classic "Color Him Father" by the Winstons and a cover by Keb' Mo', and we follow with a trip to Brazil to enjoy Trio Mocoto, the musical fathers of Samba rock, and conclude with 20 versions of "Song For My Father" featuring Horace Silver, Dee Dee Bridgewater, Malcom Green, New Directions, Carmen Souza, Madlib, Ernie Ranglin & Pam Hall, Jazz Jamaica, Typhanie Monique & Neal Alger, Joe Thompson, Mansur Scott Harlem Quartet, The Clayton Brothers, Denise King, Joe Lee Wilson & Bond Street, Richard Groove Holmes, Leon Thomas, Von Freeman, Rosalba Lazzarotto, Babatunde Lea & Dwitht Tribble, and Orrin Evans.


http://www.kalamu.com/bol/

VIDEO: Journey Through Hell - 50min. documentary


journeymanpictures  January 02, 2008 — See full film here:
http://www.booserver.com/projects.php...

July 2007
For the first time ever, this journalist managed to get inside a boat trafficking Africans to Yemen, the first stage of their journey to the West. Over 100 people were crammed in with him on the 30 foot boat. Denied food or water for the three day journey and without even room to move, they became ill and dehydrated. The traffickers kept them under control by regularly beatings and throw anyone overboard who complains. When they approach the shore, the refugees are forced to jump into the sea and swim to shore. Many can't swim or are so exhausted they drown. It's estimated that 40% of those who attempt the journey never make it. This is their story.

 

GULF OIL DISASTER: Scientists increase flow rate estimate for Gulf of Mexico oil spill | NOLA.com

Scientists increase flow rate estimate for Gulf of Mexico oil spill

Published: Tuesday, June 15, 2010, 4:13 PM     Updated: Tuesday, June 15, 2010, 5:40 PM

 

Less than a week after increasing its estimate of the flow of oil from the Deepwater Horizon blowout, a team of scientists raised the figure again today. This time, scientists say between 35,000 to 60,000 barrels of oil per day are escaping the blown-out well.

gulf_oil_bp_video.JPGOil surging into the Gulf of Mexico from the Deepwater Horizon well is seen in this video image captured early Sunday.   

The amount comes just five days after the team said the flow rate was 20,000 to 40,000 barrels of oil per day.

The new estimate is based on "more and better data" the team, called the Flow Rate Technical Group, said in a statement.