Remembering Fascism: Learning From the Past
Tuesday 20 April 2010
by: Noam Chomsky, t r u t h o u t | Op-Ed
Noam Chomsky. (Illustration: Jared Rodriguez / t r u t h o u t)Madison: Radical, Intellectual Retrospective, April 8, 2010
I don't have to say how pleased and grateful I am for this honor, which also offers an occasion to look back over the years. What comes to mind with particular salience is the earliest years, perhaps because I've been thinking a lot about them lately, for other reasons. They were, of course, formative years for me personally, but I think the significance unfortunately goes beyond.
I'm just old enough to have memories of Hitler's speeches on the radio 75 years ago. I didn't understand the words, but couldn't fail to grasp the menace of the tone and the cheering mobs. The first political article I wrote was in February 1939, right after the fall of Barcelona. I'm sure it was nothing memorable. I can recall a little of it, but much more clearly the mood of fear and foreboding. The article opened with the words: "Austria falls, Czechoslovakia falls, and now Barcelona falls" - and Spain with it, a few months later. The words have always stayed in my mind, along with the dread, the sense of the dark clouds of fascism gathering over Germany and then Europe and perhaps beyond, a growing force of unimaginable horror. Though no one could foresee the Holocaust, Kristallnacht had taken place just a few weeks before and the desperate flight of refugees had been building up for years, many of them unable to believe what was happening.
In those years I also had my first experience with radical intellectuals - though they wouldn't be called "intellectuals" as the term is standardly used, applying to people with status and privilege who are in a position to reach the public with thoughts about human affairs and concerns. And since privilege confers responsibility, the question always arises as to how they are using that responsibility, topics very much alive in those years in work by Erich Fromm, Russell and Dewey, Orwell, Dwight MacDonald, and others, which I soon came to know. But the radical intellectuals of my childhood were different. They were my working-class relatives in New York, mostly unemployed during the Depression, though one uncle, with a disability, had a newsstand thanks to New Deal measures and so was able to help support much of the family. My parents could, too, in a small way. As Hebrew teachers in Philadelphia, they had that rare gift of employment, so we had a stream of aunts and cousins staying with us periodically.
My New York relatives mostly had limited formal education. My uncle, who ran the newsstand and was an enormous influence on my early life, had never gone beyond fourth grade. But it was one of the most lively intellectual circles I have ever been part of, at least on the periphery as a child. There were constant discussions about the latest performance of the Budapest String Quartet, the controversies between Stekel and Freud, radical politics and activism, which was then reaching impressive peaks. Particularly significant were the sit-down strikes, just a step short of workers taking over factories and radically changing the society - ideas that should be very much alive today.
Along with being a major factor in New Deal measures, the rising labor activism aroused great concern in the business world. Its leading figures warned about "the hazard facing industrialists [with] the rising political power of the masses," and the need to intensify "the everlasting battle for the minds of men," and instituted programs to overcome this threat to order and discipline, put aside during the war, but taken up afterward with extreme dedication and scale. The US is unusual among industrial societies in its highly class-conscious business community, relentlessly fighting a bitter class war, in earlier years with unusual levels of violence, more recently through massive propaganda offensives.
Some of my relatives were close to the Communist Party, others were bitterly anti-Communist from the left; and some, like my uncle, were anti-Bolshevik, from farther left. Among those close to the party, while there was ritual obeisance to Russia, I had the feeling that for most the focus was right here: the civil rights and labor movements, welfare reform and badly needed social change. The party was a force that did not anticipate quick victories, but was always present, ready, persistent, dedicated to moving from temporary defeat to the next struggle, something that we really lack today. It was also connected with a broader movement of workers' education and associations and, not least, an opportunity for my unemployed seamstress aunts to spend a week in the country at an ILGWU resort and other escapes from what should have been a very grim world, though I remember it from my own personal experiences - limited of course - as a time that was full of hope, quite unlike today under circumstances that are objectively much less severe.
By 1941, I was spending as much time as I could in downtown Manhattan, gravitating to another group of radical intellectuals in the small bookstores on 4th Avenue run by anarchist refugees from the Spanish revolution of 1936, or the office of the Anarchist Freie Arbeiter Stimme in Union Square nearby. They, too, didn't fit the standard formula for intellectuals. But if by the term we mean people who think seriously about life and society, their problems and possible solutions, against a background of knowledge and understanding, then they were indeed intellectuals, impressive ones. They were quite happy to spend time with a young kid who was fascinated with the 1936 anarchist revolution, which I thought then, and still think, was one of the high points of Western civilization and in some ways a beacon for a better future. I picked up a lot of material that I used 30 years later when writing about the topic, most of it not then in print.
Among the most memorable of these materials is a collection of primary documents about collectivization, published in 1937 by the CNT, the anarcho-syndicalist union that is celebrating its centenary this year. One contribution has resonated in my mind ever since, by peasants of the village of Membrilla. I would like to quote parts of it:
In [the] miserable huts [of Membrilla] live the poor inhabitants of a poor province; eight thousand people, but the streets are not paved, the town has no newspaper, no cinema, neither a café nor a library.... Food, clothing and tools were distributed equitably to the whole population. Money was abolished, work collectivized, all goods passed to the community, consumption was socialized. It was, however, not a socialization of wealth but of poverty.... The whole population lived as in a large family; functionaries, delegates, the secretary of the syndicates, the members of the municipal council, all elected, acted as heads of a family. But they were controlled, because special privilege or corruption would not be tolerated. Membrilla is perhaps the poorest village of Spain, but it is the most just.
These words, by some of the most impoverished peasants in the country, capture with rare eloquence the achievements and promise of the anarchist revolution. The achievements did not, of course, spring up from nothing. They were the outcome of many decades of struggle, experiment, brutal repression - and learning. The concept of how a just society should be organized was in the minds of the population when the opportunity arose. The experiment in creating a world of freedom and justice was crushed all too soon by the combined forces of fascism, Stalinism and liberal democracy. Global power centers understood very well that they must unite to destroy this dangerous threat to subordination and discipline before turning to the secondary task of dividing up the spoils.
In later years, I have sometimes been able to see first-hand at least a little of the lives of poor people suffering brutal repression and violence - in the miserable slums of Haiti at the peak of the terror in the early '90s, supported by Washington though the facts are still suppressed and highly relevant to today's tragedies. Or in refugee camps in Laos, where tens of thousands of people were huddled, driven from their homes by a CIA mercenary army after years of trying to survive in caves under relentless bombing that had nothing to do with the war in Vietnam, one of the gravest atrocities of modern history, still largely unknown and still killing many people because the land is saturated with unexploded ordnance. Or in Palestine and southeastern Turkey and many other places. Among them, particularly important to me for personal reasons, is southern Colombia, where campesinos, indigenous people and Afro-Colombians are being driven from their devastated lands by terror and chemical warfare, called here "fumigation," as if we somehow have the right to destroy other countries on pretexts that we manufacture - people capable of the most miraculous sympathy and humanity, despite the awful suffering in which we play a major role, while looking the other way - though not in Madison, thanks to the work of the Colombia support group here.
One of the things I learned in the anarchist bookstores and offices 70 years ago was that I had been wrong in taking the fall of Barcelona in 1939 to be the death knell for freedom in Spain. It rang two years earlier, in May 1937, when the industrial working class was crushed by the Communist-led repression and Communist armies swept through the countryside destroying the collectives, with the assistance of the liberal democracies and with Hitler and Mussolini waiting in the wings - an immense tragedy for Spain, even though not quite the victory that the predators had anticipated.
A few years later, I left home for graduate studies at Harvard, where I had my first extensive experience with the elite intellectual world. On arrival, I went to the standard faculty-run party for incoming students and was regaled by a very distinguished philosopher with an account of the Depression - which, he assured me, had not taken place. It was a liberal fabrication. There were no rag-pickers coming to our door in desperation in the early '30s, no women workers being beaten by security forces while on strike at a textile factory that I passed on a trolley with my mother when I was about five, none of my unemployed working class relatives. A few businessmen might have suffered, but there was nothing beyond that.
I was soon to learn that this was far from an exception, but I don't want to suggest that this was typical of Harvard intellectuals. Most were Stevenson liberals, people who applauded when Stevenson said at the UN that we have to defend Vietnam from "internal aggression," from the "assault from within," as President Kennedy put it. Words that we hear again today, for example, last Sunday, in The New York Times, where we read that after the conquest of Marja in Helmand Province, the Marines have collided with a Taliban identity so dominant that the movement appears more akin to the only political organization in a one-party town, with an influence that touches everyone. "We've got to re-evaluate our definition of the word 'enemy,'" said Brig. Gen. Larry Nicholson, commander of the Marine expeditionary brigade in Helmand Province. "Most people here identify themselves as Taliban ... We have to readjust our thinking so we're not trying to chase the Taliban out of Marja, we're trying to chase the enemy out," he said.
A problem that has always bedeviled conquerors, very familiar to the US from Vietnam, where the leading US government scholar in a widely praised book lamented that the enemy within was the only "truly mass-based political party in South Vietnam" and any effort of ours to compete with it politically would be like a conflict between a minnow and a whale, so we had to overcome their political force by using our comparative advantage, violence - as we did. Others have faced similar problems: for example, the Russians in Afghanistan in the 1980s, an invasion that also elicited the outrage that we muster up for the crimes of enemies. Middle East specialist William Polk reminds us that the Russians "won many military victories and through their civic action programs they actually won over many of the villages" - and in fact, as we know from reliable sources, created substantial freedom in Kabul, particularly for women. But, to go on with Polk, "over the decade of their involvement, the Russians won almost every battle and occupied at one time or another virtually every inch of the country, but they lost ... the war. When they gave up and left, the Afghans resumed their traditional way of life."
The dilemmas faced by Obama and McChrystal are not quite the same. The enemy whom the Marines are trying to chase out of their villages have virtually no outside support. The Russian invaders, in sharp contrast, were facing a resistance that received vital support from the US, Saudi Arabia and Pakistan, who were rounding up the most extreme radical Islamic fundamentalists they could find - including those terrorizing women in Kabul - and were arming them with advanced weapons, while also carrying forward the program of radical Islamization of Pakistan, yet another one of Reagan's gifts to the world, along with Pakistan's nuclear weapons. The goal of these US operations was not to defend Afghanistan. It was explained frankly by the CIA station chief in Islamabad, who was running the operations. The goal was to "kill Soviet Soldiers." He boasted that he "loved" this "noble goal," making it very clear, in his words, that "the mission was not to liberate Afghanistan," which he didn't care about. You're familiar I'm sure with Zbigniew Brzezinski's somewhat similar boasts.
By the early 1960s, I was deeply engaged in antiwar activities. I won't go into the details, though they tell us a lot about the intellectual climate, particularly in liberal Boston. By 1966, my own involvement was deep enough so that my wife went back to college to get a degree after 17 years because of the likelihood of a long prison sentence - which came very close. The trial was already announced, but canceled after the Tet offensive, which convinced the business community that the war was becoming too costly and, in any event, the major war aims had been achieved - another long story I won't go into. After the Tet offensive and the shift in official policy, it suddenly turned out that everyone had been a long-term opponent of the war - in deep silence. Kennedy memoirists rewrote their accounts to present their hero as a dove - untroubled by the radical revisions or by the extensive documentary evidence showing that JFK would consider withdrawal from a war he knew to be domestically unpopular only after victory was assured.
Even before the Tet offensive there were growing doubts in these circles, not about the sentimental notions of right and wrong that we reserve for the crimes of enemies, but about the likelihood of success in beating back the "assault from within." Perhaps, a paradigm was Arthur Schlesinger's reflections when he was beginning to be concerned that victory might not be so easily at hand. As he put it, "we all pray" that the hawks will be right and that the surge of the day will bring victory. And if it does, we will be praising the "wisdom and statesmanship" of the US government in gaining military victory while leaving "the tragic country gutted and devastated by bombs, burned by napalm, turned into a wasteland by chemical defoliation, a land of ruin and wreck," with its "political and institutional fabric" pulverized. But escalation probably won't succeed and will prove to be too costly for ourselves, so perhaps strategy should be rethought.
Little has changed today when Obama is hailed as a leading opponent of the Iraq invasion because it was a "strategic blunder," words that one could also have read in Pravda by the mid-1980s. The imperial mentality is very deeply rooted.
It is sad to say, but not false, that within the dominant spectrum the liberal imperialists are "the good guys." A likely alternative is revealed by the most recent polls. Almost half of voters say that the average Tea Party member is closer to their views than President Obama, whom fewer prefer. There's an interesting breakdown. Eighty-seven percent of those in the so-called "Political Class" say their views are closer to Obama's. Sixty-three percent of what are called "Mainstream Americans" say their views are closer to the Tea Party. On virtually all issues, Republicans are trusted by the electorate more than Democrats, in many cases by double digits. Other evidence suggests that these polls are recording distrust rather than trust. The level of anger and fear in the country is like nothing I can recall in my lifetime. And since the Democrats are in power, the revulsion over the current social-economic-political world attaches to them.
Unfortunately, these attitudes are understandable. For over 30 years, real incomes for the majority of the population have stagnated or declined, social indicators have steadily deteriorated since the mid-1970s after closely tracking growth in earlier years, work hours and insecurity have increased along with debt. Wealth has accumulated, but into very few pockets, leading to probably record inequality. These are, in large part, consequences of the financialization of the economy since the 1970s and the corresponding hollowing out of domestic production. What people see before their eyes is that the bankers who are primarily responsible for the current crisis and who were saved from bankruptcy by the public are now reveling in record profits and huge bonuses, while official unemployment stays at about 10 percent and in manufacturing is at depression levels, one in six, with good jobs unlikely to return. People rightly want answers and they are not getting them, except from voices that tell tales that have some internal coherence, but only if you suspend disbelief and enter into their world of irrationality and deceit. Ridiculing Tea Party shenanigans is a serious error, I think. It would be far more appropriate to understand what lies behind them and to ask ourselves why justly angry people are being mobilized by the extreme right and not by forces like those that did so in my childhood, in the days of formation of the CIO and other constructive activism.
To take just one illustration of the operation of really existing market democracy, Obama's primary constituency was financial institutions, which have gained such dominance in the economy that their share of corporate profits rose from a few percent in the '70s to almost on-third today. They preferred Obama to McCain and largely bought the election for him. They expected to be rewarded and were. But a few months ago, responding to rising public anger, Obama began to criticize the "greedy bankers" who had been rescued by the public and even proposed some measures to constrain them. Punishment for his deviation was swift. The major banks announced prominently that they would shift funding to Republicans if Obama persisted with his offensive rhetoric.
Obama heard the message. Within days, he informed the business press that bankers are fine "guys." He singled out for special praise the chairs of two leading beneficiaries of public largess, JP Morgan Chase and Goldman Sachs and assured the business world that, "I, like most of the American people, don't begrudge people success or wealth" - such as the bonuses and profits that are infuriating the public. "That's part of the free market system," Obama continued, not inaccurately, as the concept "free market" is interpreted in state capitalist doctrine.
This should not be a great surprise. That incorrigible radical Adam Smith, speaking of England, observed that the principal architects of power were the owners of the society, in his day the merchants and manufacturers, and they made sure that policy would attend scrupulously to their interests, however "grievous" the impact on the people of England, and, worse, the victims of "the savage injustice of the Europeans" abroad. British crimes in India were a primary concern of an old-fashioned conservative with moral values, a category that a Diogenes might search for today.
A modern and more sophisticated version of Smith's maxim is political economist Thomas Ferguson's "investment theory of politics," which takes elections to be occasions when groups of investors coalesce to invest to control the state by selecting the architects of policies who will serve their interests. It turns out to be a very good predictor of policy over long periods. That should hardly be surprising. Concentrations of economic power will naturally seek to extend their sway over any political process. It happens to be extreme in the US, as I mentioned.
There is much fevered discussion these days about whether, or when, the US is going to lose its dominant position in global affairs to China and India, the rising world powers. There is an element of truth to these laments. But apart from misconceptions about debt, deficits and the actual state of China and India, the discussions are based on a serious misconception of the nature of power and its exercise. In scholarship and public discourse, it is common to take the actors in international affairs to be states that pursue some mysterious goal called "the national interest," divorced from the internal distribution of power. Adam Smith had a sharper eye and his radical truism provides a useful corrective. Bearing it in mind, we can see that there is indeed a global shift of power, though not the one that occupies center stage: a further shift from the global work force to transnational capital, sharply escalating during the neoliberal years. The cost is substantial, including working people in the US, starving peasants in India and millions of protesting workers in China, where labor share in national income is declining even more rapidly than in most of the world.
Political economist Martin Hart-Landsberg observes that China does play a leading role in the real global shift of power, having become largely an assembly plant for a regional production system. Japan, Taiwan, and other advanced Asian economies export parts and components to China and provide most of the sophisticated technology. Chinese labor assembles it and exports it. To illustrate, a Sloan Foundation study estimated that for a $150 iPod exported from China, about 3 percent of value added is by China, but it is counted as a Chinese export. Much concern has been aroused by the growing US trade deficit with China, but less noticed is the fact that the trade deficit with Japan and rest of Asia has sharply declined as the new regional production system takes shape. A Wall Street Journal report concluded that if value added were properly calculated, the real US-China trade deficit would decline by as much as 30 percent, while the US trade deficit with Japan would rise by 25 percent. US manufacturers are following the same course, providing parts and components for China to assemble and export, mostly back to the US. For the financial institutions, retail giants, ownership and management of manufacturing industries and sectors closely related to this nexus of power, all of this is heavenly. Not for American workers, but as Smith pointed out, their fate is not the concern of the "principal architects of policy."
It's true that there is nothing fundamentally new in the process of deindustrialization. Owners and managers naturally seek the lowest labor costs; efforts to do otherwise, famously by Henry Ford, were struck down by the courts, so now it is a legal obligation. One means is shifting production. In earlier days, the shift was mostly internal, especially to the southern states, where labor could be more harshly repressed. Major corporations, like the US steel corporation of the sainted philanthropist Andrew Carnegie, could also profit from the new slave-labor force created by the criminalization of black life after the end of Reconstruction in 1877, a core component of the American industrial revolution, continuing until World War II. It is being reproduced in part during the recent neoliberal period, with the drug war used as a pretext to drive the superfluous population, mostly black, back to the prisons, also providing a new supply of prison labor in state or private prisons, much of it in violation of international labor conventions. For many African-Americans, since they were exported to the colonies, life has scarcely escaped the bonds of slavery, or sometimes worse. More recently the shift is mostly abroad.
Returning to the charges against "greedy bankers," in fairness, we should concede that they have a valid defense. Their task is to maximize profit and market share; in fact, that's their legal obligation. If they don't do it, they'll be replaced by someone who will. These are institutional facts, as are the inherent market inefficiencies that require them to ignore systemic risk: the likelihood that transactions they enter into will harm the economy generally. They know full well that these policies are likely to tank the economy, but these externalities, as they are called, are not their business, and cannot be, not because they are bad people, but for institutional reasons. It is also unfair to accuse them of "irrational exuberance," to borrow Alan Greenspan's brief recognition of reality during the artificial tech boom of the late '90s. Their exuberance and risk taking was quite rational, in the knowledge that when it all collapses, they can flee to the shelter of the nanny state, clutching their copies of Hayek, Friedman and Rand. The government insurance policy is one of many perverse incentives that magnify the inherent market inefficiencies.
In brief, ignoring systemic risk is an inherent institutional property and perverse incentives are an application of Smith's maxim. Again, no great insight.
After the latest disaster occurred, it has been agreed by leading economists that an "emerging consensus" has developed "on the need for macroprudential supervision" of financial markets, that is, "paying attention to the stability of the financial system as a whole and not just its individual parts" (Barry Eichengreen, one of the most respected analysts and historians of the financial system). Two prominent international economists add that, "There is growing recognition that our financial system is running a doomsday cycle. Whenever it fails, we rely on lax money and fiscal policies to bail it out. This response teaches the financial sector: take large gambles to get paid handsomely and don't worry about the costs - they will be paid by taxpayers through bailouts and other devices and the financial system "is thus resurrected to gamble again - and to fail again." The system is a "doom loop," in the words of the official of the Bank of England responsible for financial stability.
Basically the same logic applies elsewhere. A year ago, the business world recognized that the insurance companies and big Pharma, in sharp defiance of the public will, had succeeded in destroying the possibility of serious health reform - a very serious matter, not only for the people who suffer from the dysfunctional health system, but even on narrow economic grounds. About half of the deficit that we are instructed to deplore is attributable to unprecedented military expenditures, rising under Obama, and most of the rest to the increasing costs of the virtually unregulated privatized health care system, unique in the industrial world, also unique in its gifts to drug companies - opposed by a mere 85 percent of the population. Last August, Business Week had a cover story celebrating the victory of the health insurance industries. Of course, no victory is enough, so they persisted in the struggle, gaining more, also against the will of the large majority of the public, another interesting story I'll have to put aside.
Observing this victory, the American Petroleum Institute, backed by the Chamber of Commerce and the other great business lobbies, announced that they are going to use the model of the health industry campaigns to intensify their massive propaganda efforts to convince the public to dismiss concerns about anthropogenic global warming. That has been done with great success; those who believe in this liberal hoax have reduced to barely a third of the population. The executives dedicated to this task know as well as the rest of us that the liberal hoax is real and the prospects grim. But they are fulfilling their institutional role. The fate of the species is an externality that they must ignore, to the extent that market systems prevail.
One of the clearest and most moving articulations of the public mood that I have seen was written by Joseph Andrew Stack, who crashed his small plane into an office building in Austin, Texas, a few weeks ago, committing suicide. He left a manifesto explaining his actions. It was mostly ridiculed, but it deserves much better, I think.
Stack's manifesto traces the life history that led him to this final desperate act. The story begins when he was a teenage student living on a pittance in Harrisburg, PA, near the heart of what was once a great industrial center. His neighbor was a woman in her '80s, surviving on cat food, the "widowed wife of a retired steel worker. Her husband had worked all his life in the steel mills of central Pennsylvania with promises from big business and the union that, for his 30 years of service, he would have a pension and medical care to look forward to in his retirement. Instead he was one of the thousands who got nothing because the incompetent mill management and corrupt union (not to mention the government) raided their pension funds and stole their retirement. All she had was social security to live on" (quoting); and Stack could have added that there have been concerted and continuing efforts by the super rich and their political allies to take even that away on spurious grounds. Stack decided then that he couldn't trust big business and would strike out on his own, only to discover that he couldn't trust a government that cared nothing about people like him, but only about the rich and privileged, or a legal system in which, in his words, "there are two 'interpretations' for every law, one for the very rich and one for the rest of us." Or a government that leaves us with "the joke we call the American medical system, including the drug and insurance companies [that] are murdering tens of thousands of people a year," with care rationed largely by wealth, not need. All in a social order in which "a handful of thugs and plunderers can commit unthinkable atrocities ... and when it's time for their gravy train to crash under the weight of their gluttony and overwhelming stupidity, the force of the full federal government has no difficulty coming to their aid within days if not hours." And much more.
Stack tells us that his desperate final act was an effort to show that there are people willing to die for their freedom, in the hope of awakening others from their torpor. It wouldn't surprise me if he had in mind the premature death of the steel worker that taught him about the real world as a teenager. That steel worker didn't literally commit suicide after having been discarded to the trash heap, but it's far from an isolated case; we can add his and many similar cases to the colossal toll of the institutional crimes of state capitalism.
There are poignant studies of the indignation and rage of those who have been cast aside as the state-corporate programs of financialization and deindustrialization have closed plants and destroyed families and communities. They reveal the sense of acute betrayal on the part of working people who believed they had a fulfilled their duty to society in a moral compact with business and government, only to discover that they had been only instruments for profit and power, truisms from which they had been carefully protected by doctrinal institutions.
Reading Joe Stack's manifesto and a great deal more like it, I find myself recovering childhood memories and much more that I did not then understand. The Weimar Republic was the peak of western civilization in the sciences and the arts, also regarded as a model of democracy. Through the 1920s, the traditional liberal and conservative parties entered into inexorable decline, well before the process was intensified by the Great Depression. The coalition that elected General Hindenburg in 1925 was not very different from the mass base that swept Hitler into office eight years later, compelling the aristocratic Hindenburg to select as chancellor the "little corporal" he despised. As late as 1928, the Nazis had less than 3 percent of the vote. Two years later, the most respectable Berlin press was lamenting the sight of the many millions in this "highly civilized country" who had "given their vote to the commonest, hollowest and crudest charlatanism." The public was becoming disgusted with the incessant wrangling of Weimar politics, the service of the traditional parties to powerful interests and their failure to deal with popular grievances. They were drawn to forces dedicated to upholding the greatness of the nation and defending it against invented threats in a revitalized, armed and unified state, marching to a glorious future, led by the charismatic figure who was carrying out "the will of eternal Providence, the Creator of the universe," as he orated to the mesmerized masses. By May 1933, the Nazis had largely destroyed not only the traditional ruling parties, but even the huge working-class parties, the Social Democrats and Communists, along with their very powerful associations. The Nazis declared May Day 1933 to be a workers holiday, something the left parties had never been able to achieve. Many working people took part in the enormous patriotic demonstrations, with more than a million people at the heart of Red Berlin, joining farmers, artisans, shopkeepers, paramilitary forces, Christian organizations, athletic and riflery clubs, and the rest of the coalition that was taking shape as the center collapsed. By the onset of the war, perhaps 90 percent of Germans were marching with the brown shirts.
As I mentioned, I am just old enough to remember those chilling and ominous days of Germany's descent from decency to Nazi barbarism, to borrow the words of the distinguished scholar of German history Fritz Stern. He tells us that he has the future of the United States in mind when he reviews "a historic process in which resentment against a disenchanted secular world found deliverance in the ecstatic escape of unreason."
The world is too complex for history to repeat, but there are nevertheless lessons to keep in mind. There is no shortage of tasks for those who choose the vocation of critical intellectuals, whatever their station in life. They can seek to sweep away the mists of carefully contrived illusion and reveal the stark reality. They can become directly engaged in popular struggles, helping to organize the countless Joe Stacks who are destroying themselves and maybe the world and to join them in leading the way the way to a better future.
THE FILM
Columbia is the trade union murder capital of the world. Since 2002, more than 470 workers’ leaders have been brutally killed, usually by paramilitaries hired by private companies intent on crushing the unions. Among these unscrupulous corporate brands is the poster boy for American business: Coca-Cola.
Talk to Martin Gil: His brother Isidro was killed at point-blank range while working at the Coca-Cola bottling plant in Carepa, because he was part of a union bargaining unit. Like most violent crimes committed against Colombian union leaders, Gil’s murder went unpunished.
However, U.S. lawyers Daniel Kovalik and Terry Collingsworth, as well as activist Ray Rogers, stepped in and launched an ambitious crusade against the behemoth Coca-Cola. In an incredible three-year saga, filmmakers Germán Gutiérrez and Carmen Garcia follow these heroes in a legal game of cat and mouse. From Bogotá to New York, Guatemala to Atlanta, Washington to Canada, The Coca-Cola Case maintains the suspense of a hard-fought struggle.
The lawyers filed several cases at the U.S. federal court against Cola-Cola for murder, abduction and torture committed in Colombia and Guatemala. Thanks to activist Ray Rogers, they also attacked the brand image of the Atlanta-based giant, with the devastating campaign Stop Killer Coke!, causing dozens of U.S. colleges and universities to boycott the drink.
________________________________________________________________Coca Cola's Role in the Assassinations of Union Leaders Explored in Powerful New Documentary
"As soon as the union was formed, the trouble started," intones the brother of murdered Colombian union leader Isidro Gil ominously at the start of "The Coca-Cola Case," a documentary co-production by the NFB and Argus Films that is about to have its New York premiere.
The 86-minute film chronicles the relentless efforts of American lawyers trying to take the soft drink giant to court over the killings of 10 union leaders, who represented workers at Coke bottling plants in Colombia.
The documentary splits its time nicely between two battles: the court fight waged by Daniel Kovalik, lawyer for the United Steelworkers union, on behalf of Columbian union members, and the public awareness crusade of Ray Rogers, who directed the Campaign to Stop Killer Coke.
Well-shot and polished, this social justice procedural can sometimes lag -- primarily because it relies on talking heads and doesn't delve enough into the lives of Coke workers and those of the brave union activists in Colombia. Of course, the directors -- German Guiterrez and Carmen Garcia -- would have made many editorial decisions regarding their focus. I just would have appreciated just a little more on the daily struggles of the unionists.
That aside, "The Coca-Cola Case" is a fascinating portrayal of corporate irresponsibility and greed. Kovalik himself is a great character, one who tirelessly pours himself into the cause as he spearheads the legal battle to get compensation for the families of the dead unionists.
The effort to squeeze millions out of Coca-Cola Inc. began back in 2001, when the case was filed in a U.S. court. The documentary follows Kovalik over a three-year period, from 2006 through 2008, as he attempts to bring closure to the seemingly never ending legal machinations of Coke.
"They have the money to keep fucking us," states one of the Colombian plaintiffs.
Overriding the case are the chilling facts. Between 1990 and 2002, 10 union leaders connected to Coke workers were murdered. Kovalik and the union believe paramilitaries hired by the pop drink's bottlers are responsible for the killings. (According to the film's press release, Colombia is considered the trade union murder capital of the world. Since 2002, more than 470 labor leaders have been killed.)
Gil was shot dead in 1996, just a day after the union contract had expired and was due to be re-negotiated. Almost immediately, all the workers at his plant were herded into the manager's office and given two choices: either sign a letter of resignation or die. They all signed. The monthly wage in that plant plummeted from $380 U.S./month to only $100/month.
Repeated denials by Coke officials
Coke officials have fastidiously denied any connection between the company and paramilitaries. Coke's explanations are captivating for all the wrong reasons -- throughout the documentary, the company's attempts to justify its indifference to problems in Colombia, Guatemala and India are infuriating.
Tellingly, the only way filmmakers could get Coke's response to any of the issues is to run responses by the company's CEO at the time, Neville Isdell, at annual shareholder's meetings.
It actually helps the film that Isdell is up on a podium, a hefty capitalist in an immaculate three-piece suit, trying to deflect some harsh questions from his own shareholders.
At one point, Coca-Cola says that it has no corporate responsibility for what happens at its franchises outside of the U.S.
As Kovalik points out, when pressure was brought to bear on Coke to solve the problem of murdered unionists in Guatemala, the company managed to persuade its main bottler to sell the franchise to new owners. The killings stopped.
"We know that Coke has that kind of influence," points out Kovalik.
The film's other narrative -- the Killer Coke campaign -- is nicely woven into the legal story. After all, in corporate combat, consumer choice is the key weapon.
Rogers, whose New York-based Corporate Campaign Inc. champions human rights and environmental causes, bursts off the screen with his energy as he attempts to transform the minds of university students all over the U.S.
He speaks at college campuses and even disrupts a Coke shareholder's meeting in Atlanta. Rogers says his campaign is probably responsible for a one per cent drop in Coke sales and he considers that a victory.
There are intriguing side-trips as some college students opt to support the consequences of what they call the free market. It is disheartening to hear students say workers in other countries have a choice to work for Coke.
Such scenes remind one of the immense scope of the social justice battle and the importance of single-minded crusaders such as Kovalik and Rogers.
As the film winds to an end, one wonders how the Colombian case will be resolved. The conclusion is a lot more philosophical than financial. Remember that slogan, "Have a Coke and a smile"? Well, this doc will leave you UN-smiling. I'll leave it at that.
"The Coca-Cola Case" will have its New York premiere screening this Monday, April 26, at the Tishman Auditorium at the NYU Law School. The film is currently on tour in Canada, sponsored by the Canadian National Film Board.
__________________________
June Chua is a Malaysian-born Canadian journalist who has worked as a writer, reporter and producer -- spending a dozen years with the CBC, where she worked in radio, television and online. She is currently a freelance writer and filmmaker and completed her first independent documentary, Twin Trek, in 2007.
Featuring interviews with such experts as Eric Schlosser (Fast Food Nation), Michael Pollan (The Omnivore's Dilemma) along with forward thinking social entrepreneurs like Stonyfield Farm's Gary Hirshberg and Polyface Farms' Joel Salatin, Food, Inc. reveals surprising -- and often shocking truths -- about what we eat, how it's produced, who we have become as a nation and where we are going from here.
============
It’s not just the Food, it’s the Inc.
In disenchanted America, muckraking documentaries are hot box office. After Michael Moore blazed the trail, the food-related films McLibel, Supersize Me and Fast Food Nation followed. The latest, Food Inc., has topped them all—immediately after the DVD was released on Amazon, it even outsold the Hollywood blockbusters. And now it's up for an Academy Award.
Most of the discussion about the film on both sides of the Atlantic has centered on nutrition and animal welfare, but the sub-plot goes beyond food production and consumption to the very heart of the country’s legal and political structure. Says director Robert Kenner in an interview for The Ecologist:
I realised it was not a film about food, it was a film about rights. Seeing how food products now have more rights than individuals - that was more frightening than seeing how the food was produced.
This point seems to have escaped reviewers in Britain, many of whom complained that the film only told them what they already knew. But the real message lies in the tightrope that Kenner had to walk in order to convey the information:
I realised the system was off limits. Ultimately in the US food products have started to have more rights than individuals. There are laws in place to protect companies - known as 'veggie libel' laws - that stop you from insulting a product or endangering profits of a corporation. . . I ended up spending more on legal fees on this film than the past 15 films combined - times three!
Some reviewers, together with establishment organizations such as the Farmers’ Union, also dismissed the film as American scaremongering, but Kenner is firm in his rebuttal:
This is not a film about the US. I thought of filming in other countries and you could have been told the exact same story. It might have started in the US, but it is spreading. It's starting to happen here and it happens in Asia.
In fact, the American industrial pig farmer Smithfield has opened plants in Romania and Poland that legally export to all of the EU (as documented in another scary documentary, Pig Business). And then there are all those thousands of Indonesian chickens that end up in everybody’s fast food lunch. As for the legal aspects, Kenner was well aware that Britain is a world centre of “libel tourism”:
The irony is that it's more frightening to talk about it here than in the States.
Huge success in America has helped to launch the film in Britain with an impetus it would not otherwise have had. This is not just another foodie TV programme following in the footsteps of Jamie Oliver and Hugh Fernley-Whittingstall, but a feature film that will continue to be seen by millions on both sides of the Atlantic, both in the cinema and on DVD.
Early attention was virtually assured by Kenner’s brilliant decision to ask Eric Schlosser and Michael Pollan to jointly narrate it. Both have long been at the top of the best seller list of campaigning food books and both were so lacking in vanity and greed as to readily accept equal billing. Their only complaint, Kenner said half-jokingly, was that they weren’t given a script but had to put it in their own words. Their veracity comes across in a direct and spontaneous delivery that never smacks of the teleprompter.
Whether the film will have a lasting effect is another matter. In a recent American documentary, Daniel Ellsberg tells the sensational story of his leaking of the Pentagon Papers to the New York Times. Its saddest moment is when he says that one of the lessons he learned about his fellow countrymen came when, even after they had learned that President Nixon (like Presidents Johnson and Kennedy before him) had repeatedly lied to them about the Vietnam War, they resoundingly re-elected him. As Santayana wryly remarked, “Those who cannot remember the past are condemned to repeat it.”
©2010 John Whiting
>via: http://www.whitings-writings.com/essays/food_inc.htm
K'NAAN AT THE JUNO AWARDS! The Juno awards are Canada's equivalent to the Grammy's or the UK's Brit Awards, basically a big deal. K'NAAN had an historic night becoming the first urban artist to win ARTIST OF THE YEAR &SONGWRITER OF THE YEAR. Fellow MC and Canadian DRAKE also won two awards for new artist and the best rap album. K'NAANcapped a Hip Hop Takeover of the Juno's with a show stopping performance of the #1 hit Wavin' Flag. K'NAAN starts off on the piano (oh you didn't know). The goes into the album version, builds it with a string section and is finally joined by Drizzy Drake, Nikki Yanofskyand the global phenomenon, scream maker and tear creator Justin Bieber.
Juno Awards Winners Drake, K'Naan, Metric and Michael Buble Rep Eclectic Canada
K'naan, one of Canada's -- and the world's -- most celebrated artists, brought the 2010 Juno Awards to a perfect conclusion with his aptly titled anthem 'Wavin' Flag' on Sunday night. The Somali-born rapper, who came to Canada as a refugee at age 15, was joined by many of the night's performers, many of whom had also recently contributed to a Young Artists for Haiti fundraiser version of the song.Two-time winner Drake came out to drop his own verse on stage, while his colleague-in-hype (and three-time loser) Justin Biebercutely crooned the line, "When I get older, I will be stronger."The performance was representative of a night that was spectacular in its diversity. Unlike past Juno Awards, where the likes of Feist, Nelly Furtado or Nickelback swept the major awards, the 2010 Junos went to an eclectic array of artists who have become popular not only in Canada but around the world.Group of the Year honours went to electro-pop stars Metric -- who had won Alternative Album of the Year the previous night -- while K'naan added a Songwriter of the Year win to his Artist of the Year trophy from Saturday's festivities. Drake beat out Bieber for New Artist of the Year and predictably took Rap Recording of the Year, but the night's big winner was Michael Bublé, who had won Best Pop Album on Saturday for 'Crazy Love' and took home the Fan Choice award (better luck next time, Bieber) as well as Single and Album of the Year for 'Haven't Met You Yet' and 'Crazy Love, respectively."It's lovely to win these awards, and I say this as honestly and humbly as I can, but on a night like this, how can you compare any of these acts together?" Bublé wondered backstage. "It's apples and oranges -- we're all doing totally different things. For me, it's cool to come here and see people like Metric and know that people like Tegan and Saraand Drake and Justin [Bieber] are being recognized deservedly. I think it obviously shows how the variety of our artists -- it's very eclectic and I'm proud to be among them."That was the sentiment shared by winner after winner throughout the night. Metric thanked the musicians in the audience (and earlier shouted-out Broken Social Scene's Charles Spearin -- winner of Best Contemporary Jazz Album of the Year -- while praising the Canadian indie scene's cooperative nature). Drake gave props to his best new artist rival Justin Bieber for his first win ("Justin Bieber, you work really hard and I wanna share this with you") and recognized his fellow rappers on his second."I do this because I believe in all forms of music that come from Canada," he said from the arena stage. "When I'm in the U.S. I just try and let 'em know we have so much talent on the hip-hop scene here. Big up to K'naan, big up to Classified -- I'ma hold it down for y'all."
In an interview after performing his new single 'Over,' Drake revealed a more unexpected musical appreciation. "I think Michael Bublé, to me, is in his own category," Drake gushed. "He is an incredible musician and he's giving people something they haven't heard for years and I really enjoy his music. The soul that he embodies onstage, to see women like my mom's age swooning is pretty impressive." Drake believes that the international rise of so many Canadian artists is no mere coincidence -- it's like they all got a lesson from Bieber's swagger coach."As for everyone else -- myself, Justin [Bieber], Metric, [K'Naan] and the artists that have been receiving recognition in 2009 -- it's just about coming in with confidence and exuding that iconic [attitude]. We're not just Canadian, we're here because we're talented. We just wanna give the world music."
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DEADLINE: June 1, 2010!!!!
Rules for the 2010 HILLERMAN MYSTERY COMPETITION
Sponsored by the Tony Hillerman Writers Conference (THWC)
and St. Martin's Press, LLC
1. The Competition is open to any professional or non-professional writer, regardless of nationality, who has never been the author of a published mystery (as defined in subparagraph 2(a) below) and is not under contract with a publisher for publication of a mystery. Only one manuscript entry is permitted per writer.
2. All manuscripts submitted: a) must be original, previously unpublished works of book length (no less than 220 typewritten pages or approximately 60,000 words) written in the English language by the entrant; b) must not violate any right of any third party or be libelous; and c) must generally follow the guidelines below.
GUIDELINES
1. Murder or another serious crime or crimes is at the heart of the story and emphasis is on the solution rather than the details of the crime.
2. The story's primary setting is the Southwestern United States, including at least one of the following states: Arizona, Colorado, Nevada, New Mexico, Oklahoma, Texas, Southern California and/or Utah.
(The decision of the competition's judges as to whether or not a manuscript qualifies will be final.)3. Nominees will be selected by judges chosen by the editorial staff of St. Martin's Press, with the assistance of organizers of the THWC, and the winner will be chosen by St. Martin's editors. The decision of the editors as to the winner of the Competition will be final. St. Martin's reserves the right not to select any winner if, in the sole opinion of the editors, none of the manuscripts submitted are of publishable quality.
4. An attempt will be made to notify the Competition winner, if any, no later than October 31, 2010.
5. If a winner is selected, St. Martin's Press will offer to enter into its standard form author's agreement with the entrant for publication of the winning manuscript. After execution of the standard form authors' agreement by both parties, the winner will receive an advance against future royalties of $10,000. Those terms of the offer not specified in the printed text of the St. Martin's Press standard form author's agreement will be determined by St. Martin's Press at its sole discretion. The entrant may request reasonable changes in the offered terms, but St. Martin's shall not be obligated to agree to any such changes. St. Martin's may, but will not be required to, consider for publication manuscripts submitted by other entrants.
6. All entries must be received or postmarked no later than June 1, 2010, and must include:
a) A double-spaced and neatly typed copy of the manuscript (photocopies are acceptable) with pages numbered consecutively from beginning to end. The authors name should appear only on the title page and otherwise not appear anywhere on the manuscript pages.
b) A letter or cover sheet containing the name, address, email address and telephone number of the entrant and the entrant's previous writing credits, if any.
c) The application form, duly completed, and a self-addressed letter-sized envelope for our response.All entries must be mailed to St. Martin's Press at the address below. For additional copies of the rules and to request an entry form, please send a stamped, self-addressed envelope to:
St. Martin's Press/ Hillerman Mystery Competition
Thomas Dunne Books
St. Martin's Press
175 Fifth Avenue
New York, New York 10010Each entrant must keep a copy of the manuscript for his or her own protection. St. Martin's Press will not be responsible for lost, stolen, or mislaid manuscripts. Because of the great volume of submissions we receive, the fact that judges are volunteers with full-time responsibilities elsewhere, and the fact that most writers now have the work in their computers, manuscripts will not be returned. Please do not send return postage or envelopes for return of your manuscript.
7. No critical evaluation or commentary will be offered by the judges or the editorial staff of St. Martin's Press unless, in the sole opinion of the editorial staff, evaluation or commentary is appropriate in the case of a manuscript being considered for publication.
8. This competition is void where prohibited or restricted by law.
It is important that you submit your manuscript as early as possible. Our judges are volunteers who are extremely busy with their primary concerns, and it is inevitable that your submission will get a more careful reading if the judge does not have to contend with a flood of last-minute entries. However, it is not necessary to send it the most expensive way. We judge its on-time performance by the post-mark or equivalent, not by the date the judge receives the manuscript.
Good luck!
Entry Form for the 2010 HILLERMAN MYSTERY COMPETITION
Sponsored by the Tony Hillerman Writers Conference (THWC)
and St. Martin's Press, LLC
I have read, understood and agree to the foregoing rules. I affirm that the enclosed manuscript is original and was written by me. I further affirm that I have never written a published mystery novel of the type described in the rules.
Signature of Entrant: ____________________________________________
Name of Entrant: _______________________________________________
(please print or type)
Manuscript Title:__________________________________________________Address of Entrant:________________________________________________
City____________________________State_____________Zip______________
Phone:______________________________________Email:________________
Date:____________________________________________________________Please send your manuscript to:
St. Martin's Press/ Hillerman Mystery Competition
Thomas Dunne Books
St. Martin's Press
175 Fifth Avenue
New York, New York 10010And mark the outside of the package HILLERMAN MYSTERY COMPETITION
Contest Number Five
March 18, 2010—July 18, 2010
Fiction
FICTION CONTESTS
Here are the two fiction contests for Contest Five—“A” and “B” below.
A. Original: 100 words or fewer, on any subject whatsoever (excluding lewd).
B. New Contest: Stories will revolve around either (a) “The Old Man” or (b) “Home.”
The amount we have for prizes each time is $800.00. Because prizes decrease as we add contests, we have decided to return from the three contests offered last time to two. Looking below, you will find the math. The current distribution may lure more entrants into the fun!
Prizes
- Original
First Prize--$500. Second Prize--$100.
- New
Subjects are “The Old Man” and “Home.” From the pool of these stories, one story will receive a First Prize of $150. One story will receive a Second Prize of $50.
(Prizes add up to $800.00)
Selection of the four winning stories will be made by our Final Judge, Erica Bauermeister.
We are anxious to see results of both A and B! NOTE: All contests require the 100 words limitation. All stories must meet requirements set forth in Official Guidelines. All contests are open for multiple entries by anyone.
Official Guidelines
Please read the following guidelines carefully. It would be a shame to be disqualified on technical grounds.
1. What is the format for entries?
Enter your story inside the text of an email message. Both contests require 100 words or fewer.
Attachments will not be considered. Present your name, mailing address, repeated email address, and your story's word count at the top of your entry. We require good grammar and spelling. Use a plain 12 point font. We suggest Arial, Verdana, Times New Roman, or Courier.
2. What are the locations of entrants?
Entrants may be located anywhere on Earth.
3. Must the entries be original?
Your entry must be original, in English, unpublished and not accepted by any other publisher or producer at the time of submission. 100 words or Fewer Writing Contest retains one-time publication rights to the First and Second winning entries, to be published once on the 100 words or Fewer Writing Contest website.
No revisions of stories evaluated and critiqued on from any 100 Words Or Fewer Writing Contest will be accepted. Revisions from other contests you entered are certainly acceptable.
4. Is there a given topic?
The topic is entirely up to you, except for the B Contest opportunities for Contest Five, “The Old Man” and “Home.” Anything lewd or libelous will be discarded immediately. The payment will not be returned.
5. Is the word count limitation firm?
Yes! Entries exceeding the word limit will not be considered. Type the exact word count (counting every single word, except the title and contact information) at the top of your entry.
6. What are the fees?
Please use Paypal for secure payment of entry fee ($15.00); entry plus checkmark evaluation ($18.00); entry, checkmark evaluation and critique ($38.00); and critique alone ($21.00). (An entrant may decide on a critique after sending in a story.) Under special circumstances, a check sent directly to us will be acceptable.
Fee for the “Let’s Learn from Masters” class is $130.00.
7. What is the deadline?
The deadline for Contest Five is July 18, 2010.
(Note this is a four-month contest.) Any manuscript received after the deadline will not be considered. Entries may be sent immediately.
8. How will I know if I have won?
The four winners and ten honorary mention designates for Contest Five will be determined by our Final Judge by July 28th, 2010. Prizes will be issued by mail on August 15th, 2010. The four winners and winning stories will be posted on the website by August 17th, 2010, or earlier, along with information regarding the next contest.
9. May I send more than one entry?
Certainly. We welcome each entry. Fees are as stated in 6., above.
10. What is the basis for your decisions regarding each entry?
Judges will look for the following:
immediate pull of the story’s fictional world,
believable characters,
voice, which should contain a personal flavor and possibly humor,
intensity and drive of focus,
power of images,
cadence and flow of sentences,
overall structural integrity,
beauty of language,
suspense,
plot twist, or ending that concludes a coherent story,
power of ending, and
overall emotional impact.
Judges will first segregate stories into higher and lower groups. Stories with higher rankings will be read again and narrowed down for further segregation. This process will be repeated until our final judge determines first, second, and third places. At each point, judges’ decisions are final.
Rae Armantrout will judge the 2010 Omnidawn Poetry Full Book Contest.
Electronic and postal submissions will be accepted from March 1, 2010 to June 30, 2010.
The 2010 Omnidawn Full Book Poetry Prize is Omnidawn Publishing’s third annual contest. open to a first or second book of poetry. The prize includes a cash prize of $3,000, Fall 2011 publication by Omnidawn, and 100 complimentary copies of the book. Publicity for the winning book includes a $4,000 advertising budget for display ads in American Poetry Review, American Book Review, Poets & Writers Magazine, Rain Taxi Review of Books, and other publications. Manuscripts will remain anonymous until a winner is selected. The reading fee for each manuscript is $25.
The entry fee entitles you to any book in the Omnidawn catalog if you tell us which book you want and either send $3.26 in U.S. postage or add $3 to the $25 reading fee for a total of $28. We will enclose your book in a protective mailer and mail it to you. If you do not include this, we will assume you are not interested in receiving a book. A complete list of Omnidawn titles is available by clicking here.
Four Submission Options:
You may choose one of the following submission options:
- Submit both reading fee and manuscript on our web site.
- Submit both reading fee and manuscript via postal mail.
- Submit reading fee on our web site and manuscript via postal mail.
- Submit manuscript on our web site and reading fee via postal mail.
Deadline:
—Manuscripts sent by postal mail must be postmarked between March 1, 2010 and June 30, 2010.
—Electronically submitted manuscripts must be received between March 1, 2010 and midnight Pacific Standard Time on June 30, 2010.. Note that our web site will not accept submissions for the Full Book Contest before March 1. The only submissions it will accept before that date are for the Chapbook Contest, which runs from January 1 through February 28, 2010.
General Guidelines:
— The entering manuscript must be your first or second full length poetry book. (If you have written two or more poetry books that have been published or self-published or accepted for publication you are ineligible for this contest.) Chapbook publication has no bearing on this.
—Multiple submissions to this contest are acceptable, but each manuscript must be submitted separately, with a separate entry fee.
—Please notify us of changes in your contact information with an email to submissions@omnidawn.com.
—Simultaneous submissions are acceptable, but please notify us with an email to submissions@omnidawn.com if your manuscript has been accepted elsewhere.
—No revisions to submitted manuscripts will be considered.
—Please do not enclose SASE for return of the manuscript; all pages will be recycled at the end of the contest.
—Friends, colleagues, and students of the judge are not eligible to compete.
—We will announce contest results by email, as well as at www.omnidawn.com/contest, and in advertisements in American Poetry Review and Poets & Writers Magazine.
Submission Requirements for the Manuscript:
—The manuscript must be in English. Translations are ineligible. However, we do understand and respect the fact that some poets may choose to use some words from other languages occasionally in their poems. This is acceptable.
—We suggest you submit 40 to 70 pages of poetry (not including the front matter).
—The manuscript should be paginated, with a table of contents.
—Include one cover page with title of manuscript only, and a second cover page with title plus your name, address, telephone number, email address, and where you learned about the Omnidawn book contest (to the best of your recollection).
—Please do not include any identifying information in the manuscript except for the title page with contact info described immediately above..
—Please do not include any acknowledgements page, cover letter, or bio.
—Individual poems in a contest manuscript may have been previously published in magazines, print or web journals, or anthologies, but the work as a whole must be original and unpublished. Self-published books are also NOT eligible.
—We will announce the winner and finalists by email, in advertisements, and also at omnidawn.com/contest.
How We Judge—Each Manuscript is Read by at Least Two Editors:
Identifying information will be removed from all manuscripts before they are sent to an editor. All manuscripts will be given a number to associate them with the contact information of their submitters. All personal identifying information will then be removed from manuscripts before these are forwarded to editors. The Omnidawn staff members who remove the identifying information are NOT involved in the reading process.
All manuscripts will then be read by at least two different editors. Only Omnidawn's Senior Poetry Editor and Poetry Editors will read submissions, and these editors will not have access to the identities of the submitters. For the sake of avoiding any conflict of interest, if an editor believes that he/she recognizes the work of a colleague, student, or friend, then that manuscript is given to another editor. The editors will select the semi-finalists to be sent to the judge. The judge will then select the winner and five finalists. If the judge wishes to see additional manuscripts, she may request them; the judge is not, however, permitted to request specific manuscripts. Friends, colleagues, and/or students of the judge are not eligible to compete. The judge is not allowed to choose manuscripts that present a conflict of interest.
Omnidawn abides by The CLMP Code of Ethics. The Council of Literary Magazines and Presses’ community of independent literary publishers believes that ethical contests serve our shared goal: to connect writers and readers by publishing exceptional writing. We believe that intent to act ethically, clarity of guidelines, and transparency of process form the foundation of an ethical contest. To that end, we agree to 1) conduct our contests as ethically as possible and to address any unethical behavior on the part of our staff, editors, or judges; 2) to provide clear and specific contest guidelines -- defining conflict of interest for all parties involved; and 3) to make the mechanics of our selection process available to the public. This Code recognizes that different contest models produce different results, but that each model can be run ethically. We have adopted this Code to reinforce our integrity and dedication as a publishing community and to ensure that our contests contribute to a vibrant literary heritage.
Four Submission Options
You may choose one of the following submission options:
Option 1: Submit both reading fee and manuscript on our web site.
Option 2: Submit both reading fee and manuscript via postal mail.
Option 3: Submit reading fee on our web site and manuscript via postal mail.
Option 4: Submit manuscript on our web site and reading fee via postal mail.Procedures for each of these options are listed in detail below.
Option 1: Procedure to submit both reading fee and manuscript on our web site.
—Please read these directions before proceeding to the online submissions web page. You will find the button to direct you there at the end of this procedure.
—The online submissions page has been tested for use with Internet Explorer 6.0 and above, Safari 2.0 and above, and all versions of Firefox. Earlier versions may also work. The latest versions of these programs are available for free on the Internet. Your Internet browser must be set to accept cookies and to allow pop-ups in order to use our online submission program.
—When you go to our online submission program, you will be asked to fill out your contact information. There is a COMMENTS box available to you. Please use this box to tell us where you learned about the Omnidawn contest to the best of your recollection. You may also add other information you would like us to know, but please do not use this box to share any personal or publication history. Because we intend to read your work anonymously, personal or publication history will be deleted before your manuscript is sent to an editor.
—You will be able to upload your manuscript on the submissions page. Manuscripts must be sent in one file, not multiple files. Please submit manuscripts in either a Microsoft Word .doc file or an .rtf (Rich Text Format) file. Most word processing programs can save files as .rtf by going to FILE—SAVE AS, and then choosing Rich Text Format in the FORMAT drop-down box.
—To receive an Omnidawn book of your choice, enter the title you want in the COMMENTS section of the web page and add $3 to the cost of your submission for a total of $28, which will cover the postage and mailing, and we will make the SASE for you and send the winning chapbook to your address. A complete list of Omnidawn titles is available by clicking here.
—If you have problems with our website please send an email to service@omnidawn.com or call 510-237-5472.
To begin electronic submission process, please click here.
Option 2: Procedure to submit both reading fee and manuscript via postal mail:
—If you would like an Omnidawn book of your choice sent to your address enclose postage and a letter size sheet of paper with your choice of book and your name and mailing address typed on it (we will use this as a mailing label for a protective mailer which we will use to send your choice of book). You have two options for sending postage:
a. Add $3 to the $25 entry fee for a total of $28 to cover the cost of postage
b. Enclose $3.26 in U.S. postage stamps on their original paper backing so we can take it off and place it on an envelope.—Reading fee of $25 (or $28 with your choice of Omnidawn book) must accompany each submission. This can be either a check or money order. Make checks or money orders payable to Omnidawn.
—Please do not send FED EX, UPS, or signature required USPS Mail envelopes; they will not be accepted.
Checklist for submitting reading fee and manuscript via postal mail.
1. A check or money order made out to Omnidawn for $25 (or for $28 with a letter size sheet of paper with your name and mailing typed out and listing your choice of Omnidawn book). A complete list of Omnidawn titles is available by clicking here.
2. Include 40 to 70 pages (suggested length) of poetry in a manuscript with Table of Contents and pagination. Include one cover page with identifying info and where you learned about our contest (to the best of your recollection), and one cover page with title only. Do not include acknowledgements or cover letter.
3. Postal submissions should be sent to:
Full Book Poetry Prize
Omnidawn Publishing
3263 Kempton Ave
Oakland, CA 94611
Option 3: Procedure to submit reading fee on our web site and manuscript via postal mail.
—Please read these directions before proceeding to the online payment web page. You will find the buttons to direct you there at the end of this procedure.
—Entry fee of $25 must be enclosed for each manuscript. If you would like an Omnidawn book of your choice sent to you add $3 to the $25 entry fee for a total of $28 (which will cover cost of SASE, which we will make for you). A complete list of Omnidawn titles is available by clicking here.
—When you make your payment on our web site, print out two copies of the receipt, save one, and send the other with your postal submission.
—Please do not send FED EX, UPS, or signature required USPS Mail envelopes; they will not be accepted.
Checklist for submitting reading fee on our web site and manuscript via postal mail.
1. Printed receipt from our web site for payment of $25 (or $28 if you would like an Omnidawn book of your choice)
2. Include 40 – 70 pages (suggested length) of poetry in a manuscript with Table of Contents and pagination. Include one cover page with identifying info and where you learned about our contest (to the best of your recollection), and one cover page with title only. Do not include acknowledgements or cover letter.3. Postal submissions should be sent to:
Full Book Poetry Prize
Omnidawn Publishing
3263 Kempton Ave
Oakland, CA 94611To begin electronic submission process, please click here.
Option 4: Procedure to submit manuscript on our web site and reading fee via postal mail.
—Please read these directions before proceeding to the online submissions web page. You will find the button to direct you there at the end of this procedure.
—The online submissions page has been tested for use with Internet Explorer 6.0 and above, Safari 2.0 and above, and all versions of Firefox. Earlier versions may also work. The latest versions of these programs are available for free on the Internet.
— Your Internet browser must be set to accept cookies and to allow pop-ups in order to use this program.
—When you go to our online submissions program Step 1 will ask you to click a payment button. Skip this step and go to Step 2.
—In our online submission program, you will be asked to fill out your contact information. There is a COMMENTS box available to you. Please type in this sentence: “I am sending payment by postal mail.” (Without this sentence, we will contact you to remind you to pay the reading fee.) Also please use this box to tell us where you learned about the Omnidawn contest to the best of your recollection. You may also add other information you would like us to know, but please do not use this box to share any personal or publication history. Because we intend to read your work anonymously, personal or publication history will be deleted before your manuscript is sent to an editor.
—You will be able to upload your manuscript on the submissions page. Manuscripts must be sent in one file, not multiple files. Please submit manuscripts in either a Microsoft Word .doc file or an .rtf (Rich Text Format) file.Most word processing programs can save files as .rtf by going to FILE—SAVE AS, and then choosing Rich Text Format in the FORMAT drop-down box.
—If you have problems with our website please send an email to service@omnidawn.com or call 510-237-5472.
—Once you have filled out the contact information and uploaded your manuscript, write a check or purchase a money order made out to Omnidawn. You may either pay $25, which will NOT include an Omnidawn book, or you can add $3 to the cost of your submission for a total of $28, which will cover the postage and mailing costs, and we will make the SASE for you and send your choice of Omnidawn book to your address. A complete list of Omnidawn titles is available by clicking here.
—Please do not send FED EX, UPS, or signature required USPS Mail envelopes; they will not be accepted.
Checklist for submitting manuscript via web site and reading fee via postal mail.
1. Include a check or money order made out to Omnidawn for $25 (or for $28 with a letter size sheet of paper with your name and mailing address typed out and listing your choice of Omnidawn book).
2. Include a sheet of paper that has your name, mailing address, email address, phone number, and title of your manuscript.
3. Reading fee and contact info should be sent to:
Full Book Poetry Prize
Omnidawn Publishing
3263 Kempton Ave
Oakland, CA 94611To begin electronic submission process, please click here.
The 10th anniversary of Calabash
[April 10, 2010 — Kingston, Jamaica] Jamaica’s Calabash International Literary Festival will celebrate its 10thanniversary with a joyfest of readings, live music, cinema and inventive conversation at Jake’s in Treasure Beach from Friday, May 28 to Sunday, May 30. All events will be free and open to the public. Passion will be the only price of entry.The list of writers includes Nobel Prize Winner Wole Soyinka (Nigeria), Geoff Dyer (UK), Colson Whitehead (USA), Nami Mun (South Korea), Sharon Olds (USA), Sudeep Sen (India), Feryal Ali Guaher (Pakistan), Helen Oyeyemi (Nigeria) and Russell Banks (USA). Roots rock reggae superstar Freddie McGregor and will headline a late night concert that will also feature Jamaica’s most beloved young singer/songwriter, the beautiful Etana.Commemorative Book
Calabash 2010 will also mark the release of the anthology So Much Things to Say, a collection of work by 100 poets who have appeared at the festival.
Edited by Kwame Dawes and Colin Channer, and published by Akashic Books in New York, the beautiful but affordable soft cover edition with elegant French flaps is a global bazaar of styles, ideas and voices—Li Young Lee, Derek Walcott, Elizabeth Alexander, Martin Espada, Michael Ondaatje, Natasha Trethewey, Robert Pinsky, Mutabaruka, Suheir Hamad and more. All profits from the sale of the book will be donated to the festival.
“Calabash knows how to put on a splash,” says Colin Channer, the festival’s artistic director since its founding in 2001. “We take literature seriously but we also take fun seriously. We’re an international festival that lives in harmony with its local community of fishermen and farmers. We’re grown up now at ten, I guess, but we’ll always be young a heart, always Calabash … earthy, inspirational, daring and diverse.”Opening night at Calabash 2010 will feature a rare screening of the late Jamaican director Trevor Rhone’s 1976 comedy classic Smile Orange, the story or a roguish waiter at a beachside hotel. Rhone was co-writer of Perry Henzell’s The Harder They Come. The festival will close with an acoustic exploration of the lyrics of Bob Marley’s final studio album Uprising, which celebrates its 30th anniversary this year.Calabash 2010 is a production of the Calabash International Literary Festival Trust, a registered non-profit organization under the laws of Jamaica and New York State.
Trailer for the Waris Dirie biographical film “Desert Flower”FILM: Desert Flower. Waris Dirie’s book of her escape from Somalia, rise to supermodel superstar-dom and later fight against female genital mutilation gets the Hollywood treatment. Ethiopian Liya Kebede stars.