INFO: The Crisis Magazine (from April 1911 - Spring 2009) available on line > from Google Books

The Crisis

 

The Crisis‎ - Jun 1912

Magazine - Vol. 4, No. 2 - 46 pages
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civilrights, history, politics, and culture and seeks to educate and challenge its ...
 

 

The Crisis

 

The Crisis‎ - May 1912

Magazine - Vol. 4, No. 1 - 48 pages
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civilrights, history, politics, and culture and seeks to educate and challenge its ...
 

 

The Crisis

 

The Crisis‎ - Apr 1912

Magazine - Vol. 3, No. 6 - 48 pages
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civilrights, history, politics, and culture and seeks to educate and challenge its ...
 

 

The Crisis

 

The Crisis‎ - Mar 1912

Magazine - Vol. 3, No. 5 - 40 pages
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civilrights, history, politics, and culture and seeks to educate and challenge its ...
 

 

The Crisis

 

The Crisis‎ - Feb 1912

Magazine - Vol. 3, No. 4 - 40 pages
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civilrights, history, politics, and culture and seeks to educate and challenge its ...
 

 

The Crisis

 

The Crisis‎ - Jan 1912

Magazine - Vol. 3, No. 3 - 40 pages
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civilrights, history, politics, and culture and seeks to educate and challenge its ...
 

 

The Crisis

 

The Crisis‎ - Oct 1911

Magazine - Vol. 2, No. 6 - 40 pages
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civilrights, history, politics, and culture and seeks to educate and challenge its ...
 

 

The Crisis

 

The Crisis‎ - Sep 1911

Magazine - Vol. 2, No. 5 - 40 pages
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civilrights, history, politics, and culture and seeks to educate and challenge its ...
 

 

The Crisis

 

The Crisis‎ - Aug 1911

Magazine - Vol. 2, No. 4 - 42 pages
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civilrights, history, politics, and culture and seeks to educate and challenge its ...
 

 

The Crisis

 

The Crisis‎ - May 1911

Magazine - Vol. 2, No. 1 - 40 pages
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civilrights, history, politics, and culture and seeks to educate and challenge its ...

The Crisis

The Crisis‎ - Apr 1911

Magazine - Vol. 1, No. 6 - 32 pages
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civilrights, history, politics, and culture and seeks to educate and challenge its ...

 

 

 

 

 

 

 

 

 

 

INFO: Jamaica Kincaid wins 2010 Clifton Fadiman Medal > from Authors In Color

Award News

Congrats! to Jamaica Kincaid, 2010 recipient of the Clifton Fadiman Medal, a $5000 prize awarded by the Center for Fiction to "a living American author in recognition of a work of fiction published more than ten years ago that deserves renewed notice and introduction to a new generation of readers." Jane Smiley, who selected the winner, chose Kincaid for her 1985 novel Annie John, and the prize will be awarded on April 14.


An adored only child, Annie has until recently lived an idyllic life. She is inseparable from her beautiful mother, a powerful presence, who is the very center of the little girl’s existence. Loved and cherished, Annie grows and thrives within her mother’s benign shadow. Looking back on her childhood, she reflects, “It was in such a paradise that I lived.” When she turns twelve, however, Annie’s life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she instinctively rebels against authority; and most frighteningly, her mother, seeing Annie as a “young lady,” ceases to be the source of unconditional adoration and takes on the new and unfamiliar guise of adversary. At the end of her school years, Annie decides to leave Antigua and her family, but not without a measure of sorrow, especially for the mother she once knew and never ceases to mourn. “For I could not be sure,” she reflects, “whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world."

INFO: The Tribe of SNCC > from The Nation

The Tribe of SNCC

By Tom Hayden

April 20, 2010

Raleigh, North Carolina


One thousand enthusiastic celebrants at the fiftieth anniversary of the Student Nonviolent Coordinating Committee here were credited by a top White House official with making possible the Barack Obama presidency, as the group passed the torch to a new generation fighting for a constitutional right to quality education.

It may have been the last assemblage of the original SNCC tribe of organizers, now averaging 65 years in age, but the promise of SNCC's children, now between their teens and 30s, was evident in hundreds of young faces from all over the country.

US Attorney General Eric Holder spoke on Saturday at the same Raleigh site where SNCC was founded as a coordinating network for the exploding sit-in movement that began in Greensboro, North Carolina, on February 1, 1960. After internal debate, the conference steering committee invited President Obama. The decision to send Holder was freighted with memories of Justice Department officials in the early 1960s who, after initial hesitancy, often struggled alone to prevent segregationist violence against young civil rights workers helping local people to register and vote. John Doar, now 89, who faced down racist officials on many occasions, sat in the crowd as the new attorney general spoke.

Holder, under fire from the right as he tries to rebuild the Justice Department's civil rights division, told the crowd that "the nation is in your debt."

"There is a straight line from those lunch counter sit-ins [of 1960] to the Oval Office today, and a straight line to the sixth floor of the Justice Department where I serve today," Holder said. His late sister-in-law, Vivian Malone Jones, defied Governor George Wallace to integrate the University of Alabama in 1963.

"This progress could not have happened without SNCC's work," he went on. "The path was blazed by you, and I stand on your shoulders."

Holder pledged to strengthen civil rights enforcement and place a new emphasis on trying to reverse policies that have incarcerated young men and women of color for longer sentences than their white counterparts.

"We are counting on you to rekindle the spirit of 1960 and build on SNCC's achievements. You look strong to me. This army is not disbanding. There still is marching to be done. Stay as committed as back then."

Holder's speech attracted little attention in the mainstream media. But if a primary purpose of the SNCC conference was to claim a legacy in history, the legitimizing import of Holder's official remarks was important. In the early 1960s, SNCC was criticized privately by President John Kennedy, prior to the 1963 March on Washington, as a group of "radicals" and "sons of bitches." Representative John Lewis, who preceded Holder on the Raleigh stage, was under severe pressure in 1963 from the Kennedy administration and mainstream civil rights leaders to tone down the speech, in which he famously demanded to know, "Where is our political party?" Robert Kennedy at first tried to freeze the Freedom Rides, and even questioned the loyalty of the early SNCC militants. In time, that tension would lessen, as SNCC kept up the heat on the Kennedys, a process that may lie ahead in SNCC's relations with Barack Obama.

SNCC became "a blip in the dominant [civil rights] narrative," according to 37-year-old Tufts historian Peniel Joseph, who attended the conference. Historicizing SNCC is extremely important, he said, though there is a danger that "glorifying" the early SNCC implies that a "bad SNCC" developed after 1966 with the rise of Black Power, calls for self-defense and revolutionary internationalism. Those apparent extremes should not be discredited, Joseph said, but contextualized in the failed social response of the US government; the escalation of the Vietnam War at the same time as the Selma, Alabama, march; and the employment of counterintelligence programs by the FBI.

The historian Taylor Branch was one of the few to question whether SNCC inadvertently might have contributed to what he called the "shocking distortion of history" in which SNCC's role is largely erased. "The empirical achievements of the 1960s are buried under amnesia," Branch lamented. "It's understandable that segregationists would want to discredit that era. But we are complicit in failing to embrace nonviolence and our own achievements, partly because of the frustrations over how long it took for society to reform. As a result, many Americans don't know and appreciate the way the reforms we won have benefited them."

As an example, Branch pointed to the 1964 crisis at the Democratic National Convention, when the party establishment rejected the challenge of the Mississippi Freedom Democratic delegation, organized by SNCC. The compromise offered by Johnson--two seats without a vote--was indeed token, Branch said, but in a wider sense it was an effort that would lead to a more open Democratic Party. Completely forgotten, he claimed, is that at their convention a few weeks earlier, the Republicans expelled most of their few black delegates in order to win more white segregationist voters.

While the primary emphasis of the Raleigh conference was to celebrate SNCC's overall role in defeating segregation and winning voting rights, there was no effort at dividing "good" from "bad" SNCCs, to distance the organization from its more radical phases. The room was jammed with old militants of all stripes. Amiri Baraka gave a presentation on the black arts. Kathleen Cleaver, former wife of Eldridge Cleaver and now teaching at Emory University, stood cheering for third-graders from Oakland, California, where the Black Panther office was headquartered. Peniel Joseph is writing a positive history of the late Stokely Carmichael (Kwame Toure). (In private communications with Holder's office, the SNCC conference representatives lodged a forceful complaint against the transfer of another of their later chairs, H. Rap Brown [Jamil Abdullah al-Amin], to a high-security Colorado prison far from his Atlanta home. He is serving a life term for allegedly shooting two Atlanta sheriff's deputies in 2000 after they tried to arrest him at home for failure to appear on a speeding offense. One of the deputies died.)

The fact that the Raleigh conference was overwhelmingly interracial was a sign that old antagonisms have been transcended and largely healed.

A women's workshop asserted a historic role for SNCC in the rise of the women's liberation movement, another once-contentious issue put to rest.

Dimmed the most in the legacy discussions was SNCC's early leadership in opposing the military draft and the Vietnam War. That opposition began as early as 1964, not in the later "bad" period, and resulted in SNCC original member Julian Bond's being expelled from the Georgia legislature in January 1966. A federal court restored Bond's seat, and he later became president of the national NAACP.

By comparison, the raging wars in Iraq and Afghanistan, the latter now led by President Obama, were little mentioned during some forty-five workshops and forums. In fairness, it is safe to assume that the 1,000 participants were overwhelmingly critical of the current wars, and that point was driven home by keynote speakers like the Reverend James Lawson and Harry Belafonte. But the main focus of the workshops was SNCC's civil rights impact and legacy.

It will be impossible to report the outcome of so many workshops until transcripts are released by the organizers. The topics were diverse and speakers were many, including: the early student movement, how activists became field organizers, how SNCC built an organization, "more than a hamburger," Alabama/Black Power, Southwest Georgia, lessons of the Mississippi Freedom Democratic Party and so on.

Perhaps the most important question on everyone's mind was the future. Just as important as securing a legacy in history was opening the way to a better tomorrow. That was the focus of two plenary sessions, which amounted to a ritual transition within the SNCC tribe. On Saturday in the sanctuary of the First Baptist Church, the grown-up "children" rose one by one to take their elders' places, with the quiet blessings of those elders who were still alive. While hundreds wept, clapped their hands and sang, they came to the pulpit to declare themselves: Maishe Moses (Bob and Janet Moses), her brother Omo, James Forman Jr. (James Forman and Dinky Romilly), Tarik Smith (Frank and Jean Smith), Sabina Varela (Maria Varela and Lorenzo Zuniga), Bakari Sellers (Cleveland and Gwendolyn Sellers), Zora Cobb (Charles Cobb and Ann Chin), Hollis Watkins Jr. (Hollis Watkins and Nayo Barbara Watkins), Gina Belafonte (Harry and Julie Belafonte). Sherry Bevel (James Bevel and Diane Nash) combined humor and compassion for her father, who was convicted of incest in 2008, released on appeal and died shortly afterward:

 

It would be a shame if his wit and energy was forgotten. We have had great men and women who were caught up in drug or alcohol problems, or were philandering with underage girls. But I for one don't think we should just forget Thomas Jefferson.

 

The following morning, in SNCC style, the meaning of this ritual transition took material form. Bob Moses and David Dennis, who represented SNCC and CORE in Mississippi and still work together, addressed a large breakfast. In his customary low-key way, Moses asked people to "think about" pushing for a constitutional amendment to guarantee the right to quality education for every single American. People then sat in small discussion groups. The abstract idea was made real by the presence of young people, many of them the children of SNCC, who are already organizing through a remedial algebra project and a broader young people's project aimed against economic and educational disenfranchisement and mass incarceration of young people of color, their own generational peers. As the first SNCC stood with the demonized of the Black Belt, this newer generation was immersed in organizing the demonized of the inner cities. To discuss what such an effort might look like, sparked by two organizing efforts, the Algebra Project and the Young People's Project, aimed at addressing the educational and economic disenfranchisement of young people of color. Moses offered a few words of historical background:

 

When Jimmie Travis was shot in 1963, we got into a Mississippi court. John Doar was there. The judge asked why are you taking illiterates to vote. So the subtext was education. In 1870 in Mississippi the Fifteenth Amendment had been approved. The black voters had put into the governors office Adelbert Ames, under the protection of federal troops. President Grant asked for an amendment to guarantee all children the right to an education. Then in 1876 the backlash came. They said the money should be used to build railroads in the Delta, not for schools. We got sharecropper education. That's where we were until 1963. Then we got Jim Crow out of public accommodations, out of the Democratic Party, and we got the right to vote. We didn't get Jim Crow out of education. So that's the work we have to do. Some people have issues with a Constitution written by white people. But think of it as an evolution. We have moved from being property to being second-class constitutional people, and now we must become constitutionalized as people with a right to quality education.

 

Moses asked the conference to repeat with him the preamble to the Constitution, beginning with the universally known phrase, "We, the People." He noted that it didn't say we the government, didn't even say we the citizens, an implied reference to immigrants of today. As I rolled the phrase around in my memory, I began to understand another way to say it, more in keeping with the SNCC tradition. If one takes the comma away, one can simply assert in common language, "Who are we? We the people," not something a politician wants to hear.

After Moses finished, Albert Sykes from Jackson, Mississippi, rose to represent the Young People's Project. Sykes first met Moses when he was in sixth grade in the Algebra Project, and gradually became a mentor and organizer, starting thirteen years ago. He called on the conference to unite behind his new generation. "We are transitioning from the sit-in movement of 1960 to a stand-up movement of young people. For us, literacy is the next frontier. And we're gonna need your moral capital, your financial capital, lawyers to get us out of jail, and we need to spread across the whole country."

As he spoke, at least 100 young people from many states were moving around the room distributing sign-up sheets. Moses said, "Now we're gonna ask you to do some work." The tables came alive with conversation.

Something had shifted in the long weekend. Now the past was very much present, and a future of some kind was beginning again. The tribe of SNCC was still gathered, their spirits high, but the children were leading now, and the work of the future was beginning again.

As one SNCC veteran, Doris Derby, declared as the conference wound down, "When they say SNCC is a state of mind, they are right."

 

Tom Hayden

 

 

Senator Tom Hayden, the Nation Institute's Carey McWilliams Fellow, has played an active role in American politics and history for over three decades, beginning with the student, civil rights and antiwar movements of the 1960s.

"Tom Hayden changed America," wrote Nicholas Lemann, national correspondent for The Atlantic, of Hayden's role in the 1960s. Richard Goodwin, former speechwriter for John Kennedy and Lyndon Johnson, said that Hayden, "without even knowing it, inspired the Great Society."

Hayden was elected to the California State Legislature in 1982, where he served for ten years in the Assembly before being elected to the State Senate in 1992, where he served eight years.

Hayden has been described as "the conscience of the Senate" by columnist Dan Walters of theSacramento Bee, and as "the liberal rebel" by George Skelton of the Los Angeles Times. "He has carved out a key watchdog role," according to the San Francisco Chronicle.

He is author of over 175 measures ranging from reform of money in politics, worker safety, school decentralization, small business tax relief, domestic violence, lessening gang violence in the inner city, stopping student fee increases at universities, protecting endangered species like salmon, overhauling three strikes, you're out laws, and a measure signed into law that will assist Holocaust survivors in receiving recognition and compensation for having been exploited as slave labor during the Nazi era.

Hayden is the author of eleven books, including his autobiography, Reunion; a book on the spirituality and the environment, Lost Gospel of the Earth; a collection of essays on the aftermath of the Irish potato famine, Irish Hunger (Roberts Rhinehart) and a book on his Irish background,Irish on the Inside: In Search of the Soul of Irish America (Verso); Radical Nomad, a biography of C. Wright Mills (Paradigm Publishers); and, most recently, Ending the War in Iraq (2007). A collection of his work, Writings for a Democratic Society: The Tom Hayden Reader was published this year .

 

VIDEO: Happy Birthday Sarah Vaughan Sarah Vaughn

Happy Birthday Sarah Vaughan

March 27th


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Happy Birthday Sarah Vaughan

Sarah Lois Vaughan was born on March 27, 1924 in Newark, New Jersey and surrounded by music early on as her father played guitar and piano and her mother sang in their church choir. Sarah began studying piano at the age of seven as well as singing in her church choir. As a teen Vaughan began sneaking into local clubs and performed on piano primarily though sang sometimes too. Sarah attended Newark Arts High School, the first 'magnet' high school before leaving her junior year to concentrate on music. Vaughan accompanied her friend on piano at the Apollo Amateur Night contest before deciding to go back and enter herself as a vocalist. Vaughan won that night and was asked to open for Ella Fitzgerald at the Apollo which led to her hiring by Earl Hines in 1943.

Sarah toured with Earl Hines for several years in a band that included Billy Eckstein, Dizzy Gillespie, Charlie Parker and Bennie Green among others before Eckstein left to form his own band and took Sarah with him. Vaughan recorded her the song "I'll Wait and Pray" with Eckstein's band and this led to producer Leonard Feather asking Sarah to record her own record and she left Eckstein's in 1945 and began her solo career. Sarah began performing at clubs on 52nd Street in New York and recorded "Lover Man" with Dizzy Gillespie, Charlie Parker, Al Haig, Curly Russel and Sid Catlett before performing regularly at Cafe Society, New York's first integrated club. Vaughan recorded many records on the label Musicraft before signing with Columbia Records in 1948.

Sarah recorded several hits with Columbia as they asked to record mostly commercial tunes and was gaining national acclaim winning Esquire magazine's New Star Award in 1947, awards from Down Beat magazine from '47-'52, and from Metronome from '48-'53. Vaughan had enough of being told what music to record and switched to Mercury Records in 1954 and her success continued including "Broken Hearted Melody", her first gold record. One of Sarah's favorite albums of this time was 'Sarah Vaughan with Clifford Brown' in 1954. She closed out the 1950s by being featured at Newport Jazz Festival, Carnegie Hall and a tour of Europe. Vaughan's highlights in the 1960s included a recording in Denmark with Quincy Jones called 'Sassy Swings the Tivoli' and an appearance at the White House for then President Johnson. Due to being taken advantage of time and again by record companies Sarah didn't record much in the end of decade but began again in 1971 for Mainstream Records as well as being asked to perform a private concert for U.S. President Gerald Ford and French President Giscard d'Estaing. Sarah switched labels again, now with Norman Granz' Pablo Records and kept going strong in to 1980s.

In 1980 Sarah Vaughan received a plaque on 52nd Street outside the CBS building commemorating the Jazz Clubs she used to perform at now replaced with office buildings. In 1981 she won an Emmy for "Individual Achievement-Special Class" and followed that by winning a Grammy for Best Vocal Jazz Performance, Female. In 1985 Vaughan received a star on the Hollywood Walk of Fame and in '88 was elected to the American Jazz Hall of Fame. She also received the George and Ira Gershwin Award for Lifetime Musical Achievement in addition to many more. Sarah Vaughan passed in 1990 and leaves a legacy as one of the greatest Jazz singers ever earning nicknames such as "The Divine One" and rightly so.

“there's a category for me. I like to be referred to as a good singer of good songs in good taste.”

“When I sing, trouble can sit right on my shoulder and I don't even notice.” - Sarah Vaughan

INFO: …My heart’s in Accra » Makmende’s so huge, he can’t fit in Wikipedia

My Heart's in Accra

Ethan Zuckerman's musings on Africa, international development
and hacking the media.

 

03/24/2010 (11:31 am)

Makmende’s so huge, he can’t fit in Wikipedia

“After platinum, albums go Makmende”

“They once made a makmende toilet paper, but there was a problem: It wouldn’t take shit from anybody!!!”

“Makmende hangs his clothes on a safaricom line and when they dry he stores them in a flashdisk!”

If those simple truths don’t make sense to you, you’re probably not a Kenyan blogger. For the past few days, Kenya’s blogosphere and twitterers have been in thrall to the latest African superhero, and what might be Kenya’s first viral internet meme. An article in a Wall Street Journal blog today confirmed that Makmende is receiving attention beyond East Africa, demonstrating that our Kenyan friends are just as capable as any Moldovan boy band of creating internet buzz.

The video for Just a Band’s single “Ha-He” features a badass protagonist straight out of blaxploitation films. Armed with an array of freeze-frame kung fu moves, Makmende brings justice to the mean streets of a hazy, sun-drenched city that seems caught somewhere between Nairobi and 1970s LA. Tongue is firmly in cheek, as the video credits introduce characters including “Taste of Daynjah”, “Wrong Number” and bad guys “The Askyua Matha Black Militants”.

archer at Mwanamishale fills the rest of us in on the meaning of the term, Makmende:

Makmende was a term used way back in the early to mid 1990s to refer to someone who thinks he’s a superhero. For example, if a boy who’s watched one too many kung-fu movies on TV decides to unleash his newly acquired combat skills, he would be asked “Unajidai Makmende, eh?” (Who do you think you are, Makmende?) Trust me, there was a Makmende in every hood!

Given the high production values of the video, the fact that it accompanies a sweet track from Just a Band, and that the video producers evidently released a set of photoshopped magazine covers featuring Makmende as GQ’s sole “Badass of the Year”, perhaps it’s not surprising that Kenyan netizens have taken the Makmende trend to the next level. He’s got a Facebook page, a Twitter account, and a dedicated website filled with thousands of testimonies to his badassitude: “Makmende uses viagra in his eyedrops, just to look hard.”

The obvious parallel is Chuck Norris Facts, an internet meme that manifested mostly through image macros that attest to the action star’s manliness. (”Chuck Norris counted to infinity. Twice.”) For now, the Makmende phenomenon appears to be largely text-based, with Kenyans around the world connecting the events of the day to Makmende’s movements: “is the massive pour in Nairobi as a result of Makmende’s tear after the WSJ feature?”

What he doesn’t have is a Wikipedia page. I searched this morning on the English-language Wikipedia and got a page telling me that Makmende had been deleted:

* 00:37, 24 March 2010 Flyguy649 (talk | contribs) deleted “Makmende” ? (CSD G3: Pure Vandalism)
* 22:53, 23 March 2010 Malik Shabazz (talk | contribs) deleted “Makmende” ? (G12: Unambiguous copyright infringement (CSDH))
* 18:30, 23 March 2010 JoJan (talk | contribs) deleted “Makmende” ? (G1: Patent nonsense, meaningless, or incomprehensible)

Looks like multiple attempts to establish a Makmende page have been shot down. Fair enough – the inclusionist/deletionist argument that’s gripped Wikipedia centers in part on the documentation of ephemeral culture. Perhaps an English language encyclopedia doesn’t need mention of every internet meme… though pages exist for Numa Numa, the song that inspired the viral video, the guy who performed in the viral video, and so on. Perhaps if Makmende reaches the heights of internet fame that memes like Eduard Khil or Back Dorm Boys have achieved, he’ll no longer be “patent nonsense, meaningless or incomprehensible.”

Here’s an interesting puzzle for Wikipedia. Makmende may never become particularly important to English speaking users outside of Kenya. But the phenomenon’s quite important within the Kenyan internet: it’s the first meme I can remember going truly viral and inspiring a wave of participation from Kenyans around the world. I recall a conversation at 2006 Wikimania in Cambridge where (friend and GV editor) Ndesanjo Macha, a major contributor to the Swahili Wikipedia, explained that the topics covered in that wikipedia were likely to be different from those included in the English wikipedia. (More articles on east African culture, less on Pokemon, perhaps.) Indeed, the Wikipedias in Gaelic, Welsh and Plattdüütsch are cultural projects as much as attempts to make key reference materials available, as most speakers of these languages are fluent in other languages that have much larger Wikipedias.

Most Wikipedians seemed to accept the idea that different languages and cultures might want to include different topics in their encyclopedias. But what happens when we share a language but not a culture? Is there a point where Makmende is sufficiently important to English-speaking Kenyans that he merits a Wikipedia page even if most English-speakers couldn’t care less? Or is there an implicit assumption that an English-language Wikipedia is designed to enshrine landmarks of shared historical and cultural importance to people who share a language?

For me, Makmende’s a reminder that the internet isn’t as small and connected as we tend to believe it is. We occasionally catch glimpses over cultural walls when we use these tools. Sometimes we respond with fascination and seek to learn more. Often, our behavior’s not as admirable. danah boyd closed her talk on Digital Visibility at Supernova this past year with an uncomfortable observation about racism in Twitter:

Think of those who complained when the Trending Topics on Twitter reflected icons of the black community during the Black Entertainment Television awards. Tweets like: “wow!! too many negros in the trending topics for me. I may be done with this whole twitter thing.” and “Did anyone see the new trending topics? I don’t think this is a very good neighborhood. Lock the car doors kids.” and “Why are all the black people on trending topics? Neyo? Beyonce? Tyra? Jamie Foxx? Is it black history month again? LOL”. These tweets should send a shiver down your spine. Perhaps these people assumed that Twitter was a white-dominant space where blacks were welcome only if they were a minority.

danah goes on to point out that not everyone reacts to encountering topics outside of their comfort sphere with shock or surprise. I found it encouraging that the Wall Street Journal saw the emergence of a Kenyan meme as a chance to explore Kenyan internet culture rather than to turn away in ignorance or disinterest. Let’s hope the next time Makmende seeks a place in Wikipedia, he’s met with a bit more curiosity and less dismissal.


Roughly six seconds after I posted this piece, Twitter users reported a new version of the Makmende article on WIkipedia. Here’s hoping this one survives summary deletion…!

34 Responses to “Makmende’s so huge, he can’t fit in Wikipedia”

  1. acolyte Says:

    Well written post! I too am hoping that the page escapes the wiki editors this time round. Sadly when people can hide behind their keyboards, its easier for them to show their true colors, twitter is an open forum for all colors/creeds and genders. If the overactivity of one group irks another, they are more than welcome to start their own trends and tweet about it.

  2. Joram Says:

    Excellent article.I kept wondering why they kept pulling down the page yet I a kenyan badly wanted one, but i knew they would eventually lose the battle, he is up there, after all he is MAKMENDE!

  3. rob Says:

    Seems that as of 9 p.m. in Nairobi the Makmende wikipedia page is down and out again… but this time its giving this response:

    Server not found
    Firefox can’t find the server at http://www.wikipedia.org.

    thats after logging into the main wikipedia page and running a search. Did Kenya overload their servers I wonder?

  4. wangari mbatia Says:

    the name ‘Makmende’ takes us (Nairobians) back to our childhood days. I won’t lie, growing up in Nairobi was awesome! We all wanted to be heroes n heroines. We all watched Bruce Lee movies countless of times and oogled at Chuck Norris posters while sucking on 10 cent Patcos (sweets). Now, we have a chance to reconnect with other equally nostalgic yet unfortunately estranged brothers and we’re doing it Makmende-style!

  5. Minda Says:

    I’m excited for “Makmenderians” and I think your reference to Danah Boyd’s talk quite fascinating: racism online. Hmmm.

  6. Alasdair Says:

    As a pretty active wikipedia contributor I feel that I should “defend” if that is an appropriate word, the actions of wikipedia here.

    The codes for deletion used are very narrow guidelines for speedy deletion. Speedy deletion is not a process that makes judgements about whether or not a subject should be included in the encyclopedia but its a process that allows administrators to delete pages whose quality is so bad as to be effectively vandalism. In this case the codes used suggest that the previous attempts were in the first and third cases incomprehensible and in the second case simply text copied from another site. An analagous situation would be if the first page about numa-numa boy was simply a long string of repeating numanuma text. Clearly that would not be appropriate for inclusion on wikipedia. So the initial page creations were not a judgement about the subject of that page but about the very low quality of it.

    Now the second question is why no-one had created a page before hand that actually had content on it. To which the obvious answer is that no english speaker had made an effort to do so, the demographics of the english wikipedia undoubtely mean that at present is demonstrates systematic bias towards topics of interest to american computer literate men.
    There is actually an entire group of wikipedians (the systematic bias group) who are working to try and lessen this bias over time. As wikipedia is a relfection of the predominant internet users though it will likley to remain for the foreseeable future.

    english wikipedia rejects wherever possible judgements about “culture” any subject that is notable (which is a topic for another day but broadly means there has been some third party independent coverage of that subject) merits inclusion. Language of course presents a larger barrier because if wikipedia is to be reliable it depends on people having sources for information; and obviously there is a bias in english wikipedia towards english sources. Again though, there are groups of wikipedians who work with the other wikis to translate articles that are better in other languages across, and foreign language sources are not in any way discouraged they are just less preferred than english one’s

    Now, there is something important, if not new, in your observation of how the internet allows individuals to create closed silo’s insulated to their world view, but wikipedia; being an encyclopaedia that anyone can edit; tends to suffer from this much less than anywhere else and only to the extent of systematic bias as explained above.

  7. Ethan Says:

    Rob, while I like the idea that Wikipedia pissed Makmende off, and so he took it out, the truth is a bit more prosaic – basically, their Euro datacenter had cooling problems. When they tried to failover to their Florida datacenter, they broke DNS resolution, sending queries into the aether for a little while – more here: http://techblog.wikimedia.org/2010/03/global-outage-cooling-failure-and-dns/

    Great to hear everyone’s comments on the phenomenon, and especially to see that Wikipedia page grow.

  8. Ethan Says:

    Alasdair, thanks for weighing in on the conversation. Like you, I’ve been paying attention to issues of sysematic bias on Wikipedia for some time now, back to the days of the CROSSBOW project. (Here’s a quote from a 2004 post from me in BoingBoing – http://boingboing.net/2004/09/27/zuckerman-wikipedia-.html . You’ll also find references to my work in the archives of the current CSB project.) I’m also actively working with the Wikipedia Foundation as an advisor trying to help the community strengthen participation in Wikipedias in underrepresented languages. In other words, I’m a critic, yes, but one who’s interested in seeing Wikipedia address and work through these problems.

    As for this specific instance: I’m not able to review the earlier, deleted Wikipedia pages on Makmende. It’s possible that they were incomplete and amateurish and were therefore deleted.

    The one that’s currently under development followed a classic Wikipedia structure – it went up as a brief stub, and has accreted more content in the past few hours. What concerned me is that the attempt to delete that stub argued that the article was unsourced – actually, it was quite well sourced, including a reference to a Wall Street Journal online publication and five weblogs. Perhaps the user who nominated for deletion made a mistake. Or perhaps he acted in bad faith, trying to avoid a battle over notability and tried a different tactic to see the page removed.

    If Wikipedia wants to make progress in improving areas where it’s weak – i.e., if it wants to address issues of systemic bias – the community needs to expand to include more Wikipedians from the developing world. Deleting three versions of an article important to Kenyans and trying to delete a fourth doesn’t send a strong message that Wikipedia is the open and welcoming community you and I both want it to be.

  9. Alasdair Says:

    The earlier deletions were all Speedy deletions, a process that has strict controls over it precisely because of the potential for deletion without discussion. Only wikipedia administrators can speedily delete pages and in the absence of any evidence to the contrary and given the strict controls on speedy deletion I think it is reasonable to assume that they were simply acting based on the information available to them to delete what was either vandalis, nonsense or a copyright violation respectivly

    In regards to the PROD notice proposed deletion it appears that this bottom post http://en.wikipedia.org/wiki/User_talk:Salih here suggests that the reader missed the WSJ reference and made a mistake. ( as a generalisation Wikipedia does not usually consider blogs to be reliable enough sources for obvious reasons) , but this notice was removed within a few minutes and according to wikipedia processes such a notice could not be used again. The article could only now be deleted if there was community consensus in a deletion discussion, something that won’t happen because the topic & page are clearly notable.

    I don’t see this “incident” as a flaw in wikipedia, or as sending a “message” about the nature of wikipedia as a welcoming community but actually an example of wikipedia’s processess and systems operating as they should. (Though maybe like all wikipedia editors i am tainted by assuming good faith :p)

    Although I think there are a lot of interesting and detailed discussions to be had about the nature of the wikipedia community I am not really sure that this was a good example of somewhere where there has been a real failure.

  10. Kenya’s Chuck Norris | Ingenial Says:

    [...] an article about the phenomenon written by Africa blogger Ethan Zuckerman. Share Entertainment blogosphere, featured, [...]

  11. SJ Klein Says:

    One issue here is mainly one of using deletion as a substitute for simple page-blanking and discussion. The ‘deletion’ process and surrounding combat is often a distraction that draws attention to the meta-conversation rather than to knowledge and article improvement and the value of verifiability/notability.

    The first instance of the article was a joke.

    1: “Makmende. Kenyan Superhero. Spawned. Not born. Amphibious. Breaths underwater.”

    The second and third were appropriate stubs, hastily deleted.

    2 and 3: Reposts of the text from http://liwani.com/?p=167

    First it was deleted as a copyvio (perhaps; who was the poster? this short text was just cut and pasted from the website linked as a ’source’… but hasty – clearly the original author wasn’t going to complain while authority to publish was worked out).

    Then it was recreated and deleted as a non-notable character from a non-notabale band (the latter part is untrue; the band has had a WP article since June 2008).

    As it stands now, the article title “Makmende” should probably point to a section in the article about “Just A Band” — by current style guidelines, an ongoing fad that is primarily related to an existing topic should be a section on that topic’s article, not a new article.

    If someone wanted to make a standalone article about Makmende, s/he would be advised to do more serious research into the history of the term, its significance in kenyan culture, and when in the past it has been used to reference popular culture… and will have to find references older than last month.

  12. Mark Says:

    Great way to weigh in your thoughts, Ethan. Glad to see he’s up. Been evangelising web 2.0 and this is the first positive viral we’ve seen (though not as linear as though it were affiliated with a brand, but the principle still the same – by the people for the people)

    Last thing that went viral (within FB mostly and a little on Twitter – though not in the same context was a poster depicting a fictitious promotion by Security Company G4S. Twitpic here –

    and here –

    All in all good thoughts. Let’s just hope that this case will grow (sure of that) and that we can see more people take the gamble with viral.

  13. Makmende « Can? We? Save? Africa? Says:

    [...] and to understand who Makmende really is in the context of technology and and media in the Kenya space: http://www.ethanzuckerman.com/blog/2010/03/24/makmendes-so-huge-he-cant-fit-in-wikipedia/ [...]

  14. simoncolumbus Says:

    @Alasdair

    I’ve seen one of the articles later killed through speedy deletion. In that case, it was fully ok – a badly written article which didn’t give any sources.
    The current version should be able to survive, though.

  15. rob Says:

    Apparantly he is too big for Wikipedia. Article up for deletion once again. At least this time they are allowing a discussion before they try to pull it.

  16. Daily Dozen: 25/03 « Diasporadical Says:

    [...] Street Journal [WSJ] Makmende stole the show, and rescued it at the same time [The African Accent] Makmende’s so huge, he can’t fit in Wikipedia [Zuckerman] Who are Kenya’s most beautiful women and handsome men? [DN] Announcing the Birth of [...]

  17. cindy Says:

    makmende is a super hero regardless….

  18. E-bola | Cansei de ser cowboy Says:

    [...] este blog, ele está virando sensação na blogosfera queniana, se espalhando por toda a África Oriental e [...]

  19. Makmende Says:

    Makmende doesn’t read books. He beats them up until he gets the information he wants

  20. frangito Says:

    makmende is the next big thing after obama.weather thy like it or not,weather the Wikipedia folks publish him or not,he will fly throgh out the world like the makmende he is.soon he will be bigger than Eduard Khil or Back Dorm Boys .HE IS MAKMENDE DAMN IT!!!!

  21. guniah Says:

    We are in 21st century where silly and mean issues like race should not be a linear scale…We are one people and that will never change….Self respect and respect for other people…i know w are going far..’makmendes’those are minor setbacks and we shall overcome YES WE CAN

  22. guniah Says:

    KNOWLEDGE IS POWER…DONT LET THEM FOOL YOU….we believe that this world has a place for everybody and we deserve equal chances….lets surmon the spirit of hard work and patriotizm and the change we need is coming…..tine will tell

  23. George Yelnuts Says:

    It will we good to have a ’scholarly’ wiki page on Makmende, but that is not what we need…

    Makmende has just given a chance to a large percentage of Nairobis urban youth to relieve their childhood…

    Question is will Makmende ride on this wave, sustain it and profit from it?

    Bah, Makmende is bigger than Wiki who?

  24. kali Says:

    What I love the most about the hype around Makmende is the fact that it started out simply as a group of friends getting together to help their boys (JAB) make a vid. No professional actors, no super fancy equipment, no massive budget. Just some friends and Just a band. If there ever was a sign that you can slay a giant with just a stone this is it. We’ve been raised to believe that money is what makes things happen, which is true to a large extent, but it’s not the ONLY thing that makes things happen. A little resourcefulness, a little creativity, a few good friends and many laughs later Makmende rules!
    Hopefully the wikipedia page will stay, but regardless, what Makmende has managed to do in a few weeks is epic!

  25. Robbie Honerkamp Says:

    Looks like the current article may stay- the deletion vote at the moment is unanimous keep.

  26. Henok Says:

    Thanks Ethan as always. A very interesting question: “what happens when we share a language but not a culture?”. Thanks—I have not answer.

  27. Myne Whitman Says:

    Interesting discourse. I found the video somewhere and was impressed by the production. But to go on wiki, I doubt.

  28. DUTTY ARTZ » Blog Archive » WHO IS? MAKMENDE Says:

    [...] (via …My heart’s in Accra) [...]

  29. CWG Says:

    http://en.wikipedia.org/wiki/Makmende

  30. musical link: Franco Revival & Makmende - … Says:

    [...] Makmende, from Just a Band, for those of you, whom again, may have missed [...]

  31. ziggy Says:

    who knew serach a small kenyan social character created for fun in short hilarious music video would cause such huge storm around the globosphere and blogosphere!trully we never grow up we just grow tall!like makmende!!

  32. Makmende ne regarde pas la télévision, c’est la télévision qui le regarde Says:

    [...] Passé l’anecdote, le phénomène Makmende montre, comme le pointe le blogueur Ethan Zuckerman, à quel point l’Internet s’est développé rapidement ces dernières années au Kenya. Ce type [...]

  33. Antodezigns Says:

    http://mwanamishale.wordpress.com/2010/03/20/the-return-of-makmende/#comment-6242

  34. Antodezigns Says:

 

 

PUB: Boston Review — Literary Contests

Contests

Please note: neither emailed submissions nor submissions processed via the online submission system will be accepted for any of the contests. Entries must be sent by mail.

Thirteenth Annual Poetry Contest (Deadline June 1, 2010)

Aura Estrada Short Story Contest (Deadline October 1, 2010)

“Discovery”/Boston Review 2011 Poetry Contest, with the Unterberg Poetry Center/92nd Street Y (Deadline January 15, 2011)


Thirteenth Annual Poetry Contest

Deadline: June 1, 2010
Judge: Peter Gizzi
First Prize:
$1,500

Complete guidelines:
The winning poet will receive $1,500 and have his or her work published in the November/December 2010 issue of Boston Review. Submit up to five unpublished poems, no more than 10 pages total. Any poet writing in English is eligible, unless he or she is a relative, current student, former student, or close personal friend of the judge. Manuscripts must be submitted in duplicate, with a cover note listing the author’s name, address, email and phone number; names should not be on the poems themselves. Simultaneous submissions are not permitted. Submissions will not be returned. A $20 entry fee ($30 for international submissions), payable to Boston Review, must accompany all submissions.

postmarked no later than June 1, 2010-->

All entrants will receive a one-year subscription to Boston Review, beginning with the November/December 2010 issue. The winner will be announced no later than November 1, 2010, on the Boston Review Web site. All poems submitted to the contest will be considered for publication in Boston Review.

Mail submissions to:

Poetry Contest, Boston Review
35 Medford St., Suite 302
Somerville, MA 02143

Read winning poems from past years:
John Gallaher (2009)
Sarah Arvio (2008)
Elizabeth Willis (2007)
Marc Gaba (2006)
Mike Perrow (2005)
Michael Tod Edgerton [PDF] (2004)
Susan Wheeler (2003)
Max Winter (2002)
D.A. Powell (2001)
Christopher Edgar
(2000)
Stephanie Strickland (1999)
Daniel Bosch (1998)

For more poetry in Boston Review, click here.


Aura Estrada Short Story Contest

Deadline: October 1, 2010
Judge: Samuel R. Delany
First Prize: $1,500

Complete guidelines:
The winning author will receive $1,500 and have his or her work published in Boston Review, the summer of 2011. Stories should not exceed 4,000 words and must be previously unpublished. Manuscripts should be submitted with a cover note listing the author’s name, address, and phone number; names should not appear on the stories themselves. Note that simultaneous submissions are not eligible. Any author writing in English is eligible, unless he or she is a relative, current student, former student, or close personal friend of the judge. A $20 entry fee ($30 for international submissions), payable to Boston Review in the form of a check or money order, must accompany each story entered. Entrants will receive a one-year print subscription to the Review beginning with the summer 2011 issue. Submissions must be postmarked no later than October 1, 2010. Manuscripts will not be returned. The winner will be announced no later than May/June 2011, on the Boston Review Web site.

Mail submissions to:

Short Story Contest, Boston Review
35 Medford St., Suite 302
Somerville, MA 02143

Read winning stories from past years:
2009 Winner TBA; the winning story will appear in our July/August 2010 issue.
Jessica Treglia’s “Canceled” (2008)
Patricia Engel's “Desaliento” (2007)
Padma Viswanathan’s “Transitory Cities” (2006)
Tiphanie Yanique’s “How to Escape from a Leper Colony” (2005)
Lisa Chipongian’s “Intramuros” (2004)
D.S. Sulaitis’s “If It's Anywhere, It's Behind Us” (2003)
Gale Renee Walden’s “Men I Don’t Talk to Anymore” (2002)
Manini Nayar’s “Home Fires” (2001)
Kate Small’s “One Night a Year” (2000)
Girija Tropp’s “The Pretty Ones Have Their Uses” (2000)
Pauls Toutonghi’s “Regeneration” (1999)
Jacob M. Appel’s “Shell Game with Organs” (1998)
Kris Saknussemm’s “Unpracticed Fingers Bungle Sadly Over Tiny Feathered Bodies” (1997)
Kiki Delancey’s “Jules Jr Michael Jules Jr” (1996)
Mary Ann Jannazo’s “No Runs, No Hits, No One Left on Base” (1995)
Tom Paine’s “The Milkman & I” (1994)
Michael Dorris’s “Layaway” (1993)

For more fiction in Boston Review, click here.



“Discovery” / Boston Review 2011 Poetry Contest

Deadline: January 15, 2011
Judges: Susan Howe, Nick Flynn and Claudia Rankine
Four Prizes:
$500

This is the third year BR has hosted the Discovery contest as publishing partner of the 92nd Street Y Unterberg Poetry Center. Please note that we do not administer this contest.

Read winning poems from 2009:
Briget Lowe’s “The Wild Boy of Aveyron Stands Up During a Dinner Arranged by the Doctor
Jynne Dilling Martin’s “Repercussions of the Current Import/Export Ratio
Jeffrey Schultz’s “J. Steals from the Rich and Uses the Money to Get Drunk Again
Annabelle Yeeseul Yoo’s “Bright Burial

Complete guidelines:
Four winning authors will be awarded a reading at the 92nd Street Y in New York City, publication in the May/June 2011 issue of Boston Review, and $500.
1. The contest is open to poets who have not published a book of poems (chapbooks and self-published books included). Those who have a book contract at the time of submission or who are subsequently awarded a book contract are not eligible for the contest if their book is scheduled for publication before Fall 2011. Individual poems that have been or will be published in periodicals or anthologies may be submitted; however, at least two of the submitted poems must be unpublished and under two pages in length.
2. Submit four identical sets of a typed ten-page manuscript. Each set is to contain the same ten pages in the same order. Include no more than one poem per page. NO personal identification should appear on any of the poems; no copyright attributions for previously published poems should appear on the poems.
3. Photocopied manuscripts are acceptable. However, in the case of previously published poems, do not send photocopied pages of the periodical or book in which the poem(s) originally appeared.
4. Please staple each manuscript; do not use paper clips.
5. Enclose one cover letter including your name, address and day and evening telephone numbers, as well as a list of the submitted poems in the order in which they appear, with copyright attributions for published poems. Do not attach this cover letter to the manuscripts.
6. An entry fee of US$10.00 must accompany the submission. Please make checks (drawn on U.S. banks only) or money orders (in U.S. currency only) payable to the 92nd Street Y, and attach them to your cover letter. DO NOT SEND CASH.
7. All poems must be original and in English (no translations).
8. No contestant may submit more than one entry. No corrections can be accepted after receipt of the contest submission.
9. Entries must be received by January 15, 2011. This is not a postmark deadline. If you wish to receive confirmation of receipt of your manuscript, please enclose a stamped, self-addressed postcard (not envelope) and allow several weeks for its return. Due to the large number of submission received, manuscripts cannot be returned. Winners will be contacted by telephone by the end of February; all contest entrants will be mailed the names of the winners and of the judges shortly thereafter.
10. No phone queries can be taken. If you wish to hear a recording of the guidelines, or to receive another set of these guidelines in the mail, call 212.415.5759.

Mail submissions to:

“Discovery”/ Boston Review 2011 Poetry Contest
Unterberg Poetry Center, 92nd Street Y
1395 Lexington Avenue,
New York, NY 10128

PUB: Richard Snyder Memorial Poetry Book Contest

S N Y D E R   P R I Z E

The Richard Snyder Memorial Publication Prize

This poetry book series honors the memory of Richard Snyder (1925-1986), poet, fiction writer, playwright, and long-time professor of English at Ashland University. He served for fifteen years as English department chair, and in 1969 co-founded and served as co-editor of the Ashland Poetry Press. He was also co-founder of the creative writing major at Ashland University, one of the first at the undergraduate level in the country. In selecting manuscripts for this series, Ashland Poetry Press editors keep in mind Snyder's tenacious dedication to craftsmanship and thematic integrity.

Submissions to the Snyder Prize are screened by Deborah Fleming, Editor.  The 2010 Snyder Prize judge is David Wojahn.

The Winner of the Snyder Prize Receives:

  • $1,000.00
  • publication of winning manuscript in a paperback edition of 1,000 copies
  • 50 copies of the published book (in lieu of royalties)

Former Snyder Prize Winners:

The 2003 Snyder winner, The Moment's Equation by Vern Rutsala (published in December 2004), was a finalist for the 2005 National Book Award. 

The 2004 Snyder winner, Remorseless Loyalty by Christine Gelineau, was nominated by David St. John for the 2006 Los Angeles Times Book Prize in Poetry. 

The 2007 winner, Shimming the Glass House by Helen Pruitt Wallace, won the Bronze medal in the 2008 Florida Book Awards Poetry category.

2010 Submission Guidelines:

  • Book-length poetry manuscripts
  • Original collection of poems of 50 to 80 pages, with no more than one poem per page, single sided
  • Single spaced
  • Bound by a single clip: No Folders or Notebooks, Please
  • Two title pages: one with name, address, and phone number and one with title only
  • $25 reading fee made payable to The Ashland Poetry Press
  • Deadline: April 30, 2010
  • Translations are not eligible
  • Ashland University employees and their spouses are not eligible
  • Email one electronic copy to swells@ashland.edu with the Subject Line: "Snyder Prize Submission".  File should be saved as lastname_f and either .doc, .rtf, or .pdf file format. If an electronic copy is not submitted, the press will need to scan your hard copy into a PDF.
  • Mail one hard copy to:

Mail to:

The Richard Snyder Publication Prize 
The Ashland Poetry Press 
Ashland University 
Ashland, OH 44805

For notification, enclose a letter-sized self-addressed, stamped envelope.  All manuscripts other than the winning one will be recycled.

Look for our announcement in an upcoming issue of The Writers' Chronicle(AWP) and Poets & Writers.

Friends of APP

To receive regular updates about the Ashland Poetry Press, its upcoming books, contest deadlines, and other news, subscribe to our APP eNewsletter.  Send an email to app@ashland.edu with "SUBSCRIBE" in the subject line to register.

If you'd like to unsubscribe from this list, send an email to app@ashland.eduwith "UNSUBSCRIBE" in the subject line.

APP also has a group on Facebook.

PUB: Cave Canem Poetry Contest

Cave Canem Poetry Prize

Established in 1999, this first-book award is dedicated to the discovery of exceptional manuscripts by African American poets. The participation of distinguished judges and prominent literary presses has made this prize highly competitive.

2009 Winner: Gary Jackson for Missing you, Metropolis, selected by Yusef Komunyakaa.

2009 Honorable Mentions: Lillian-Yvonne Bertram for Inside the Face Inside the Heart Inside and Jarita Davis for As If Returning Home.

2010 Cave Canem Poetry Prize Guidelines 


Award: Winner receives $1,000, publication by The University of Georgia Press in fall 2011, 15 copies of the book and a feature reading.

 

Final Judge: Elizabeth Alexander. (Judge reserves the right not to select a winner or honorable mentions.)

 

Eligibility: African American writers who have not had a full‐length book of poetry published by a professional press. Authors of chapbooks and self‐published books with a maximum print run of 500 may apply. Simultaneous submission to other book awards should be noted: immediate notice upon winning such an award is required. Winner agrees to be in the United States at her or his own expense when the book is published in order to participate in promotional reading(s).

 

Deadline: Reading period opens March 15, 2010. Manuscripts must be postmarked no later than April 30, 2010. Manuscripts received after May 8, 2010, 5 pm, will not be considered, regardless of postmark date. To be notified that your manuscript has been received, enclose a stamped, selfaddressed postcard. Winner announced in September 2010.

 

Entry Fee: $15. Enclose check with submission, made payable to Cave Canem Foundation. Entry fees are non‐refundable.

 

Direct packet to:

Cave Canem Foundation

Cave Canem Poetry Prize

20 Jay Street, Suite 310‐A

Brooklyn, NY 11201

 

Submission

 

Œ  Send two copies of a single manuscript. One manuscript per poet allowed.

 

Œ Enclose a stamped, self‐addressed envelope to receive notification of results.

 

Œ Author’s name should not appear on any pages within the manuscript. Copy One must include a title page with the author’s brief bio (200 words, maximum) and contact information: name, postal address, e‐mail address and telephone number. Copy Two must include a cover sheet with the title only.

 

Œ Manuscript must include a table of contents and list of acknowledgments of previously published poems.

 

Œ Manuscript must be single sided with a font size of 11 or 12, paginated, and 50‐75 pages in length, inclusive of title page, table of contents and acknowledgments. A poem may be multiple pages, but no more than one poem per page is permitted.

 

Œ Manuscript must be unbound. Use a binder clip—do not staple or fold. Do not include illustrations or images of any kind.

 

Œ Manuscripts not adhering to submission guidelines will be discarded without notice to sender.

 

Œ Due to the volume of submissions, manuscripts will not be returned. Post‐submission revisions or corrections are not permitted.

 


 

REVIEW: Book—Extending the Frontier: Essays on the New Transatlantic Slave Trade Database

David Eltis, David Richardson, eds.  Extending the Frontiers: Essays
on the New Transatlantic Slave Trade Database.  New Haven  Yale
University Press, 2008.  xiii + 377 pp.  $90.00 (cloth), ISBN
978-0-300-13436-0.

Reviewed by Isaac Land (Indiana State University)
Published on H-Albion (April, 2010)
Commissioned by David S. Karr

Slavery By the Numbers

The first systematic attempt to count how many enslaved Africans
crossed the Atlantic was Philip Curtin's classic 1969 _The Atlantic
Slave Trace: A __Census_, which reckoned by entire centuries and
necessarily relied on a great deal of educated guesswork. Since then,
new technologies have enabled scholars to share evidence from a wide
variety of sources on different continents, accumulating multiple
sources of information on many individual voyages. There is no longer
a high risk of counting ships and their cargoes twice (once on
departure from Africa and again on arrival in the Americas). It is
now possible to quantify how many slaves crossed the Atlantic in any
given year with a high degree of accuracy. Databases allow us to sort
the individual voyages according to many different variables,
including the port of departure, the point of arrival in Africa, the
mortality during the Middle Passage, and the American destination
that ultimately received the human cargo.

The data discussed in this volume is derived from the substantial and
wide-ranging update to the Transatlantic Slave Trade Database
(searchable for free at http://slavevoyages.org) that has been
carried out since the release of an earlier version of the database
on CD-ROM in 1999 and the discussion of the initial findings in the
_William and Mary Quarterly _in 2001. I will follow the convention
adopted by the editors and refer to the 1999 data as TSTD1, while the
newest findings are TSTD2. Since 1999, 8,232 new voyages have been
added to the database, and 19,729 of the voyages already included are
modified to reflect new information. The editors remark that with
this latest refinement of the data, it is possible that "this book
will be the last to devote a major part of its thrust to assessing
the overall size of the slave trade" (p. 53). The concluding essay by
David Eltis and Paul Lachance offers a reappraisal of "rates of
natural decrease" in the Caribbean, reminding us that estimates about
the scope of the slave trade have also shaped the debate on other
important demographic topics (p. 355).

It was already well known that Brazil took the lion's share of slaves
from Africa; a concentrated effort to improve the coverage of ships
flying the Portuguese or Brazilian flags has resulted in a 13 percent
increase in the overall estimate of persons removed from Africa over
the entire course of the slave trade (an additional 1.5 million human
beings unknown to TSTD1), and an 11 percent increase in the
equivalent estimate of enslaved persons arriving alive in the
Americas (p. 45). The editors note that "it now appears that British
dominance of the slave trade was confined to eight of the thirteen
decades between 1681 and 1807" with "two long periods of Portuguese
preeminence" on either side (p. 39). Indeed, even in several of the
"dominant" British decades, Portuguese slave traders nearly tied them
for the number one position. For example, in the period 1751-60, the
British accounted for the shipment of 255,346 Africans, but the
Portuguese transported 215,934 (table 1.6). The new numbers also
force some reappraisal of the role of individual port cities in the
trade as a whole: "Liverpool has often been viewed as the
quintessential slave-trading port, but in fact the ports of Bahia and
Rio de Janeiro were individually responsible for far more slaves
reaching the Americas" (p. 39). Little-known Brazilian ports, such as
Recife, sent out about two thousand slave ships in total, equivalent
to Bristol's trade and exceeding that of Nantes (p. 122). Not
surprisingly, raising our estimate of the number of slaves destined
for Brazil also involves a notable increase in the weight of the
Congo River basin and Angola, which figure more than ever as prime
contributors of captives.

The essays in this volume are concerned with what was new in TSTD2,
and this was--by design--mostly about rectifying gaps in our
knowledge of the Luso-Atlantic world, which receives no less than
four chapters of coverage. Although the French, the Dutch, and even
the Duchy of Brandenburg (which launched fifty-six voyages, mostly in
the 1690s) can boast chapters of their own, there is no chapter
devoted to Britain or its colonies per se. As I have noted, however,
the new data enables us to set Britain, its trade, and its colonies
in a broader comparative context with unprecedented accuracy. Some
refinements also improve our knowledge of the performance of various
British ports in comparison with each other. Considering the entire
history of the slave trade, "London now appears to have been twice as
important as Bristol and not far behind Liverpool, albeit with a
trade that endured over a longer period" (p. 39).

Taking a hard look at the early and mid-nineteenth-century numbers
also puts Britain's much-touted efforts to ban the transatlantic
trade in a less flattering light. In the Luso-Atlantic world, the
numbers of slaves enduring the Middle Passage went up, not down,
after 1807. Although "about eighty-five vessels from Bahia were
captured by British forces" between 1811 and 1830, which sounds
impressive, this period and the two decades that followed marked the
climax of the trade in Brazil (p. 146). The figures show that many
hundreds of thousands of slaves were never intercepted. When British
pressure made it inconvenient to disembark captives in the port of
Salvador, they were simply set down on nearby beaches and islands (p.
140). In nearby Uruguay, slaves arrived as "colonists" from Africa,
avoiding the rules while fooling no one (p. 37). The chapter on Cuba,
illuminated by insights from the Cuban archives, paints a similar
picture: slavers entered the island's ports "with complete impunity,"
while the "many hidden creeks" of the lower Congo River foiled the
British patrols on the other side of the Atlantic (pp. 187, 192). It
is particularly sobering to see that the numbers of captives
departing from Sierra Leone's creeks and inlets showed little or no
decline in the decades following 1807 (table 1.7); one would never
guess that this part of the African coast was also the site of a bold
experiment in freedom undertaken by former slaves from the Americas,
and the place where the Royal Navy delivered its "recaptives" from
intercepted slave ships.

One potential shortcoming of history by the numbers is that it may
prejudice us in favor of the study of numerically larger groups, or
of groups whose existence and movements are easiest to quantify.
TSTD2 is so impressive, and so easy to access, that there is some
risk that it could discourage historians from considering other, less
well-documented populations that fell outside its purview. Native
American slaves amounted to a modest fraction of the total of
enslaved persons in the Americas, but in certain times and places
they could be quite important, as demonstrated by Allan Gallay's
prize-winning book on South Carolina, _The Indian Slave Trade: The
Rise of the English Empire in the American South, 1670-1717 _(2002).
It would be unfortunate if our lavish, and entirely laudable,
attention to the demographic rise of African Americans had the effect
of eclipsing our awareness of Native American populations, which,
despite the myth of the "vanishing Indian," did in fact persist and
adapt, exercising an influence over colonial societies from beginning
to end despite their diminished numbers.

Citation: Isaac Land. Review of Eltis, David; Richardson, David,
eds., _Extending the Frontiers: Essays on the New Transatlantic Slave
Trade Database_. H-Albion, H-Net Reviews. April, 2010.
URL: http://www.h-net.org/reviews/showrev.php?id=25692