FOOD: Deliciously Different Breakfast Eggs > the vegetarian ginger

Avocado Egg Cups

 

Posted on September 25, 2012 by

Breakfast!

If you are feeling up to something a little unconventional for breakfast and want a bunch of protein, try this out. Eggs baked into avocados with cheese, sesame, salsa and spices. Be warned: the avocado takes on a smoky flavour after it’s done being cooked, so if that isn’t your thing I don’t recommend this.

If the consistency is too soft for you, try eating it on a toasted bagel or with nachos! Since the flavour turns smoky throughout the avocado, this would be a pretty good topping for a burger as well.

Ingredients

  • 1 avocado
  • 2 small eggs
  • Cayenne pepper to taste
  • 1/3 cup cheddar cheese
  • Fresh parsley to taste (and for garnish)
  • Handful of sesame seeds
  • Salt and pepper to taste
  • 1/3 cup salsa

Method

Preheat the oven to 425 degrees.

Cut the avocado in half, lengthwise. Discard the pit and make sure there is enough space to fit the contents of the egg in the avocado; you may have to scoop some out.Sprinkle some assorted spices and some parsley on the bare halves.

Crack one egg into each half of the avocado (they can tip so be careful). Sprinkle sesame seeds, cheese and more spices on top.

Bake for 20-25 minutes depending on how cooked you like your egg. I baked mine for quite some time because I didn’t want a “mushy” consistency. Let cool for a minute, and serve with salsa.

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Baked Eggs in Tomato Cups

Rushed mornings should not mean no breakfast. You can prep this recipe in 2 minutes the night before (literally) so everything will be ready to go in the morning. Bake the cups while you’re doing your daily morning routine so by the time you’re ready to leave you can eat this and go.

This recipe is only for a single serving, but you can easily duplicate it. It’s also very flexible; if you prefer different herbs other than Italian, add those on instead. There’s practically no prep time needed either, since all you have to do in slide the top off the tomato and scoop it out. The rest is just baking and it’s ready to go!

These are similar to the Avocado Egg Cups I made a while ago, but these are a different meal because the tomato is much lighter than the avocado, and you don’t get that ‘smoky’ taste after baking it.

I adapted this recipe from one I made a few years ago from an issue of Vegetarian Times. I find the hot sauce makes a big difference in flavour at the bottom of the tomato. This is great to just eat on its own, or you can slice it up and put it between toast to add some texture. This doesn’t necessarily have to be a morning meal either; if you’re having people over for a barbecue this makes for a creative side.Baked Egg in Tomato Cups

Ingredients

Makes 1 serving

  • 1 medium-sized tomato
  • 1 large egg
  • 1 tsp. dried Italian herbs
  • 1/4 tsp. hot sauce
  • 2 tsp. Swiss Emmental cheese or parmesan, finely grated
  • Salt and black pepper for seasoning

Method

Preheat oven to 425 degrees F.

Cut the top off tomato and scoop out the insides so it’s hollow. You may have to cut a very small amount off the bottom of the tomato just so it doesn’t tip over, but only do this if necessary so liquid won’t leak out.Shelled Tomato

Sprinkle 1/2 tsp. Italian herbs in the bottom of the tomato cup. Add in hot sauce, cheese, salt and pepper to taste. Crack egg into centre of the tomato, and top with remaining dried herbs; add extra salt and pepper if desired. Sprinkle remaining cheese on tops of eggs, and bake in oven for 30 minutes. Serve immediately.

>via: http://thevegetarianginger.wordpress.com/2013/03/05/baked-eggs-in-tomato-cups/

 

 

MEDIA: Essence Editor Says She Was Fired > The Maynard Institute for Journalism Education

Essence Editor Says

She Was Fired

Exit Followed Clashes Over Time Inc. View of Black Women

Constance C.R. White has disclosed that her departure as editor-in-chief of Essence magazine was involuntary and the result of repeated clashes with Martha Nelson, the editor-in-chief of Time Inc. who White says sought to limit the way black women were portrayed.



"I went in there with passion and excitement and high expectations," White told Journal-isms, referring to her 2011 hiring. "It wasn't what I expected at all.

"What needs to happen is the reader is getting lost and the reader has to be at the center. To make their world smaller is unacceptable," White said by telephone. "A lot of the readers have sensed" what is happening, she said.

Essence, the nation's leading magazine for black women, was originally black-owned but has not fared well under Time Inc. ownership, White maintained. Nelson vetoed such pieces as a look at African American art and culture, and "I was not able to make the creative hires that needed to be made," White said.

She elaborated by email, "When was the last time you saw Essence in the community advocating for or talking with Black women?

"No more T-shirts with a male employee's face on it being distributed at the [Essence] Festival."

Essence announced White's departure in a terse statement on Feb. 8. No explanation was given.

But White told Journal-isms that her exit came after "another tug of war with them" in January. "Them" was principally Nelson.

Nelson, a 20-year Time Inc. veteran, became editor-in-chief of Time Inc. in January, responsible for the editorial content of all 21 of Time Inc.'s U.S. magazines and its digital products , according to her bio. Before that, Nelson spent two years as editorial director, overseeing the 17 titles and editors in the company's Style & Entertainment Group and Lifestyle Group.

The final "tug of war" came in January, White said. Referring to Nelson, White recalled, "My boss said, 'you know what? It's time to go.' I was asked to leave my position. I asked, 'Was it something we can discuss, or has the decision been made?' She said, 'The decision has been made.'

From left: Edward Lewis, Martha Nelson, Laura Lang From left: Edward Lewis, Martha Nelson, Laura Lang

 

 

 

 

 

 

 

"I had a certain point of view about black women being central to this magazine. The boss didn't agree with me, and the president didn't agree with me," she said, referring to Michelle Ebanks, president of Essence Communications Inc. "It became an untenable situation." She would not comment on whether she had a contract with the publication.

Ebanks issued this statement Friday night: "We truly wish Constance well. Essence exists to affirm and inspire Black women. We always have and we always will."

Essence magazine debuted in 1970, the product of a communications company founded in 1968 by a group of African Americans that included as principals Edward T. Lewis and Clarence O. Smith.

Time bought 49 percent of Essence Communications in 2000 and absorbed the rest in 2005.

Lewis said in 2000, "The reason Time Warner is interested in Essence is they are interested in the editorial view of the magazine. They are not there to change it."

Indeed, Essence still proclaims on its website, "ESSENCE is Where Black Women Come First for news, entertainment and motivation . ESSENCE occupies a special place in the hearts of millions of Black women — [it's] not just a magazine but her most trusted confidante, a brand that has revolutionized the magazine industry and has become a cultural institution in the African-American community."

However, White's comments indicate that white corporate ownership has changed the magazine after all.

"This is a magazine where the central DNA was laid down by Gordon Parks," she said, referring to the famed African American photographer who helped found Essence  and was its editorial director from 1970 to 1973. White intimated that her efforts to maintain Parks' standards had been rebuffed.

"How is it that from 2000, when Susan [L. Taylor, longtime editor] left — she was pushed out — we have had about five editors, including two acting editors, yet Essence continues to decline? So where's the problem? And the editors are the black women. 'They are disposable. Let's keep changing them.'

"The point is, it didn't start with me," White said of the conflicts between top Essence editors and Time Inc. management. "If I can make a difference, I'd like to. If no one speaks up, it's possible it won't end with me."

She continued in an email, "Martha Nelson cannot shape the editorial [content] for the magazine, and it was a strange use of her time considering People, the cash cow of Time inc accounting for over $1 billion, was down 12-18 percent in the last two years and All You was down 38 percent." All You is described on its advertising website as "proudly" providing the value-minded woman "with practical, attainable, no-nonsense ideas for her everyday life ."

The Publishers Information Bureau reported in January that the number of advertising pages in Essence dropped by 10.3 percent during 2012. Industrywide, ad pages were down by 8.2 percent. However, circulation rose from 1,051,000 in 2011 to 1,104,871 in 2012, according to the Alliance for Audited Media, previously the Audit Bureau of Circulations. For the industry overall, magazine circulation declined last year.

Influencing White's efforts to speak with Journal-isms, she said, was the decision by Time Warner this week to spin off Time Inc. magazines. As a result, Laura Lang , CEO of Time Inc. since 2011, said she would step down .

"I believe that Essence may have fared better under Laura Lang's regime because people became more accountable for their jobs rather than playing out their personal politics. But with her departure I just don't know what's going to become of Essence," White said.

The Jamaica-born White was style director, brand consultant and spokeswoman for eBay, the online company, when she was named to lead Essence. "White was previously the founding Fashion Editor for Talk magazine, a celebrated Style Reporter for The New York Times and the Executive Fashion Editor for Elle magazine," an announcement said when she was named. "She also served as Associate Editor at Women's Wear Daily and W magazine and began her career at Ms. magazine, as assistant to co-Founder Gloria Steinem."

"I still love magazines," White told Journal-isms. "I'm considering my next move. I'm happy to be able to see more of my kids," of whom there are three. "Later this month I will be speaking at Syracuse University on branding and the media and I will resume my appearances on NY Live!," referring to "New York Live ," a daily lifestyle show on New York's WNBC-TV.

"I'd really like to see Essence move forward in a stronger way. I'm even more concerned about how Essence has fared being part of Time Inc. It hasn't fared particularly well. Hopefully, this upheaval will be for the better.

"There has to be a come-to-Jesus moment when people say, 'Here's what we're going to do and here are the right people to do it. We are a very valuable audience. In my farewell speech I asked my team to present to management what needs to happen at Essence to ensure its survival because they know.

"Essence needs stability and the brand needs a leader with a vision. Black women are social leaders, cultural leaders, we are aspirational and spiritual. Black women deserve the best. Essence is the last place where black women should be demeaned and diminished."

 

EVENT + VIDEO: Toni Morrison & Ishmael Reed @ Harlem Arts

Living Room Dispatch

LIVE from the

Harlem Arts Salon:

Toni Morrison and

Ishmael Reed

in conversation

February 24, 2013  | 

By 

Starting at noon today, we’re live streaming from New York’s legendary Harlem Arts Salon. We have a camera inside the salon, to observe a rare conversation between Nobel Laureate and novelistToni Morrison (who just turned 82) and iconoclastic Bay Area novelist, poet, and MacArthur “genius award” recipientIshmael Reed. Their conversation will be moderated by poet, and Miles Davis biographer, Quincy Troupe. The event promises to be an interesting gathering of some of the most intriguing American writers gathered in the living room of Margaret Porter Troupe and Quincy Troupe.  Also, one of the Bay Area’s best kept secrets is that Mildred Howard, known for her sculptural installations and mixed media assemblage work, is a fantastic cook! She has flown out specifically to make the meal for this talk.

The stream should start at about 11:30, talk begins at noon. Enjoy!

__________________________ 

Tuesday, February 26, 2013

Toni Morrison

& Ishmael Reed

@ Harlem Arts

 

This past Sunday brought the sort of event that too seldom occurs: two of the leading African American writers and cultural avatars--two of the leading American writers and cultural avatars--in a conversation guided by the third, in an intimate, welcoming non-academic setting. Or perhaps this does occur frequently but I have not been around to catch it. As soon as a friend alerted me that Toni Morrison (1931-) and Ishmael Reed (1938-) would participate in a conversation, led by Quincy Troupe (1939-) in Harlem no less, at the home of Quincy and Margaret Porter Troupe, as part of the Harlem Arts Salon, which has been presenting amazing programs for years now, I let friends know and got a ticket so as not to miss them. I have seen (and drawn) Toni Morrison a number of times, I studied with Ishmael Reed as an undergraduate, and I have heard Quincy Troupe read his work and was fortunate to have him select one of the first poems I ever had published in a mass circulation publication years ago, but I had never seen them all together chatting publicly. And it goes without saying that they did not disappoint.

 

Toni Morrison
Toni Morrison, after the talk (Eugene Redmond behind her)
Before I provide a few highlights of their conversation, let me first note that a number of other wonderful writers and literary folks (and I will certainly accidentally miss some people, so forgive me) were present, among them John Edgar Wideman, Marilyn Nelson, Eugene Redmond, Steve Cannon, Elizabeth Nunez, Keith Gilyard, Kate Rushin, Tyehimba Jess, Tonya Foster, Randall Horton, Farah Jasmine Griffin, Lorelei Williams, Brenda Greene, and Charles Ruas, just to name a few. That was just (part of) the audience, which poured into some three or four rooms of Margaret and Quincy Troupe's beautiful home. So packed was the gathering that I sat in a side room, with many others, and watched the luminaries on a screen, though I could hear them clearly just a room away. Acclaimed Bay Area artist Mildred Howard prepared a range of delicious, healthy meals, as well as some of the softest, most scrumptious but not too sweet sugar cookies I've eaten in years. Also, the San Francisco Museum of Modern Art's Open Space blog featured a streaming livecast of the event, and you can watch the entire conversation here. (A head's up: I'm briefly visible behind the video technician.) Lastly, poet Rich Villar, co-curator and one of the main forces behind the Acentos Foundation, which nurtures and promotes Latino/a writers and literature, delivered a spirited introduction to the event and for all three writers that did him and them proud.

Morrison and Reed have known each other for many years, going back to the period when both were living in New York and beginning their careers, and both have known Troupe as well since the late 1960s; Morrison and Troupe met at the loft that late, great writer Toni Cade Bambara had once maintained in Harlem. Rich Villar even read biographical notes for each from the mid 1970s, when they were already quite accomplished and yet still early in their careers. The conversation proceeded with Troupe asking open-ended questions about several topics, ranging from teachers who had an influence, to literary and cultural models, to the importance of geography, to how each writer wrote on a daily basis, to their thoughts on contemporary literature, and each spoke at length, with Reed (one of the best teachers I have ever had, and the first person to publish me in my adult life) often divagating into topics he wanted to discuss, and Morrison mostly sticking to the question but providing delectable anecdotes and motes of wisdom as she did so.

Margaret Troupe & Ishmael Reed
Margaret Porter Troupe and Ishmael Reed
Some of my favorite Morrison comments were when she was describing how, as an undergraduate at Howard, she had wanted to write on blacks in Shakespeare, but her professor felt this was outlandish and denigrated her. (She would have been ahead of her time on this topic, as subsequent scholarship has made quite clear.) She mentioned this anecdote as a way of distinguishing such professors from the ones who were more open, nurturing and forward-thinking, among them Sterling Brown, the great poet, and Alain Locke, the philosopher, whose "personal idiosyncrasies," such as using a handkerchief to touch doorknobs and folding a napkin on the desk onto which he placed his thereafter unmoving hands she found even more compelling than his difficult philosophizing. With regard to influences, she mentioned how important James Baldwin's essays were, particularly his evocative and effective use of language, and she also praised Chinua Achebe and Wole Soyinka for not "writing under the [white] gaze", something she has always striven not to do. One powerful aspect of Achebe's work she noted was a moment in which a male character is about to depart his home, and loving runs his hands through the thick hair of his wife. This small loving gesture towards hair that is so often reviled (even in Africa) was something many readers might overlook, but she found it telling about Achebe's mindset and larger aesthetic and social outlook, and worth thinking about in relation to her own writing.
Quincy Troupe
Quincy Troupe
Morrison also talked about being a radio story-telling child, and how, growing up in her family, people would tell stories and then retell them over and over, often changing and transforming them, and expect the children to do the same. (I grew up in a similar environment; stories were retold, and changed, though certain elements were invariant.)  Growing up in Lorain, Ohio, she recalled there were no "black neighborhoods" and that her world was integrated, though her home was a different sort of place, and that the segregation she encountered in Washington while at Howard University, which she chose to attend so that she could be around black intellectuals, black thinkers, her professors and fellow students, became "theater" for her. As she noted, the care and detail, and money, that went into maintaining segregation and segregated facilities was noteworthy--and, I often think, a sign of an societal-wide psychosis, but that's for another time. About her writing routine, she noted that she woke up early, when she was sure she could still be smart on the page, and she provide a bit of insight into her method of characterization, noting that she usually does not describe every attribute of a character, instead writing in such a way that the reader will draw her in our heads, but also know her when we see her in the world. She described this is as "call and response," perhaps the first time I've heard that term used in this regard, and it struck me as deeply insightful and apt.
Toni Morrison signing a book
Toni Morrison signing a book
Ishmael Reed was his usual volcanic self; the years have turned hair almost titanium, but he has lost none of the fire I've always admired. He told the audience that one of his models was the Modernist satirist Nathanaël West, particularly West's non-linear, collage method, which one can see in not only in Reed's earliest fiction but in his most recent novel, Juice (Dalkey, 2011). He also mentioned J. A. Rodgers, the famous autodidactic historian whose work re-educated several generations of black readers, and his peers in the Umbra Group, one of the New York-based early 1960s predecessors to what became the Black Arts Movement and the other innovative artistic movements of that era and ones that followed. Freestyling and riffing off Troupe's questions, Reed moved from "geography" and "region" to a discussion of 19th century Black poets--one of the second moments he appeared in intellectual sync with the work of my former colleague Ivy Wilson--and discussed the courage of some of them in terms of their overt critiques, with so much more at stake, of President Andrew Johnson and other powerful, white figures. He offered some choice quotes, among them that "A good writer is a rival state" (he was quoting ), and "We don't get to tell our stories," meaning that the pipeline remains a narrow one, we often write to the expectations of publishers and certain groups and readers, and so on. (This is far more true in other genres than fiction and poetry, though.) He ended this electric slide of commentary by saying that he wanted to be "like Mike Tyson" in his literature. I think he's achieved that many times over.
Lorelei Williams and Kate Rushin
Lorelei Williams and Kate Rushin
Responding to the question of how he wrote, Reed discussed waking up and reading the papers every day, and getting angry. (Among his prodigious literary production was a blog he maintained for a while at the San Francisco Chronicle, which I had linked to on this blog. I particularly enjoyed his editorial cartoons, which can acidly funny.) He was angry on Sunday too, noting how Law and Order (I think he said) was planning an episode based on Chris Brown's domestic abuse of Rihanna, only in the episode the Brown-like character was killed. The exploitation and spectacularity of it are the kinds of things Reed has long pointed out, and he was no less acute in his comments. He went on to say, anticipating what Morrison would say, that he was always writing and urged people in the room never to stop writing, but also to write in a variety of genres, undertake a "full-court press." He even spoke about a program for low income students he and his daughter had developed that got them reading and writing, and described it as a "Midnight Basketball During the Day," or Midday Basketball program. The participants, mostly black and latino, told him when he asked why they'd gone off track that they had no idea where they came from, and addressing this problem had long been an aim of his work.

 

Ishmael Reed, on camera
Ishmael Reed on the monitor
A few other points he made involved him talking about learning Yoruba, the language and literature, as a way of studying the roots of African American culture and of another tradition of storytelling. He also talked about his study of Japanese, and how after Reckless Eyeballing, which deeply enraged white feminists and their allies across the country, he became "literary roadkill," though he noted Morrison supported both him and that book, but also that after that he'd followed Langston Hughes's example of going to Japan (and this connection with Japan in particular, I must note editorially, has a history in black innovative art practice; it came up at the Now Dig This! conference as well), where his book Japanese By Spring, as well as his other works, were praised and he was feted. Among his final thoughts were praise for contemporary American writer, in part because of the changing technological landscape, with e-books and print-on-demand possibilities unavailable to earlier generations, and "more players" out there, as opposed to the gatekeepers and literary elites of the past. He did admit to addiction to Facebook, an enthusiasm I'm thankful I've been able to avoid but which many writer friends have not, but Reed flipped it by noting that for him it was also a "platform" of the kind he is so fond of, and so even on Facebook, he is being none other than Ishmael Reed, writing and fighting.

 

Poet Marilyn Nelson, at center (looking towards camera)
Marilyn Nelson

It was an amazing event, and whetted my desire to catch any and every future Harlem Arts Salon event. It was also a perfect way to spend a Sunday afternoon in New York during Black History Month!

 

John Edgar Wideman (behind the camera)
John Edgar Wideman

 

 

HISTORY + PHOTO ESSAY: Viva Hugo Chávez!

06 March 2013

Deciphering Hugo Chávez?

"Hugo Chávez’s presidency (1999-2013) was characterized by a dramatic concentration of power and open disregard for basic human rights guarantees" (Human Rights Watch).

"Over the last fourteen years, Chávez has submitted himself and his agenda to fourteen national votes, winning thirteen of them by large margins, in polling deemed by Jimmy Carter to be “best in the world” out of the 92 elections that he has monitored. (It turns out it isn’t that difficult to have transparent elections: voters in Venezuela cast their ballot on an touch pad, which spits out a receipt they can check and then deposit in a box. At the end of the day, random polling stations are picked for ‘hot audits,’ to make sure the electronic and paper tallies add up). A case is made that this ballot-box proceduralism isn’t democratic, that Chávez dispenses patronage and dominates the media giving him an unfair advantage. But after the last presidential ballot—which Chávez won with the same percentage he did his first election yet with a greatly expanded electorate—even his opponents have admitted, despairingly, that a majority of Venezuelans liked, if not adored, the man. [. . .]

Let’s set aside for a moment the question of whether Chavismo’s social-welfare programs will endure now that Chávez is gone and shelve the leftwing hope that out of rank-and-file activism a new, sustainable way of organizing society will emerge. The participatory democracy that took place in barrios, in workplaces and in the countryside over the last fourteen years was a value in itself, even if it doesn’t lead to a better world.


There’s been great work done on the ground by scholars . . . on these social movements that, taken together, lead to the conclusion that Venezuela might be the most democratic country in the Western Hemisphere." (The Nation).
 
"Hugo Chávez Frias . . .  was probably more demonized than any democratically elected president in world history.  But he was repeatedly re-elected by wide margins, and will be mourned not only by Venezuelans but by many Latin Americans who appreciate what he did for the region" (CEPR).
"Without doubt, chavismo will outlive its founder. Many ordinary Venezuelans will look back on his rule with fondness. But his heirs will have to grapple with some intractable problems.

Venezuela comes towards the bottom of just about every league table for good governance or economic competitiveness. For 14 years Venezuelans have been told that their problems were caused by somebody else—the United States or “the oligarchy”. Getting ahead has depended on political loyalty rather than merit. The mass enrolment of millions in “universities” that mainly impart propaganda have raised expectations that are almost bound to be dashed. [. . .]


A majority of Venezuelans may eventually come to see that Mr Chávez squandered an extraordinary opportunity for his country, to use an unprecedented oil boom to equip it with world-class infrastructure and to provide the best education and health services money can buy. But this lesson will come the hard way, and there is no guarantee that it will be learned" (The Economist).
"This is an important difference between the classical and radical populist eras. Juan Perón and his cohorts co-opted a rising Left. Chávez has seemingly resurrected one and has at times struggled to keep up with the forces he helped unleash. The Bolivarian Circles represent with exquisite precision the ethos of the Revolution: These community councils were organized in an attempt to bury the state deep into civil society, to bypass potentially hostile local elected officials and to dole out patronage directly from the center. But they are, as Nikolas Kosloff puts it, at once “anti-democratic, creating a kind of vertical dependency around the cult figure of Chávez” and simultaneously creating a real terrain of democratic deliberation" (In These Times).
"He wrote, he read, and mostly he spoke. Hugo Chávez, whose death has been announced, was devoted to the word. He spoke publicly an average of 40 hours per week. As president, he didn't hold regular cabinet meetings; he'd bring the many to a weekly meeting, broadcast live on radio and television. Aló, Presidente, the programme in which policies were outlined and discussed, had no time limits, no script and no teleprompter.

The facts speak for themselves: the percentage of households in poverty fell from 55% in 1995 to 26.4% in 2009. When Chávez was sworn into office unemployment was 15%, in June 2009 it was 7.8%. Compare that to current unemployment figures in Europe. In that period Chávez won 56% of the vote in 1998, 60% in 2000, survived a coup d'état in 2002, got over 7m votes in 2006 and secured 54.4% of the vote last October. He was a rare thing, almost incomprehensible to those in the US and Europe who continue to see the world through the Manichean prism of the cold war: an avowed Marxist who was also an avowed democrat. To those who think the expression of the masses should have limited or no place in the serious business of politics all the talking and goings on in Chávez's meetings were anathema, proof that he was both fake and a populist. But to the people who tuned in and participated en masse, it was politics and true democracy not only for the sophisticated, the propertied or the lettered" (The Guardian).
"What is left, instead, after Chávez? A gaping hole for the millions of Venezuelans and other Latin Americans, mostly poor, who viewed him as a hero and a patron, someone who “cared” for them in a way that no political leader in Latin America in recent memory ever had. For them, now, there will be a despair and an anxiety that there really will be no one else like him to come along, not with as big a heart and as radical a spirit, for the foreseeable future. And they are probably right. But it’s also Chávism that has not yet delivered. Chávez’s anointed successor, Maduro, will undoubtedly try to carry on the revolution, but the country’s untended economic and social ills are mounting, and it seems likely that, in the not so distant future, any Venezuelan despair about their leader’s loss will extend to the unfinished revolution he left behind" (The New Yorker).
__________
 

Update: Here are a couple of other provocative commentaries on Chávez. The first - "The Achievements of Hugo Chávez" - is from Counterpunch and documents the medical/health dimensions of contemporary Venezuela; the second, by a smart young political theorist Diego von Vacano, who is concerned with how we ought to conceptualize Chávez's politics.

 

__________________________

 

 

An Update on the Social Determinants of Health in Venezuela

The Achievements

of Hugo Chavez

by CARLES MUNTANER, JOAN BENACH, MARIA PAEZ VICTOR

While Venezuela’s president Hugo Chávez is fighting for his life in Cuba, the liberal press of both sides of the Atlantic (e.g., El Pais”) has not stopped  trashing his government. The significance of his victory (12 points ahead of his contender) has yet to be analysed properly, with evidence. It is remarkable that Chávez would win, sick with cancer, outgunned by the local and international media (think of Syriza’s Greece election) and, rarely acknowledged, an electoral map extremely biased towards the middle and upper classes, with geographical barriers and difficult access to Ids for members of the working classes.

One of the main factors for the popularity of the Chávez Government and its landslide victory in this re-election results of October 2012, is the reduction of poverty, made possible because the government took back control of the national petroleum company PDVSA, and has used the abundant oil revenues, not for benefit of a small class of renters as previous governments had done, but to build needed infrastructure and invest in the social services that Venezuelans so sorely needed.  During the last ten years, the government has increased social spending by 60.6%, a total of $772 billion [i].

Poverty is not defined solely by lack of income nor is health defined as the lack of illness. Both are correlated and both are multi-factorial, that is, determined by a series of social processes. To make a more objective assessment of the real progress achieved by the Bolivarian Revolution in Venezuela during the last 13 years it is essential to review some of the key available data on the social determinants of health and poverty: education, inequality, jobs and income, health care, food security and social support and services.

With regard to these social determinants of health indicators, Venezuela is now the country in the region with the lowest inequality level (measured by the Gini Coefficient) having reduced inequality by 54%, poverty by 44%. Poverty has been reduced from 70.8% (1996) to 21% (2010). And extreme poverty reduced from 40% (1996) to a very low level of 7.3% (2010). About 20 million people have benefited from anti-poverty programs, called “Misiones” (Up to now, 2.1 million elderly people have received old-age pensions – that is 66% of the population while only 387,000 received pensions before the current government.

Education is a key determinant of both health and poverty and the Bolivarian government has placed a particular emphasis on education allotting it more than 6% of GDP. UNESCO has recognized that illiteracy been eliminated furthermore, Venezuela is the 3rd county in the region whose population reads the most. There is tuition free education from daycare to university; 72% of children attend public daycares and 85% of school age children attend school. There are thousands of new or refurbished schools, including 10 new universities. The country places 2nd in Latin America and 5th in the world with the greatest proportions of university students. In fact, 1 out of every 3 Venezuelans are enrolled in some educational  program.[ii] . It is also a great achievement that Venezuela is now tied with Finland as the 5th country with the happiest population in the world.[iii] .

Before the Chavez government in 1998, 21% of the population was malnourished. Venezuela now has established a network of subsidized food distribution including grocery stores and supermarkets. While 90% of the food was imported in 1980, today this is less than 30%.  Misión Agro-Venezuela has given out 454,238 credits to rural producers and 39,000 rural producers have received credit in 2012 alone.  Five million Venezuelan receive free food, four million of them are children in schools and 6,000 food kitchens feed 900,000 people.  The agrarian reform and policies to help agricultural producers have increased domestic food supply. The results of all these food security measures is that  today  malnourishment  is only 5%, and child malnutrition  which was  7.7% in 1990 today is at 2.9%. This is an impressive health achievement by any standards.

Some of the most important available data on health care and public health are as following [iv],[v],[vi]:

*infant mortality dropped from 25 per 1000 (1990) to only 13/1000 (2010);

*An outstanding 96% of the population has now access to clean water (one of the goals of the revolution);

*In 1998, there were 18 doctors per 10,000 inhabitants, currently there are  58, and the public health system has about 95,000 physicians;

*It took four decades for previous governments to build 5,081 clinics, but in just 13 years the Bolivarian government built 13,721 (a 169.6% increase);

*Barrio Adentro (i.e., primary care program with the help of more than 8,300 Cuban doctors) has approximately saved 1,4 million lives in 7,000 clinics and has given 500 million consultations;

*In 2011 alone, 67,000 Venezuelans received free high cost medicines for 139 pathologies conditions including cancer, hepatitis, osteoporosis, schizophrenia, and others; there are now 34 centres for addictions,

*In 6 years 19,840 homeless have been attended through a special program; and there are practically no children living on the streets.

*Venezuela now has the largest intensive care unit in the region.

*A network of public drugstores sell subsidized medicines in  127 stores with savings of 34-40%.

*51,000 people have been treated in Cuba for specialized eye treatment and the eye care program “Mision Milagro”; has restored sight to 1.5 million Venezuelans

An example of how the government has tried to respond in a timely fashion to the real needs of its people is the situation that occurred in 2011 when heavy tropical rains left 100,000 people homeless. They were right away sheltered temporarily in all manner of public buildings and hotels and, in one and a half years, the government built 250,000 houses. The government has obviously not eradicated all social ills, but its people do recognize that, despite any shortcomings and mistakes, it is a government that is on their side, trying to use its resources to meet their needs. Part of this equation is the intense political participation that the Venezuelan democracy stands for, that includes 30,000 communal councils, which determine local social needs and oversee their satisfaction and allows the people to be protagonists of the changes they demand.[vii]

The Venezuelan economy has low debts, high petroleum reserves and high savings, yet Western economists that oppose President Chávez repeat ad nauseam that the Venezuelan economy is not “sustainable” and predict its demise when the oil revenues stop. Ironically they do not hurl these dire predictions to other oil economies such as Canada or Saudi Arabia. They conveniently ignore that Venezuela’s oil reservoir of 500 billion barrels of oil is the largest in the world and consider the social investment of oil revenues a waste or futile endeavour. However these past 13 years, the Bolivarian government has been building up an industrial and agricultural infrastructure that 40 years of previous governments had neglected and its economy continues to get stronger even in the face of a global financial crisis.

An indication of the increasing diversification of the economy is the fact that the State now obtains almost as much revenue from tax collection as from the sale of oil, since it strengthened its capacity for tax collection and wealth redistribution. In just one decade, the State obtained US$ 251,694 million in taxes, more than its petroleum income per annum. Economic milestones these last ten years include reduction in unemployment from 11.3% to 7.7%; doubling the amount of people receiving social insurance benefits, and the public debt has been reduced from 20.7% to 14.3% of GNP and the flourishing of cooperatives has strengthen local endogenous economies.  In general, the Venezuelan economy has grown 47.4% in ten years, that is, 4.3% per annum. [viii]. Today many European countries would look jealously at these figures. Economists who studied in detail the Venezuelan economy for years indicate that, “The predictions of economic collapse, balance of payments or debt crises and other gloomy prognostications, as well as many economic forecasts along the way, have repeatedly proven wrong… Venezuela’s current economic growth is sustainable and could continue at the current pace or higher for many years.”[ix] .

According to Global Finance and the CIA World Factbook ,the Venezuelan economy presents the following indicators.[x]: unemployment rate of  8%; 45,5% government (public) debt as a percent of GDP (by contrast  the European Union debt/GDP is 82.5%); and a real GDP growth: GDP per capita is $13,070. In 2011, the Venezuelan economy defied most forecasts by growing 4.2 percent, and was up 5.6 percent in the first half of 2012. It has a debt-to-GDP ratio comfortably below the U.S. and the UK, and stronger than European countries; an inflation rate,  an endemic  problem during many decades,  that has fallen to a four-year low, or 13.7%, over the most recent 2012 quarter. Even The Wall Street Journal reports that Venezuela’s stock exchange is by far the best-performing stock market in the world, reaching an all-time high in October 2012, and Venezuela’s bonds are some of the best performers in emerging markets.

Hugo Chavez’s victory had an impact around the world as he is recognized as having spearheaded radical change not only in his own country but in all Latin America where progressive governments have also been elected, thereby reshaping the global order. The victory was even more significant considering the enormous financial and strategic help that the USA agencies and allies gave to the opposition parties and media.  Since 2002, Washington channeled $100 million to opposition groups in Venezuela and this election year alone, distributed US$ 40-50 million there. [xi]  But the Venezuelan people disregarded the barrage of propaganda unleashed against the president by the media that is 95% privately owned and anti-Chavez. [xii]. The tide of progressive change in the region has started to build the infrastructure for the first truly independent South America with political integration organizations such as Bank of the South, CELAC, ALBA, PETROSUR, PETROCARIBE, UNASUR, MERCOSUR, TELESUR and thus have demonstrated to the rest of the world that there are, after all, economic and social alternatives in the 21st century.[xiii] . Following a different model of development from that of global capitalism in sharp contrast to Europe, debt levels across Latin America are low and falling.

The changes in Venezuela are not abstract. The government of President Chávez has significantly improved the living conditions of Venezuelans and engaged them in dynamic political participation to achieve it [xiv]. This new model of socialist development has had a phenomenal impact all over Latin America, including Colombia of late, and the progressive left of centre governments that are now the majority in the region see in Venezuela the catalyst that that has brought more democracy, national sovereignty and economic and social progress to the region.[xv] . No amount of neoliberal rhetoric can dispute these facts.  Dozens of opinionated experts can go on forever on whether the Bolivarian Revolution is or is not socialist, whether it is revolutionary or reformist (it is  likely  to be both ), yet at the end  of the day these substantial achievements remain. This is what infuriates its opponents the most both inside Venezuela and most notable, from neocolonialist countries. The “objective” and “empiricist” The Economist will not publicize this data, preferring to predict once again the imminent collapse of the Venezuelan economy and El Pais, in Spain, would rather have one of the architects of the Caracazo (the slaughter of 3000 people in Caracas protesting the austerity measures of 1989), the minister of finance of the former government Moises Naim, go on with his anti-Chávez obsession. But none of them can dispute that the UN Human Development Index situates Venezuela in place #61 out of 176 countries having increased 7 places in 10 years.

And that is one more reason why Chavez’s Bolivarian Revolution will survive Venezuela’s Socialist leader.

Carles Muntaner is Professor of Nursing, Public Health and Psychiatry at the University of Toronto. He has been working on the public health aspects of the Bolivarian Revolution for more than a decade including Muntaner C, Chung H, Mahmood Q and Armada F. “History Is Not Over. The Bolivarian Revolution, Barrio Adentro and Health Care in Venezuela.” In T Ponniah and J Eastwood The Revolution in Venezuela. Harvard: HUP, 2011

María Páez Victor is a Venezuelan sociologist, specializing in health and medicine.

Joan Benach is a professor of Public Health at the Universitat Pompeu Fabra, Barcelona. He has collaborated in a number of studies on the public health policies of the Bolivarian Revolution.


[i] Páez Victor, Maria. “Why Do Venezuelan Women Vote for Chavez?” Counterpunch, 24 April 2012

http://www.counterpunch.org/2012/04/24/why-do-venezuelan-women-vote-for-chavez/print

[ii] Venezuela en Noticias, Venezuela en Noticias <venezuelaennoticias@minci.gob.ve> Venezuela en Noticias, Venezuela en Noticias venezuelaennoticias@minci.gob.ve

[iii] Gallup Poll 2010

[iv] Muntaner C, Chung H, Mahmood Q and Armada F. “History Is Not Over. The Bolivarian Revolution, Barrio Adentro and Health Care in Venezuela.” In T Ponniah and J Eastwood The Revolution in Venezuela. Harvard: HUP, 2011 pp 225-256; see also 4, Muntaner et al 2011, 5, Armada et al 2009; 6, Zakrison et al 2012

[v] Armada, F., Muntaner, C., & Navarro, V. (2001). “Health and social security reforms in latin america: The convergence of the world health organization, the world bank, and transnational corporations.” International Journal of Health Services, 31(4), 729-768.

[vi] Zakrison TL, Armada F, Rai N, Muntaner C. ”The politics of avoidable blindnessin Latin America–surgery, solidarity, and solutions: the case of Misión Milagro.”Int J Health Serv. 2012;42(3):425-37.

[vii] Ismi, Asad. “The Bolivarian Revolution Gives Real Power to the People.” The Canadian Centre for Policy Alternatives Monitor , December 2009/January. http://www.policyalternatives.ca/publications/monitor/latin-american-revolution-part-iv

[viii] Carmona, Adrián. “Algunos datos sobre Venezuela”, Rebelión, March 2012

[ix] . Weisbrot, Mark and Johnston, Jake.  “Venezuela’s Economic Recovery: Is It Sustainable?”  Center for Economic and Policy Research, Washington, D.C., September 2012.

[x] Hunziker , Robert. “Venezuela and the Wonders of Equality”.  October 15th, 2012

[xi] Golinger, Eva. “US$20 million for the Venezuelan Opposition in 2012”, http://www.chavezcode.com/2011/08/us-20-million-for-venezuelan-opposition.html

[xii] Páez Victor, Maria. “Chavez wins Over Powerful Foreign Conglomerate Against Him”, Periódico América Latina, 11 October, 2012

[xiii] Milne,Seumas.  “The Chávez Victory Will be Felt Far Beyond Latin America” , Associate Editor, The Guardian, October 9, 2012:

[xiv] Alvarado, Carlos, César Arismendi, Francisco Armada, Gustavo Bergonzoli, Radamés Borroto, Pedro Luis Castellanos, Arachu Castro, Pablo Feal, José Manuel García, Renato d´A. Gusmão, Silvino Hernández, María Esperanza Martínez, Edgar Medina, Wolfram Metzger, Carles Muntaner, Aldo Muñoz, Standard Núñez, Juan Carlos Pérez, and Sarai Vivas. 2006. “Mission Barrio Adentro: The Right to Health and Social Inclusion in Venezuela”. Caracas: PAHO/Venezuela.

[xv] Weisbrot, Mark.”Why Chávez Was Re-elected”. New York Times. Oct 10th 2012

>via: http://www.counterpunch.org/2012/12/14/the-achievements-of-hugo-chavez/

 

__________________________

 

 

Hugo Chávez and

the Death of Populism


 

by ERIK VOETEN on MARCH 6, 2013 

The following guest post is by Diego von Vacano, a political theorist at Texas A&M and a specialist in Latin American political thought.

*******************************************************************

One of the greatest failings of the Obama administration has been the absence of a concerted effort to better understand our neighbors to the South. Not only is US foreign policy towards Latin America now almost the same as that under President GW Bush, but there is no apparent interest in learning about the ideas and intellectual trends that lead to particular forms of governing in the rest of the Americas.

The death of Hugo Chávez should give us pause to think about this lacuna in American foreign policy and in mainstream culture in general. Why is there so much ignorance about the history of ideas in Latin America, at a time when the percentage of Hispanics in the overall US population has surpassed that of African Americans, and when globalization has made the Western Hemisphere more tight-kit? The answer is that ideas from the Spanish- and Portuguese-speaking areas of the continent are simply not taught and disseminated in the US. The US does this at its own peril, for this creates a cultural gulf between the two Americas, and it generates misleading policy choices that are based on simplistic, caricaturist versions of reality.

The chief conceptual culprit here is the idea of “populism.” It is the term of choice for practically all academic and policy experts on Latin America. The problem is that it is an impoverished and fundamentally erroneous term. It is broadly used in scholarly, media, and public affairs circles despite the fact that it has no widely accepted theoretical meaning. In recent times, both academic and foreign policy elites have thrown the term about when discussing the governments of Hugo Chávez in Venezuela, Evo Morales in Bolivia, Fidel and Raúl Castro in Cuba, Rafael Correa in Ecuador, Lula da Silva in Brazil, Daniel Ortega in Nicaragua, and Cristina Fernández de Kirchner in Argentina, among others. But it has also been used for neo-liberal leaders and those with no discernible ideology, such as Carlos Menem, Abdalá Bucaram, Fernando Collor de Mello, and Carlos Andrés Pérez. Policy elites often conflate these leaders, despite deep historical differences between their countries and also varying degrees of democratic legitimacy. Moreover, the classical case of populism, that of Perón in Argentina, was a clientelist political movement with a congeries of ideas from the right and the left, whereas all of the so-called populist regimes of the present owe their existence to the legacies of various brands of Marxism, to which Peronismo was deeply opposed. To make matters worse, the term is generally used for right-wing ethno-racial and nationalist movements in Europe. In essence, while its intellectual heritage is bankrupt, it continues to be bandied about willy-nilly whenever the terms “Latin America” and “politics” are discussed.

 

The reality is that, far from being a ‘populist,’ Hugo Chávez came from a different intellectual trajectory: that of ‘democratic Caesarism.’ This tradition, with deep roots in Venezuela, is quite different from the common but vague definition of populism as a doctrine that defends the rights and powers of average people against elite interests. Neither does it conform with populism as defined by Kurt Weyland, an eminent scholar of Latin American politics, for example. He argues that populist leaders seek “government power based on support from large numbers of followers.” Not only does this definition seem to describe any politician in a democratic multi-party state (isn’t that what elections are for?), but it is also linked to Max Weber’s notion of charismatic authority as rule based on the personal character of an individual. To be sure, Chávez relied on his vast rhetorical and histrionic gifts to exercise the art of power, but he also read widely and deeply in political theory. He quoted Machiavelli, Rousseau, Marx, Eduardo Galeano and other thinkers, but most of all Simón Bolívar. It is in Bolívar and his Venezuelan compatriot the early 20th-century sociologist Laureano Vallenilla Lanz where we can find the intellectual armature of the leader of the Venezuelan Revolution.

In Bolívar and Vallenilla Lanz we see the practice and doctrine, respectively, of ‘democratic Caesarism,’ which is the most adequate term for understanding the mind of Chávez . This term, unlike ‘populism,’ describes a regime that seeks to use constitutional, juridical, and legal procedures to institutionalize reforms aimed at ameliorating the plight of poor and working-class citizens. While populist regimes such as that of Perón and Getúlio Vargas in Brazil relied on demagoguery to stay in power, democratic-Caesarist regimes rely on constitutional and public-law mechanisms to legitimate the authority of a form of republicanism with a strong executive that possesses a martial, anti-imperial component. Simón Bolívar, a great general and statesman, was deeply influenced by the warlike republicanism of Machiavelli, which advocated a strong single ruler under the rubric of constitutional government. The sociologist Vallenilla Lanz recognized this in the early decades of the last century, and believed that it was the best form of rule for a racially-divided, poor country like Venezuela. The echoes of Bolívar and Vallenilla Lanz can be heard in most speeches delivered by the now-defunct Chávez.

Rather than keep repeating the same tired labels ad nauseam, we need to better understand the particular ideas of the past that shape today’s political choices in Latin America. This will inevitably lead to better relations between the two Americas. It is time to discard worn clichés and pick up books on Latin American intellectual history by the likes of Leopoldo Zea, Alejandro Korn, Enrique Krauze, and Anthony Pagden. We must learn not to lump all nations together; despite key commonalities, each country has its own rich theoretical lineage. In Venezuela, Chávez has died, but it also ought to be the time for the death of “populism” in analyses of Latin America.

Diego von Vacano was born in Bolivia and is Associate Professor of Political Science at Texas A&M University. He is the author of The Color of Citizenship: Race, Modernity, and Latin American/Hispanic Political Thought (Oxford) and The Art of Power: Machiavelli, Nietzsche and the Making of Aesthetic Political Theory (Lexington).

>via: http://themonkeycage.org/blog/2013/03/06/hugo-chavez-and-the-death-of-populism/

 

 

 

 

 

 

 

VIDEO: Esperanza Spalding - 33th Leverkusener Jazztage 2012

ESPERANZA SPALDING
Esperanza Spalding - 33th Leverkusener Jazztage 2012

Leverkusen, Germany
2012-November-06

01) Smile Like That
 
02) I Can't Help It
 
03) Hold On Me
 
04) Crowned And Kissed
 
05) Black Gold
 
06) Cinnamon Tree
 
07) Look No Further

lineup:

Esperanza Spalding: bass, bass guitar, vocals

Leala Cyr: trumpet, flugel horn, backing vocals

Igmar Thomas: trumpet

Jeff Galindo: trombone

Corey King: trombone

Tia Fuller: alto saxophone

Renato Caranto: soprano & tenor saxophones, flute

Brian Landrus: tenor & baritone saxophones

Leo Genovese: piano, electric piano

Jef Lee Johnson: guitar

Lyndon Rochelle: drums

Chris Turner: vocals

VIDEO: Some Dope Hip Hop Videos To Celebrate Int’l Women’s Day > Davey D's Hip Hop Corner

Some Dope Hip Hop Videos

To Celebrate

Int’l Women’s Day

 

Quantcast

Queen Latifah 

Today is International Women’s Day and so we went digging to pull out a few Hip Hop videos that speak to empowerment and social justice.. Many of them are all but forgotten so we thought we’d revise some fond memories..  First up is Queen Latifah and Monie Love their classic song Ladies First…

Queen Latifah and Monie Love Ladies First

Many forgot about this jam by Salt-N- Pepa which reminds everyone that women are quite capable of doing any and everything under the sun.. We should not place limits on people..

Salt-N-Pepa Ain’t Nothing But a She Thing

https://www.youtube.com/watch?v=na3u8S9tF9o

sistasouljah

Many forgot that author / activist Sista Souljah teamed up with Public Enemy and the Bomb Squad to do an album.. Her first single Slavery is Back in Effect warned us to be careful with the way society was moving in terms of harsh legilsation being passed. If we’re not careful we may wake up and find that slavery had returned. In this song The Hate That hate Produced, Souljah’s flows over a slamming beat and reminds us that she is not here to make white folks feel comfortable. She’s here to challenge the system. I wish they had a video of the song she did with ice Cube..

Sista Souljah The Hate that hate Produced

 

This is a more recent offering from MC Lyte who has always delivered gems. It features her and DJ Premier. here Lyte is reflective as she speaks to her being more responsible as she gets older and challenging us to set good examples for those who come behind us

MC Lyte The Wonder Years

Isis 

Many of us know X-Clan via Brother J, Paradise and the late Sugar Shaft and Professor X. We forget that they had two dope female emcees who did full length albums.. Isis now known as Linque and Queen Mother Rage were absolutely dope and sadly overshadowed by label politics which led to lousy promotion. The imagery X-Clan put forth was always uplifting, reminding us we are descendents of Kings and Queens.

Isis The Power of Myself

 

Queen Mother Rage Slipping Into Darkness

https://www.youtube.com/watch?v=T85S90nrIH8

Maria Isa out of Minneapolis aka Soto Rico is dope and one of the best around.. I wish she had did a video for this song which pays tribute to Puerto Rican revolutionary Lolita Lebron who fought for Puerto Rican independence

Maria Isa Die Not kill


poetic-pilgrimage-2Poetic Pilgrimage is a group everyone needs to know.. talk about having dope flows.. My favorite song from them is Freedom.. definition of a Pilgrim is also nice.. I went with this video because of the subject matter, oppression in Palestine, but to be honest damn near anything by them hits..

https://www.youtube.com/watch?v=z1orCqZg4SA

This Posse cut called Freedom is from the movie Panther and features everyone from Queen Latifah to Yo Yo to Salt-N-Pepa to patra and many more is classic.. we featured during Black History month and had to revise it again for Women’s History Month

https://www.youtube.com/watch?v=qxyxqVDjSzs

LaurynHilllookCan you really go wrong with Lauryn Hill, especially when she dropped the landmark album Mis Education of Lauryn Hill?  This is a classic jam

Lauryn Hill Doo-Wop That Thing

https://www.youtube.com/watch?v=T6QKqFPRZSA

No list would be complete without Missy Elliot... We Run This is one of my favorite joints.. It features Missy dancing while gymnastic champ Dominique Dawson watches.. Missy is always fun

https://www.youtube.com/watch?v=t2oIhJG7rXA

Lastly X-Clan’s Paradise Gray turned me on to this new joint by Narubi Selah Hookless2 … This is pretty dope..

 

 

 

PUB: EVENT Magazine

EVENT Annual Non-Fiction Contest

2013 Contest Details:

Here you’ll find everything you need to know to enter our annual Creative Non-Fiction Contest. To get a feel for what we like to publish, pick up a previous copy of EVENT. Otherwise, grab a pen, some paper—okay fine, grab your computer—and prepare to write!

Don’t forget to check out last year’s contest winners and short-listed entrants!

The genre: Creative Non-Fiction.

The prize: $1,500 in prizes plus publication in EVENT. EVENT reserves the right to award the prize money as it sees fit (eg.  two prizes valued at $750, three at $500, or one at $1000 and one at $500, etc) should the judge so decide. Published entries will be paid our standard publication payment in addition to any prize money.

The cost: $34.95 per entry, includes a one-year subscription to EVENT.

The judge: Russell Wangersky

Russell Wangersky’s most recent novel, The Glass Harmonica, won the 2010 BMO Winterset Award and was longlisted for the ReLit Awards. His previous book, Burning Down the House, won non-fiction awards from both coasts, as well as the Edna Staebler Award for Creative Non-Fiction. The Hour of Bad Decisions was longlisted for the Scotiabank Giller Prize, and was shortlisted for the Commonwealth Writer’s Prize. Wangersky lives and works in St. John’s, where he is an editor and columnist with the St. John’s Telegram. His new book, Whirl Away, is a collection of short stories, and has been nominated for the Giller prize.

The deadline: April 15, 2013

The requirements: must be creative non-fiction and must not exceed the 5,000-word limit. See Contest Rules (below) for more info.

The address: send your manuscript to

EVENT
Non-Fiction Contest
PO Box 2503, New Westminster, BC
V3L 5B2   Canada
Phone: 604-527-5293 Fax: 604-527-5095
Email: event@douglascollege.ca

Contest Rules

  • Preliminary judging is done by the Editor and assistants at EVENT

  • No previously published material, either in print or online.

  • No simultaneous submissions.

  • Do not identify yourself on the entry. Include a separate cover sheet with name, address, phone number / email, and title(s). Send to EVENT (see above address).

  • Make entry fee cheques or international money orders payable to EVENT. American and overseas entrants please pay in US dollars. Payment can also be made via our Online Sales Page (bottom of page) and PayPal.

  • Multiple entries are allowed; however, each entry must be accompanied by its own $34.95 entry fee.

  • If already subscribed to EVENT, you will receive a one-year extension.

  • Entries will not be returned.

  • If entrants wish feedback and commentary on manuscripts, please check out our Readers Service for Writers.

  • Douglas College students, employees and their immediate family members are not eligible to enter. Douglas College students may enter two years after completing courses at Douglas College.

  • Entries must be postmarked by April 15.

  • Contest results are posted on our website and through social media in August. The winning entries and judges essay are published in the December issue of EVENT.

 

PUB: CFP Black German Heritage and Research Association Annual Convention 2013 > Black German Heritage & Research Association

Black German Heritage

and Research Association

Annual Convention 2013

 

The third annual convention of the Black German Heritage and Research Association (formerly the Black German Cultural Society NJ) will be held on August 8-11, 2013, at Amherst College in Amherst, Massachusetts. This year’s convention will focus on Black Germans in Diaspora. The conference will feature a keynote address by Maisha Eggers, Professor of Childhood and Diversity Studies at the University of Magdeburg, a screening of the 1952 film “Toxi” at the Amherst Cinema, with an introduction and Q & A by Professor Angelica Fenner of the University of Toronto, author of “Race Under Reconstruction in German Cinema” (2011), and presentations by guest artists Sharon Dodua Otoo and Sandrine Micossé-Aikins, editors of “The Little Book of Big Visions: How To Be an Artist and Revolutionize the World,” published by the Berlin publishers Edition Assemblage in October 2012.

The BGHRA Review Committee invites proposals for papers that engage the multiplicity and diversity of the experiences of Blacks of German heritage and on Blackness in Germany. We welcome submissions for twenty-minute presentations on three academic panels and two sessions devoted to life writing, oral history, and memoir. Please send a one-page abstract and a CV or short biographical statement to: bghrassn@gmail.com.

SUBMISSION DEADLINE: March 15, 2013

 

 

PUB: Entries Open: 2013 CNN MultiChoice African Journalist Competition (Africa-wide) > Writers Afrika

Entries Open:

2013 CNN MultiChoice

African Journalist Competition

(Africa-wide)

Posted 08 March 2013 | Deadline: 17 April 2013

The 'CNN African Journalist of the Year Competition' was established in August 1995 to encourage, promote and recognise excellence in African journalism. In the early nineties Edward Boateng, then Regional Director of Turner Broadcasting (CNN's parent company), was travelling around the African continent on business. During his travels he became concerned about the lack of respect journalists received and he decided to try and help them gain recognition for their hard work and commitment.

Working with Edward to launch the first competition were Gary Streiker, then CNN Nairobi Bureau Chief, the late esteemed photographer Mohamed Amin and the late Esom Alintah, then Secretary General of the African Business Roundtable.

WHO CAN ENTER: You must be an African National, working on the continent for African owned, or headquartered, media organisations. Your work must have appeared in printed publications or electronic media that is primarily targeted at and received by an African audience.

WHAT THE JUDGES ARE LOOKING FOR:

Our panel of independent, highly respected and experienced judges are in pursuit of excellence. They will be looking for entries which:

  • Tell the story in a balanced, comprehensive and objective manner

  • Demonstrate journalistic integrity and resourcefulness

  • Communicate the story in a way that makes the topic accessible and relevant to their audience

  • Display well organised research and insight

  • Was broadcast or published, in English, French or Portuguese only, between January and December 2012 with proof supplied
Entries must be received at the collection points by 17th April 2013, no exceptions will be made. Entries received after this date may be disqualified.

THE PRIZES:

The journalists selected by our panel of judges will enjoy an all expenses paid finalists’ programme of networking activities and workshops, culminating in the Gala Awards Ceremony. Each finalist will receive a cash prize, with each category winner also receiving a laptop computer and printer.

The CNN MultiChoice African Journalist 2013 Award winner will be selected from the category winners and will receive an additional cash prize and will have the opportunity to participate in the CNN Journalism Fellowship at CNN Headquarters in Atlanta.

HOW TO ENTER:

  • English entries can be submitted using the online entry form (www.cnnmcaja.cnn.com) or by using a paper copy of the entry form.

  • You can only enter a maximum of 2 stories across all categories. Please carefully review your work of 2012 and enter your best story/stories in the most suitable category. You may enter a maximum of 2 stories, either both into a single category or 1 each into different categories. Please send your entry/entries in one envelope.

  • Fill in all the details requested on the relevant form, please print clearly and provide all requested information.

  • Ensure you include a copy of your up-to-date Curriculum Vitae and any background information on your entry/entries, that you feel relevant.

  • Send 2 copies of your work - Print journalists & cartoonists send the original article and a clean, legible photocopy of the entry; Online please send full URL details (No print outs will be accepted); TV & Radio - please send 2 disks/tapes (DVD/VHS or CD); Photojournalist - please send original photo(s) and CD containing your picture(s).

  • Get your entry to the collection point nearest to you by 17th April 2013 - no extension will be made to this date..

Download: entry form and terms of conditions

CONTACT INFORMATION:

For queries: cnnafrica.competition@turner.com

For submissions: via the online registration page

Website: http://www.cnnmcaja.cnn.com/