PUB: Call for Submissions from Playwrights of Color: Ademide Theatre Ensemble (US) > Writers Afrika

Call for Submissions from
Playwrights of Color:
Ademide Theatre Ensemble (US)

Deadline: 15 April 2012

A Call for Playwrights of Color

Ademide Theatre Ensemble strives to strengthen the African-American theatre experience through a cultivation of talented and resourceful artists of color joined in the creation of diverse, provocative works that highlight the quality of black theater. We are currently seeking New, Relevant, and Revolutionary works from playwrights of color.

Requirements:

-One Acts (no more than 30 minutes),
-New works focusing on the themes family and love,
-No more than four characters

It is time for a new generation of diverse stories to break into American Theatre and we want you to be a part of it! Your original work can be emailed to: ademideorg@gmail.com, until the Sunday, April 15th, 11:59 pm deadline.

CONTACT INFORMATION:

For inquiries: ademideorg@gmail.com

For submissions: ademideorg@gmail.com

Website: http://ademide.org/

 

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PUB: Winning Writers - Sports Poetry & Prose Contest

Guidelines for the
Sports Poetry & Prose Contest

This new contest seeks today's best poetry and prose on sports-related themes. We will award $5,000 in prizes. Submit online.

Introduction
Whether you're a player or a fan, or the kid who counted the minutes till gym class was over, sports can bring out the best and the worst in human nature. In this arena, teamwork, loyalty, courage, disappointment, failure, fame (and shame), and second chances are regularly on display. Sports can reinforce bullying and social dominance, or offer personal empowerment to an underdog. Yet poems, stories and essays about sports are too often dismissed as "genre writing". This contest aims to bridge the gap between the worlds of physical culture and literary culture. We'd like to see the jocks and the writers sit down at the same lunchroom table and discover that they're both on a journey of self-transformation through disciplined risk-taking...and that they both really, really like to win. Click for advice from the contest judge.

Submission Period
Entries accepted November 15, 2011-May 31, 2012 (online submission dates)

This contest is not yet open, and the rules below may change. Please wait until November 15 or later to submit.

However, if you are here to complete an entry initiated before June 1, then you may continue.

 

 

--> What to Submit
An entry is 1-2 poems, one story, or one essay on a sports-related theme. Entries should be original and unpublished. Each entry may contain up to 6,000 words. You may submit an unlimited number of entries.

PRIZES

Poetry Category
First Prize, $1,500 cash
Second Prize, $500 cash
Five Honorable Mentions, $100 cash each

Prose Category (fiction and nonfiction compete together)
First Prize, $1,500 cash
Second Prize, $500 cash
Five Honorable Mentions, $100 cash each

All winners of cash prizes will be announced in our email newsletter and published on WinningWriters.com, which receives over one million page views per year.

Entry Fee
$15 per entry. We welcome online submissions with payment by credit or debit card. We also accept email submissions when paid via PayPal. Please note: Generally entry fees are not refundable. However, if you believe you have an exceptional circumstance, please contact us within one year of your entry.

Deadline
Your entry must be submitted by May 31, 2012.

Preparing Your Entry
Please make sure your name does not appear anywhere within your entry. Make your entry easy to read—no illustrations, pictures, fancy fonts or decorative borders.

How To Submit
Click here to submit online (credit and debit cards)
Click here to submit via PayPal

Announcement of Winners
The winners of our inaugural contest will be announced on November 15, 2012.

Entries Must Be Original and Unpublished
Your entries must be original, written by you, unpublished (either in print or in an online journal), and not have received a monetary award or high honors from any other contest. Self-published work is not eligible. Exceptions: Works posted to the web outside of online journals, such as to a bulletin board, email list, personal web page, blog, critique site or public forum are eligible for entry. Our goal is to recognize work that has not yet received honors or wide publication. Please email us if you're unsure of eligibility.

Simultaneous Submission Allowed
You may submit your works simultaneously to this contest and to other contests and publishers. Please notify us if one of your works wins an award in another contest or is published elsewhere.

English Language
Entries should be in English. Works translated from other languages are not eligible, unless you wrote both the original work and the translation.

A Note to Those Who Have Entered This Contest in Past Years
You are welcome to enter this year's contest, whether or not you won a prize in one of our previous contests. For best results, please read the Advice from the Judge first.

--> Privacy
We respect your privacy. Winning Writers does not rent customer or contestant information to third parties. Please click here for our full privacy policy.

Copyright
You retain the copyright to your submission. If you receive a cash prize, Winning Writers only requests permission to publish your work on WinningWriters.com, in our email publications and in our press releases. Any other use will be negotiated with you.

Jendi Reiter  Final Judge of the Contest - Jendi Reiter
Ms. Reiter is the editor of Poetry Contest Insider, an online database of poetry and prose contests published by Winning Writers. She is the author of the poetry collection A Talent for Sadness (Turning Point Books, 2003) and the award-winning poetry chapbooks Swallow (Amsterdam Press, 2009) and Barbie at 50 (Cervena Barva Press, 2010). In 2010 she received a Massachusetts Cultural Council Artists' Grant for Poetry. Other awards include the 2011 OSA Enizagam Award for Fiction, first prize in the 2010 Anderbo Poetry Prize, second prize in the 2010 Iowa Review Awards for Fiction, first prize in the 2009 Robert J. DeMott Short Prose Prize from Quarter After Eight, first prize for poetry in Alligator Juniper's 2006 National Writing Contest, and two awards from the Poetry Society of America. Her work has appeared in Poetry, The Iowa Review, The New Criterion, Mudfish, Passages North, American Fiction, The Adirondack Review, Cutthroat, The Broome Review, FULCRUM, Juked, The Sow's Ear Poetry Review, Clackamas Literary Review, Alligator Juniper, MARGIE: The American Journal of Poetry, Phoebe, Best American Poetry 1990 and many other publications. Visit her blog at www.jendireiter.com.

Advice for Contestants
Read our Advice from the Judge before entering. It will measurably improve your chances. recent winning entries and the judge's comments. --> You may also find useful our page of Frequently Asked Questions.

About Winning Writers
Winning Writers finds and creates quality resources for poets and writers. Our expert online literary contest guide, Poetry Contest Insider, profiles over 1,250 poetry and prose contests. We directly sponsor the Wergle Flomp Humor Poetry Contest and the Sports Poetry & Prose Contest. We also assist the Tom Howard/John H. Reid Short Story Contest, the Margaret Reid Poetry Contest for Traditional Verse and the Tom Howard/John H. Reid Poetry Contest. Winning Writers is proud to be one of "101 Best Websites for Writers" (Writer's Digest, 2005-2011) and a recipient of the Truly Useful Site Award (Preditors & Editors, March 2006).

 

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PUB: Far Horizons Award for Poetry - Malahat Review Writing Contest

2012 Far Horizons Award for Poetry

The Malahat Review, Canada’s premier literary magazine, invites emerging poets from Canada, the United States, and elsewhere to enter the Far Horizons Award for Poetry. Eligible poets have yet to publish their poetry in book form (a book of poetry is defined to have a length of 48 pages or more). One prize of $1000 (CAD) is awarded. Poets contributing to The Malahat Review have won or been nominated for National Magazine Awards for Poetry and the Pushcart Prize.

2012 Deadline

The next deadline for the Far Horizons Award for Poetry is May 1, 2012 (postmark date).

This year's judge will be Mary Dalton.

Find out what our 2010 Far Horizons Award for Poetry winner, Darren Bifford has been up to: To Write a Good Poem: Chelsea Rushton catches up with 2010 Far Horizons Award for Poetry-winner Darren Bifford.

Read an interview with 2012 judge, Mary Dalton: Think of Them as a Lottery: 2012 Far Horizons Award for Poetry Judge Mary Dalton on Poetry and Contests.

Guidelines

  • Emerging poets may enter up to three poems per entry.
  • Each poem may not exceed 60 lines, excluding spaces between stanzas.
  • No restrictions as to subject matter or aesthetic approach apply.
  • Entry fee required:
    • $25 CAD for Canadian entries;
    • $30 US for American entries;
    • $35 US for entries from Mexico and outside North America.
  • Entrants receive a one-year subscription to The Malahat Review for themselves or a friend.
  • Poems previously published, accepted or submitted for publication elsewhere are not eligible.
  • The Malahat Review makes no distinction between online and print publication. Work published by an online journal, on a personal website, or in a blog is considered to be previously published.
  • Entrants’ anonymity is preserved throughout the judging. Contact information (including an email address) should not appear on the submission, but on a separate page that also lists the title of each enclosed poem.
  • No submissions will be accepted by email.
  • No entries will be returned.
  • The winner and finalists will be notified via email.
  • Entrants will not be notified separately by letter about the judges’ decisions even if a SASE is included for this purpose.
  • Only the winning entry will be published in The Malahat Review’s Fall 2012 issue.
  • The winner will be announced on The Malahat's web site and facebook page in July, 2012.
  • The winner will be interviewed by a Malahat volunteer. The interview will appear on our website and in Malahat lite, the magazine’s monthly e-newsletter, in September 2012.
  • Send entries and enquiries to:
    The Malahat Review
    Far Horizons Award for Poetry
    University of Victoria
    P.O. Box 1700
    Stn CSC
    Victoria, B.C. V8W 2Y2
    Canada

    Email: malahat@uvic.ca
    Telephone: 250-721-8524
    Fax: 250-472-5051

Entrants wishing to pay by credit card may download and complete our Credit Card Payment Form then enclose it with their entries.

 

HEALTH: Why AIDS Awareness Still Matters And Why Don’t We Know Better > Parlour Magazine

Why AIDS Awareness

Still Matters And

Why Don’t We Know Better

March 9, 2012 | Nakia

March 10 is National Women and Girls HIV/AIDS Awareness Day, where government agencies, healthcare providers, community organizations, people living with HIV/AIDS, and more, come together to raise awareness about the continued impact of HIV/AIDS on the lives of women and girls in the U.S. and around the world. As a woman interested in public health and activism, I always feel compelled to speak on the issue and do my little part to raise awareness. However, it’s that very desire that trips me up and smacks me in the head with writer’s block. It’s 2012 … we aren’t aware yet? What else is there to say?

I was born in the 80′s so everything from “you can’t get AIDS from a hug” to “protect yourself and get tested regularly” has been drilled into my head for years. There are national observances such as NWGHAAD, World AIDS Day, and a whole month devoted to STD testing awareness (April). Red ribbons are ubiquitous. Celebrities speak out about awareness. Subway posters implore New Yorkers to get tested. Insisting on condoms has become par for the course for one night stands, intimate relationships, and even porn. We’ve come a long way from AIDS being considered a final death sentence to something you can live with given the proper medication and care. In spite of all this, the occurrence of HIV/AIDS cases continues to grow among women, especially African-American women. The Health Department reports that “women account for about one in four new HIV/AIDS cases in the United States. Of these newly infected women, about 2 in 3 are African-American.”

It’s terribly frustrating to cite the statistics and face the fact that more women every day are infected with HIV/AIDS. If I’m having trouble writing a few paragraphs about it, imagine the struggle of actually trying to change the minds and behaviors of an entire demographic. I turned to the experts at the Office of Women’s Health to find out why African-American women in particular continue to account for new HIV/AIDS cases, outpacing women of all other races and ethnicities.

  • We’re infected with other STDs — Data shows that, compared to white women, African-American women have higher rates of common STDs such as Chlamydia, gonorrhea, and syphilis – up to 21 times higher in some cases. These infections make it easier for HIV to slide in through broken and infected skin. We’ve got to get our entire sexual health house in order if we’re to keep HIV/AIDS at bay.

  • We’re poor — 1 in 4 African-American women lives in poverty, which impacts whether we can access healthcare services and the quality of the care we receive. This means more barriers to free or low-cost testing, affordable medications, dietary and nutrition counseling, and treatment for HIV/AIDS-related illnesses. Solving poverty in black communities is a big issue that we can’t take on alone. Fortunately, the Obama Administration’s Affordable Care Act will help  close the gap, making it possible for low-income individuals of all races to access the care they need to prevent, test, and treat HIV/AIDS. Another good reason to continue to support that legislation.

  • We date within our race – Anecdotal evidence and marriage trends show that African-American women are more likely to date and have sex with African-American men. Our brothers, though I love them dearly, aren’t doing much better in battle against HIV/AIDS, with an estimated rate of new infections more than 6.5 times as high as that of white men. Together, we make up the racial/ethnic group with the most HIV/AIDS infections of all in the United States. I’m not for or against going out and getting yourself “something new,” just be aware we’re swimming in a risky pool.

  • We still don’t know our status – This is why awareness days are still important.  Approximately 1 in 5 people living with HIV don’t know they have it! Of course this means there are people with the best of intentions, people who “look healthy”, and who probably consider themselves pretty responsible, out there exposing others to the virus that causes AIDS. Since knowing one’s status is so important, I think we need to find a way to make routine testing a reality. We can’t afford the “bliss” of ignorance any longer when it is causing others harm.

Is your sexual health house in order? Do you know how to find affordable testing services in your area? Do you hold your African-American brothers and sisters accountable for knowing their status and insisting on safer sex? Until we’re all answering in the affirmative, we’ll be holding observances to increase awareness around a disease whose prevalence in our communities really ought to be in decline.

 

VIDEO: Episode 4 Of Dennis Dortch's New Series "The Number" (Or The 1 Thing You Never Discuss w/ Your Fiancé) > Shadow and Act

Watch Episode 4

Of Dennis Dortch's

New Series

"The Number"

(Or The 1 Thing

You Never Discuss

w/ Your Fiancé)

Features  by Tambay | April 2, 2012
Continuing on with episode # 4 of Dennis Dortch's hilarious new web series titled The Number, or "the one thing you never, ever discuss with your fiancé."

Written and directed by Dennis, and produced by Numa Perrier and Jeanine Daniels, it stars Chasen Allen and Jessica Shelby.

In this episode, titled Many Many Men, Jason confronts Melissa on her past fling with Mike Williams

Episode 1 debuted back in November of 2011 (I embedded it again below for those who missed it); and it's followed by episodes:  #2, #2.5 and #3; and underneath those you'll find the current episode, #4.

Here's episode 1 titled The Intro:

Here's episode 2 titled Meet Lisa, Sister-In-Law:

And here's episode 2.5 titled Meet Mike Williams:

Episode #3 titled The Engagement Party, the longest one yet:

And the current episode, #4 titled Many Many Men

 

REVIEW: Movie— "London River" Is An Affecting and Superbly Acted Tale of Humanity (Brenda Blethyn, Sotigui Kouyate) > Shadow and Act

Review:

"London River" Is An Affecting and

Superbly Acted Tale of Humanity

(Brenda Blethyn, Sotigui Kouyate)

Reviews  by Vanessa Martinez | April 5, 2012

 

London River, directed by French-Algerian filmmaker Rachid Bouchareb (Days of Glory, Outside The Law), made its way to DVD/VOD yesterday, when I was able to catch it via Amazon Instant Video. Aside from a few connection hiccups, I was able to fully appreciate this moving story of a market gardener from Guernsey, played by the magnificent Brenda Blethyn (1996 Secrets and Lies), and a French-speaking African man from France, the late Sotigui Kouyaté in a subdued yet superb performance, who arrive in London to search for their missing children in the aftermath of the 2005 train and bus terrorist bombings.

Elisabeth (Blethyn) is a widow in the British Channel Islands. We follow her as she visits her late husband's grave and later at home as she watches the news of the London train and bus bombings. Concerned for her daughter that lives in the city, naturally Elisabeth calls her and leaves her a voicemail. From the film's synopsis and trailer alone, you sense it will be somewhat predictable. It really doesn't matter here. Blethyn and Kouyaté's organic and arresting performances take you on a journey of the human emotions gamut through the film's duration.

Although slightly worried, after Elisabeth leaves her daughter a couple more voicemails, she is not expecting the worst. You get the feeling that they don't speak everyday, and perhaps, just like many of our mothers do, she trusts that her daughter is safe and enjoying her independence away from home.

After multiple voicemails go unanswered, Elisabeth travels inland to check on her daughter who lives in a London flat on a muslim neighborhood. She's has to ask the driver if that is the right address. A muslim landlord lets her in the daughter's flat. Prejudice is obviously at an all-time high, and Elisabeth's bewilderment and worry progress as she gathers information about her daughter's whereabouts.

She begins a dire search through crowded hospitals, and she places missing flyers in the area. Ousmane (Kouyaté), a tall, gaunt man with long dreads and deep-set dark eyes enters the picture; he's searching for his 21-year old son, whom he abandoned at the age of six to go live in France. Ousmane is sent to London by the young man's distressed mother back in Africa after her numerous calls to her son have been left unanswered.

Ousmane makes a connection of Elisabeth's daughter to his son. He recognizes the same young woman in the missing person flyer to a photo he has of him; she's sitting next to him in a picture taken of his Arabic class. Osmane contacts Elisabeth to meet; she's confused and shocked. Why is her daughter in an Arabic class? Who is this African man and his son? The film's angle on prejudice seems to edge on the fact that Ousmane and his son are Muslim, but certainly, the race and culture clash are unmistakable.

She immediately becomes suspicious; Ousmane is brought in for questioning by the police, who in turn search her daughter's flat for DNA. Elisabeth finally finds out her daughter and Ousmane's son have been living together. She's outraged; she calls her brother back at home and rants about her daughter alliance with the Muslim world. In denial, she asks Ousmane to leave, although she will keep running into this man as they both search for their children.

What's enlightening and beautiful about this film, although at a quick glance it's been called too politically correct in a few reviews, is how under such devastating circumstances, what would be in some cases a cause of estrangement and even disownment of one's child, Elisabeth's prejudices begin to first take a back seat, then become tolerable, until they seemingly dissipate. She wants her daughter desperately, alive and well. In one key scene, Elisabeth calls her daughter's phone, and amidst tears, smiles, chuckles and anguish, says in the voicemail, "Please call me back. I know about your friend; it's okay! Are you getting a new hat? Please call me!"

Elisabeth begins to find comfort in Ousmane; she offers to share the flat so he doesn't have to leave since he can't afford his hotel's bills. By the way, there's no romantic subplot, just in case you're wondering. These strangers start shedding their layers, exposing their ignorance, imperfections and vulnerabilities; prejudices become trivial as they find out how much in common they truly have. What follows are several sequences that showcase compassion, unity and the human bond.

"I think my son loved your daughter and perhaps your daughter loved my son too... True happiness is loving life." - Ousmane

 

VIDEO: The Daily Show Tackles The War on Ethnic Studies > Clutch Magazine + follow up

Watch:

The Daily Show Tackles

The War on Ethnic Studies

Wednesday Apr 4, 2012 – by

Earlier this year, the state of Arizona voted to end its Mexican American studies program (this being in a school district with a significant Mexican-American presence, of course). The reasoning is that public education shouldn’t promote ethnic solidarity over treating everyone as equals (because treating everyone as equals happens everywhere else all the time). In its usual fashion, Comedy Central’s The Daily Show went to Arizona to interview former Mexican American studies teacher Curtis Acosta and Tucson school board member Michael Hicks. Hicks explains that the ban’s goal is “not teaching the resentment of a race or class of people,” as if there’d be no resentment without a curriculum telling us to have some. Ridiculous, yes, but also hilarious. Watch:

 

Slavery jobs!? Rosa Clark?!

Sometimes I don’t know what we’d do without things like The Daily Show to help us laugh to keep from crying.

 

_____________________________

 

By Arturo R. García

The Daily Show’s Al Madrigal exposed the closed-mindedness behind the city of Tucson’s ban on ethnic studies in the most elegant way possible: let a member of the local school board make himself look like as much of a fool as possible. Two days after the report aired, the fun part is starting: watching people try and distance themselves from the scrutiny Madrigal has forced upon the issue.

Of course, Madrigal couldn’t have done it alone; he found the perfect spokesman for the board’s decision inMichael Hicks, who told him he was concerned about the “radical ideas” being taught in those courses–”that this is their land,” Hicks said. “The whites took it over and the only way to get out from beneath the gringo, which is the white man, is by blood shed.”

Which led to this exchange:

Madrigal: When you sat in on these classes, what types of…

Hicks: I chose not to go to any of their classes. Why even go? Why even go? I based my thoughts on hearsay from others so I based it off of those.

Hicks also revealed that the ban won’t be applied to courses related to African-American studies or courses related to other ethnicities, leading to another memorable exchange after Madrigal asked Hicks to teach him about slavery “without feeling resentment toward white people”:

Hicks: Slavery was … I gotta think on that … Ok. The white man did bring over the, uh, Africans …
Madrigal: What kind of jobs did we do?
Hicks: The jobs that you guys did was basically slavery jobs.
Madrigal: So after we were freed we got to vote?
Hicks: Yes! Well, you didn’t get to vote until later.
Madrigal: And we were equal?
Hicks: Almost equal.
Madrigal: What? We were sort of like half? Or three-fifths?
Hicks: My personal perception of it? I would say you were probably a quarter.

And to stick the landing, Hicks reminded Madrigal that, “Rosa Clark (sic) did not take out a gun and go onto a bus and hold up everybody” when discussing modern race relations.

According to American Indians in Children’s Literature, Hicks took to Facebook to respond to the criticism but not his own page; he posted this statement on a page owned by Democratic Congressional candidate Wenona Benally Baldenegro:

As you know (and I know now) the Daily Show is a satirical news show and thus does not always represent the true remarks their guest make. I went on this show to talk about the Mexican American Studies (MAS) classes. What I believed to be would be a true interview ended up being nothing of the sort. It is unfortunate that the Daily show opted to amuse rather then inform.

A fellow board member, Adelita Grijalva, described the interview as “irresponsible” to KVOA-TV.

“You know when you google ‘The Daily Show,’ it says there, comedy show, not a real news show,” she said.

The station also published a statement it said it got from Hicks (Latino Rebels also said it got the statement, which indicates at least some sort of coordinated response):

With all due respect, “the Daily Show” is a money making satirical show. It is not a news show. They do not present the complete remarks of their guests.

They splice and dice footage to serve their need to entertain.

I went on this show to talk about the Mexican American Studies (MAS) classes. I was mislead (sic) by the ‘reporter’ (sic) and was told that they were interested in a real interview. It was nothing of the sort.

It is unfortunate that “the Daily Show” opted to amuse rather than inform.

And for the record, they spliced my comments in several areas during this segment. I can assure you that my statements were taken out of context. Many of my answers were altered to suit their needs.

What I find more troubling is that there are those who will believe that what they saw on the “Daily Show” is accurate and complete news. They will then most likely base their judgments on inaccurate information designed specifically to support the view of “Daily Show” producers.

Real children are being exploited, and the producers of the Daily Show chose to ignore that.

Latino Rebels’ Jose Martí also got this statement from district spokesperson Cara Rene:

Michael Hicks is a publicly-elected official and was speaking as an individual. His comments do not represent the TUSD governing board or the school district.

If you want further comments, you will need to seek them from Mr. Hicks.

The timing of Hicks’ appearance couldn’t have been worse for him: he’s been the target of a recall effort since last month. The petition to recall Hicks, which must amass 23,542 valid signatures by July 7 so that it can reach the state ballot, was organized by David A. Morales, who runs the Three Sonorans blog on TucsonCitizen. The reasons Morales names in his recall statement include:

He has shown a lack of willingness to work with all TUSD constituents. He chooses to ignore the findings of an expensive independent educational audit lauding the benefits of such a program and has supported efforts to end to that program. He has demonstrated an inability to work as an adult with students who have not yet reached an age of majority. Rather than seek solutions or reconciliation he chooses to criticize. He has commented negatively in public forums rather than working to seek solutions. He has chosen to insult by insinuation a constituent community by comparing local behavior to well-known criminal behavior elsewhere in the nation.

That last allegation refers to a statement by Hicks made on a radio show comparing Mexican-American Studies teachers at the University of Arizona who took part in a teach-in with Tucson students to the incidents of sexual abuse of children at Penn State.

This time, Hicks did use his own Facebook page to respond, saying the district “needs your help in stopping raciest (sic) individuals from destroying our public school system.” On the bright side, Hicks’ appeal gave Morales plenty of grist for Three Sonorans. Thanks to Madrigal, Morales isn’t likely to be hurting for material anytime soon.

 >via: http://www.racialicious.com/2012/04/04/school-daze-the-aftermath-of-the-daily...

 

POLICE BRUTALITY: Murders in K-Town > VICE

Murders in K-Town

By Todd Diederich

(Rekia Boyd Memorial 15th and Albany; Ricky Bradley Memorial 15th and Kostner)


In one week in Chicago we had five officers in six shootings, two of them deadly. Both victims were discovered to be unarmed and both cases seem to have been covered up by the city. Their names were Ricky Bradley and Rekia Boyd, both killed by the Chicago Police Department with bullets to the head.

I was warming up Ricky Bradley to be the next Todd’s People. Kostner Avenue on Chicago’s West Side has been vital for Todd’s People—it’s where I found Pam and Lazy. The area is called K-Town, as most of the streets begin with a “K”; it was also home to Chicago rappers Twista and Da Brat. I really only knew Ricky in passing and learned of him through Pam.  I would say hello as he hurriedly walked by, staring at the sun for about three years straight. Singing and scrapping for metal, always on the go with cars honking their horns to say hello… Ricky would always say hello back. There was a glowing aura about him that I wanted to capture. Taking advice from a friend, I was “hanging out without my camera.”  This proved to be bad advice. Ricky is gone.

On Sunday, March 25th, Ricky allegedly found police surveillance equipment in an abandoned building while he was scrapping. That equipment was being used to watch the local drug trade. Ricky took it and walked around all day with it in a black bag, according to a Fox News interview with Bernadine Gilty, Ricky's Sister. That same night, hours before Ricky was murdered, neighbors told me he was roller skating down Kostner. In fact, a lot of his friends skated with Ricky pretty often. He was a sportsman, a former teacher who caught a bad wave on drugs and ended up homeless. 

How did Ricky Bradley end up behind a building at 15th and Kostner with two bullets in his head and six in his body? The story of Ricky’s ending brings up more questions than answers. 

The police say Ricky had a gun while in their custody, that he reached for it when being searched. Everyone in the area knew that if Ricky had a gun he would exchange it for drugs. He wasn’t in the business of sticking people up. He washed cars and collected metal. He was higher than high. Some would even say happy. 

Family and friends say there are two crime scenes in this case: One, that the official police story of Ricky being killed behind an abandoned building is false; and two, that allegedly police shot him in his home, an abandoned house which was across the alley where his body was found. Outraged, about 200 people in the neighborhood broke into the house where Ricky stayed, where they found blood remains, and we all believe it is Ricky’s. There is blood is on the stairs outside and in a room upstairs. Police refuse to answer to this discovery. It is not confirmed that this is Ricky’s blood, but the community is outraged and went here as a focal point of their demonstration on Sunday, April 1st.

This is where family and friends say Ricky’s last night began. Family and friends claim that this unarmed man was killed here, or close to it, likely because of the surveillance equipment friends claim he confiscated from the cops. (Did he possibly sell it with evidence on it, I wonder?) Then his killers—the police—may have brought his body across the street, where they planted a gun on him. 

Nation of Islam in front of the house family and friends say Ricky was murdered.

Alex, Ricky Bradley’s Brother

Walking through Lawndale, Ricky’s brother Alex looks to me and says, “This isn’t gonna happen overnight.” He was talking about justice. As we passed abandoned house after abandoned house, memorial after memorial, I started to feel swallowed. There is a high mortality rate on this street that is evident in these shrines to Ricky and others. Chants rang out against empty buildings. Men were leaving their corners to hold hands as the people made a circle outside the police station. Heads poked out of windows and children ran to the curb to ask what was going on.

Lawndale is an economically depressed area. Chicago Department of Public Health says that in 2000, 45.2 percent of the population lived below the poverty line. People know each other here. They talk. They knew instantly that this was an injustice and people must not forget this. So the community is taking it to their neighbors and spreading the news

They're angered by two police homicides in one week; Ricky was the second and the first was Rekia Boyd, shot by an off-duty undercover detective Wednesday, March 21st. She died the following day. The night of her shooting a group of people had gathered by the park next to the house of Dante Servin, the officer in question. His house is seen here in the background; in the foreground we see Rekia’s mother in red and Rekia’s brother in brown with his fist up. 

Residents say the officer had been annoyed with the noise around his house, escalating as the weather was getting better, and last Wednesday he approached a group of neighborhood folk in his car.  As the officer rolled down his window and told the group to be quiet, a man named Antonio Cross, part of the group, was on his phone. The police say this is where Antonio Cross drew his gun and approached the detective. The detective shot at Antonio Cross’s face, hitting him in the hand as Antonio shielded himself. One bullet hit Rekia Boyd, Antonio’s girlfriend, in the head. The police will not confirm how many shots were fired but Antonio Cross says at least ten rounds were collected at the scene. ABC News has some footage to prove it. This is where the police justify the shooting and the alleged cover-up begins. 

Antonio Cross outside the house of the Chicago police who shot him

This is Antonio Cross. He is the one police said had the gun, though no gun or weapon was found at the scene. Antonio was charged with misdemeanor aggravated assault. Superintendent Gary Mcarthy said to WGN news that “this uhhh shooting appears to be justified.”

Residents and witnesses say Officer Servin allegedly shot into the crowd. Antonio says the cop told him, “I thought your phone was a weapon,” to which he replied, “How the fuck do you think my phone is a weapon?”  He claims the cop then told him to sit down and shut up. 

Antonio, on all accounts, did not react to being shot at with violence. He talked to the officer who shot him. There was no physical retaliation--Antonio and the rest of the neighborhood knows where Officer Servin lives. All they want is peace and justice, aka for the officer to be arrested, and hopefully leave the neighborhood.

These are still shots from ABC News coverage of Rekia Boyd. Here you see 7 visible evidence markers, most likely marking bullet casings. 

Here, at least 4 more markers.

Mike Shields, President of the Fraternal Order of Police Union commented to Fox News on the recent shootings: “I think there’s two factors here. One is here that gangbangers on the street no longer think twice about pointing a gun at Chicago Police and two, they know that the Chicago Police Department is outmanned and understaffed.” 

Please take note, Mike Shields: Two of the dead people the police killed this week were not gang members. Also, in the last year, police have solved only 30 percent of murders—meaning two-thirds of all homicides go unresolved. Twenty years ago, this “murder clearance rate,” as it’s called, was between 72 and 80 percent. 

We marched through the hood last week with a huge megaphone, a landscaper’s trailer, and some banners. If there were porches full of gang members we stopped and told them the stories of Rekia and Ricky. 

To our surprise, everyone seemed to be in support, even the thugs. In fact, it usually went like this.

Thugs: Is this some fuck the police bullshit?
Us: Yes!
Thugs: Fuck right! Look behind you, there’s those ratchety ass mutha fuckas right now! Fuck you need pigs!

It’s not hard to find evidence of abuse by the police in this city. In Chicago, on every block, you can get drugs, condos, and a good story. Here, a young man shows me a bullet wound he claims he obtained via a police shooting. I cannot verify a story like this, but the evidence of bullets is everywhere: R.I.P. graffiti, cars abandoned with bullet holes, liquor bottle piled in circles around light posts. Death is waiting here, hanging out with everyone else.

 

VIDEO: Gil Scott-Heron Is Live One Last Time » SOULBOUNCE

Gil Scott-Heron Is Live

One Last Time

We've lost a great deal of musical legends in the past few years. One that particularly hit me hard was our departed brother Gil Scott-Heron. The fiery, political voice of his generation -- and many others -- Gil's music informed political protest and shaped the young spirit of hip hop in its early days. Gil's musical influence can even be felt today, just ask Drake and Rihanna, whose "Take Care" is a remake of a remix of his remake (say that four times fast). Still, nobody did it quite like Gil. That's why many thanks are in order for music lover Theo Jemison, who happened to record moments of the legend's last performance in Los Angeles. In the recording, we get a bit of Gil's onstage banter and a feel for his demeanor. We also get a taste of classics that he and Brian Jackson created back in their heyday like "We Almost Lost Detroit," "Winter in America," and "The Other Side." If you've seen Gil live before and want to relive a bit of that magic or if you never got the pleasure of the experience, take some time to watch this video and take in Brother Gil's wise words and meaningful music one last time. [H/T: OKP]

 

PUB: INDIAFRICA - A SHARED FUTURE | Contests | Essay Writing

INDIAFRICA: A Shared Future
ESSAY WRITING CONTEST
 
Essay India and Africa’s Future   Open to students (18-28 years) in India and Africa.

Contest Theme
How can India and Africa Compete, Collaborate 
and Co-create the Future on Environmental Issues? 

The contests will be open in the following languages:
• English  • French  • Portuguese  • Spanish  • Arabic  • Hindi

Prizes
Cash Prizes of US$ 1000 for three winners each from:
1. Eastern Africa
2. Western Africa
3. Central Africa
4. Northern Africa
5. Southern Africa
6. India

Winning entries will be compiled into a book published by INDIA Future of Change and the Public Diplomacy Division, Ministry of External Affairs, Government of India.

• Download the contest details


Submission
   
Essay entries to be submitted to essay@indiafrica.in


• Clicke here to Register NOW!