VIDEO: 2010 Drama "Black Butterfly" About Teen Athlete's Life Struggles After Rape > Shadow and Act

2010 Drama "Black Butterfly"

About Teen Athlete's

Life Struggles After Rape

Finally Coming To DVD 3/12

News by Tambay | January 12, 2012

 

Here's a film we first profiled waaay back in late 2009/early 2010. Mark Harris' Black Butterfly, which was scheduled to screen in Chicago at the time of that first post.

It's been awhile, and I haven't heard anything about it since then... until today.

Mike D over at ReelBlack announced late yesterday that Black Butterfly will finally be released on DVD for the rest of the world to see, on March 13th, thanks to E1 Entertainment.

I haven't seen the film, so can't offer any commentary on it. But I from what I heard from a few folks who saw it way back when, it's worthwhile. So now that it's heading to home video, I'll be able to check it out myself.

The film's full synopsis reads:

Black Butterfly is about 16 year old Ariel - a girl with a dream. Making the Women's U.S. Swim Team will change her life. Ariel excitedly begins training when... tragedy strikes. She is brutally raped. Her dreams of swimming, relationships, and life are tossed to and fro as she struggles within the aftermath. Should she tell? Should she hide? Adrenaline and anticipation rise as her coach, family and friends find out about the rape in various ways. Now, what will each do to seek revenge? How will they deal with a rapist who is no stranger to their lives? What draws the line between pain and possibility for Ariel?

Watch the trailer below for a sample of what to expect (full poster underneath):

 

EGYPT + VIDEO: 18 Days in Egypt | Call to Action > Subtitled on Vimeo

18 DAYS IN EGYPT
CALL TO ACTION

 

__________________________

 

 

"For the first time in history, citizens are recording an actual revolution in real time. Throughout the 18 days of the 2011 uprising—in the year since—and now—Egyptians are filming pivotal events on their cell phones, taking pictures, texting, tweeting and facebooking their extraordinary bid for freedom.

Now, “18 Days in Egypt”, the collaborative documentary project, aims to capture the events of the revolution right here… in an interactive documentary website that everyone can access now and into the future.

“18 Days in Egypt” is being powered by GroupStream, an innovative new platform for group storytelling. GroupStream believes the best stories are told together.

Here, at 18DaysinEgypt.com, you will be able to access stories from the revolution in a whole new way."

GO HERE TO SEE MORE

 

>via: http://beta.18daysinegypt.com/#/about

 

 

 

 

 

CULTURE: World’s languages traced back to single African mother tongue > Dynamic Africa

nok-ind:

World’s languages traced

back to single African

mother tongue: scientists.

New Zealand researchers have traced every human language — from English to Mandarin — back to an ancestral language spoken in Africa 50,000 to 70,000 years ago.

Scientists say they have traced the world’s 6,000 modern languages — from English to Mandarin — back to a single “mother tongue,” an ancestral language spoken in Africa 50,000 to 70,000 years ago.

New research, published in the journal Science, suggests this single ancient language resulted in human civilization — a Diaspora — as well as advances in art and hunting tool technology, and laid the groundwork for all the world’s cultures.

The research, by Quentin Atkinson from the University of Auckland in New Zealand, also found that speech evolved far earlier than previously thought. And the findings implied, though did not prove, that modern language originated only once, an issue of controversy among linguists, according to the New York Times.

Before Atkinson came up with the evidence for a single African origin of language, some scientists had argued that language evolved independently in different parts of the world.

Atkinson found that the first populations migrating from Africa laid the groundwork for all the world’s cultures by taking their single language with them. “It was the catalyst that spurred the human expansion that we all are a product of,” Atkinson said, the Wall Street Journal reported.

Atkinson traced the number distinct sounds, or phonemes — consonants, vowels and tones — in 504 world languages, finding compelling evidence that they can be traced back to a long-forgotten dialect spoken by our Stone Age ancestors, according to the Daily Mail.

Atkinson also hypothesized that languages with the most sounds would be the oldest, while those spoken by smaller breakaway groups would utilize fewer sounds as variation and complexity diminished.

The study found that some of the click-using languages of Africa have more than 100 phonemes, or sounds, whereas Hawaiian, toward the far end of the human migration route out of Africa, has only 13, the Times reported. English has about 45 phonemes.

The phoneme pattern mirrors the pattern of human genetic diversity as humans spread across the globe from sub-Saharan Africa around 70,000 years ago.

Source: http://www.globalpost.com/dispatch/news/business-tech/science/110415/language-science-linguistics-mother-tongue-english-chinese-mandarin-africa

 

ECONOMICS: Five Things You Probably Don’t Know About Food Stamps > Off the Charts Blog

 

Stacy Dean

 

Five Things


You Probably Don’t Know


About Food Stamps

 


The Supplemental Nutrition Assistance Program (SNAP), formerly known as the Food Stamp Program, is in the news these days because of comments made by some Republican presidential candidates. Below are five things you probably don’t know about the program.

  1. A large and growing share of SNAP households are working households (see chart). In 2010, more than three times as many SNAP households worked as relied solely on welfare benefits for their income.

     

    The share of SNAP households with earnings has continued growing in the past few years — albeit at a slower pace — despite the large increase in unemployment.

    One reason why SNAP is serving more working families is that, for a growing share of the nation’s workers, having a job has not been enough to keep them out of poverty.

  • SNAP responded quickly and effectively to the recession. SNAP spending rose considerably when the recession hit. That’s precisely what SNAP was designed to do: respond quickly to help more low-income families during economic downturns as poverty rises, unemployment mounts, and more people need assistance. In 2010, for example, SNAP kept more than 5 million people out of poverty and lessened the severity of poverty for millions of others, under a poverty measure that counts SNAP benefits as income.

     

    Economists consider SNAP one of the most effective forms of economic stimulus, so SNAP’s quick response to the recession — as well as a temporary benefit increase enacted in the 2009 Recovery Act — helped the broader economy. The Congressional Budget Office (CBO) rated an increase in SNAP benefits as one of the two most cost-effective of all spending and tax options it examined for boosting growth and jobs in a weak economy.

    Converting SNAP to a block grant, as some have proposed, would largely destroy its ability to respond to rising need during future recessions, forcing states to cut benefits or create waiting lists for needy families.

  • Today’s large SNAP caseloads mostly reflect the extraordinarily deep and prolonged recession and the weak recovery. Long-term unemployment hit record levels in 2010 and has remained extremely high. Today, 43 percent of all unemployed workers have been out of work for more than half a year; the previous post-World War II high was 26 percent in 1983.

     

    Workers who are unemployed for a long time are more likely to deplete their assets, exhaust unemployment insurance, and turn to SNAP for help, since it is one of the few safety net programs available for many long-term unemployed workers. In most states, other programs — such as cash assistance under the Temporary Assistance for Needy Families (TANF) and state General Assistance programs — haven’t responded effectively to rising need during the recession.

    More than one in five workers who had been unemployed for over six months received SNAP in 2010, according to Congress’s Joint Economic Committee.

  • SNAP has one of the most rigorous quality control systems of any public benefit program. Each year states pull a representative sample (totaling about 50,000 cases nationally) and thoroughly review the accuracy of their eligibility and benefit decisions. Federal officials re-review a subsample of the cases to ensure accuracy in the error rates. States are subject to fiscal penalties if their error rates are persistently higher than the national average.

    In 2010, only 3 percent of payments went to ineligible households or to eligible households but in excessive amounts. Payment accuracy has continued to improve in the past few years, despite the large increase in SNAP enrollment.

  • SNAP is Projected to Shrink as a Share of GDP

  • SNAP’s recent growth is temporary. CBO predicts that SNAP spending will fall as a share of the economy as the economy recovers and the Recovery Act benefit increases expire (see chart). By 2021, SNAP is expected to return nearly to pre-recession levels as a share of the economy.

     

    Over the long term, SNAP is not growing faster than the economy. So, it is not contributing to the nation’s long-term fiscal problems.

  • More About Stacy Dean

    Stacy Dean

    As Vice President for Food Assistance Policy, Dean works extensively with program administrators, policymakers, and non-profit organizations to improve the food stamp program and provide eligible low-income families easier access to its benefits.

    Full bio | Blog Archive | Research archive at CBPP.org

     

    HISTORY: Sugar High: The Dark History and Nasty Methods Used to Feed Our Sweet Tooth > AlterNet

     

     

    Sugar High:


    The Dark History


    and Nasty Methods


    Used to Feed


    Our Sweet Tooth

    Sugar is now 20 percent of the American diet, but it's not just our health that suffers from its pervasiveness.

     

     

    Americans think an awful lot about sucrose -- table sugar -- but only in certain ways. We crave it and dream up novel ways to combine it with other ingredients to produce delectable foods; and we worry that we eat too much of it and that it is making us unhealthy or fat. But how often do Americans think about where sugar actually comes from or the people who produce it? As a tropical crop, sugarcane cannot grow in most U.S. states. Most of us do not smell the foul odors coming from sugar refineries, look out over vast expanses of nothing but sugarcane, or speak to those who perform the hard labor required to grow and harvest sugarcane.

    Of course, sugar can be made from beets, a temperate crop, and more than half of sugar produced in the United States is. But globally, most of the story of sugar, past and present, centers around sugarcane, not beets, and as biofuels become more common, it is sugarcane that is cultivated for ethanol. What's more, some conscious eaters avoid beet sugar as most of it is now made from genetically modified sugar beets.

    While I do not fool myself that sugar is "healthy," if I am going to satisfy my sweet tooth, I prefer cane sugar, maple syrup, agave nectar, or honey over the other choices: beet sugar, high fructose corn syrup, and artificial sweeteners. Of the bunch, most Americans can find only honey and perhaps maple syrup sustainably and locally produced, but cane sugar is often the most versatile product for baking.

    As a major consumer of cane sugar, I was disturbed to learn the realities of cane sugar production when I visited a sugarcane-producing area in Bolivia.

    Sugarcane grew as far as the eye could see on the degraded soils of the deforested industrial agricultural area in Bolivia's lowlands. At one point, the van I was riding in got stuck in a traffic jam of enormous trucks, each full of sugarcane, delivering their loads to a refinery. The area around the refinery smelled terrible, and the locals told us the smell came from oxidizing ponds that hold the refinery's wastewater. When the refineries are washed out, typically once a year, the wastewater is dumped into local waterways, resulting in fish kills. This spurred me to learn more about how sugar is made, both in the U.S. and around the world, and how it impacts the land and the people who produce it. Sadly, the story of sugar is also the story of the African slave trade. Today, sugar production still uses exploitative labor practices and can cause serious environmental problems.

    Sugar's Rotten History

    Nobody alive today remembers a day when sugar was not a cheap, ubiquitous food in our diets, but historically speaking, it's actually a relatively recent addition to the European diet, one very tightly intertwined with the African slave trade. As Sidney W. Mintz chronicles in his book Sweetness and Power: The Place of Sugar in Modern History, when cane sugar first appeared in England in the 12th century, only royalty could afford it, and even then, only in small quantities. This is hardly surprising, considering the journey sugar made to reach England.

    Sugarcane, a fast-growing tropical grass that reaches 12 to 15 feet high at maturity, was domesticated around 8000 B.C.E. in New Guinea and was carried to India, the Philippines, and perhaps Indonesia some 2,000 years later. By 500 C.E., Indians were making sugar, a process that involves pressing the two-inch-thick cane to extract a dark green juice, rich with nutrients as well as sucrose, then boiling it down to remove liquid and crystalize the sugar. Various processes can be used to refine the sugar so that it is anywhere from a brown color to the chemically pure, white crystal we know today. Of course, until relatively recently, sugar refiners were never able to achieve a mass-produced commodity product so pure that it was completely white.

    Europeans have the Arabs to thank for their introduction to sugar. Although the Spanish had nothing nice to say about the Moorish occupation of their land, it was the Arabs who introduced sugar production to the European mainland in the seventh and eighth centuries. Arab sugar production likely involved some slave labor, but never on the scale that European sugar production did. European crusaders discovered and took over Arab sugar plantations in the Middle Ages, and from that point forward, sugar production was a job done mostly by slaves.

    As Europeans figured out more cost-effective ways to mass-produce sugar and transport it to their countries, sugar became within reach of the nobility and then later, within reach of the common people. Mintz tells how three bitter stimulants, each consumed with sugar, reached England at roughly the same time, in the third quarter of the 17th century: tea from Asia, coffee from Africa, and cacao from the Americas. "The success of tea... was also the success of sugar," writes Mintz, "That it was a bitter stimulant, that it was taken hot, and that it was capable of carrying large quantities of palatable sweet calories told importantly in its success."

    On the production side, the sugar industry briefly moved to the Atlantic islands of Spain and Portugal, and it was here that the use of African slaves was firmly integrated into the business model. In the two decades before Columbus stumbled into the Caribbean, sugarcane production grew by a factor of more than 1,000 on the island of Madeira. There, sugar was produced with slaves.

    But it was on the island of Sao Tome off the Western coast of central Africa, which harbors mosquitoes carrying both malaria and yellow fever, that resulted in the use of specifically African slaves (as opposed to slaves of other origins). Europeans who came to Sao Tome usually died quickly. And the land was divided into large plantations instead of small parcels. This solidified the model for sugar plantations that was then transferred in the New World and applied to other crops.

    Columbus brought sugarcane to the Caribbean in 1493, and it was not long before Caribbean islands and Brazil produced sugarcane for export back to Europe -- with African slaves, of course. In 1619, the British brought both slaves and sugarcane to their colony in Jamestown, but sugarcane would not grow in Virginia. Determined to satisfy their sweet tooth with their own colony for sugar, the British took over Barbados soon thereafter.

    These were also the years of England's industrial revolution, when much of the population transitioned from a peasant diet of eating what they grew to an urban diet of eating what was convenient and cheap, namely bread, accompanied by tea with sugar. Sugar dropped in price during the 18th century and lost its status as a luxury good. Sugar was eaten in tea or in pastries. And, by the 1870s, jam became an important food for the working classes. Between the 15th and 19th centuries, desserts were first introduced to the nobility and then gradually became standard as a sweet course at the end of the meal.

    All in all, cane sugar consumption grew from an estimated 2 percent of the British diet in 1800 to an estimated 14 percent a century later. Sugar now makes up 20 percent of the American diet. Today most Americans see sugar as a necessity, but most of our ancestors lived entirely without it.

    Legalized slavery is now long in the past, but sugarcane is still almost universally produced with unjust labor conditions, including modern-day slavery. In Brazil, a study found that, "Modern-day slavery ... is short in duration; the victims are treated as though they were commodities; total power is exercised over the victim, although only temporarily." In 2007, half of Brazil's 5,877 workers freed from slavery -- many of them indigenous -- worked in sugarcane cultivation. Harvesting sugarcane is so arduous that workers can become physically broken after just 10 or 12 years.

    Whereas modern-day slavery might be the exception, backbreaking work with long hours, low pay, and few benefits (if any) is still the rule. When I visited San Mariano, Isabela, a sugarcane-growing area in the Philippines, the workers were paid as little as one-tenth minimum wage (for weeding) and as much as half of minimum wage for harvesting sugarcane, with a six-day work week and no overtime pay. One worker I met had been injured on the job with no worker's comp for his injury. At that time, he had been out of work and unable to walk for several months without any disability pay. Workers also complained of being compensated for harvesting only if they also loaded the sugarcane into a truck. Occasionally, no truck showed up when the harvest was done, and the workers were never paid for that day's work.

    Globally, sugarcane covers an area larger than the state of Minnesota, and much of it is harvested manually, even though mechanized harvesting is possible. Sugarcane is a perennial, and plantations typically replant it every four or five harvests, as production declines after each harvest. Mechanical harvesting reduces future yields even further, so when cheap labor is available, it is often more cost-effective than a machine.

    America Gets Its Fix

    An overwhelming percent of world sugar production occurs in Brazil and India, but if you are an American, your sugar fix is likely satisfied by U.S. sugar, whether cane or beet. The U.S. has long had policies that limit sugar imports, keeping the U.S. price of sugar well above the world price -- often double or more. By setting a high tariff on all sugar imports over a set quota, the U.S. protects its own sugar industry (both cane sugar and beet sugar). Producers of high fructose corn syrup also support this system as it allows them to price their product below the cost of sugar, making it attractive as a cheaper alternative.

    The U.S. can only produce it in a few states, mostly growing it in Florida and Louisiana, with a little bit in Hawaii and Texas. (Hawaii used to grow more before the high real estate prices drove most sugar out of the state.) Together, those four states produce sugarcane on an area just smaller than Rhode Island. Measured by area, this makes up just 1.5 percent of global sugarcane cultivation. Yet, as any discussion with Floridians familiar with the industry will reveal, the area impacted by sugarcane is far larger than just the land planted with the crop. The list of Floridians' complaints usually centers more around the Everglades than around labor issues. (Louisiana's sugar industry is not immune from environmental problems either, but lacks the national outcry to protect the Everglades that shines a spotlight on sugar in Florida.)

    Sugar in Florida owes its existence to the draining of a large area of the Everglades. As recently as the 1800s, South Florida was dominated by a freshwater wetland the size of Delaware, much of it in the form of a 50-mile-wide shallow, slow-moving river. While it was first considered "wasteland," its agricultural potential was realized in the late 1800s, and humanity set to work draining areas using levees, canals and dams. But destructive and deadly storms in the first decades of the 20th century proved that more work was needed if this area was to be safely settled and put to "productive" uses. The Army Corps of Engineers set to work building even more levees, canals and dams to control the water.

    Thus, by the 1940s, the original Everglades was divided into four areas: the Everglades Agricultural Area (EAA), Water Conservation Areas, Big Cypress National Preserve, and Everglades National Park. The Everglades Agricultural Area is home to Florida's sugar industry, and it sits between Lake Okeechobee (the largest freshwater lake in the U.S. after the Great Lakes and the source of the water in the Everglades) and Everglades National Park. Anything that goes into the water in the EAA then flows into Everglades National Park and ultimately into the Gulf of Mexico and the Atlantic Ocean. Most consequential is phosphorus fertilizer, which is needed to produce sugar but toxic to the Everglades ecosystem.

    Americans, especially Floridians, are impacted by sugarcane production by the elevated sugar prices Americans pay, the taxes paid to drain the land and manage the water to meet the industry's needs, the taxes paid to clean up the industry's pollution, and by suffering the consequences of pollution that is not cleaned up at all. John Adornato, regional director of the Sun Coast Region of the National Parks Conservation Association, describes the combined impact of government intervention and the pollution by the sugar industry by saying, "Americans' waistlines are growing due to sugar but their pocketbooks are shrinking."

    Interestingly, reducing the impacts of sugar production is a cause that both treehuggers and those motivated by economic self-interest can get behind together. Florida's economy revolves around tourism, and tourists flock to Florida because of its natural environment -- but environmental destruction from the sugar industry threatens that.

    "People who live on the east and west coasts of Florida who live on a canal where there are regularly dead fish that surface... how do you sell your house?" asks Adornato. "How do you entice someone to come? How do you entice a retiree who wants to go fishing to come live on a canal where all they can smell and see are dead fish? You go to the beach on your vacation and the red tide on the west coast of Florida produces a stench -- the algae events that happen over there -- no one wants to go over there. You're destroying your fishery, you're killing off coral reefs. You're harming your water supply.

    "These are direct economic effects at every level," he continues. "Over 6 million people, one-third of Floridians, get their water supply from the Everglades. If it's not clean, we are going to have to spend more money to clean it up. Those are the kinds of impacts that we need to deal with. Our economy is a tourism-based economy. If people don't want to come and sit in the beach or they don't want to go fishing, we have seriously harmed our future."

    Sugar is not the only culprit in harming the Everglades ecosystem or the coastal ecosystems where water from the Everglades drains into the ocean, but it is a major cause of the area's problems along with the cattle and dairy industries situated north of Lake Okeechobee. Fortunately for the Everglades' wading birds whose populations have declined by 90 percent in the last century and a half, Floridians love the Everglades. Activist Tom Sadler noted that even Florida's Republican governor Rick Scott made an appearance at the recent Everglades Coalition Conference, "and he's not the type of person who would go out and hug a tree."

    His appearance there denotes the political importance of Everglades conservation, if not Scott's commitment to actually achieving it. Sadler said Scott spoke at the conference, "professing his undying commitment to the Everglades although that didn't manifest in any money for the Everglades." That could be because of the enormous influence the industry has on politics. Virginia Chamblee of the Florida Independent reported that, "Big Sugar gave more than $4.2 million to federal candidates and party committees during the 2008 election cycle alone, 63 percent of which went to Democrats."

    Chamblee writes about Florida Crystals, a subsidiary of sugar giant Flo-Sun: "Companies with ties to Florida Crystals (which has contributed nearly $4.5 million to campaigns since 1991) gave at least $100,000 to now-Gov. Rick Scott's gubernatorial campaign. The head of Florida Crystals also hosted a large campaign fundraiser for Scott only four weeks after he blasted the company's rival -- U.S. Sugar -- over its role in a planned Everglades restoration project."

    Flo-Sun is owned by the Fanjul family, called the "First Family of Corporate Welfare" by CNN in 1998. The four Fanjul brothers use a failproof strategy for getting their way from politicians: playing both sides. Alfonso is a major contributor to the Democratic Party, and his influence earned him a role as co-chairman of Bill Clinton's Florida campaign in 1992. Meanwhile, Pepe Fanjul does the same for the Republicans. It cannot hurt that they are strategically positioned in Florida, one of the most crucial swing states in presidential elections.

    But even the Fanjul's influence cannot dull the nation's love for the Everglades entirely. In 2000, Everglades restoration became a national cause, with the signing of the Comprehensive Everglades Restoration Plan (CERP) by President Clinton. According to its official Web site, "The goal of CERP is to capture fresh water that now flows unused to the ocean and the gulf and redirect it to areas that need it most. The majority of the water will be devoted to environmental restoration, reviving a dying ecosystem. The remaining water will benefit cities and farmers by enhancing water supplies for the south Florida economy."

    Naturally, the Everglades experiences a very wet rainy season from about May to November, and a very dry season during the rest of the year. In the wet season, wildlife like deer take refuge on "tree islands" to stay above the water; in the dry season, fish and other aquatic animals are concentrated into holes dug by alligators that retain water, providing a veritable feast for any predator looking for a meal. The Everglades needs these natural cycles, but the people of Florida need water year-round. With its drained agricultural land, the Everglades system now holds less water overall than it used to, sending any excess water out to tide. And since Florida lacks deep aquifers, the plentiful rainfall received in the rainy season is mostly not stored for use during the dry season.

    Adornato feels that CERP is spending extra money on risky projects in order to store water without harming the sugar industry. He is critical of the plans to use Aquifer Storage and Recovery (ASR) wells, which entail injecting water deep into the ground during the rainy season for use during the dry season. He prefers the approach of former Republican Governor Charlie Crist who, he says, "pretty much expended all of his political capital," in an effort to acquire the land of U.S. Sugar Corporation to use it for water storage and cleanup, delivering clean water to the Everglades.

    Crist's plan, first announced in 2008, initially proposed purchasing 187,000 acres for $1.75 billion. By 2010, the area was reduced to 26,800 acres, or 14 percent of the original area, and the cost was down to $197 million. However, a 2010 New York Times article revealed that the deal might have helped U.S. Sugar Corporation as much or more as it helped the Everglades: "United States Sugar dictated many of the terms of the deal as state officials repeatedly made decisions against the immediate needs of the Everglades and the interests of taxpayers."

    The initial deal would have put U.S. Sugar, which was mired in debt, out of business by purchasing all of its land, but the downsized deal leaves it in business but sells off its citrus groves, which were not profitable for citrus anymore (and some say are useless for restoration) due to a plant disease epidemic. U.S. Sugar was represented in the deal's negotiations by Gunster, a law firm whose chairman, George LeMieux, was Governor Crist's chief of staff.

    Understanding how various restoration schemes will affect both the Everglades and Florida's sugar industry (which enjoys a symbiotic relationship with both major American political parties) is complex, but even those who care deeply for the Everglades understand the issue in the context of believing sugar is a necessity. Adornato says that he does not simply have a sweet tooth, he has "sweet teeth," and sugar has to come from somewhere. "The bottom line is that sugar grown in Florida does not pay the consequences for its impact."

    Sadler, who unsuccessfully campaigned to assess a penny per pound "polluter pays" fee on sugar companies, agrees, noting that if sugar is not grown in Florida, where we have some environmental and worker protections, it will be grown elsewhere in the world where conditions may be worse.

    While sugar consumption is not a necessity, production is going up, not down, given the popularity of biofuels and the relative efficiency of sugarcane compared to other feedstocks. But perhaps the answer is not giving up sugar but reducing our intake to reduce its ecological footprint as well. Sugar ranks alongside factory farmed animal products as unsustainably produced foods that Americans eat in quantities greater than are healthy.

    Likewise, both foods benefit from lax federal environmental standards that stick taxpayers with the bill to clean up pollution or simply force citizens to live with a mess that is never cleaned up, and producers of both foods benefit from federal commodity policies that make their products more profitable. Most of all, both tell of a broken political process in which the needs of the majority are overlooked as long as a powerful and wealthy few finance the political campaigns of both Democrats and Republicans.  

    Jill Richardson is the founder of the blog La Vida Locavore and a member of the Organic Consumers Association policy advisory board. She is the author of Recipe for America: Why Our Food System Is Broken and What We Can Do to Fix It..

     

    VIDEO + AUDIO: Etta James: 10 classic performances > guardian.co.uk

    Friday 20 January 2012 

    Etta James:

    10 classic performances

    Richard Williams remembers the great blues and soul singer at her absolute finest

    Soul legend … Etta James. Photograph: Eamonn Mccabe

     

    Etta James was born in Los Angeles and spent some of the key years of her professional life in San Francisco and Chicago, but there have been few more convincing interpreters of soul music associated with the southern states. Many of her classics were indeed cut in Muscle Shoals and Memphis, but it didn't really matter where she was standing at the time. In LA or the Windy City, Etta could dig out the heart of a good song and present it raw, with the blood still running red. So this list of 10 personal favourite Etta James tracks contains a preponderance of deep-soul ballads with a southern accent.

    1. Let's Burn Down the Cornfield (1974)

    Etta turns Randy Newman's great song into an epic portrait of sexual conspiracy. Gabriel Meckler's restrained production sets her suplhurous voice against Lowell George's slide guitar, which takes centre-stage for a piercing solo that ends with a gorgeous dying fall. From the album Come a Little Closer.

    2. Almost Persuaded (1968)

    Co-written by Billy Sherrill, produced by Rick Hall at the Fame studios in Muscle Shoals, this is a piece of prime late-60s Memphis soul: a black singer taking a country song and turning it inside out. Etta meets a man at a party, and they take a shine to each other. They drink and talk. He puts his hand on hers. Come away with me, he says. Then she looks into his soft brown eyes, and sees the reflection of her wedding ring. "I was almost persuaded …" One of her finest 45s.

    3. Damn Your Eyes (1988)

    Another country song taken for a walk through the shadows on the other side of town. This one is by Barbara Wyrick and Steve Bogard, and comes from the album Seven Year Itch, its title referring to her prolonged absence from the recording scene. Produced by Barry Beckett in Muscle Shoals, it features Reggie Young's guitar. Etta could shout the blues with the best of them, but she could also under-sing when necessary, and she pitches this one perfectly. Impossible to play just once.

    4. Pushover (1963)

    A playful slice of pre-Beatles black pop, co-written (with Roquel Davis) by Tony Clark, a Northern Soul hero (Ain't Love Good Ain't Love Proud, Landslide, The Entertainer). Pushover itself was an early favourite with that audience, and demonstrates Etta's versatility.

    5. I'd Rather Go Blind (1968)

    In her 1995 autobiography, Rage to Survive, Etta wrote that she heard an early version of this song from its writer, her friend Ellington Jordan, before helping him to complete it. Recorded with Rick Hall at FAME, it ended up on the B-side of Tell Mama. A year later Christine Perfect sang it with Fleetwood Mac, paving the way for countless cover versions. The original is still the greatest, by a country mile.

    6. Misty Blue (2011)

    Bob Montgomery, Buddy Holly's songwriting partner, wrote this yearning ballad in 1966 for Brenda Lee, who wasn't interested. Ten years later Dorothy Moore gave it the soul treatment and had a huge worldwide hit. This heartfelt version comes from The Dreamer, Etta's final album, sensitively produced by her sons Donto and Sametto – long a part of her road band, on drums and bass respectively – to minimise the limitations of a voice losing its range and flexibility but none of its intelligence and interpretive power. "Listen to me good," she urges.

    7. If I Can't Have You (1960)

    After her initial run of hits dried up, Etta signed with the Chess brothers in Chicago. This wailing duet with Harvey Fuqua takes its place in a tradition running from Brook Benton and Dinah Washington to Marvin Gaye and Tammi Terrell.

    8. Lovin' Arms (1975)

    Tom Jans was a folk singer from southern California who toured and recorded with Mimi Farina, Joan Baez's sister, and died of an overdose in 1984, aged 35, a year after a serious motorbike crash. He left this wonderful song, which exists in powerful versions by Elvis Presley and Millie Jackson but also drew the best out of Etta, even though she insists on changing "Looking back and longing for the freedom of my chains" – the key line – to "Looking back and hoping for the freedom of my chains".

    9. I Worship the Ground You Walk On (1968)

    Written by Dan Penn and Spooner Oldham, in the grand tradition of their majestic country-soul ballads (Out of Left Field, Dark End of the Street and so on). Produced by Rick Hall and released as the B-side of Etta's cover of Sonny and Cher's I Got You, Babe.

    10. In the Evening (2011)

    Another track from The Dreamer, this stately and perfectly understated version of the old Ray Charles song goes deep into Etta's heritage, with an excellent band purring through the altered 12-bar changes as she meditates on the most basic verities of the blues: in the evening, when the sun goes down, and your good lover is not around … No more to be said.

     

    PUB: Mirehouse Poetry Competition 2012

    Words by the Water /

    Mirehouse Poetry Competition 2012

     

    The Mirehouse Poetry Prize is given to celebrate Mirehouse’s longstanding literary connections with writers including Wordsworth, Southey, Tennyson, Fitzgerald, Carlyle and Thackeray.

     

     

     

    COMPETITION THEME:

     

    “There is no joy but calm” (Tennyson)

     

    To be interpreted freely.

     

    The judge this year will be Helen Dunmore. During her career she has written a vast collection of novels, short stories, poetry and children’s books. Winner of the Orange Prize Helen is one of the UK’s finest and most respected contemporary writers.

     

     

     

    Prizes

     

    1st Prize will be £350. In addition the prize-winning poem and eight highly commended poems will be displayed on the Mirehouse Poetry Walk and appear on the website.

     

    The eight highly commended poets will also receive a box of new books with a value of £100.

     

    There will be a reading of these nine poems at a special event with Helen Dunmore at Mirehouse on Saturday 10th March at 1:30 pm

     

     

     

     

    Conditions of Entry

     

    You are invited to submit original poems of no more than 40 lines. Entry fee is £4 per poem.

     

    Entrants may submit as many poems as they wish. 2 copies of each poem must be submitted.

     

    Entries should be in English and typed, or very clearly written, on one side of paper.

     

    No entry should have been accepted for publication, read on radio/television or

    stage or have been awarded a prize in any other competition.

     

     

     

     

    Format for Entries

     

    Two copies of each poem must be submitted. Entries should be typed on one side of paper.

     

    There is no entry from to fill in, but please include a separate sheet with your name, address and titles of the poems. Entrants must not put names or addresses on the work.

     

     

     

     

    Closing date - Friday 10th February 2012. Winners will be notified by Friday 24th February 2012.

     

    Entrants should enclose a stamped self-addressed envelope for notification of results. Please note that entries cannot be returned.

     

    Cheques should be made payable to ‘Words by the Water’ and sent with entries to:

    Mirehouse Poetry Competition

    Droridge Farm Dartington

    Devon TQ9 6JG

    England, UK

     

     

    >via: http://www.mirehouse.com/file/Mirehouse%20Comp%20Info.pdf

    PUB: Arktoi Books Seeks Fiction Submissions > Lambda Literary

    Arktoi Books Seeks Fiction Submissions

    Arktoi Books, an imprint of Red Hen Press, is accepting submissions of fiction manuscripts between January 1, 2012 and March 31, 2012.

    Please submit your manuscript in pdf format to eloisekleinhealy@mac.com.

    Hard copy submissions will not be accepted without consulting with the editor. For more information about submitting, please visit the website at www.arktoi.com

    SUBMISSION INFORMATION

    READING SCHEDULE

    • 2011 (Aug - Nov): poetry
    • 2012 (Jan - Mar): fiction
    • 2013 (Aug - Nov): poetry
    • 2014 (check back for dates): nonfiction

    Arktoi welcomes submissions from all lesbian authors. Basic guidelines are below, but make sure to check the website prior to your submission in case we have modified our guidelines.

    • Submissions sent at times other than our submission period (see schedule to right) will be returned unread.

    • Poetry manuscripts should be between 50 and 80 pages.

    • Fiction and nonfiction manuscripts may be of any length.

    • All manuscripts should be submitted as an attachment to an email (Microsoft Word .doc file or Adobe .pdf file).

    • The cover page of the manuscript should include the name, address, phone number, and email address of the writer.

    • cover letter, sent via email with all manuscripts, should present a short biographical statement by the writer and and overview of the work.

    Manuscripts should be sent to eloisekleinhealy@mac.com, as should inquires about the press.

     

    PUB: Sustainable Arts Foundation

    We are now accepting applications for our Spring 2012 awards! Our deadline is March 1st, 2012.

     

    Winter 2011 Award Winners

    A huge congratulations to the winners of our 2011 Winter Awards:

    Sustainable Arts Foundation 2011 Winter Awards ($6,000 each)

    Emily Barton, writer
    Kim Curtis, artist
    Kate Hopper, writer
    Maria Shell, artist
    Andrea Stolowitz, writer

     

    Sustainable Arts Foundation 2011 Winter Promise Awards ($1,000 each)

    Eden Unger Bowditch, writer
    Paul Brigham, artist
    Rebecca Campbell, artist
    Stanley Goldstein, artist
    Allan Reeder, writer
    Jenny Robinson, artist
    Claudia Rowe, writer

    For more details about our winners, visit our Awardees page.

     


    The Sustainable Arts Foundation is a non-profit foundation supporting artists and writers with families. Our mission is to provide financial awards to parents pursuing creative work.

    Too often, creative impulses are set aside to meet the wonderful, but pressing, demands of raising a family. The foundation's goal is to encourage parents to continue pursuing their creative passion, and to rekindle it in those who may have let it slide.

    Apply

    2012 Spring Awards
    Application deadline March 1
    Awards announced May 1
    2012 Fall Awards
    Application deadline September 1
    Awards announced November 1
    Please read these instructions carefully before you begin.

    We strive to keep our application process as simple as possible. Please keep one thought in mind: the better we understand your work, the easier it is to evaluate it. The unfortunate reality is that the majority of applications go unfunded. Please know that regardless of the outcome, we greatly appreciate the time and effort you put into your application.

    Our standard application is an online application. It's simply much easier for us to process the volume of applications we receive and review them in this online format.

    Because we don't want to prevent anyone from applying, we do accept applications via postal mail.

    The application is very straightforward, and consists of 3 major parts:

    contact information

    Very basic stuff. We need your contact information so we can keep you apprised of the status of your application.

    personal and artistic information

    This is your chance to tell us who you are as a person, a parent, and an artist. We've organized this into a few sections:

    Who I Am: Biography

    Please tell us about yourself. Remember that the Sustainable Arts Foundation's unique trait is our focus on artists and writers who are also parents. If it's relevant, we'd like to hear how your family life inspires or challenges your artistic career.

    What I Do: Artist Statement

    Please give us a concise description of your work and goals as an artist.

    What I've Done: Curriculum Vitae

    We'd like to know about the public presentation of your work. Please paste (or attach on the next screen) your current CV or resume, noting especially, if applicable, any grants, awards, or fellowships, plus your exhibitions or publications.

    What I'd Like to Do: How I Would Use this Award

    If you have specific needs that would be met by this award -- child care, workspace, new equipment, research, travel -- please outline them here. If you have a budget for a specific project, let us know. The more we know about you and your work, the easier it is for us to envision how this award would succeed.

     

    If you already have nicely formatted versions of any of the above that you'd prefer to use, please feel free to attach them in the Portfolio section of the application.

    portfolio

    Please supply samples of recent work. While you're welcome to include or make reference to older works, please know that we're particularly interested in the work you've produced since having children.

     

    Submission Guidelines for Writers   ** UPDATED **

    • Writers: 2-4 samples (chapters, short stories, essays, manuscripts or published books)
    • Poets: 10 poems
    • PDF format only, please.
    • Please "blind" your attachments (no name or contact information on your attachments)

     

    Submission Guidelines for Visual Artists   ** UPDATED **

    • 10-20 images
    • Use highest resolution available (we want to see your work at its best)
    • No video uploads, please. For those of you working in video/film, please provide links to your work online or send hardcopy materials.

    If the works have titles, please use the appropriate field on the application, and also note any additional description of the work (date created, medium, etc.) If the work has been published or exhibited, please note that as well.

    Hardcopy materials will not be returned.

     

    We strongly urge you to prepare your responses offline. Computers crash, internet connections hang. We'd hate for you to lose your work due to a technical glitch. After preparing your answers, and the files you wish to upload, you can simply copy-and-paste them into our form in a matter of minutes.

    questions

    If you have any questions about the application process, please don't hesitate to contact us.

    ready?