VIDEO: Erika Lernot - Le Voyage > The Wonderful World of Carminelitta

French Touch —

“Le Voyage”, Erika Lernot


    Inspiration is such an amazing thing! I was chilling at home after a long day at work and didn’t think my evening would be very productive when I stumbled upon a link to an interview that reminded me of a project I should have listened to and purchased a while ago. Erika Lernot is a beautiful and very talented French singer I discovered many years ago on MySpace (yes… you know, when it was a great way to discover new artists) and she was among the singers I checked out regularly and whose page I visited often to listen to the music, especially the incredible La Vague, which left such an imprint on my mind I still remember about it now. Time passed and I found her again on Facebook in the past few years and even if I haven’t been following her closely, I saw links here and there that enchanted my ears (and eyes, with her latest video). This project I was talking about at the beginning of the post is her debut EP, entitled Le Voyage (the journey), which came out last October. I don’t know how I managed to miss this release but I’m glad I was able to catch up and discover this musical gem today.

     
    Four tracks deep, the EP clearly sounds like a journey, both musically and metaphorically, as we explore different rhythms, themes and atmospheres. While Oyaya (La joie !) opens the project with tons of positive vibrations, Si je te donnais raises the levels of  energy a notch and got me to dance as if my body was possessed. I can’t dance but I still could move my body and probably invent some moves to the incredible rhythm and melody. Once again, the song is very positive and deals with a beautiful love story that transcends social status and expectations. I’m actually listening to this song right now and it’s quite fun, if only a bit difficult, to type on the laptop that is on my lap (doh!) while shaking all that I can in that position. The follow up, La dame de la mer is slightly calmer and a bit sad but incredibly beautiful and emotional, taking us on a different path and allowing Erika to explore different emotions, as well as deeper vocal ranges. Finally, we can enjoy Les jours d’été (summer days) with a lovely and once again uplifting song where the singer reminisces over those special moments when she can simply enjoy life, the sun and a somewhat slower pace. I would be remiss if I didn’t mention the incredible talent of Siam Lee, Erika’s composer and guitarist, who provides the excellent musical background to this gorgeous project.

     
    As I am on my third listen, I can feel my mood getting better and better every time and I have a feeling this EP will be all I listen to tonight, while smiling hard, dreaming, dancing and simply loving life.

      To give you an idea of what Erika Lernot’s music is all about, let me share her video for Oyaya (La joie !) with you. You’re most welcome!

          Now that you are completely hooked to Erika’s beautiful voice and uplifting music, all you have to do is run to iTunes or Amazon and purchase Le Voyage. I know it’s in French, but hey, music is a universal language! 

            Find out more about Erika Lernot: Noomiz, Facebook

             

            PUB: Pikes Peak Branch of the National League of American Pen Women Inc.--Contests

            Annual Flash Fiction Contest

            The Pikes Peak Branch of the National League of American Pen Women Inc. sponsors an annual flash fiction contest.  This national contest challenges authors to "tell a story" using only one hundred words.  This year's creative submissions came from around the country.

             

            Flash Fiction 2012 Contest

            Theme: Are You Devious at Heart?

             

            Pikes Peak Branch, CO

            Deadline: May 1, 2012 (Postmarked by/Received Electronically by)

            Prizes: 1st- $100; 2nd- $50; Judge's Merit Award- $25.

            Entry fee: $10 first manuscript, $8 each additional manuscript,

            $10 additional per each optional critique.

            Winners will be notified by May 15, 2012.

             

            Theme: Are You Devious at Heart. A complete but very short story of 100 words or less. (Don't include the story title in the story word count.)

             

            Entries MUST be narrative in form (must tell a story) and pertain to the theme. One does not have to be a CO resident or NLAPW member to submit. All genres are welcome. Male writers are welcome. No poetry.

             

            Multiple submissions are acceptable. Include a $10 check with each initial entry, $8 for each additional entry.  $10 should be included if a critique is requested. (Fees may be combined in single check.) Make check or money order payable to: Pikes Peak Branch NLAPW. Payment may also be completed by credit card or Paypal account online; you do not need to have a PayPal account to use PayPal for credit card payment (get the Transaction ID# from your confirmation email to include with your entry).

             

            CLICK HERE for submission rules and entry information

            CLICK HERE to meet our judges
            CLICK HERE to process payment via Paypal/Credit Card
            CLICK HERE for a Checklist of things to do before submitting

             

            For inquiries or further information, e-mail thewarriormuse@gmail.com


            Mail or email each submission with a Cover Letter and check (or PayPal Transaction ID) in the appropriate amount to: Shannon Lawrence, Flash Fiction Contest Chair, 5685 Flag Way, Colorado Springs, CO 80919, thewarriormuse@gmail.com.


            Note: Pikes Peak Branch officers and contest coordinators are not eligible to enter.

             

             

            PUB: 2012 CALLALOO CREATIVE WRITING WORKSHOP | callaloo.tamu.edu

            CALLALOO CREATIVE WRITING WORKSHOP

             

             

            Poetry and Fiction Writing

             

            Director & Editor of Callaloo
            Charles Henry Rowell

             

            June 3-16, 2012
            Department of Africana Studies
            Brown University, Providence, Rhode Island

             

            TO APPLY:  Applications must be submitted online at http://www.callaloo.expressacademic.org no later than February 14, 2012. Each applicant must submit a brief cover letter and writing sample (no more than five pages of poetry or twelve pages of prose fiction). The application should be submitted under the CALLALOO CREATIVE WRITING WORKSHOP category.

            An applicant may apply in only one area: poetry or fiction. Other-wise the applicant will not be considered for admission.

            For additional information, please click on the attachment below.

             

            Attachment Size
            2012 Callaloo Workshop.pdf 827.67 KB

             

            PUB: Winning Writers - Sports Poetry & Prose Contest

            Guidelines for the
            Sports Poetry & Prose Contest

            This new contest seeks today's best poetry and prose on sports-related themes. We will award $5,000 in prizes. Submit online.

            Introduction
            Whether you're a player or a fan, or the kid who counted the minutes till gym class was over, sports can bring out the best and the worst in human nature. In this arena, teamwork, loyalty, courage, disappointment, failure, fame (and shame), and second chances are regularly on display. Sports can reinforce bullying and social dominance, or offer personal empowerment to an underdog. Yet poems, stories and essays about sports are too often dismissed as "genre writing". This contest aims to bridge the gap between the worlds of physical culture and literary culture. We'd like to see the jocks and the writers sit down at the same lunchroom table and discover that they're both on a journey of self-transformation through disciplined risk-taking...and that they both really, really like to win. Click for advice from the contest judge.

            Submission Period
            Entries accepted November 15, 2011-May 31, 2012 (online submission dates)

            This contest is not yet open, and the rules below may change. Please wait until November 15 or later to submit.

            However, if you are here to complete an entry initiated before June 1, then you may continue.

             

             

            --> What to Submit
            An entry is 1-2 poems, one story, or one essay on a sports-related theme. Entries should be original and unpublished. Each entry may contain up to 6,000 words. You may submit an unlimited number of entries.

            PRIZES

            Poetry Category
            First Prize, $1,500 cash
            Second Prize, $500 cash
            Five Honorable Mentions, $100 cash each

            Prose Category (fiction and nonfiction compete together)
            First Prize, $1,500 cash
            Second Prize, $500 cash
            Five Honorable Mentions, $100 cash each

            All winners of cash prizes will be announced in our email newsletter and published on WinningWriters.com, which receives over one million page views per year.

            Entry Fee
            $15 per entry. We welcome online submissions with payment by credit or debit card. We also accept email submissions when paid via PayPal. Please note: Generally entry fees are not refundable. However, if you believe you have an exceptional circumstance, please contact us within one year of your entry.

            Deadline
            Your entry must be submitted by May 31, 2012.

            Preparing Your Entry
            Please make sure your name does not appear anywhere within your entry. Make your entry easy to read—no illustrations, pictures, fancy fonts or decorative borders.

            How To Submit
            Click here to submit online (credit and debit cards)
            Click here to submit via PayPal

            Announcement of Winners
            The winners of our inaugural contest will be announced on November 15, 2012.

            Entries Must Be Original and Unpublished
            Your entries must be original, written by you, unpublished (either in print or in an online journal), and not have received a monetary award or high honors from any other contest. Self-published work is not eligible. Exceptions: Works posted to the web outside of online journals, such as to a bulletin board, email list, personal web page, blog, critique site or public forum are eligible for entry. Our goal is to recognize work that has not yet received honors or wide publication. Please email us if you're unsure of eligibility.

            Simultaneous Submission Allowed
            You may submit your works simultaneously to this contest and to other contests and publishers. Please notify us if one of your works wins an award in another contest or is published elsewhere.

            English Language
            Entries should be in English. Works translated from other languages are not eligible, unless you wrote both the original work and the translation.

            A Note to Those Who Have Entered This Contest in Past Years
            You are welcome to enter this year's contest, whether or not you won a prize in one of our previous contests. For best results, please read the Advice from the Judge first.

            --> Privacy
            We respect your privacy. Winning Writers does not rent customer or contestant information to third parties. Please click here for our full privacy policy.

            Copyright
            You retain the copyright to your submission. If you receive a cash prize, Winning Writers only requests permission to publish your work on WinningWriters.com, in our email publications and in our press releases. Any other use will be negotiated with you.

            Jendi Reiter  Final Judge of the Contest - Jendi Reiter
            Ms. Reiter is the editor of Poetry Contest Insider, an online database of poetry and prose contests published by Winning Writers. She is the author of the poetry collection A Talent for Sadness (Turning Point Books, 2003) and the award-winning poetry chapbooks Swallow (Amsterdam Press, 2009) and Barbie at 50 (Cervena Barva Press, 2010). In 2010 she received a Massachusetts Cultural Council Artists' Grant for Poetry. Other awards include the 2011 OSA Enizagam Award for Fiction, first prize in the 2010 Anderbo Poetry Prize, second prize in the 2010 Iowa Review Awards for Fiction, first prize in the 2009 Robert J. DeMott Short Prose Prize from Quarter After Eight, first prize for poetry in Alligator Juniper's 2006 National Writing Contest, and two awards from the Poetry Society of America. Her work has appeared in Poetry, The Iowa Review, The New Criterion, Mudfish, Passages North, American Fiction, The Adirondack Review, Cutthroat, The Broome Review, FULCRUM, Juked, The Sow's Ear Poetry Review, Clackamas Literary Review, Alligator Juniper, MARGIE: The American Journal of Poetry, Phoebe, Best American Poetry 1990 and many other publications. Visit her blog at www.jendireiter.com.

            Advice for Contestants
            Read our Advice from the Judge before entering. It will measurably improve your chances. recent winning entries and the judge's comments. --> You may also find useful our page of Frequently Asked Questions.

            About Winning Writers
            Winning Writers finds and creates quality resources for poets and writers. Our expert online literary contest guide, Poetry Contest Insider, profiles over 1,250 poetry and prose contests. We directly sponsor the Wergle Flomp Humor Poetry Contest and the Sports Poetry & Prose Contest. We also assist the Tom Howard/John H. Reid Short Story Contest, the Margaret Reid Poetry Contest for Traditional Verse and the Tom Howard/John H. Reid Poetry Contest. Winning Writers is proud to be one of "101 Best Websites for Writers" (Writer's Digest, 2005-2011) and a recipient of the Truly Useful Site Award (Preditors & Editors, March 2006).

             

             

             

             

             

             

             

             

             

             

             

             

             

             

             

             

             

             

             

             

             

             

            VIDEO: Black and Latino - YouTube

            BLACK AND LATINO
            Visit mun2.tv/blackandlatino for more interviews and to join the conversation!

            What does it mean to be black and Latino in the U.S.? Featuring interviews with Latino actors Laz Alonso ("Avatar", "Jumping the Broom"), Tatyana Ali ("Fresh Prince of Bel Air"), Gina Torres ("Suits, Hercules: The Legendary Journeys") and Judy Reyes ("Scrubs"), musicians Christina Milian ("Dip it Low") and Kat DeLuna ("Whine Up"), and journalist Soledad O'Brien (CNN), among many others.

            GO HERE TO VIEW EXTENDED INTERVIEWS

             

            HAITI: Surprise. Surprise. Turns Out the Largest Recipient of Haiti’s Relief Money Is the U.S. > COLORLINES

            Turns Out

            The Largest Recipient of

            Haiti’s Relief Money Is the U.S.

            People displaced by the massive earthquake continued to live in tents in front the rubble of the Presidential Palace one year after the massive earthquake that jolted Haiti.(Photo by Joe Raedle/Getty Images)

             

             

            It was two years ago today that a catastrophic magnitude 7.0 earthquake hit Haiti.

            After seeing image after image of buildings that had collapsed, people from all over the world rushed to send money to the developing nation.

            The UN estimated international donors gave Haiti over $1.6 billion in relief aid since the earthquake (about $155 per Haitian) and over $2 billion in recovery aid (about $173 per Haitian) over the last two years, according to one source. (CBS tried to get the latest numbers from the UN Special Envoy to Haiti but were unsuccessful.)

            Yet, “Haiti looks like the earthquake happened two months ago,” writes Bill Quigley, a professor at Loyola University New Orleans School of Law, in a report.

            “It turns out that almost none of the money that the general public thought was going to Haiti actually went directly to Haiti.”

            “Despite this near total lack of control of the money by Haitians, if history is an indication, it is quite likely that the failures will ultimately be blamed on the Haitians themselves in a ‘blame the victim’ reaction,” Quigley goes on to say.

            Below is a truncated list of Quigley’s “seven places where the earthquake money did and did not go,” you can read the more thorough list on Quigley’s Z-space page.

            1. The largest single recipient of US earthquake money was the US government. The same holds true for donations by other countries.  

               

            2. Only 1 percent of the money went to the Haitian government.

               

            3. Extremely little went to Haitian companies or Haitian non-governmental organizations.

               

            4. A large percentage of the money went to international aid agencies, and big well connected non-governmental organizations (NGOs).

               

            5. Some money went to for profit companies whose business is disasters.

               

            6. A fair amount of the pledged money has never been actually put up.

               

            7. A lot of the money which was put up has not yet been spent.
              Nearly two years after the quake, less than 1 percent of the $412 million in US funds specifically allocated for infrastructure reconstruction activities in Haiti had been spent by USAID and the US State Department and only 12 percent has even been obligated according to a November 2011 report by the US Government Accountability Office (GAO).

            Quigley says the effort so far has not been based on a respectful partnership between Haitians and the international community and says a “Haiti First” policy could strengthen public systems, promote accountability, and create jobs and build skills among the Haitian people.

             

            __________________________

             

            HAITI:

            Seven Places Where

            The Earthquake Money

            Did And Did Not Go

            By BILL QUIGLEY

            “Less than a penny of each dollar of US aid went to the government of Haiti, according to the Associated Press.”

            Haiti, a close neigh­bor of the US with over nine mil­lion peo­ple, was dev­as­tated by earth­quake on Jan­u­ary 12, 2010.  Hun­dreds of thou­sands were killed and many more wounded.

            The UN es­ti­mated in­ter­na­tional donors gave Haiti over $1.6 bil­lion in re­lief aid since the earth­quake (about $155 per Hait­ian) and over $2 bil­lion in re­cov­ery aid (about $173 per Hait­ian) over the last two years.

            Yet Haiti looks like the earth­quake hap­pened two months ago, not two years. Over half a mil­lion peo­ple re­main home­less in hun­dreds of in­for­mal camps, most of the tons of de­bris from de­stroyed build­ings still lays where it fell, and cholera, a pre­ventable dis­ease, was in­tro­duced into the coun­try and is now an epi­demic killing thou­sands and sick­en­ing hun­dreds of thou­sands more.

            It turns out that al­most none of the money that the gen­eral pub­lic thought was going to Haiti ac­tu­ally went di­rectly to Haiti.  The in­ter­na­tional com­mu­nity chose to by­pass the Hait­ian peo­ple, Hait­ian non-gov­ern­men­tal or­ga­ni­za­tions and the gov­ern­ment of Haiti.  Funds were in­stead di­verted to other gov­ern­ments, in­ter­na­tional NGOs, and pri­vate com­pa­nies.

            De­spite this near total lack of con­trol of the money by Haitians, if his­tory is an in­di­ca­tion, it is quite likely that the fail­ures will ul­ti­mately be blamed on the Haitians them­selves in a “blame the vic­tim” re­ac­tion.

            Haitians ask the same ques­tion as many around the world “Where did the money go?

            Here are seven places where the earth­quake money did and did not go.

            One.  The largest sin­gle re­cip­i­ent of US earth­quake money was the US govern­ment.  The same holds true for do­na­tions by other coun­tries.

            Right after the earth­quake, the US al­lo­cated $379 mil­lion in aid and sent in 5000 troops.  The As­so­ci­ated Press dis­cov­ered that of the $379 mil­lion in ini­tial US money promised for Haiti, most was not re­ally money going di­rectly, or in some cases even in­di­rectly, to Haiti.  They doc­u­mented in Jan­u­ary 2010 that thirty three cents of each of these US dol­lars for Haiti was ac­tu­ally given di­rectly back to the US to re­im­burse our­selves for send­ing in our mil­i­tary.  Forty two cents of each dol­lar went to pri­vate and pub­lic non-gov­ern­men­tal or­ga­ni­za­tions like Save the Chil­dren, the UN World Food Pro­gram and the Pan Amer­i­can Health Or­ga­ni­za­tion.  Hardly any went di­rectly to Haitians or their gov­ern­ment.

            The over­all $1.6 bil­lion al­lo­cated for re­lief by the US was spent much the same way ac­cord­ing to an Au­gust 2010 re­port by the US Con­gres­sional Re­search Of­fice: $655 mil­lion was re­im­bursed to the De­part­ment of De­fense; $220 mil­lion to De­part­ment of Health and Human Ser­vices to pro­vide grants to in­di­vid­ual US states to cover ser­vices for Hait­ian evac­uees; $350 mil­lion to USAID dis­as­ter as­sis­tance; $150 mil­lion to the US De­part­ment of Agri­cul­ture for emer­gency food as­sis­tance; $15 mil­lion to the De­part­ment of Home­land Se­cu­rity for im­mi­gra­tion fees, and so on.

            In­ter­na­tional as­sis­tance fol­lowed the same pat­tern.  The UN Spe­cial Envoy for Haiti re­ported that of the $2.4 bil­lion in hu­man­i­tar­ian fund­ing, 34 per­cent was pro­vided back to the donor’s own civil and mil­i­tary en­ti­ties for dis­as­ter re­sponse, 28 per­cent was given to UN agen­cies and non-gov­ern­men­tal agen­cies (NGOs) for spe­cific UN pro­jects, 26 per­cent was given to pri­vate con­trac­tors and other NGOs, 6 per­cent was pro­vided as in-kind ser­vices to re­cip­i­ents, 5 per­cent to the in­ter­na­tional and na­tional Red Cross so­ci­eties, 1 per­cent was pro­vided to the gov­ern­ment of Haiti, four tenths of one per­cent of the funds went to Hait­ian NGOs.

            Two.  Only 1 per­cent of the money went to the Hait­ian gov­ern­ment.

            Less than a penny of each dol­lar of US aid went to the gov­ern­ment of Haiti, ac­cord­ing to the As­so­ci­ated Press.   The same is true with other in­ter­na­tional donors. The Hait­ian gov­ern­ment was com­pletely by­passed in the re­lief ef­fort by the US and the in­ter­na­tional com­mu­nity.

            Three. Ex­tremely lit­tle went to Hait­ian com­pa­nies or Hait­ian non-gov­ern­men­tal or­ga­ni­za­tions.

            The Cen­ter for Eco­nomic and Pol­icy Re­search, the ab­solute best source for ac­cu­rate in­for­ma­tion on this issue, an­a­lyzed all the 1490 con­tracts awarded by the US gov­ern­ment after the Jan­u­ary 2010 earth­quake until April 2011 and found only 23 con­tracts went to Hait­ian com­pa­nies.  Over­all the US had awarded $194 mil­lion to con­trac­tors, $4.8 mil­lion to the 23 Hait­ian com­pa­nies, about 2.5 per­cent of the total.  On the other hand, con­trac­tors from the Wash­ing­ton DC area re­ceived $76 mil­lion or 39.4 per­cent of the total.  As noted above, the UN doc­u­mented that only four tenths of one per­cent of in­ter­na­tional aid went to Hait­ian NGOs.

            In fact Haitians had a hard time even get­ting into in­ter­na­tional aid meet­ings.  Refugees In­ter­na­tional re­ported that lo­cals were hav­ing a hard time even get­ting ac­cess to the in­ter­na­tional aid op­er­a­tional meet­ings in­side the UN com­pound.  “Hait­ian groups are ei­ther un­aware of the meet­ings, do not have proper photo-ID passes for entry, or do not have the staff ca­pac­ity to spend long hours at the com­pound.”  Oth­ers re­ported that most of these in­ter­na­tional aid co­or­di­na­tion meet­ings were not even being trans­lated into Cre­ole, the lan­guage of the ma­jor­ity of the peo­ple of Haiti!

            Four.  A large per­cent­age of the money went to in­ter­na­tional aid agen­cies, and big well con­nected non-gov­ern­men­tal or­ga­ni­za­tions (NGOs).

            The Amer­i­can Red Cross re­ceived over $486 mil­lion in do­na­tions for Haiti.  It says two-thirds of the money has been con­tracted to re­lief and re­cov­ery ef­forts, though spe­cific de­tails are dif­fi­cult to come by.  The CEO of Amer­i­can Red Cross has a salary of over $500,000 per year.

            Look at the $8.6 mil­lion joint con­tract be­tween the US Agency for In­ter­na­tional De­vel­op­ment (USAID) with the pri­vate com­pany CHF for de­bris re­moval in Port au Prince.  CHF is po­lit­i­cally well-con­nected in­ter­na­tional de­vel­op­ment com­pany with an­nual bud­get of over $200 mil­lion whose CEO was paid $451,813 in 2009.  CHF’s con­nec­tion to Re­pub­li­cans and De­moc­rats is il­lus­trated by its board sec­re­tary, Lauri Fitz-Pe­gado, a part­ner with the Liv­ingston Group LLC.  The Liv­ingston Group is headed by the for­mer Re­pub­li­can Speaker-des­ig­nate for the 106th Con­gress, Bob Liv­ingston, doing lob­by­ing and gov­ern­ment re­la­tions.  Ms. Fitz-Pe­gado, who ap­par­ently works the other side of the aisle, was ap­pointed by Pres­i­dent Clin­ton to serve in the De­part­ment of Com­merce and served as a mem­ber of the for­eign pol­icy ex­pert ad­vi­sor team on the Obama for Pres­i­dent Cam­paign.  CHF “works in Haiti out of two spa­cious man­sions in Port au Prince and main­tains a fleet of brand new ve­hi­cles” ac­cord­ing to Rolling Stone.

            Rolling Stone, in an ex­cel­lent ar­ti­cle by Janet Re­it­man, re­ported on an­other earth­quake con­tract, a $1.5 mil­lion con­tract to the NY based con­sult­ing firm Dal­berg Global De­vel­op­ment Ad­vi­sors.  The ar­ti­cle found Dal­berg’s team “had never lived over­seas, didn’t have any dis­as­ter ex­pe­ri­ence or back­ground in urban plan­ning… never car­ried out any pro­gram ac­tiv­i­ties on the ground…” and only one of them spoke French.  USAID re­viewed their work and found that “it be­came clear that these peo­ple may not have even got­ten out of their SUVs.”

            Pres­i­dents George W. Bush and Bill Clin­ton an­nounced a fundrais­ing ven­ture for Haiti on Jan­u­ary 16, 2010.  As of Oc­to­ber 2011, the fund had re­ceived $54 mil­lion in do­na­tions.  It has part­nered with sev­eral Hait­ian and in­ter­na­tional or­ga­ni­za­tions.  Though most of its work ap­pears to be ad­mirable, it has do­nated $2 mil­lion to the con­struc­tion of a Hait­ian $29 mil­lion for-profit lux­ury hotel.

            “The NGOs still have some­thing to re­spond to about their ac­count­abil­ity, be­cause there is a lot of cash out there,” ac­cord­ing to Nigel Fisher, the UN’s chief hu­man­i­tar­ian of­fi­cer in Haiti.  “What about the $1.5 to $2 bil­lion that the Red Cross and NGOs got from or­di­nary peo­ple, and matched by gov­ern­ments?  What’s hap­pened to that?  And that’s where it’s very dif­fi­cult to trace those funds.”

            Five.  Some money went to for profit com­pa­nies whose busi­ness is disasters.

            Less than a month after the quake hit, the US Am­bas­sador Ken­neth Merten sent a cable ti­tled “THE GOLD RUSH IS ON” as part of his sit­u­a­tion re­port to Wash­ing­ton.  In this Feb­ru­ary 1, 2010 doc­u­ment, made pub­lic by The Na­tion, Haiti Lib­erte and Wik­ileaks, Am­bas­sador Merten re­ported the Pres­i­dent of Haiti met with for­mer Gen­eral Wes­ley Clark for a sales pre­sen­ta­tion for  a Mi­ami-based com­pany that builds foam core houses.

            Cap­i­tal­iz­ing on the dis­as­ter, Lewis Lucke, a high rank­ing USAID re­lief co­or­di­na­tor, met twice in his USAID ca­pac­ity with the Hait­ian Prime Min­is­ter im­me­di­ately after the quake.  He then quit the agency and was hired for $30,000 a month by a Florida cor­po­ra­tion Ashbritt (known al­ready for its big no bid Ka­t­rina grants) and a pros­per­ous Hait­ian part­ner to lobby for dis­as­ter con­tracts.  Locke said “it be­came clear to us that if it was han­dled cor­rectly the earth­quake rep­re­sented as much an op­por­tu­nity as it did a calamity…”  Ashbritt and its Hait­ian part­ner were soon granted a $10 mil­lion no bid con­tract.  Lucke said he was in­stru­men­tal in se­cur­ing an­other $10 mil­lion con­tract from the World Bank and an­other smaller one from CHF In­ter­na­tional be­fore their re­la­tion­ship ended.

            Six. A fair amount of the pledged money has never been ac­tu­ally put up.

            The in­ter­na­tional com­mu­nity de­cided it was not going to allow the Haiti gov­ern­ment to di­rect the re­lief and re­cov­ery funds and in­sisted that two in­sti­tu­tions be set up to ap­prove plans and spend­ing for the re­con­struc­tion funds going to Haiti.  The first was the In­terim Haiti Re­cov­ery Com­mis­sion (IHRC) and the sec­ond is the Haiti Re­con­struc­tion Fund (HRF).

            In March 2010, UN coun­tries pledged $5.3 bil­lion over two years and a total of $9.9 bil­lion over three years in a con­fer­ence March 2010.  The money was to be de­posited with the World Bank and dis­trib­uted by the IHRC.  The IHRC was co-chaired by Bill Clin­ton and the Hait­ian Prime Min­is­ter.   By July 2010, Bill Clin­ton re­ported only 10 per­cent of the pledges had been given to the IHRC.

            Seven.  A lot of the money which was put up has not yet been spent.

            Nearly two years after the quake, less than 1 per­cent of the $412 mil­lion in US funds specif­i­cally al­lo­cated for in­fra­struc­ture re­con­struc­tion ac­tiv­i­ties in Haiti had been spent by USAID and the US State De­part­ment and only 12 per­cent has even been ob­lig­ated ac­cord­ing to a No­vem­ber 2011 re­port by the US Gov­ern­ment Ac­count­abil­ity Of­fice (GAO).

            The per­for­mance of the two in­ter­na­tional com­mis­sions, the IHRC and the HRF has also been poor.  The Miami Her­ald noted that as of July 2011, the $3.2 bil­lion in pro­jects ap­proved by the IHRC only five had been com­pleted for a total of $84 mil­lion.  The In­terim Haiti Re­cov­ery Com­mis­sion (IHRC), which was se­verely crit­i­cized by Haitians and oth­ers from its be­gin­ning, has been ef­fec­tively sus­pended since its man­date ended at the end of Oc­to­ber 2011.  The Haiti Re­con­struc­tion Fund was set up to work in tan­dem with the IHRC, so while its part­ner is sus­pended, it is not clear how it can move for­ward.

            What to do

            The ef­fort so far has not been based a re­spect­ful part­ner­ship be­tween Haitians and the in­ter­na­tional com­mu­nity.   The ac­tions of the donor coun­tries and the NGOs and in­ter­na­tional agen­cies have not been trans­par­ent so that Haitians or oth­ers can track the money and see how it has been spent.  With­out trans­parency and a re­spect­ful part­ner­ship the Hait­ian peo­ple can­not hold any­one ac­count­able for what has hap­pened in their coun­try.  That has to change.

            The UN Spe­cial Envoy to Haiti sug­gests the gen­er­ous in­stincts of peo­ple around the world must be chan­neled by in­ter­na­tional ac­tors and in­sti­tu­tions in a way that as­sists in the cre­ation of a “ro­bust pub­lic sec­tor and a healthy pri­vate sec­tor.”  In­stead of giv­ing the money to in­ter­me­di­aries, funds should be di­rected as much as pos­si­ble to Hait­ian pub­lic and pri­vate in­sti­tu­tions.  A “Haiti First” pol­icy could strengthen pub­lic sys­tems, pro­mote ac­count­abil­ity, and cre­ate jobs and build skills among the Hait­ian peo­ple.

            Re­spect, trans­parency and ac­count­abil­ity are the build­ing blocks for human rights.  Haitians de­serve to know where the money has gone, what the plans are for the money still left, and to be part­ners in the de­ci­sion-mak­ing for what is to come.

            After all, these are the peo­ple who will be solv­ing the prob­lems when the post-earth­quake re­lief money is gone.

            Amber Ra­manauskas con­tributed to this piece.

            ==========

            Bill Quigley
            William Quigley is a law professor and director of the Gillis Long Poverty Law Center and the director of the Law Clinic at Loyola University in New Orleans.

            He has been an advisor on the human and civil rights to Amnesty International, Human Rights Watch USA, and a Chairman of the Louisiana Advisory Committee to the US Commission on Civili Rights. 

            He was chosen as the recipient for the 2006 Camille Gravel Civil Pro Bono Award from the Federal Bar Association New Orleans Chapter, received the 2006 Stanford Law School National Public Service Award, and the 2006 National Lawyers Guild Ernie Goodman award. Bill also serves as the Associate Director of the Center for Constitutional Rights.
             Follow Bill Quigley via RSS

             

            >via: http://www.nationofchange.org/blogs/bill-quigley/haiti-seven-places-where-ear...

             

             

            NIGERIA: No Fuel subsidy, Country No Go

            WEDNESDAY, JANUARY 11, 2012

            Nigeria sliding into chaos?

            Al Jazeera reporting
            From protests over fuel subsidies to attacks by Boko Haram, the most populous African nation is facing a crisis    

            __________________________ 

            The fuel subsidy crisis

            has woken Nigerians up

            These protests are not just about being unable to afford fuel. People have had enough of wasteful and corrupt leadership

             

          • By 
          • guardian.co.uk, Wednesday 11 January 2012 
          • Nigeria fuel protest
          •  

            Nigerians in Port Harcourt protest about the withdrawal of the fuel subsidies. Photograph: Str/AFP/Getty Images

            I remember watching Goodluck Jonathan's speech at the start of his re-election campaign on 18 September, 2010. He promised change: "Let the word go out from this Eagle Square that Jonathan as president in 2011 will herald a new era of transformation of our country." The canoe-carver's son who became deputy governor, governor, vice-president and then president, without ever hustling for power, wowed us all with stories of his humble beginnings (a shoeless childhood, studying by the light of kerosene lanterns), his humility, and his seeming accessibility (via Facebook). But that was then.

            Today he seems bent on recreating all the obstacles he faced all those decades ago; eager to ensure that as many Nigerians as possible study with lanterns and survive on a single meal a day. How is he doing this? By hurting the most vulnerable using one of the most ubiquitous items in the land: petrol.

            A fuel price increase – and the associated increase in the price of commodities – has sparked nationwide #OccupyNigeria protests, driven largely by young people mobilising themselves via social media, mobile phones and word-of-mouth.

            Nigeria is a crude-oil producing and exporting country, full of poor people – 70% of the population survives on less than $2 a day. These citizens consume more petrol than is necessary because Nigeria has consistently failed to produce enough electricity for its 150 million citizens (South Africa, with 50 million people, produces 10 times as much electricity as Nigeria), leaving much of the population dependent on petrol-guzzling Chinese generators to keep the lights on.

            It gets worse. The country is largely unable to refine crude oil as all four refineries operate at an average of 23% of their potential capacity, and it has to import most of its fuel needs. Controlling the price of petrol has, therefore, been the easiest way to ensure that Nigerians enjoy the benefits of the crude oil they produce. The subsidy system works this way: the government pays importers to ensure prices are kept reasonably low, well below the cost of importation.

            But over time corruption has crept into the system, and dubious importers have found ways of inflating their receipts. Between January and October 2011, the government claims to have spent 1.3 trillion naira (about $8bn) on subsidies, instead of the budgeted N248bn. The government has admitted the existence of a cartel, but has done nothing to confront or expose it. The only solution, they've argued, is to scrap the entire subsidy, the only thing that resembles welfare in a land teeming with poor people.

            Over the last couple of weeks Jonathan has been meeting with labour, civil society, and youth groups, ostensibly engaged in a dialogue. In reality he has only been buying time for the implementation of a policy he and his advisers had made up their minds about a long time ago. The government is outraged by the cost of the subsidy, but not by the corruption responsible, or the fact that we have to depend on imports to meet almost all of our fuel needs. And if all the hundreds of billions of dollars of the last decade (annual budgets of about $25bn) have not improved our roads and schools and hospitals, is it this $8bn that will bring transformation?

            At the root of the opposition is a trust deficit. So for Enough is Enough Nigeria and most Nigerians, the conversation is not merely about the fuel subsidy, but about a wasteful and corrupt leadership, given to making false promises and asking citizens to sacrifice for a better future. The message to President Jonathan and his government is simple: earn our trust with the trillions you already have in your possession, then we can, and will, wholeheartedly hand over this subsidy trillion to you.

            Unfortunately for the president, his decision could not have come at a worse time. With inspiration from the uprisings in Tunisia and Egypt and the power of social media, more people than ever before in Nigeria are aware of and angered by the corruption in the system. Never before in the country's history have ordinary citizens been inspired to discuss budget items line by line. The questions are mounting. For example, how can N1bn ($6.25m) be allocated to the president and vice-president's catering budget, in a country stalked by hunger?

            The target of the protests is a system constructed to oppress the poor and protect wealthy criminals. Every day since 2 January, the day after the fuel price increases, protesters have been assembling across several Nigerian states, marching and sharing their messages. And in many cases, enduring police harassment.

            Young Nigerians are waking up and realising that we are where we are today because previous governments – maintainers of the corrupt system – were hardly ever seriously challenged, or rigorously questioned.

            Now, having woken up, we will not be going back to sleep.

            • Follow Comment is free on Twitter @commentisfree

             

            __________________________

             

             

            #OccupyNigeria Music

            Literally hot off the press (or whatever the youtube equivalent is) here is Tha Suspect’s video for SUBsidy, an anti-corruption theme song offering for the ongoing Occupy Nigeria protests.

            h/t Siddhartha Mitter

            >via: http://africasacountry.com/2012/01/12/occupynigeria-music/

             

            __________________________

             

            Occupy Nigeria Movement

            Says it Won’t Stop Fighting

            Government Corruption

             

            The protests have seen massive support as they call for government reforms


             

            By Ricci Shryock 

             

            A protester holds a banner during a demonstration against a fuel subsidy removal in Lagos, Nigeria, January 9, 2012. / Photo: Reuters

             

            Executive Director of Nigeria’s ‘Enough is Enough’ coalition, Yemi Adamolekun was on her way home from an Occupy Nigeria protest in Lagos Tuesday when she offered  two fellow protestors a ride home.

            “People are walking two hours to get to protest sites because they are that passionate about what is going on," said Adamolekun. "I gave two gentlemen a ride today on my way back home, and they told me it took them almost two hours to get to the site this morning and they’re coming back tomorrow.”

            Enough is Enough has been calling on the youth of Nigeria, where 75% of the population is under the age of 30, to provoke change for almost two years.

            But President Goodluck Jonathan’s New Year’s decision to remove a fuel subsidy – an act that doubled the price of fuel for Nigerians overnight – catapulted the movement, which has dubbed itself, Occupy Nigeria. "Really from our perspective it was just a trigger," said Adamolekun of the end of the fuel subsidy. "Nigerians have been very quiet for so long. The corruption in the system is known at home and abroad.  Lack of infrastructure, rising costs of goods and services.”

            Though recent protests and nationwide strikes in Nigeria have adopted the West’s rallying “Occupy” cry, they have very specific demands for their own country, including reinstating the fuel subsidy, reducing the overall cost of government and addressing corruption in the oil sector, said Adamolekun. “We’re going to continue to take over public spaces, we’re going to continue to take over public discourse until the government realizes that it’s not about subsidy removal but it’s about their waste and the corruption in the system,” she added.

            Adamolekun said the Occupy Nigeria movement is also serving as a unifying factor for the country's Muslim and Christian groups. Increasing attacks on Christian and government targets by the loosely organized group Boko Haram, who claim to be Islamic militants, have caused alarm in the West Africa country and even reprisal attacks. Assailants set fire to a Koranic school in Southern Nigeria Tuesday.

            But Adamolekun said the Occupy protests have seen moments of solidarity among the religions. “We’ve had places from Kano and various places around the country – even in Lagos – where Muslim brothers would be praying and Christians would stand guard," said Adamolekun. "In Niger State two days ago Muslim brothers went around the church to protect the worshippers while they were there.”

            The Nigerian government has said it will save an estimated $6 billion through the removal of the fuel subsidy – money it says will go to infrastructure and social programs.

             

             

             

             

             

             

             

             

             

            VIDEO: PUNK IN AFRICA

            A documentary film about Punk Rock In Africa.
            Czech Republic/South Africa 2011
            Produced and Directed by Keith Jones and Deon Maas.
            Producer: Jeffrey Brown
            Director of Photography: Gary K Griffin
            Editor: Andrew L Wills


            Punk in Africa

            at MK Bushveld Cinema

            at Oppikoppi

             

            Article by Lisa van Wyk

            at http://mg.co.za/article/2011-08-05-bushveld-cinema-barks-about-punk

            Bushveld Cinema, a welcome addition to this year’s Oppikoppi Festival, features a diverse line-up of music documentaries and provides a preview of movies that will show at the Viza Music Film Festival taking place in Johannesburg later this year.

            One of the highlights of the festival is Punk in Africa, fresh from its debut at the Durban International Film Festival. Directed by Keith Jones and Deon Maas, the film takes a look at the history of the local punk scene, from the first multiracial punk bands that formed at the time of the Soweto uprising and the militant anti-apartheid hardcore and post-punk bands of the 1980s to the rise of celebratory African-inspired ska bands that sprang up from Cape Town to Maputo in the fresh democratic era of the 1990s.

            The film focuses on punk in its truest form — music that is made in response to a status quo that needs to change — and should give festival-goers who are excited about pop punkers Sum41, which are headlining Oppikoppi, pause for thought.

            For those who prefer to have their documentary viewing fit nicely alongside the bands making an appearance at the festival, there are two films that fit the bill. Francois van Coke may be appearing on stage only with his Kartel this year, but he features in Bellville Rock City with other members of his various bands.

            The short film looks at the small, interconnected (some might say incestuous) and hyperproductive Bellville rock scene, which seems to have produced more than its fair share of young musicians in the past few years. Fokofpolisiekar, Springbok Nude Girls, Foto na Dans, aKING, Jax Panik, K.O.B.U.S!, Van Coke Kartel, New Holland, Ashtray Electric, Thieve, Lukraaketaar, Tatum and Die Heuwels Fantasties — all have their roots in “CY”.

            Or, as Chris Roper wrote in his review when the film was released: “The work is a vainglorious, but essential mythologisation of the music scene in Bellville that produced the likes of Fokofpolisiekar, aKING and Van Coke Kartel. This is more than just a history, it’s also a tale of youthful suburban aspiration and a homage to a scene and period that speaks to a certain moment in the new South Africa.”

            Francois van Coke also features in Fokofpolisiekar: Forgive Them for They Know Not What They Do. The film will be a reminder of that season, in 2003, when a young Afrikaans punk band, with a name that conservative Afrikaans newspapers were reluctant to print, embraced the taal while simultaneously attacking the staid symbols of its cultural heritage.

            In fact, the often subversive nature of Afrikaans rock is a theme running throughout the films selected for the festival. Those unconvinced by the current breed of young Afrikaans bands may be interested in Voëlvry, the Movie, which explores the cultural climate that produced artists such as Koos Kombuis and Johannes Kerkorrel. The other highly recommended film on the festival is James Phillips: Famous for Not Being Famous (see Documentaries that rock the foundations), an insider’s view directed by the late musician’s long-term collaborator, Lloyd Ross.

            Festival organiser Bill Botes says that although some visitors to Oppikoppi go for the party, there is still a focus on local music and “music is what the festival has always been about”.

            He says the main criteria for selection was that the works “had to be great and also South African”.

            Not all the movies are new releases and Botes says the older ones, like the James Phillips and Voëlvry documentaries, were selected for their historical significance because those people and movements were a huge part of why a festival like this even exists.

            Botes says that he is organising an international festival of music documentaries, the Viza festival, due to take place in Johannesburg in October, to which he intends to recruit a substantial number of international works.

            The plan is to “have a mini music documentary-making competition and to host workshops with some of the acclaimed directors attending. We’ve partnered with MusicFilmWeb.com, the world’s first (and foremost) music documentary hub, which has helped us secure some incredible titles across myriad genres.”

            These include Everyday Sunshine: The Story of FishboneAnvil: The Story of Anvil and Lloyd Ross’s documentary about Cape Malay choirs titled The Silver Fez.

            The Mail & Guardian is a media partner of this year’s Bushveld Cinema and you can view trailers and read more information at mg.co.za/bushveldcinema

             

            PUB: Philip Roth Residence || Bucknell University

            5 Malcolm Street, affectionately known as the "Poet's Cottage," is used by the Stadler Center to house its visiting writers.

            Just off campus and not quite a five-minute walk from the Stadler Center, the cottage contains two independent apartments. The Writer-in-Residence (Philip Roth Resident in the fall and Poet-in-Residence in the spring) occupies the downstairs apartment, and the Stadler Fellow occupies the upstairs apartment.

            Philip Roth Residence in Creative Writing

            Named for Bucknell's renowned literary alumnus and initiated in the fall of 1993, the Philip Roth Residence in Creative Writing offers an emerging writer four months of unfettered writing time during Bucknell's fall semester, without formal academic obligations. The Residence is designed to grant the writer time to complete a first or second book. The resident presents a public reading of his or her work and otherwise constitutes a literary presence on campus during the fall. Providing lodging on campus, an office in the Stadler Center, and a stipend of $4,000, the Residence is awarded to writers of prose (fiction or creative nonfiction) and poets on an alternating basis.

            In Spring 2012, the Stadler Center will accept applications for the 2012-13 Philip Roth Residence, which will be awarded to a poet. The Residence will extend from late August through mid-December 2012. The application deadline is February 11, 2012. For eligibility and application requirements, and to submit an application, please use the SCP Application Portal, below.

            SCP Application Portal

             

            Use this feature to begin an application for one of our programs.