PUB: Call for Submissions: ARC Magazine « Repeating Islands

Call for Submissions: ARC Magazine

Holly Bynoe reminds us that the deadline for incoming submissions to be considered for publication in ARC magazine is around the corner: February 1, 2012, for Issue 5 (March/April 2012). [August 1, 2012, is the deadline for Issue 6-September/October 2012.] ARC (Art, Recognition, and Culture) is a Caribbean art and culture magazine dedicated to highlighting emerging and established artists. [For more on the magazine and its editors, see previous posts ARC: New Art Magazine Launched and ARC’s Holly Bynoe and Nadia Huggins: A Brief Interview with Repeating Islands.]

The editors are currently accepting submissions for review to be featured in their upcoming issues. These are their guidelines:

  • All mediums are accepted for review once there is visual documentation, be it performance art, sculpture, installation, etc.
  • Submissions are open for artists who are from the Caribbean region-continental included-and its diaspora. Scholars and academics working with regional and pertinent topics are also considered.
  • Please see guidelines below [see link] for all image requirements, you can upload up to three images. If we are interested we will contact you to view extra material.
  • You can upload a link to video work that is streaming on youtube or vimeo.
  • Texts: fiction, non-fiction, prose, poetry and critical writing limited to 1,000 words should be submitted as an attachment in Microsoft Word or a file format we can open with Word. All articles should be typed and double spaced. All source material should be listed at the end of the article.
  • Authors should feel free to include relevant images in JPEG format. Please don’t send enormous pictures with your submission. Max size per attachment is 1 MB. If your article or piece of writing has over 3 images, please email, submissions@arcthemagazine.com. You must include the word “submission” in subject line of your email to prevent it from being lost in the annals of spam.
  • We do not mind multiple submissions, but if pieces have been submitted elsewhere, please let us know in advance. We are willing to publish a piece if it has never been published in English.
  • Once an article is accepted, each contributor will have to produce a biography of 100 words and a photograph of themselves along with a link to his or her website. All articles should have full contact info of author.
  • In an ideal world we would like to have the type of budget that would actively support the pockets of all of our talent- we are working on it- but till then in lieu of payment we will be providing free copies of ARC.

For more information and submission form, see http://arcthemagazine.com/arc/submit/

See ARC magazine at http://arcthemagazine.com/arc/home/

Shown above: Work by Caroline “booops” Sardine (St.Vincent and the Grenadines), from http://arcthemagazine.com/arc/2011/11/caroline-booops-sardine/

 

PUB: The Journal of Compressed Creative Arts Submission Manager

The Journal of Compressed Creative Arts is looking for, as you might guess, "compressed creative arts." We accept fiction, creative nonfiction, poetry, mixed media, visual arts, and even kitchen sinks, if they are compressed in some way. Work is published weekly, without labels, and the labels here only exist to help us determine its best readers.

Our response time is generally 1-3 days. Also, our acceptance rate is currently about 1% of submissions. We pay writers $50 per accepted piece and signed contract.

We are currently open for compressed poetry, compressed prose fiction (including prose poetry), and compressed creative nonfiction. We will close for submissions March 15, 2012. Also, during the month of January, Matter Press will be open for submissions of a prose collection (prose poetry, fiction, and/or creative nonfiction), 25–40 pages, each piece under 600 words. Individual pieces in your manuscript may have appeared in journals, both in print and online, as long as the entire collection itself is unpublished.

The readers for your submission include MFA in Creative Writing graduates & degree candidates at Rosemont College. For submissions that move on as a result of the voting and comments of "first readers," a second round of consideration and conversation ensues. The absolute final decision is made by the managing editor.

Please be sure to submit in the correct category; we've been receiving several fiction submissions in the creative nonfiction category. Word count alone doesn't create compression, so we ask that you also consider why this piece works for a journal obsessed with what's compressed. With the writer's permission, we publish the "best of compression statements" from the cover letters on our blog, along with the writer's name, picture, and link (of the writer's choosing).

For all submitters, we aren't as concerned with labels—hint fiction, prose poetry, micro fiction, flash fiction, and so on—as we are with what compression means to you. In other words, what form "compression" takes in each artist's work will be up to each individual. However, we don't publish erotica or work with strong, graphic sexual content.

In short, we want to fall in love with your work. That might happen in the way we've fallen in love with work we've previously published, or it might happen in a way we have yet to experience. Maybe reading that other work will help in knowing whether you should send your work to us, but in truth, such a thing might not be discoverable.

Here are things that matter:

 


  1. Please do not include any contact information, including your name, in the manuscript. Do not include a cover letter as part of the manuscript document.

  2. Please include a statement about compression as it relates to your submission as part of cover letter. Please include a brief bio, also.

  3. Please no more than one submission of a single piece in each genre per reading period.

  4. Simultaneous submissions are fine with us, but please let us know if the submission has been accepted elsewhere. Failure to do will result in some facsimile of your face being put on the Matter dart board. And no one wants that.

  5. Please format prose to be double-spaced, 12-point Times New Roman font, in a Microsoft Word document. Poetry can be single-spaced.

  6.  


    Prose Chapbook

    (pdf, doc, docx)

    Size limit: 25-40 pages

    During the month of January, Matter Press will be open for submissions of a prose collection (prose poetry, fiction, and/or creative nonfiction). Here is the place to submit your 25–40 page manuscript, each piece under 600 words to us. Individual pieces in your manuscript may have appeared in journals, both in print and online, as long as the entire collection itself is unpublished. Here are some additional details:

     


    1. There is no reading fee. Your submission will be read by the managing editor (Randall Brown) and/or "blind" by Rosemont College MFA in Creative Writing degree-candidates. The readers will look to choose one manuscript to publish. Please submit only ONE chapbook during this reading period.

       

    2. Please double-space the manuscript using Times New Roman 12 pt font (or something similar).

       

    3. Please do not include any author-identifying information on the manuscript. Please do include a cover letter and bio (but not as part of the manuscript document). Please include with the cover letter the manuscript's category (prose poem, short short fiction, creative nonfiction) and a short statement regarding the role compression plays in your work. The manuscript can be a hybrid of these genres.

       

    4. Please ONLY include a title page for the collection and the stories themselves; please do NOT include acknowledgments, blank pages, a table of contents.

       

    5. Please include a page break between the individual pieces that make up the collection.

       

    6. Manuscripts will be accepted January 1, 2012 until midnight February 1, 2012.

       

    7. Matter Press will have a one-time only print run of 300 copies of the chapbook. The author will receive $500 and 25 copies; the chapbook itself will receive an ISBN number.

       

    8. Any manuscript that does not meet the guidelines will not be considered for publication. If you have any questions, you can email Matter Press here.
    9.  

       

      SUBMIT

      Poetry

      (pdf, doc, docx)

      Size limit: no more than 20 lines/75 words


        For poetic forms, we will rely on you to determine what compression might be. However, for those who want some guidelines, here is what we've come up with:

        • Poems should not exceed 20 lines or 75 words. Please do not include any contact information, including your name, in the manuscript.

        • If poems are broken into traditional lines, skinny poems are preferred. Skinny refers to the way it looks on the page, as well as a weightlessness.

        • The poem should have a swift, sudden feel; therefore, lean language is imperative. Keywords are brevity, intensity, and precision. A good condensed poem should be memorable for its reading duration and its longer impression.

        • Please include a statement about compression as it relates to your submission as part of cover letter/bio. Please include a brief bio, also. As mentioned above, we read blind so please do not include your name on the submission itself. Also, please do not make the cover letter part of the uploaded poem.

        • Please no more than the submission of a SINGLE POEM per reading period.

        • Simultaneous submissions are fine with us, but please let us know if the submission has been accepted elsewhere. Failure to do will result in some facsimile of your face being put on the Matter dart board. And no one wants that.

        • Please format prose to be double-spaced, 12-point Times New Roman font, in a Microsoft Word document. Poetry can be single-spaced.

        • SUBMIT

          Fiction—Compressed Prose (including prose poems)

          (pdf, doc, docx)

          Size limit: 600 words

          For fiction & creative nonfiction prose (and we think of the prose poem as such), we have a word-count limit: 600. Please be sure to submit in the correct category; we've been receiving several fiction submissions in the creative nonfiction category. THIS IS THE FICTION/PROSE POETRY CATEGORY.

          1. Please do not include any contact information, including your name, in the manuscript.

          2. Please include a statement about compression as it relates to your submission as part of cover letter. Please include a brief bio, also.

          3. Please no more than one submission of a single piece per reading period.

          4. Simultaneous submissions are fine with us, but please let us know if the submission has been accepted elsewhere. Failure to do will result in some facsimile of your face being put on the Matter dart board. And no one wants that.

          5. Please format prose to be double-spaced, 12-point Times New Roman font, in a Microsoft Word document.

          6. SUBMIT

            Creative Nonfiction—Compressed Prose

            (pdf, doc, docx)

            Size limit: 600 words

            For fiction & creative nonfiction prose (and we think of the prose poem as such), we have a word-count limit: 600. Please be sure to submit in the correct category; we've been receiving several fiction submissions in the creative nonfiction category. This is the CREATIVE NONFICTION category.

            1. Please do not include any contact information, including your name, in the manuscript.

            2. Please include a statement about compression as it relates to your submission as part of cover letter. Please include a brief bio, also.

            3. Please no more than one submission of a single piece per reading period.

            4. Simultaneous submissions are fine with us, but please let us know if the submission has been accepted elsewhere. Failure to do will result in some facsimile of your face being put on the Matter dart board. And no one wants that.

            5. Please format prose to be double-spaced, 12-point Times New Roman font, in a Microsoft Word document.

            6. SUBMIT

              Visual Arts

              (pdf, jpg, zip, tiff)

              We are currently looking for visual arts projects that incorporate the idea of compressed text into the work. We are especially interested in a series of visual arts pieces that can be published once a week over a period of a month or several months. We pay in the range of $50 - $100 for the rights to publish such a series. We might also be interested in purchasing the pieces outright. Please let us know in a cover letter if the pieces are available for purchase and the asking price. Please submit the visual arts series/project as a single PDF document or ZIP file. If your project is chosen for publication, we will be requesting the individual files (.jpg or .tiff).

              1. Please include a statement about compression as it relates to your submission as part of cover letter/bio. Please include a brief bio, also.

              2. Simultaneous submissions are fine with us, but please let us know if the submission has been accepted elsewhere. Failure to do will result in some facsimile of your face being put on the Matter dart board. And no one wants that.

              3. SUBMIT

                 

                VIDEO: Black Radio EPK > Revivalist Music

                Robert Glasper

                Black Radio EPK

                Check out some exclusive footage from the making of the Robert Glasper Experiment’s upcoming release Black Radio, shot and edited by our friends at FROLAB. As more and more footage emerges it has become evident this has the potential to be one of the most influential albums of recent memory. Watch as RCDC interacts with Yasiin Bey, Bilal, KING, Musiq Soulchild, and more with some clips of never-before-heard tracks from the album. Enjoy and pass along!

                 

                 

                Robert Glasper Online

                 

                VIDEO: Preview "Noah" (Feature Film Set In Alternate Modern-Day USA In Which Slavery Still Exists) > Shadow and Act

                Preview "Noah"

                (Feature Film Set In

                Alternate Modern-Day USA

                In Which Slavery Still Exists)

                Thanks to Charles Judson for alerting me to this project.

                It's a feature-length film titled Noah from Waltham, Massachusetts-based Identical Films, a production company founded by Anthony and James Deveney, and co-producer Andrew Johnson.

                The film is set in an alternate present-day America in which slavery was never abolished. The story follows an escaped slave named Noah, as he tries to flee the country and reach a rumored freedom refuge in Canada.

                Needless to say the idea immediately intrigued me, and so I emailed the filmmakers (Anthony is listed as director) for further details about the project, and here's what I was told: 

                First, post-production was completed just last week, so the film is done.

                Second, a private screening of it was held on January 5th for cast, close friends and family.

                They are submitting it to as many film festivals as they can, though no word on where it's been accepted yet (I'm sure we'll find out as the year progresses; it's still early, and they only just wrapped).

                It's a drama/thriller.

                Their inspiration for the film came from their desire to make a film about slavery, but given how expensive a period piece would be (they work with low budgets, and shoot guerilla-style), they instead chose to set the story in the present-day, sine it would be cheaper to make.

                "We wanted the film to be seen as a parallel of our world in which discrimination is still so common. Also, this was a chance to show the horrors of our country's history. Most important to us, was crafting a story that would stay with a viewer after leaving the theater," Anthony added.

                This is their very first feature film, which was shot from July through to August of 2011, digitally with the Canon 5D camera, and edited on a Macbook Pro.

                They financed it mostly themselves with donations from friends and family.

                The cast comprised of more than 50 actors; the lead actor is Andy Jasmin, an MA native, currently living in LA pursuing acting.

                That's about it! But that should be enough... for now anyway.

                As already noted, the film is headed to film festivals first, but we'll have to wait and see where it'll be accepted; and as I learn of its travels, I'll share here.

                I'm certainly curious; I'm not really sure what to expect, but the subject matter is intriguing, and inline with many discussions we've had on S&A about taking chances with storytelling.

                We lament what seems like a revived interest in so-called slavery-themed movies & TV shows by Hollywood, and here's one that takes a different approach to that particular narrative; so let's see how this goes...

                In the meantime, check out the teaser trailer below for a look at what you can expect from Noah (full poster underneath):

                 

                NIGERIA: How Can You Be Oil Rich AND Gas Poor? - Listen, my children, and ye shall hear

                Thursday, January 12, 2012

                On the oil traders

                This wikileaks cable tells you all you need to know about the role of dodgy oil trading companies such as Trafigura and Vitol. Surely no one needs reminding of Trafigura's dumping of toxic waste in the Ivory Coast a few years back.

                 

                __________________________

                 

                US embassy cable - 04LAGOS767

                Why is this site black?

                SCANDAL BREWING OVER NIGERIAN FUEL IMPORTS

                 

                Identifier: 04LAGOS767
                Wikileaks: View 04LAGOS767 at Wikileaks.org
                Origin: Consulate Lagos
                Created: 2004-04-08 08:33:00
                Classification: CONFIDENTIAL//NOFORN
                Tags: EPET EINV EFIN PGOV NI
                Redacted: This cable was not redacted by Wikileaks.

                This record is a partial extract of the original cable. The full text of the original cable is not available.
                C O N F I D E N T I A L SECTION 01 OF 02 LAGOS 000767 
                 
                SIPDIS 
                 
                NOFORN 
                 
                E.O. 12958: DECL: 04/07/2014 
                TAGS: EPET, EINV, EFIN, PGOV, NI 
                SUBJECT: SCANDAL BREWING OVER NIGERIAN FUEL IMPORTS 
                 
                 
                Classified By: J. GREGOIRE FOR REASONS 1.5 (B), (D), AND (E). 
                 
                1. (C) SUMMARY. A scandal is brewing in Nigeria over prices 
                paid by the government for imported fuel. International fuel 
                traders have been falsifying the dates of bills of lading to 
                reflect particularly high market prices, overcharging the 
                Nigerian National Petroleum Corporation (NNPC) by $300 
                million or more. END SUMMARY. 
                 
                2. (C N/F) On April 2, Chris Finlayson, Chairman and Managing 
                Director of Shell Petroleum Development Corporation of 
                Nigeria (SPDC), told Consul General and Econoff that a 
                scandal is brewing within the NNPC over payments made to 
                international fuel marketers.  Finlayson said some marketers 
                have been changing the dates when fuel shipments bound for 
                Nigeria were loaded in order to take advantage of 
                particularly high market prices.  He said the total 
                overpayment by NNPC may be as high as $330 million. 
                Finlayson noted that Shell is not one of the marketers in 
                question, but is becoming a leading fuel supplier for NNPC. 
                 
                3. (C N/F) On April 6, Femi Otedola, President and CEO of 
                Zenon Petroleum and Gas, the largest supplier of diesel fuel 
                in Nigeria, essentially corroborated Finlayson's report. 
                Otedola said over $300 million has been overpaid by NNPC for 
                fuel imports, and that many leading international traders are 
                involved.  According to Otedola, NNPC contracts to pay its 
                suppliers the market price on the day a ship is loaded with 
                fuel.  He said NNPC recently discovered, however, that bills 
                of lading were altered to reflect loading on days of high 
                market prices.  Discrepancies were found when comparing dates 
                on the bills of lading with dates of landing in Lagos. 
                 
                4. (C N/F) Pointing to examples, Otedola said that while a 
                tanker loading fuel at a refinery in Bahrain usually takes 
                four weeks to arrive in Lagos, comparisons between the bills 
                of lading and dates of arrival of some shipments reflected 
                only a four-day difference, and in other cases, if taken at 
                face value, indicated the journey took nine months.  Otedola 
                said 73 shipments from refineries in the Persian Gulf, 
                England, and Venezuela listed delivery times of only one day. 
                 NNPC is attempting to get compensation for the over-charge. 
                Otedola went on that most of the fuel traders supplying 
                Nigeria are implicated in over-charging NNPC, and showed a 
                list of 17 companies that supplied fuel in the first quarter 
                of 2004, several of which, he said, are significant players 
                in international markets, such as Trafigura and Vitol. 
                Otedola added that three companies clearly not involved in 
                the scandal are British Petroleum, ChevronTexaco and Shell. 
                 
                5. (C N/F) Otedola recommended that NNPC stop contracting 
                with international fuel traders and negotiate purchases 
                directly from refineries worldwide.  According to him, such a 
                move would have two positive effects.  Otedola calculates 
                that NNPC would save some four billion dollars a year in 
                expenditures on imported fuel.  (Note: Prior to deregulation 
                in October 2003, NNPC, then the sole importer of fuel, lost 
                two billion dollars per year because it sold stock to 
                retailers below purchase price. After October 2003, NNPC 
                initially stopped subsidizing fuel sales, letting marketers 
                import fuel to be sold at market prices.  However, sources 
                agree that NNPC is back in the business of subsidizing 
                gasoline sales while it maintains a facade of deregulation by 
                encouraging private marketers to import fuel that NNPC 
                purchases at market price.  NNPC then sells the fuel to 
                marketers and retailers at a reduced price to ensure that 
                those companies maintain a profit margin while holding 
                consumer prices to informal caps set by the Department of 
                Petroleum Resources. End Note.) 
                 
                6. (C N/F) Otedola added that by cutting out the 
                international traders, NNPC would also enhance the 
                environment in which Nigeria's refineries could be restored 
                and operated.  Otedola said he believes international fuel 
                trade "mafias" are behind the failure to bring Nigeria's 
                refineries back on-line and to capacity.  Otedola is 
                convinced these traders arrange for the vandalization of 
                crude oil feeder pipelines, which keep the refineries at Port 
                Harcourt, Warri and Kaduna closed or under-capacity.  He said 
                the international traders generally receive at least one 
                million dollars per shipload of fuel to Nigeria and have 
                grown accustomed to the easy money Nigeria offers as long its 
                refineries remain down. 
                 
                7. (C N/F) As an example, Otedola described an arrangement 
                the National Electric Power Authority (NEPA) had with Sahara 
                Energy for the provision of diesel to an emergency power 
                generation plant in Abuja.  He said that while a pipeline was 
                under construction to deliver fuel to the main power plant, 
                NEPA paid some five billion dollars to Sahara over four years 
                for diesel to the back-up plant.  It was later discovered 
                that NEPA had received only about one billion dollars worth 
                of fuel, according to Otedola.  Otedola said that he, too, 
                was contracted to deliver diesel fuel to the plant on 
                occasion; however, he petitioned the president to investigate 
                the matter after becoming suspicious of NEPA's ongoing 
                contract with Sahara and the fact that the pipeline for the 
                power plant was never finished.  He said his intervention led 
                to an investigation that ultimately resulted in the 
                cancellation of NEPA's contract with Sahara. 
                 
                8. (C N/F) COMMENT:  The allegation that international 
                traders bilked NNPC of hundreds of millions of dollars is yet 
                another example of the poor management of Nigeria's energy 
                sector, and highlights the complex links between crude sales, 
                fuel importation, refinery maintenance, and energy production 
                here.  Otedola is probably right in suggesting that 
                long-standing sweetheart deals between the NNPC and a variety 
                of fuel traders is keeping the system inefficient.  That may 
                also explain why the GON just can't seem to get its 
                refineries running even after spending a billion dollars or 
                more on maintenance contracts over the last four years. 
                Otedola said he initially bid to purchase the Port Harcourt 
                refinery offered for privatization, but he recently told 
                President Obasanjo he will not invest in the refinery so long 
                as NNPC purchases fuel from traders instead of negotiating 
                directly with refineries in other countries and leasing ships 
                itself to deliver fuel to Nigeria.  It is not clear if 
                Otedola's assumption that the international traders' stake in 
                Nigeria's current fuel market is the main driver behind the 
                country's refinery woes.  But it is clear that the 
                fundamentals of infrastructure security, interim supply 
                stability, and transactional transparency must still be 
                addressed if the GON is to be taken seriously about its 
                efforts to deregulate and largely privatize Nigeria's 
                downstream petroleum sector.  END COMMENT. 
                HINSON-JONES

                Author: Radek "Mrkva" Pilar, Twitter, Mail/XMPP: mrkva twistedThing mrkva.eu

                >via: http://cables.mrkva.eu/cable.php?id=15817

                 

                __________________________

                 

                FRIDAY, JANUARY 13, 2012


                Voices from #OccupyNigeria

                ChopCassava Voices from the LagosNigeria:

                >via: http://africaunchained.blogspot.com/2012/01/voices-from-occupynigeria.html

                 

                __________________________

                 

                 

                Subsidize Me

                Posted on Monday, January 9th, 2012 at 1:52 PM

                By Glory Edozien

                Yesterday, my friend got pulled over by the police for having tinted windows. As she negotiated the appropriate bribe to pay the police for her ‘crime’, a convoy of Land Rovers with government licence plates followed closely by police vans whizzed by in jet like speed, all with tinted windows. My friend ‘paid’ for her crime, entered her car and continued with her journey.

                There has been so much said about the fuel subsidy crisis. The truth is the economic reasons for the fuel subsidy removal are cogent. The government cannot continue to fund the inadequacies and efficiencies present in the current system. The removal of fuel subsidy will allow for scarce resources to be mainstreamed into the provision of desperately needed infrastructure. It will open up the market and create confidence for investors, which will drive competition within the market, creating various benefits for the masses. The economic principles which anchor these arguments are clear.

                However, as with all principles one has to be sensitive to the context in which they are applied. When I was younger, my father and I would drive to the petrol station closest to our house, in his blue arch back Toyota. After filling his tank he would pay the fuel attendant with a Twenty Naira note, and the attendant would give him Ten Naira change. My father would then give me this change to buy a packet of Twix, which cost Five Naira, from the petrol station mart.

                The first time I remember the subsidy being removed, my dad no longer filled his tank with Ten Naira and a packet of Twix cost four times more. The same arguments being given now, for the subsidy removal were the same given then. Yet, no new roads have been built, our health care system is in shambles, our education system is defunct and our power system is non existent.

                Nevertheless, Nigerians have remained resilient. We have paid up at the petrol stations, watched our government offer empty promises and provided our basic amenities ourselves. We buy imported generators, send our children abroad to school, ship millions of naira to foreign countries for our health care needs and even pay exorbitant tolls for the new roads built. We have found ways to suffer and smile while our government enriched themselves from the resources that were meant for the common good. With each decision made, they have used our common wealth to subsidise their own life styles while the common Nigerian has been left to fend for themselves. We grumbled but did nothing.

                Then they offered us the olive branch of democracy. Free and fair elections, transparent systems for the electorate to chose a government for the people and by the people. We grasped it with every limb. But even that was fraught with difficulties. The lives of innocent youth corpers were mortgaged as casualties of democracy. Innocent because they were serving their country, and yet till this day their deaths remained unattoned for. But we in the south did not ‘occupy’ the north. We made angry statements on twitter and shouted with loud words in various articles but did nothing and our government did even less.

                Then came Boko Haram. A menace sure to unleash the wrath of the Nigerian government. After all, has the Nigerian army not been deployed to various war torn African countries? Was our army not instrumental in peace keeping missions in Liberia? But our government offered insensitive comments instead, and preferred to watch the lifeless bodies of Christians pile up on the streets of northern Nigeria, while they chased the naked shadows of homosexuals. But maybe that is being unfair, after all they did allocate a significant portion of the 2012 budget to security. An estimated 922 Billion Naira, yet we do not have any detailed plans on exactly how this money will be spent. We have no security systems in place to avert the threats of Boko Haram, only the ‘stop and search’ tactics offered at various police check points. If a significant portion of this allocated security budget will be spent on more police check points with skinny men in black uniforms armed with flashlights, and celoptaped riffles is anyone’s guess. Still Nigerians remained silent. We grumbled loudly, but made no attempts at ‘occupation’ to make our voices heard.

                We had barely recovered from the Boko Haram Christmas Day bombings when our government gave us an explosion of their own. Over a hundred percent increase in the price of fuel, a resource which is intricately linked to the fabric of every Nigerians daily life. The petrol stations responded with swift action, almost like they had been poised at the pumps, waiting for this very announcement. Our grumblings got louder. We calculated the costs of our livelihoods and compared it with the exorbitant budget allocated to maintain our government’s lifestyle. Refurbishments to the presidential villa, purchase of brand new bullet proof vehicles and new crockery for the lavish state dinners, and the almost 1 Billion Naira allocated to feed the President and Vice President, while we the populace are left insecure, unable to fend for ourselves and our families hungry.

                So who can blame us for refusing to listen to these so called economic arguments which support the subsidy removal when most Nigerians are facing issues which far outweigh their merits. Mothers have buried their children, innocent lives have been lost, and the blood of fellow Nigerians in the north continues to be spilt. The issue here is not that we are unreasonable, or that we do not understand market principles. Rather it is that our resilience has been shattered in the face of much apathy from our leaders. We have taken too much for too long and our government has taken us for granted. They have asked us to trust them when they have done nothing to deserve that trust. They have done nothing to protect us, nothing to gain our confidence, nothing to ease our suffering but have done everything to ensure that their own lifestyles remain subsidized. This is the issue, and until an economic principle can be created to solve this, one wonders if there can be any tangible merit to the fuel subsidy removal?

                >via: http://www.bellanaija.com/2012/01/09/subsidize-me/

                __________________________

                 

                 

                 

                BN Hot Topic:

                How Will the

                ‘Occupation’ End?

                 

                Posted on Friday, January 13th, 2012 at 9:35 AM

                By Glory Edozien

                It’s officially Day 5 of #OccupyNigeria, the country wide protests over the government’s removal of fuel subsidy, a move which effectively increased the price of fuel inNigeria by over 100%.

                The Nigerian Labour Congress (NLC), backed by the Nigerian people, have stood their ground in the face of much government opposition and many Nigerian’s have shown solidarity by taking to the streets in relatively peaceful protests for what they see as a continuous disregard for the wellbeing of the people by those elected to govern them.

                The events over the last five days show that the President has been backed into a corner, as the resilience of the people remains unfettered by the hardline he has taken. At the start of the strike, the NLC negotiated for a return to N65/ litre as opposed to the newly implemented N141/litre. However unconfirmed reports from yesterday, revealed that NLC maybe negotiating for a new long term price of N90/ litre or N65 until April with further negotiations after. These unconfirmed reports have resulted in various responses, with some arguing that a return to the N141/litre in April may result in stock piling and artificial scarcities. Others also point out that a return to N141/litre at any point would be totally unacceptable given the already low standard of living faced by many Nigerians and advocate for a complete reversal to N65/litre price. However some have argued that a return to N65/litre is unreasonable, given the potential economic benefits of the subsidy.

                Furthermore, it is clear that the #OccupyNigeria movement has brought to the fore many issues facing the country, corruption, dwindling industrial base, lack of power, roads, education and other basic amenities, Boko Haram. These issues are not new, but the fuel subsidy crisis has definitely been the final straw for Nigerians.

                No matter our opinions of the strike, one thing is clear, #OccupyNigeria movement has brought Nigeria’s issues centre stage, the people are united against her government and are demanding answers but how will this end? Will the government listen to the voice of the people? Or will they stand their ground? Will a compromise position be reached? If so, what is an acceptable compromise position N65, N90, N120? What about other issues which have plagued Nigerians for decades? Do we start new ‘occupy’ movements for those?

                Nigeria, Lets Decide!

                 

                 

                >via: http://www.bellanaija.com/2012/01/13/bn-hot-topic-how-will-the-occupation-end/

                 

                 

                 

                WAR: Israeli intelligence posed as CIA to recruit terror group for covert war on Iran > Mondoweiss.net

                Bombshell:

                Israeli intelligence

                posed as CIA

                to recruit terror group

                for covert war on Iran

                Acclaimed author and journalist Mark Perry has published an explosive, must-read investigation in Foreign Policy that exposes how the Israeli Mossad recruited known Pakistani terrorists to wage covert war on Iran by disguising themselves as CIA agents. Perry opens:

                Buried deep in the archives of America's intelligence services are a series of memos, written during the last years of President George W. Bush's administration, that describe how Israeli Mossad officers recruited operatives belonging to the terrorist group Jundallah by passing themselves off as American agents. According to two U.S. intelligence officials, the Israelis, flush with American dollars and toting U.S. passports, posed as CIA officers in recruiting Jundallah operatives -- what is commonly referred to as a "false flag" operation.

                The whole piece is worth reading. So let me try to unpack some of what Perry reports:

                This is a huge story that gives crucial context to the current U.S.-Iran-Israel crisis going on right now. Perry's article indicates that the speculation that Israel has been behind a covert campaign of bombings, assassinations and more in Iran to stop its nuclear energy program is right on the money; the scope of that campaign is much larger than previously reported, and may encompass incidents like the May 2009 Jundallah attack in Iran that killed 25 people, which Perry writes about.

                Perry's investigation gives the premise of my previous post on Iran (Iran wants talks, Israel pushing for war) a boost. Israel is running fast to kill any chance of of a diplomatic solution to the standoff over Iran--and the U.S. intelligence establishment doesn't like it. From the article:

                "It's easy to understand why Bush was so angry," a former intelligence officer said. "After all, it's hard to engage with a foreign government if they're convinced you're killing their people. Once you start doing that, they feel they can do the same."

                Related to that point is this: certain sectors of the U.S. military and intelligence establishment are fed up with Israel's tactics, and clearly see them as having a harmful effect on the United States. More from the article:

                While the memos show that the United States had barred even the most incidental contact with Jundallah, according to both intelligence officers, the same was not true for Israel's Mossad. The memos also detail CIA field reports saying that Israel's recruiting activities occurred under the nose of U.S. intelligence officers, most notably in London, the capital of one of Israel's ostensible allies, where Mossad officers posing as CIA operatives met with Jundallah officials.

                The officials did not know whether the Israeli program to recruit and use Jundallah is ongoing. Nevertheless, they were stunned by the brazenness of the Mossad's efforts.

                "It's amazing what the Israelis thought they could get away with," the intelligence officer said. "Their recruitment activities were nearly in the open. They apparently didn't give a damn what we thought..."

                The report then made its way to the White House, according to the currently serving U.S. intelligence officer. The officer said that Bush "went absolutely ballistic" when briefed on its contents.

                "The report sparked White House concerns that Israel's program was putting Americans at risk," the intelligence officer told me. "There's no question that the U.S. has cooperated with Israel in intelligence-gathering operations against the Iranians, but this was different. No matter what anyone thinks, we're not in the business of assassinating Iranian officials or killing Iranian civilians."

                Israel's relationship with Jundallah continued to roil the Bush administration until the day it left office, this same intelligence officer noted. Israel's activities jeopardized the administration's fragile relationship with Pakistan, which was coming under intense pressure from Iran to crack down on Jundallah. It also undermined U.S. claims that it would never fight terror with terror, and invited attacks in kind on U.S. personnel...

                What has become crystal clear, however, is the level of anger among senior intelligence officials about Israel's actions. "This was stupid and dangerous," the intelligence official who first told me about the operation said. "Israel is supposed to be working with us, not against us. If they want to shed blood, it would help a lot if it was their blood and not ours. You know, they're supposed to be a strategic asset. Well, guess what? There are a lot of people now, important people, who just don't think that's true."

                Also related: the next time you hear complaints about the "Israeli brand" tanking in the U.S. and Europe, think about this story. Israel used fake European passports to assassinate a Hamas operative in Dubai, which upset a lot of European states. And now Perry reports that Israeli Mossad agents used American passports and cash to pass themselves off as CIA operatives. It's as if Israel wants to be shunned as a pariah state.

                And then there's the Israel lobby angle, which is huge. President Bush was furious at Israel for doing this--but nothing was done about it. Here's why:

                A senior administration official vowed to "take the gloves off" with Israel, according to a U.S. intelligence officer. But the United States did nothing -- a result that the officer attributed to "political and bureaucratic inertia."

                "In the end," the officer noted, "it was just easier to do nothing than to, you know, rock the boat." Even so, at least for a short time, this same officer noted, the Mossad operation sparked a divisive debate among Bush's national security team, pitting those who wondered "just whose side these guys [in Israel] are on" against those who argued that "the enemy of my enemy is my friend."

                That reference to "political inertia" and not wanting to "rock the boat" is clearly about the power of the Israel lobby in the U.S. Bush would have been hammered by the neoconservative wing of the GOP had anything happened that resembled a "take the gloves" approach to Israel. And while Obama has, according to Perry, "drastically scaled back joint U.S.-Israel intelligence programs targeting Iran," there's just no way Israel has stopped using these tactics. But the U.S., the only nation who can stop Israel from escalating the Iran crisis, is tied up by electoral politics. 

                About Alex Kane

                Alex Kane is a staff reporter for Mondoweiss. Follow him on Twitter @alexbkane.

                 

                ECONOMICS: Is the American dream fading? - Inside Story: US 2012 > Al Jazeera English

                Inside Story:
                US 2012
                Is the American dream fading?
                With more people living on the breadline in the US, we ask if it is time to abandon the American dream.

                 

                Last Modified: 12 Jan 2012

                 

                More Americans have fallen into poverty in the last few years during some of the worst economic times since the Great Depression.

                "The words 'the poor' becomes a code for black or people of colour and so you say like Newt Gingrich [is] saying: 'I'd rather have white people get a paychecque than food stamps'."

                - Barbara Ehrenreich, a columnist

                According to the latest figures by the United States Census Bureau, a large and growing number of Americans are poor. These figures suggest that one in three Americans are living in poverty, or what is sometimes called "near poverty".

                And these numbers follow years of stagnating wages for the middle class.

                On taking office in 2009, Barack Obama, the US president, described the state of the US economy as "a disaster for America's working families".

                As the US begins a presidential election year, the economy - and how to fix it - is on the minds of most voters. But taxation and spending policies are the subject of a bitter partisan divide in Washington.

                And a few months ago, the Occupy Wall Street movement began in New York and spread around the world. The protesters' slogan "We are the 99 per cent" refers to the growing income and wealth inequality in the US between the wealthiest one per cent and the rest of the population.

                "Poverty in this country [the US] right now is colour-coded and the danger with that is it sends the wrong message about what's happening with regard to poverty in this country. The numbers of the poor are growing exponentially; the new poor in this country now are the former middle class. The reality is there are more white Americans in poverty than there are black Americans in poverty in terms of sheer numbers. There are more white Americans in poverty than there are brown Americans in poverty or red Americans or yellow Americans."

                - Tavis Smiley, a chat show host

                More than 13 million Americans are unemployed, although there have been some improvements recently. And many others, who are in work, have been forced to take pay cuts or a reduction in working hours.

                Millions of homeowners have lost their homes to foreclosures, a process whereby banks repossess their properties.

                And at the same time, the budget cuts at federal and state level are eroding some of the government's social welfare programmes.

                On this episode of Inside Story Americas, we ask: How can prosperity be restored for the American population? And is the American dream fading or should Americans reassess the meaning of the American dream?

                To discuss this we are joined by: Cornel West, a philosopher, activist and professor at Princeton University, and Tavis Smiley, a chat show host on Public Broadcasting Service. Together they have authored an upcoming book called The Rich and the Rest of Us: A Poverty Manifesto. We are also joined by Barbara Ehrenreich, a columnist and the author of Nickel and Dimed: On (Not) Getting By in America.

                Republican presidential candidates have been speaking against poverty assistance programmes.

                "We will make the key test very simple: Food stamps versus paychecks. Obama is the best food stamp president in American history. More people are on food stamps today because of Obama's policies than ever in history. I'm prepared, if the NAACP [National Association for the Advancement of Colored People] invites me, I'll go to their convention and talk about why the African-American community should demand paycheques and not be satisfied with food stamps."

                Newt Gingrich, a Republican US 2012 presidential candidate

                While announcing his plan for creating more jobs last year, Obama reiterated his call for the rich to pay more taxes.

                "While most people in this country struggle to make ends meet, a few of the most affluent citizens and corporations enjoy tax breaks and loopholes that nobody else gets. Right now, Warren Buffet pays a lower tax rate than his secretary - an outrage he has asked us to fix. We need a tax code where everyone gets a fair shake, and everybody pays their fair share."

                US poverty facts

                • More than 46 million Americans, which is 15.1 per cent of the population, are living below the poverty line
                • More than 1 in 5 children are living in poverty
                • Minorities have been disproportionately affected
                • 27.4 per cent of African-Americans are poor
                • 26.6 per cent of Hispanics fall below the poverty line

                Source: US Census Bureau

                 

                VIDEO: "Black Butterfly" About Teen Athlete's Life Struggles After Rape Finally Coming To DVD > Shadow and Act

                2010 Drama "Black Butterfly"

                About Teen Athlete's

                Life Struggles After Rape

                Finally Coming To DVD 3/12

                News   by Tambay | January 12, 2012

                 

                Here's a film we first profiled waaay back in late 2009/early 2010. Mark Harris' Black Butterfly, which was scheduled to screen in Chicago at the time of that first post.

                It's been awhile, and I haven't heard anything about it since then... until today.

                Mike D over at ReelBlack announced late yesterday that Black Butterfly will finally be released on DVD for the rest of the world to see, on March 13th, thanks to E1 Entertainment.

                I haven't seen the film, so can't offer any commentary on it. But I from what I heard from a few folks who saw it way back when, it's worthwhile. So now that it's heading to home video, I'll be able to check it out myself.

                The film's full synopsis reads:

                Black Butterfly is about 16 year old Ariel - a girl with a dream. Making the Women's U.S. Swim Team will change her life. Ariel excitedly begins training when... tragedy strikes. She is brutally raped. Her dreams of swimming, relationships, and life are tossed to and fro as she struggles within the aftermath. Should she tell? Should she hide? Adrenaline and anticipation rise as her coach, family and friends find out about the rape in various ways. Now, what will each do to seek revenge? How will they deal with a rapist who is no stranger to their lives? What draws the line between pain and possibility for Ariel?

                Watch the trailer below for a sample of what to expect (full poster underneath):

                 

                HISTORY: Erykah Badu presents Black Is a Country, Episode 2 > BBC Radio 4 Programmes

                BLACK IS A COUNTRY

                Singer and songwriter Erykah Badu presents a two part series exploring the extraordinary underground music generated by the Black Power movement of the late Sixties and early Seventies: radical, beautiful and rare.

                Black Power - with its symbol of a fist clenched in anger and defiance - politicised African American music in ways the Civil Rights movement had not. The desire for integration gave way to a new, fighting impulse of cultural separatism and self-determination. Politics and music became explosively attuned. From 1968 The Black Arts Movement - 'the cultural and spiritual sister of the Black Power concept' - flourished, dedicated to the foundation of an authentic Black aesthetic in literature, poetry and music. 'The Black Power and Black Arts concept both relate to the Afro-American's desire for self-determination and nationhood' wrote the African American philosopher Larry Neale in 1968,'...a main tenet of Black Power is the necessity for Black people to define the world in their own terms. The Black artist will make the same point in the context of aesthetics.'

                The quest for freedom had both a musical and political resonance. Musicians opened up new and unexplored worlds of musical possibility. Players like Ornette Coleman and Archie Shepp pioneered the 'New Thing' - an avant-garde in jazz, pushing the limits of harmony and rhythm. Music was explicitly pressed into political service: The Black Panther Party even produced its own album of underground anthems 'Seize the Time' and Black music as a whole became far more vocal in its opposition to white mainstream society. Poet-musicians like Gill Scott Heron and the Last Poets delivered stinging attacks on the political failure of Civil Rights and the reality of the black experience in cities across America. Meanwhile Africa became as a powerful symbol for a younger generation of black American artists, a source of political identification, spiritual sustenance and often exotic, musical inspiration.

                Black Power transformed the way musicians negotiated control and ownership of their own music. The club and bar circuit gave way to performances in galleries, lofts, community halls and public spaces. The Association for the Advancement of Creative Musicians was inaugurated in Chicago (and still thrives today) and other collectives followed. Radical independent labels flourished with very limited vinyl release. Many of these records, infused with the Black Power ethos, are extremely rare, and are featured throughout the series.

                Contributors include: Ornette Coleman, Archie Shepp, founder of the Black Arts Movement Amiri Baraka, Black Arts poet Sonia Sanchez, jazz flautist Lloyd McNeil, Abiodun Oyewole of the Last Poets, Gill Scott Heron's co-writer Brian Jackson, hip-hop artist Talib Kweli and former Black Panther leader and songwriter Elaine Brown.

                Presenter: Erykah Badu

                Producer: Simon Hollis
                A Brook Lapping Production for BBC Radio 4.

                via bbc.co.uk