PUB: Windsor Fringe Kenneth Branagh Award

Windsor Fringe Festival 2012

 THE WINDSOR FRINGE

KENNETH BRANAGH

 AWARD FOR NEW DRAMA

WRITING 2012

 

Amateur playwrights are invited to submit unpublished one-act plays for the NINTH  Drama Writing Award. Three winning scripts will be selected for performances during three Drama Nights at the Windsor Fringe Festival in October and the winner of the £500 prize will be announced on the last night (judged  purely on the writing). Submissions must be received by the 5th of March 2012.

 

Eligibility

Only amateur playwrights are eligible; only one script per author will be accepted. Each play must be an original work by the entrant, and submitted scripts must not have been previously published or performed.

 

Criteria

Each play must be no more than 30 minutes long, have a cast of no more than six actors, and be suitable for staging in a studio theatre.

 

Submission guidelines

So that each script may be judged anonymously, the author’s name must appear on the cover page only, not in the script. Writers should submit two copies of their plays, printed on loose sheets of A4 paper with no binding or stapling. Pages must be numbered. No submissions will be accepted by email; no scripts will be returned. The cover page must show the name of the play and the author’s name, contact details and signature. A £5 reading fee will be charged per entry. Please make cheques payable to Windsor Fringe .Scripts should be sent together with the reading fee to:

The Windsor Fringe Drama Writing Award

Suite 640, 24-28 St Leonard’s Road

Windsor, Berks. SL4 3BB  U.K.

 

Selection process

All submissions will be evaluated anonymously by our panel of readers, and the final short list by our judges. Last year, they were Jenny Seagrove and John Adams. 2012 judges to be confirmed.

The three winning authors will be notified by the middle of June 2011. Results of the competition will be announced through the media, the Windsor Fringe website and to writers groups receiving this notice.

The Windsor Fringe Kenneth Branagh Drama Award will underwrite the staging of the three plays with selected directors.

For additional information: Ann Trewartha tel: 01753 863218 

e-mail: ann.trewartha@btinternet.comThis e-mail address is being protected from spambots, you need JavaScript enabled to view it

 

 

K BranaghWindsor Fringe is proud to announce that actor, director and writer Kenneth Branagh has generously agreed to sponsor this year’s Drama Award.

The deadline is now passed and the three winning plays are with our selected directors.

This year we have received 145 scripts from 12 countries worldwide: Canada, the USA, Sweden, Switzerland, France, England, Northern Ireland, Scotland and Wales and Eire.

For more information click onto drama...

 

PUB: Amazon.com: Amazon Breakthrough Novel Award

The 2012 Amazon

Breakthrough Novel Award


We'll start accepting General Fiction and Young Adult Fiction entries on January 23, 2012. Visit CreateSpace to learn more.

 

On the Contest

The Amazon Breakthrough Novel Award brings together talented writers, reviewers, and publishing experts to find and develop new voices in fiction. The 2012 international contest will award two grand prizes: one for General Fiction and one for Young Adult Fiction. Each winner will receive a publishing contract with Penguin, which includes a $15,000 advance.

Open submissions for manuscripts will begin on January 23, 2012 and run through February 5, 2012. If you're an author with an unpublished or previously self-published novel waiting to be discovered, visit CreateSpace to sign up for regular contest updates.

See the official contest rules, or read details on how to enter.

 

Crafting Your Pitch

 

Start this year’s contest off strong by creating an unforgettable first impression with your pitch.

Want to know what pitches worked in the past? Check out pitches from previous years' General Fiction and Young Adult Fiction winners.

Get feedback from other writers in the CreateSpace and Amazon Breakthrough Novel Award communities, and use CreateSpace Resources to find helpful tips and tricks from experts, including:

 

INTERVIEW: Harry Belafonte

Harry Belafonte

 

Tavis Smiley Interviews

Actor/Activist Harry Belafonte

<p style="font-size:11px; font-family:Arial, Helvetica, sans-serif; color: #808080; margin-top: 5px; background: transparent; text-align: center; width: 512px;">Watch Actor-activist Harry Belafonte, Part 1 on PBS. See more from Tavis Smiley.</p>

<p style="font-size:11px; font-family:Arial, Helvetica, sans-serif; color: #808080; margin-top: 5px; background: transparent; text-align: center; width: 512px;">Watch Actor-activist Harry Belafonte, Part 2 on PBS. See more from Tavis Smiley.</p>

>via: http://video.pbs.org/video/2172373221/

VIDEO: "An Ethiopian Love" (Rom-Com Centered On The Lives & Loves Of Ethiopian-Americans) > indieWIRE

Watch Trailer For:

"An Ethiopian Love"

(Rom-Com Centered On

The Lives & Loves

Of Ethiopian-Americans)

News   by Tambay | December 30, 2011

I stumbled upon this trailer earlier today for a feature film titled An Ethiopian Love, written and directed by Yonie Solomon, who also stars in it, alongside Helen Gedlu, Augisha Tesfasilase, Sara Gebremedhin, Jonathan Woldaub and Syed Bukhari.

The film centers on the ups and downs of 20-something year old Ethiopians (born and raised in the USA) as they struggle with the complexities of dual identities (Ethiopian vs American), and love.

It's billed as a romantic comedy.

The trailer on Vimeo has been played over 75,000 times since it was uploaded, however I wasn't able to find much on where it currently stands. It doesn't even have an IMDB page, though the filmmaker and star Yonie Solomon does. However it doesn't list the film on his page. 

But from the little I gather based on my research, Yonie seems to be traveling with the film, possibly screening it independently; or, at least, traveling to market or generate interest in it for an eventual release. At the end of the trailer, there's an announcement of an upcoming world tour, and on the film's website, you can sign up for updates. But the film's Facebook and Twitter pages don't say much about a release.

I requested more info, but I haven't heard anything yet. But I figured I'd go ahead and write something up about the film anyway, including the trailer, and if/when I get further info, I'll update this post. 

So here's the music-filled, MTV-style trailer for An Ethiopian Love, which, as I said before, has been played over 75,000 times (it doesn't immediately suck me in, but I can see how it would appeal to the 20-something and under MTV crowd):

 

HEALTH: Medical journal article: 14,000 U.S. deaths tied to Fukushima reactor disaster fallout > San Francisco Bay View

Medical journal article:

14,000 U.S. deaths

tied to Fukushima reactor

disaster fallout

December 22, 2011

Impact seen as roughly comparable to radiation-related deaths after Chernobyl; infants are hardest hit, with continuing research showing even higher possible death count

 

 

Dec. 19 press conference on the release of the study

The Fukushima plume begins its journey to the U.S. and around the world. Another plume, this one created by tons of radioactively contaminated water, is making its way across the Pacific Ocean. – Photo: Getty Images

Washington, PRNewswire-USNewswire – An estimated 14,000 excess deaths in the United States are linked to the radioactive fallout from the disaster at the Fukushima nuclear reactors in Japan, according to a major new article in the December 2011 edition of the International Journal of Health Services. This is the first peer-reviewed study published in a medical journal documenting the health hazards of Fukushima.

Authors Joseph Mangano and Janette Sherman note that their estimate of 14,000 excess U.S. deaths in the 14 weeks after the Fukushima meltdowns is comparable to the 16,500 excess deaths in the 17 weeks after the Chernobyl meltdown in 1986. The rise in reported deaths after Fukushima was largest among U.S. infants under age one. The 2010-2011 increase for infant deaths in the spring was 1.8 percent, compared to a decrease of 8.37 percent in the preceding 14 weeks.

The IJHS article is available online at http://www.radiation.org.

Just six days after the disastrous meltdowns struck four reactors at Fukushima on March 11, scientists detected the plume of toxic fallout had arrived over American shores. Subsequent measurements by the U.S. Environmental Protection Agency (EPA) found levels of radiation in air, water and milk hundreds of times above normal across the U.S. The highest detected levels of Iodine-131 in precipitation in the U.S. were as follows (normal is about 2 picocuries I-131 per liter of water): Boise, Idaho, 390; Kansas City 200; Salt Lake City 190; Jacksonville, Fla., 150; Olympia, Wash., 125; and Boston, Mass., 92.

Just six days after the disastrous meltdowns struck four reactors at Fukushima on March 11, scientists detected the plume of toxic fallout had arrived over American shores.

Epidemiologist Joseph Mangano, MPH MBA, said: “This study of Fukushima health hazards is the first to be published in a scientific journal. It raises concerns and strongly suggests that health studies continue, to understand the true impact of Fukushima in Japan and around the world. Findings are important to the current debate on whether to build new reactors and how long to keep aging ones in operation.”

Mangano is executive director of the Radiation and Public Health Project and the author of 27 peer-reviewed medical journal articles and letters.

Findings are important to the current debate on whether to build new reactors and how long to keep aging ones in operation.

Internist and toxicologist Janette Sherman, MD, said: “Based on our continuing research, the actual death count here may be as high as 18,000, with influenza and pneumonia, which were up five-fold in the period in question as a cause of death. Deaths are seen across all ages, but we continue to find that infants are hardest hit because their tissues are rapidly multiplying, they have undeveloped immune systems, and the doses of radioisotopes are proportionally greater than for adults.”

Dr. Sherman is an adjunct professor, Western Michigan University, and contributing editor of “Chernobyl: Consequences of the Catastrophe for People and the Environment” published by the New York Academy of Sciences in 2009, and author of “Chemical Exposure and Disease and Life’s Delicate Balance: Causes and Prevention of Breast Cancer.”

The Centers for Disease Control and Prevention (CDC) issues weekly reports on numbers of deaths for 122 U.S. cities with a population over 100,000, or about 25-30 percent of the U.S. In the 14 weeks after Fukushima fallout arrived in the U.S. – March 20 to June 25 – deaths reported to the CDC rose 4.46 percent from the same period in 2010, compared to just 2.34 percent in the 14 weeks prior. Estimated excess deaths during this period for the entire U.S. are about 14,000.

Joseph Mangano, Janette Sherman and the International Journal of Health Services were the sources for this article. Dr. Sherman can be reached at toxdoc.js@verizon.net. For more information, visit http://www.radiation.org.

Fukushima plume sickens and

kills in U.S. and beyond

 

by Janette Sherman, MD

A plume can be seen rising from the burning Fukushima Daiichi nuclear plant in this satellite image taken on March 14. – Photo: Digital Globe/Reuters

This report, “An Unexpected Mortality Increase in the United States Follows Arrival of the Radioactive Plume from Fukushima: Is There a Correlation?” published in the International Journal of Health Sciences Dec. 19, is not new science, but confirms research done over the decades as to adverse effects caused by radioisotopes to the unborn and the very young because of their rapidly developing cells, immature immunological systems and relatively small weight.

As background, in the 1950s, I worked for the Atomic Energy Commission – the forerunner of the Nuclear Regulatory Commission – at the Radiation Laboratory, University of California in Berkeley, and the U.S. Navy Radiation Laboratory at Hunters Point in San Francisco. Nearly 60 years ago, we learned that radiation could damage animals and plants and cause cancer, genetic damage and other problems.

The issue of the danger from nuclear power plants is not just the engineering, but biology and chemistry. We have understood for decades where and how radioisotopes interact with life systems.

Nearly 60 years ago, we learned that radiation could damage animals and plants and cause cancer, genetic damage and other problems. The issue of the danger from nuclear power plants is not just the engineering, but biology and chemistry.

Cesium-137 and Strontium-90 have half-lives of approximately 30 years. It takes 10 half-lives for an isotope to fully decay; thus it will take 300 years – or three centuries – before radioactive cesium and strontium will be gone.

Cs-134, Cs-137 and Sr-90 continue to be released from Fukushima in tons of contaminated water that is making its way across the Pacific Ocean. Cesium concentrates in soft tissue, strontium in bones and teeth of the unborn and young.

Immediately after Chernobyl the level of thyroid disease increased. Given the large amounts of radioactive iodine (I-131) released from Fukushima, thyroid disease will develop in those exposed in Japan, as well as in those exposed to lesser amounts throughout the Northern Hemisphere. Public health officials need to anticipate and prepare for these findings.

The highest levels of I-131 measured by EPA in precipitation varied from a high of 390 picoCuries (pCi) in Boise to 92 in Boston, with intermediate levels in Kansas City, Salt Lake City, Jacksonville and Olympia, Wash. Normal is at 2 pCi.

Not every system was evaluated after Chernobyl, but of those that were – wild and domestic animals, birds, fish, plants, fungi, bacteria, viruses, even humans – were altered by the radiation, often for generations.

Birds in the 30-kilometer “exclusion zone” of Chernobyl display small brain size, alterations of normal coloration, poor survival of offspring and poor adaptability to stress.

Recent independent studies conducted in Scandinavia show a decline on academic performance in children exposed during the Chernobyl fallout. Eighty percent of children in Belarus are considered unwell by government standards.

Birds in the 30-kilometer “exclusion zone” of Chernobyl display small brain size, alterations of normal coloration, poor survival of offspring and poor adaptability to stress. Eighty percent of children in Belarus are considered unwell.

Unless the earth stops turning and the laws of biology, chemistry and physics are rescinded, we will continue to see sickness and harm spread to the children of Fukushima, the same that occurred after Chernobyl. We ignore history at our peril.

More information is available at www.radiation.org and www.janettesherman.com.

Janette D. Sherman, M.D., is a physician and toxicologist, specializing in chemicals and nuclear radiation that cause cancer and birth defects. The author of “Chemical Exposure” and “Life’s Delicate Balance: Causes and Prevention of Breast Cancer,” she has worked in radiation and biologic research at the University of California nuclear facility and at the U.S. Naval Radiological Defense Laboratory at the Hunters Point Shipyard in San Francisco. From 1976-1982, she served on the advisory board for the EPA Toxic Substances Control Act. Throughout her career, she has served as a medical-legal expert witness for thousands of individuals harmed by exposure to toxic agents. Dr. Sherman’s primary interest is the prevention of illness through public education and patient awareness. She can be reached at www.janettesherman.com. Dr. Sherman is contributing editor of “Chernobyl: Consequences of the Catastrophe for People and the Environment,” published by the New York Academy of Sciences and originally priced at $150. She has expanded and republished that landmark study to make it widely accessible for only $10 from Greko Printing; email orders@grekoprinting.com.

 

 

HAITI: Where Did The Money Go? > Durandis: Haiti’s Aid-Industrial Complex

WHERE DID THE MONEY GO?

Durandis:

Haiti’s Aid-Industrial Complex

 

December 5, 2011

 

 

Above: a home in Leogane

 

By Ilio Durandis

 

Even before the disastrous earthquake that rocked Haiti on Jan. 12, 2010, the country suffered immensely from the symptoms of its Aid Industrial Complex (AIC). The term Republic of NGOs (Non-Governmental Organizations) was synonymous with the country because of the vast number of NGOs doing business there, given its total population and territory size. It has been said that Haiti had more than 10,000 NGOs for its 10 million residents, of which less than 10 percent are legally registered with the Haitian government.

Less than two months from now, a tsunami of international media and personnel will embark to Haiti to get a glimpse of what has been done since the earthquake, and where Haiti stands in regard to its own reconstruction. There will be many reports about what has happened to the aid money, or more questions about where it has gone, all in the hope to get a sense of where the country is really going.

Since many people have been asking where the aid money is, or, better yet, questioning the lack of spending by some of the biggest NGOs or foundations that received large sum of donations in the name of Haiti, this report will try to elucidate the landscape of aid in Haiti and highlight what some of the major players have been doing since that tragic day almost two years ago.

For starters, a basic Google search of “where is the aid money for Haiti” would give plenty of results that anyone could deduce that most of the money has either not yet spent or has not been efficiently used to rebuild the country.

According to a National Public Radio (NPR) report in January, the American Red Cross, World Vision, Catholic Relief Services, Oxfam America, Partners in Health, Clinton Bush Haiti Fund, Save the Children, William J Clinton Foundation were all among the top receivers of donation money to respond to Haiti’s earthquake.

Almost two years later, many of these organizations and foundations have not been able to efficiently disburse the funds they raised for Haiti’s relief and recovery post-earthquake.

The American Red Cross (ARC), in their June update, published that out of the $484 million dollars raised, they have been able to spend just $295 million dollars on the relief and recovery effort thus far. Most of that money has been spent on temporary housing, food, water, sanitation, and health. The ARC has been working in partnership and sometimes as donors to other large NGOs, such as Habitat for Humanity.

Oxfam America, which focused its efforts on shelter, water sanitation, foods and livelihoods, raised an estimated $98 million, of which 20 percent still remained unspent. More recently, six staff members of the organizations were fired over alleged abuse of power and bullying. Oxfam made it clear these members were not involved in any money corruption scheme, and that all money received for earthquake relief and recovery would continue to be used for the reconstruction of the country.

Other major organizations, such as World Vision, Catholic Relief Services, and Save the Children fared no better at the pace they have decided to spend donors’ money in Haiti.

All these organizations, including the Clinton and Clinton Bush organizations raised more than $1 billion between them in the immediate aftermath of the quake, and as of this writing many of them have scaled down their involvement significantly in Haiti, as they keep promising that every dime will be spent in the country.

The issue at hand is not so much about how these organizations failed to disburse their donated fund in a timely manner and adequately, but, more importantly, it is how they have decided to spend the money.

For the most part, the Clinton Foundation served as a grant-giver to many of those mega-NGOs, which already received tens of millions of dollars post-earthquake – a sum they could not seem to find ways to spend fast enough in a country that is in need of almost every basic necessity.

The Clinton Bush Haiti Fund has revealed about $32 million committed to organizations working in Haiti (having raised $54 million) where less than $5 million is committed to Haitian-led organizations; organizations like Concern, Habitat for Humanity, Catholic Relief Services, and Partners in Health are among the fund recipients.

The aid industrial complex (AIC) in Haiti is essentially applying the marginal utility theory when it comes to how NGOs think of themselves vis-a-vis their dealings with Haitian-led organizations and the people.

The theory states that the marginal utility of a good or service is the utility gained or lost from an increase or decrease in the consumption of that good or service. The NGOs which comprised the AIC understand the marginal utility of their services because they believe that, without them, life could become a lot harder for many more Haitians.

Thus when it comes to aid and grants, these organizations form a tight group and keep out of most Haitian-led organizations within their circle. The more they apply this theory, the more valuable their services become to the Haitian people, and the more the latter would demand their services.

William Stanley Jevons, the political economist, once put it that value depends entirely on utility.

What becomes very obvious in my research is that the way the AIC works is almost counterproductive to progress in Haiti.

We have a system where mega-NGOs, such as the ARC, Oxfam and CRS — to name just a few — usually dominate the lion’s share of the donations, and thus can explicitly decide what projects they will or not support.

Working alongside the mega-NGOs are foundations like the Clinton Bush Haiti Fund and major international organizations such as the Inter-American Development Bank (IDB), which usually support the mega-NGOs work by funding them.

Another interesting observation is that mega-NGOs often collaborate among themselves by providing funds or in-kind services to each other. It is interesting because this setup clearly limits the need to go outside the AIC for help or services, and thus every major decision is kept within a limited core organizations and institutions, which more often than not deprive the voice of the Haitian people.

What can be seen in Haiti as it tries to rebuild are those projects that the AIC deems valuable and important. The NGOs and those world organizations move at their own pace and do as they please because they control everything — the relief effort lasted however long they wanted it to last until they moved to a transitional phase, where they were providing people with transition shelters and cash for work.

The transitional shelters that organizations like Samaritan’s Purse built in Leogane were often made with plywood. In some instances, parts of them would be covered with the famous blue tarps or plastics with name of Samaritan’s Purse on them.

They were a step up from the tents, but many in Haiti question their usefulness and durability. The cash for work mostly consisted of hiring people to clean the streets, dig in dirty and muddy water to clear canals or clean some of the latrines in the tent cities.

One morning in January, just before the first anniversary of the earthquake, I met a woman on Champs-de-Mars, where many internally displaced people have erected their tents. She was sweeping the street in front of the National Palace, as part of a Cash for Work project. I asked her where she lives and how much she was getting paid to do the job. She answered that she resided in Cite Soleil, and that she had to be on a Tap-Tap by 5 AM every morning, in order to make it on site on time. She said that the money she was getting paid was barely enough to cover her transportation expenses. S

The woman said that she had no choice but to do this job, because it was still better than nothing. She told me that there used to be issues with the programme not paying on time, or that people in charge were giving preferences to individuals they knew.

As some of the NGOs were getting ready to move from the transitional phase to a more permanent recovery, a cholera outbreak broke out. Immediately, many NGOs shifted their attention to attend to this new emergency.

Cholera, a disease which was not present previously in Haiti, caused more than 6,000 deaths, and left hundreds of thousands hospitalized. A lot of money that was supposed to go towards reconstruction, by default went into the response to the cholera outbreak.

The American Red Cross was one of the leaders in responding to the outbreak. They set up and operated many Cholera Treatment Center throughout Port-au-Prince and provided financial support to other health organizations outside of the capital city.

The massive and swift response to the cholera outbreak serves as a great example as to the importance of NGOs in a country like Haiti, but it also helped to highlight that in order to get the maximum out of these organizations, their goals must be well-defined and resources must be shared to increase efficiency.

The bottom line is that having NGOs in Haiti is not the problem, but finding ways to coordinate their efforts and to regulate them is a much more precarious proposition. There are some NGOs that have been and are continuing to do great work in and around the country — organizations like Partners in Health, Medecins Sans Frontieres, among others.

Those NGOs working in healthcare with a specific mission and clear goal tend to do much better with aid money and efficiency of their work, when compared to those that try to do it all.

Another default side-effect of the AIC is the weakening of the Haitian government. Since the AIC controls so much capital and can afford to attract some of the country’s best mind with more attractive pay; it left the government, for the most part, with an already limited pool of bright and capable minds to serve the best interest of the republic. The AIC economic influence also undermines the government priorities, for they mostly engage in projects that can serve their donors’ base, and as a result many members of the AIC tend to the same projects, and sometimes in the same town. This is an inefficient model.

Because of past corruption issues, the Haitian government was bypassed by donors after the earthquake, which eventually reconfirmed the weakness and incapacity of the state. With a lack of economic capital, the government could not do much to respond to the immediate needs of its people, and thus a new commission was created called the Interim Haiti Recovery Commission (IHRC) with former President Bill Clinton and then-Prime Minister Jean-Max Bellerive as its two co-chairmen.

Even this commission could not account for what it was mandated to do — approving projects that should be receiving funding from major donors.

Accountability is seldom demanded of the NGOs. Visiting their websites, the list of projects that they are doing are front and center, but very few NGOs can highlight the outcomes of their projects. Once an organization mentions it is doing a certain project, or that it has given a certain amount of money towards a project, that is usually the end of the story; there are often no real ways to track the outcome.

A call to one of those organizations, one of the top ten receivers of aid money for Haiti after the earthquake asking for a simple update on how much they have spent thus far in Haiti could not be answered.

There is no secret about the lifestyle that many NGOs’ expatriate workers are living in Haiti. They get paid four to six times more than their Haitian counterparts, and often they get allowances for things such as housing, food, transportation and so forth. According to The Chronicle of Philanthropy, Oxfam has spent 10 million dollars on hiring and paying staff in Haiti during the first year responding to the earthquake. Altogether, they spent almost $29 million in staff payments, logistics, transportation, vehicles, office spaces, and to manage, evaluate and run programs in Haiti. That’s $29 million of the $69 million they have spent as of January of this year.

The blueprint moving forward should not be trusted in the hands of the AIC to do what is best for Haiti, but rather for the big international organizations to find ways to include more Haitian-led community based organizations like Sonje Ayiti, Asosyasyon Peyizan Fondwa (APF), KOFAVIV and many more like them. This is one of many ways to make sure that Haitians get what they want, because leaders of those organizations are integral parts of the communities they serve.

Lastly, the Haitian government must enforce its NGO policies. If not already in place, it must limit the number of NGOS that can be providing the same services within a reasonable distance or communal section.

There is a lot to do in the reconstruction and revitalization of Haiti. Resources cannot continue to be used inadequately and donors need to demand more accountability, transparency and results from the NGOs.

Ilio Durandis, a Caribbean Journal contributor, is the founder of Haiti 2015, a social movement for a just and prosperous Haiti. He is a columnist with The Haitian Times. This report was done thanks to donors from spot.us.

 

VIDEO: Krystle Warren - The Love Songs Sessions + Performance > PUT ME ON IT

Video: Krystle Warren

- The Love Songs Sessions

 

This is probably one of the most inspirational videos I've posted since I started blogging. The bravery and determination it must take to hold out in order to do everything on your own terms without compromising, then trusting yourself when the dream scenario comes together and you have 20+ other people involved in bringing it to life makes me feel overwhelmed just watching. I have a sneaking suspicion that this album, whenever it comes to light, will be a modern masterpiece. 

 

__________________________

 

Krystle Warren

at Soho Theatre, London

People kept asking me 'Have you heard Krystle Warren?'...i went to see her solo acoustic show last night at Soho Theatre and spent the evening with the same beatific look on my face as my friends did when talking about her. She generally seems to have this effect on people. She even managed to make a London crowdsing!... jazz licks sehn!..thats power. I want to review the show but I just drift into superlatives like 'amazing' and 'incredible'... both of which nearly describe that voice. A depth and breadth of feeling and humility that recalls a strange and lovely cocktail of artists like Tracy Chapman, Bob Dylan, Louis Armstrong, Cassandra Wilson and Jeff Buckley. 

Catch her live in London til the 27th February.

So heres a slice of whats fine from her latest album Circles out on Because Music
,yum yum yum!

>via: http://putmeonit.blogspot.com/2010/02/krystle-warren-at-soho-theatre-london.html

 

VIDEO: House of Lies Star Don Cheadle Gives a Hilarious Interview; Premieres New Series (Full Episode Included) > Clutch Magazine

House of Lies Star

Don Cheadle

Gives a Hilarious Interview;

Premieres New Series

(Full Episode Included)


Friday Dec 30, 2011 – by

Don Cheadle’s Jet Mag interview is as about revealing, as it is humorous. The star of new Showtime original show “House of Lies” talks about his 20 year partnership with actress Bridgid Coulter, his aversion to Hollywood, thoughts on Barack Obama, and more in this newest issue available at newsstands near you.

Cheadle addresses why he and long-time partner Bridgid Coulter remain unwed:
“We were married in a pagan ritual,” jokes Cheadle. “No it just wasn’t planned. Our first daughter wasn’t planned and it just happened. So we were like, we’re together. Are we supposed to get married now? After 20 years, I guess we could. It’s just never been a priority.”

On his refusal to go “Hollywood”:
“It’s not me,” says Cheadle. “If I suddenly became ‘that guy,’ it would seem ridiculous. I’ll kill a hooker or something, or get into a bar fight with Jamie Foxx. I dunno!”

Thoughts on Barack Obama:
“I think he inherited an impossible situation. I wish he had not been so much of a consensus-seeker. I just wanted to see a more ‘gangsta’ president.”

Cheadle commenting on his resemblance to Conrad Murray:
“(Conrad Murray) is actually my passion project. You hit it! I want to play Conrad Murray, but I want to do him in drag and somewhat mentally disabled because that’s what will get me my Oscar. Oh wait, for Black people you have to be like a prostitute or a gangster. I’ll do him as a prostitute and I’ll definitely get that Oscar!”

Apparently, Showtime is in the giving spirit this holiday season, offering the following sneak preview of Cheadle’s “House of Lies”, which makes its official debut on January 8th. Watch the entire premiere below:

Article Source

 

PUB: The MacDowell Colony

 

Application Guidelines

Please review the Application Guidelines below before beginning the application process. If you have questions about applying to MacDowell, please contact the admissions office at admissions@macdowellcolony.org.

 

Summer 2012
Deadline: January 15, 2012
Residencies: June 1, 2012 -
September 30, 2012
Accepting Applications:
October 15 - January 15, 2012

Fall 2012
Deadline: April 15, 2012
Residencies: October 1, 2012-
January 31, 2013
Accepting Applications:
February 15 - April 15, 2012

Winter/Spring 2013
Deadline: September 15, 2012
Residencies: Feb 1, 2013-
May 31, 2013
Accepting Applications:

 July 1 - September 15, 2012


 

The MacDowell Colony provides time, space, and an inspiring environment to artists of exceptional talent. A MacDowell Fellowship, or residency, consists of exclusive use of a studio, accommodations, and three prepared meals a day for up to eight weeks. There are no residency fees.

MacDowell Fellows are selected by our admissions panels, which are comprised of a revolving group of distinguished professionals in each artistic discipline who serve anonymously for three years.

Eligibility
The Colony accepts applications from artists working in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. The sole criterion for acceptance is artistic excellence, which the Colony defines in a pluralistic and inclusive way. MacDowell encourages applications from artists representing the widest possible range of perspectives and demographics, and welcomes artists engaging in the broadest spectrum of artistic practice and investigating an unlimited array of inquiries and concerns. To that end, emerging as well as established artists are invited to apply.

MacDowell is committed to a policy of nondiscrimination and equal opportunity for all persons regardless of race, sex, color, religion, creed, national origin or ancestry, age, marital status, sexual orientation, gender identity, gender expression, and disability. No one with the AIDS virus, ARC, or HIV shall be denied admission as long as he/she is otherwise qualified. The Colony offers barrier-free access in all main buildings and some studios.

Application Periods and Deadlines
Artists may apply only once every 12 months. MacDowell will only accept applications for the next deadline. Please refer to the applications dates in the column on the left for open application time periods.

Application Process
Before starting the application process, we encourage applicants to scroll through our extensive list of Application FAQs. All applicants apply through the online application process. To apply, click on the Apply icon. Applicants are not required to mail in hard copies of the application forms.

Work Samples
Work samples supporting the proposed project and completed within the past four years are requested. All work samples are uploaded and submitted through the online application. Applicants unable to submit new work for the panel to review should include a note of explanation. Those applicants whose proposed project does not fall clearly within an artistic discipline should contact the Admissions office to discuss which discipline would best fit the proposed work.

Please note, composers are required to mail in two copies of two clearly reproduced, bound scores within one week after the deadline, but must upload music files through the online application. 

For detailed work sample requirements for each artistic discipline, click here.

References
Applicants are required to have one reference form on file completed by an authority in their field who is familiar with them and their work. Applications that do not have a completed reference form on file will be considered incomplete and will not be reviewed. Reference letters are confidential and will be kept on file for five years.

Applicants may have a reference sent through a secure link on SlideRoom.  This process is initiated by the applicant in the References step of the application and it is the applicant’s responsibility to ensure the request is fulfilled.  The deadline for all references is one week after the application deadline.

For those recommenders who do not use e-mail, a printable PDF version of the reference form is available here.

Processing Fee
A nonrefundable processing fee of $30 (U.S.) is required with each application. Applicants pay the processing fee by debit or credit card through a secure site on the online application.

Notification
Applicants will be notified of admission status approximately 10 weeks after the applicable deadline, on or near the dates listed below:

Summer residency notification: March 25th
Fall residency notification: June 25th
Winter/Spring residency notification: November 25th

Collaborations
Artists collaborating on a project must submit individual application forms and appropriate work samples, along with a joint description of the work they intend to do at the Colony. Work space needs should be clearly specified (i.e. whether or not separate studios are required), and an example of a previous collaborative work (either completed or in progress) may also be submitted. Admission status is determined by averaging the individual application scores of all collaborators.

Couples
Couples must apply individually. If both are accepted, each will be offered a studio. There are no provisions for partners or children at the Colony.

Reapplication
All applicants, including artists who have had previous residencies at MacDowell, must submit a complete application that includes recent work samples.

For further assistance, please contact the Admissions office by e-mail