PUB: Poetry Chapbook Contest

The Ledge 2011 Poetry Chapbook Competition

PRIZE: Winning poet will receive a $1,000 cash award and 25 copies of the published chapbook.

SUBMIT: 16-28 pages of original poetry with title page, biographical note and acknowledgements, if any. Please include your name, mailing address, email address, and phone number (optional). Simultaneous submissions are accepted, but we ask that you notify us if your manuscript is accepted elsewhere. Poets may enter more than one manuscript.

ENTRY FEE: $18. All entrants will receive a copy of the winning chapbook upon its publication in the fall of 2012.

NO RESTRICTIONS on form or content. The Ledge Press is open to all styles and forms of poetry. Excellence is the only criterion.

PLEASE include a SASE for the competition results or manuscript return.

POSTMARK DEADLINE: October 31, 2011.

SEND ENTRIES TO:

The Ledge 2011 Poetry Chapbook Competition,
40 Maple Ave.,
Bellport, NY 11713

 

PUB: Tebot Bach, Inc. - The Patricia Bibby First Book Award

Tebot Bach announces
The Patricia Bibby First Book Award
$1,000 and Book Publication

Patricia Bibby was a beginning poet whose poems expressed her love of life while living with cancer. Her kindness, humor, and optimism inspired the love of many new friends in the poetry community. She died in 2004, at 43, without having been published. In naming the First Book Award after Patricia Bibby, Tebot Bach honors the aspirations and spirit of all beginning poets. Dorothy Barresi serves as judge for this competition that looks for a fresh, new voice in poetry.

Competition Guidelines

Winner will receive $1,000 and book publication
Judge: Dorothy Barresi 

The competition is open to all poets writing in English who have not committed to publishing collections of poetry of 36 poems or more in editions of over 400 copies.

Entries of 50–84 pages of original poetry in English must be postmarked by October 31. Entries postmarked after October 31 will not be read. Manuscripts will not be returned. Manuscripts must be bound with a binder clip. No staples, folders, or printer-bound copies. No photographs, images, or illustrations. Please do not include acknowledgements at this time. Please do not include any identifying information anywhere in the manuscript. Submit two title pages. The first, not fastened with the manuscript, should include the title of the manuscript, author’s name, address, telephone number, and email address in upper right corner. The second, fastened with the manuscript, should include only the title in upper right corner. Entries should be fastened in this order:

1. Title page
2. Table of contents
3. Collection of poems
Items 1 and 2 are not included in the 50–84 page count.

Manuscripts should be letter-quality, typewritten, and single-spaced. Photocopies are acceptable. Please do not submit your only copy, as manuscripts will not be returned.

Tebot Bach assumes no responsibility for damaged or lost manuscripts.

Manuscripts must be previously unpublished.

Translations and multi-authored collections are not eligible.

Past and current volunteers and employees of Tebot Bach are not eligible. Poets who have studied with Dorothy Barresi in more than 2 workshop settings are not eligible.

Simultaneous submissions are acceptable, but Tebot Bach must be notified immediately if a collection is accepted for publication via email: info@tebotbach.org
The winning collection will be announced June 2010 on the Tebot Bach website www.tebotbach.org and published in 2010.
-->
Please include a non-refundable reading fee of $25, check or money order, made out to Tebot Bach. Include a business-size SASE (self-addressed envelope) for notification. Include a SAPC (self-addressed postcard) for notification of receipt of manuscript. Postcard should include title of manuscript.

Mail manuscript, check or money order payable to Tebot Bach, SASE, SAPC in one envelope to:

Patricia Bibby Award
Tebot Bach
Post Office Box 7887
Huntington Beach CA 92615-7887

 

PHOTO ESSAY: Ivory Coast—Coast Of Many Colors > Nana Kofi Acquah Photography

Coast of many colours

 

The Ivory Coast has been in the news for many reasons… most of them not so positive or downright horrible. I’ve had the privilege of shooting here for a week now, and since it is my first time after the recent war, I cannot help but admire the people of this beautiful land again. Ivory Coast series Ivory Coast seriesIvorians definitely rank high up there as some of the world’s colourful, stylish people any one can ever meet. Ivory Coast series

Ivory Coast series Ivory Coast series Ivory Coast series Ivory Coast series Ivory Coast series Ivory Coast series Ivory Coast series Ivory Coast series Ivory Coast series Ivory Coast series Enjoy the pictures and forgive me for taking so long to update my blog. These are really busy times. I leave for Lagos today. See you soon. xxx Nana

 

 

VIDEO: Kickstarter Campaign Trailer: Shauna Garr’s “1 More Hit” Takes An Honest Look At Drugs & Hip-Hop > Shadow and Act

Kickstarter Campaign Trailer:

Shauna Garr’s “1 More Hit”

Takes An Honest Look

At Drugs & Hip-Hop

One of the main issues I have with the so-called “hip-hop culture” is its occasional glorification and romanticization of illegal substance abuse.  The tired argument of “it’s just entertainment” just doesn’t fly with me because, believe it or not, some people just don’t know the difference between real and “entertainment”.

A new Kickstarter project from filmmaker Shauna Garr, titled 1 More Hit, aims to show one formerly-prominent hip-hop community member’s struggle to conquer his addiction to narcotics and resuscitate his dying music career.  Personally, I’m hoping that this film will convey to its viewers that no matter how dope the beat is, in real life, drugs and hip-hop don’t mix well.

Rapper/Producer J-Swift, of The Pharcyde, was and still is a talented musician, as you’ll see in the clip posted below.  Unfortunately, drugs destroyed everything he’d built for himself.  1 More Hit will show him at his lowest, and also as he attempts to pick himself back up again.

The Pitch:

The Trailer:


The Clip:

If you’d like to see this project become successful, make sure you support it and spread the word.

 

OP-ED + VIDEO: Blacks In Germany - Past, Present & Future

 
  

whb2:

The fate of blacks

in Nazi Germany

*Peace to the Blacks, Jews, Gypsies and Gays who were murdered in Nazi Concentration Camps. And blessings to the kind german citizens who helped hide and protect them.

So much of our history is lost to us because we often don’t write the history books, don’t film the documentaries, or don’t pass the accounts down from generation to generation.

One documentary now touring the film festival circuit, telling us to ”Always Remember” is “Black Survivors of the Holocaust” (1997). Outside the U.S., the film is entitled “Hitler’s Forgotten Victims” (Afro-Wisdom Productions) . It codifies another dimension to the “Never Forget “Holocaust story—our dimension.

Did you know that in the 1920’s, there were 24,000 Blacks living in Germany? Here’s how it happened, and how many of them were eventually caught unawares by the events of the Holocaust.

Like most West European nations, Germany established colonies in Africa in the late 1800’s in what later became Togo, Cameroon, Namibia, and Tanzania. German genetic experiments began there, most notably involving prisoners taken from the 1904 Heroro Massacre that left 60,000 Africans dead, following a 4-year revolt against German colonization.

After the shellacking Germany received in World War I, it was stripped of its African colonies in 1918.

As a spoil of war, the French were allowed to occupy Germany in the Rhineland—a bitter piece of real estate that has gone back and, forth between the two nations for centuries. The French willfully deployed their own colonized African soldiers as the occupying force.

Germans viewed this as the final insult of World War I, and, soon thereafter, 92% of them voted in the Nazi party.Hundreds of the African Rhineland-based soldiers intermarried with German women and raised their children as Black Germans. In Mein Kampf, Hitler wrote about his plans for these “Rhineland Bastards”. When he came to power, one of his first directives was aimed at these mixed-race children. Underscoring Hitler’s obsession with racial purity, by 1937, every identified mixed-race child in the Rhineland had been forcibly sterilized, in order to prevent further “race polluting”, as Hitler termed it.

Hans Hauck, a Black Holocaust survivor and a victim of Hitler’s mandatory sterilization program, explained in the film “Hitler’s Forgotten Victims” that, when he was forced to undergo sterilization as a teenager, he was given no anesthetic. Once he received his sterilization certificate, he was “free to go”, so long as he agreed to have no sexual relations whatsoever with Germans. Although most Black Germans attempted to escape their fatherland, heading for France where people like Josephine Baker were steadily aiding and supporting the French Underground, many still encountered problems elsewhere. Nations shut their doors to Germans, including the Black ones.

Some Black Germans were able to eke out a living during Hitler’s reign of terror by performing in Vaudeville shows, but many Blacks, steadfast in their belief that they were German first, Black second, opted to remain in Germany. Some fought with the Nazis (a few even became Lutwaffe pilots)! Unfortunately, many Black Germans were arrested, charged with treason, and shipped in cattle cars to concentration camps. Often these trains were so packed with people and (equipped with no bathroom facilities or food), that, after the four-day journey, box car doors were opened to piles of the dead and dying.

Once inside the concentration camps, Blacks were given the worst jobs conceivable. Some Black American soldiers, who were captured and held as prisoners of war, recounted that, while they were being starved and forced into dangerous labor (violating the Geneva Convention), they were still better off than Black German concentration camp detainees, who were forced to do the unthinkable-man the crematoriums and work in labs where genetic experiments were being conducted. As a final sacrifice, these Blacks were killed every three months so that they would never be able to reveal the inner workings of the “Final Solution”. In every story of Black oppression, no matter how we were enslaved, shackled, or beaten, we always found a way to survive and to rescue others.

As a case in point, consider Johnny Voste, a Belgian resistance fighter who
was arrested in 1942 for alleged sabotage and then shipped to Dachau. One of his jobs was stacking vitamin crates.Risking his own life, he distributed hundreds of vitamins to camp detainees, which saved the lives of many who were starving, weak, and ill—conditions exacerbated by extreme vitamin deficiencies. His motto was ”No, you can’t have my life; I will fight for it.”

According to Essex University’s Delroy Constantine- Simms, there were Black Germans who resisted Nazi Germany, such as Lari Gilges, who founded the Northwest Rann—an organization of entertainers that fought the Nazis in his home town of Dusseldorf—and who was murdered by the SS in 1933, the year that Hitler came into power.

Little information remains about the numbers of Black Germans held in the camps or killed under the Nazi regime. Some victims of the Nazi sterilization project and Black survivors of the Holocaust are still alive and telling their story in films such as “Black Survivors of the Nazi Holocaust”, but they must also speak out for justice, not just history. Unlike Jews (in Israel and in Germany), Black Germans receive no war reparations because their German citizenship was revoked (even though they were German-born) . The only pension they get is from those of us who are willing to tell the world their stories and continue their battle for recognition and compensation.

After the war, scores of Blacks who had somehow managed to survive the Nazi regime, were rounded up and tried as war criminals. Talk about the final insult! There are thousands of Black Holocaust stories, from the triangle trade, to slavery in America, to the gas ovens in Germany.

We often shy away from hearing about our historical past because so much of it is painful; however, we are in this struggle together for rights, dignity, and, yes, reparations for wrongs done to us through the centuries. We need to always remember so that we can take steps to ensure that these atrocities never happen again.

Written by A. Tolbert, III

 

__________________________

 

<img style="visibility:hidden;width:0px;height:0px;" border=0 width=0 height=0 src="http://c.gigcount.com/wildfire/IMP/CXNID=2000002.11NXC/bT*xJmx*PTEzMTk*Mjc1MjAwNzMmcHQ9MTMxOTQyODM2MjkwNCZwPSZkPSZnPTImbz*4OWY3ZWE1NzNiNWY*N2Q5OTExYTViM2Qx/MDgwYmQ5YiZvZj*w.gif" /> video platformvideo managementvideo solutionsvideo player video platformvideo managementvideo solutionsvideo player

Being black in Germany

Being black in Germany. If you always wanted to know what it’s like being a black German person living in Germany, then this is a video you must see. In the video writer and cross-cultural scholar Nguvi Kahiha explains the full spectrum of the black diaspora in Germany. He looks at the historical influx of blacks, which started over 400 years ago and shifts focus to the current Afro-German culture and past African-American presence in Germany, which includes W.E.B. Du Bois, Booker T. Washington and Colin Powell. Nguvi Kahiha has a black African father and a white German mother 

Some quotes:

“You are German or you are not. And since your black your not German anyway.”

“Afro-German are German born blacks with one parent African-American or African decent and another parent German decent. And blacks who have both black parent but are born into the German culture.”

“Historically, Afro-German where socially and culturally disconnected from the German society.”

>via: http://afroeurope.blogspot.com/2009/03/being-black-in-germany.html

 

 

VIDEO: Wanted: Writers who want to write about the Black experience in Germany > AFRO-EUROPE

Monday, October 17, 2011

Wanted:

Writers who want to write

about the Black experience

in Germany

 Via Black German Cultural Society, NJ

 

Sharon Dodua Otoo is looking for Black authors who want to write about the Black experience in Germany. The project is called "Witnessed" and is a book series written in English by Black authors, who live or have lived in Germany. It is edited by Sharon Dodua Otoo.

On the website she writes: "The idea for the series came to me one day as I thought about how little people know about life in Germany as a Black person - or how dated this knowledge is.



Even within Germany, discourse around ethnicity and diversity goes something like this: "if the foreigners learn German, they will integrate then there will be no problems".

And yet, Black people have lived in Germany for over 300 years. Black Germans can be found in all fields from science to art, from education to sport, from music to entrepreneurship. Where there are problems, these rarely have to do with lack of proficiency in the German language.

It is also incredible how little voice Black people within Germany have, despite decades of activism, academic research, creative publications and performances.

So I thought - fine! If we don't find recognition within Germany, we surely can on an international stage.

The Witnessed book series aims to enable English-speaking readers to access literature by Black authors who live (or have lived) in Germany and are from (or residing in) English-speaking countries, which bear witness to the experience of being Black in Germany."

Witnessed will be launched in Autumn 2012.

More authors

Philipp Khabo Köpsell. Check out his very interesting blog
"Die Akte James Knopf"
. He also wrote the book "Die Akte James Knopf: Afrodeutsche Wort- und Streitkunst"

Joshua Kwesi Aikins

Mirjam Nünning

 

 

 

 

 

HISTORY: Frederick Douglass: 'A Women's Rights Man' - Ta-Nehisi Coates > The Atlantic

Frederick Douglass:

'A Women's Rights Man'


By Ta-Nehisi Coates

 

During the days of Frederick Douglass's activism, the cause of abolition was deeply entangled with the cause of "women's rights." The two movements would later split over the 15th Amendment. 

 

There's a lot to say on that count. Douglass strongly supported suffrage for women, but believed that white women, already, enjoyed some amount of electoral privilege through the family, something which all black people--women and men--were totally cut off from. Elizabeth Cady Stanton argued that one should not go without the other. White women suffragists had been avowed and crucial supporters of emancipation. Stanton, among others believed, that support had earned a united front toward suffrage.The dispute cleaved the women's suffrage movement for nearly three decades. 

 

I've given a very crude summary here. For something more learned, I highly recommend Paula Giddings' classic When And Where I Enter: The Impact of Black Women On Race And Sex In America. 

 

While pleading her case, Stanton repelled old allies by using terms like "Sambo" to refer to black men. Nevertheless, Frederick Douglass, the only African-American at the Seneca Valley Convention, remembered her as a crucial influence in moving him from a narrow abolitionism toward a broader humanism.

 

Eloquent as ever, in the winter of his life, here he extolling Stanton and articulating her role in his own turn:

 

Observing woman's agency, devotion, and efficiency in pleading the cause of the slave, gratitude for this high service early moved me to give favorable attention to the subject of what is called "woman's rights" and caused me to be denominated a woman's-rights man. I am glad to say that I have never been ashamed to be thus designated. Recognizing not sex nor physical strength, but moral intelligence and the ability to discern right from wrong, good from evil, and the power to choose between them, as the true basis of republican government, to which all are alike subject and all bound alike to obey, I was not long in reaching the conclusion that there was no foundation in reason or justice for woman's exclusion from the right of choice in the selection of the persons who should frame the laws, and thus shape the destiny of all the people, irrespective of sex. 

 

In a conversation with Mrs. Elizabeth Cady Stanton when she was yet a young lady and an earnest abolitionist, she was at the pains of setting before me in a very strong light the wrong and injustice of this exclusion. I could not meet her arguments except with the shallow plea of "custom," "natural division of duties," "indelicacy of woman's taking part in politics," the common talk of "woman's sphere," and the like, all of which that able woman, who was then no less logical than now, brushed away by those arguments which she has so often and effectively used since, and which no man has yet successfully refuted. 

 

If intelligence is the only true and rational basis of government, it follows that that is the best government which draws its life and power from the largest sources of wisdom, energy, and goodness at its command. The force of this reasoning would be easily comprehended and readily assented to in any case involving the employment of physical strength. We should all see the folly and madness of attempting to accomplish with a part what could only be done with the united strength of the whole.Though his folly may be less apparent, it is just as real when one-half of the moral and intellectual power of the world is excluded from any voice or vote in civil government. 

 

 

 

In this denial of the right to participate in government, not merely the degradation of woman and the perpetuation of a great injustice happens, but the maiming and repudiation of one-half of the moral and intellectual power of the government of the world. Thus far all human governments have been failures, for none have secured, except in a partial degree, the ends for which governments are instituted. War, slavery, injustice and oppression, and the idea that might makes right have been uppermost in all such governments, and the weak, for whose protection governments are ostensibly created, have had practically no rights which the strong have felt bound to respect. 

 

The slayers of thousands have been exalted into heroes, and the worship of mere physical force has been considered glorious. Nations have been and still are but armed camps, expending their wealth and strength and ingenuity in forging weapons of destruction against each other; and while it may not be contended that the introduction of the feminine element in government would entirely cure this tendency to exalt woman's influence over right, many reasons can be given to show that woman's influence would greatly tend to check and modify this barbarous and destructive tendency. 

 

At any rate, seeing that the male governments of the world have failed, it can do no harm to try the experiment of a government by man and woman united. But it is not my purpose to argue the question here, but simply to state in a brief way the ground of my espousal of the cause of woman's suffrage. I believed that the exclusion of my race from participation in government was not only a wrong, but a great mistake, because it took from that race motives for high thought and endeavor and degraded them in the eyes of the world around them. Man derives a sense of his consequence in the world not merely subjectively, but objectively. If from the cradle through life the outside world brands a class as unfit for this or that work, the character of the class will come to resemble and conform to the character described. To find valuable qualities in our fellows, such qualities must be presumed and expected. 

 

I would give woman a vote, give her a motive to qualify herself to vote, precisely as I insisted upon giving the colored man the right to vote; in order that she shall have the same motives for making herself a useful citizen as those in force in the case of other citizens. In a word, I have never yet been able to find one consideration, one argument, or suggestion in favor of man's right to participate in civil government which did not equally apply to the right of woman.

 

The more I study this book, the more I wish it were better read. The Narrative is much more famous. But Life and Times, in addition to being a beautiful work of literature, really sets out of the roots of much of 20th Century black political thought, and liberal/progressive thought, period.

 

VIDEO + AUDIO: Questlove’s Afro-Picks Big Band – Live @ Grande Halle de la Villette, Paris, France 9-11-11 > All The Way Live

Questlove and Tony Allen drumming on stage together?  Talk about a dream concert… then add in the rest of the incredibly talented ensemble that comprised the Afro-Picks Big Band and you have something truly special.  Described as “a journey through African funk: past, present & future”, Questlove teamed up with the Red Bull Music Academy to co-curate a special concert dedicated to the immense impact of African funk and soul on modern music.  The unique show was a selection of tracks played by the Afro-Picks Big Band, which featured Tony Allen & Questlove on drums, Macy Gray, Black Thought, Mamani Keita, Amp Fiddler, members of Antibalas, the David Murray Big Band, Damon Bryson (of The Roots), cast members from Fela! the Broadway musical and more.  Needless to say, if you like good music, say Yeah, Yeah and listen to this epic show.

 

    VIDEO:

     

    VIDEO: 1995 Flashback: Every One Of Your Favorite MC's Drops By For The Final Episode of Yo! MTV Raps > WFMU's Beware of the Blog

    Rakim

     

    October 14, 2011

     

    PUB: ZAA Short Story Award Call for Submissions > WEALTH OF IDEAS

    ZAA Short Story Award

    Call for Submissions

    ABOUT THE COMPETITION
    Zimbabwean literature continues to flourish, despite a contracted publishing scene. The recent announcement of NoViolet Bulawayo as the winner of the 2011 Caine Prize shows the immense literary potential from Zimbabwe. This is a way to promote the growth of quality Zimbabwean literature. The competition seeks to inspire, encourage and support many young Zimbabwean writers. While the competition is aimed at encouraging Zimbabwean writers who write in Zimbabwe under severe conditions and with fewer resources and opportunities, it is also be open to Zimbabweans outside the country. An anthology of new writings selected from the very best submissions that will be received for the competition will be published and launched. The shortlist will be revealed sometime in December and the eventual winner at the 2012 edition of ZAA. It is hoped that this competition will become an annual fixture on the Zimbabwean literary calendar. Apart from the National Merits Awards (NAMA) and Intwasa Awards, there are no other Zimbabwean literary prizes on offer at the moment. We hope this will become another incentive to positively encourage young and emerging Zimbabwean writers.
    ELIGIBILITY

    The Award is open to all Zimbabwean nationals resident in the country or elsewhere.

    The story must not contain more than 5000 words.

    No more than one story per author may be submitted.

    The story entered must be unpublished.

    The story submitted must be original, entirely the author’s own work.

    Entries submitted should be in English only.

     

    JUDGING AND SHORTLISTING

    The Zimbabwe literature Award judges will select five outstanding short stories which will constitute the shortlist of the ZAA Literary category. Other submitted entries will be considered for selection for an anthology to be published as a result of this competition.

    Winners will be contacted personally by email or by telephone.

    The judges’ decision is final and no correspondence will be entered into.

    The judging will be fair and independent. The judging panel will consist of distinguished Zimbabwean literary professionals.

    The Award Committee reserves the right to cancel this competition at any stage, if deemed necessary in its opinion, and if circumstances arise outside of its control. 

    The Award Committee reserves the right to refuse entry to the Award for any reason at its absolute discretion.

     

    DEADLINES

    Entries or queries should be submitted to stories@zimachievers.com

    Deadline for entries is 20 December 2011.