The Spam Factory's Dirty Secret
First Hormel gutted the union. Then it sped up the line. And when the pig-brain machine made workers sick, they got canned.|
On the cut-and-kill floor of Quality Pork Processors Inc. [4] in Austin, Minnesota, the wind always blows. From the open doors at the docks where drivers unload massive trailers of screeching pigs, through to the "warm room" where the hogs are butchered, to the plastic-draped breezeway where the parts are handed over to Hormel for packaging, the air gusts and swirls, whistling through the plant like the current in a canyon. In the first week of December 2006, Matthew Garcia felt feverish and chilled on the blustery production floor. He fought stabbing back pains and nausea, but he figured it was just the flu—and he was determined to tough it out.
Garcia had gotten on at QPP only 12 weeks before and had been stuck with one of the worst spots on the line: running a device known simply as the "brain machine"—the last stop on a conveyor line snaking down the middle of a J-shaped bench [DC] [5] called the "head table." Every hour, more than 1,300 severed pork heads go sliding along the belt [6]. Workers slice off the ears, clip the snouts, chisel the cheek meat.
Matthew GarciaThey scoop out the eyes, carve out the tongue, and scrape the palate meat from the roofs of mouths. Because, famously, all parts of a pig are edible ("everything but the squeal," wisdom goes), nothing is wasted. A woman next to Garcia would carve meat off the back of each head before letting the denuded skull slide down the conveyor and through an opening in a plexiglass shield.
On the other side, Garcia inserted the metal nozzle of a 90-pounds-per-square-inch compressed-air hose and blasted the pigs' brains into a pink slurry. One head every three seconds. A high-pressure burst, a fine rosy mist, and the slosh of brains slipping through a drain hole into a catch bucket. (Some workers say the goo looked like Pepto-Bismol; others describe it as more like a lumpy strawberry milkshake.) When the 10-pound barrel was filled, another worker would come to take the brains for shipping to Asia, where they are used as a thickener in stir-fry [7]. Most days that fall, production was so fast that the air never cleared between blasts, and the mist would slick workers at the head table in a grisly mix of brains and blood and grease.
Tasks at the head table are literally numbing. The steady hum of the automatic Whizard knives [8] gives many workers carpal tunnel syndrome. And all you have to do is wait in the parking lot at shift change to see the shambling gait that comes from standing in one spot all day on the line. For eight hours, Garcia stood, slipping heads onto the brain machine's nozzle, pouring the glop into the drain, then dropping the empty skulls down a chute.
And then, as the global economy hit the skids and demand for cheap meat skyrocketed [10], QPP pushed for more and more overtime. By early December, Garcia would return home spent, his back and head throbbing. But this was more than ordinary exhaustion or some winter virus. On December 11, Garcia awoke to find he couldn't walk. His legs felt dead, paralyzed. His family rushed him to the Austin Medical Center, not far from the subdivided Victorian they rented on Third Street. Doctors there sent Garcia to the Mayo Clinic in Rochester, about an hour away. By the time he arrived, he was running a high fever and complaining of piercing headaches. He underwent a battery of exams, including MRIs of his head and back. Every test revealed neurological abnormalities, most importantly a severe spinal-cord inflammation, apparently caused by an autoimmune response. It was as if his body was attacking his nerves.
Garcia inserted a compressed-air hose and blasted the pigs' brains into a pink slurry. One head every three seconds.By Christmas, Garcia had been bedridden for two weeks, and baffled doctors feared he might be suicidal. They sent a psychiatrist to prepare him for life in a wheelchair.
There is no Matthew Garcia.
Or, rather, Matthew Garcia is not his name. It's the made-up name I've given him to shield him from Immigration and Customs Enforcement. I don't know his real name anyway, not the name his mother cooed when she cradled him in her arms. All I know is the name on his driver's license, his I-9 and ITIN, his medical records and workers' comp claim. There is no Matthew Garcia in Austin, Minnesota, and if you go looking, you won't find him, but then there's no Emiliano Ballesta or Miriam Angeles either. Not really. Because many QPP employees are working under a fake name with false papers and a phony address.
And not just the people on the kill floor. You see: QPP is simply another way of saying Hormel [11] and its corporate headquarters in Dallas is just a tax-accounting firm in a poured-concrete office park along the LBJ Freeway. And if you leaf through the Austin phone book, you can find a listing for Kelly Wadding [12], the CEO of QPP, but if you drive there, you'll find no house, no such address.
In Austin, such half-truths and agreed-upon lies are as much a part of the landscape as the slow-moving Cedar River. On one bank stands the Hormel plant, with its towering six-story hydrostatic Spam cooker and sprawling fenced compound, encompassing QPP and shielded from view by a 15-foot privacy wall. When I asked for a look inside, I got a chipper email from the spokeswoman: "They are state-of-the-art facilities (nothing to be squeamish about!) but media tours are not available." On the other bank is the Spam Museum [13], where former plant workers serve as Spambassadors, and the sanitized history of Hormel unfolds in more than 16,000 square feet of exhibits, artifacts, and tchotchkes.
One room is done up as the Provision Market, opened by George Hormel (pronounced HOR-mel to rhyme with "normal") in the Litchfield Building on Mill Street in November 1891. But the company we know today—and its most famous product—didn't emerge until after Hormel's son, Jay, took over in 1929. Jay Hormel was a masterful manager and a gambler in the true capitalist sense. In the trough of the Great Depression, he bet Americans would buy into the idea of low-cost canned dinners. Hormel chili [14], Dinty Moore stew [15], and Spam [16] were born.
Around the same time, Hormel attempted to institute a progressive pension plan [17] in which the company would contribute $1 to a worker's 20 cents per week. But he didn't bother pitching its benefits to employees; he simply instructed foremen to collect signatures—a style of leadership he later rued as "benevolent dictatorship." Wary line workers refused, and when one gave in, labor organizers incited a work stoppage. Local business leaders panicked. Hormel urged them to accept union labor in Austin. "I am not going to get mixed up in a fight in my hometown," he declared. But he was too late.
The Spam Museum
In November, poorly armed union organizers, dissatisfied with the slow progress of negotiations, escorted Hormel from the general offices and shut down the plant's refrigeration system—threatening to spoil $3.6 million of meat. For three straight days, Hormel went to the picket line to address workers from an improvised platform and meet with union leaders. He brought the strike to a quick end by agreeing to a series of forward-looking incentives, including profit-sharing, merit pay, and the "Annual Wage Plan," an unheard-of salary system in an industry dominated by piecework and hourly rates. Hormel also agreed that increases in output would result in more pay for workers, and he even guaranteed them 52 weeks' notice prior to termination [18].
Fortune derided Hormel as the "red capitalist," but the moves earned him a matchless period of management-labor cooperation and national goodwill. During World War II, the company cranked out K-rations [19], sending canned meat up supply lines across the Pacific and securing Spam acclaim as the "meat that won the war." Hormel even created a "special workers" program, designed to assist veterans, in which up to 15 percent of the workforce could be given light duty if disabled. But all that started to change when the company passed out of family hands and fell under new corporate leadership that wasn't interested in Jay Hormel's progressive benefits. In 1975, future president Richard Knowlton began to negotiate an agreement that would build a whole new plant with the promise of reducing workloads—and allow him to gut longstanding incentive programs. That led to a bitter strike—and completed the transition from George A. Hormel & Co., the family business, to Hor-MEL, the corporation. But that era was about more than rebranding. It was the start of shell companies and shell games; this was when everyone learned to speak this local dialect of truth, when the cut-and-kill side of the operation became QPP, and the workforce became populated with undocumented immigrants working under false names.
It was February 2007, and the pipes under Emiliano Ballesta's trailer home on the outskirts of Austin had frozen solid. Worried about his wife and five children—most of all, his five-year-old son, who had recently been diagnosed with leukemia—Ballesta shimmied into the crawl space with a pair of small kerosene heaters. Instead of thawing the pipes, he ignited the wispy insulation hanging from the floorboards, and, in no time, flames engulfed the place. When police and firemen arrived, black smoke was rolling from under the eaves. By morning, nothing remained but a blackened hull.
Emiliano Ballesta at the Queen of Angels church, Austin, Minnesota
The family slept on friends' couches and floors for weeks after that. Despite 12 years of working at QPP's head table, Ballesta was only making $12.75 an hour, barely a $26,500 base salary. But he had worked Saturdays for overtime as long as he could remember, and lately there were plenty of additional hours available as production ramped up to meet surging demand.
Spam, it turns out, is an excellent economic indicator. As the recession took hold, both Hormel and QPP offered more and more hours to workers. Hormel employees told the New York Times [10] that they'd never seen so much overtime, and Hormel's CEO, Jeffrey M. Ettinger [20], confirmed that sales figures were climbing by double digits. Though head meat goes into sausage, not Spam, the increased production of one item increases output of everything else. One Hormel worker told the Times he'd bought a new TV and refrigerator with his overtime hours; Emiliano Ballesta could afford to move his family into a rental home.
In May 2007, Ballesta was at a son's high-school commencement when he noticed his legs starting to feel tight and numb. Within days, his right hip and thigh were throbbing, and it was as if the soles of his feet were on fire. At first, he chalked it up to fatigue, so many extra hours standing, but soon he was having trouble walking from the QPP parking lot to the plant door.
Ballesta wasn't alone. Miriam Angeles, who worked near the head table removing remnants of spinal cords, had started having burning pain in her lower legs, too, and now her right arm had begun falling asleep—both at work and at home, when she tried to feed her infant daughter. Susan Kruse, who cleared neck meat from the foramen magnum—the aperture where the spinal cord enters the skull—had a knot in her left calf that wouldn't go away. When the cramps spread to her right leg, and stiffness in her hands turned to tingling, Kruse finally went to the doctor. Even Pablo Ruiz, a process-control auditor who only passed by the head table, was starting to have numbness in his legs and once fell to the plant floor.
At first, Ballesta chalked it up to so many extra hours standing, but soon he was having trouble walking from the parking lot to the plant door.In the meantime, Mayo doctors had prescribed Matthew Garcia a steroid to calm his nerve inflammation, and he'd improved enough to get around without a walker. He had lost pelvic floor function, robbing him of bowel control, and had to catheterize himself, but he managed to return to the brain machine in May. Within three weeks, though, Garcia couldn't stand again. Relatives rushed him back to the emergency room.
Dale Chidester, until recently the office coordinator of the United Food and Commercial Workers [21] Local 9, is a bear of a man with unruly hair and a salt-and-pepper goatee, but he's good-looking (he could be a '70s action star gone to seed) and speaks in a sweet, soft rasp. We met in his office in the Austin Labor Center. The building's institutional architecture, mostly reserved these days for elementary schools and county lockups, is like a time capsule of Depression-era proletarianism. Each morning, Chidester opened the window at the check counter, pushing up the wooden shutter as if it were a gate on a service elevator, and planted himself in his creaky office chair—a picture of FDR over one shoulder, a picture of Geronimo over the other.
The Head Cases
QPP workers diagnosed with an autoimmune disorder were clustered around the machine used to liquefy 1,350 pig brains every single hour.
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Chidester didn't yet live in Austin during the 1985-86 strike [22]—he worked at Hormel's plant in Ottumwa, Iowa—but he remembers well the regular four-hour runs up I-35 to deliver supplies to the families struggling through those lean months. He started in meatpacking in the late '70s, just as the country was sliding toward recession and all of the major meatpacking companies were consolidating and forcing workers to accept lower wages. Chidester says he witnessed a lot of dirty tricks meant to double-cross the unions. The Wilson Foods pork-processing plant in neighboring Albert Lea filed for bankruptcy [23] in 1983 in order to nullify existing contracts and cut workers' average pay from $10.69 an hour to $6.50. With improved margins, owners were able to sell the company at a sizable profit.
In Austin, the Packinghouse Workers Local 9 (P-9, as it was then known) bristled at talk of lower wages. Workers had already conceded too much in return for Richard Knowlton's wan promise to build a state-of-the-art plant and keep Hormel's full operation in Austin. He had convinced P-9 to give up the incentive pay system; freeze wages until the new plant was complete; and sign away the right to strike until three years after the plant opened. Knowlton had recognized that profit margins were vanishing from butchering as automation transformed the trade into increasingly monotonous, low-skill jobs.
There was no reason, in his mind, to pay union wages for cut-and-kill workers. Like a latter-day Jay Hormel, he saw the future in making a new generation of packaged meals that America's increasingly female workforce could pop in the microwave at the end of the day. But, unlike Jay Hormel, Knowlton was reaching for increased profits (as well as a hefty bump in his own salary) by wresting away worker benefits. In October 1984, Knowlton demanded a 23 percent wage cut [24] (PDF), from $10.69 an hour to $8.25. But under the strike restriction, P-9—which had just been absorbed into the United Food and Commercial Workers—had no recourse until August 1985.
When the no-strike period expired, P-9 walked out, beginning a 13-month strike that would stand among the most notorious and rancorous in American history. Believing that Hormel couldn't compete against larger companies that had already brought union wages down to $8.25, the UFCW asked P-9 to accept the lower wages, so as to restore the pattern bargaining that had existed for decades, with a common wage scale across all companies and plants. When P-9 refused, and even organized a nationwide boycott of Hormel products, the UFCW sent a letter to every local in the AFL-CIO asking them not to support P-9. Strikers who crossed the picket line were joined by scabs, the windows of their cars pounded daily by outraged union members. Minnesota Gov. Rudy Perpich called in the National Guard to protect the scabs. Finally the UFCW ended the strike by putting P-9 into receivership and negotiating a 1-cent increase over the wages proposed by Hormel, along with a promise that strikers would be given preference for rehiring as scab-occupied positions were vacated.
Then, in November 1987, barely a year after the conditions of the strike resolution were made official, Hormel announced a shutdown of nearly half of the new plant. Hormel would continue to operate the packaging operation on the refrigerated ("cold") side, but the cut-and-kill ("hot side") would be taken over by Quality Pork Processors Inc. QPP then existed only on paper but was headed by Richard C. Knight [25], a former executive at Swift, the Chicago-based meatpacker that pioneered the conveyor line and had a major plant in nearby Albert Lea.
Knight claimed his new company would be separate from Hormel, though QPP would buy exclusively Hormel hogs and sell the butchered meat exclusively back to Hormel. They would use Hormel's space and Hormel-owned equipment, rely on the Hormel mechanics, drive Hormel forklifts. The newly dubbed Local 9 felt this was a union-busting tactic and asserted that 550 former strikers still on the preferential recall list were entitled to the new jobs created by the subcontract—and at the wages the union had just agreed to, not the $6 to $8 an hour now being offered. Hormel denied this and, to make its point, erected a wall in the middle of the plant to divide Hormel from QPP. Eventually it would add a separate entrance and run a chain-link fence through the center of the parking lot. "It's kind of like taking a room in the middle of a house," Chidester told me, "and saying it's not really part of the house."*
Local 9's attorney asked the St. Paul Pioneer Press: "What good is a union contract if the company can avoid the contract by simply leasing its premises to another company and get the work done at non-union rates?" On the first day of operation in June 1988, an arbitrator closed down QPP. It took a year of legal wrangling, but the union eventually conceded. The contract was amended to allow lower pay for subcontractors, and the plant reopened in June 1989. UFCW bosses hailed the deal as a victory, even though they had won an hourly wage of $9 at QPP after the local had gone on strike to protect a $10.69 hourly wage at Hormel. The two-tier pay scale that the old P-9 leadership had warned against had arrived—but cloaked in doubletalk. "It's not a two-tiered wage," Chidester explained with an ironic smile. "It's just a subcontractor with a lower wage scale."
*The courts haven't bought the argument, either. In a 2001 class action [DC] [26] brought by 700-plus employees who claimed they were owed wages for time spent cleaning and donning safety gear, the plaintiffs asked the judge to add Hormel as a "joint employer." She agreed, nothing that, among other things, QPP executive salaries appear to be negotiated with Hormel, which is a $7.4 billion Fortune 500 company. QPP promptly settled for $1,075,000.
With new wages came new workers, and even rumors that QPP recruited laborers in Mexico. Matthew Garcia said he didn't know of formal recruitment, but in his Oaxacan town of fewer than 1,000 residents, nearly every adult male he knew had, at one time or another, worked at QPP. By the early '90s, Austin had gone from having a united local workforce to having a sharply divided workforce that, while still unionized, is, on the QPP side, decidedly less vocal and less powerful. By some estimates, QPP's labor force today is 75 percent immigrant. But the anger of former strikers who had been promised preferential rehiring did not fall on QPP for its hiring practices; many townspeople turned on the immigrants themselves.
"It's still leftover bitterness from the strike," Chidester said, "because that strike was an unconditional surrender. You know, the company won."
Many Austin locals say the town—devastated by the farm crisis as well as the strike—now depends on immigrants to survive, and they appreciate the cultural influx. Still, recently the Minutemen and a homegrown neo-Nazi group [27] have held rallies in Austin; it's become a regular stop-off for tea party activists. Police have followed Gov. Tim Pawlenty's 2008 executive order [28] (PDF) that effectively deputized local officers in enforcing federal immigration laws, and some in Austin have even advocated for ordinances like one passed by sister Hormel town Fremont, Nebraska, to force landlords and employers to run immigration background checks on prospective employees and tenants. At last year's mayoral debates, the candidates—a former Austin police officer and a clerk at Hormel—agreed on only one thing: Illegal immigration was too complex to tackle just at the local level. By most counts, there are more than 5,000 Mexican immigrants living in Austin—about one-fifth of the town's population—and Mayor Tom Stiehm, the former cop who won reelection, estimates that 75 percent are working under false identification.
Hormel's calculated decision to divide itself has also divided Austin.
Since 1989, the line speed at QPP had been steadily increasing—from 750 heads per hour when the plant opened to 1,350 per hour in 2006, though the workforce barely increased. To speed production, the company installed a conveyor system and humming automatic knives throughout the plant, reducing skilled tasks to single motions. Workers say nearly everyone suffered from carpal tunnel syndrome or some repetitive stress injury, but by October 2007, there were signs of something else. Workers from QPP's kill floor were coming to Carole Bower, the plant's occupational health nurse, with increasingly familiar complaints: numbness and tingling in their extremities, chronic fatigue, searing skin pain. Bower started noticing workers so tender that they struggled with the stairs to the top-floor locker rooms, high above the roar of the factory line.
The line speed at QPP had increased from 750 heads per hour in 1989 to 1,350 per hour in 2006, while the workforce barely grew.Six workers were referred to Richard Schindler, a doctor at the Austin Medical Center who'd first seen Matthew Garcia. Garcia had returned a second time to the brain machine, worked four-hour days, then six hours—but his symptoms soon returned. He began falling on the plant floor, his legs numb and motionless under him. Schindler found that Garcia and another brain-machine operator were the most advanced cases. Besides Garcia and the six workers referred by Bower, Schindler had seen another five men and women with similar symptoms—all workers at QPP. Schindler believed they were suffering from something like the rare disorder Chronic Inflammatory Demyelinating Polyneuropathy (CIDP) [29]—death of the peripheral nerves caused by damage to the fatty neural covering known as the myelin sheath. He emailed a group of neurologists at the Mayo Clinic for advice.
One, Daniel Lachance, was struck by the case histories. He had seen a woman in 2005 who worked at QPP and had sought treatment for carpal tunnel syndrome. After seeing her EMG and other tests, Lachance suspected a more ominous nerve condition—but the woman returned to Mexico before her spinal fluid could be tested. Lachance remembered Garcia, too, from his hospitalization the year before. Steroids had helped reduce the swelling of his nerves, but doctors could never identify the cause of his spinal inflammation. When Lachance checked his employment history, he discovered that Garcia worked at QPP.
But Schindler was describing a dozen concurrent cases. "Those types of illness seem to, statistically, come up in the population at a rate of two per 100,000," Lachance told me later. "So here, over the course of a couple of months, I was aware of up to a dozen individuals from one town of 22,000 who all happened to work in one place." Lachance brought the affected workers in, one by one, and crossed off items from a laundry list of diseases and disorders. It wasn't mad cow or trichinosis. It wasn't a simple muscular disorder like carpal tunnel syndrome. It wasn't cancer or a virus. It wasn't bacteria or a parasite. Lachance concluded that the slaughterhouse illness was likely some kind of autoimmune disorder. It was time to contact the Minnesota Department of Health (MDH).
In early November 2007, Aaron DeVries [30], an epidemiologist at MDH in St. Paul, drove to Austin to review the medical records of the patients involved. He was working from a checklist of his own, eliminating possible sources of the illness. The symptoms were inconsistent with any known infections, and workers' families were unaffected, so the disorder didn't seem to be transmissible by human-to-human contact. Like Lachance, DeVries concluded that the illness had to be an autoimmune response, most likely triggered by something inside the plant.
DeVries arranged a site visit for November 28. Accompanied by QPP officials, the MDH team, led by state epidemiologist Ruth Lynfield [31], progressed down the head table and eventually reached the brain machine. They stood silently for a moment, watching the bursts of air rising into a red cloud, a small amount each time but enough, as it drifted and accumulated, to gradually coat workers at the head table. Lynfield pointed out that nearly all the affected workers were stationed near the brain machine and asked CEO Kelly Wadding, "What do you think is going on?" Wadding reportedly replied, "Let's stop harvesting brains."
Much would be made later of that reply, of how Wadding had ordered the brain machine removed from the factory floor immediately, of how he had the apparatus dismantled and brought to the conference room where he sat with the MDH team after the plant tour. Much praise [32] (PDF), too, would be voiced for his willingness to speak to reporters in the wake of an MDH press release announcing an outbreak of an unexplained neurological disorder in his plant.
Each day, 19,000 pigs enter the Austin, Minnesota, complex in unmarked trucks, while the finished goods leave in Hormel trucks.
What no one knew then, and has gone unreported until now, is that, in the months prior to the announcement, QPP quietly sold an 80 percent interest [DC] [33] in itself. The buyer, Blaine Jay Corporation [34], had incorporated in 2004, but this was its first purchase recorded with the Texas state franchise board (on November 15, 2007). Corporate documents [DC] [35] list an accounting firm on the LBJ Freeway in Dallas as Blaine Jay headquarters and Kelly Blaine Wadding as president.
The shell had grown another shell.
The QPP parking lot is gravel, and on a day like the one when I was there—the first day of March, when the mercury had finally pushed above freezing and the glaciers of plowed snow were starting to drip and calve—it was muddy and rutted and pocked by potholes. At four, the sun hung blindingly bright in the sky, and the entrance to the fenced grounds was alive with workers flowing in and out: the shift change. The QPP workforce was mostly Hispanic with a smattering of Somalis and African Americans, all pushing through the narrow turnstile as I waited for the security guard to reemerge from his booth. Eventually the guard opened the door a crack, apologetically. "They are just ridiculously uptight about things like this," he told me. Indeed, in more than three years since the outbreak, QPP had never allowed a reporter onto its grounds—until I visited.
Finally, Carole Bower arrived and ushered me toward the entrance. She was dressed in hospital white, down to her shoes. Even her manicured nails were tipped in white, and her hair had been frosted with highlights. Her demeanor, too, though not exactly icy, was officious. She was very sorry to have kept me waiting, she said, but "Quality Pork and Hormel take security very seriously." She gestured toward the office entrance, ushering me away from a stream of workers climbing stairs toward the kill floor. They moved steadily past the laundry-room window, taking clean aprons.
Once we were inside a tight, private office borrowed for the occasion, Bower shut the door and closed the blinds. She sat behind the desk and spoke from a set of prepared talking points. She seemed taxed by the dilemma of owning up to QPP's role in the outbreak without accepting culpability. I felt bad for her. But I didn't know then that she'd served as one of the four directors of Albert Lea Select Foods [DC] [36], another "co-packer" for Hormel in a nearby town—another company headed by Kelly Wadding, headquartered at the same accounting firm in Dallas, and, as of 2008, 100 percent controlled by the Blaine Jay Corporation. Shortly after that transaction, Select Foods, which then described itself as "an extension of Quality Pork Processors," announced a $1.5 million expansion [37] that dramatically increased capacity and added more than 100 nonunion jobs—many filled by an influx of Karen refugees from Burma, who were legal under asylum laws.
In the Spam Museum, visitors can try on safety gear, as well as see statues of Jay and George Hormel re-creating the moment the company was handed from father to son.
Bower seemed focused on defending the speed of QPP's response to the outbreak and showing management's deep caring for the affected workers. "When the public health department came on site, we had open meetings with all of the employees in our two big break rooms," she said. "They took them off their work time, paid them for their time, and the president of the company and our HR manager and myself and anyone else that was involved talked to them, had interpreters, explained what was going on. We had weekly meetings just like that with everybody in the plant for the following four, five, six weeks."
I asked why they hadn't simply informed workers in writing, noting that the lunchroom held barely a hundred people. It would have taken a dozen or so meetings at each step of the process to inform all 1,300 QPP workers in the manner she described. Her calm reserve faltered.
"We had multiple meetings," she said, growing flushed. "We would have the day hot side, the day cold side, livestock. We probably had four meetings in a row. Day and night. For weeks."
Nevertheless, many affected workers didn't know all the facts. Susan Kruse, who was at home and unable to work, didn't learn of the outbreak until she saw it on the evening news. Emiliano Ballesta didn't know how widespread the illness was until he arrived for a steroid treatment at the Austin Medical Center and found the waiting room filled with his coworkers. Back at work after another five months out sick, Matthew Garcia was surprised to discover that Dr. Lachance had ordered him, along with a group of fellow employees, put on light duty and referred to another Mayo Clinic neurologist.
Those who did attend the meetings, people like Miriam Angeles, remember the break-room gatherings very differently from Carole Bower. When Angeles spoke to me at Austin's Centro Campesino [38] with the cultural center's director, Victor Contreras, serving as interpreter, she said management insisted that, although people from QPP had become sick, there was no evidence that the illness originated from inside the plant. The managers instructed workers to keep quiet until the company made a public statement. "We prohibit any comment about this," she remembered being told. "Anyone who comments on this disease, you could lose your job."
Affected workers were instructed not to identify themselves in the group meetings nor ask questions. In one meeting, however, a sick worker rose in a swell of panic to ask Kelly Wadding, "What's going to happen with my health?"
Wadding, according to Angeles, said: "Sit down. We're going to talk to you in the nurse's office."
After that, there were more meetings, but sick workers were afraid to speak out. They whispered in locker rooms. They phoned each other at home. They slowly figured out who some of their sick coworkers were, but when Wadding called a final meeting to announce that the mystery illness was under control, Angeles said the affected workers were too scared to say anything. And, though they were all in the UFCW, neither Local 9 nor the bosses in Washington took up their cause.
To this day, there is no agreed-upon number of QPP workers who were affected by the illness. The MDH conducted a survey [DC] [5] and found 15. In his published study [39] based on rigorous testing, Lachance says he found 21. Thirteen were sufficiently incapacitated to file workers' compensation claims against QPP. The count is further complicated by the revelation that MDH reached out to the two other plants in America where pork brains were being harvested with compressed air, and some published reports include seven additional cases from the Indiana Packers plant in Delphi, Indiana, and one more from the Hormel plant in Fremont, Nebraska.
"I feel thrown away," Miriam Angeles says. "Before, I worked hard and willingly for QPP, but after I got sick and needed restrictions, they threw me away like trash."Angeles didn't seek out other affected workers. She resolved to just do her work and keep quiet. She never complained, she told me, even though she claims that her supervisor never honored her doctor's orders that she sit for 15 minutes every two hours. When the strong medications that had been prescribed for pain in her arms left her with blurred vision, the supervisor still refused to let her take a break. "No," Angeles says she was told, "you have to keep working."
In May 2008, five months after the MDH visit, an outside social worker, Roxanne Tarrant [40], was assigned to guide employees through filing workers' compensation claims. (Under Minnesota law, filing a claim precludes the possibility of a lawsuit.) In a successful claim—which is not dependent on employment or immigration status—the injured party can receive wage-loss, medical, and/or rehabilitation benefits. Those benefits—which in a case like this could cost millions, mostly in medical claims—would be paid for by insurance; QPP's insurer was an AIG subsidiary. However, a recent appellate ruling [DC] [41] reveals that QPP's policy had a $600,000 deductible for "Each Accident or each Person for Disease." QPP argued that the outbreak constituted one "accident." The court disagreed, making QPP pay $600,000 per affected worker, which could total more than $7 million.
As the workers began filing their claims, QPP offered Angeles and several others about $20,000 each as a preemptive settlement. But QPP's offer required workers to forfeit medical benefits. Doctors were still determining whether workers' nerve damage was temporary or long-term, whether they would ever be able to work again or faced permanent disability. The workers rejected the offer.
Days later, on the Monday morning after the long Fourth of July weekend, Angeles was told to report to human resources, where she was informed that there was a problem with her identification. Angeles, who'd been working under another name, knew she was about to be fired. Would she continue to have her health insurance? Would she still qualify for worker's comp?
"They said, 'That's your problem.'"
Angeles' voice turned soft, lost in that memory.
"I feel thrown away," she said, finally. "Like a piece of trash. Before, I worked hard and willingly for QPP, but after I got sick and needed restrictions and told them I was in pain, they threw me away like trash and were done with me."
SIX MONTHS EARLIER, when Matthew Garcia was sent back to the Mayo Clinic neurology department, Dr. P. James Dyck [42] explained to him that there was an "epidemic of neuropathy" that was affecting QPP workers—a newly discovered form of demyelinating polyradiculoneuropathy. Inhaling aerosolized brains had caused his body to produce antibodies, but because porcine and human neurological cells are so similar, the antibodies began destroying Garcia's own nerves, as well.
The new disease theory made sense, except that, according to company officials, QPP had been blowing brains, off and on, for more than a decade. So why did workers fall ill now and not earlier? The answer is complex. First, in April 2006, the line speed increased from 1,300 pig heads moving down the conveyor belt each hour to 1,350. This speedup was slight, but it was just the latest in a series of gradual increases. "The line speed, the line speed," Lachance told the AP [43], when recounting patient interviews. "That's what we heard over and over again." The line had been set at 900 heads per hour when the brain harvesting first began in 1996—meaning that the rate had increased a full 50 percent over the decade, whereas the number of workers had hardly risen. Garcia told me that the speed made it hard to keep up. Second, to match the pace, the company switched from a foot-operated trigger to an automatic system tripped by inserting the nozzle into the brain cavity, but sometimes the blower would misfire and spatter. Complaints about this had led to the installation of the plexiglass shield between the worker manning the brain machine and the rest of the head table. Third, the increased speed had caused pig heads to pile up at the opening in the shield. At some point in late 2006, the jammed skulls, pressed forward by the conveyor belt, had actually cracked the plastic, allowing more mist to drift over the head table. Pablo Ruiz, the process-control auditor, had attempted to patch the fracture with plastic bags. (To this day, Ruiz says he suffers from burning feet and general exhaustion.) Fourth, the longer hours worked in 2007 had, quite simply, upped workers' exposure.
But Dyck, the Mayo neurologist, had some good news. He and Lachance diverged from the description of the disorder favored by the Department of Health and the CDC. All the doctors agreed that pig brains had triggered an autoimmune disorder. But MDH was calling it progressive inflammatory neuropathy (PIN), while the Mayo team rejected this name, because the doctors there didn't believe that the disorder was progressive. Now that QPP had halted harvesting pig brains, Dyck explained, Garcia's condition should improve.
Austin is home to an influx of migrants, seen worshipping at Queen of Angels Church.But Garcia struggled to return to work for the better part of 2008. By fall, he still had burning in his feet, his knees clicked when he walked, and his bowel and bladder problems persisted. In November, Lachance found a "suspicious spot" on a nerve at the base of Garcia's brain and would eventually diagnose it as a nerve-sheath tumor.
Still, on December 5, Garcia passed a series of tests administered by doctors at the Austin Medical Center to see if he could return to work. But Lachance, who had the final say, was concerned. Garcia had quit sweating in his extremities, a clear indication of nerve death—permanent damage. Lachance emphasized in a letter to social worker Roxanne Tarrant that Garcia should only be asked to do sedentary work as he "has some mild degree of residual gait difficulty associated with spasticity, which would affect his efficiency of walking and fatigue levels."
Garcia met with Carole Bower to discuss reassignment. He was taken to his new station, mere feet from the old brain station. Seeing the blood on the floor and the hog parts sliding by on the conveyor, Garcia started to panic. He was afraid that he would again be exposed, that his condition would worsen. He couldn't catch his breath; his chest tightened. He begged to leave and called Tarrant. She secured him a different job, away from the head table.
QPP doesn't have the "special worker" program for disabled employees that Hormel has. Garcia was assigned to a job in the "box room," where cardboard shipping containers are prepared. It worked out okay at first, though Garcia often had to lift more than the 10 pounds that doctors had indicated should be his limit. But then QPP reassigned another box-room worker, and Garcia's workload increased. Tarrant complained to nurse Bower, to no avail.
Even after his diagnosis, Emiliano Ballesta was reluctant to transfer to another place on the factory line. His job, removing sinewy cheek meat from the tight nooks of the skull (a job known as "chiseling"), requires more handwork than most tasks at the head table. In the era of Upton Sinclair's The Jungle, workers used an actual chisel to pry open and dislocate hogs' jaws, then hacked away muscles from the cheeks and temples. But today most factories use a mechanized jaw-puller for the brute work, and workers make precise cuts with a straight blade, honed to razor sharpness and handled with a chainmail glove. The skill required made Ballesta's job one of the most prestigious and—at $13.15 per hour following a raise—highest-paying positions at the head table.
In the kitchen of his rented apartment in a house on the east side of the Cedar River, Ballesta turned the blade of a butcher knife over, checking both sides.
"You have to be sure there are no dents in the blade," he said, as one of his sons translated. "Then you sharpen it against the steel rod."
He slid the blade out and back along the sharpening steel in a fluid motion that made the knife hum and sing. During the early days of the new plant, veteran workers complained repeatedly about the introduction of mechanical knife sharpeners, replacing personal stones and steels used to hone and feather their knives. They insisted that the mechanical sharpeners never gave knives a proper edge, leading to more strain while cutting and eventually to carpal tunnel syndrome. Some, like Ballesta, continued to use their own sharpeners.
"The skin of a hog is very thick and the blade would wear out quickly. I had to keep sharpening it all day."
Austin is home to small-town Americana.
Everything about him was commanding—from his trimmed mustache to his iron-gray temples. Once, I spotted him among the crowd of congregants arriving for Mass at Queen of Angels, his bright-red Western shirt pressed and perfectly creased, the sleeves buttoned to conceal the circular scar of a Whizard knife slash on his left forearm. Even on the day of that injury, he had gotten patched up at the Austin Medical Center and returned to finish his shift. It must have been nearly impossible to accept that something invisible—something he referred to always as "the infection"—had robbed him of sensation and fine motor function, turning what had been surgical skill into a fumbling hazard.
After his diagnosis, Ballesta tried other jobs: weighing and packing parts, running the circular saw that clips off snouts. He even tried a less-skilled job trimming head meat with the Whizard. But by March 2009, the tingling in his right hand had grown worse and left his middle finger completely numb. Ballesta was given lighter duty washing ears, then taken off the line altogether to work in the box room alongside Matthew Garcia. By May, Ballesta was back to chiseling, but his need for breaks jeopardized his ability to hang on to the job. Under his contract, he had to bid for the job—and the position was increasingly coveted by other workers.
Bower sent an email to Lachance about Ballesta. "Rather difficult," she began. "He really likes the chiseling job and does not want off of it." She explained that Ballesta had asked to return to chiseling full-time. But Lachance believed he would still need 15-minute breaks every two hours, something that Bower doubted could continue to be accommodated. Still, she wrote that Ballesta "is a very good and ethical man so wants to work hard and please his employer. Can we see how it goes for awhile?"
Of the 13 workers who had workers' comp claims, six had been fired for working under forged or stolen identities. Ballesta was next.In July, Bower told social worker Roxanne Tarrant that QPP had been reviewing the job lineup sheets for the workers with PIN, and it was becoming increasingly difficult to manage their required accommodations. She asked Tarrant if Ballesta could possibly chisel cheek meat without taking breaks. Ballesta balked. He said that he still had terrible burning in his feet if he stood too long; he just couldn't do it. On October 1, Ballesta finally gave in and requested to be put on cutting and cleaning intestines—despite a 20-cent-per-hour pay cut. He was dismayed but joked to coworkers that, after years at the head table, he would finally graduate to another station. That Saturday, October 3, would be his 15th anniversary at QPP. He called it his quinceañera, his coming of age.
But that Saturday, when he arrived at work, Ballesta was summoned to human resources. It was his last day at QPP.
Six months later, in April 2010, Matthew Garcia, too, was called in to talk to Dale Wicks in human resources. Wicks said that a man had been arrested in Texas; his name was Matthew J. Garcia—and he had the same date of birth and Social Security number as this Matthew J. Garcia. Wicks asked if his papers were his own. By now, workers—who had formed a support group that met weekly at Centro Campesino—had learned not to confess the way Miriam Angeles did, the way Emiliano Ballesta did. Of the 13 workers who had workers' comp claims, six had been fired for working under forged or stolen identities.
"I told them, yeah, they're my papers," Garcia said. "I have my ID, I have everything."
During his illness, Garcia had enrolled in classes at Riverland Community College [44], and his English was now good enough to get him by without an interpreter; he was not as frightened as other workers had been. Wicks warned that law enforcement was investigating, that they had already found records of Garcia's information being used in five other states. Garcia insisted he didn't know anything about that, that those people must have somehow stolen his information.
Garcia wasn't fired—but in June 2010, his condition suddenly worsened. A new round of tests convinced Lachance that his condition was likely now chronic. "I think his symptoms will be long term," Lachance wrote to Carole Bower, urging QPP to find a place for Garcia to perform light work—perhaps even a job in the office. "Hopefully some day his pain syndrome will gradually remit and his tolerance for physical activity improve but for the foreseeable future, especially concerning work-related activities, I think it is reasonable to assign some permanency here."
Tarrant told me that she understood the difficulty that QPP faced in finding light-labor positions for the injured workers. "It's a slaughterhouse," she said. "There really are no light jobs." Still, she was dubious of the claim that Immigration and Customs Enforcement just happened to be investigating so many affected workers whose doctors had recommended lighter duty. (Indeed, it's not clear ICE did.) "When the first firing happened, I thought it was interesting," Tarrant said. "When the second, then the third happened, I thought it was fishy."
My last morning in Austin, I drove to QPP for a final look. I parked across the road from the plant and rolled down the windows. It was still cold, the snow piled along the sidewalks turning gray and pitted. As the day shift started up, the smell was unmistakable: fresh pig shit and baking ham. Along the access road, marked Hormel Drive, 18-wheelers came barreling in, pulling livestock trailers. They took the corner through the chain-link gate and reversed into the loading docks, all but concealed by that barrier wall. But as each new truck arrived, I could hear the beeping of the backup warning, then the rattle of rear doors opening. And then there was the sound of sizzling electric prods, the clatter of cloven hooves on metal grating, and the guttural, almost human, screeching of hogs.
The check window at the UCFW Local 9 officeI dialed my cellphone and once again got Kelly Wadding's voicemail. Weeks later, when I finally got him on the line and said that I had been struck by how many of the workers affected by PIN had turned out to be undocumented, Wadding plunged into a rambling monologue. "I know where you're headed and I'll tell you right now: Anybody that's contracted PIN or any other illness or injury at work, we never, ever, ever go back and check their documentation." I could hear his fist bang on something hard. Never, ever, ever. Bang, bang, bang.
"They're still getting paid work-comp benefits; they're still getting paid their medical," Wadding insisted. "We have no desire to send these people down the road."
What I didn't know at the time was that Wadding was in the final stages of negotiating a settlement with up to a dozen employees who had filed workers' comp claims. After attorneys' fees, each received $12,500, a half-year's pay. Matthew Garcia, because he was deemed to have been permanently injured, got $38,600. As a condition of the settlement, he would no longer be employed at QPP. "I felt pushed into it," Garcia told me. "My attorney said, 'If you don't do it, you'll end up with nothing.'" He has used the money to pay for more courses at the community college, but it's going fast. He asked me not to use his real name for this article, fearing it might hurt his application at McDonald's.
After leaving a message on Wadding's voicemail, I saw the QPP security guard trundle out to his truck and begin circling the block, driving by again and again. But he couldn't touch me. I was on a public street, next to Horace Austin Park with its clear view of the Cedar River. I sat and watched as evidence of our national industry and know-how arrived by the truckload. Our whole history of conquering the West, industrializing agriculture, and turning hog slaughter into a "custom meat operation" arrived at QPP's door.
I once asked Dale Chidester if he ever marveled at the sheer scale of it—the relentless pace required to process 5 million hogs a year. He laughed. You don't think about such things while you're working on the line, he explained; mostly you try not to think about anything at all. Your muscles remember and repeat. "It's like tying your shoes," he said.
I rolled up the windows and turned the key in the ignition. More than 19,000 hogs were processed at QPP that day. It was like any other day.
Additional reporting by Joe Kloc [45].
Links:
[1] http://motherjones.com/politics/2011/06/speed-up-american-workers-long-hours
[2] http://motherjones.com/politics/2011/06/stories-overworked-americans
[3] http://motherjones.com/politics/2011/06/speedup-americans-working-harder-charts
[4] http://www.qppinc.net/
[5] https://www.documentcloud.org/documents/207642-abattoirpin.html
[6] http://www.plosone.org/article/info:doi/10.1371/journal.pone.0009782
[7] http://www.slate.com/id/2189379/
[8] http://www.bettcher.com/
[9] https://www.documentcloud.org/home
[10] http://www.nytimes.com/2008/11/15/business/15spam.html
[11] http://www.hormel.com/
[12] http://www.linkedin.com/pub/kelly-wadding/11/478/688
[13] http://www.spam.com/games/Museum/default.aspx
[14] http://www.hormelfoods.com/brands/hormel/HormelChili.aspx
[15] http://www.hormelfoods.com/brands/dintyMoore/default.aspx/
[16] http://www.spam.com/
[17] https://catalogue.lse.ac.uk/Record/606187
[18] http://www.scribd.com/doc/51639269/53/CASE-4-THE-HORMEL-STRIKE-AT-AUSTIN-MINN...
[19] http://www.amazon.com/SPAM-Biography-Amazing-Americas-Miracle/dp/0156004771
[20] http://people.forbes.com/profile/jeffrey-m-ettinger/41605
[21] http://www.ufcw.org/
[22] http://www.mnhs.org/library/tips/history_topics/85hormelp9.html
[23] http://www.nytimes.com/1983/12/03/business/wilson-foods-fights-back.html
[24] http://www.google.com/url?sa=t&source=web&cd=1&ved=0C...
[25] http://www.qppinc.net/profile.html
[26] https://www.documentcloud.org/documents/210077-2001qppsettlement.html
[27] http://twincities.indymedia.org/2009/oct/community-mobilizes-opposition-first...
[28] http://www.leg.mn/archive/execorders/08-02.pdf
[29] http://www.ncbi.nlm.nih.gov/pubmedhealth/PMH0001781/
[30] http://www.med.umn.edu/idim/faculty/jointadj/devries/home.html
[31] http://www.med.umn.edu/idim/faculty/jointadj/lynfield/home.html
[32] http://www.nursingcenter.com/_PDF_.aspx?an=00000446-200810000-00018
[33] https://www.documentcloud.org/documents/207645-qpp-papers.html
[34] https://ourcpa.cpa.state.tx.us/coa/servlet/cpa.app.coa.CoaGetTp?Pg=tpid&a...
[35] https://www.documentcloud.org/documents/207644-blainejaypubdocs.html
[36] https://www.documentcloud.org/documents/207643-albertleapubrecs.html
[37] http://www.kxnet.com/getArticle.asp?s=rss&ArticleId=233656
[38] http://www.centrocampesino.net/
[39] http://www.thelancet.com/journals/laneur/article/PIIS1474-4422%2809%2970296-0...
[40] http://www.empdevcorp.com/QRC%20bios/Roxanne%20Tarrant.htm
[41] https://www.documentcloud.org/documents/210076-qppvamericanhomeassurance.html
[42] http://www.mayoclinic.org/bio/10067655.html
[43] http://www.fox41.com/story/11594769/mayo-reports-on-slaughterhouse-illness-re...
[44] http://www.riverland.edu/
[45] http://motherjones.com/authors/joe-kloc
The Spam Factory's
Dirty Secret
First Hormel gutted the union. Then it sped up the line. And when the pig-brain machine made workers sick, they got canned.
**************************
On the cut-and-kill floor of Quality Pork Processors Inc. [4] in Austin, Minnesota, the wind always blows. From the open doors at the docks where drivers unload massive trailers of screeching pigs, through to the "warm room" where the hogs are butchered, to the plastic-draped breezeway where the parts are handed over to Hormel for packaging, the air gusts and swirls, whistling through the plant like the current in a canyon. In the first week of December 2006, Matthew Garcia felt feverish and chilled on the blustery production floor. He fought stabbing back pains and nausea, but he figured it was just the flu—and he was determined to tough it out.
Garcia had gotten on at QPP only 12 weeks before and had been stuck with one of the worst spots on the line: running a device known simply as the "brain machine"—the last stop on a conveyor line snaking down the middle of a J-shaped bench [DC] [5] called the "head table." Every hour, more than 1,300 severed pork heads go sliding along the belt [6]. Workers slice off the ears, clip the snouts, chisel the cheek meat.
Matthew Garcia
They scoop out the eyes, carve out the tongue, and scrape the palate meat from the roofs of mouths. Because, famously, all parts of a pig are edible ("everything but the squeal," wisdom goes), nothing is wasted. A woman next to Garcia would carve meat off the back of each head before letting the denuded skull slide down the conveyor and through an opening in a plexiglass shield.
On the other side, Garcia inserted the metal nozzle of a 90-pounds-per-square-inch compressed-air hose and blasted the pigs' brains into a pink slurry. One head every three seconds. A high-pressure burst, a fine rosy mist, and the slosh of brains slipping through a drain hole into a catch bucket. (Some workers say the goo looked like Pepto-Bismol; others describe it as more like a lumpy strawberry milkshake.) When the 10-pound barrel was filled, another worker would come to take the brains for shipping to Asia, where they are used as a thickener in stir-fry [7]. Most days that fall, production was so fast that the air never cleared between blasts, and the mist would slick workers at the head table in a grisly mix of brains and blood and grease.
Tasks at the head table are literally numbing. The steady hum of the automatic Whizard knives [8] gives many workers carpal tunnel syndrome. And all you have to do is wait in the parking lot at shift change to see the shambling gait that comes from standing in one spot all day on the line. For eight hours, Garcia stood, slipping heads onto the brain machine's nozzle, pouring the glop into the drain, then dropping the empty skulls down a chute.
And then, as the global economy hit the skids and demand for cheap meat skyrocketed [10], QPP pushed for more and more overtime. By early December, Garcia would return home spent, his back and head throbbing. But this was more than ordinary exhaustion or some winter virus. On December 11, Garcia awoke to find he couldn't walk. His legs felt dead, paralyzed. His family rushed him to the Austin Medical Center, not far from the subdivided Victorian they rented on Third Street. Doctors there sent Garcia to the Mayo Clinic in Rochester, about an hour away. By the time he arrived, he was running a high fever and complaining of piercing headaches. He underwent a battery of exams, including MRIs of his head and back. Every test revealed neurological abnormalities, most importantly a severe spinal-cord inflammation, apparently caused by an autoimmune response. It was as if his body was attacking his nerves.
Garcia inserted a compressed-air hose and blasted the pigs' brains into a pink slurry. One head every three seconds.By Christmas, Garcia had been bedridden for two weeks, and baffled doctors feared he might be suicidal. They sent a psychiatrist to prepare him for life in a wheelchair.
There is no Matthew Garcia.
Or, rather, Matthew Garcia is not his name. It's the made-up name I've given him to shield him from Immigration and Customs Enforcement. I don't know his real name anyway, not the name his mother cooed when she cradled him in her arms. All I know is the name on his driver's license, his I-9 and ITIN, his medical records and workers' comp claim. There is no Matthew Garcia in Austin, Minnesota, and if you go looking, you won't find him, but then there's no Emiliano Ballesta or Miriam Angeles either. Not really. Because many QPP employees are working under a fake name with false papers and a phony address.
And not just the people on the kill floor. You see: QPP is simply another way of saying Hormel [11] and its corporate headquarters in Dallas is just a tax-accounting firm in a poured-concrete office park along the LBJ Freeway. And if you leaf through the Austin phone book, you can find a listing for Kelly Wadding [12], the CEO of QPP, but if you drive there, you'll find no house, no such address.
In Austin, such half-truths and agreed-upon lies are as much a part of the landscape as the slow-moving Cedar River. On one bank stands the Hormel plant, with its towering six-story hydrostatic Spam cooker and sprawling fenced compound, encompassing QPP and shielded from view by a 15-foot privacy wall. When I asked for a look inside, I got a chipper email from the spokeswoman: "They are state-of-the-art facilities (nothing to be squeamish about!) but media tours are not available." On the other bank is the Spam Museum [13], where former plant workers serve as Spambassadors, and the sanitized history of Hormel unfolds in more than 16,000 square feet of exhibits, artifacts, and tchotchkes.
One room is done up as the Provision Market, opened by George Hormel (pronounced HOR-mel to rhyme with "normal") in the Litchfield Building on Mill Street in November 1891. But the company we know today—and its most famous product—didn't emerge until after Hormel's son, Jay, took over in 1929. Jay Hormel was a masterful manager and a gambler in the true capitalist sense. In the trough of the Great Depression, he bet Americans would buy into the idea of low-cost canned dinners. Hormel chili [14], Dinty Moore stew [15], and Spam [16] were born.
Around the same time, Hormel attempted to institute a progressive pension plan [17] in which the company would contribute $1 to a worker's 20 cents per week. But he didn't bother pitching its benefits to employees; he simply instructed foremen to collect signatures—a style of leadership he later rued as "benevolent dictatorship." Wary line workers refused, and when one gave in, labor organizers incited a work stoppage. Local business leaders panicked. Hormel urged them to accept union labor in Austin. "I am not going to get mixed up in a fight in my hometown," he declared. But he was too late.
The Spam Museum
In November, poorly armed union organizers, dissatisfied with the slow progress of negotiations, escorted Hormel from the general offices and shut down the plant's refrigeration system—threatening to spoil $3.6 million of meat. For three straight days, Hormel went to the picket line to address workers from an improvised platform and meet with union leaders. He brought the strike to a quick end by agreeing to a series of forward-looking incentives, including profit-sharing, merit pay, and the "Annual Wage Plan," an unheard-of salary system in an industry dominated by piecework and hourly rates. Hormel also agreed that increases in output would result in more pay for workers, and he even guaranteed them 52 weeks' notice prior to termination [18].
Fortune derided Hormel as the "red capitalist," but the moves earned him a matchless period of management-labor cooperation and national goodwill. During World War II, the company cranked out K-rations [19], sending canned meat up supply lines across the Pacific and securing Spam acclaim as the "meat that won the war." Hormel even created a "special workers" program, designed to assist veterans, in which up to 15 percent of the workforce could be given light duty if disabled. But all that started to change when the company passed out of family hands and fell under new corporate leadership that wasn't interested in Jay Hormel's progressive benefits. In 1975, future president Richard Knowlton began to negotiate an agreement that would build a whole new plant with the promise of reducing workloads—and allow him to gut longstanding incentive programs. That led to a bitter strike—and completed the transition from George A. Hormel & Co., the family business, to Hor-MEL, the corporation. But that era was about more than rebranding. It was the start of shell companies and shell games; this was when everyone learned to speak this local dialect of truth, when the cut-and-kill side of the operation became QPP, and the workforce became populated with undocumented immigrants working under false names.
It was February 2007, and the pipes under Emiliano Ballesta's trailer home on the outskirts of Austin had frozen solid. Worried about his wife and five children—most of all, his five-year-old son, who had recently been diagnosed with leukemia—Ballesta shimmied into the crawl space with a pair of small kerosene heaters. Instead of thawing the pipes, he ignited the wispy insulation hanging from the floorboards, and, in no time, flames engulfed the place. When police and firemen arrived, black smoke was rolling from under the eaves. By morning, nothing remained but a blackened hull.
Emiliano Ballesta at the Queen of Angels church, Austin, Minnesota
The family slept on friends' couches and floors for weeks after that. Despite 12 years of working at QPP's head table, Ballesta was only making $12.75 an hour, barely a $26,500 base salary. But he had worked Saturdays for overtime as long as he could remember, and lately there were plenty of additional hours available as production ramped up to meet surging demand.
Spam, it turns out, is an excellent economic indicator. As the recession took hold, both Hormel and QPP offered more and more hours to workers. Hormel employees told the New York Times [10] that they'd never seen so much overtime, and Hormel's CEO, Jeffrey M. Ettinger [20], confirmed that sales figures were climbing by double digits. Though head meat goes into sausage, not Spam, the increased production of one item increases output of everything else. One Hormel worker told the Times he'd bought a new TV and refrigerator with his overtime hours; Emiliano Ballesta could afford to move his family into a rental home.
In May 2007, Ballesta was at a son's high-school commencement when he noticed his legs starting to feel tight and numb. Within days, his right hip and thigh were throbbing, and it was as if the soles of his feet were on fire. At first, he chalked it up to fatigue, so many extra hours standing, but soon he was having trouble walking from the QPP parking lot to the plant door.
Ballesta wasn't alone. Miriam Angeles, who worked near the head table removing remnants of spinal cords, had started having burning pain in her lower legs, too, and now her right arm had begun falling asleep—both at work and at home, when she tried to feed her infant daughter. Susan Kruse, who cleared neck meat from the foramen magnum—the aperture where the spinal cord enters the skull—had a knot in her left calf that wouldn't go away. When the cramps spread to her right leg, and stiffness in her hands turned to tingling, Kruse finally went to the doctor. Even Pablo Ruiz, a process-control auditor who only passed by the head table, was starting to have numbness in his legs and once fell to the plant floor.
At first, Ballesta chalked it up to so many extra hours standing, but soon he was having trouble walking from the parking lot to the plant door.In the meantime, Mayo doctors had prescribed Matthew Garcia a steroid to calm his nerve inflammation, and he'd improved enough to get around without a walker. He had lost pelvic floor function, robbing him of bowel control, and had to catheterize himself, but he managed to return to the brain machine in May. Within three weeks, though, Garcia couldn't stand again. Relatives rushed him back to the emergency room.
Dale Chidester, until recently the office coordinator of the United Food and Commercial Workers [21] Local 9, is a bear of a man with unruly hair and a salt-and-pepper goatee, but he's good-looking (he could be a '70s action star gone to seed) and speaks in a sweet, soft rasp. We met in his office in the Austin Labor Center. The building's institutional architecture, mostly reserved these days for elementary schools and county lockups, is like a time capsule of Depression-era proletarianism. Each morning, Chidester opened the window at the check counter, pushing up the wooden shutter as if it were a gate on a service elevator, and planted himself in his creaky office chair—a picture of FDR over one shoulder, a picture of Geronimo over the other.
The Head Cases
QPP workers diagnosed with an autoimmune disorder were clustered around the machine used to liquefy 1,350 pig brains every single hour.
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Chidester didn't yet live in Austin during the 1985-86 strike [22]—he worked at Hormel's plant in Ottumwa, Iowa—but he remembers well the regular four-hour runs up I-35 to deliver supplies to the families struggling through those lean months. He started in meatpacking in the late '70s, just as the country was sliding toward recession and all of the major meatpacking companies were consolidating and forcing workers to accept lower wages. Chidester says he witnessed a lot of dirty tricks meant to double-cross the unions. The Wilson Foods pork-processing plant in neighboring Albert Lea filed for bankruptcy [23] in 1983 in order to nullify existing contracts and cut workers' average pay from $10.69 an hour to $6.50. With improved margins, owners were able to sell the company at a sizable profit.
In Austin, the Packinghouse Workers Local 9 (P-9, as it was then known) bristled at talk of lower wages. Workers had already conceded too much in return for Richard Knowlton's wan promise to build a state-of-the-art plant and keep Hormel's full operation in Austin. He had convinced P-9 to give up the incentive pay system; freeze wages until the new plant was complete; and sign away the right to strike until three years after the plant opened. Knowlton had recognized that profit margins were vanishing from butchering as automation transformed the trade into increasingly monotonous, low-skill jobs.
There was no reason, in his mind, to pay union wages for cut-and-kill workers. Like a latter-day Jay Hormel, he saw the future in making a new generation of packaged meals that America's increasingly female workforce could pop in the microwave at the end of the day. But, unlike Jay Hormel, Knowlton was reaching for increased profits (as well as a hefty bump in his own salary) by wresting away worker benefits. In October 1984, Knowlton demanded a 23 percent wage cut [24] (PDF), from $10.69 an hour to $8.25. But under the strike restriction, P-9—which had just been absorbed into the United Food and Commercial Workers—had no recourse until August 1985.
When the no-strike period expired, P-9 walked out, beginning a 13-month strike that would stand among the most notorious and rancorous in American history. Believing that Hormel couldn't compete against larger companies that had already brought union wages down to $8.25, the UFCW asked P-9 to accept the lower wages, so as to restore the pattern bargaining that had existed for decades, with a common wage scale across all companies and plants. When P-9 refused, and even organized a nationwide boycott of Hormel products, the UFCW sent a letter to every local in the AFL-CIO asking them not to support P-9. Strikers who crossed the picket line were joined by scabs, the windows of their cars pounded daily by outraged union members. Minnesota Gov. Rudy Perpich called in the National Guard to protect the scabs. Finally the UFCW ended the strike by putting P-9 into receivership and negotiating a 1-cent increase over the wages proposed by Hormel, along with a promise that strikers would be given preference for rehiring as scab-occupied positions were vacated.
Then, in November 1987, barely a year after the conditions of the strike resolution were made official, Hormel announced a shutdown of nearly half of the new plant. Hormel would continue to operate the packaging operation on the refrigerated ("cold") side, but the cut-and-kill ("hot side") would be taken over by Quality Pork Processors Inc. QPP then existed only on paper but was headed by Richard C. Knight [25], a former executive at Swift, the Chicago-based meatpacker that pioneered the conveyor line and had a major plant in nearby Albert Lea.
Knight claimed his new company would be separate from Hormel, though QPP would buy exclusively Hormel hogs and sell the butchered meat exclusively back to Hormel. They would use Hormel's space and Hormel-owned equipment, rely on the Hormel mechanics, drive Hormel forklifts. The newly dubbed Local 9 felt this was a union-busting tactic and asserted that 550 former strikers still on the preferential recall list were entitled to the new jobs created by the subcontract—and at the wages the union had just agreed to, not the $6 to $8 an hour now being offered. Hormel denied this and, to make its point, erected a wall in the middle of the plant to divide Hormel from QPP. Eventually it would add a separate entrance and run a chain-link fence through the center of the parking lot. "It's kind of like taking a room in the middle of a house," Chidester told me, "and saying it's not really part of the house."*
Local 9's attorney asked the St. Paul Pioneer Press: "What good is a union contract if the company can avoid the contract by simply leasing its premises to another company and get the work done at non-union rates?" On the first day of operation in June 1988, an arbitrator closed down QPP. It took a year of legal wrangling, but the union eventually conceded. The contract was amended to allow lower pay for subcontractors, and the plant reopened in June 1989. UFCW bosses hailed the deal as a victory, even though they had won an hourly wage of $9 at QPP after the local had gone on strike to protect a $10.69 hourly wage at Hormel. The two-tier pay scale that the old P-9 leadership had warned against had arrived—but cloaked in doubletalk. "It's not a two-tiered wage," Chidester explained with an ironic smile. "It's just a subcontractor with a lower wage scale."
*The courts haven't bought the argument, either. In a 2001 class action [DC] [26] brought by 700-plus employees who claimed they were owed wages for time spent cleaning and donning safety gear, the plaintiffs asked the judge to add Hormel as a "joint employer." She agreed, nothing that, among other things, QPP executive salaries appear to be negotiated with Hormel, which is a $7.4 billion Fortune 500 company. QPP promptly settled for $1,075,000.
With new wages came new workers, and even rumors that QPP recruited laborers in Mexico. Matthew Garcia said he didn't know of formal recruitment, but in his Oaxacan town of fewer than 1,000 residents, nearly every adult male he knew had, at one time or another, worked at QPP. By the early '90s, Austin had gone from having a united local workforce to having a sharply divided workforce that, while still unionized, is, on the QPP side, decidedly less vocal and less powerful. By some estimates, QPP's labor force today is 75 percent immigrant. But the anger of former strikers who had been promised preferential rehiring did not fall on QPP for its hiring practices; many townspeople turned on the immigrants themselves.
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"It's still leftover bitterness from the strike," Chidester said, "because that strike was an unconditional surrender. You know, the company won."
Many Austin locals say the town—devastated by the farm crisis as well as the strike—now depends on immigrants to survive, and they appreciate the cultural influx. Still, recently the Minutemen and a homegrown neo-Nazi group [27] have held rallies in Austin; it's become a regular stop-off for tea party activists. Police have followed Gov. Tim Pawlenty's 2008 executive order [28] (PDF) that effectively deputized local officers in enforcing federal immigration laws, and some in Austin have even advocated for ordinances like one passed by sister Hormel town Fremont, Nebraska, to force landlords and employers to run immigration background checks on prospective employees and tenants. At last year's mayoral debates, the candidates—a former Austin police officer and a clerk at Hormel—agreed on only one thing: Illegal immigration was too complex to tackle just at the local level. By most counts, there are more than 5,000 Mexican immigrants living in Austin—about one-fifth of the town's population—and Mayor Tom Stiehm, the former cop who won reelection, estimates that 75 percent are working under false identification.
Hormel's calculated decision to divide itself has also divided Austin.
Since 1989, the line speed at QPP had been steadily increasing—from 750 heads per hour when the plant opened to 1,350 per hour in 2006, though the workforce barely increased. To speed production, the company installed a conveyor system and humming automatic knives throughout the plant, reducing skilled tasks to single motions. Workers say nearly everyone suffered from carpal tunnel syndrome or some repetitive stress injury, but by October 2007, there were signs of something else. Workers from QPP's kill floor were coming to Carole Bower, the plant's occupational health nurse, with increasingly familiar complaints: numbness and tingling in their extremities, chronic fatigue, searing skin pain. Bower started noticing workers so tender that they struggled with the stairs to the top-floor locker rooms, high above the roar of the factory line.
The line speed at QPP had increased from 750 heads per hour in 1989 to 1,350 per hour in 2006, while the workforce barely grew.Six workers were referred to Richard Schindler, a doctor at the Austin Medical Center who'd first seen Matthew Garcia. Garcia had returned a second time to the brain machine, worked four-hour days, then six hours—but his symptoms soon returned. He began falling on the plant floor, his legs numb and motionless under him. Schindler found that Garcia and another brain-machine operator were the most advanced cases. Besides Garcia and the six workers referred by Bower, Schindler had seen another five men and women with similar symptoms—all workers at QPP. Schindler believed they were suffering from something like the rare disorder Chronic Inflammatory Demyelinating Polyneuropathy (CIDP) [29]—death of the peripheral nerves caused by damage to the fatty neural covering known as the myelin sheath. He emailed a group of neurologists at the Mayo Clinic for advice.
One, Daniel Lachance, was struck by the case histories. He had seen a woman in 2005 who worked at QPP and had sought treatment for carpal tunnel syndrome. After seeing her EMG and other tests, Lachance suspected a more ominous nerve condition—but the woman returned to Mexico before her spinal fluid could be tested. Lachance remembered Garcia, too, from his hospitalization the year before. Steroids had helped reduce the swelling of his nerves, but doctors could never identify the cause of his spinal inflammation. When Lachance checked his employment history, he discovered that Garcia worked at QPP.
But Schindler was describing a dozen concurrent cases. "Those types of illness seem to, statistically, come up in the population at a rate of two per 100,000," Lachance told me later. "So here, over the course of a couple of months, I was aware of up to a dozen individuals from one town of 22,000 who all happened to work in one place." Lachance brought the affected workers in, one by one, and crossed off items from a laundry list of diseases and disorders. It wasn't mad cow or trichinosis. It wasn't a simple muscular disorder like carpal tunnel syndrome. It wasn't cancer or a virus. It wasn't bacteria or a parasite. Lachance concluded that the slaughterhouse illness was likely some kind of autoimmune disorder. It was time to contact the Minnesota Department of Health (MDH).
In early November 2007, Aaron DeVries [30], an epidemiologist at MDH in St. Paul, drove to Austin to review the medical records of the patients involved. He was working from a checklist of his own, eliminating possible sources of the illness. The symptoms were inconsistent with any known infections, and workers' families were unaffected, so the disorder didn't seem to be transmissible by human-to-human contact. Like Lachance, DeVries concluded that the illness had to be an autoimmune response, most likely triggered by something inside the plant.
DeVries arranged a site visit for November 28. Accompanied by QPP officials, the MDH team, led by state epidemiologist Ruth Lynfield [31], progressed down the head table and eventually reached the brain machine. They stood silently for a moment, watching the bursts of air rising into a red cloud, a small amount each time but enough, as it drifted and accumulated, to gradually coat workers at the head table. Lynfield pointed out that nearly all the affected workers were stationed near the brain machine and asked CEO Kelly Wadding, "What do you think is going on?" Wadding reportedly replied, "Let's stop harvesting brains."
Much would be made later of that reply, of how Wadding had ordered the brain machine removed from the factory floor immediately, of how he had the apparatus dismantled and brought to the conference room where he sat with the MDH team after the plant tour. Much praise [32] (PDF), too, would be voiced for his willingness to speak to reporters in the wake of an MDH press release announcing an outbreak of an unexplained neurological disorder in his plant.
Each day, 19,000 pigs enter the Austin, Minnesota, complex in unmarked trucks, while the finished goods leave in Hormel trucks.
What no one knew then, and has gone unreported until now, is that, in the months prior to the announcement, QPP quietly sold an 80 percent interest [DC] [33] in itself. The buyer, Blaine Jay Corporation [34], had incorporated in 2004, but this was its first purchase recorded with the Texas state franchise board (on November 15, 2007). Corporate documents [DC] [35] list an accounting firm on the LBJ Freeway in Dallas as Blaine Jay headquarters and Kelly Blaine Wadding as president.
The shell had grown another shell.
The QPP parking lot is gravel, and on a day like the one when I was there—the first day of March, when the mercury had finally pushed above freezing and the glaciers of plowed snow were starting to drip and calve—it was muddy and rutted and pocked by potholes. At four, the sun hung blindingly bright in the sky, and the entrance to the fenced grounds was alive with workers flowing in and out: the shift change. The QPP workforce was mostly Hispanic with a smattering of Somalis and African Americans, all pushing through the narrow turnstile as I waited for the security guard to reemerge from his booth. Eventually the guard opened the door a crack, apologetically. "They are just ridiculously uptight about things like this," he told me. Indeed, in more than three years since the outbreak, QPP had never allowed a reporter onto its grounds—until I visited.
Finally, Carole Bower arrived and ushered me toward the entrance. She was dressed in hospital white, down to her shoes. Even her manicured nails were tipped in white, and her hair had been frosted with highlights. Her demeanor, too, though not exactly icy, was officious. She was very sorry to have kept me waiting, she said, but "Quality Pork and Hormel take security very seriously." She gestured toward the office entrance, ushering me away from a stream of workers climbing stairs toward the kill floor. They moved steadily past the laundry-room window, taking clean aprons.
Once we were inside a tight, private office borrowed for the occasion, Bower shut the door and closed the blinds. She sat behind the desk and spoke from a set of prepared talking points. She seemed taxed by the dilemma of owning up to QPP's role in the outbreak without accepting culpability. I felt bad for her. But I didn't know then that she'd served as one of the four directors of Albert Lea Select Foods [DC] [36], another "co-packer" for Hormel in a nearby town—another company headed by Kelly Wadding, headquartered at the same accounting firm in Dallas, and, as of 2008, 100 percent controlled by the Blaine Jay Corporation. Shortly after that transaction, Select Foods, which then described itself as "an extension of Quality Pork Processors," announced a $1.5 million expansion [37] that dramatically increased capacity and added more than 100 nonunion jobs—many filled by an influx of Karen refugees from Burma, who were legal under asylum laws.
In the Spam Museum, visitors can try on safety gear, as well as see statues of Jay and George Hormel re-creating the moment the company was handed from father to son.
Bower seemed focused on defending the speed of QPP's response to the outbreak and showing management's deep caring for the affected workers. "When the public health department came on site, we had open meetings with all of the employees in our two big break rooms," she said. "They took them off their work time, paid them for their time, and the president of the company and our HR manager and myself and anyone else that was involved talked to them, had interpreters, explained what was going on. We had weekly meetings just like that with everybody in the plant for the following four, five, six weeks."
I asked why they hadn't simply informed workers in writing, noting that the lunchroom held barely a hundred people. It would have taken a dozen or so meetings at each step of the process to inform all 1,300 QPP workers in the manner she described. Her calm reserve faltered.
"We had multiple meetings," she said, growing flushed. "We would have the day hot side, the day cold side, livestock. We probably had four meetings in a row. Day and night. For weeks."
Nevertheless, many affected workers didn't know all the facts. Susan Kruse, who was at home and unable to work, didn't learn of the outbreak until she saw it on the evening news. Emiliano Ballesta didn't know how widespread the illness was until he arrived for a steroid treatment at the Austin Medical Center and found the waiting room filled with his coworkers. Back at work after another five months out sick, Matthew Garcia was surprised to discover that Dr. Lachance had ordered him, along with a group of fellow employees, put on light duty and referred to another Mayo Clinic neurologist.
Those who did attend the meetings, people like Miriam Angeles, remember the break-room gatherings very differently from Carole Bower. When Angeles spoke to me at Austin's Centro Campesino [38] with the cultural center's director, Victor Contreras, serving as interpreter, she said management insisted that, although people from QPP had become sick, there was no evidence that the illness originated from inside the plant. The managers instructed workers to keep quiet until the company made a public statement. "We prohibit any comment about this," she remembered being told. "Anyone who comments on this disease, you could lose your job."
Affected workers were instructed not to identify themselves in the group meetings nor ask questions. In one meeting, however, a sick worker rose in a swell of panic to ask Kelly Wadding, "What's going to happen with my health?"
Wadding, according to Angeles, said: "Sit down. We're going to talk to you in the nurse's office."
After that, there were more meetings, but sick workers were afraid to speak out. They whispered in locker rooms. They phoned each other at home. They slowly figured out who some of their sick coworkers were, but when Wadding called a final meeting to announce that the mystery illness was under control, Angeles said the affected workers were too scared to say anything. And, though they were all in the UFCW, neither Local 9 nor the bosses in Washington took up their cause.
To this day, there is no agreed-upon number of QPP workers who were affected by the illness. The MDH conducted a survey [DC] [5] and found 15. In his published study [39] based on rigorous testing, Lachance says he found 21. Thirteen were sufficiently incapacitated to file workers' compensation claims against QPP. The count is further complicated by the revelation that MDH reached out to the two other plants in America where pork brains were being harvested with compressed air, and some published reports include seven additional cases from the Indiana Packers plant in Delphi, Indiana, and one more from the Hormel plant in Fremont, Nebraska.
"I feel thrown away," Miriam Angeles says. "Before, I worked hard and willingly for QPP, but after I got sick and needed restrictions, they threw me away like trash."Angeles didn't seek out other affected workers. She resolved to just do her work and keep quiet. She never complained, she told me, even though she claims that her supervisor never honored her doctor's orders that she sit for 15 minutes every two hours. When the strong medications that had been prescribed for pain in her arms left her with blurred vision, the supervisor still refused to let her take a break. "No," Angeles says she was told, "you have to keep working."
In May 2008, five months after the MDH visit, an outside social worker, Roxanne Tarrant [40], was assigned to guide employees through filing workers' compensation claims. (Under Minnesota law, filing a claim precludes the possibility of a lawsuit.) In a successful claim—which is not dependent on employment or immigration status—the injured party can receive wage-loss, medical, and/or rehabilitation benefits. Those benefits—which in a case like this could cost millions, mostly in medical claims—would be paid for by insurance; QPP's insurer was an AIG subsidiary. However, a recent appellate ruling [DC] [41] reveals that QPP's policy had a $600,000 deductible for "Each Accident or each Person for Disease." QPP argued that the outbreak constituted one "accident." The court disagreed, making QPP pay $600,000 per affected worker, which could total more than $7 million.
As the workers began filing their claims, QPP offered Angeles and several others about $20,000 each as a preemptive settlement. But QPP's offer required workers to forfeit medical benefits. Doctors were still determining whether workers' nerve damage was temporary or long-term, whether they would ever be able to work again or faced permanent disability. The workers rejected the offer.
Days later, on the Monday morning after the long Fourth of July weekend, Angeles was told to report to human resources, where she was informed that there was a problem with her identification. Angeles, who'd been working under another name, knew she was about to be fired. Would she continue to have her health insurance? Would she still qualify for worker's comp?
"They said, 'That's your problem.'"
Angeles' voice turned soft, lost in that memory.
"I feel thrown away," she said, finally. "Like a piece of trash. Before, I worked hard and willingly for QPP, but after I got sick and needed restrictions and told them I was in pain, they threw me away like trash and were done with me."
SIX MONTHS EARLIER, when Matthew Garcia was sent back to the Mayo Clinic neurology department, Dr. P. James Dyck [42] explained to him that there was an "epidemic of neuropathy" that was affecting QPP workers—a newly discovered form of demyelinating polyradiculoneuropathy. Inhaling aerosolized brains had caused his body to produce antibodies, but because porcine and human neurological cells are so similar, the antibodies began destroying Garcia's own nerves, as well.
The new disease theory made sense, except that, according to company officials, QPP had been blowing brains, off and on, for more than a decade. So why did workers fall ill now and not earlier? The answer is complex. First, in April 2006, the line speed increased from 1,300 pig heads moving down the conveyor belt each hour to 1,350. This speedup was slight, but it was just the latest in a series of gradual increases. "The line speed, the line speed," Lachance told the AP [43], when recounting patient interviews. "That's what we heard over and over again." The line had been set at 900 heads per hour when the brain harvesting first began in 1996—meaning that the rate had increased a full 50 percent over the decade, whereas the number of workers had hardly risen. Garcia told me that the speed made it hard to keep up. Second, to match the pace, the company switched from a foot-operated trigger to an automatic system tripped by inserting the nozzle into the brain cavity, but sometimes the blower would misfire and spatter. Complaints about this had led to the installation of the plexiglass shield between the worker manning the brain machine and the rest of the head table. Third, the increased speed had caused pig heads to pile up at the opening in the shield. At some point in late 2006, the jammed skulls, pressed forward by the conveyor belt, had actually cracked the plastic, allowing more mist to drift over the head table. Pablo Ruiz, the process-control auditor, had attempted to patch the fracture with plastic bags. (To this day, Ruiz says he suffers from burning feet and general exhaustion.) Fourth, the longer hours worked in 2007 had, quite simply, upped workers' exposure.
But Dyck, the Mayo neurologist, had some good news. He and Lachance diverged from the description of the disorder favored by the Department of Health and the CDC. All the doctors agreed that pig brains had triggered an autoimmune disorder. But MDH was calling it progressive inflammatory neuropathy (PIN), while the Mayo team rejected this name, because the doctors there didn't believe that the disorder was progressive. Now that QPP had halted harvesting pig brains, Dyck explained, Garcia's condition should improve.
Austin is home to an influx of migrants, seen worshipping at Queen of Angels Church.
But Garcia struggled to return to work for the better part of 2008. By fall, he still had burning in his feet, his knees clicked when he walked, and his bowel and bladder problems persisted. In November, Lachance found a "suspicious spot" on a nerve at the base of Garcia's brain and would eventually diagnose it as a nerve-sheath tumor.
Still, on December 5, Garcia passed a series of tests administered by doctors at the Austin Medical Center to see if he could return to work. But Lachance, who had the final say, was concerned. Garcia had quit sweating in his extremities, a clear indication of nerve death—permanent damage. Lachance emphasized in a letter to social worker Roxanne Tarrant that Garcia should only be asked to do sedentary work as he "has some mild degree of residual gait difficulty associated with spasticity, which would affect his efficiency of walking and fatigue levels."
Garcia met with Carole Bower to discuss reassignment. He was taken to his new station, mere feet from the old brain station. Seeing the blood on the floor and the hog parts sliding by on the conveyor, Garcia started to panic. He was afraid that he would again be exposed, that his condition would worsen. He couldn't catch his breath; his chest tightened. He begged to leave and called Tarrant. She secured him a different job, away from the head table.
QPP doesn't have the "special worker" program for disabled employees that Hormel has. Garcia was assigned to a job in the "box room," where cardboard shipping containers are prepared. It worked out okay at first, though Garcia often had to lift more than the 10 pounds that doctors had indicated should be his limit. But then QPP reassigned another box-room worker, and Garcia's workload increased. Tarrant complained to nurse Bower, to no avail.
Even after his diagnosis, Emiliano Ballesta was reluctant to transfer to another place on the factory line. His job, removing sinewy cheek meat from the tight nooks of the skull (a job known as "chiseling"), requires more handwork than most tasks at the head table. In the era of Upton Sinclair's The Jungle, workers used an actual chisel to pry open and dislocate hogs' jaws, then hacked away muscles from the cheeks and temples. But today most factories use a mechanized jaw-puller for the brute work, and workers make precise cuts with a straight blade, honed to razor sharpness and handled with a chainmail glove. The skill required made Ballesta's job one of the most prestigious and—at $13.15 per hour following a raise—highest-paying positions at the head table.
In the kitchen of his rented apartment in a house on the east side of the Cedar River, Ballesta turned the blade of a butcher knife over, checking both sides.
"You have to be sure there are no dents in the blade," he said, as one of his sons translated. "Then you sharpen it against the steel rod."
He slid the blade out and back along the sharpening steel in a fluid motion that made the knife hum and sing. During the early days of the new plant, veteran workers complained repeatedly about the introduction of mechanical knife sharpeners, replacing personal stones and steels used to hone and feather their knives. They insisted that the mechanical sharpeners never gave knives a proper edge, leading to more strain while cutting and eventually to carpal tunnel syndrome. Some, like Ballesta, continued to use their own sharpeners.
"The skin of a hog is very thick and the blade would wear out quickly. I had to keep sharpening it all day."
Austin is home to small-town Americana.
Everything about him was commanding—from his trimmed mustache to his iron-gray temples. Once, I spotted him among the crowd of congregants arriving for Mass at Queen of Angels, his bright-red Western shirt pressed and perfectly creased, the sleeves buttoned to conceal the circular scar of a Whizard knife slash on his left forearm. Even on the day of that injury, he had gotten patched up at the Austin Medical Center and returned to finish his shift. It must have been nearly impossible to accept that something invisible—something he referred to always as "the infection"—had robbed him of sensation and fine motor function, turning what had been surgical skill into a fumbling hazard.
After his diagnosis, Ballesta tried other jobs: weighing and packing parts, running the circular saw that clips off snouts. He even tried a less-skilled job trimming head meat with the Whizard. But by March 2009, the tingling in his right hand had grown worse and left his middle finger completely numb. Ballesta was given lighter duty washing ears, then taken off the line altogether to work in the box room alongside Matthew Garcia. By May, Ballesta was back to chiseling, but his need for breaks jeopardized his ability to hang on to the job. Under his contract, he had to bid for the job—and the position was increasingly coveted by other workers.
Bower sent an email to Lachance about Ballesta. "Rather difficult," she began. "He really likes the chiseling job and does not want off of it." She explained that Ballesta had asked to return to chiseling full-time. But Lachance believed he would still need 15-minute breaks every two hours, something that Bower doubted could continue to be accommodated. Still, she wrote that Ballesta "is a very good and ethical man so wants to work hard and please his employer. Can we see how it goes for awhile?"
Of the 13 workers who had workers' comp claims, six had been fired for working under forged or stolen identities. Ballesta was next.In July, Bower told social worker Roxanne Tarrant that QPP had been reviewing the job lineup sheets for the workers with PIN, and it was becoming increasingly difficult to manage their required accommodations. She asked Tarrant if Ballesta could possibly chisel cheek meat without taking breaks. Ballesta balked. He said that he still had terrible burning in his feet if he stood too long; he just couldn't do it. On October 1, Ballesta finally gave in and requested to be put on cutting and cleaning intestines—despite a 20-cent-per-hour pay cut. He was dismayed but joked to coworkers that, after years at the head table, he would finally graduate to another station. That Saturday, October 3, would be his 15th anniversary at QPP. He called it his quinceañera, his coming of age.
But that Saturday, when he arrived at work, Ballesta was summoned to human resources. It was his last day at QPP.
Six months later, in April 2010, Matthew Garcia, too, was called in to talk to Dale Wicks in human resources. Wicks said that a man had been arrested in Texas; his name was Matthew J. Garcia—and he had the same date of birth and Social Security number as this Matthew J. Garcia. Wicks asked if his papers were his own. By now, workers—who had formed a support group that met weekly at Centro Campesino—had learned not to confess the way Miriam Angeles did, the way Emiliano Ballesta did. Of the 13 workers who had workers' comp claims, six had been fired for working under forged or stolen identities.
"I told them, yeah, they're my papers," Garcia said. "I have my ID, I have everything."
During his illness, Garcia had enrolled in classes at Riverland Community College [44], and his English was now good enough to get him by without an interpreter; he was not as frightened as other workers had been. Wicks warned that law enforcement was investigating, that they had already found records of Garcia's information being used in five other states. Garcia insisted he didn't know anything about that, that those people must have somehow stolen his information.
Garcia wasn't fired—but in June 2010, his condition suddenly worsened. A new round of tests convinced Lachance that his condition was likely now chronic. "I think his symptoms will be long term," Lachance wrote to Carole Bower, urging QPP to find a place for Garcia to perform light work—perhaps even a job in the office. "Hopefully some day his pain syndrome will gradually remit and his tolerance for physical activity improve but for the foreseeable future, especially concerning work-related activities, I think it is reasonable to assign some permanency here."
Tarrant told me that she understood the difficulty that QPP faced in finding light-labor positions for the injured workers. "It's a slaughterhouse," she said. "There really are no light jobs." Still, she was dubious of the claim that Immigration and Customs Enforcement just happened to be investigating so many affected workers whose doctors had recommended lighter duty. (Indeed, it's not clear ICE did.) "When the first firing happened, I thought it was interesting," Tarrant said. "When the second, then the third happened, I thought it was fishy."
My last morning in Austin, I drove to QPP for a final look. I parked across the road from the plant and rolled down the windows. It was still cold, the snow piled along the sidewalks turning gray and pitted. As the day shift started up, the smell was unmistakable: fresh pig shit and baking ham. Along the access road, marked Hormel Drive, 18-wheelers came barreling in, pulling livestock trailers. They took the corner through the chain-link gate and reversed into the loading docks, all but concealed by that barrier wall. But as each new truck arrived, I could hear the beeping of the backup warning, then the rattle of rear doors opening. And then there was the sound of sizzling electric prods, the clatter of cloven hooves on metal grating, and the guttural, almost human, screeching of hogs.
The check window at the UCFW Local 9 office
I dialed my cellphone and once again got Kelly Wadding's voicemail. Weeks later, when I finally got him on the line and said that I had been struck by how many of the workers affected by PIN had turned out to be undocumented, Wadding plunged into a rambling monologue. "I know where you're headed and I'll tell you right now: Anybody that's contracted PIN or any other illness or injury at work, we never, ever, ever go back and check their documentation." I could hear his fist bang on something hard. Never, ever, ever. Bang, bang, bang.
"They're still getting paid work-comp benefits; they're still getting paid their medical," Wadding insisted. "We have no desire to send these people down the road."
What I didn't know at the time was that Wadding was in the final stages of negotiating a settlement with up to a dozen employees who had filed workers' comp claims. After attorneys' fees, each received $12,500, a half-year's pay. Matthew Garcia, because he was deemed to have been permanently injured, got $38,600. As a condition of the settlement, he would no longer be employed at QPP. "I felt pushed into it," Garcia told me. "My attorney said, 'If you don't do it, you'll end up with nothing.'" He has used the money to pay for more courses at the community college, but it's going fast. He asked me not to use his real name for this article, fearing it might hurt his application at McDonald's.
After leaving a message on Wadding's voicemail, I saw the QPP security guard trundle out to his truck and begin circling the block, driving by again and again. But he couldn't touch me. I was on a public street, next to Horace Austin Park with its clear view of the Cedar River. I sat and watched as evidence of our national industry and know-how arrived by the truckload. Our whole history of conquering the West, industrializing agriculture, and turning hog slaughter into a "custom meat operation" arrived at QPP's door.
I once asked Dale Chidester if he ever marveled at the sheer scale of it—the relentless pace required to process 5 million hogs a year. He laughed. You don't think about such things while you're working on the line, he explained; mostly you try not to think about anything at all. Your muscles remember and repeat. "It's like tying your shoes," he said.
I rolled up the windows and turned the key in the ignition. More than 19,000 hogs were processed at QPP that day. It was like any other day.
Additional reporting by Joe Kloc [45].
Links:
[1] http://motherjones.com/politics/2011/06/speed-up-american-workers-long-hours
[2] http://motherjones.com/politics/2011/06/stories-overworked-americans
[3] http://motherjones.com/politics/2011/06/speedup-americans-working-harder-charts
[4] http://www.qppinc.net/
[5] https://www.documentcloud.org/documents/207642-abattoirpin.html
[6] http://www.plosone.org/article/info:doi/10.1371/journal.pone.0009782
[7] http://www.slate.com/id/2189379/
[8] http://www.bettcher.com/
[9] https://www.documentcloud.org/home
[10] http://www.nytimes.com/2008/11/15/business/15spam.html
[11] http://www.hormel.com/
[12] http://www.linkedin.com/pub/kelly-wadding/11/478/688
[13] http://www.spam.com/games/Museum/default.aspx
[14] http://www.hormelfoods.com/brands/hormel/HormelChili.aspx
[15] http://www.hormelfoods.com/brands/dintyMoore/default.aspx/
[16] http://www.spam.com/
[17] https://catalogue.lse.ac.uk/Record/606187
[18] http://www.scribd.com/doc/51639269/53/CASE-4-THE-HORMEL-STRIKE-AT-AUSTIN-MINN...
[19] http://www.amazon.com/SPAM-Biography-Amazing-Americas-Miracle/dp/0156004771
[20] http://people.forbes.com/profile/jeffrey-m-ettinger/41605
[21] http://www.ufcw.org/
[22] http://www.mnhs.org/library/tips/history_topics/85hormelp9.html
[23] http://www.nytimes.com/1983/12/03/business/wilson-foods-fights-back.html
[24] http://www.google.com/url?sa=t&source=web&cd=1&ved=0C...
[25] http://www.qppinc.net/profile.html
[26] https://www.documentcloud.org/documents/210077-2001qppsettlement.html
[27] http://twincities.indymedia.org/2009/oct/community-mobilizes-opposition-first...
[28] http://www.leg.mn/archive/execorders/08-02.pdf
[29] http://www.ncbi.nlm.nih.gov/pubmedhealth/PMH0001781/
[30] http://www.med.umn.edu/idim/faculty/jointadj/devries/home.html
[31] http://www.med.umn.edu/idim/faculty/jointadj/lynfield/home.html
[32] http://www.nursingcenter.com/_PDF_.aspx?an=00000446-200810000-00018
[33] https://www.documentcloud.org/documents/207645-qpp-papers.html
[34] https://ourcpa.cpa.state.tx.us/coa/servlet/cpa.app.coa.CoaGetTp?Pg=tpid&a...
[35] https://www.documentcloud.org/documents/207644-blainejaypubdocs.html
[36] https://www.documentcloud.org/documents/207643-albertleapubrecs.html
[37] http://www.kxnet.com/getArticle.asp?s=rss&ArticleId=233656
[38] http://www.centrocampesino.net/
[39] http://www.thelancet.com/journals/laneur/article/PIIS1474-4422%2809%2970296-0...
[40] http://www.empdevcorp.com/QRC%20bios/Roxanne%20Tarrant.htm
[41] https://www.documentcloud.org/documents/210076-qppvamericanhomeassurance.html
[42] http://www.mayoclinic.org/bio/10067655.html
[43] http://www.fox41.com/story/11594769/mayo-reports-on-slaughterhouse-illness-re...
[44] http://www.riverland.edu/
[45] http://motherjones.com/authors/joe-kloc
Docs We Love ::
Everyday Sunshine –
The story of FISHBONE
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This joint is loooooong overdue.
Learn your history homies, because these streets under your feet have been paved by many talented half crazy brothers + sisters determined to shake the system- Fishbone is definitely no exception.
About the Film:
EVERYDAY SUNSHINE is a documentary about the band Fishbone, musical pioneers who have been rocking on the margins of pop culture for the past 25 years. From the streets of South-Central Los Angeles and the competitive Hollywood music scene of the 1980′s, the band rose to prominence, only to fall apart when on the verge of “making it.”Laurence Fishburne narrates EVERYDAY SUNSHINE, an entertaining cinematic journey into the personal lives of this unique Black rock band, an untold story of fiercely individual artists in their quest to reclaim their musical legacy while debunking the myths of young Black men from urban America. Highlighting the parallel journeys of a band and their city, EVERYDAY SUNSHINE explores the personal and cultural forces that gave rise to California’s legendary Black punk sons that continue to defy categories and expectations.
At the heart of the film’s story is lead singer Angelo Moore and bassist Norwood Fisher who show how they keep the band rolling, out of pride, desperation and love for their art. To overcome money woes, family strife, and the strain of being aging Punk rockers on the road, Norwood and Angelo are challenged to re-invent themselves in the face of dysfunction and ghosts from a painful past.
You can find more about the film: HERE
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Janelle Monae performs
“Tightrope” live at
Glastonbury 2011
June 26, 2011 by Verse
What can I say about Janelle Monáe really? Honestly.We’ve been major fans of her’s since 2007′s Metropolis: Suite I (The Chase) EP and from back in November 2009 when she exclusively revealed to us the title of her now critically and commercially acclaimed The Arch Android album, we knew the project would cement her in the hearts and minds of millions around the world.
Yesterday the rebel android totally killed her performance at the Glastonbury festival and captured the attention of the UK, becoming a top trending topic in the United Kingdom. Check out her performance of the 1st single “Tightrope” from her debut album below.
All kinds of proud after watching that performance. Standing ovation for Miss Monáe. Now go and buy The Archandroid now!
SoulCulture.TV Bonus: Janelle Monae discusses the meaning of “Tightrope”.
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NOTTINGHAM OPEN POETRY COMPETITION 2011
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PRIZES: 1st: £300 2nd: £150 3rd: £75
and Merit Prizes of One Year’s subscription to
‘ASSENT’Adjudicator: Helena Nelson
Closing Date: 6th September 2011
1. The competition is open to anyone aged 16 or over.
2. Poems should be in English, unpublished, not accepted or submitted for publication elsewhere, and must be your original work.
3. Poems should not be entered in any other competition, or have previously been a prizewinner in any other competition.
4. Poems should be no longer than 40 lines.
5. Each poem should be typed on a separate sheet of A4 paper, and must not bear your name or any other form of identification. On a separate sheet of paper list your name, address, titles of poems submitted, and where you heard about this competition. No application form necessary.
6. Entry fee: £3.00 per poem or £10.00 for 4 poems.
7. Any number of poems can be submitted on payment of the appropriate fee. Cheques and postal orders should be made payable to Nottingham Poetry Society. No stamps, foreign currency or Irish P.O’s accepted
8.Winners will be notified by post in October 2011
9. Prizes will be presented at a public adjudication in Nottingham on 26th November 2011. All prizewinning poems will be published in ‘Assent’ and a selection on this website. The decision of the adjudicator is final.
10. Entries should be addressed to: The Competition Secretary, 38 Harrow Road, West Bridgford, Nottingham NG2 7DU
11. No entrant may be awarded more than one prize.
To request further details, please contact us .
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Creative Nonfiction Prize
The Malahat Review, Canada’s premier literary magazine, invites entries from Canadian, American, and overseas authors for its Creative Nonfiction Prize. One award of $1,000 CAD is given.
2011 Deadline
The deadline for the 2011 Creative Nonfiction Prize is August 1, 2011 (postmark date).
This year's judge will be Terry Glavin.
Guidelines
- The entry must be between 2,000 and 3,000 words. Please indicate word count on the first page. Please double space your work.
- No restrictions as to subject matter or approach apply. For example, the entry may be personal essay, memoir, cultural criticism, nature writing, or literary journalism. (Read the Creative Nonfiction Collective's definition of creative nonfiction here.)
- Entry fee required:
- $35 CAD for Canadian entries;
- $40 US for American entries;
- $45 US for entries from Mexico and outside North America.
- Entrants receive a one-year subscription to The Malahat Review for themselves or a friend.
- Entries previously published, accepted, or submitted for publication elsewhere are not eligible.
- Entrants’ anonymity is preserved throughout the judging. Contact information (including an email address) should not appear on the submission, but along with the title on an enclosed separate page.
- No submissions will be accepted by email.
- The winner and finalists will be notified via email.
- Entrants will not be notified about the judges' decisions even if an SASE is enclosed for this purpose.
- The winner and finalists will be announced on The Malahat web site and facebook page, with the publication of the winning entry in The Malahat Review’s Winter 2011 issue.
- The winner will be interviewed. The interview will appear on our website and in Malahat lite, the magazine’s monthly e-newsletter, in December 2011.
- No entries will be returned, even if accompanied by an SASE.
- Send entries and enquiries to:
The Malahat Review
University of Victoria
P.O. Box 1700
Stn CSC
Victoria, B.C. V8W 2Y2
Canada
Email: malahat@uvic.ca
Telephone: 250-721-8524
Fax: 250-472-5051Entrants wishing to pay by credit card may download and complete our Credit Card Payment Form then enclose it with their entries.
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Call for Poetry/ Essays from Writers of Color:
PLUCK!: Journal of Affrilachian Arts & Culture
2011 Fall Issue (USA)
Deadline: 29 August 2011PLUCK!: The Journal of Affrilachian Arts & Culture is looking for voices of color from the thirteen states touched by the Appalachian Region (Alabama, Georgia, Kentucky, Maryland, Mississippi, New York, North Carolina, Ohio, Pennsylvania, South Carolina, Tennessee, Virginia, and West Virginia) and work with a strong sense of place that addresses the writer's unique experience in this brook of the African Diaspora.
Please submit work in one of the following categories in an attachment of .doc or .rtf format (.jpg for images) and a bio of no more than fifty words to pluckjournal(at)gmail.com
POETRY: Up to five previously unpublished poems.
PHOTOGRAPHY: Up to five attached photos at 300 dpi or better.
ESSAYS: Creative non-fiction or academic essay of up to 1500 words
Multiple submissions accepted. Please advise if your submission is accepted elsewhere. Submissions accepted until August 29, 2011.
Contact Information:
For inquiries: pluckjournal@gmail.com
For submissions: pluckjournal@gmail.com
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Verso, £20, 498pp. £18 from the Independent Bookshop: 08430 600 030
The American Crucible:
Slavery, Emancipation and
Human Rights, By Robin Blackburn
Friday, 24 June 2011
If the thousands of historians who have written about Atlantic slavery and its abolition, only a handful have ever given us a really original perspective on that vast subject. Even fewer have proposed a satisfying, or stimulating, general theory about it, an attempt at explaining the rise, fall and enduring consequences of the entire New World slave system across the centuries and continents. Robin Blackburn is prominent – even pre-eminent – among those few. He has tackled the task in a formidable body of work beginning in the late 1980s; but in a rather idiosyncratic way.
He began, in 1988, with The Overthrow of Colonial Slavery, then moved backwards to analyse the origins of the system whose demise he had already dissected, in The Making of New World Slavery in 1997. Now, in The American Crucible, he broadens the focus still further, surveying the whole career of modern slave systems from the 16th century to near the end of the 19th, embracing not only their demise in the British and French colonial worlds, but also the later course of abolition in Cuba and Brazil. It's too rarely remembered that slavery there only ended in 1886 and 1888 respectively.
Thus we can now see the three books, Overthrow, Making and Crucible, as a trilogy, a coherent and imposing unity – albeit not one apparently pre-planned. The achievement and originality lie in Blackburn's insistence on the crucial interrelation among slavery, colonialism and capitalism, seeking to map the different modes of production, of colonisation, and of enslavement on to one another. New World slavery was, Blackburn urges, a product – a central, not incidental, one – of the rise of capitalist modernity.
Insisting on the word "capitalist" here is not an empty political gesture, or a vague bow to Blackburn's Marxist background. However much Blackburn's work draws from and debates with a range of theorists and historians, including some conservative ones, he continues to maintain the indispensability of Marx's central insights.
Equally, the stress on modernity is not – as in so much social theory and political rhetoric – some contentless invocation of things-in-general-since-whenever, but an important reminder that even in their last stages, New World slave systems and their defenders were not archaic throwbacks but dynamic forces.
Not only was slavery at the heart of early modernity, but it was crucial to the global growth of commerce and industry. The argument first developed in the 1930s by Eric Williams, that profits from the New World plantations drove Britain's industrial revolution, has been much criticised if not wholly overturned ever since. Blackburn concedes that it can now be upheld only in radically modified form. Nonetheless, it was in the plantations of the Americas at least as much as the factories of Old or New England that contemporary forms of labour organisation and discipline were pioneered.
Among slaveholders and their apologists, seemingly antiquated ideologies of paternalism coexisted with innovation and experimentation, in warring contradictions. Their opponents too – whether white abolitionists or rebellious slaves – espoused an ever-shifting mix of ideas. Some strove to recover a lost past of imagined freedom, some upheld ideas of "free labour" - which to their critics like Marx simply meant substituting wage slavery for the chattel kind. Only a few believed in universal liberty, let alone human and racial equality.
It follows near-inevitably that there was no smooth or preordained progress towards general liberty, but a "spiral path" with partial and ambiguous victories, bloody setbacks, mixed motives, and clashing blocs of economic and social power. Emancipation came only through or after revolution – Blackburn's fourth keyword alongside capitalism, colonialism, and slavery itself – or, as in North America, through cataclysmic civil war.
Here Blackburn follows recent work by historians like Michel-Rolph Trouillot and Laurent Dubois, who have argued for a dramatic reappraisal of the significance of the Haitian revolution in the 1790s. However miserable Haiti's post-independence fate may seem – a story of poverty, dictatorship, instability, disaster both natural and man-made – it was in many ways just as important as America's and France's immediately preceding upheavals. In winning their freedom, Haiti's slaves, unlike American or French revolutionaries and equally unlike all but a tiny minority of European abolitionists, placed truly egalitarian ideals firmly on a global agenda.
There they remain, still contested, still to be attained – and not only because of the multiple forms of bondage and unfree labour which, as Blackburn rightly reminds us, persist and even proliferate today. The new conceptions of human rights and democracy forged in the era of Atlantic revolution and abolition continue to challenge us, from Detroit to Damascus to Dorking.
So Blackburn reconnects his historical argument with the contemporary political concerns which have always energised his other career as veteran New Left activist. His interpretation of Atlantic slavery and its end intertwines with current debates on democracy and discourses of human rights. Some of those connections are more disturbing than affirmative, challenging the acquisitive individualism of much "rights talk", or showing how the rhetoric of liberation can be betrayed in the service of power. This is perhaps the least fully developed of Blackburn's diverse arguments. His remarks on recent writings about human rights by figures like Samuel Moyn, Regis Debray and Slavoj Zizek seem almost like hastily inserted afterthoughts – but at least underlines that The American Crucible poses a challenge for the political future as well as a bold reappraisal of the historical past.
Stephen Howe is professor of post-colonial history and culture at Bristol University
__________________________
Hardback, 512 pages
ISBN: 9781844675692
May 2011
$34.95 / £20.00
The American Crucible:
Slavery, Emancipation and Human Rights
A landmark history of the rise, abolition, and legacy of slavery in the New World.
This book furnishes a panoramic view of slavery and emancipation in the Americas from the conquests and colonization of the sixteenth century to the ‘century of abolition’ that stretched from 1780 to 1888. Tracing the diverse responses of African captives, The American Crucible argues that while slave rebels and abolitionists made real gains, they also suffered cruel setbacks and disappointments, leading to a momentous radicalization of the discourse of human rights.
In it, Robin Blackburn explains the emergence of ferocious systems of racial exploitation while rejecting the comforting myths that portray emancipation as somehow already inscribed in the institutions and ideas that allowed for, or even fostered, racial slavery in the first place, whether the logic of the market, the teachings of religion, or the spirit of nationalism. Rather, Blackburn stresses, American slavery was novel—and so too were the originality and achievement of the anti-slavery alliances which eventually destroyed it. The Americas became the crucible for a succession of fateful experiments in colonization, silver mining, plantation agriculture, racial enslavement and emancipation. The exotic commodities produced by the slave plantations helped to transform Europe and North America, raising up empires and stimulating industrial revolution and ‘market revolution’ to bring about the pervasive commodification of polite society, work and everyday life in parts of Europe and North America. Fees, salaries and wages fostered consuming habits so that capitalism, based on free wage labor in the metropolis, became intimately dependent on racial slavery in the New World. But by the late eighteenth century the Atlantic boom had sown far and wide the seeds of subversion, provoking colonial rebellion, slave conspiracy and popular revolt, the aspirations of a new black peasantry and ‘picaresque proletariat’, and the emergence of a revolutionary doctrine: the ‘rights of man’. The result was a radicalization of the principles of the Enlightenment, with the Haitian Revolution rescuing and reshaping the ideals memorably proclaimed by the American and French revolutions. Blackburn charts the gradual emergence of an ability and willingness to see the human cost of the heedless consumerism and to challenge it. The anti-slavery idea, he argues, brought together diverse impulses—the ‘free air’ doctrine maintained by the common people of Europe, the critique of the philosophes and the urgency of slave resistance and black witness. The anti-slavery idea made gains thanks to a succession of historic upheavals. But the remaining slave systems—in the US South, Cuba and Brazi—were in many ways as strong as ever. They were only overturned thanks to the momentous clashes unleashed by the American Civil War, Cuba’s fight for independence and the terminal crisis of the Brazilian Empire.>via: http://www.versobooks.com/books/126-the-american-crucible
Collage Aesthetic
Black-faced In a timely way I got to see some images from GA Gardner's portfolio recently that use collage technique to make simple statements and ask certain questions. The collages range from the iconic-political statement to more painterly tributes to collage and black arts and culture. He works in various media such as paint, mixed media and also CGI. The resulting images however are all driven by this method of approaching imagery where he cuts into it and rearranges and pulls out meaning where we queried nothing before. The images 'Black-faced' (above), and 'Foster Mother and Child' (below), in particular speak to this side of his artistic approach. The painterliness that meets magazine page cut-outs can be seen in 'Earthly' and 'Icon' below.
Limbo - CGI print
ART:Jamaica: You began your career using CGI to make large format images. The CGI images are very painterly and you also make paintings, so what led you from pigment and brush to the computer as an creative tool?GA Gardner: I came to the USA in 1988 with the plans of becoming a graphic designer. I didn't really understand all that that entailed but I already had a background in fine art and commercial art in Trinidad. I also had training as a woodworker. I enrolled in college in the US and took a animation course and from then on I was hooked. I thought it was fascinating even back then. I later transferred to a University in San Francisco where I studied more fine art, film and animation, then got accepted to the Ohio State University where I received a Ph.D. in art education and focused on computer graphics and animation. We were using SGI workstations that were donated to OSU by Industrial Light and Magic after being used to create the movie 'Jurassic Park'. So very early on I got involved with creating high end 3D graphics and animation. This was not too much of a stretch from what I was already doing in the traditional fine art and commercial art world. In fact traditional fine art and woodwork prepared me for the field of CGI. Creating texture for digital surfaces is much like painting and building the geometry in 3D is much like building wood structures. Also I drew on my knowledge in film when it came to lighting CGI subjects. And being a naturally animated person, well, understanding movement on the computer was not too much of a challenge. In essence I took all my knowledge of traditional art and brought it to CGI. Perhaps this is why my CGI images look so painterly. After graduation I began working on large format CGI in print format. I printed on various surfaces with master printers in NYC. I preferred printing on watercolor paper at the time.
Earthly
ART:Jamaica: Does this difference in working method affect as well as enable your artistic process?GA Gardner: Those of us who were born before the CGI era may find that it is better to sketch first before getting on the computer or to experiment with color using paint and brush before experimenting with digital colors. In essence the computer to me must mimic what I have in mind not vice versa. I find that I always gravitated towards traditional fine arts methods to resolve issues in the CGI world.
ART:Jamaica: You also have quite a large body of collages that incorporate the act of painting and manual dexterity as well as editing. How have the collages allowed you to develop ideas that the CGI work didn't allow. Tell us about your process in making these collages.GA Gardner: Doing CGI was a very long process for me. I had to build the images and geometry of the figures, pose them, create texture, light them and spend all day at the printers working on getting them to look right color wise. It is rewarding but long. In that world I was more of a purist. I did not want any paint or traditional tools to meddle with the final print. It was purely an archival CGI print. It is somewhat of a sterile process. I later begin working on collages and this to me was the opposite of the spectrum. It required me to get loose with the image to rip parts of a perfectly good photo or text, to incorporate hand written messages, and to most importantly paint on the surface. I was breaking out of the box I was taught in school. I was messing things up if only to focus on the message, as opposed to leaving things clean to the point where the technique often overrides the message. When I create a collage I am more free to do anything. I may start with an underpainting or an abstract background. I then begin building on that surface from background to foreground. I love working on wood as it allows me even more freedom to add various elements to the surface such as nails or metal. I don't alway go there but I like the idea that I can go there if if I wish. Ironically, I try to stay off the computer gathering my raw materials from magazines, posters, and printed material. I try to cut them up, paying close attention to color, lighting directions, and scale. I cut across cultural, racial and ethnic lines, I am looking for what fits well together to tell my story. Or in some cases what strongly opposes that creates tension. Selection is a big part of the process.
Idol
ART:Jamaica: In the collages there can be seen influences of other contemporary artists such as Wangechi Mutu, Ellen Gallagher and also references to Romare Bearden. How do you see your work in relation to the work of these other artists?GA Gardner: Wow, I like them all. They are all doing great work. Each of them is using college to allow people to see the same thing differently. We are all somewhat surreal in our approach to creating images. We are all so different yet still we incorporate similar elements. Romare Bearden made giant steps in validating collage as a fine art form and I am inspired by his success.
ART:Jamaica: Having experience of working in painting, mixed-media and digital media how does the idea of a 'collage aesthetic' represent your ideas and content.GA Gardner: Collage allows me to connect cross-cultural, cross ethnic forms and identities and blend them on the surface. It gives me freedom to transform and metamorphosis traditional visual perspectives in ways that create new and enriched interpretations of reality.
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Foster Mother and Child ART:Jamaica: Can you discuss some of the core stories and ideas behind your collage images: 'Black-faced' and 'Foster Mother & Child.'GA Gardner: Opposing images often brings tension. It is the notion that one doesn't fit well with the other and looks out of place. In examining these image the two parts are equally strong thus the tension is greater. This is the same for "Black-faced" as it is with "Foster Mother & Child" We have a figure that is full of history. It is somewhat disturbing for folks to see but if you don't see color then it is not complicated and there isn't any tension. That is the problem and that is why it is gets in your head because we see color first and second you see an unconventional roll being played out. "Foster Mother & Child" is more of a Madonna like figure with the moon behind her in an angelic position and she is nursing her foster child. In an ideal race free world there should be nothing questionable about that.
GA Gardner is a Trinidadian artist and you can see more of his work and view his information here
What meaning do you find in these images?
Saturday, June 25, 2011
Aishah Shahidah Simmons:
"Reflecting Upon
My Twenty-One Years Of Pride"
"I AM A FULL WOMAN"~ Rachel Bagby
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Julie Yarbrough - photographer,
Jennifer Ferriola - make -up,
Summer Walker - stylist
++++++++++++++++++++++++++++++++++++by Aishah Shahidah Simmons | special to NewBlackMan
For Michael (Dad), Cheryl D., and Wadia...In Memory of Toni and Audre...
On the eve of the Pride parade in New York City, I reflect upon my very first New York Pride, which was in 1990. I was a very 'wet behind the ears,' 21-year old OUT 'Baby Dyke.' Wadia Gardiner, who was my first girlfriend as an adult, took me to the big city to celebrate PRIDE. That experience changed my life forever.
My being out as a LESBIAN is not solely political. It is literally and metaphorically about my own survival in the entity known as Aishah Shahidah Simmons in this lifetime. I will never ever condone my rape, which resulted in my pregnancy and abortion. At the same time, I know that my rape was connected to my deep seated internalized homophobia where I was a frightened teenager who literally thought I was going to be struck down by Allah (God). I can very vividly remember literally looking at the sky wondering when the striking would happen because of my attraction to women. I went to a high school (Philadelphia High School for Girls '231) where there were many of us who were either comfortable with or struggling through our queer identities. Equally as important there were many straight identified girls who were staunch allies of those who were/are queer. And yet, I still was terrified.
When I was eighteen in my senior year in high school struggling with my sexuality, Michael Simmons, my father, asked Cheryl Dowton, an out Black lesbian to talk to me about being a lesbian. My father didn’t want me to think that being a lesbian was a bad thing. Equally as important he didn’t want me to think that becoming a lesbian would mean that I would have to give up my racial identity. So it was extremely important to him that I have the opportunity to talk with a Black lesbian about all of my questions, anxieties and fears. Having the opportunity to talk with Cheryl allowed me to literally see that Black and lesbian were not contradictory identities. Even with my having a girlfriend in my senior year in high school, I was SO afraid that my connecting with Cheryl, didn’t enable me to fully embrace my authentic self until three year later.
I had a boyfriend my first year at Swarthmore College whom I loved. We had a wonderful relationship, while it lasted, but I always knew my feelings for women. And, at the same time I wanted to be "normal" (aka Heterosexual)... I wanted to be as accepted as Black (presumed) heterosexual women could be in racist and sexist Amer-i-KKK-a.
During my second year at Temple University, I went on a study abroad program to Mexico. During that journey, I was raped. My rape from an acquaintance in Mexico was directly related to my thinking something was wrong with me because I hadn’t had (heterosexual, or homosexual, for that matter) sex in over a year (post my break up with my boyfriend). Clearly, as a woman, regardless of my sexual orientation, I could get raped at any point or time. This is based on the wretched global statistics about violence against women. However, in my specific instance, I was trying to prove that I was heterosexual and that’s why I made the poor choices I made. Again, I want to be explicitly clear, I'm not nor would I EVER condone my rape. Poor choices and poor judgement should never EVER equate rape. The rape probably resulted in my pregnancy, though I'm not sure exactly. In my quest to both deny what happened and anesthetize my pain, the following night, post my rape; I had consensual sex with another man. When I returned to the States, I was six weeks shy of my 20th birthday and pregnant. I'm one of the fortunate women who was able to have a safe and legal abortion about one week after my 20th birthday. Albeit, I had to cross vitriolic anti-choice/anti reproductive justice protesters to get into the Elizabeth Blackwell Health Center for Women in Philadelphia.
Fast forward to the following year when I was 21 years old and finally coming to terms with the fact that I was a lesbian and that I could no longer keep it a secret from myself foremost, and the world secondarily, I called my teacher/mentor/Big Sista Toni Cade Bmabara several times and talked to her about my internal struggle, my fears of rejection, isolation, and alienation. Toni listened to me. She affirmed me. She encouraged me to be true to my spirit and myself without regards for what anyone else thought, said, and or wanted. During this conversation, Toni taught me two of many invaluable lessons, one, that the word sistah was both a noun and a verb and two, that the responsibility of the artist/cultural worker is to use their art/cultural work to make revolution irresistible.
During that same time I read Sister Outsider by Audre Lorde, which was given to me by a Holli Van Ness a colleague of mine at the American Friend Service Committee. Prior to reading that book, I didn’t really know about Audre Lorde or her groundbreaking work. Audre Lorde’s words both invigorated and challenged me to break the vicious cycle of silence and shame around being a lesbian. I was literally transformed in my bedroom while reading Sister Outsider. I devoured every single word as if my very life depended upon it. It was as if Audre Lorde were speaking directly to me. In that book, she addressed all of my issues and concerns. Her written words taught me that I had a responsibility to not only be out, but to be engaged in the international struggles of the oppressed as an out Black Feminist Lesbian. I know a metaphysical transformation happened where I went from being an afraid, frightened, and ashamed Black lesbian young woman, to an out Black lesbian activist after reading Sister Outsider.
I am keenly aware that the metaphysical transformation that occurred was a gradual process that began with my father’s ongoing support, which commenced with his arranging for me to meet and talk with Cheryl Dowton as well as the conversations that I had with Toni. And yet, at the same time, Audre Lorde’s words gave me the initial tools that I needed to embark on my journey as an out Black feminist lesbian. It was in April 1990 that I came out with a vengeance and vowed never ever to go back in the closet again.
It was during this time that I met Wadia. Nine years older than me, she was, in my eyes, a Lesbian veteran. While the relationship barely made it slightly over a year, it was one of the most profound connections for several reasons. One, Wadia is a Muslim who didn't see any contradiction between her sexuality and her spirituality. This was critical for me because I was raised Sufi Muslim and yet I thought Allah had forsaken me because of my sexual orientation. Wadia's absolute clarity about her connection to her faith helped me to understand that like with my race and my sexuality, which are bound into one, my spirituality is an integral part of who I am. It was a transformational experience because prior to meeting and getting involved with Wadia, I made the decision that I would face and burn in Hell later and live my life now, which meant I would sever my relationship with my faith. It was profound to perform Salats (Prayer) and do Dhikr with my Black woman partner. I still get teary eyed when I think about that homecoming where all of mySelves were embraced and acknowledged. I'm most grateful that my first partner was/is a Black Muslim Woman.
Two, in addition to helping me reintegrate back into my Spiritual life, Wadia introduced to me to a world of Black, Latina, Asian, Indigenous, European (American) and Arab feminist lesbians who were/are cultural workers, musicians, scholars, jewelers, activists, healthcare practitioners, and organizers based in Philadelphia, New York, and other parts of the country. More often than not, I was by far one of the younger ones in the private and public spaces where we gathered. I have many fond memories of our tenure together, including a two month journey to Mexico where I reclaimed the space/place where I was raped. However, the one memory that will always hold a deep place in my heart is New York Pride. This was years before the police clamped down on the Pier where after marching in the PRIDE Parade, we (women, men, trans) gathered to pour libation, drum, perform spoken word, eat food, embrace, dance and BE IN ALL OF OUR (predominantly) COLORED LGBT PRIDE AND GLORY well into the wee hours of the morning… My Goddess that was a profound gift… Once I made peace with my lesbian identity, I was able to focus my attention on my life’s work, which was/is to use the camera lens and written word to (hopefully) make radical, peaceful, compassionate revolution irresistible. To this very day Wadia is one of my most trusted friends/confidantes/comrades. We are family.
June 2011 a different landscape from June 1990.
There’s marriage equality for all in NY, and yet for so many of us who are Queer identified, we’re still not safe and protected. I believe EVERYONE, regardless of their sexual orientation, who wants to get married, should have the right to get married. At the same time, I don’t want to have to get married to have rights and privileges, which should be made available to everyone, regardless of their marital status. I celebrate this Marriage Equality victory while not losing sight that the battle is SO far from being over that it’s not even funny.
Just ask my Black Lesbian sisters (The New York Four) who are (unjustly and inhumanely) incarcerated for protecting themselves against sexist and homophobic violence perpetuated against them in the (safe, White) queer friendly Village… You can read Imani Henry's poignant 2007 essay.
This is one of many countless examples of the ongoing assaults on Queer people of Color throughout NY and across the country… Just ask or check in with The Audre Lorde Project or Queers for Economic Justice, to name two radical and revolutionary NY-based Queer organizations. Also the recently released Queer (In)Justice The Criminalization of LGBT People in the United States by Joey Mogul, Andrea Ritchie, and Kay Whitlock is groundbreaking, sobering, and a must read. http://www.queerinjustice.com/
Twenty-one years later, I joyously celebrate PRIDE while I interrogate the various ways, at various junctures on my journey as an out lesbian; I colluded in my own invisibility. I recognize that there aren’t any clear-cut lines in the struggle to eradicate internalized and external oppression. Often times it’s a trial and error process, where hopefully we can learn to both have compassion and forgive each other and ourselves.
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Aishah Shahidah Simmons is an award-winning African-American feminist lesbian independent documentary filmmaker, television and radio producer, published writer, international lecturer, and activist based in Philadelphia, PA. Simmons is the writer, director and producer of NO! the Rape Documentary, a ground-breaking film that explores the issues of sexual violence and rape against Black women and girls.