VIDEO: Idi Amin Seized Power In Uganda Today… Watch “General Idi Amin Dada” Now! > Shadow And Act

Idi Amin Seized Power In Uganda Today… Watch “General Idi Amin Dada” (Portrait of A Dictator) Now!

Today in historyFebruary 2nd, 1971, Idi Amin Dada, the military dictator and President of Uganda from 1971 to 1979, seized power in Uganda. Several hundred thousand people are believed to have been killed during his brutal 8 year regime. Amin died August 16th, 2003, in Saudi Arabia, where he’d been living in exile since 1979.

Most are likely familiar with Forest Whitaker’s interpretation of Amin, in the 2006 film, The Last King of Scotland, for which he earned an Academy Award.

But if I may instead/also direct your attention to director Barbet Schroeder’s 1974 documentary on Amin, titled, General Idi Amin Dada, made while he was very much at the height of his power. Schroeder was given unprecedented access to the dictator, who was influential in the making of the film, but it’s far from propaganda material.

 

It’s worth reading up on how the project came together. The Criterion Collection blog has an essay on the film which you can read HERE, before or after you watch the full 90-minute documentary, which I embedded below:

 

PUB: Poetry Center Prizes First Book Competition & Open Competition || Cleveland State University

Cleveland State University Poetry Center Awards

First Book and Open Book Competitions

$1,000 and publication in the CSU Poetry Series is offered for the best full-length volumes of original poetry in English submitted between November 1, 2010 and February 15, 2011.

The First Book Award is given to an author who has not previously published a book of poetry.
The Open Competition is for poets who have previously published at least one full-length collection.

2011 First Book Award Judge: Matthea Harvey

Matthea Harvey is the author of Sad Little Breathing Machine (Graywolf, 2004) and Pity the Bathtub Its Forced Embrace of the Human Form (Alice James Books, 2000). Her third book of poems, Modern Life (Graywolf, 2007) was a finalist for the National Book Critics Cirlcle Award and a New York Times Notable Book. Her first children’s book, The Little General and the Giant Snowflake, illustrated by Elizabeth Zechel, was published byTin House Books in 2009. An illustrated erasure, titled Of Lamb, with images by Amy Jean Porter, will be published by McSweeney's in 2010. Matthea is a contributing editor to jubilat, Meatpaper and BOMB. She is the recipient of a Kingsley Tufts Award in Poetry, among other honors. She teaches poetry at Sarah Lawrence and lives in Brooklyn.

2011 Open Competition Award Jury : Kazim Ali, Mary Biddinger, Michael Dumanis, and Sarah Gridley

ELIGIBILITY:

  • manuscripts are eligible for the First Book competition if the author has not published or committed to publish a collection of his or her poetry in a book of 48 or more pages with a press run of at least 500 copies; if an author’s prior books were all self-published or published by subsidy presses, they should still enter the First Book competition
  • entry to the Open Competition is limited to authors who have published at least one full-length collection of original poetry in English (of 48 or more pages with a press run of at least 500 copies) with a non-subsidy press
  • intimate friends, relatives, current and former students of First Book judge Matthea Harvey (students in an academic, degree-conferring program or its equivalent) are not eligible to enter the 2011 First Book contest
  • current faculty, staff,, students, and alumni of Cleveland State University or the Northeast Ohio MFA Program (NEOMFA) are not eligible to submit their work to either competition
  • poets whose collections were previously published by the CSU Poetry Center are not eligible to submit their work to either competition
  • manuscripts that have been previously published in their entirety, including self-published manuscripts, are not eligible
  • translations are not eligible
  • simultaneous submissions are acceptable; please inform us immediately if the manuscript is accepted elsewhere

MANUSCRIPT REQUIREMENTS:

  • manuscript should contain a minimum of 48 and a maximum of 100 pages of poetry
  • reading fee: $25.00 per manuscript, check or money order payable to Cleveland State University
  • manuscript pages should be numbered, include a table of contents
  • include one cover page with manuscript title, your name, address, phone number, and e-mail address (your name should not appear elsewhere on the manuscript); include a second cover page containing manuscript title only
  • clearly indicate “First Book” or “Open Competition” on outside of mailing envelope and on each cover page
  • include an acknowledgments page after the first cover page, listing any previously published poems (as well as all previously published full-length collections of original poetry if you’re submitting your work to the Open Competition)
  • send multiple submissions in the same envelope, marked “Multiple”

ADDITIONAL INFORMATION:

  • for notification of manuscript receipt, include a self-addressed, stamped postcard 
  • for notification of contest results, include email address and/or a self-addressed, stamped envelope
  • manuscripts are not returned, and once submitted, cannot be altered; winners will be given the opportunity to make changes prior to publication
  • the CSU Poetry Center reserves the right  to consider all finalists’ manuscripts for publication
  • listing of winners and finalists will be posted on the Poetry Center website: www.csuohio.edu/poetrycenter
  • email poetrycenter@csuohio.edu with any further questions

MAIL ENTRIES TO:
Cleveland State University Poetry Center Prizes
(please specify: First Book or Open Competition)
Department of English
2121 Euclid Avenue
Cleveland, OH 44115-2214

 

 

PUB: Accepting Submissions:sx salon: a small axe literary platform > Geoffrey Philp's Blog Spot

Accepting Submissions:sx salon: a small axe literary platform

 


sx salon: a small axe literary platform

 

The Small Axe Project has recently launched sx salon: a small axe literary platform, a new electronic publication dedicated to literary discussions, interviews with Caribbean literary figures, reviews of new publications (creative and scholarly) related to the Caribbean, and short fiction and poetry by emerging and established Caribbean writers. sx salon also houses the Small Axe Literary Competition, launched in 2009. 

 

sx salon represents both a new project and a continuation of the Small Axe Project’s ongoing affirmation of the literary as a critical component of Caribbean cultural production. We envision this space as an open source, easily accessible, online resource for students, teachers and scholars, as well as a forum for academics in the field to consult for announcements related to Caribbean literary studies.

 

sx salon publishes a new issue every two months  and invites year-round submissions of:
  • Literary Discussions that engage issues relevant to Caribbean literary studies: 2,000 – 2,500 words 
  • Book Reviews of recent (published no more than two years preceding the date of submission) creative literary works by Caribbean authors or scholarly works related to Caribbean literary studies: 1,000 – 1,200 words
  • Interviews with Caribbean literary figures: 2,000 – 2,500 words
  • Poetry and Short Fiction that engage regional and diasporic Caribbean themes and concerns: up to 2 poems or fiction of up to 4,000 words

Submissions must be accompanied by a short bio approximately 50 words, which should include information about the author’s location (institutional, geographical, etc.), and publications. Manuscripts should not contain any information about the author. Please include name, email address, phone number and, if applicable, institutional affiliation with the accompanying bio

 

Please visit http://smallaxe.net/sxsalon/submissions.php for more detailed guidelines for submissions. 

 

 

INQUIRIES AND SUBMISSIONS

 

ALL inquiries and submissions must to be sent electronically to the following addresses: 
***

 

 

PUB: Kundiman - Prize

Introduction

Kundiman and Alice James Books are accepting submissions of poetry manuscripts for The Kundiman Poetry Prize electronically and by regular mail through February 11, 2011. The Kundiman Poetry Prize welcomes submissions from emerging as well as established Asian American poets. Entrants must reside in the United States.

The winner receives $1000, book publication and a New York City feature reading.

Alice James Books is a cooperative poetry press with a mission is to seek out and publish the best contemporary poetry by both established and beginning poets, with particular emphasis on involving poets in the publishing process.

 

Guidelines for Electronic Manuscript Submission

Kundiman and Alice James Books are pleased to announce that, in addition to submitting your manuscript via regular mail, you may now enter your manuscript to The Kundiman Prize electronically.

Click on this link to submit electronically to The Kundiman Prize.

 

Guidelines for Print Manuscript Submission

  1. Manuscripts must be typed, paginated, and 50 – 70 pages in length (single spaced).

     

  2. Individual poems from the manuscript may have been previously published in magazines, anthologies, or chapbooks of less than 25 pages, but the collection as a whole must be unpublished. Translations and self-published books are not eligible. No multi-authored collections, please.

     

  3. Manuscripts must have a table of contents and include a list of acknowledgments for poems previously published. The inclusion of a biographical note is optional. Your name, mailing address, email address and phone number should appear on the title page of your manuscript. MANUSCRIPTS CANNOT BE RETURNED. Please do not send us your only copy.

     

  4. No illustrations, photographs or images should be included.

     

  5. Send one copy of your manuscript submission with two copies of the title page. Use only binder clips. No staples, folders, or printer-bound copies.

     

  6. The Kundiman Poetry Prize is judged by consensus of the members of Kundiman's Artistic Staff and the Alice James Books Editorial Board. Manuscripts are not read anonymously. Learn more about our judging process.

     

  7. For notification of winners, include a business-sized SASE. If you wish acknowledgment of the receipt of your manuscript, include a stamped addressed postcard. Winners will be announced in June 2011.

     

  8. Entry fee for The Kundiman Poetry Prize is $28. Checks or money orders should be made out to Alice James Books. On the memo line of your check write The Kundiman Poetry Prize.

     

  9. Mail your entry to:

Kundiman
P.O. Box 4248
Sunnyside, NY 11104


Checklist for entry:

  • One (1) copy of manuscript enclosed, with acknowledgements and two (2) copies of title page
  • $28 entry fee
  • Business sized SASE
  • Stamped addressed postcard
  • Postmarked by February 11, 2011

 

EGYPT: There Is No Turning Around - Victory Is The Only Option - Eyewitness Reports

Tahrir Square battleground: 'These people tried to slaughter us last night'

Anti-Mubarak protesters in Cairo fight to hold square littered with bricks and burnt-out vehicles after night of bloodshed

Egyptian army tank in Tahrir SquareAn army tank moves into Tahrir Square to keep Mubarak supporters (top) separate from anti-government protesters. Photograph: Peter Macdiarmid/Getty Images

They were barely visible at first, a glimmer of tan clothing among the ranks of pro-Mubarak fighters lined on a low overpass above the entrance to Tahrir Square. It was from here that rocks, petrol bombs and bullets had been raining down on the anti-regime opposition defending their barricades below.

At 9am first one, then a second, and then dozens of Egyptian soldiers – the same military forces who had stood back and watched as last night's bloodshed unfolded – finally appeared at this key strategic flashpoint and began driving back those on the bridge. Before them lay a no-man's land littered with broken bricks and burnt-out vehicles that spoke of the extraordinary violence that had played out in the darkness.

It was the beginning of a day of to-and-fro street clashes in the densely populated neighbourhoods surrounding the square, as anti-Mubarak protesters fought close-quarter battles to hold Tahrir and, in a hail of warning shots and automatic gunfire, the army sporadically attempted to establish buffer zones.

A night of fighting that left more than 1,000 injured and several dead from gunshot wounds. Despite the denials of Egypt's government and interior ministry, both of which claimed these events were not state-orchestrated, the evidence strongly suggested otherwise.

Anti-Mubarak protesters dragged a supporter of the regime through their barricades just after 8am. In his pocket was an identity card showing him to be Ahmed Mahmoud Abdel Razik, a member of the police.

His was not the only identity card taken. Others were on display, taken as their owners were led away for interrogation in the buildings on the back streets before being handed over to the army. Despite the tensions in the crowd most captured fighters were protected from retribution by responsible protesters.

"These people tried to slaughter us last night – five of my fellow revolutionaries were killed by sniper fire at this location, and I saw one man collapse right in front of me at 4am with his brains falling out on to the road," said Mahmoud Mustafa, a 25-year-old anti-Mubarak demonstrator. "But look around you – we remain peaceful, we remain united and we remain determined to bring down this regime. I was never involved in politics before, but now I will stay here until Mubarak leaves or I die, whatever comes first."

The north side of the square was a scene of devastation – both physical and human. At the makeshift aid stations, which have been manned by 70 volunteer doctors in the open air, casualties were still coming in.

A man with a broken back was carried through the crowd on a piece of corrugated metal. Others came through with head injuries, broken arms and cuts.

One of those treating the injured was Dr Ibrahim Fakhr, a surgical professor. "We had shooting at 11pm last night and then again at around four in the morning from a sniper on the roof of the Egyptian Museum. We saw the laser light coming from the weapon. The latest that we have is that seven have been killed by gunfire."

Like the doctors, those trying to defend the square have been forced to improvise. Crude helmets were constructed out of cardboard boxes; others strapped water bottles to their heads. They built makeshift shields and used plastic crates to catch the incoming stones at their barricades.

"I'm an agricultural teacher by trade and I've never built weapons before, but I am good with my hands," explained Said el-Zoughly, who was directing a group of protesters as they broke down a burnt-out vehicle to salvage defence materials and put together catapults and slingshots. "We're not just running around wildly, we're trying to be organised and efficient. Anyone who wants a shield can get one. We'll stay for however long it takes – God is with us."

At the mouth of the square, buildings once held by the pro-Mubarak demonstrators had changed hands by morning. On the roof of one, a group of young men, equipped with stones and firebombs, were briefed by their leader, while others hauled sacks of rocks up the derelict stairs.

"Today's still early, but they're scared of us," he told those around him. "Don't get burnt out. If you are tired get into the building. If you want to sleep stay away from the edges of the roof and its corners.

"Then when they come into no-man's land we can surprise them."

As more people arrived at the square bearing food and supplies for those inside, the clashes – smaller in intensity than those the night before – broke out again. The lines of soldiers between were hit by missiles, and tanks moved in.

Mohamed Saleh, a 25-year-old senior accountant, surveyed the scene. "You must tell the world about this terrorism, government terrorism," he said. "We've been sitting here for eight days with no trouble, no fires, no violence – just a peaceful desire for revolution. Now civilians are being indiscriminately massacred by thugs. If the west cares so much about terrorism then why doesn't it act?

"Mubarak says he wants eight more months in power to manage a peaceful transition. Just see what the first day of that peaceful transition looks like, then you'll understand why we can't stop protesting until he leaves immediately. He is a thug and a criminal and he wants to kill us. Can you imagine what would happen to us tonight if we stood down and stopped defending ourselves? We would be slaughtered. We're fighting now for our lives."

On Twitter and by other means, anti-Mubarak protesters sent out appeals for medical supplies, blood donations and blankets, and exchanged information on which entrances and exits to the square were safe. On the fringes of Tahrir many people were assaulted and harassed by pro-Mubarak thugs, including dozens of local and international journalists who have been portrayed by state television as sympathisers of the revolution and accused of spreading misinformation and circulating drugs.

Elsewhere reports filtered in of other institutions perceived to be anti-Mubarak coming under attack, including the Hisham Mubarak law centre, which has previously provided legal services for arrested democracy activists, and the El Nadeem Centre for Rehabiliation of Victims of Violence, which has campaigned against police torture.

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Egypt: Clashes on Video

Countries Egypt
Topics Breaking NewsHuman RightsProtestWar & ConflictPolitics
Languages ArabicEnglish

TranslationsThis post also available in:

Français · Egypte : Des vidéos des affrontements
Português · Egito: Embates em vídeos
Nederlands · Egypte: Beelden van de gevechten

This post is part of our special coverage of Egypt Protests 2011.

The world has its attention placed on Egypt, going on its 10th day of protests against the regime.  As Internet connectivity was reestablished, a rise in twitter updates, image and video uploads was seen, showing what the situation was like on the Egyptian streets, from Egyptian eyes.

YouTube's Citizentube has begun collectively curating citizen videos, and on their YouTube page they have a submission form for anyone who finds (or uploads) citizen media video of the protests to include it on the site.

Raw footage from individuals on the ground offers a visceral window into the situation in Egypt, where crowds are gathering to demand President Mubarak's resignation.

If you've found videos on YouTube that document what's happening on the streets of Egypt's cities, please add the links here.

Here is a video showing the activity of  Tahrir square from above:

And this next one shows the clashes from ground level:

Other tools being used mobile devices which upload directly to the web, like Ahmed Naguib is doing with twitter and his tumblr account. He also uploaded pictures showing the field hospitals set up for the protesters, like this one showing the medical supplies:



Medicine and Medical Supplies by Ahmed Naguib


He's also uploaded short videos that give you the sense of what is going on at ground level, like this video showing musicians playing in Tahrir Square:

Or this next one showing protesters chanting and waving flags at night:

On Facebook, Ahmad Elhag uploaded a graphic video showing a Military truck running over protesters; alonger version can be found on YouTube:

But not only is the government using trucks to run over protesters: this next video shows how they've also put horses and camels to do their dirty work, endangering not only the dozens of people they plow through, but also the animals. After the initial confrontation, protesters are seen leading off the now riderless animals:

And this next image says it all:

No Comments!! by AmalShawki

This post is part of our special coverage of Egypt Protests 2011.

 

 

 

EGYPT: The Monkey Speaks His Mind - An Egyptian Activist/Blogger Tells It Like It Is

Rantings of a Sandmonkey

Thursday, 3 Feb 2011


I don't know how to start writing this. I have been battling fatigue for not sleeping properly for the past 10 days, moving from one's friend house to another friend's house, almost never spending a night in my home, facing a very well funded and well organized ruthless regime that views me as nothing but an annoying bug that its time to squash will come. The situation here is bleak to say the least.

It didn't start out that way. On Tuesday Jan 25 it all started peacefully, and against all odds, we succeeded to gather hundreds of thousands and get them into Tahrir Square, despite being attacked by Anti-Riot Police who are using sticks, tear gas and rubber bullets against us. We managed to break all of their barricades and situated ourselves in Tahrir. The government responded by shutting down all cell communication in Tahrir square, a move which purpose was understood later when after midnight they went in with all of their might and attacked the protesters and evacuated the Square. The next day we were back at it again, and the day after. Then came Friday and we braved their communication blackout, their thugs, their tear gas and their bullets and we retook the square. We have been fighting to keep it ever since.

That night the government announced a military curfew, which kept getting shorter by the day, until it became from 8 am to 3 pm. People couldn't go to work, gas was running out quickly and so were essential goods and money, since the banks were not allowed to operate and people were not able to collect their salary. The internet continued to be blocked, which affected all businesses in Egypt and will cause an economic meltdown the moment they allow the banks to operate again. We were being collectively punished for daring to say that we deserve democracy and rights, and to keep it up, they withdrew the police, and then sent them out dressed as civilians to terrorize our neighborhoods. I was shot at twice that day, one of which with a semi-automatic by a dude in a car that we the people took joy in pummeling. The government announced that all prisons were breached, and that the prisoners somehow managed to get weapons and do nothing but randomly attack people. One day we had organized thugs in uniforms firing at us and the next day they disappeared and were replaced by organized thugs without uniforms firing at us. Somehow the people never made the connection.

Despite it all, we braved it. We believed we are doing what's right and were encouraged by all those around us who couldn't believe what was happening to their country. What he did galvanized the people, and on Tuesday, despite shutting down all major roads leading into Cairo, we managed to get over 2 million protesters in Cairo alone and 3 million all over Egypt to come out and demand Mubarak's departure. Those are people who stood up to the regime's ruthlessness and anger and declared that they were free, and were refusing to live in the Mubarak dictatorship for one more day. That night, he showed up on TV, and gave a very emotional speech about how he intends to step down at the end of his term and how he wants to die in Egypt, the country he loved and served. To me, and to everyone else at the protests this wasn't nearly enough, for we wanted him gone now. Others started asking that we give him a chance, and that change takes time and other such poppycock. Hell, some people and family members cried when they saw his speech. People felt sorry for him for failing to be our dictator for the rest of his life and inheriting us to his Son. It was an amalgam of Stockholm syndrome coupled with slave mentality in a malevolent combination that we never saw before. And the Regime capitalized on it today.

Today, they brought back the internet, and started having people calling on TV and writing on facebook on how they support Mubarak and his call for stability and peacefull change in 8 months. They hung on to the words of the newly appointed government would never harm the protesters, whom they believe to be good patriotic youth who have a few bad apples amongst them. We started getting calls asking people to stop protesting because "we got what we wanted" and "we need the country to start working again". People were complaining that they miss their lives. That they miss going out at night, and ordering Home Delivery. That they need us to stop so they can resume whatever existence they had before all of this. All was forgiven, the past week never happened and it's time for Unity under Mubarak's rule right now.

To all of those people I say: NEVER! I am sorry that your lives and businesses are disrupted, but this wasn't caused by the Protesters. The Protesters aren't the ones who shut down the internet that has paralyzed your businesses and banks: The government did. The Protesters weren't the ones who initiated the military curfew that limited your movement and allowed goods to disappear off market shelves and gas to disappear: The government did. The Protesters weren't the ones who ordered the police to withdraw and claimed the prisons were breached and unleashed thugs that terrorized your neighborhoods: The government did. The same government that you wish to give a second chance to, as if 30 years of dictatorship and utter failure in every sector of government wasn't enough for you. The Slaves were ready to forgive their master, and blame his cruelty on those who dared to defy him in order to ensure a better Egypt for all of its citizens and their children. After all, he gave us his word, and it's not like he ever broke his promises for reform before or anything.

Then Mubarak made his move and showed them what useful idiots they all were.

You watched on TV as "Pro-Mubarak Protesters" – thugs who were paid money by NDP members by admission of High NDP officials- started attacking the peaceful unarmed protesters in Tahrir square. They attacked them with sticks, threw stones at them, brought in men riding horses and camels- in what must be the most surreal scene ever shown on TV- and carrying whips to beat up the protesters. And then the Bullets started getting fired and Molotov cocktails started getting thrown at the Anti-Mubarak Protesters as the Army standing idly by, allowing it all to happen and not doing anything about it. Dozens were killed, hundreds injured, and there was no help sent by ambulances. The Police never showed up to stop those attacking because the ones who were captured by the Anti-mubarak people had police ID's on them. They were the police and they were there to shoot and kill people and even tried to set the Egyptian Museum on Fire. The Aim was clear: Use the clashes as pretext to ban such demonstrations under pretexts of concern for public safety and order, and to prevent disunity amongst the people of Egypt. But their plans ultimately failed, by those resilient brave souls who wouldn't give up the ground they freed of Egypt, no matter how many live bullets or firebombs were hurled at them. They know, like we all do, that this regime no longer cares to put on a moderate mask. That they have shown their true nature. That Mubarak will never step down, and that he would rather burn Egypt to the ground than even contemplate that possibility.

In the meantime, State-owned and affiliated TV channels were showing coverage of Peaceful Mubarak Protests all over Egypt and showing recorded footage of Tahrir Square protest from the night before and claiming it's the situation there at the moment. Hundreds of calls by public figures and actors started calling the channels saying that they are with Mubarak, and that he is our Father and we should support him on the road to democracy. A veiled girl with a blurred face went on Mehwer TV claiming to have received funding by Americans to go to the US and took courses on how to bring down the Egyptian government through protests which were taught by Jews. She claimed that AlJazeera is lying, and that the only people in Tahrir square now were Muslim Brotherhood and Hamas. State TV started issuing statements on how the people arrested Israelis all over Cairo engaged in creating mayhem and causing chaos. For those of you who are counting this is an American-Israeli-Qatari-Muslim Brotherhood-Iranian-Hamas conspiracy. Imagine that. And MANY PEOPLE BOUGHT IT. I recall telling a friend of mine that the only good thing about what happened today was that it made clear to us who were the idiots amongst our friends. Now we know.

Now, just in case this isn't clear: This protest is not one made or sustained by the Muslim Brotherhood, it's one that had people from all social classes and religious background in Egypt. The Muslim Brotherhood only showed up on Tuesday, and even then they were not the majority of people there by a long shot. We tolerated them there since we won't say no to fellow Egyptians who wanted to stand with us, but neither the Muslims Brotherhood not any of the Opposition leaders have the ability to turn out one tenth of the numbers of Protesters that were in Tahrir on Tuesday. This is a revolution without leaders. Three Million individuals choosing hope instead of fear and braving death on hourly basis to keep their dream of freedom alive. Imagine that.

The End is near. I have no illusions about this regime or its leader, and how he will pluck us and hunt us down one by one till we are over and done with and 8 months from now will pay people to stage fake protests urging him not to leave power, and he will stay "because he has to acquiesce to the voice of the people". This is a losing battle and they have all the weapons, but we will continue fighting until we can't. I am heading to Tahrir right now with supplies for the hundreds injured, knowing that today the attacks will intensify, because they can't allow us to stay there come Friday, which is supposed to be the game changer. We are bringing everybody out, and we will refuse to be anything else than peaceful. If you are in Egypt, I am calling on all of you to head down to Tahrir today and Friday. It is imperative to show them that the battle for the soul of Egypt isn't over and done with. I am calling you to bring your friends, to bring medical supplies, to go and see what Mubarak's gurantees look like in real life. Egypt needs you. Be Heroes.

Trackbacks and Pings

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(UPDATE: Arrested, then Released) Cairo Exclusive: Interview with ‘Sandmonkey’

February 2, 2011 - by Roger L Simon

“Be forewarned: The writer of this blog is an extremely cynical, snarky, pro-US, secular, libertarian, disgruntled. sandmonkey.”

The man who wrote those words — the witty and courageous Egyptian blogger “Sandmonkey” — is currently in hiding in his native city of Cairo, moving from one friend’s apartment to another, as supporters of Hosni Mubarak pursue him and other democracy demonstrators.

I had been trying to reach “Sandmonkey” — who has written for Pajamas Media — ever since the demonstrations broke out, because I suspected he would be in the thick of things. But as most know, the Internet was cut in Egypt until Wednesday.

When I finally got through to him late Wednesday night Pacific time, I discovered that, boy, were my suppositions ever correct. “Sandmonkey” was indeed in the thick of things and his on-the-ground observations that I recorded in this Skype audio-only interview were in many ways surprising and contradicted what we are hearing in our media:

  • To download an MP3 of this interview to your PC, Click here to listen to this 20 mb file.
  • For a 2.5 mb lo-res MP3, click here.
  • For a streaming audio-only version of the interview click here (takes you away from this page).
  • Some of things that you will hear in more detail in the interview are reassuring, but others decidedly not. On the reassuring side, “Sandmonkey” says the the Muslim Brotherhood is nota heavy presence at the demonstrations and that for the last four years they have been in a weakened position in Egypt, the least powerful of five Islamic organizations (although the most violent). Also heartening is that he says that there are no leaders for the movement, not Mahmoud ElBaradei or anybody else. Unfortunately, however, it doesn’t sound much like an Egyptian version of the Tea Party. Mubarak isn’t going away and it’s getting more bloodthirsty by the day. “Sandmonkey” sounded bleak. He said that only America can help at this point by fully backing the demonstrators against Mubarak. “Does America stand for its ideals or does it stand for its interests?” he asked. On that score, he doesn’t like Obama. But guess what? He liked George Bush! Have a listen. We’ll be back in contact with “Sandmonkey” soon.

    UPDATE: After being horrified to learn ‘Sandmonkey’ was arrested after my interview…. and the hugely relieved to hear he was released (although cell phone confiscated and car destroyed), I tried to phone him again. Results here.

    >via: http://pajamasmedia.com/rogerlsimon/2011/02/02/cairo-exclusive-interview-with...

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    Egypt: Sandmonkey Back, Human Rights Activists Held

    Countries Egypt
    Topics Breaking NewsFreedom of SpeechCyber-ActivismHuman RightsProtestPolitics
    Languages English

    This post is part of our special coverage of Egypt Protests 2011.

    Prominent Egyptian blogger and Twitter user Sandmonkey has been arrested today, amid a crackdown on activists and human rights organisations in Egypt. He has since been released, after being beaten up, and medical supplies he had on him to help those in Tahrir Square confiscated.

    The arrest was confirmed by eyewitnesses and fellow tweeps at Tahrir Square, which has been the epicentre, of huge anti-Mubarak protests for the 11th day in a row. Wael Abbas tweeted that activists were being arrested at the Hisham Mubarak Law Centre, and another prominent blogger, Alaa Abdel Fattah, said his father, an activist, has been arrested too:

    @alaa it looks like the arrest of my father is confirmed, also human right lawyer khaled ali among arrested #Jan25

    He later adds:

    Not worried about dad he spent 5years in mubarak's prisons, been tortured before, he can handle them #Jan25

    In another update, Abbas reports:

    Human Rights Watch researcher Dan Williams among those arrested at Hisham Mubarak Law Centre, at least 24 journalists so far, equipment conf

    Only yesterday, Sandmonkey tweeted:

    Ok, it is official, my @Mobinil line has twitter and facebook blocked on it. They work fine on my etisalat line. F–k you @Mobinil #jan25

    And added:

    This means the regime knows who i am and where I live. My life is now officially in danger. #jan25

    This last tweet was retweeted 73 times. Despite this, Sandmonkey was up and running this morning, trying to deliver aid and medical supplies to protesters, in Tahrir Square, Cairo, where pro-Mubarak thugs have been at work, terrorising the peaceful protesters calling for change.

    His last tweets, from six hours ago, are:

    I hear reports of Army evacuating the Square from Protesters. Is this true? #jan25

    followed by:

    Either way, I am heading there with medical supplies. They better not block my entrance. #jan25

    In a series of tweets, Sarah Naguib tells the world what happened:

    @Sarahngb: Blogger Sandmonkey (www.sandmonkey.org) has been arrested in Cairo, Egypt today Feb 3 2011. #sandmonkey cc: @sandmonkey #jan25 #tahrir

    @Sarahngb: Arrest of @sandmonkey is confirmed for those asking. Got one more name ‘Iman' was also last seen with him. #sandmonkey #jan25 #tahrir

    @lizhenry: Hoping to wake up to good news from Egypt. Instead half the people I've been reading for a week have been arrested. Devastating. #jan25

    @ioerror: RT @jwildeboer Egyptian authorities forced #Vodafone #Etisalat to broadcasst gov scripted messages. Confirmed. http://ur1.ca/33ndt cc @MarietjeD66 @ioerror

    And now, Ramy Yacooub, says that Sandmonkey has been released, after being beaten and his supplies stolen:

    Update on #SandMonkey: @SandMonkey been released, was roughed up & all supplies with him were stolen. I'll let him fill you in on the rest

    On his blog, which has now been suspended by the host because of repeated attacks, Sandmonkey wrote:

    I don't know how to start writing this. I have been battling fatigue for not sleeping properly for the past 10 days, moving from one's friend house to another friend's house, almost never spending a night in my home, facing a very well funded and well organized ruthless regime that views me as nothing but an annoying bug that its time to squash will come. The situation here is bleak to say the least.


    The beginning

    It didn't start out that way. On Tuesday Jan 25 it all started peacefully, and against all odds, we succeeded to gather hundreds of thousands and get them into Tahrir Square, despite being attacked by Anti-Riot Police who are using sticks, tear gas and rubber bullets against us. We managed to break all of their barricades and situated ourselves in Tahrir. The government responded by shutting down all cell communication in Tahrir square, a move which purpose was understood later when after midnight they went in with all of their might and attacked the protesters and evacuated the Square. The next day we were back at it again, and the day after. Then came Friday and we braved their communication blackout, their thugs, their tear gas and their bullets and we retook the square. We have been fighting to keep it ever since.

    We were being collectively punished

    That night the government announced a military curfew, which kept getting shorter by the day, until it became from 8 am to 3 pm. People couldn't go to work, gas was running out quickly and so were essential goods and money, since the banks were not allowed to operate and people were not able to collect their salary. The internet continued to be blocked, which affected all businesses in Egypt and will cause an economic meltdown the moment they allow the banks to operate again. We were being collectively punished for daring to say that we deserve democracy and rights, and to keep it up, they withdrew the police, and then sent them out dressed as civilians to terrorize our neighborhoods. I was shot at twice that day, one of which with a semi-automatic by a dude in a car that we the people took joy in pummeling. The government announced that all prisons were breached, and that the prisoners somehow managed to get weapons and do nothing but randomly attack people. One day we had organized thugs in uniforms firing at us and the next day they disappeared and were replaced by organized thugs without uniforms firing at us. Somehow the people never made the connection.

    We wanted him gone now

    Despite it all, we braved it. We believed we are doing what's right and were encouraged by all those around us who couldn't believe what was happening to their country. What he did galvanized the people, and on Tuesday, despite shutting down all major roads leading into Cairo, we managed to get over 2 million protesters in Cairo alone and 3 million all over Egypt to come out and demand Mubarak's departure. Those are people who stood up to the regime's ruthlessness and anger and declared that they were free, and were refusing to live in the Mubarak dictatorship for one more day. That night, he showed up on TV, and gave a very emotional speech about how he intends to step down at the end of his term and how he wants to die in Egypt, the country he loved and served. To me, and to everyone else at the protests this wasn't nearly enough, for we wanted him gone now. Others started asking that we give him a chance, and that change takes time and other such poppycock. Hell, some people and family members cried when they saw his speech. People felt sorry for him for failing to be our dictator for the rest of his life and inheriting us to his Son. It was an amalgam of Stockholm syndrome coupled with slave mentality in a malevolent combination that we never saw before. And the Regime capitalized on it today.

    Unity under Mubarak rule

    Today, they brought back the internet, and started having people calling on TV and writing on facebook on how they support Mubarak and his call for stability and peacefull change in 8 months. They hung on to the words of the newly appointed government would never harm the protesters, whom they believe to be good patriotic youth who have a few bad apples amongst them. We started getting calls asking people to stop protesting because “we got what we wanted” and “we need the country to start working again”. People were complaining that they miss their lives. That they miss going out at night, and ordering Home Delivery. That they need us to stop so they can resume whatever existence they had before all of this. All was forgiven, the past week never happened and it's time for Unity under Mubarak's rule right now.

    30 years of dictatorship not enough

    To all of those people I say: NEVER! I am sorry that your lives and businesses are disrupted, but this wasn't caused by the Protesters. The Protesters aren't the ones who shut down the internet that has paralyzed your businesses and banks: The government did. The Protesters weren't the ones who initiated the military curfew that limited your movement and allowed goods to disappear off market shelves and gas to disappear: The government did. The Protesters weren't the ones who ordered the police to withdraw and claimed the prisons were breached and unleashed thugs that terrorized your neighborhoods: The government did. The same government that you wish to give a second chance to, as if 30 years of dictatorship and utter failure in every sector of government wasn't enough for you. The Slaves were ready to forgive their master, and blame his cruelty on those who dared to defy him in order to ensure a better Egypt for all of its citizens and their children. After all, he gave us his word, and it's not like he ever broke his promises for reform before or anything.

    Pro-Mubarak Protesters

    Then Mubarak made his move and showed them what useful idiots they all were.

    You watched on TV as “Pro-Mubarak Protesters” – thugs who were paid money by NDP members by admission of High NDP officials- started attacking the peaceful unarmed protesters in Tahrir square. They attacked them with sticks, threw stones at them, brought in men riding horses and camels- in what must be the most surreal scene ever shown on TV- and carrying whips to beat up the protesters. And then the Bullets started getting fired and Molotov cocktails started getting thrown at the Anti-Mubarak Protesters as the Army standing idly by, allowing it all to happen and not doing anything about it. Dozens were killed, hundreds injured, and there was no help sent by ambulances. The Police never showed up to stop those attacking because the ones who were captured by the Anti-mubarak people had police ID's on them. They were the police and they were there to shoot and kill people and even tried to set the Egyptian Museum on Fire. The Aim was clear: Use the clashes as pretext to ban such demonstrations under pretexts of concern for public safety and order, and to prevent disunity amongst the people of Egypt. But their plans ultimately failed, by those resilient brave souls who wouldn't give up the ground they freed of Egypt, no matter how many live bullets or firebombs were hurled at them. They know, like we all do, that this regime no longer cares to put on a moderate mask. That they have shown their true nature. That Mubarak will never step down, and that he would rather burn Egypt to the ground than even contemplate that possibility.

    The American-Israeli-Qatari-Muslim Brotherhood-Iranian-Hamas conspiracy

    In the meantime, State-owned and affiliated TV channels were showing coverage of Peaceful Mubarak Protests all over Egypt and showing recorded footage of Tahrir Square protest from the night before and claiming it's the situation there at the moment. Hundreds of calls by public figures and actors started calling the channels saying that they are with Mubarak, and that he is our Father and we should support him on the road to democracy. A veiled girl with a blurred face went on Mehwer TV claiming to have received funding by Americans to go to the US and took courses on how to bring down the Egyptian government through protests which were taught by Jews. She claimed that AlJazeera is lying, and that the only people in Tahrir square now were Muslim Brotherhood and Hamas. State TV started issuing statements on how the people arrested Israelis all over Cairo engaged in creating mayhem and causing chaos. For those of you who are counting this is an American-Israeli-Qatari-Muslim Brotherhood-Iranian-Hamas conspiracy. Imagine that. And MANY PEOPLE BOUGHT IT. I recall telling a friend of mine that the only good thing about what happened today was that it made clear to us who were the idiots amongst our friends. Now we know.

    This is not a Muslim Brotherhood protest

    Now, just in case this isn't clear: This protest is not one made or sustained by the Muslim Brotherhood, it's one that had people from all social classes and religious background in Egypt. The Muslim Brotherhood only showed up on Tuesday, and even then they were not the majority of people there by a long shot. We tolerated them there since we won't say no to fellow Egyptians who wanted to stand with us, but neither the Muslims Brotherhood not any of the Opposition leaders have the ability to turn out one tenth of the numbers of Protesters that were in Tahrir on Tuesday. This is a revolution without leaders. Three Million individuals choosing hope instead of fear and braving death on hourly basis to keep their dream of freedom alive. Imagine that.

    The End is near

    The End is near. I have no illusions about this regime or its leader, and how he will pluck us and hunt us down one by one till we are over and done with and 8 months from now will pay people to stage fake protests urging him not to leave power, and he will stay “because he has to acquiesce to the voice of the people”. This is a losing battle and they have all the weapons, but we will continue fighting until we can't. I am heading to Tahrir right now with supplies for the hundreds injured, knowing that today the attacks will intensify, because they can't allow us to stay there come Friday, which is supposed to be the game changer. We are bringing everybody out, and we will refuse to be anything else than peaceful. If you are in Egypt, I am calling on all of you to head down to Tahrir today and Friday. It is imperative to show them that the battle for the soul of Egypt isn't over and done with. I am calling you to bring your friends, to bring medical supplies, to go and see what Mubarak's gurantees look like in real life. Egypt needs you. Be Heroes.

    For more on Sandmonkey's views, listen to his interview with Pajamas Media.

    Meanwhile, the hunt is still on for Wael Ghonim, a blogger and Google executive, who has been missing since January 25.

    This post is part of our special coverage of Egypt Protests 2011.

    Posted 3 February 2011

    >via: http://globalvoicesonline.org/2011/02/03/egypt-the-arrest-of-sandmonkey/

      

     

     

     

     

    INTERVIEW: 'Left of Black': Episode #18 featuring Randall Robinson and Imani Perry > NewBlackMan

    Randall Robinson

    Imani Perry

    'Left of Black': Episode #18 featuring

    Randall Robinson and Imani Perry

     

     

    Left of Black #18—January 24, 2011
    w/Mark Anthony Neal

    In this episode of Left of Black host Mark Anthony Neal is joined by activist and author Randall Robinson in a conversation about the legacy of Black activism, reparations for African-Americans and growing up in Richmond, VA with his bother, the late television journalist Max Robinson. Neal also talks with Princeton University Professor Imani Perry, author of the new book More Beautiful and More Terrible: The Embrace and Transcendence of Racial Inequality in the United States (NYU Press)

    →Randall Robinson is the author of An Unbroken Agony and the national bestsellers The Debt, The Reckoning, and Defending the Spirit. He is also founder and past president of TransAfrica, the African-American organization he established to promote enlightened, constructive U.S. policies toward Africa and the Caribbean.

    Imani Perry is is a Professor in the Center for African American Studies at Princeton University. She is the author of More Terrible, More Beautiful, The Embrace and Transcendence of Racial Inequality in the U.S. and Prophets of the Hood: Politics and Poetics in Hip Hop (Duke Press)

    ***

    Left of Black is a weekly Webcast hosted by Mark Anthony Neal and produced in collaboration with the John Hope Franklin Center at Duke University.

     

     

    HAITI: Finally, 2 Presidential Candidates, but Haiti Is Exhausted

    Finally, 2 Presidential Candidates, but Haiti Is Exhausted

    Feb 3, 2011 – 11:27 AM

     

    Emily Troutman

    Emily Troutman Contributor

    PORT-AU-PRINCE, Haiti -- After exhaustive delays, Haiti's electoral council announced today that presidential candidates Mirlande Manigat and Michel Martelly will go forward into the next round. The candidate promoted by current President Rene Preval, Jude Celestin, was scrapped.

    By now, though, many seem too tired, and too sad, to care.

    In December, Racilia and Exolem Moise lost their son, Exius. He was 35 years old. He had a 2-year-old son. He was hit by a truck, while driving a motorcycle in Cite Soleil, which was how he earned a living.

    Emily Troutman for AOL News
    Exolem Moise holds a photo of his son, Exius, who was killed in a hit-and-run accident in December. His death has destroyed any confidence his father may have had in Haiti. "Haiti's not secure at all. There is no Haiti," Exolem Moise says.

    He died six blocks from his house. In front of a police station. A stone's throw to a hospital. The truck drove off.

    It's not an election story, not really. Except that, now, the Moise family couldn't care less. Politics? No. The death of their son launched them firmly from skepticism into despair.

    "Haiti's not secure at all. There is no Haiti. I don't even feel like I have a country. It is not mine," Exolem said. He looks tired. But he is a father in mourning. If he is weakened, he is not weak.

    On Wednesday, young men in the street nearby wore Celestin t-shirts, under another T-shirt. At once ready to declare allegiances, and hush them, too, on a moment's notice.

    They were Celestin supporters and friends of Exius Moise. They have a lot of ideas. Each morning, they would gather around a graffiti-colored wall and banter, rearranging the hours into days. Moise's parents paid them no mind.

    "I had a son who died," Racilia said, plainly.

    She wonders what it means to dream, to clutter the moment with ambition, to own a house, and more. She wonders what kind of vote lets a mother outlive her son.

    "I don't imagine anymore. Only God knows."

    The future makes way for the past. And Racilia's husband allows himself to remember. There was a time in Haiti, he said, when things weren't like this.

    "If you got hit by a car, and killed, a justice official came to take a report. Someone took you to the hospital," he said.

    It is an election year in Haiti, and in celebration, in speculation, and in rejection and decision, some fight. Some stay quiet, like the Moise family. Many say nothing at all.

    Political candidates are called by their first names and nicknames: "Jude," "Micky," "Mirlande." They are known from the time before time. It's an island -- half an island.

    Candidates are known for the neighborhoods they grew up in and the failures they never quite escape. They are known for the failures of their brothers and their fathers, too.

    Despite what's at stake, or maybe because of it, people make distinctions out of hand.

    Joel Basquiat, 42, on Martelly over Manigat: "They're completely different. Where Mirlande lives, it's really dirty. No one can walk by or pass with a car."

    But an anonymous neighbor weighed in, favoring her: "She's got a pace I respect. She's strong. I think she's a good politician."

    James St. Fleur, an onlooker, vowed to say nothing at all. When pressed, he allowed his voice to rise by increments. Like 80 percent of Haitians, he didn't vote in November.

    "All of the candidates," he whispered, "say one thing when they're running for office, do something else when they win. If what they say, they could apply, the country would be different."

    As if to prove his point, along the storefronts and carcasses of cars beside him children wandered naked, road-raised and heedless, throughout the afternoon.

    "What candidates? What election? What change?" St. Fleur seemed to shrug.

    "Maybe," he said, "destiny will bring someone. It could be someone like Jesus Christ. No one knows where he's going to come from or when."

    He suggested, though he doesn't quite say it, that deliverance is a thing of faith, not politics.

    Somehow, though, earthbound questions like his -- "when?" and "who?" -- rise up out of the street, suggesting hope.

    Exolem Moise listened in with his face unmoved, then leaned toward home. His son drove a motorcycle taxi. He died alone, in the fading taillights of a truck.

    He agrees, almost, with St. Fleur.

    "If we had someone who could do something with us, the whole place could be clean," he said. "All of this. As it is, the kids just keep asking for money."

    Manigat versus Martelly? Neither, he said. Also "neither" is his son, swept up young. His wife, Racilia, touched his arm. His daughter, Louisiana, nodded her goodbye. They walked away from the crowds until they were indistinguishable from them.

    Exolem turned back, and said, "That's why I believe in God, not human beings."

     

    OBIT: Edouard Glissant est mort > AFRICA IS A COUNTRY

    <img style="visibility:hidden;width:0px;height:0px;" border=0 width=0 height=0 src="http://c.gigcount.com/wildfire/IMP/CXNID=2000002.0NXC/bT*xJmx*PTEyOTY3OTA5NTAzMjcmcHQ9MTI5Njc5MDk1OTgxNSZwPTI2ODg5MSZkPSZnPTEmbz*4OWY3ZWE1NzNiNWY*N2Q5OTEx/YTViM2QxMDgwYmQ5YiZvZj*w.gif" /><div style="width:700px"><div style="margin-top:5px;text-align:center">View this movie at cultureunplugged.com</div></div>

    Edouard Glissant est mort

    The writer Edouard Glissant has died. Glissant, a native of Martinique, citizen of France, was known for his work on African identity in the Caribbean and on French colonialism. He was also a poet. He died yesterday, aged 83, in Paris. The video, above, is an extract of a film, “Making History,” with Glissant and Linton Kwesi Johnson, discussing Caribbean identity politics. It is also a good place to get a start on his ideas. You can watch the film in its entirety here.

     More recently, following the 2005 riots by mostly black and immigrant youths in working class Paris “suburbs,” Glissant and fellow Martinican author Patrick Chamoiseau wrote a letter to then-French Minister of the Interior, Nicolas Sarkozy. (At the time Sarkozy used racist language to denounce local “thugs” and vowed to “cleanse” the projects of troublemakers.) Glissant and Chamoiseau’s letter, which was reproduced in media worldwide,

    … described the riots as direct consequences of slavery and European colonialism. It also criticized a new law requiring schools to teach the ‘positive role of the French presence overseas, particularly in North Africa.’ Glissant and Chamoiseau wrote: ‘Memory faces off with the world’s truths, and the act of living together is now located within the balancing acts of the world’s truths …’

    R.I.P.

    __________________________

    Edouard Glissant Passed Away Today

     

     

     

     

     

     

     

     

     

     

     

    Although I knew that he was ailing, I was still stunned to learn that another great mind of the 20th century was extinguished today. Philosopher/poet/novelist Edouard Glissant passed away today (February 3, 2011)  in Paris at the age of 82. Many thanks to Kevin Meehan for this obituary from Le Monde. [The obituary is followed by a link to the original.]

    Eloquent defender of diversity and métissage, the great Caribbean writer Edouard Glissant died on February 3 in Paris, at the age of 82. Poet, novelist, essayist, playwright, thinker, [and exponent of the concept of] creolization, he was born in Sainte-Marie (Martinique) on September 21, 1928 and conducted studies in Philosophy and Ethnology in Paris.

    His success upon winning the Prix Renaudot in 1958 for his novel La Lézarde made the general public aware of this intellectual, who never separated his literary creation from a militant reflection. Influenced by the philosophy of Gilles Deleuze and Félix Guattari, he construed the history and geography of the Caribbean politically, demonstrating his revolt against racisms of any type and evoking the indelible mark of slavery on the relationship between France and Africa and all overseas territories.

    Opposing any imposed systems and any rejection of the other, Edouard Glissant has been champion of métissage and exchange, formulating in his essays gathered in the “Poétique” series his theses on Philosophie de la relation [philosophy of relation] andPoétique du divers the [poetics of the diverse]. He refused to be constrained by single genre, moving constantly between the novel, essay, and poetry, even within a single work.

    Novels Directed towards the Imaginary

    Edouard Glissant, who shared at once a respectful and conflicting relationship with Aimé Césaire, the other great personality of the Caribbean world, also expressed his concern for literary parentage, through writers and “disciples” [I would rather translate this as supporting scholars] such as Patrick Chamoiseau, Raphaël Confiant, or Ernest Pépin.

    His novels, from Quatrième siècle (Seuil 1965) to Ormerod (Gallimard 2003), are geared towards a mythical and imaginary world, far from any naturalism, but also imbued with picturesque elements specific to certain Caribbean novelists.

    After having created a center for research and teaching in Martinique, as well as a review named Acoma, Edouard Glissant founded in Paris the Institut du Tout-monde, aimed at putting into practice his humanistic principles and to allowing for the dissemination of “the extraordinary diversity of the imaginaries of the people.”

    Photo: Edouard Glissant in 1958 (Le Monde)

    For the original obituary (in French), seehttp://www.lemonde.fr/carnet/article/2011/02/03/l-ecrivain-edouard-glissant-est-mort_1474457_3382.html

    Read a beautiful tribute here: http://www.lepoint.fr/culture/la-mort-d-edouard-glissant-03-02-2011-1291602_3.php

    For full biography, see http://www.lehman.cuny.edu/ile.en.ile/paroles/glissant.html

    See more on the Glissant’s poetics athttp://thefunambulist.net/2010/12/17/philosophy-poetics-of-relation-by-edouard-glissant/

     

    VIDEO: Harry Belafonte Documentary “Sing Your Song” > Shadow And Act

    View Clips From Harry Belafonte Documentary “Sing Your Song”

    Below are clips from Sing Your Song, a Harry Belafonte documentary we told you about earlier, which premiered at the Sundance Film Festival and will also make its debut at the Berlin International Film Festival.

    A detailed synopsis from the film’s website states:

    Over the past half century, hardly a day has gone by when some clever stranger on the street has not called out, “Day-o!” upon recognizing Harry Belafonte wherever Belafonte may find himself in the world. He never fails to return a gracious smile. At the heart of these day-o’s that seem to greet him coming and going is a recognition and acknowledgment not only of him, but identification with a shared time and place, a community of shared experience.

    In his new biographical film documentary, SING YOUR SONG, Belafonte recounts that he was performing at the Village Vanguard in New York City when the great Paul Robeson visited him backstage and offered this counsel: “Get them to sing your song and they will want to know who you are.” he said, and if they want to know who you are, you’ve gained the first step in bringing truth and insight that might help people get through this rather difficult world. Get them to sing your song and you get them to feel what you feel. Your passion becomes their passion. Such is the power of art.

     At the heart of any biographical texts lies the question, who is he or she? And while getting to know who Harry Belafonte is, the leitmotif of SING YOUR SONG, the more profound questions the film probes are who are we, especially as artists, and what meaning do we find in our work and commitments?

    Harry says he never saw himself as a singer, not in comparison to the great vocalists of his day. He’s an actor, the proof of which, he jokes, is the fact that he convinced so many people he was a singer. In the theater he found “a place of social truth and profound influence,” and it was there that he first made the commitment to use art as an instrument of resistance and rebellion, as a counter to racist propaganda and inspiration to others. But it was as a singer – the first ever to sell a million records – that he realized the platform and power that art afforded him. As he observes in the film, along with building a career and raising a family, and in the midst of the accolades and successes that came his way, there were always the larger concerns for freedom, justice, equality and human dignity. Before discovering Paul Robeson – a renaissance man of immense talents, who sacrificed everything in the fight for freedom and justice – there was the indelible imprint of his mother’s instruction, that he should never awaken in a day when there wasn’t something in his agenda that would help set the course for the undermining of injustice. And it is that larger concern at the center of Belafonte’s life and work that attracted Paul Robeson as a mentor. It is the gravity of that compassion, passion, and caring that drew Dr. Martin Luther, Jr., into Belafonte’s orbit and Belafonte into King’s. As Coretta Scott King said, “Harry saw our struggles and made them his own.”

    Like Robeson, Belafonte has paid the price for his activism. Rather than compromise with bigotry and prejudice, he has walked away from the money and exposure that compromise would have afforded him, as when sponsors of the groundbreaking and hugely popular 1959 television specials, TONIGHT WITH BELAFONTE, balked at his attempts to integrate them. Similar battles with Hollywood film producers over content and race led him to turn down other lucrative offers. Celebrated and recognized with Grammy, Tony and Emmy awards, he was subsequently blacklisted by Hollywood, harassed by the House Committee on un-American Activities, spied on by the FBI and threatened by the Klan, state troopers and Las Vegas mafia bosses.

    As with other Belafonte projects, SING YOUR SONG offers a critique and alternative vision for America. It is also an implicit critique of the uses of contemporary film and television, as it sets in high relief, important issues not being addressed in African American filmmaking today and not explored since EYES ON THE PRIZE aired on public television in 1987 and 1990. In addition to those questions about identity – about who we are – mentioned earlier, there is the question, how deep are we willing to dig into our history and experience? And what price are we willing to pay?

    SING YOUR SONG is, in a sense, Belafonte’s essential song. Like the folk songs he feels most at home in, the film’s subject is the human condition, the struggle against injustice and our yearning to be free. Like the simple Jamaican folk whom Belafonte first heard cry out, “Day-o!” we’re all looking for daylight to come. We all want to go home and to lay our burdens down. But the night of human suffering is long, and at times it seems there are too few with the vision and courage needed to take up the struggle for freedom, justice and equality on behalf of those whose own cries are too weakened with hunger and want or have been drowned out in the ongoing din of commerce.

    “I’ll tell you something,” Belafonte says against an opening montage of suffering, protests, gang violence and war. “There are a lot of people out here who are really pissed off.” The montage, which integrates scenes from his own life, flashes before our eyes with a powerful urgency as the drums call the people to organize. “Somewhere in this moment,” he adds, “all that I have known, all that I have felt, all that I have experienced, demand of me to say, what do you do now?” Though he asks the question of himself, we are again invited to identify with Belafonte’s passion and point of view, to feel what he feels and ask of ourselves, what do we do now?

    Celebrity and circumstances seem to have conspired to have cameras trained on Harry Belafonte most of his life, documenting every aspect of it from the time he began performing as a young man. Distilled from more than seventy hours of interviews, eye-witness accounts, movie clips, excerpts from FBI files, news and archival film footage and stills, the one hundred minute portrait makes its point quite powerfully, but also hints at details, depth and more to the story that might yet be excavated from those remaining hours of unedited material.

    As was said in CITIZEN KANE, no one word can describe a man’s life. Nor can you sum up a man’s (or woman’s) life in an hour and a half or two or three hours. At best, you can convey something of his or her character. SING YOUR SONG does that and more. It also questions identities. One suspects that Belafonte finds his true identity, not in the actor, singer, celebrity or activist, but outside of himself in something much larger – in our shared humanity or the process of perfecting it. As Yeats wrote, “There are no strangers here.” We meet ourselves coming and going. It is in recognizing ourselves in others that we can begin to set the agenda for undermining injustice. And that, ultimately, is what SING YOUR SONG is about.

    Also below, you’ll find a Sundance Channel interview with Harry and the film’s director, Susanne Rostock, along with his daughter Gina Belafonte who’s a producer on the project.