VIDEO: Dancer Katherine Mary Dunham

Dancer Katherine Mary Dunham

Katherine Mary Dunham was born June 22, 1909 in Chicago, Illinois. from the moment she took her first steps, it was apparent she would become dance's "Katherine the Great." In her late teens she took up formal dance but attended the University of Chicago on a scholarship to study anthropology. After graduation she made her way to the West Indies to study both of her loves.

"So she went to Cuba. She went to Haiti. She went to Jamaica, to study the dance that the inhabitants did there. Because they were a part of the French and Spanish in those cultures and allowed them to practice their African roots." said Director of the Katherine Dunham Dance Center Ruby Streate.

Dunham's dancing feet took her around the globe and back to Haiti on numerous occasions. She even set up a residence for some time. Her dance company employed as many as 40 members touring extensively. Sometimes stepping on toes to break down racial barriers. Her fame gained in Europe and she showcased her troupe in film. Most notably the breakthrough musical "Stormy Weather" in 1943. She continued to dance, teach and perform in the then segregated South. But it was the 1960's she answered the call to help once again.

It's been said, dance is a delicate balance between perfection and beauty. Katherine Dunham did both with grace and ease.

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Stormy Weather Dance Sequence

This dance scene is often overshadowed by Lena Horne. However, Katherine Dunham was an amazing dancer/choreographer and a star in her own right.

 

 

Katherine Dunham's "Shango (1945)"

Charles Moore Dance Company (DanceAfrica)

 

 

Katherine Dunham on "Shango"

In this series of clips recorded in September 2002, Katherine Dunham speaks about her influence on American dance; dance anthropology; her anthropological films; Shango; L'Ag'Ya; the Mazouk from L'Ag'Ya; the need for a Dunham Technique; breathing in Dunham Technique; the circle of energy; the concept of the "pole through the body" in Dunham Technique; the hand in Dunham Technique; the position of the arm in Dunham Technique; and the use of the foot in Dunham Technique.

 

 


VIDEO + INFO: Joburg Jam

GET INVOLVED! http://kck.st/eyOiwM

This is remix of sights and sounds that I filmed around the city of Johannesburg, South Africa. This marks the beginning of my World Remix project!

World Remix is my idea for an upcoming album which would expand upon my live-action remixing concept, first displayed to much fanfare in my track and video Gardyn. The goal of my project is to travel the world capturing sights, sounds, voices and chords, and use them to compose and shoot a track and video for each major culture of the world. It will be funded solely by you the listener, and will be released worldwide on CD, DVD, and on my website PogoMix.net. I am deeply inspired by the films Baraka and Koyaanisqatsi, and hope to produce the best cinematography and music I humanely can throughout each project.

Every remix will be financed by pledges at KickStarter, funds made by the remix before it, and by prepayments for the next upcoming remix. If you purchase remix #001 or prepay for the upcoming remix #002, it sends me and my crew to our next destination to produce remix #002. With the release of each remix, I will state a fixed financial goal for the next destination which will be publicly viewable as a new project here on KickStarter.

Working with major labels, studios and corporations often carries with it a number of obligations which greatly affect the integrity and general direction of the project in question. Trying to turn my own idea into a mutually beneficial deal that preserves the integrity of the project is virtually impossible. Besides, remixing real people, cultures and religions carries the responsibility to properly represent someone's way of being. My world remix concept has peaked the intrigue of various labels, studios and TV channels -- but as always with corporate deals, the dollars come with strings attached. In reality, the album would likely be skewered towards night-life and commercialized metropolitan districts. It would stray completely from my initial concept, and wouldn't make for compelling material even if I did sell out.

The world remix project is going to employ a unique method of funding -- an incremental finance structure. Every track will be financed by the funds generated from sales of the track before it, and by prepayments for the track next to be released. so to put it quite literally, you the listener will be the sponsor! In a nutshell, if you purchase track #001, it sends me and my crew to our next destination to produce track #002. With the release of each track, I will state a fixed financial goal for the next destination, and provide a publicly viewable status of how close we are to reaching that goal. Not only are you helping our cause, but you're supporting me directly to produce a quality track and film production. Plus, every supporter will be formerly credited as an Associate Producer, earning them a discount of the full CD and DVD when the project is completed. Remember when people had to pay for music regardless of quality? Remember when most of that money went to a posh record label?

If you the listeners stop contributing, then so must I. Your opinions are important to me, so if it's apparent this project is losing appeal, then it is not meant to be.

The crew will usually consist of two people. I will be operating all of the camera equipment, while my faithful manager Bryant Randall will be manning the sound equipment in addition to documenting the project behind the scenes. We will almost always have a fixer to navigate for us and translate the local dialects, and often there will be need for a grip to hold reflectors, soft boxes, dump footage, etc. While making music on location will be a vital part of capturing a culture, I will use our sounds and footage to compose primarily at my studio in Perth, Western Australia.

 

PUB: Able Muse Write Prize | Able Muse Press

Able Muse Write Prize (for Poetry & Flash Fiction)

 $500 prize for the best poem, and $500 prize for the best short story (flash fiction), plus publication in Able Muse (the print journal).
Finalists in each category will also be considered for publication.

Entry deadline: February 15, 2011

Final Judge - Poetry:
Rachel Hadas - Final Judge
Rachel Hadas

 

Final Judge - Fiction:
Alan Cheuse - Final Judge
Alan Cheuse

 

Guidelines:

  • Blind Judging by the Final Judges (Rachel Hadas for poetry, Alan Cheuse for flash fiction).
  • Initial screening by the Able Muse Editors.
  • Entries may not be previously published.
  • Simultaneous submissions accepted as long as we're immediately notified if your work is accepted elsewhere.
  • Unlimited entries per person for one or both categories
  • For poetry entries, all styles are welcome (metrical or free verse).
  • We prefer online entries, however, paper/snail mail entry is available for those who insist on the traditional submission method.
  • If you wish to enter in both cateogries or if you enter more than once in one or both categories, then a separate entry fee and submission form must be completed for each entry.
  • If you're entering by paper/snail mail, the manuscripts cannot be returned so, do not send us your only copies.
  • For paper/snail mail entries, include an SASE (self-addressed stamped envelope) to receive the announcement of the winners.
  • The contests will be judged blind by the final judge, so:
    • Author's name should only appear on cover page and nowhere else.
    • Initial screening will be done by the editors of Able Muse.
    1. The final judges will received anonymized manuscripts (five to ten each depending and the number of total entries and their quality).
    2. The final judge will be instructed to disqualify any work that he recognizes. The entry fee the work thus disqualified will be refunded.
  • Include on your cover page ONLY:
    1. the category of your submission— i.e. "poetry contest" or "fiction contest"
    2. the poems/stories titles
    3. the total number of lines for all poems combined / total word count for all stories combined.
    4. the poet's/writer's name
    5. address
    6. phone number, and
    7. email address.
  • For paper/snail mail entries, send manuscripts in duplicate.
  • Final Judge (Poetry): Rachel Hadas
  • Final Judge (Flash Fiction): Alan Cheuse
  • Entry Methods:

    1. Preferred method is our online entry form
      1. DO NOT type or copy and paste your entry in the poem/fiction text box. Rather, upload your submission file from the upload field (accepted formats are: Text, RTF, Word, Wordperfect, PDF, HTML).
      2. Only send one file attachment with 1 to 5 poems or 1 to 2 stories in a single file, with the cover page prepared as described in the blind judging section above (do NOT attach a separate file for each poem or story!)
      3. There should be no identification in the manuscript file itself as described in the blind judging section above.
      4. Enter at http://www.ablemuse.com/enter-contest online.
    2. Second favorite entry method is via e-mail—
      1. Again, do not type your submission in the body of the email. Rather, attach your submission file to the email (accepted formats are: Text, RTF, Word, Wordperfect, PDF, HTML).
      2. The subject of the email should be: "<Your Name>: Poetry Contest" for poetry entries, or "<Your Name>: Fiction Contest" for fiction entries.
      3. Email your entry to submission@ablemuse.com without any identification in the manuscript file itself as described in the blind judging section above.
    3. Least favorite entry method is paper by snail mail—
      1. The manuscript should be without any identification as explained in the blind judging section above.
      2. The cover page should be prepared as explained in the blind judging section above.
      3. The manuscript should be in duplicate as explained in the blind judging section above.
      4. Send your entry to:

        Attn: Alex Pepple, Editor
        Able Muse Review
        (Poetry or Flash Fiction) Contest
        467 Saratoga Avenue #602
        San Jose, CA 95129
        USA

    Entry Fees:

    • $15 for a minimum of 1 poem, maximum of 5 poems per entry (total submission cannot exceed 10 pages).
    • $15 for a minimum of 1 story, maximum of 2 stories (stories should be flash fiction/short-short-short under 1,500 words each, typed double-spaced).
    • No matter how you choose to enter (online or email or snail mail) you may choose to pay:
      1. Online at http://www.ablemuse.com/enter-contest (or right below!), OR,
      2. By check: Able Muse Review, and sent to the contest address indicated above.
      3. To enable us to match your payment to your entry, be sure to indicate the name you entered with (i.e. your pen name, etc), if it's different from the one under which payment was made, and this applies for online or check payment by snail mail.

    Pay Entry Fee & Enter Contest Now:

     

    ENTER THE ABLE MUSE WRITE PRIZE CONTEST NOW:

    After payment, submit your poetry or fiction online at:
    http://www.ablemuse.com/enter-contest .
    Or, enter by email/snail mail as explained above:
    http://www.ablemuse.com/ablemuse-write-prize for the contest entry guidelines." type="hidden" />

     

     

    PUB: Philip Roth Residence || Bucknell University

    Philip Roth Residence in Creative Writing

    Named for the lauded novelist and Bucknell graduate and initiated in the fall of 1993, the Philip Roth Residence in Creative Writing offers an emerging writer four months of unfettered writing time during Bucknell's fall semester, without formal academic obligations. The Residence is designed to grant the writer time to complete a first or second book. The resident presents a public reading of his or her work and otherwise constitutes a literary presence on campus during the fall. Providing lodging on campus, an office in the Stadler Center for Poetry, and a stipend of $4,000, the Residence is awarded to writers of prose (fiction or creative nonfiction) and poets on an alternating basis.

    In Spring 2011, the Stadler Center will be accepting applications 2011-12 Philip Roth Residence, which will be awarded to a writer of prose (fiction or creative nonfiction). The Residence will extend from late August through mid-December 2011. The application deadline is February 11, 2011. For eligibility and application requirements, and to submit an application, please use the SCP Application Portal, below.

    Roth Residence in Creative Writing

    To be eligible, an applicant must be at least 21 years of age, reside in the United States, and not be enrolled as a student in a college or university. (Persons enrolled in a college or university at the time of application are eligible). Some record of publication is desirable. Please note that the 2011-12 Roth Residence will be awarded to a writer of prose (fiction or creative nonfiction). Poets may apply in spring 2012 for the 2012-13 Residence.

    Application requirements: letter of application, curriculum vita, writing sample, three letters of recommendation.

     

    Stadler Center for Poetry
    Bucknell Hall
    Bucknell University
    Lewisburg, PA 17837
    570-577-1853 phone
    570-577-1885 fax
    stadlercenter@bucknell.edu

     


     

    Leslie Harrison
    Philip Roth Residence in Creative Writing, 2010-11


    Leslie Harrison's debut book of poems, Displacement, won the 2008 Bakeless prize in poetry and was published by Mariner Books, a division of Houghton Mifflin, in July of 2009. She holds graduate degrees from The Johns Hopkins University and the University of California, Irvine. Her poems have been widely published in journals and anthologies, including the Best of the Web and Best of the Net anthologies, The New Republic, Poetry, Memorious, Barn Owl Review, and elsewhere. She has been a Tennessee Williams Scholar at the Sewanee Writers' Conference and a Bakeless Fellow at the Bread Loaf Writers' Conference. She lives in a small house in a small town in rural western Massachusetts.

     

    Events for Leslie Harrison


    Poetry Reading
    Tuesday, October 12
    4 p.m., Willard Smith Library, Vaughan Literature Building

    The reading is free and open to the public.

     

     

    PUB: Susan B. Anthony Institute for Gender & Women's Studies : University of Rochester

    Janet Heidinger Kafka Prize

    Since 1976, the Susan B. Anthony Institute for Gender and Women's Studies and the Department of English at the University of Rochester have awarded the Janet Heidinger Kafka Prize for fiction by an American woman.  The idea for the prize came out of the personal grief of the friends and family of a fine young editor who was killed in an automobile accident just as her career was beginning to achieve its promise of excellence. She was 30 years old, and those who knew her believed she would do much to further the causes of literature and women. Her family, her friends, and her professional associates in the publishing industry created the endowment from which the prize is bestowed, in memory of Janet Heidinger Kafka and the literary standards and personal ideals for which she stood.

    2009 Award Winner - Isla Morley for "Come Sunday"

    PAST RECIPIENTS OF THE KAFKA PRIZE

    How to Enter

    1. All entries must be submitted by publishers who wish to have the work of their authors that were published in the year 2010 considered.
    2. Entries must be submitted by February 1st , 2011, and the works must have been assembled for the first time, or at least one-third of the material must be unpublished.
    3. Four copies of each entry should be submitted.
    4. The $5000 prize will be awarded annually to a woman who is a USA citizen, and who has written the best book-length work of prose fiction, whether novel, short stories, or experimental writing. Works written primarily for children and publications from private and vanity presses cannot be considered. We are particularly interested in calling attention to the work of a promising but less established writer.
    5. Only under the most unusual circumstances will a writer be considered for a subsequent award within a ten-year span.
    Please use this FORM and submit entries to:
    University of Rochester
    Janet Heidinger Kafka Prize
    Susan B. Anthony Institute for Gender and Women's Studies
    538 Lattimore Hall
    RC Box 270434
    Rochester, NY 14627-4034

     

     

    INTERVIEW: Zadie Smith & Nathan Englander — Guernica / Doing Everybody

    Zadie Smith

     

    Doing Everybody

     Nathan Englander and Zadie Smith in conversation, January 2011

    Two star novelists on bringing back wrong and right, micro and macro writing, and David Foster Wallace.

    Nathan Englander begins his conversation with Zadie Smith by recalling the two novelists’ first encounter, at the Capri Festival “ten thousand years ago,” and the visible reverence Smith showed for David Foster Wallace, who, along with Jonathan Franzen and Jeffrey Eugenides, was also in attendance. In the conversation that follows, the two discuss the heralded Infinite Jest author (as well as Saul Bellow, George Eliot, and James Baldwin) and topics ranging from seeing yourself as other to morality in writing. The conversation took place at the School of Visual Arts’ intimate Silas Theatre in Manhattan. Hosted by Matawi, proceeds from the event went to benefiting the organization’s Dadaab Young Women’s Scholarship Initiative, which increases access to educational opportunity for refugee women and girls on the Kenyan/Somalian border. (Runs about 45 minutes, with audience questions beginning at 30.)

     

    G

     

     

    INFO: WGBH American Experience . Freedom Riders . Traveling Exhibit | PBS

    Freedom Riders - Premiers May 1, 2010 

    <p style="font-size:11px; font-family:Arial, Helvetica, sans-serif; color: #808080; margin-top: 5px; background: transparent; text-align: center; width: 512px;">Watch the full episode. See more American Experience.</p>

    Traveling Exhibit

    AMERICAN EXPERIENCE has partnered with the Gilder Lehrman Institute of American History to create a traveling exhibit -- a moveable museum of sorts -- that tells the story of the 1961 Freedom Rides. A detailed narrative of the Rides is illustrated with vivid archival photos and newspaper clippings that document this pivotal event in the Civil Rights Movement. The exhibit is enhanced by companion audio that allows visitors to hear the poignant eyewitness accounts of the Riders who endured bitter racism and savage beatings, but ultimately changed America forever.

    The large-scale panel exhibit will be on display at 20 locations across the nation in 2011. Venues will include schools, libraries, museums and other historic sites, and will be announced in fall of 2010.

    Visiting twenty cities nationwide

    November 29 - December 15, 2010
    Lehman College
    Leonard Lief Library
    250 Bedford Park Boulevard West
    Bronx, New York
    718-960-8603

    January 3 - 31, 2011
    New Orleans Public Library
    African American Resource Center
    219 Loyola Avenue
    New Orleans, Louisiana
    504-596-2597

    January 6 - January 17, 2011
    John Handley High School
    425 Handley Boulevard
    Winchester, Virginia
    540-662-3471

    January 24 - February 21, 2011
    University of Wisconsin - Milwaukee
    2200 E. Kenwood Boulevard
    Milwaukee, Wisconsin
    414-229-4785

    February 7 - March 7, 2011
    Nancy Carson Library
    135 Edgefield Road
    North Augusta, South Carolina
    803-202-3587

    February 28 - March 28, 2011
    San Diego Public Library
    820 E Street
    San Diego, California
    619-236-5800

    March 14 - April 18, 2011
    Live Oak Public Libraries
    Southwest Chatham Beach
    2002 Bull Road
    Savannah, Georgia
    912-925-8305

    April 4 - May 2, 2011
    Kansas City Public Library
    14 West 10th Street
    Kansas City, Missouri

    April 25 - May 27, 2011
    Fulton-Holland Educational Services Center
    3300 Forest Hill Boulevard
    West Palm Beach, Florida
    561-357-1160

    May 9 - June 6, 2011
    Lyndon Baines Johnson Library and Museum
    2313 Red River Street
    Austin, Texas
    512-721-0200

    June 3 - July 1, 2011
    Cameron Village Library
    1930 Clark Avenue
    Raleigh, North Carolina
    919-856-6710

    June 13 - July 11, 2011
    Salt Lake City Public Library
    210 East 400 South
    Salt Lake City, Utah
    801-524-8200

    July 8 - August 12, 2011
    Dole Institute of Politics
    The University of Kansas
    2350 Petefish Drive
    Lawrence, Kansas
    785-864-4900

    July 18 - August 15, 2011
    San Francisco Public Library
    100 Larkin Street
    San Francisco, California

    August 22 - September 19, 2011
    Arizona State University Libraries
    Hayden Library
    ASU Tempe Campus
    300 E. Orange Mall
    Tempe, Arizona
    480-965-4925

    September 1 - 29, 2011
    Birmingham History Center
    1731 First Avenue N
    Birmingham, Alabama
    205-202-4146

    September 26 - October 24, 2011
    Museum of History & Industry
    2700 24th Avenue E
    Seattle, Washington
    206-324-1126

    October 5 - November 2, 2011
    Detroit Public Library
    5201 Woodward Avenue
    Detroit, Michigan
    313-481-1339

    October 31 - November 28, 2011
    Blair Caldwell African American Research Library
    Denver Public Library
    2401 Welton Street
    Denver, Colorado
    720-865-2401

    Please contact your local site to confirm dates and hours of operation.

    Learn more about bringing the exhibit to your community:
    http://www.gilderlehrman.org/travelingexhibitions.html


    About the Gilder Lehrman Institute of American History

    Since 1997, the Gilder Lehrman Institute has developed traveling panel exhibitions for display at schools, libraries, and historic sites. Composed of interlocking panels with graphic reproductions of rare documents, images, and interpretive text, these exhibitions circulate nationwide, providing an introduction to critical topics in American history for students, teachers, and the public. Other Gilder Lehrman exhibitions include: Abraham Lincoln: A Man of His Time, A Man for All Times, The Progressive Era: Creating Modern America, 1900-1917, Alexander Hamilton: The Man Who Made Modern America, Frederick Douglass from Slavery to Freedom: the Journey to New York City, Looking at Lincoln: Political Cartoons from the Civil War Era, Free at Last: A History of the Abolition of Slavery in America, and Freedom: A History of US.
    www.gilderlehrman.org

    via pbs.org

     

    HAITI: A Day In The Life One Year Later

    One Day in Port-au-Prince

     

    1. THE MOTIVATION COACH: Every day 'starts from zero'

      Marc

      Yesterday at 4:30 PM | Comments ( 0 )

      PORT-AU-PRINCE (AlertNet) - The kidnappers struck without warning - a gang of teenagers, a dozen at least, waving guns and shouting threats.

      Marc “Eddy” Jean Francois had just stepped out of a shop in downtown Port-au-Prince, where he’d been ordering parts for his electronics business. It was a Tuesday evening in November 2005.

      The gang carjacked his vehicle, drove him to their lair and locked him in a room. They took his cell phone and called his father to demand a 50,000 gourde ($1,200) ransom – an impossible sum in a country where around 70 percent of people live on less than $2 a day.

    2. THE DOCTOR: 'Handyman' surgeon resurrects a hospital

      Jude-Marie Banatte  features in &ldquo;One Day in Port-au-Prince: Coping with the Quake&rdquo;, a multimedia documentary to be launched on Jan. 10. Photo by Tim Large

      Yesterday at 4:25 PM | Comments ( 0 )

      PORT-AU-PRINCE (AlertNet) - It's hard to imagine a more thorough job of destruction than the quake's demolition of the St. Francois de Sales hospital in downtown Port-au-Prince.

      The few remaining walls enclose a roiling heap of concrete, iron and every kind of detritus. Here and there are reminders that this was once a functioning clinic: a smashed sink, a broken bed, medical machinery crushed beyond recognition.

      Almost a year after the earthquake, the rubble still entombs the bodies of patients who were there when the hospital collapsed at 4.53 p.m. on Jan. 12, 2010.

    3. THE CHAMPAGNE SELLER: Who can afford guilty pleasures?

      Saint Hilaire features in &ldquo;One Day in Port-au-Prince: Coping with the Quake&rdquo;, a multimedia documentary launched on Jan. 10. Photo by Tim Large

      Yesterday at 3:00 PM | Comments ( 0 )

      PORT-AU-PRINCE (AlertNet) - On a rickety-looking table set up on a sidewalk, dozens of bottles were sparkling in the sun: DSP Black Deluxe Whisky from India, Disaronno Amaretto from Italy, Andre Champagne from the United States. In the background was a crumpled building.

      Saint Hilaire Saint Louis, 30, was leaning over his stall in downtown Port-au-Prince, discussing the booze business in the wake of the earthquake.

      “This is how it goes: liquor sells by the season, you know what I’m saying?” he said. “Right now it’s whisky season… It sells really well. This White Label whisky that you see here, it sells really fast.”

    4. Coping with the Haiti quake: Stories from the street

      Yesterday at 4:59 PM | Comments ( 0 )

      Welcome to the One Day in Port-au-Prince blog, putting you in the shoes of ordinary Haitians with remarkable stories of the earthquake and its aftermath.

      As cholera and political instability dominate headlines around the quake's one-year anniversary, this space is a reminder that even in the shadow of tragedy, life goes on. People do what they can to cope.

      Over the next week, we'll be publishing 14 stories of earthquake survivors, taking you to the streets and tent cities of Port-au-Prince.

    5. THE GOALKEEPER: Soccer-mad Haitians find solace in sport

      Chanata Jean Francois features in &ldquo;One Day in Port-au-Prince: Coping with the Quake&rdquo;, a multimedia documentary launched on Jan. 10. Photo by Tim Large

      Yesterday at 3:50 PM | Comments ( 0 )

      PORT-AU-PRINCE (AlertNet) - “See that woman over there? She’s a famous soccer player.”

      Wilner, our translator, was pointing at a security guard standing by the entrance of a supermarket in the affluent Petionville district of Port-au-Prince. She wore jackboots and carried a truncheon.

      We just had to interview her.

    6. THE SCRAP DEALER: A new industry is pried from the rubble

      Jean-Pierre Rony features in

      Yesterday at 3:45 PM | Comments ( 0 )

      PORT-AU-PRINCE (AlertNet) - If you took all the rubble created by Haiti’s earthquake, you'd have enough material to make three Great Pyramids of Egypt. That's 20 million cubic metres (35 million cubic feet) of debris, according to the United Nations.

      Within all that rubble is a vast amount of scrap metal: twisted girders and buckled sheets of corrugated iron; broken-off car doors and crumpled drainpipes; bent alloy beams and rusty grillwork.

      But mostly it’s knotted iron and steel bars sprouting from reinforced concrete.

    7. THE SCHOOLGIRL: Homework by moonlight

      Christine features in

      Yesterday at 3:25 PM | Comments ( 0 )

      PORT-AU-PRINCE (AlertNet) - Christine Das couldn't recall the philosopher’s name but she remembered the quotation: “Education raises a man to the dignity of his being.” She continued in her own words: “If there is no education, if you don’t go to school to learn, you are nothing in this life.”

      Christine, 14, was reflecting on her desire to go back to class after the Jan. 12 earthquake that destroyed her apartment, forcing her family to seek shelter in a camp by Port-au-Prince’s international airport.

      In fact, the man she was quoting was Alexandre Petion, one of Haiti’s founding fathers and an early believer in universal education. If such allusions seem precocious for a 14-year-old girl, they are typical of the thoughtful, well-read Christine.

    _________________________________

    Moving Forward in Haiti

    Revisiting the lives of six Haitians who have started to find some equilibrium — to heal, to rebuild or simply to readjust their sights.

     

    _________________________________


     

    Damon Winter/The New York Times
    Fabienne Jean, a dancer who lost a leg in the 2010 quake in Haiti, now has a prosthetic limb. Dance makes up part of her exercise routine.

     

    A Year Later, Haiti Struggles Back

    PORT-AU-PRINCE, Haiti — In 2010, Daphne Joseph, a slim, shy teenager, took a pounding from life.

    She watched with horror as her mother’s mangled body was carted off in a wheelbarrow after the Jan. 12 earthquake. She fell in with a ragtag group of orphans taken under the wing of a well-meaning but ill-equipped community group. She left them unwillingly when a self-proclaimed relative took her away to use her as a servant.

    And then last fall, not long before her 15th birthday, Daphne found herself in an actual home, reunited with the other orphans stranded after the disaster they all call “goudou-goudou” for the terrible sound of the ground shaking. She wore a party dress; she blew out candles; she smiled.

    “I believe that Daphne was a fragile, sensitive girl even before ‘goudou-goudou,’ ” said Pierre Joseph, a psychologist who counsels her. “After, she was like a glass that got filled to the brim and then overflowed. You could say she is still in shock. But she is finding her equilibrium.”

    After a year of almost unfathomable hardship in Haiti, there is little reason to be hopeful now.

    More than a million displaced people still live under tents and tarpaulins. Reconstruction, of the build-back-better kind envisioned last March, has barely begun. Officials’ sole point of pride six months after the earthquake — that disease and violence had been averted — vanished with the outbreak of cholera and political unrest over a disputed presidential election.

    And indeed, for some, misery is a constant. Rose, a young woman abducted, repeatedly raped and torturously stashed in earthquake ruins last June, was forced to flee to the countryside after her kidnappers made a second attempt. Marie Claude Pierre, whose son was whisked abroad in an orphan airlift, was sad even before the earthquake. She is sadder now.

    Yet despite this gloomy backdrop, many Haitians, like Daphne, have started to find some equilibrium — to heal, to rebuild or simply to readjust their sights. A dancer whose leg was amputated is walking on a new limb. A pastor whose church was devastated is reveling in a congregation doubled in size. A businessman, stubbornly loyal to Haiti, is opening an earthquake-proof factory where his old one collapsed.

    Here, haunting and hopeful, are some of their stories.

    Fabienne Jean

    Fabienne Jean, the dancer who lost a leg in the earthquake, smiled so radiantly and expressed such courage that everybody who met or read about her wanted to help. Doctors, prosthetists, choreographers, dancers with disabilities, charitable groups — they all aspired to adopt Ms. Jean.

    By early spring, Ms. Jean was struggling with conflicting offers: to be fitted here for a prosthetic limb by a New Hampshire nonprofit group or to fly to New York, where Mount Sinai Medical Center would provide corrective surgery, rehabilitation and a stay of months in the city. The foreigners’ attention was overwhelming.

    After a period of agonizing indecision, Ms. Jean chose to stay in Haiti, where she felt at home. The New Yorkers were proposing a second operation to strengthen her stump. That, Ms. Jean said, was a deal-breaker. “I didn’t want another operation,” she said. “I didn’t want to lose any more of my leg.”

    Recently, standing proudly on two feet, Ms. Jean led the way into her family home. Always fashion-conscious, she was wearing chunky jewelry, a spaghetti-strap tunic top and slim jeans. Her new limb, ending in a stockinged foot encased in a delicate slingback flat, peeked out from beneath the cuff. Using a cane, she gracefully, but with a slight limp, navigated the house’s challenging terrain — a sloped, rutted entryway and unfinished concrete stairs without banisters.

    Ms. Jean had moved back in with her extended family after breaking up with her longtime boyfriend, also a dancer, for “reasons of the heart, nothing to do with the leg,” she said. About a week ago, she proudly settled into a rental apartment of her own, which she shares with her mother and her young daughter (a niece whom she had adopted before the earthquake).

    Several times a week, Ms. Jean does pliés and arabesques as part of an exercise routine overseen by a high school senior trained as a physical therapy assistant by the New Hampshire group. That group, the Nebco Foundation, which built and fitted her limb, will be fine-tuning the socket next month and testing out feet that will allow her to dance again.

    Ms. Jean looks forward to that, she said, but she added: “Realistically, there is no way I’ll be a professional performer again. So I will need another way to make a living.” She envisions a fashion boutique or a dance school.

    Ms. Jean said that she did not want to be a drain on her family, which had always expected her, the oldest child and the most talented, to support them. Her father, she said, was scared after the earthquake that she would end up “in a corner, like a handicapped person.” But that is not going to happen, she said.

    “There are some disabled people who think that life is over, who are ashamed,” she said, before jauntily swinging her prosthesis over her shoulder during a photo shoot. “I’m not like that. Except for the fact that I lost a part of myself on Jan. 12, I’m still Fabienne.”

    The Rev. Enso Sylvert

    As if he had not budged since the earthquake, the Rev. Enso Sylvert sat one recent morning on the same metal chair under the same tarpaulin, now ripped, where he held court after the disaster.

    In the shadow of his collapsed church on Avenue Poupelard, Pastor Sylvert was still sporting a blazing orange shirt and wrinkled yellow tie, still preaching about the end of times.

    But his vow to rebuild in 2010 had been tempered by reality. The bank recently foreclosed on the property after he fell disastrously behind on loan payments because his parishioners could not afford donations. Any day now, he said, the bank will be seizing what remains of the church.

    Still, the pastor insisted, just as his chorus narrowly escaped death when the church fell, just as his daughter was spared when she stood to answer a teacher’s question while the girl who slid into her seat was killed by a concrete block, so, too, would “a miracle” keep the Evangelical Church of Grace alive.

    “I am certain — certain! — that we will rise again on Avenue Poupelard,” he said. “The events of Jan. 12 destroyed hundreds of church buildings. But did they kill our churches? Ah, no. Au contraire. We don’t need roofs to pray. God is our cover.”

    Beyond the church, the survivalist spirit along the hard-hit Avenue Poupelard, which pulsed so brightly right after the earthquake, chugs along wearily. People are resourceful, the pastor said, “but they carry their losses inside like nagging sorrows.”

    Pastor Sylvert holds open-air services on property adjoining the church, and many are lured by the oversize speakers that blast his fiery preaching. But misery itself has been good for business, he said.

    “In moments like this, with destruction all around, with electoral crisis in the air, with cholera in the water, people have only God,” he said. “God is Haiti’s only uncorrupted leader.”

    Marie Claude Pierre

    Deep inside a maze of alleyways in the Eternal City slum, Ms. Pierre, 30, shyly welcomed visitors into the one-room shanty that she shares with a dozen relatives — but not with any of her children.

    Ms. Pierre’s oldest son, Fekens, 11, has been living at a Pittsburgh-area orphanage since a week after the earthquake, when he was plucked from Haiti aboard an orphan airliftengineered by Gov. Edward G. Rendell of Pennsylvania. As it turned out, several of the other children on that flight were not orphans, either, and did not have adoptive parents waiting for them.

    Images of the children’s landing in Pittsburgh were broadcast worldwide, but Ms. Pierre did not know Fekens was gone until days after he left. By the time she made her way through the disaster zone to the Bresma orphanage, where Fekens and the others had been staying, it was empty. When she finally learned why, what troubled her most, she said, was that Fekens must have been trying to reach the cellphone she had lost in the earthquake to say goodbye.

    A petite woman with tiny studs embedded in her front teeth, Ms. Pierre described herself as accepting without protest whatever life dealt her. Speaking softly in a shack dominated by a bookshelf cluttered with stuffed animals, she explained how she had first come to lose custody of Fekens — and her four other children.

    She and her ex-husband used to fight, she said, and she would flee, battered, to relatives’ homes. During one separation, her husband “made the decision to give away our children,” she said. She was granted no say, she said, but she imagined that their stay at Bresma, which she visited monthly, would be temporary.

    It was, although not in the way she had expected. Four of her children were adopted by a French family before the earthquake, according to the orphanage director, Margarette St. Fleur. Only Fekens, the oldest, remained at Bresma, and “Fekens wanted to be adopted, too,” Ms. St. Fleur said.

    When the earthquake struck, leaving the orphanage damaged but standing, two Pittsburgh-area women devoted to Bresma’s children sent out an urgent appeal for their rescue, which Governor Rendell answered.

    After the plane landed in Pittsburgh, the federal Department of Health and Human Services assumed legal custody of a dozen children, including Fekens, who were not in the midst of adoption proceedings. Then, in early December, the children were all cleared for adoption. Not long before that, Ms. Pierre said, Ms. St. Fleur had asked her to sign papers relinquishing her parental rights. She did.

    Ms. Pierre said that she missed her children. “I hope that one day they will return to visit me,” she said. She requested that a message be given to Fekens: “Tell him bonjour, bonsoir. Tell him to behave and not to make problems. Send him kisses.”

    Asked if that were all, she hesitated. “I know he is not working,” she said of her 11-year-old, “so I cannot ask him to wire me money.”

    Alain Villard

    A few days after the earthquake, Alain Villard, shaking his head, surveyed the tree-shaded property in Pétionville where his boutique hotel, Villa Thérèse, lay in ruins. Ten had died there, including four Haitian children and the foreign parents who were adopting them. Several bodies lay bundled in cloth, swarming with flies.

    Down in Carrefour, Mr. Villard’s large garment factory, Palm Apparel, had been flattened, and the death toll appeared to be in the hundreds. A worker’s putrefying corpse dangled out the window from which she had tried to leap to safety.

    At the time, talking 20 feet from the wrapped corpses, Mr. Villard, 42, had mused wistfully about how Haiti’s depressed economy had been poised for revitalization. Surely, he said, there must be a way to recapture that momentum.

    With most of Haiti paralyzed by the disaster, Mr. Villard rushed single-mindedly forward. Within a month, he had cleared the debris and human remains from his factory, which produces T-shirts for a Canadian apparel company, in time for a memorial service.

    It turned out that far fewer workers had been killed than originally estimated. Sixty-seven were mourned at the service, at the end of which Mr. Villard announced the factory’s reopening at 6:30 a.m. the following Monday, with double shifts operating in the surviving buildings.

    “I believe in manufacturing,” he said recently. “As a businessman under contract to a multinational company, I need to ship product. And the Haitian people need to work.”

    When he spoke, at a garden table on his deserted hotel property, Mr. Villard had just returned from a trip abroad to find the country shuttered because of political unrest. “2010 — the year that Haiti was pounded with headaches,” he said.

    He expects to open a new, more earthquake-proof factory on Jan. 12, and to break ground for the hotel’s reconstruction, too. Although it disappeared almost a year ago, Villa Thérèse is still ranked second of 25 hotels in Port-au-Prince on the Tripadvisor Web site — a sad commentary on Haiti’s tourism industry.

    But, Mr. Villard said: “You have to keep the faith. Under no circumstances would I have packed my bags and left Haiti like others did. Yes, I could go somewhere else that has nice, paved roads and electricity. But no country is perfect. And, hey, we’ve got mangos — organic mangos.”

    Daphne Joseph

    Daphne was deposited in January at the doorstep of an idealistic community organization called Frades, which specialized in microloans but accepted several dozen orphaned or stranded children because it seemed like the honorable thing to do.

    In the spring, a young woman with little connection to her — Daphne’s half-brother’s father’s girlfriend — showed up to claim her and moved her into a squalid tent city.

    Daphne, twisting her hands as she recounted her time there, said the woman used to beat her with a rough leather belt if she hesitated or refused to fetch water or empty the chamber pot. She longed to return to Frades, although the situation there was hardly ideal.

    By early summer, the children were sleeping on shredded carpet remnants atop a concrete slab under disintegrating tents. They faced imminent eviction. But, just when things were truly desperate, a group of concerned Americans, and especially one very generous donor, came to the rescue. The Americans helped the Haitian group rent a nice house on a walled property, hire cooks and teachers, secure a generator and stock treated water, provisions and toys.

    The Rev. Gerald Bataille, the children’s full-time guardian since January, organized a makeshift school and a household staff. The 13 boys share one bedroom with two beds, the 15 girls another. New backpacks hang, empty, on the walls. (“We don’t yet have books to put in them,” the pastor explained.)

    At mealtime, the children sit elbow to elbow on two long benches. After saying grace, they wave their little hands continuously over, say, their bowls of porridge to ward off the flies as they eat.

    Once the group had settled in, Pastor Bataille sought to have Daphne, who looked increasingly thin and hollow-eyed, returned to Frades. But the woman refused. So he searched for and located Daphne’s mother’s brother, an actual relative who was shattered by his sister’s death.

    “The uncle gave Daphne back to us until she reaches the age of maturity,” the pastor said, adding, “And since that day, he has not once come back to see how she is.”

    Daphne still has recurring nightmares and crying jags; she disappears into herself without warning. But she is devoted to her studies — an evaluation found her at a fourth-grade level — and she is loving to and loved by the other children.

    “They are like my brothers and sisters,” said Daphne, wearing a lacy headband and a “Cheerleader!” T-shirt. She added that she used to tell her mother that she dreamed of opening an orphanage someday for children who were not as lucky as her.

    “My mom would say: ‘Oh, you have big dreams. You will have to be a good girl — stay chaste and pray to God — to realize your goal,’ ” Daphne said. “My mom also used to say, ‘I will always be by your side.’ She is not. But goudou-goudou didn’t take away my dream.

     

     

    >via: http://www.nytimes.com/2011/01/04/world/americas/04haiti.html?_r=2&emc=et...

     

     

     

    OP-ED: Biracial Americans Are Increasingly 'Passing for Black'

    Passing for Black?

    A new study posits that black-white biracial adults are increasingly choosing, like President Obama, to emphasize their blackness. But in this country, "black" has always been a mongrel affair.