VIDEO: Billy Taylor Meets Les McCann - I Wish I Knew How It Would Feel To Be Free

http://www.billytaylorjazz.net presents Billy Taylor and Les McCann performing Billy's composition "I Wish I knew How It Would Feel To Be Free"

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Billy Taylor obituary

Jazz pianist who became the music's most articulate and widely heard advocate

Billy TaylorBilly Taylor in 2005. In the 1950s he played with top bebop names such as Charlie Parker and Dizzy Gillespie. Photograph: Mitsu Yasukawa/Corbis

Charles Seeger, father of the folk singer Pete Seeger, once told a revealing jazz story which he heard on a 1950s trip to a conference of musicologists. An eminent delegate confided to Seeger that he didn't hate jazz at all, in fact it was probably important and worthy of study – but he hated the tendency of the music's fans to treat their passion as if it were holy. Seeger suggested that maybe classical music admirers treat their preference as holy, too. "Ah," returned the musicologist, "but itis."

Although Billy Taylor, the jazz pianist, broadcaster and educator, who has died aged 89, campaigned tirelessly for jazz to be accorded the same respect as classical music, the one-time house pianist at New York's Birdland club was never tempted to turn jazz into holy writ. The warmth, openness and cultural breadth that informed his profound jazz knowledge was to make him widely regarded as the most respected jazz educator in the US. He was also one of the few jazz advocates to secure regular airtime on mainstream radio and television, notably as a cultural correspondent on CBS News's Sunday Morning programme, as musical director of David Frost's show between 1969 and 1972, and as host of the National Public Radio show Jazz Alive.

Taylor was an elegant swing pianist in a style raised on the panache of Teddy Wilson and later inflected by bebop, but after the 1960s, his devotion to education increasingly occupied him. He spread the word through constant lecturing, writing and persuasive service on arts and education advisory boards. But most imaginatively, he brought the jazz legends of his youth to 1960s street corners and ghetto schoolrooms with his Jazzmobile project. The name of Duke Ellington might not mean much to a young James Brown fan, Taylor told the New York Times in 1971, but "when he's seen him on 127th Street", it becomes a different matter.

Taylor was born in Greenville, North Carolina. His father, William, was a dentist, his mother, Antoinette, a schoolteacher. Raised in Washington, he took his first piano lesson at the age of seven – then a jazz-loving uncle introduced him to the music of Fats Waller and Teddy Wilson.

He went on to study music at Virginia State College (now University), in Petersburg, playing professionally in the evenings and graduating in 1942. By 1944, he was active in the New York clubs, working with the saxophonist Ben Webster and the bop trumpet pioneer Dizzy Gillespie, and in the next two years he freelanced extensively, including work with the violinist Stuff Smith and a European tour with the composer/arranger Don Redman.

In the early 50s, he played Latin jazz with the bandleader Machito, led a backing band for the clarinettist Artie Shaw, and played alongside the bassist Charles Mingus, the drummer Art Blakey and others, in the Birdland house trio. During that period, he worked with the biggest names in bebop, including Charlie Parker, Gillespie, Lee Konitz and Gerry Mulligan.

But the proselytising Taylor wanted access to levers of cultural power rarely available to jazz artists in the 1950s. He wrote a series of piano primers, began lecturing, wrote articles for DownBeat and Saturday Review, and delivered a long series of piano-illustrated jazz lectures at the Metropolitan Museum of Art. He programmed the NBC TV show The Subject Is Jazz from 1958 and in 1965 launched Jazzmobile to bring the music directly to a young black audience increasingly indifferent to jazz.

Taylor and the lyricist Dick Dallas also wrote a seminal song for the civil rights movement, I Wish I Knew How It Would Feel to Be Free, debuted by Nina Simone in 1967. Taylor was to write more than 300 compositions, ranging from that song to ensemble pieces such as Suite for Jazz Piano and Orchestra (1973).

He was host of the Jazz Alive radio show throughout the 1970s, and of Billy Taylor's Jazz at the Kennedy Center in the 90s – shows with an informal mix of erudition and populism. From 1980 he was active in a campaign for greater jazz support from the National Endowment for the Arts, and won one of its prizes, a Jazz Masters, in 1988. He was a cultural representative for the US in the Soviet Union in 1987-88, and founded his own record label, Taylor Made.

Many Taylor sessions are unavailable, but his drive and lyricism at the keyboard received wider recognition in the 1990s with a sparky series of recordings, including a vivacious bebop get-together with Mulligan on Live at MCG (1993). In 1994 his career was celebrated at Carnegie Hall, New York, in Billy Taylor: My First 50 Years in Jazz. For his 75th year in 1996, he played a solo session on Ten Fingers – One Voice.

Taylor is survived by his wife, Theodora, and his daughter, Kim. A son, Duane, died in 1988.

• William Edward Taylor, jazz pianist and educator, born 24 July 1921; died 28 December 2010

 

 


VIDEO: "Sharon Stone in Abuja"-The Art of Nollywood > Africa Unchained

"Sharon Stone in Abuja"-The Art of Nollywood

CNN reports:

Artist Talk with Zina Saro-Wiwa, Moderated by Claudia Calirman from Location One on Vimeo.
A group of artists is bringing Nigerian movie making to a new audience with a New York exhibition paying tribute to the "Nollywood" film industry.The exhibition is called "Sharon Stone in Abuja," after a 2003 Nollywood film, and is taking place at Location One gallery in the Soho district of New York.Its creator, Zina Saro-Wiwa, a Nigerian-British artist and filmmaker, said: "Sharon Stone in Abuja pays homage to Nollywood. It looks at Nollywood narrative conventions and explores African emotional landscape."

 

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Exhibition shows off the art of Nollywood

From Isha Sesay, CNN
December 23, 2010 -- Updated 1526 GMT (2326 HKT)

STORY HIGHLIGHTS
  • Exhibition pays homage to Nollywood style
  • It includes photographs, film and installations
  • Nigerian film industry produces hundreds of low-budget films a year

New York (CNN) -- A group of artists is bringing Nigerian movie making to a new audience with a New York exhibition paying tribute to the "Nollywood" film industry.

The exhibition is called "Sharon Stone in Abuja," after a 2003 Nollywood film, and is taking place at Location One gallery in the Soho district of New York.

Its creator, Zina Saro-Wiwa, a Nigerian-British artist and filmmaker, said: "Sharon Stone in Abuja pays homage to Nollywood. It looks at Nollywood narrative conventions and explores African emotional landscape."

The exhibition contains striking photographs and films inspired by the themes and style of Nollywood, and includes an installation of a living room decked out in Nollywood style.

Saro-Wiwa, who created the living room with New York based artist Mickalene Thomas, described the living room as the "ultimate Nollywood landscape."

She said: "Living rooms are very important in Nollywood. A lot of the action takes place in the living room and it's consumed there because Nollywood is a straight-to-video form."

The living room has photographs on the walls and Nollywood films playing on a flat-screen television. The photographs are called "Two Wives," by Thomas, and show two fictional wives of one Nigerian "oga," or big man. One is the first wife, and the other a house-girl, recently elevated to wifely status.

Visitors are invited to sit on the sofas and "feel at home."

Saro-Wiwa pointed out that the living room contained imported plastic furnishings, flat lighting and a conspicuous lack of "African objects."

She added: "It has a relationship with the look and feel of Nollywood, which is synthetic and plastic but aspirational at the same time."

Inside Africa: 'New Nigeria Cinema' sparks Nollywood renaissance

Another exhibit, called "Dancing Hearts, Hidden Tears," by Saro-Wiwa, is a wallpaper consisting of up to 1,000 Nollywood film titles.

Saro-Wiwa said: "I think Nollywood film titles are what I love most about the film industry."

It looks at Nollywood narrative conventions and explores African emotional landscape.
--Zina Saro-Wiwa, artist and filmmaker

UNESCO reported last year that Nollywood had overtaken Hollywood and was second only to Mumbai's Bollywood in terms of number of films produced a year.

It said that in 2006, Nollywood produced 872 feature length films, all in video format, while India produced 1,091 and the United States 485.

Inside Africa: Stars shine at African Oscars

The exhibition also contains a three-minute film about protest and dissent called "Shoe Shoe," by Kenyan artist Wangechi Mutu, showing a destitute figure hurling shoes in the direction of the camera.

Saro-Wiwa said the exhibition had been popular with both Africans and those unfamiliar with Nollywood.

She said: "People love it. I'm really touched by people's response to it, even if some of the ideas are a bit challenging."

She added: "I think the main response is that people have never seen Nigeria or Nollywood or Africa represented in this way.

"I think the way the show is done is not typical of how African shows are done. Even this idea of the emotional landscape of Africa -- that's not really been tackled before."

"Sharon Stone in Abuja" runs at Location One until January 22.

Catriona Davies contributed to this report.

 

 

 

PUB: Iowa Review Awards in fiction, poetry, and nonfiction

The Iowa Review Awards, a contest offering $1,000 prizes in fiction, poetry, and nonfiction, announces that its 2011 judges will be Allan Gurganus, Claudia Rankine, and Patricia Hampl. The deadline is January 31, 2011. 

The Iowa Review holds a yearly writing contest in Poetry, Fiction, and Nonfiction. Judges for the 2011 contest will be Claudia Rankine (poetry), Allan Gurganus (fiction), and Patricia Hampl (nonfiction). Winners receive $1,000; first runners-up receive $500. Winners and runners-up are published in our December 2011 issue.


Rules

Submit up to 25 pages of prose (double-spaced) or 10 pages of poetry (one poem or several, but no more than one poem per page). Work must be previously unpublished. Simultaneous submissions are fine assuming you inform us of acceptance elsewhere.

Judges will select winners from a group of finalists chosen by Iowa Review editors. All manuscripts, whether selected as finalists or not, are considered for publication.

Manuscripts must include a cover page listing your name, address, e-mail address and/or telephone number, and the title of each work, but your name should not appear on the manuscript itself.

Enclose a $20 entry fee (checks payable to The Iowa Review). Enclose an additional $10 for a yearlong subscription to the magazine.

Label your envelope as a contest entry, for example "Contest: Fiction." One entry per envelope.

Postmark submissions between January 1 and January 31, 2011.

Enclose a SASE for final word on your work. Manuscripts will not be returned.


Eligibility and Conflicts of Interest

Current students, faculty, or staff of the University of Iowa are not eligible to enter the contest.

Judges are instructed not to award the prize to entrants with whom they have had a personal or professional relationship. Despite reading the entries with author names removed, judges may sometimes be able to guess the identity of the entrant. Even if they can’t tell during the judging process, they have the right to change their decision if it turns out that the entrant is someone with whom there is any appearance of conflict of interest. Therefore, we advise entrants not to enter the contest if the judge is someone they know personally or have worked with professionally.


PUB: One Tight Write: Our contest for December and beyond

One Tight Write: Our contest for December and beyond

No need to be idle while the three finalists duke it our for the rodent.  The Divine Ms M, Mari Maiko and that pirate fellow Brian Harrison have their hands full, but you can get started on our new contest right now.

Your prompt?  “A Little Secret”

Everybody’s got one.  What’s yours?  Or the one you were supposed to keep secret but couldn’t?  Or the one you thought was secret, but wasn’t?  Or the consequences when a secret was revealed?  Up to you.

But what isn’t a secret are the rules:  You must tell your story in EXACTLY a hundred words, no more, no less, as measured by microsoft word.

You can have up to three entries, and they must be sent as a separate word document (not docx).  Each entry will include the word count (excluding title and author info), and each entry must be titled and include the author’s name and email address.  Send them to thorn@awordwithyoupress.com.

By submitting an entry, you are authorizing us to publish your entry on our website.

Entries must be received no later than midnight, January 15th 2011, Californian time.

And the winner gets a buck a word!  We are pleased to announce that one of our new writers in the neighborhood, photojournalist Ron Chatham, has offered to sponsor this contest, so that the editor-in-chief can have more money to spend on the usual vices.  We will tell you more about Ron over the course of the contest, and invite you to the book-read we are holding for him at hq on January 9th.

But in the meantime, let’s see your one hundred words.  I mean, com’on.  How hard can it be?

How hard can it be?

That’s our little secret, which this exercise will undoubtedly expose.

Cheers!

 

PUB: The David T.K. Wong Fellowship - University of East Anglia (UEA)

University of East Anglia

The David T.K. Wong Fellowship

The David T. K. Wong Fellowship is a unique and generous annual award of £26,000 to enable a fiction writer who wants to write in English about the Far East to spend a year in the UK, at the University of East Anglia in Norwich.

The Fellowship is named for its sponsor Mr. David Wong, a retired Hong Kong businessman, who has also been a teacher, journalist and senior civil servant, and is a writer of short stories himself. The Fellowship was launched in 1997 and the first Fellow appointed from 1st October 1998.

The Fellow joins a community of writers founded by Sir Angus Wilson and Sir Malcolm Bradbury in 1971.  Among our graduates are:  Tash Aw, Trezza Azzopardi, Martyn Bedford, John Boyne, Tracy Chevalier, Andrew Cowan, Diana Evans, Sue Fletcher, Kathryn Hughes, Kazuo Ishiguro, Toby Litt, Ian McEwan and Owen Sheers. 

Previous David T.K. Wong Fellows: Po Wah Lam (1998), José Dalisay (1999), Simone Lazaroo (2000), Liisa Laing (2001), Wendy Law-Yone (2002), Lakambini Sitoy (2003), Rattawut Lapcharoensap (2004), Linh Dinh (2005), Mulaika Hijjas (2006), Balli Jaswal (2007), Nam Le (2008) and Hanh Hoang (2009).

         Please note: if applicatable, the successful applicant will need to meet the UK Border Agency's requirements. 
         Please visit their website at:  http://www.ukvisas.gov.uk/en/howtoapply/infs/inf27pbstempworker in order to ensure that you are able to score the 
         requisite number of points in order to apply for entry clearance. This only applies to individuals currently living outside the UK and requiring a
         certificate of sponsorship.




 

 


Official David T.K. Wong website with information about David T.K.Wong and his writing; includes downloadable content from his Hong Kong Stories.


Podcasts

February 2010: David Wong speaks about this collection of short stories and what the David T K Wong Fellowship in Creative Writing at the University of East Anglia in the UK is all about. Download the file in MP3 format here.
 

Fellowship Award 2010/11 

Cab Tran is the 2010/11 David T. K. Wong Fellow.  He was born in 1978 in the village of Vam Cong in Vietnam.  As part of the diaspora following the war, he left at eighteen months with his father and pregnant mother (his brother was born en route to the United States). Cab spent his childhood in rural Oregon, where his parents still work in a potato factory.  In 1997 he pursued a secondary education at the University of Montana, but discontinued his studies after six years to focus on other non-academic interests.

Cab has recently been published in Black Warrior Review and 580 Split. He plans to use his time in Norwich, England to finish a collection of short fiction that deals with themes of a transcendental nature: of love, death, and astonishment.

 

HAITI: Deland Déralciné « Heart of Haiti

Deland Déralciné

December 31, 2010

 by Joegodson Déralciné and Paul Jackson

We find ourselves confronting death this holiday season. Paul’s father died on Christmas morning; Joegodson’s died last night. He was forty-eight years old. Today, we think it right to pay a small tribute to Deland, Joegodson’s dad, in the context of the situation that his country faces … now, without him. We wrote about his growing despair several months ago and about his illness from time to time to time more recently.

Deland shortly after the earthquake, in his home and office in Simon, Cite Soleil.

Deland was a peasant who migrated to Port-au-Prince as Haitians were rising up to take their country from the clutches of Jean-Claude Duvalier in the 1980s. That son of a tyrant had capitulated to American pressure, offering the new impoverished urban class to multinational corporations looking for captive workers. They were the right colour and the right distance from the land of the free. The contemporary documentary Bitter Cane offers a painfully lucid analysis, in their own words, of the new American managers and the angry Haitian workers. Global neoliberalism has deepened that process. Now, Canadian and American politicians promise jobs at home while they facilitate, in the interests of multinational businesses, the exportation of everything that can be done by the world’s new working classes. Technology, that some think will save mankind from disaster, is continuing along a long-established path of deskilling and displacing workers. Technology is in the service of the powerful who work to consolidate their gains and protect against losses. The cards were stacked against Deland from the moment he arrived in Port-au-Prince from Saut d’Eau, but he never capitulated. We both loved and respected him, as a friend and as a son.

Deland was a tailor. Twenty years ago, he entered the factories at the SONAPI Industrial Park where a number of his neighbours worked. Abused as a worker, he was soon disabused of the notion that the foreign assembly plants might offer a future for his children. They were then, and they remain today, foreign to Haiti. Their presence represents the subjugation of Haitians to other interests, other economies. They are a constant humiliation. Deland saw that his children could not develop Haiti – and grow as Haitians – while submitting as the underpaid, overworked, and entirely-abused working class in the global economy.

Here we take a moment to communicate what we see as our raison d’etre. Who speaks for Haiti? How does the voice of Paul Farmer, (let alone Bill and Hilary Clinton!) who has inexplicably and irrationally surrendered to the ‘need’ to enslave Haitians in perpetuity to the global economy, drown out that of Deland, whose children, and whose children’s children, will be living with the consequences of that capitulation? Deland never gave in. But he suffered through insufferable despair since the earthquake.

Deland was synonymous with dignity in his neighbourhood of Simon in Cite Soleil. He was quiet, humble, and a peacemaker. He refused the indignities that those who claimed power attempted to impose upon him, his neighbours, and his family. His mind worked incessantly, looking for the paths that might lead his children to a decent life, a stronger community, and a better Haiti. We both sat with him in the past as he explored different possibilities for the future. Last year, before the earthquake, Deland used some money he had saved from his tailoring business to buy a refrigerator. He bought sachets of water that he froze and that his youngest son resold at a small profit. However, the flow of electricity was erratic and insufficient to freeze, and keep frozen, small sachets of water. As always, Deland simply accepted the defeat and started over. It was only one of many efforts. He never stopped searching for the paths that might lead to a liveable future for his children.

 

Deland in June with some of his family in front of what is left of the family home and business.

The earthquake did not initially change Deland’s optimism. He convinced us to tell the donors outside of Haiti that his neighbourhood was on the edge of disaster. Surely, he thought, people just didn’t know. We tried but failed to affect any change. Meanwhile, his tiny house was overwhelmed by people who came to live with him, relying on his kindness and ability to cope with everything that life demanded of him. When his daughters and niece became pregnant, he understood that the demands were multiplying. We described how Deland was increasingly discouraged to find that all the paths to the future were blocked. He could see no way forward for his children.

Then, thieves entered what was left of his house and stole all of his tailoring equipment. They stole his past and his future. It was incomprehensible to him. We felt the pain – and saw no way to relieve it. Soon after, his vulnerable body came down with malaria and typhoid. He had no more resources to fight. But it took much more than an earthquake to do that. Deland was left with all roads blocked – from the past and to the future. The present was unliveable. It was beyond painful to see this happen.

Joegodson took Deland to Bon Repos to recover. He stayed there with his niece, who took care of him as well as she could. Over the last couple of months, whenever Joegodson could earn a few dollars, he would jump on a taptap and visit Deland in Bon Repos, handing his cousin enough to buy some food. Deland was consuming only broth by this time.

During those last visits, Joegodson recognized that his father had lost hope. Moreover, he was imprisoned in a twice-diseased body that had always sought a decent world for his children. When he no longer believed that such a future existed, he lost his reason to live. During their last times together, Joegodson sat with Deland and, together, they prayed to God. It was the only thing that softened their pain. Deland believed that the world was corrupt beyond his ability to challenge it in peace. And that was the only way that he was willing to act. They prayed together that God might help them see how to act in the face of the evil that controls the world.

Deland died loving his children and God and hating the world.

Although Deland could not muster the strength to continue, he was still proud that his son was trying to find the paths that he no longer had the strength to pursue. Several weeks ago, Joegodson received a gift from a sympathetic Canadian (Roger Annis of CHAN). He decided to invest it in a printer, although it could easily have disappeared just in addressing the survival needs of his siblings, pregnant wife Antonia, friends (for instance) and dying father. Joegodson told Deland that he would use his new printer to make copies for some local teachers, his friends: exams, assignments, etc. Perhaps he would be able to realize a small revenue that might be added to other sources of income to build some kind of future. Deland was very happy. He told Joegodson that it sounded like a great idea. Joegodson told him of our work together and of our goal to communicate an intimate and detailed account of life in the poor communities of Haiti. We see this goal as uncovering the truth: asking every question we can about the situation that we all face. Deland gave us his blessing.

We think that Deland’s voice always should have been heeded first in relation to the past, present, and future of his community. The Delands of Haiti are consistently overlooked as though they have not the authority to speak for themselves. That is an indignity endemic in the world that comments on the Haitian situation. We think that it is a perversion beyond description that those people who have blocked every path that might have led Deland to a decent future are granted a platform and the power to impose their will. And so we won’t let Deland die in silence.

This morning, Deland’s children pooled their resources and had, altogether, a handful of change. The girls, with their new babies, are stunned that their father is gone. They need to think and to think fast. They now have to find the paths to their futures without Deland’s advice and encouragement.

If anyone has a few dollars to spare for them, the Western Union offices would be only too happy to take a cut and send the rest to Port-au-Prince. The children want to bury their father.

Contact us at keayiti@yahoo.ca.

 

INTERVIEW: Siddharth Kara - the modern slave trade is booming

…the modern slave trade is booming. More than 27 million people are enslaved around the world, doing work for no pay as prostitutes, farm laborers, factory workers, or domestic servants…advocates believe the pace of enslavement has increased during the past two decades as the price of slaves has decreased—pushed along by globalization, higher poverty levels, and crumbling national borders.

 

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Q&A

Slavery, the bottom line

If we want to stop slavery, argues Siddharth Kara, we need to treat it as a business

By Katie BaconDecember 12, 2010

While it’s tempting to think of slavery as existing only in history books, the modern slave trade is booming. More than 27 million people are enslaved around the world, doing work for no pay as prostitutes, farm laborers, factory workers, or domestic servants, according to the advocacy group Free the Slaves. In fact, advocates believe the pace of enslavement has increased during the past two decades as the price of slaves has decreased — pushed along by globalization, higher poverty levels, and crumbling national borders.Yahoo! Buzz

Author Siddharth KaraAuthor Siddharth Kara

A decade ago, Siddharth Kara, a former investment banker with a law degree and an MBA, had an insight: Slavery was primarily a business, and no one had done a comprehensive, strategic analysis of how that business worked. So he set out to understand the inner workings of the business models for three broad categories of slavery: human trafficking, forced labor, and bonded labor. He has visited 20 countries and interviewed more than a thousand current or former slaves, finding them in tea fields in Bangladesh, carpet factories in India, sex clubs in Moldova, and massage parlors in the United States.

He’s writing a series of three books on the subject; the first, “Sex Trafficking: Inside the Business of Modern Slavery,” came out last year. Modern sex trafficking, Kara concluded, is one of the most profitable businesses there is: He calculates its average profit margin at 70 percent. (By way of comparison, a top-performing company likeGoogle has a profit margin of under 30 percent.) Traditionally, sex trafficking has been treated as a human-rights issue, and fought by addressing the poverty and gender inequality that make people vulnerable to being enslaved in the first place. But Kara believes that an economic approach is the most efficient way to undermine the industry.

Kara will soon bring his approach to the Kennedy School, where he’s helping to build a think tank on slavery and human trafficking, and where he spoke earlier this month at a film forum on human rights and sex trafficking. This interview was condensed from two separate conversations with Ideas.

IDEAS: Why is sex trafficking best fought as a business?

KARA: Contemporary forms of slavery...all function on a simple economic premise: maximize profit by minimizing or eliminating the cost of labor.

IDEAS: So what’s the business model?

KARA: The business model contains three essential steps: acquisition, movement, and exploitation. Sex trafficking is probably the most profitable form of slavery the world has ever seen, in that you can acquire or transport someone for a few hundred dollars, maybe a couple thousand dollars, and generate tens of thousands, if not hundreds of thousands....That’s the essential functioning and logic of the business model: low cost and risk to transport the slave, and immense profitability on the exploitation side.

 

IDEAS: What is the difference between this and typical prostitution?

KARA: Some people will argue that the difference is very slim. But in general you could construe sex trafficking as the profit-maximizing version of prostitution.

IDEAS: If it’s an international trade, what are the trade routes?

KARA: I’ve tracked down...routes from Central and Eastern Europe into Western Europe but via North Africa, and...throughout South Asia into India and vice versa. Literally you can’t find anyplace that isn’t connected to another in terms of contemporary human trafficking. And they’re increasingly sophisticated: multiple stops in multiple countries, as these organized crime groups further evolve the modes and means through which they can move and exploit human beings.

IDEAS: How do you go about disrupting the business?

KARA: The minute [you] pull someone out of a sex slave condition, [you’ve] cut off all future cash flows. In terms of a sex slave it’s 10, 15, 20, transactions a day, a week, a month, year after year. You’ve got to pull people out, care for them...and then prosecute and convict effectively. That means several things: fast track courts, judicial review, and an economic penalty regime that makes it uneconomic to be in this business. If you start to alter the landscape, then the perception by the offender is: This business doesn’t pay. Right now the perception is: Huge profit, almost no risk, I’m there. This is about money: It’s not cruelty for the sake of cruelty. I’ve met traffickers. Some of them are just mundane opportunists.

IDEAS: What about the customer side? How do you reduce demand?

KARA: Depending on which country you’re in, it takes 1.5 to 2 hours of work at that country’s per capita income to purchase 1 hour of sex from a sex slave. So you ask yourself, How many males will trade in 1.5 hours of salary to purchase sex? A huge number. If we were to revert back to where prices were a decade ago, by putting more cost and risk into the system...you [would] see a massive decrease in demand, because you’ve priced out of the market those low-wage consumers — like day laborers, taxi drivers, and tuk tuk drivers — who are now in the market.

IDEAS: Have you seen this kind of business-focused approach work against other crimes?

KARA: There’s no easy analogue to this crime. On the side of the offender, human sex trafficking is a very economically driven crime, but it’s also the aggregate of some of our most barbaric criminal offenses: rape, torture, abduction, battery, assault, administering noxious substances, homicide. The fact that the penalties for the crime of sex trafficking are largely less than the penalties against some of these individual components is mystifying. At many levels we still haven’t grasped how this crime works, as an offense against a human being and as a business. And this is why the design of our responses has been severely lacking.

IDEAS: Should we shift resources away from more traditional ways of fighting the trade, such as alleviating poverty or fighting gender discrimination?

KARA: I don’t think so. I’ve run the numbers and my plan would probably cost about $400 million a year, and I think we should probably do this for at least 10 years. This is leveraging what’s already in place and what’s already being done. The resources are out there. It’s just a matter of priority.

IDEAS: What will it take to bring that kind of focus on the problem?

KARA: What the field needs is what other human-rights fields have:...highly trained economists, legal scholars, sociologists and anthropologists, experts in gender, child rights, et cetera, deploying their minds in a dedicated way to this issue. I think that’s starting to happen.

Katie Bacon, a journalist and editor based in the Boston area, has written for The New York Times, TheAtlantic.com, and other publications. 

 

 

 

WIKILEAKS: Why EL PAÍS chose to publish the leaks · ELPAÍS.com in English - a detailed explanation

Editor Javier Moreno explains the decision to publish the State Department cables, which expose on an unprecedented scale the extent to which Western leaders lie to their electorates

JAVIER MORENO  23/12/2010

La noticia en otros webs

 

 

1. The leak and its consequences. When WikiLeaks founder Julian Assange called my cellphone on a Friday afternoon in November, I could barely hear him. The conversation, held amid the usual tumult of Rome's airport on a weekend, was strangely short. Assange talked slowly, making sure to pronounce each word carefully, his deep, almost baritone voice, reducing itself almost to a whisper at the end of each sentence. A few moments before the conversation, I had noticed how the Italian police seemed particularly interested in the little luggage that I was carrying, and that as the phone had rung, they were examining the cloth that I had used to wipe the screen of my iPad. Were they looking for drugs, or explosives, or both?

=============================

The powerful machinery of the state is designed to suppress the flow of truth and keep secrets secret

It may yet emerge that the US Embassy in Madrid broke the law in pursuing its interests

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Assange, as far as I could tell at that time, was willing to give EL PAÍS access to 250,000 cablegrams sent between the US State Department and its embassies in around 30 countries, garnered as a result of the largest leak of secret documents in history. When we talked again, two days later, this time in much greater depth, the full magnitude of the undertaking that has become known as "cablegate" began to make itself clear. At the same time, I began to realize the repercussions that publishing the material would have on US foreign policy, as well as on the reputation of the US government; that of its allies; its enemies; for the future of journalism; and on the debate regarding freedom of information in Western democracies.

Nearly a month after The Guardian, The New York Times, Le Monde, Der Spiegel, and EL PAÍS began publishing the leaked information, we can draw at least one initial conclusion. Rather than sparking an acute state of supranational security crisis, as predicted by some observers, Washington and Europe's political elites have reacted with a mixture of irritation and embarrassed annoyance that is extremely informative as to the true scope and meaning of the WikiLeaks documents.

Before a single line had been published, there had been a barrage of public and private admonishment, with grave warnings emanating from Washington about irresponsibility and illegality. Editors involved in the project were told that publishing the material in our power - both the stories written by our reporters and the cables they were based on - would endanger dozens of lives, ruin diplomatic efforts in the fight against global terrorism and irrevocably weaken the international coalition led by the United States by exposing its allies to such embarrassing situations that it would hinder or prevent future cooperation.

I was far from surprised when US President Barack Obama described the leaks as deplorable, and much less when Secretary of State Hillary Clinton repeated his condemnation, using almost the same words, at the press conference she held in Washington to condemn WikiLeaks and express her regret at the decision by the five newspapers concerned to ignore the pleas of her government not to publish. What the material soon revealed confirmed the State Department's worst fears, and triggered bitter complaints by diplomats worldwide. Not only were reprehensible actions and orders exposed; the cables also provided ample evidence of the doublespeak engaged in by Washington's allies on a range of topics.

2. America, just doing its job. I don't have the details at hand right now, but it seems clear that the US Administration soon concluded that its initial strategy of condemning the publication of confidential information and predicting diplomatic apocalypse, was not having the desired result. So a new, very different strategy was crafted that soon found its way into countless editorials and opinion pieces in major newspapers, magazines and television networks in the US and elsewhere.

This new spin, endorsed mainly by conservative media outlets, showed that rather than being duplicitous, US diplomats are unafraid to criticize the governments of the countries they are based in, and highly skilled at dealing with wily foreign leaders.

Rather than showcasing Washington's failures, the leaked cables show that in private, officials actually live up to the same high-minded principles proclaimed in public. In short, the United States shows greater regard for international security than for its own interests.

In the case of Spain, the homegrown version of this spin in much of the media was that the leaked cables are of little value, telling us nothing that we didn't already know, and thus not worth reporting on. This approach was picked up on by radio and television commentators and chat shows, where journalists would sit around dismissing the content of the cables, playing down their likely impact, and ignoring, either through sheer laziness - or for political reasons - the mounting tide of interest that the leaked documents were creating both at home and around the world.

3. Lying to the people. But as we know, millions of readers of newspapers, websites, blogs, and other media around the planet have taken a keen interest in the cables. I believe that the global interest sparked by the WikiLeaks papers is mainly due to the simple but very powerful fact that they conclusively reveal the extent to which politicians in the advanced Western democracies have been lying to their citizens. The same could obviously be said of less democratic governments in other parts of the world, and would surprise nobody, but that would be the subject of a whole new essay.

That said, it is sufficient to illustrate the point by noting the response from the regime in Cuba, which at first was jubilant at the embarrassing situation that the United States now found itself in. But that sense of jubilation quickly faded as the published cables revealed the extent of Havana's undercover involvement in Venezuela and other Latin American countries, as well as the degree to which the Caribbean island's economy had deteriorated. Finally, the Cuban authorities complained to EL PAÍS, even resorting to insults.

By releasing the US State Department cables, WikiLeaks has opened a very large can of worms indeed, and there is not enough space here to go into details. But for the purposes of my argument here, it is necessary to mention those that directly affect the democratic principles that our societies are supposedly built on. There is also the question of what might be called the moral collateral damage that the leaks have created, and that comes at a time of growing skepticism on the part of the electorate about what our governments get up to, supposedly in our name.

Tens of thousands of soldiers are fighting a war in Afghanistan that their respective leaders know is not winnable. Tens of thousands of soldiers are shoring up a government known around the world to be corrupt, but which is tolerated by those who sent the soldiers there in the first place. The WikiLeaks cables show that none of the Western powers believes that Afghanistan can become a credible nation in the medium term, and much less become a viable democracy, despite the stated aims of those whose soldiers are fighting and dying there. Few people have been surprised to learn that the Afghan president has been salting away millions of dollars in overseas aid in foreign bank accounts with the full cognizance of his patrons.

Meanwhile, next door, Pakistan is awash with corruption as well. It also has a decaying nuclear arsenal that is a major security risk. The country funds terrorist activity against its neighbor India and many countries in the West.

Money from Saudi Arabia and the Gulf emirates is also used to fund Sunni terrorist groups; but as these governments are allies of the United States, Washington prefers to remain silent, excluding them from its list of sponsors of terrorism or those belonging to what the Bush regime dubbed "the axis of evil." Clinton, or one of her direct subordinates, gave the order to carry out espionage within the United Nations, and not just on representatives of so-called rogue states, but on the UN secretary general himself. In turn, he has so far failed to demand an explication for this flagrant breach of international law.

We may have suspected our governments of underhand dealings, but we did not have the proof that WikiLeaks has provided. We now know that our governments were aware of the situations mentioned above, and, what is more, they have hidden the facts from us. I no longer think that commentators such as John Naughton were exaggerating when they compared the Karzai regime in Afghanistan with the corrupt and incompetent puppet government that the United States put in place in South Vietnam in the 1960s and 1970s. By the same token, Washington and NATO are seemingly becoming increasingly mired in a campaign bearing uncomfortable parallels with the war in Vietnam.

4. The incompetence of political elites. Cynics will argue that none of what we have learned from WikiLeaks differs from the usual way in which high-level international politics is conducted, and that without diplomatic secrets, the world would be even less manageable and more dangerous for everyone. Political classes on both sides of the Atlantic convey a simple message that is tailored to their advantage: trust us, don't try to reveal our secrets; in exchange, we offer you security.

But just how much security do they really offer in exchange for this moral blackmail? Little or none, since we face the sad paradox that this is the same political elite that was incapable of properly supervising the international financial system, whose implosion triggered the biggest crisis since 1929, ruining entire countries and condemning millions of workers to unemployment and poverty. These are the same people responsible for the deteriorating quality of life of their populations, the uncertain future of the euro, the lack of a viable European project and the global governance crisis that has gripped the world in recent years, and which elites in Washington and Brussels are not oblivious to. I doubt that keeping embassy secrets under wraps is any kind of guarantee of better diplomacy or that such an approach offers us better answers to the problems we face.

The incompetence of Western governments, and their inability to deal with the economic crisis, climate change, corruption, or the illegal war in Iraq and other countries has been eloquently exposed in recent years. Now, thanks to WikiLeaks, we also know that our leaders are all too aware of their shameful fallibility, and that it is only thanks to the inertia of the machinery of power that they have been able to fulfill their democratic responsibility and answer to the electorate.

The powerful machinery of state is designed to suppress the flow of truth and to keep secrets secret. We have seen in recent weeks how that machine has been put into action to try to limit the damage caused by the WikiLeaks revelations.

Given the damage they have suffered at the hands of WikiLeaks, it is not hard to see why the United States and other Western governments have been unable to resist the temptation of focusing attention on Julian Assange. He seems an easy enough target, and so they have sought to question his motivation and the way that WikiLeaks works. They have also sought to question why five major news organizations with prestigious international reputations agreed to collaborate with Assange and his organization. These are reasonable questions, and they have all been answered satisfactorily over the last four weeks, despite the pressure put on us by government, and worse still, by many of our colleagues in the media.

5. Assange and working procedures. Two senior journalists from EL PAÍS met with Assange in Switzerland on several occasions, but I have only met him once, although I have spoken to him on the telephone several times. Those conversations were limited to establishing a timetable for publication of the leaked documents, and to agree on measures to protect the lives of people who might face the death sentence, or were operating in countries where there were no legal guarantees.

It is also important to establish that at no time did Assange ask for money in return for providing access to the leaked documents, nor would EL PAÍS have agreed to such terms. The documents' reliability are beyond question, and nobody - not even opponents of their publication - have questioned their authenticity. The obstinate focus on Assange and his methods, the scrutiny of his motivations, and the repeated attempts to destroy his personal reputation all reflect the colossal lack of respect that US diplomats show for the laws, rules and procedures in the countries where they carry out their missions - beginning with Spain, if the published cables are anything to go by.

We must not lose sight of the fact that the important thing about the WikiLeaks revelations are the revelations themselves, despite the media choosing to focus a substantial amount of its coverage on supposed shady deals that the newspapers involved have cut with Assange; on the way that WikiLeaks is financed; the organization's alleged lack of transparency; and, worse still, on the allegations of sexual impropriety on his part.

Leaving aside the debate about the future of journalism and new technology in the WikiLeaks age, there is no doubting that the information made available by the whistleblower site is of paramount interest, despite the efforts of governments to hide or ignore the damage that they have caused. For example, after three weeks of revelations, it is now abundantly clear that the US Embassy in Madrid pressured, conspired, and did everything in its power to achieve goals that no ambassador would ever have dared suggest in public, much less insist upon.

Even the least attentive observer cannot fail to be shocked by the maneuvers to shut down three investigations by the High Court that affected the United States, or by the efforts to force Spanish companies and banks to cease trading with Iran, even though they were acting within the boundaries of international law.

Fortunately, Spain's judges are fiercely independent - as the US ambassador bitterly pointed out on more than one occasion. By the same token, this country's business and financial community knew that it was not breaking international law by trading with Iran. Nevertheless, the US Embassy exercised obscene pressure in a bid to achieve its aims, as the leaked documents published by EL PAÍS show.

6. A question of ethics. I don't know who gave the order. I don't know if came directly from Washington, or if the US ambassador came up with the idea himself. But it is clear from the cables that the US Embassy in Madrid was determined to stop Spanish companies from doing business with Iran. To this end, the Embassy did not hesitate to employ whatever method it deemed necessary, with no heed to the potential costs. And those costs were high. It was equally aggressive in trying to derail Spanish judicial inquiries into torture at Guantánamo, the CIA's kidnapping of suspected Islamic militants, and the killing by US troops in Iraq of a Spanish cameraman in 2003.

It may yet emerge that the US Embassy broke the law in pursuing its country's perceived interests. But in any event, what the WikiLeaks cables show is an all-too close relationship between the US Embassy, Spanish government and judicial officials that can only be a threat to the democratic health of this country.

We have also seen how US diplomats in Berlin warned the German government of the serious consequences of bringing charges against CIA agents accused of kidnapping Khaled El-Masri, a German citizen who was abducted and taken to Afghanistan where he was tortured. El-Masri was then dumped in Albania when it was realized they had the wrong man. Kidnapping and torture are serious crimes. For US diplomats to pressure an ally to prevent suspects from being investigated is unacceptable, and trashes the idea that those diplomats are just doing their job.

With regards to Spain's trade with Iran, the US mission here contacted the Bank of Spain, which happily provided information about Spanish banks' involvement there. Reading the replies sent by the central bank, I was left with the sensation that the US Embassy here enjoys a worrying degree of influence over our institutions.

The Couso case, investigating the death of the Spanish cameraman in Baghdad, remains open, a fact which to some extent saves the honor of Spain's judicial system. The meager degree of commercial and financial interests on the part of the Spanish banks concerned served little to advance the cause of the ayatollahs. But, in pursuit of such a squalid gain, there was no hesitation in steamrolling proper procedures. A democracy comprises diverse elements: institutions and rules; free and fair elections; independent judges and a free press, among others. At the bottom of all this there are legal procedures. When these are flouted, all the rest is put at risk.

We have come to accept the difference between the government that we elect every five years, and the military, bureaucratic, and diplomatic apparatus that it is sustained by, but that all too often it fails to control. The WikiLeaks cables have confirmed this beyond any doubt.

This does not mean that Obama or Clinton are exempt from explaining their country's approach to international diplomacy - simply that what we have come to learn through the leaked documents that this approach was a constant, regardless of who occupies the White House.

7. The obligations of the media. As Simon Jenkins of The Guardian wrote earlier this month, power hates to see the truth exposed. I would add that above all, power fears the truth when the truth doesn't fit its needs. I knew immediately after I received the first call from Assange that Friday in late November that EL PAÍS had a great story on its hands, and that it was our duty to publish it.

Then came the talks with other newspapers, weighing up the pros and cons, a careful evaluation of the likely consequences, and the subsequent doubts that kept many of us at the paper awake at nights. But despite our concerns, there was something that all of us involved in the process never doubted for an instant: we had a responsibility to the democracies that we live in to publish the story. Revealing the truth is the touchstone of true journalism, and the reason we get out of bed in the morning.

I am aware that publishing this information contrary to the wishes of my government has involved certain risks. But I am also aware that by publishing this detailed account of what our governments get up to in our name has made a contribution to the empowering of voters, and will hopefully strengthen their will to improve our democracy.

It is the prerogative of governments, not the press, to bury secrets for as long as they can, and I will not argue with this as long as it does not cover up deceitful acts against citizens. But a newspaper's main task is to publish news, and to seek out news where it can find it. As I said in a recent online chat with EL PAÍS readers, newspapers have many obligations in a democratic society: responsibility, truthfulness, balance and a commitment to citizens. Our obligations definitely do not, however, include protecting governments and the powerful in general from embarrassing revelations.

 

PALESTINE: What really happened in Bil’in

What really happened in Bil’in

by Felice Gelman on January 2, 2011 · 4 comments


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felice1felice4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I was at the demo on Friday and at the funeral on Saturday -- along with Jen Marlowe. Also Dorothy Zellner came with me on Saturday.

Hundreds of Palestinians from the border area villages, internationals, and Israelis gathered in Bil'in for the Friday demonstration. Notables like Salam Fayyad showed up to make speeches, but I did not see them join the march. The IOF commenced firing heavy tear gas before demonstrators were within five hundred yards of them. A small number of people managed to penetrate the gas and get to within 15 feet of the soldiers. Obviously, this was a non-violent demonstration because they simply remained there, talking to the soldiers for at least an hour.

felice2

 

 

 

 

 

 

 

 

 

 

 

 

 

The gas, according to several people I was with, was much more debilitating than they had experienced before. I can say, in addition to burning the eyes and nose, it caused significant chest pain. It also remained effective even when it was no longer visible in the air. You would think you had moved away from it and suddenly you couldn't breathe. While I was never closer to the IOF than 300 yards, a young boy only six feet away from collapsed from the gas effects and was taken to the hospital.

I can say that Isabel Kershner's comment in the New York Times, that these demonstrations "inevitably end in clashes, with young Palestinians hurling stones and the Israeli security forces firing tear gas, stun grenades and rubber bullets" completely reverses the course of events. The IOF commenced firing tear gas long before any demonstrators neared them. There was little stone throwing during the demonstration and it did not commence until long after the tear gas. 

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For a group of demonstrators that got closer than I did (maybe 100 yards or so from the IOF), the soldiers fired a tear gas barrage in front of them, then behind them -- trapping them. Then numerous tear gas canisters were fired into the center of the group -- clearly a punitive, not defensive, action. 

In addition, the IDF spokeman is claiming that Jawaher Abu Rahme was released from the Ramallah hospital and died at home. This is just an effort to complicate the chain of evidence that she was asphyxiated by tear gas. She died at 9 am in the morning at the hospital and many people, including Andrew el Kadi, waited there until her body was brought out to be taken to Bil'in for burial. 

New York Times -- all the news that's fit to print! 

How many members of the Abu Rahme family will be killed, shot, jailed as they fight for their rights and their land?

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Scenes from Jawaher Abu Rahmah’s funeral

by ADAM HOROWITZ on JANUARY 1, 2011 · 11 COMMENTS

 

All photos by Hamde Abu Rahmah:

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>via: http://mondoweiss.net/2011/01/scenes-from-jawaher-abu-rahmahs-funeral.html

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American-made teargas was also fired in occupied East Jerusalem

by PHILIP WEISS on JANUARY 2, 2011 · 9 COMMENTS

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Lisa Goldman made this photo of a teargas canister fired in Silwan, in East Jerusalem, last September. Also made in the U.S. In Silwan, a Jewish colony is grabbing Palestinian land just below the Zion gate of the Old City.

>via: http://mondoweiss.net/2011/01/american-made-teargas-was-also-fired-in-occupie...

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Some of the Arrested in a Tel Aviv Courthouse. Picture Credit: Oren Ziv/activestills.org

Some of the Arrested in a Tel Aviv Courthouse. Picture Credit: Oren Ziv/activestills.org

Israeli activists protesting the killing of Bil’in’s Jawaher Abu Rahmah ‘returned’ spent tear gas canisters to the residence of the American ambassador to Israel late Saturday evening. Jawaher Abu Rahmah, 36, was evacuated to the Ramallah hospital on Friday after inhaling massive amounts of tear-gas during the weekly protest in Bil’in, and died of poisoning Saturday morning. The tear gas used by the Israeli forces in Bil’in is manufactured by Combined Systems Inc.; a United States company based in Jamestown, Pennsylvania. This is the first protest where empty tear gas canisters have been returned to an ambassador’s home.

Arrested Activists in a Tel Aviv Courtroom 2.1.10 Picture Credit: Oren Ziv/Activestills.org

Arrested Activists in a Tel Aviv Courtroom 2.1.10 Picture Credit: Oren Ziv/Activestills.org

Approximately 25 five Israeli protesters gathered in front of the residence of U.S. Ambassador to Israel, James B. Cunningham, around 1am local time. The protesters ‘returned’ loads of spent tear gas canisters collected in the West Bank village of Bil’in. The demonstrators also made noise throughout the ambassador’s neighborhood, informing residents of how American military aid to Israel is being used to kill unarmed and nonviolent demonstrators in the West Bank. They chanted, “one, two, three, four stop the occupation stop the war. Five, six, seven, eight end the funding (US) end the hate.” This action is one of the first by Israeli activists demanding accountability of a foreign government. Instead of targeting the Israeli public, activists did a symbolic act aimed at the United States. This could signal the future of targeted BDS-style actions (Boycott, Divestment and Sanction) actions by Israelis who witness the destruction of US military aid in the West Bank.

Arrested Activists in a Tel Aviv Courtroom 2.1.10 Picture Credit: Oren Ziv/Activestills.org

Arrested Activists in a Tel Aviv Courtroom 2.1.10 Picture Credit: Oren Ziv/Activestills.org

Five demonstrators were arrested in the action and are currently being held in detention. It is unclear when they will be released and on what charges. The action in front of the ambassador’s residence completed a day of protest throughout Israel and the West Bank stemming from Abu Rahmah’s death. On Saturday evening,hundreds demonstrated opposite the Defense Ministry in Tel Aviv. Protesters manged to block Kaplan street, a main artery, for over one hour. Eight people were arrested, including a former Knesset member from the left wing Meretz Party, Mossi Raz.

Arrested Activists in a Tel Aviv Courtroom 2.1.10 Picture Credit: Oren Ziv/Activestills.org

Arrested Activists in a Tel Aviv Courtroom 2.1.10 Picture Credit: Oren Ziv/Activestills.org

UPDATE 10:47: The arrest of the demonstrators has been extended for 48 hours (until Tuesday). They have been charged with illegal demonstration, resisting arrest (because they locked up arms in order to be arrested together) and tossing spent tear gas canisters over the fence of the US ambassador’s house. The court will convene again on Tuesday in order to see if any more charges will be filed.

UPDATE 11:40: The police now claim that some of the tear gas canisters were still ‘live’ and thus, the activists are being charged with attacking the US Ambassador’s home. Among the demonstrators arrested are those who were simply in the area and not involved in any protest. There is an appeal being filed right now.

For more coverage of the death of Jahawer Abu Rahmah:

1,000 protest in Bil’in

Female protestor killed by Israeli forces in Bil’in

Images: Funeral of Jawaher Abu Rahmah

Ynet reporter slurs non-violent movement

In saying ‘I didn’t know,’ Israelis enable army’s killing of Palestinians

Hundreds rally in Tel Aviv to postpone Bil’in woman’s death

 

 

 

 

 

VIDEO: A Past, Denied: The Invisible History of Slavery in Canada

History is not the past, it is how we recount the past. 

A Past, Denied: The Invisible History of Slavery in Canada is a feature-length documentary by independent filmmaker Mike Barber. The film, which is currently in production, explores how a false sense of history—both taught in the classroom and repeated throughout our national historical narrative—impinges on the present. It examins how 200 years of institutional slavery during Canada’s formation has been kept out of Canadian classrooms, textbooks and social consiousness.

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The Trans-Atlantic Slave Trade effectively started in 1444 when Portuguese pirates, operating under the auspices of Prince Henrique, kidnapped 235 Africans from a village near the mouth of the Senegal River and brought them back to Portugal where they were sold as slaves. From that point forward, over 15,000,000 Africans would be forcibly removed from their homeland and sold into slavery in Europe and the Americas; over 30,000,000 others would die in slave wars, work camps, or during transit aboard slave ships until the Trans-Atlantic Slave Trade ended in the 1860s.

Today in North America, the use of African slave labour is seen as a uniquely American institution. Canada is reputed as being the promised land to the North to where slaves could escape and live as free men and women. The Underground Railroad is our claim to fame, and we toot that horn proudly. Our history textbooks—and much less, our national historical narrative—rarely, if ever mention the two centuries of institutionalized slavery and its role in the founding of Canada.

The version of history taught in Canadian schools tends to serve the interests of nationalist pride rather than education. Figures such as René Bourassa, Colin McNabb, Joseph Papineau and Peter Russell have been made into historical icons, honoured in our texts and on our landscape. All were slave owners and some were rabid advocates of slavery, though today one would never know it. Among the multitude of authoritative biographies on such founding figures, these facts have a tendency to escape any mention, either because the authors chose not to include these facts or because they simply were not aware. Whether this act of censorship is intentional or not the error is compounded, the cycle of ignorance is perpetuated.

History Matters

The subtle underlying message this selective and filtered history conveys is one of white superiority. When students are taught that it is only white people who tend to do anything of historical importance it effectively instils them with a “white people belong on top, people of colour belong on the bottom” outlook on the world. Fed the same false sense of history, white students feel good about their heritage at the expense of non-white students who feel alienated to the point that they begin to tune out. According to figures from the Toronto District School Board, by age 16 more than half of black male teens are at risk of dropping out. In Montréal, the dropout rate among black youth is an estimated 48 per cent. The history curriculum is not solely responsible for these alarming statistics, but it is culpable.

There is a direct cause-and-effect relationship with our collective past and our collective present, as well as our collective future. To fully understand the context of current conflicts and events, we need to know the relevant past and its causal relationship. In his book Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong, historian and sociologist James Loewen explains “slavery’s twin legacies” to the present as “the social and economic inferiority it conferred upon blacks and the cultural racism it instilled in whites.” Both of which, he adds, “continue to haunt our society.” Removing this substantial part of our nation’s development from our historical narrative is not just an academic or moral problem. It has deprived and continues to deprive generations of the ability to identify “the dynamic interplay between slavery as a socioeconomic system and racism as an idea system.”

The film will show the connections between the practice of slavery in the past with racial disparity, tensions, and racism in the present. It will illustrate why telling history in a neutral, accurate and more complete manner is vital to understanding the causal relationship between past, present and future. The overarching point being more than just “history matters,” but rather honest history matters.