GULF OIL SPILL: 'They saw it coming!' | Al Jazeera Blogs

By Nick Clark in on April 30th, 2010
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Photo by AFP
 

With hundreds of oil rigs off the coast of Louisiana a disaster seemed almost inevitable.

Last October we were filming in precisely the area now threatened by the advancing oil slick.

I remember sitting in a police launch motoring through a parking lot in the sea for hundreds of boats. Line-upon-line of orange vessels and stubby tugs awaiting duty.

A veritable city of ships in the marshes - the supply headquarters for the Gulf of Mexico’s oil industry.

Many of the boats were on standby, waiting for a disaster such as this. The communities, the oil companies, the coast guard, all knew this could happen sooner or later.

If you can say there’s good thing about this event - it is that it happened within reach of an armada of containment vessels, ineffective though they seem to be.

We stood on a small sliver of beach nearby and looked out into the Gulf. There you can see an almost unbroken line of oil rigs along the horizon.

In the fading light, their burning flares almost like a chain of foreboding. Under the surface, a spidery network of pipes reach up from the seabed, through which endless barrels of oil constantly glug. 

The support ships steam to and fro. It’s a vast enterprise - the Gulf supplies up to 30 per cent of the USA’s energy needs. Within a 60km radius of Port Fourchon, there are 600 platforms. 

Now just one of them threatens an entire coastline. 

We filmed in the bayous and inlets, chugging by collapsed communities, ripped apart by hurricanes like Katrina. Those people that stayed, still earning a living from a fecund sea. Shrimp, crab and fish species abound in these waters. 

As you nose through the reeds there’s a sudden explosion of wings and legs, as a startled Spoonbill erupts in the air. Pelicans cruise overhead, there’s a smattering of lilies with purple flowers.

This is still an environmental haven - against the odds.

Indeed the wetlands of Louisiana have already been ripped apart by the oil industry.  

Channels carved out of the marshes to create channels for navigation and canals for oil pipelines. Salt water flooded into this pristine environment and messed up the dynamics of nature.

Once-flourishing oak and cypress trees, quickly died as the fresh water disappeared. Their  rotted roots couldn’t hold the marshes together and the natural system collapsed.

To make matters worse, the Mississippi river no longer deposits millions of tons of sediment in this area as it has done for thousands of years. Its levees and walls prevent that.

Now a new slow black death may soon advance through those very channels and waterways opened up by the relentless quest for oil.

We filmed a group of Native Americans of Atakapa origin. They’ve lived off the waters of the bayous for more than a thousand years, hunting, fishing and trapping.

Over time, they’ve endured many a challenge on this explosive hurricane coast.  But in the past they were helped by a natural defence.

When the wetlands were still intact, they formed a barrier to anything but the worst weather. Not any more. 

And now there’s nothing but open water to protect this coast from the enveloping slick.

For centuries the Atakapa people have lived with the ebb and flow of nature.

Last October they told me they were fighting for their very existence because of fellow man’s bid to dominate the environment. God knows what they’re thinking now.

 

Nick Clark's picture

Nick Clark is a presenter and correspondent for Al Jazeera based in Doha.

 

INFO: ESPN does the World Cup > from AFRICA IS A COUNTRY

ESPN does the World Cup

May 6, 2010 · 3 Comments

I, too, am in full World Cup frenzy. And while Puma gets Sean’s vote, I think I might have to go with ESPN on this one. Their 2010 World Cup coverage will feature “a 10-part series that offers an introspective look at the country of South Africa through the eyes of one of the host nation’s renowned ambassadors. In Umlando (Zulu for “Through My Father’s Eyes”), jazz music legend and anti-Apartheid activist Hugh Masekela and his American-born son, Salema, an ESPN reporter for the 2010 FIFA World Cup, explore together the people, culture and inspiring landscapes of South Africa, and the nation’s history.” Read more here.

Hugh and Sal recently spoke with Jason Von Berg of Times Live about this project. Listen here. As Sal says, he and his dad are going on a road trip this summer, and they’re inviting us along.

– Sonja Uwimana

============================

Jazz icon Hugh Masekela and his son Sal have embarked on a journey of a lifetime- a ten-part TV series for sports network ESPN. The show, entitled “Umlando – Through My Father’s Eyes”, will take viewers on an introspective journey of South Africa, its many cultures and its history. I caught up with the two to find out more about the project. Listen to the interview. It really is going to be such a fantastic project and I hope it gets all the attention it deserves! Another career highlight right about now!

>via: http://blogs.timeslive.co.za/music/2010/04/19/hugh-and-sal-masekela-like-father-like-son/#

 

VIDEO: To Be Young, Gifted, And Black > from The MIMI Magazine Blog

To Be Young, Gifted, And Black

Written By: MIM!—The challenge: to create a campaign that celebrated Africa's incredible music talent, both historic and current. The result: a campaign called "Young, Gifted and Black," in which Ogilvy South Africa remade the 1970 Nina Simone song “To Be Young, Gifted and Black” into a music video. The music video stars African talent from legends like Yvonne Chaka Chaka and Grammy Award winner Hugh Masakela in addition to rising stars such as South Africa’s Lira and Nigeria’s Ikechukwu.

Channel O - Young, Gifted & Black from Ogilvy South Africa on Vimeo.

It's a song. It's a message. It's a movement. We have so much love for the unified cross-country approach behind the campaign. Here's a behind the scenes look at how the project came together:

Channel O - Young, Gifted & Black - Case Study from Ogilvy South Africa on Vimeo.

Keep shining MIMI-istas!

PUB: The South and Sexuality (SASA; Atlanta, February 17-19, 2011) | cfp.english.upenn.edu

The South and Sexuality (SASA; Atlanta, February 17-19, 2011)

full name / name of organization: 
Lisa Hinrichsen

contact email: 
cfp categories: 
african-american
american
gender_studies_and_sexuality
interdisciplinary
popular_culture

Southern American Studies Association 2011
Atlanta, GA
February 17-19, 2011

 

The South and Sexuality

This panel will explore the myriad roles sexuality has played in the literature, culture and history of the U.S. South. Potential topics might include the intersections between class, race, gender and sexuality; the relationship between social justice and sexual identity; the social geography of gay, lesbian, bisexual, heterosexual, and transgendered spaces; the social institution of the family and the formation of sexuality; the ways in which the global economy, nationalism, and regionalism shape sexual identity; the erotics of friendship; the relationship between the public sphere and private life; reproduction and maternity; tactics of secrecy, indirection, and ambiguity; and the relationship between religion and sexuality. Given the multi-faceted nature of this topic, proposals of an interdisciplinary nature are particularly encouraged.

Please send a 150-200 word abstract plus a one-page C.V. by September 1, 2010 to Dr. Lisa Hinrichsen, Department of English, University of Arkansas, 333 Kimpel Hall, Fayetteville, AR 72701 or at lhinrich at uark.edu. Proposals and queries welcome before the deadline.

 

PUB: Tidal Basin Review Editorial Prize Call

Announcing the 2010 Tidal Basin Review Editorial Prize Call

Announcing the 2010 Tidal Basin Review Editorial Prize Call

The Tidal Basin Review invites prose and poetry submissions for the first annual Editorial Prize. One poem and one prose piece (fiction or creative nonfiction) will be chosen for this prize.

The 2010 Tidal Basin Review Editorial Prize includes:

- $200.00 for each winner;

- a framed Tidal Basin Review Editorial Prize Certificate;

- publication in the Summer Issue of the Tidal Basin Review;

- a feature reading in Washington, DC; and

- an interview on 89.3 WPFW’s, The Poet’s Corner.

TO ENTER

To submit, purchase the $15 entry fee through PayPal. Attach your manuscript in an email to tbrprize@gmail.com. In the subject line of the email, include your name and genre (i.e., Bonita Applebum / Prose Submission). Please do not introduce yourself (i.e., previous publications, place of employment, family members, or organizational affiliations) in the body of the email or anywhere else in your manuscript. Your email will be handled anonymously by someone outside of the Tidal Basin Review Editorial Review Team. Your submission will be forwarded to the review team only after all identifying markers have been removed. All contest entries will be considered for publication in the summer issue of the Tidal Basin Review.

ENTRY GUIDELINES

Writers may submit up to 5 poems (not to exceed 8 pages in total) or up to 15 double-spaced pages of prose per entry. Previously published work, including work that has appeared online (in any form), will not be considered. Multiple entries are accepted, however, each entry must be accompanied by the appropriate the entry fee. There are no restrictions regarding form, style, or content. Simultaneous submissions are acceptable under the condition that you notify us if your manuscript is accepted elsewhere. No refunds will be provided.

SUBMISSION PERIOD

Submissions will be accepted by email only at tbrprize@gmail.com from May 1, 2010 through June 30, 2010, 11:59 p.m. Any submissions received outside of this submission period will neither be considered for the contest issue nor for general publication in the Tidal Basin Review. The winners will be announced by Thursday, July 15, 2010.

NOTE: In accord with Tidal Basin Review’s mission and vision, submissions from non-US residents and/or citizens are not eligible and will not be considered for the TBR Editorial Prize.

PUB: Call For Papers - Black New England Conference

Call For Papers

Black New England Conference 2010
Thursday, October 14th 2010 – Saturday, October 16th 2010

The Politics of Race: Movements, Protests, Leaders, and Representation

2010 Black New England Conference

The 2010 conference will cover the history of cultural, social, and political movements in New England from the 1700s to the present. As the word ‘representation’ indicates, the conference will include presentations on the politics concerning and the forms of representing such events and people of African descent in New England.

The deadline for submissions is July 23rd 2010.

For information please contact:
Center for New England Culture
Huddleston Hall/73 Main St/ Durham, NH 03824
Phone: 603-862-0693

 

 

INFO: Pam Grier Tells What She’s Learned in ‘Foxy’ - NYTimes.com

Pam Grier’s Collection of Lessons Learned

Darren Michaels/Miramax Films

Pam Grier in the title role of Quentin Tarantino’s 1997 film, “Jackie Brown.”

 

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Pam Grier, who manages to exude toughness and sensuality in equal measure, has also managed to embody many of the cultural shifts of the last 40 years.

 

Related

    Filmography: Pam Grier

    Excerpt: ‘Foxy’ (hachettebookgroup.com)

    Todd Heisler/The New York Times

    Pam Grier during her visit to New York to promote her new memoir, “Foxy: My Life in Three Acts.”

    IFC, top; David Gray/Showtime

    Ms. Grier, at top, in “Foxy Brown” and, above, in the television series “The L Word,” with Kelly Lynch.

     

    _______________________________________

    In her new memoir, “Foxy: My Life in Three Acts” (Hachette Book Group), Ms. Grier, 60, revisits a career that took off in the early 1970s when she became blaxploitation cinema’s first female action hero. She sprang to prominence again in Quentin Tarantino’s 1997 film, “Jackie Brown,” and she popped up in the 21st century in the groundbreaking Showtime television series “The L Word,” about the lives of lesbians.

    “Foxy,” however, reveals a darker personal life, including, for the first time, the details of her sexual assault at 6. It also recounts the diagnosis of cervical cancer Ms. Grier received in her late 30s and the untimely deaths and suicides of family members and friends. There is space, too, for her romances with Kareem Abdul-Jabbar (who wanted her to convert to Islam), Freddie Prinze (who battled drugs and wanted her to have his baby) and Richard Pryor (who thought she could help save him from drugs).

    Why tell her story now? “I’ve had mentors who know of my legacy and family history, along with my career in surviving and falling, crawling and learning, and being very, very open and curious,” she explained. “I said, ‘If I do it, I want it to be a work of lessons learned that I can share with others.’ You seek help. You seek friendship.”

    Ms. Grier, who wrote “Foxy” with Andrea Cagan, was sitting in an Upper East Side hotel suite, far from the little Colorado ranch she shares with three dogs and four horses. Her face was unlined, her body curvy rather than Hollywood thin. She laughed easily and often, despite sharing sometimes harrowing details of her life.

    She grew up in Colorado, the daughter of an Air Force mechanic and a nurse. It was an era of racial segregation; the family (including two siblings) lived abroad for extended stays, but Ms. Grier considers her “rural sensibility” important to who she is. She said she was taught by her family to “sleep in a tent at night in the rain and go fish for your food in the morning.”

    Life was forever altered when, left unsupervised at an aunt’s home, she was raped by two boys. After that she describes a lonely, traumatized childhood.

    “I was very quiet,” Ms. Grier recalled, and she stuttered when she did talk. As a young woman, she was the victim of a date rape, she wrote, which led to years in which she tried to play down her prettiness.

    “My life is probably more interesting and dangerous than some of the movies I’ve done,” she said.

    She came by her steel the hard way, Ms. Grier said. And she referred to some of her biggest 1970s hits to explain how. “My aunt was Foxy Brown, and my mom was Coffy, and we were constantly struggling against disrespect,” she said.

    In “Coffy” (1973) she played a nurse who turned to vigilante justice to avenge her little sister’s drug addiction. In “Foxy Brown” (1974) she fought against drugs and other ills.

    Once derided as formulaic urban morality tales aimed at black audiences and featuring big helpings of white villainy, several of Ms. Grier’s blaxploitation films are now considered groundbreaking for their depictions of powerful black women.

    And it took Ms. Grier’s winning combination of sex, sass and talent to pull it off, said Warrington Hudlin, a producer and the president of the Black Filmmaker Foundation. “She exists in the American imagination in a way that is permanent,” Mr. Hudlin said. “She represents a self-reliant, dynamic female figure that doesn’t have to forgo femininity for potency, for militant power.”

    While the story lines were outlandish, Ms. Grier said some of her early films had their roots in the truth of urban life in that era.

    “We had won so many aspects of civil rights, but we didn’t have a large enough community to lose people to gun battles and drugs,” she said. “We had to show we had a positive community, too, which was something that didn’t get on the news.”

    When it comes to more personal topics, like men, Ms. Grier also aims to convey a lesson: a woman needs to love herself more than she loves a relationship.

    “At some point you have to realize you will be walking away from someone you do love,” she said, describing her failed relationships. “But out of love for yourself, O.K.?” While she has never married or had children, Ms. Grier said she still fantasized about her dream wedding.

    After years with few big roles, her fortunes were revived by Mr. Tarantino, an avowed fan of blaxploitation and other less-than-exalted movie genres. He took her talent global with “Jackie Brown,” an adaptation of an Elmore Leonard novel that was tailored for Ms. Grier and includes references to her earlier work.

    The film showcased her acting chops and cast her in a more serious light in the film industry. “I owe him at least one child,” she said of her gratitude to Mr. Tarantino.

    This year Ms. Grier joined the cast of “Smallville,” the CW science-fiction series, where she plays the brilliant covert agent Amanda Waller.

    So now her fans are tweens as well as their grandparents, Ms. Grier said, and they pay attention to what she does. When she played the straight musician and club owner Kit Porter (half-sister of Bette, a lesbian) on “The L Word,” people stopped her in the street to say she helped them connect to gay family members and friends.

    Now in the midst of a book tour, Ms. Grier said she felt good, and grateful. Her cancer is in remission. She is shooting a film with Tom Hanks and Julia Roberts.

    Staying the course goes back to the book she calls her bible in “Foxy”: “An Actor Prepares” by Constantin Stanislavski.

    “He said there’s no such thing as a small role, there’s no such thing as a small heart,” Ms. Grier said. “He said I should approach any role as if it’s my life, and that’s what I did.”

     

     

    INFO: Gulf Oil Spill Information Resources - GULFSEAGRANT.ORG

    Gulf of Mexico Oil Spill

    The Gulf of Mexico (GOM) oil spill website, hosted by the four GOM Sea Grant programs, provides visitors with access to a wealth of data concerning the Deepwater Horizon oil spill. Website content will be continually updated, and visitors should check back often for new and revised information.

    The spill involves a deepwater drilling platform approximately 50 miles southeast of Venice, La. An explosion and subsequent fire damaged the rig, which capsized and sank on April 22, 2010, after burning for hours. It is unclear how much of the estimated 700,000 gallons (approximately 16,700 barrels) of #2 fuel onboard burned before it sank. The rig is owned by Transocean and is under contract to British Petroleum (BP).

    To report oiled wildlife, please call 1-866-557-1401 and leave a message. Messages will be checked hourly. To discuss spill-related damage, please call 1-800-440-0858. To report oiled shoreline or to request volunteer information, please call 1-866-448-5816.


    Developments | Recovery | Volunteer Opportunities | Economic Value | Human Health | Oil and Wildlife | Maps and Map Services | Tools | Contract Services | Background Information | Additional Data Sources


    [ Info last updated: May 6, 2010 ]

    Developments:

    Recovery:

    Volunteer Opportunities:

    Economic Value:

    Human Health:

    Oil and Wildlife:

    Maps and Map Services:

    Tools:

    Contract Services:

    • Coastal Geospatial Services Contract – A FAR Part 36, Indefinite Quantity , Indefinite Delivery (IDIQ), Architectural and Engineering Contract vehicle to provide geospatial services

    Background Information:

    Additional Data Sources:

     

    EVENT: City of North Charleston, South Carolina - Honoring Zora

    HONORING ZORA: STITCHING WISE WORDS, ART QUOTES AND ART QUILTS
    10 Storehouse Row – 2120 Noisette Blvd. (at the Navy Yard at Noisette)
    April 30-June 13 · Mon.-Fri., 8:00AM-8:00PM · Sat., 10:00AM-7:00PM

     


    The quilts and fiber art works in this unique exhibition explore and depict themes and images of the Harlem Renaissance, garnering inspiration from quotes by Zora Neale Hurston, considered one of the pre-eminent writers of twentieth-century African-American literature. A short film about local African-American quilters will be presented during the exhibition. Co-presented with the City of Charleston Office of Cultural Affairs & the Piccolo Spoleto Festival. (See Individual Event Schedule for related events.)

     

     

    ART EXHIBITION: Works by Robert Maniscalco 
    N. Charleston City Hall, 2nd Floor – 2500 City Hall Ln.
    April 30-May 8 · 8:00AM-8:00PM

     The City’s 09/10 Artist-In-Residence and nationally known portrait artist, Robert Maniscalco, will display classical portraiture in the tradition of Rembrandt, Velazquez, and Sargent. (See Individual Event Schedule for related events.)

     

    TUESDAY, MAY 4

    QUILT & FIBER ART WORKSHOP Cookie Washington
    10 Storehouse Row – 2120 Noisette Blvd. (at the Navy Yard at Noisette)
    9:00AM-NOON · FREE · Join local quilt and fiber artist, Cookie Washington, as she explores how words influence art. Presented as a supplement to the exhibit Honoring Zora: Stitching Wise Words, Art Quotes and Art Quilts.