PHOTO ESSAY: Dimanche A Bamako

Dimanche A Bamako

client: Mixte

Aitken Jolly - Photographer

Kinee Diouf - Model

In this picture:

Kinee Diouf

Dimanche A Bamako

client: Mixte

In this picture:

Kinee Diouf

Dimanche A Bamako

client: Mixte

In this picture:

Kinee Diouf

Dimanche A Bamako

client: Mixte

In this picture:

Kinee Diouf

Dimanche A Bamako

client: Mixte

In this picture:

Kinee Diouf

Dimanche A Bamako

client: Mixte

In this picture:

Kinee Diouf

OP-ED: One drop in a sea of blood

One drop in a sea of blood

The statement below was authored by Michael Prysner, an Iraq war veteran and co-founder of March Forward!, an affiliate of the ANSWER Coalition.

Dear Ben,

Wikileaks video
Click here to see the video

The harrowing Apache footage released by WikiLeaks gives us a stomach-turning glimpse of war. Seventeen minutes of cold-blooded massacre in a war of more than seven years. A brief clip of one Apache video; a quick look at one part of one mission. Hundreds of those missions take place every day.

The video came to light thanks to military whistleblowers who provided it to WikiLeaks together with supporting documents.  Imagine if we had access to all such videos, the things we would see. Imagine all the Iraqis killed who have no one to uncover the truth about their deaths. Had the death of two Reuters news staffers not generated interest in this video, then the destruction of three families by hellfire missiles fired into an apartment building with no provocation, in a separate engagement also featured in the video, would have never been made public.

This massacre is a drop in a sea of blood. Many other such “incidents” will never be known.

Officers claimed there was “no question” that the pilots were responding to enemy fire; the video shows there is no question that they were not responding to enemy fire. They said that they had “no idea” how the journalists were killed; the video shows that they know very well how those journalists were killed. They were gunned down standing in a crowd of unarmed people.

After the slaughter of that group, the pilots beg for permission to kill the innocent passers-by who had come to the aid of one of the wounded, like any of us would have done if we saw our neighbor dying on the ground as we drove down the street. They kill everyone trying to help the dying journalist, and critically wound two children seen sitting in the front seat.

We see a group of unarmed men mowed down by a machine gun designed to destroy armored vehicles. We see a vanload of good Samaritans obliterated for trying to help a dying victim. We see all this with the soundtrack of the pilots mocking the dead, congratulating each other and laughing about the massacre.

No wonder the U.S. military goes to such great lengths to keep such videos from us. They want us to see Iraq and Afghanistan through their lens, through their embedded reporters, filtered by censorship and restrictions. They know that, once the people of this country see the extreme racism and brutality behind these occupations, they will be repulsed by what their tax dollars are paying for.

The military brass and the White House politicians have tried to justify this senseless atrocity. “Cut the pilots some slack. This was in Baghdad. This was a battle zone”—that’s been their line. The pilots had been indoctrinated with the same colonial mentality. “That’s what they get for bringing their kids into battle,” one pilot says.

The father driving that van was not “bringing his kids into battle.” He was bringing them to school, driving down the street where they live. But the U.S. occupation has made all of Iraq a battle zone. To those pilots, to their commanders over the radio and to the generals in the Pentagon, every single person in Baghdad and in Iraq is “fair game.”

The pilots joked about the people they killed, laughed about U.S. military vehicles running over dead bodies, knowing that their commanders were listening and that they were being recorded. They were not acting out of character. This is the culture of the occupation. This is how these wars are being conducted.

Having seen this, one cannot honestly believe that these atrocities are committed day in and day out for the liberation of the Iraqi people.

The Pentagon’s talking heads and media lackeys are hard at work putting their spin on this story. It’s time to tell the truth. For more than seven years, the U.S. has unleashed criminal, unprovoked aggression against the people of Iraq, and they have been doing the same thing in Afghanistan for more than eight years.

The U.S. military presence in Iraq is a colonial occupation force. The only way forward is a complete, immediate and unconditional withdrawal of all U.S. forces from Iraq and Afghanistan. This government will not do that unless all of us who are outraged by these criminal acts stand up and demand it.

Michael Prysner
Iraq war veteran and co-founder of March Forward!

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HAITI: The Black Jacobins, 2010: Haiti, CLR James (and George Orwell) > from Poumista

The Black Jacobins, 2010: Haiti, CLR James (and George Orwell)

From Airforce Amazons:

There was a story in the paper last week about the discovery of a copy of the Haiti’s Declaration of Independence from the original printing in 1804, found in the British National Archives by Julia Gaffield of Duke University. Their website has more details on the document, including a full translation.

The declaration came after over a decade of war in the French colony of St Domingue, from the slave rebellion of 1791, through the rise of Toussaint L’Ouverture as their leader, fighting against the slave-holders and the French Republic in the war with Spain, then after the abolition of slavery in 1794 on the side of the Republic against Spain and Britain, then against internal rivals for power, and finally against Napoleon as the Emperor sought to reintroduce slavery to the island. In 1803 Toussaint L’Ouverture died imprisoned in France, as the more radical Dessalines led the war of independence in St Domingue.

From The Black Jacobins, by C.L.R. James, Chapter 13:

On November 29th Dessalines, Christophe, and Clairveaux (Pétion was ill) issued a preliminary proclamation of independence, moderate in tone, deploring the bloodshed of the previous years. On December 31st at a meeting of all the officers held at Gonaïves the final Declaration of Independence was read. To emphasise the break with the French the new State was renamed Haiti.

And:

The first draft of the proclamation handed to Dessalines at the Congress was rejected by him as being too moderate. The second, which met with his aproval, struck the new note, ‘Peace to our neighbours. But anathema to the French name. Hatred eternal to France. This is our cry.’

Typophiles will note that the document was set in a French typeface by Firmin Didot.

Also read (via Entdinglichung):

I.L.P. Abyssinian Policy, I.L.P. Discussion, October 1935
The Voice of Africa, International African Opinion, August 1938
Sir Stafford Cripps and “Trusteeship”, International African Opinion, September 1938

VIDEO: Minnie Riperton: Hitting The High Note > from SoulSummer.com

April 5th, 2010

Minnie Riperton: Hitting The High Note

 

With her amazing five octave vocal range, Minnie Riperton made one of music’s most heartfelt and endearing tunes ever. On April 5, 1975, Minnie Riperton’s “Lovin’ You” was the #1 song in the country. The high pitched, melodic tune became an international smash, reaching #2 on the UK charts. It is the biggest hit for an artist that with a magical vocal ability.

. This Day in Soul

PUB: NANO Fiction | CONTEST

CONTEST


NANO Fiction is now accepting entries for the Second Annual NANO Prize. $500 and publication will be awarded to a flash fiction piece, prose poem, or micro essay of 300 words or less.

The entry fee is $15 for the first three pieces and $2 for each additional piece. Each entrant will also receive a one year subscription to NANO Fiction.

All submitted pieces will be considered for publication. Previously published work will not be accepted and all entrants will be notified of the winner by email in October.

Contest deadline is August 31, 2010.

HOW TO ENTER

This year, you have two options for entering the contest:

ONLINE: Electronic entries will only be accepted with a payment through PayPal. To submit online, submit your payment by clicking the link below then email your entry with the subject line, “2010 Contest” to nanofictionmag@gmail.com. The body of the email must include your payment ID number along with your name, contact information, short biography, and the stories in both the body of the email and a Word document.

Please notify us if the PayPal account is registered under a user other than you.

Reading fee $15


Additional Reading Fee $2


MAIL: All mailed entries may be sent to: NANO Prize, PO Box 667445, Houston, TX 77266-7445. Please make all checks and money orders payable to NANO Fiction.

PUB: Third Annual Short Story Contest

 
 

The Smoking Poet Third Annual Short Story Contest

 

The Smoking Poet is a literary ezine, established in 2006, and published online on a quarterly basis. TSP’s third annual short story contest is open to all writers, whether they have been past contributors to TSP or not, and in any genre.

 

Prizes will be awarded to the top three stories: first prize, $300; second prize, $100; third prize, $50. All of the winners will be published in the summer issue of The Smoking Poet, online in mid June 2010.

 

An entry fee of $10 per submission is required, payment to be made through PayPal. Once you have sent in your submission and we determine it meets our contest guidelines, we will send you the PayPal link for payment with an invoice for your records.

 

Entries must be submitted as a Word doc file, one per e-mail, in Times New Roman, 12-point font, and double-spaced. The author’s name, address, and telephone number must appear in the upper right hand corner. Word count must not exceed 4,000. Please include a short bio statement, not to exceed 100 words, in the body of your e-mail.

 

The judges for the contest are Zinta Aistars, editor-in-chief of The Smoking Poet; Lorena Audra Rutens, “A Good Cause” editor at The Smoking Poet; and honorary judge of TSP's Third Annual Short Story Contest is Kevin Morgan Watson, founding publisher and editor of Press 53, a small literary publishing company in Winston-Salem, NC. Literate Yourself!

 

Submission deadline for the contest is May 31, 2010. Please send your submission with the subject line stating CONTEST/Last Name to thesmokingpoet@gmail.com If the subject line does not state CONTEST, then we will assume it is a submission for the ezine.

 

We look forward to reading your best work! See also general submission guidelines for the upcoming summer issue.


press53.jpg 

 

Our Honorary Judge: Kevin Morgan Watson

 

Kevin Morgan Watson, our honorary judge for The Smoking Poet’s Third Annual Short Story contest, is founding publisher and editor of Press 53, a small literary publishing company in Winston-Salem, NC. Literate Yourself! Kevin has been dropping hints that he may be on the lookout for writers to publish at Press 53 among those winning entries coming in to our contest ...

 

Press 53 is a small independent publisher of literary fiction, poetry, and nonfiction that was founded in October 2005. Kevin Morgan Watson is the founder, owner and fiction editor. Tom Lombardo is poetry editor. Press 53 is located in Winston-Salem, North Carolina, and publishes full-length books by both new and established writers. In addition to finding and showcasing new writers and new books, Press 53 also has a fondness for bringing back great books that are out of print, which are re-issued under the Press 53 Classics imprint.