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OP-ED: Islam and Hip Hop by Brother Ahmad James » Suhaib Webb

Islam and Hip Hop by Brother Ahmad James

Dear my brother Imam Suhaib and all other individuals who reflect deeply on this issue

Bismillah

By the grace of Allah, I entered Islam at the age of 20. It is no exaggeration to say that Hip-Hop was my religion before Islam. I was blessed to be brought up in a local underground scene that taught me to love myself and all others as creatures of God, reject blind materialism, respect women, and different cultures, and religious traditions. It also taught me to live naturally and refuse drugs. Often people who didn’t grow up in the culture mistake it for what they see on MTV, which is nothing but the corporate thievery of a culture to serve the interests of the outsider. This is quite similar to how those who aren’t Muslim will definitely be led to think that Islam is a horrible faith if they watch the corporate news which is similarly spun to serve the interests of an outsider. That’s why I was shocked when you completely affirmed the Shaykh who compared Hip-Hop to “Satanism”. And added statements like, “Since the 1970’s hip hop has done nothing to help the hood except throw its women on BET while some self styled Uncle Tom runs a credit card through their cleavage, served to degenerate basic language skills; create a culture of hyper masculinity based on a feeling that one is greater than God!” First of all, you know that isn’t true. That’s not the whole picture. Excluding what is put on corporate controlled television and radio Hip-hop artists have carried the message of Malcolm and the Black Panthers to our generation like no one else. They have also taught people about alternative narratives to history in contrast to the whitewashed versions in our standard textbooks. They have taught not to follow the global monoculture but to think outside the box and rebel against injustice and oppression. I have seen so much beauty from Hip-Hop driven grassroots campaigns, from “stop the violence” to working to free political prisoners, to raising money for breast cancer research. Hip-Hop after school programs have kept kids off the streets and away from crime in neighborhoods where there are few other options. No one is pretending Hip Hop is all positive and it reflects the sometimes “unislamic” realities of poor inner city America but we both know it is far from satanism. It was created by inner city kids who had no artistic outlets – so they created their own. At the very least, Hip-Hop has always been the voice of the voiceless. The Shaykh from overseas probably doesn’t know this because he didn’t grow up in the culture and he only gets the MTV/BET version. But you know better. Would you nod with approval if one of your non-Muslim relatives compared Islam to satanism citing all the evil they see on the TV about it? Of course not!!! But you emphatically support someone describing Hip-Hop based on misinformation. The metaphor is imperfect but the similarities are undeniable.

 

To me your writing, shows more than anything, that you have not been living in America for quite some time and are out of touch with the realities on the ground.

When I became Muslim I stopped making music, going to shows or even associating with the culture because I didn’t feel I was strong enough in my deen to go into that atmosphere and not be changed. This is because along with the good in the culture there is the alcohol, weed smoke, and mixing of genders etc (standard in any non-Islamic gathering in America). However after three years I started working on music again because I felt strong enough to bring myself to venues and open mics and be the one influencing as opposed to being influenced. The response was positive and so I continued. But I did want to firm up my relationship with Allah and my understanding of the deen so I did what you suggested. I took time off music and my family and I moved to Egypt to study. I had a lot of time to reflect and my time there made me even more certain that I wanted to make music. I had to leave after 6 months because of financial issues. And in fact I stayed until I depleted all my savings. As I am writing this, my family and I are living in a motel. Next to me on one side is a prostitute. On the other side is a drug dealer. These people need Islam. They are not interested in your lectures. They are interested in Hip-Hop.

I don’t make Islamic Hip-Hop, or Muslim Hip Hop and I have never marketed my music as such. I am a Muslim and I make Hip-Hop. Because I am a practicing Muslim I talk about my religion, or more often my relationship with Allah, in most of my songs. If Muslims relate great, but I focus my music toward two groups: one is the non-Muslim hip-hopper I once was. The other is the Muslim who is not in the mosque and who is instead listening to Hip-Hop.

I recommend to anyone interested in this issue to read the article entitled “Islam and the Cultural Imperative” by Dr. Umar Farooq Abdullah. I will quote one hadith he relates in that article,

“The story of the ’sons of Arfida’—a familiar Arabian linguistic reference to Ethiopians—provides a telling illustration of the place of culture (here, of course, Black African culture) within the Prophetic dispensation. In celebration of an annual Islamic religious festival, a group of Black African converts began to beat leather drums and dance with spears in the Prophet’s mosque. Umar ibn al-Khab—one of the chief Companions—felt compelled to interfere and stop them, but the Prophet intervened on their behalf, directing Umar to leave them alone and noting to him that they were ‘the sons of Arfida,’ that is, not his people. The Prophet invited his wife A’isha to watch the dance, took her into the crowd, and lifted her over his back, so that she could watch them clearly as she eagerly leaned forward, her cheek pressing against his. The Prophet made it a point to dispel the Ethiopians’ misgivings about Umar’s intrusion and encouraged them to dance well and, in one account of this authentic story, reassured them to keep up their drumming and dancing, saying: ‘Play your games, sons of Arfida, so the Jews and Christians know there is latitude in our religion.’”

I have been to Hadramawt, with some of the top scholars of Shafi’i fiqh in the world, where they have dhikr sessions with the drum and flute until deep into the night. You mean to tell me that that is fine, but a brother in any city USA can’t play his instrument because he feels it brings him into communion with something greater than himself? I converted to the universal message of Islam. I didn’t convert to a religion that says its ok in Yemen or Mauritania but it’s not ok in South Central, or Oakland, or Kansas. Furthermore, almost every single convert that I know, was either a musician or an artist before Islam. The few exceptions were avid music listeners. That is because true music and art opens one up to the reality that there is something greater than the sensory world and that is the space an artist enters when they master their art. I first knew beyond a shadow of a doubt that I was more than just flesh and bone during a freestyle session on a street corner, in which the words, rhyme patterns, and meanings that were coming out of me, were not from me alone.

The American Situation

Modern America bases itself on plurality. Few places on earth are as diverse as any city USA. The Muslim community here reflects that diversity. Because of this, if Islam is to remain relevant and spread successfully in America, it must be one that recognizes difference and is open to plurality. Of course this should be within the wide range of scholarly opinion rooted authentically in our tradition. That is why it is a problem when scholars allege, for instance, that music is Haram. The fact is, you know better than me, that it is a much more nuanced discussion. I have had a scholar tell me, “Well you know there is a difference of opinion but if you tell people certain things are permissible then they will start listening to Brittney Spears.” The fact is, Muslim youth are listening to way worse than Brittney Spears. How on earth would keeping us ignorant of our deen benefit us!?

So if music isn’t all out haram, then it must be certain themes within Hip-Hop that are objectionable. Again, I agree. Much of Hip-Hop, especially the pop variety, is horrendous in most of its subject matter. It is basically jahaleeya poetry translated into ebonics. Yet, if we refer to our tradition we have a striking example. RasulAllah (pbuh) did not forbid his companions to recite poetry. Rather he encouraged it as long as it was beautiful and of virtuous subject matter. He made sure the poetry was purified. But he had no problem with the art form itself. Even the art form which had been the most emblematic sign of the jahalleeya and had been one of the greatest weapons of the kufaar to attack our blessed Prophet Muhammad (pbuh)

As much as we like to tell people that Islam is the fastest growing religion in America. We usually fail to note that Muslim youth (the children of immigrants) are leaving the religion, or at least are leaving the practice of it, in numbers much greater than the highest estimate of new converts. They don’t feel that it is relevant to their situation. They feel at best uninterested and at worst ashamed of their parents’ accents, culture, and religion. They want to be American and they want to fit in badly. But when they see a brother, who is much more authentically American than they feel they are, and who is much more serious about Islam than they have ever been, grab the mic and praise Allah while expressing himself, think about what that does to their minds. I guarantee they will never look at their father’s prayer mat or their mother’s head scarf in the same way again.

What alarmed me most about your short article was the fact that you encouraged Muslims to “avoid these superstars [muslim hip-hoppers and entertianers], inviting them to events…” Subhanallah. The fact is that almost every one of these brothers and sisters (”Muslim hip-hoppers/entertainers”) is a convert to Islam that was involved in music before Islam. Many of them were shunned by their families and alienated from their friends for accepting the religion. Yet their love of Allah led them to stay and grow as Muslims while developing their voices in ways relevant to those they were raised amongst as well as their new co-religionists. They continue to use their art to speak of their experiences as American Muslims in a way that many Muslim youth (convert or not) can relate to. Sure they bring their cultural baggage (not always a bad thing) but most I have met have a deep love for Allah and His messenger and simply use the only art form that they ever related to express that love. Their experiences speak more to the American Muslim youth than the average lecture by “scholar X” who was more often than not brought in from overseas and, for all his knowledge of the deen, has no understanding of the culture and the circumstances these kids face day to day. Or maybe he is a scholar like you who has removed himself from American life for long periods of time for the noble goal of gaining sacred knowledge. However upon return most American scholars have no training or mechanism to make that knowledge relevant in the setting of modern America and many do more harm than good by rigidly imposing opinions, or worse; norms and customs from the place where they studied. Commendable are Abdul Hakim Murad’s efforts with the Cambridge Muslim College to train English students who have studied the deen overseas to make that knowledge applicable in their country. The fact is, if you quarantine Muslim rappers and don’t allow them to be part of the community and express themselves the way they know how in our venues, then the community is going to suffer, much more than the artists.

The Bigger Picture: Immigrant and Indigenous

This conversation could easily be put under the heading of a larger debate regarding the clash between the immigrant community and the indigenous community. Too often this clash has been the result of immigrants (and those indigenous privileged enough to be educated in countries where the immigrants originated from) telling the indigenous Muslims, “you don’t know how to practice true Islam, let me tell you”. But that is a conversation for a different forum. I mention it only because many will read this debate that way and it must be kept in mind.

The point to remember is that many immigrants have long scoffed at indigenous (read black) culture as a form of backward ignorance. They bring with them their deep seated racism. Racism that makes you and me their poster children, but the black brothers we converted because of barely worth a salaam. The biggest clash of our generation as Muslims in America is the one between immigrant and indigenous. Case in point; I was recently in Alexandria at Imam Busiri’s mosque for the recitation of the Burda. During that gathering my white friend and I were treated like royalty and brought to the front. Yet at the end when my son came up near the Shaykh who was leading the recitation he looked at my 5-year old boy (who is part African) who was sporting his hair in a beautiful big curly afro and said in broken English “No! Bad! Animal!. He was saying that my sons air was bad and he looked like an animal and he was telling me that I should make him cut it. Yet he didn’t seem to mind my long straight blonde locks falling to my shoulders under my kufi. I didn’t tell my wife about this for fear of what it would have done to her iman.

Are we to except that black brothers have to cut, not only their hair, but also their ties with hip hop and other musical art forms their peoples originated in order to be welcomed into this religion. Do we make them choose between apostasy from the religion and cultural apostasy?

The fact is, maybe the more scrupulous opinion is to abstain from music altogether. However, everyone isn’t there yet. In fact, most people aren’t there and never will be. That goes for Muslims here in America bumping the newest radio hit about “my girl” as well as Muslims in any Arab country listening to the newest radio hit about “ya habibi”. My point here is that we have to make room for people who aren’t there yet. Islam is for everyone, the scholars and the performers, the garbage man and the lawyer. And we have to be honest about what is permissible and what isn’t. You are not going to have a hard time convincing me that the song on the radio is haraam with its sexual innuendoes and blind materialism. However, you are going to be hard pressed to convince me that for some reason all music is haram, even if it exhorts to righteousness and beauty and calls one to reflect more deeply on the signs of Allah. Or even if it simply tells a story of heartbreak or struggle or an escape from one’s poverty-stricken past. We don’t have to say that “kuli shay halal” but if issuing a fatwa based on a minority opinion seems to be more appropriate for the American Muslim context then, maybe it is the preferable opinion in that case. And I don’t believe Muslims are all stupid and that if you say that there is an opinion that listening to music that calls one to remember Allah is permissible, that everyone will go out to the record store and pick up the new Lil Wayne album and watch the new J-Lo video and say “this right here helps me remember Allah fa sho baby”.

One of the reasons I was drawn to Islam was by the music of Muslim musicians. Especially West African musicians like Yousou N’dour and Ali Farka Toure but also Qawwali singers from the subcontinent and Turkish ney players. Telling a West African brother not to play music is like telling him not to breathe. Africa is the musical continent. And many of those musician are the most mubarak human beings I have ever laid eyes on. Much more than many people who spend their days memorizing fiqh. Playing their drum, their kora, or their guitar and telling the story of their people and their love of God. Please tell me what is wrong with that?

Rap is different. But Hip-Hop like Jazz and R&B, and Rock and Roll came from blues. Ethnomusicologists have traced blues back to West Africa in present day Mali. Mali was then a Muslim country as it is today as I’m sure you know. These African Muslims enslaved in America were some of the founders of blues which has in turn informed all American music up to today. And the African-Americans here today are none other than the descendants of the musical Muslim peoples of West Africa.

I recall having a conversation with a group of students of knowledge in Egypt after a basketball game with you one Thursday night. Someone mentioned that they had became Muslim largely because of Hip-Hop, and immediately everyone present agreed that it had been one of the defining reasons for their having entered Islam. In fact almost every convert I have ever met became interested in Islam because of Hip-Hop (including you, if I’m not mistaken). The reality is that these rappers, many of them from “proto-Islamic” groups like the NOI and the 5%ers spoke of the honor, righteousness, and beauty of Islam. I heard you yourself say that there was always a feeling in the streets, that Islam was right, or something to that effect. If nothing else these rappers made Islam look and sound cool to a generation of kids growing up in the 80’s and 90’s. This may seem trivial but in reality the essence of cool, extracted of its negative stereotypes, is someone or thing that is outstanding, out of the ordinary, relevant, yet cutting edge and original. It is that which is attractive and worthy of emulation and imitation. Indeed the most worthy of imitation (pbuh) was someone that was well dressed, well groomed, eloquent, beautiful inside and out, always smiling and radiant. In a word, rasullAllah (pbuh) was cool. On an interesting side note, I was showing pictures of my travels to Hadramawt to some friends I grew up with. The scholars in Hadramawt dress closer to the sunnah than possibly anyone on earth. Anyway my two friends, one of whom happens to be a graffiti artist and the other a hip hop producer, looked at the pictures and agreed, “Man, they got an ill sense of style”.

Of course we know HabibAllah (pbuh) was much more than cool and it seems almost disrespectful to refer to him in this language however, to most children and teenagers, there isn’t much better one can possibly be than “cool”.

However the view of Islam has changed with the new generation. A convert friend of mine, who is a student of knowledge and a guitarist, with one of the greatest characters of anyone I ever met (so much so that both his parents converted through his da’wa) relayed to me that his teenage brother wasn’t interested in Islam. The reason, he said, was that Islam to him was rigid, uncreative and closed-minded. Basically it was uncool. Unfortunately he is not alone. And the reason is because Muslims say things like “music is haraam”. Like my teacher Usama Canon once told me, “That’s like saying food is haraam.” Of course there are haraam foods but there are also wholesome and nutritious foods alhumdulila. The difference between telling someone interested in Islam that music is forbidden, versus or as opposed to telling them that music that degrades anyone or glorifies negativity or uses foul language etc is haraam, is monumental.

We don’t need to worry about whether Muslim youth are listening to M-Team or Amir Sulaiman, we need to worry if they aren’t. Because if they aren’t, they are gonna be leaning to the side of 50 cent and Eminem not Imam Zaid Shakir and Shaykh Hamza Yusuf.

Our People, Our Culture

I refuse to leave my people behind. Who is reaching the people on the streets? I can tell you they aren’t listening to your lectures, or those of any other scholars for that matter. Neither are the people in the club. People ask me if I perform in venues in which alcohol is served. My answer is “of course”. I will never turn away from the people who need the message most. I can’t visit my mother or father if I don’t want to be around alcohol and I can’t go to the grocery store either. The cats I grew up with aren’t interested in the Deen because of the hypocrisy they have seen in Muslims and because of statements like “Music is forbidden”. Yet when I give them my CD they tell me, “Damn bro this is tight.” All the while I am expressing my love for Allah and His messenger. I pray their hearts will be softened to the Deen like mine was by the likes of Chuck D, The Roots, Mos Def, and A Tribe Called Quest.

Nor will I turn my back on my culture and become a pseudo Arab. I feel sorry for sisters like my wife who is a Latina and comes from a strong line of outspoken indigenous freedom fighters who is told by Arab men to shut up or get out when she speaks out about the fact that women are generally treated like second class citizens in this Deen and her ancestors have struggled too hard for her to settle for that. Or the African-American brother who traced his lineage to West Africa and decided to become Muslim to reclaim his roots just to be told by someone who studied in Saudi Arabia that the music that his Muslim grandfather played was forbidden. Is he not from the sons of Arfida?

To close I’d like to quote another passage from Islam and the Cultural Imperative that I urge us all to reflect on.

“The Prophet Muhammad and his Companions were not at war with the world’s cultures and ethnicities but entertained an honest, accommodating, and generally positive view of the broad social endowments of other peoples and places. The Prophet and his Companions did not look upon human culture in terms of black and white, nor did they drastically divide human societies into spheres of absolute good and absolute evil. Islam did not impose itself—neither among Arabs or non-Arabs—as an alien, culturally predatory worldview. Rather, the Prophetic message was, from the outset, based on the distinction between what was good, beneficial, and authentically human in other cultures, while seeking to alter only what was clearly detrimental. Prophetic law did not burn and obliterate what was distinctive about other peoples but sought instead to prune, nurture, and nourish, creating a positive Islamic synthesis.

Much of what became the Prophet’s sunna (Prophetic model) was made up of acceptable pre-Islamic Arab cultural norms, and the principle of tolerating and accommodating such practices—among Arabs and non-Arabs alike in all their diversity—may be termed a supreme, overriding Prophetic sunna. In this vein, the noted early jurist, Abu Yusuf understood the recognition of good, local cultural norms as falling under the rubric of the sunna. The fifteenth-century Granadan jurisprudent Ibn al-Mawaq articulated a similar outlook and stressed, for example, that it was not the purpose of Prophetic dress codes to impinge upon the cultural integrity of non-Arab Muslims, who were at liberty to develop or maintain their own distinctive dress within the broad parameters of the sacred law. The Qur’an enjoined the Prophet Muhammad to adhere to people’s sound customs and usages and take them as a fundamental reference in legislation: ‘Accept [from people] what comes naturally [for them]. Command what is customarily [good]. And turn away from the ignorant [without responding in kind].’ Ibn Atiyya, a renowned early Andalusian jurist and Qur’anic commentator, asserted that the verse not only upheld the sanctity of indigenous culture but granted sweeping validity to everything the human heart regards as sound and beneficial, as long as it is not clearly repudiated in the revealed law. For classical Islamic jurists in general, the verse was often cited as a major proof-text for the affirmation of sound cultural usage, and it was noted that what people generally deem as proper tends to be compatible with their nature and environment, serving essential needs and valid aspirations.”

Please forgive me if I offended in any way, this is an issue about which I feel very strongly.

Your brother in Islam and humanity

Ahmad James (Baraka Blue)

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22 Comments to Islam and Hip Hop by Brother Ahmad James

  1. Muslimah's Gravatar Muslimah
    July 23, 2009 at 3:56 am | Permalink

    “…and it may be that you dislike a thing which is good for you and that you like a thing which is bad for you. Allaah knows but you do not know.”
    (Surah Baqarah: 216)

  2. Syed. T's Gravatar Syed. T
    July 23, 2009 at 4:38 am | Permalink

    Salaam o ‘Alaykum,

    SubhanAllah that was a very powerful article JazakAllah Khayr Sidi Ahmad for writing that and also Imam Shu’ayb
    for having the humility to post it.

    Keep the brothers in the UK in your prayers we have the same problems except that our leaders are not as charismatic
    or vociferous as many of the ‘ulema in America. We desperately need these sort of ‘ulema to help our youth as much
    as you guys do over there.

    May you attain success in all that you do. Insh’Allah.
    Wsalaam

  3. July 23, 2009 at 8:34 am | Permalink

    mashallah a really nice read

  4. SeanRe's Gravatar SeanRe
    July 23, 2009 at 2:10 pm | Permalink

    May Allah reward you brother Ahmad. Excellent words.

    And may Allah reward Imam Suhaib immensely. His posting this, once again, serves as proof of his excellence as a human being. Of course, he may disagree with some points, but he is not so rigid as to completely ignore and dismiss the experiences and insights of his fellow brothers and sisters. In fact, as I have seen, he makes sure to benefit from them! This is a VERY rare quality amongst people of our community (particularly leaders). I pray that Allah increases Imam Suhaib and the many ways we are able to benefit from him.

  5. kadiatu's Gravatar kadiatu
    July 23, 2009 at 11:52 pm | Permalink

    MashAllah this was an amazing and well-written piece.
    I found myself nodding and smiling at almost every line. It's as if we were on the same wavelength, which is to say that I think a lot of people would agree with this. Why? Because it is REALITY.
    This is the reason I appreciate Imam Suhaib in our community, because he brings back this perspective and allows a forum for discussion.
    JazakumAllahukhairan for making my day with this!

    :)

  6. JYB's Gravatar JYB
    July 24, 2009 at 5:25 am | Permalink

    I've stayed quiet during this debate mainly because there were many interesting points made on both sides and I don't know much about the topic to comment. But this was definitely a very thought-provoking article. And it is important because hip-hop doesn't end in America- I have many friends who although they've grown up in an Arab Muslim country (im from the UAE), they are listening to both 'my girl' and 'ya habibi'. This the new generation of the 'western-educated'. They know akon and kanye west, they play their music at parties and get excited when they hear that they are coming here for a concert. Yet they also get even more excited when they hear someone rapping about Islam. My brothers are the same. They will listen to the mainstream hiphop trash but then will be proud when they hear a duet by Outlandish and Sami Yusuf singing about the Ummah. No matter how many lectures I send them, they'll then sit in the car and bop their heads to the latest hiphop beat.

    A friend of mind who converted to Islam and doesn't understand Arabic, will not listen to the offensive music that is played in the radios but would always play songs singing about God because that is what she can relate to at this time. I myself prefer not to listen to music on most occasions… but I will listen to appropriate ones with my friends, and will send inspirational ones by email to friends and family who like music.

    Muslims need to be brought back to the Qur'an, but perhaps songs/hiphop can be one of those ways especially if they are an intrinsic part of one's culture and people relate to it, and they can adhere to islamic principles. Hiphop/music artists who behave in opposition to Islamic etiquette need to be given advice and learn the deen but not shunned. I think it's beautiful when I meet Muslims from different parts of the world, and we all pray the same way and stand in our lines, yet share different food and different sports and different ways of celebrating.

    Thank you for this great piece and thank you Imam Suhaib for posting it. Definitely gives a lot to think about!

  7. tex_idris's Gravatar tex_idris
    July 24, 2009 at 11:18 pm | Permalink

    Bismillah
    Salaam Alaykum

    This shows an incredible amount of character on Br. Suhaib Webb's part and on Br. Ahmed James' part. May Allah reward you both for keeping this civil.

    I think there is definitely room for both opinions.

    May Allah grant us Forgiveness and the Highest Paradise.

    Salaam

  8. AbulHussein's Gravatar AbulHussein
    July 25, 2009 at 7:05 am | Permalink

    AS

    Where we have to be on guard is the tendency to fall into the illusion of believing that rational argumentation independent of principled and textual grounding in the Shar'iah is what establishes correct practice and belief for the Muslim. In other words, we can debate without limitation and with sophistication but in the end not all opinions are equal. Rather, there must be a dividing factor for the Muslim and in this and all matters the criterion is the Shariah not sophisticated arguments or experience or social norms and custom or dreams or visions or mystical encounter (experience) or what we feel.

    This is where we need a shift in the Muslim community in the West. The shift needed is one which we come to understand the guiding authority of Shariah in the life of the Muslim. To date in the West we are of the assumption that argumentation is what establishes the legitimacy of practice in Islam so that the Ulema have no importance in education due to all matters returning to intellect in this case opinions. Because we live in democracies everyone feels entitled to an opinion and to voice that opinion regardless of the merit of the opinion or its soundness or groundedness in Shariah. So, we see opinions launched from the intellectual to the rude but in the end they all have little to do with Shariah. It is in this atomosphere of a cacaphony of ideas and a democratic market place of opinions that people are working out their understanding of Islam rather than in an educational context and setting.

    The Qur'an poses this question to us for reflection: -”Is it the case that the person of understanding and knowledge is equal to the person of ignorance?”

    Not all opinions are equal.

    We

  9. SalmanC's Gravatar SalmanC
    July 25, 2009 at 3:20 pm | Permalink

    asalaam alaykum Sheikh Abul Hussein,

    I'm curious, since I'm not educated on the topic, what role individual understanding can play when discussing topics like this one. I was among those who quoted from Dr. Abdallah's paper on Cultural Imperative. Granted, I'm not a scholar of any of the Islamic sciences, but I do think that I grasped the meaning of that essay. Is more education required of me before I add my voice to a discussion amongst fellow Muslims? Perhaps there are simply some guidelines I could follow to make sure my comments meet a certain standard. I would assume that we are technically permitted to form our own understandings on these issues, and voice them, since that's generally the type of behavior a blog is meant to facilitate. With that assumption in mind (and please correct me if I'm wrong), how should we move forward?

    I agree that you, as a scholar, are deserving of a great deal of respect. I apologize if any of my words added to the offense done to you. I would imagine, though, that much of the fervor ignited by your original post came from a genuine love of our backgrounds, rather than any explicit disdain for you or the teachings of Islam. I pray that you can therefore be patient with us.

  10. SalmanC's Gravatar SalmanC
    July 25, 2009 at 3:24 pm | Permalink

    Mashallah brother Ahmad, I envy your manners.

  11. N_S's Gravatar N_S
    July 25, 2009 at 5:42 pm | Permalink

    As Salamu Alaikum,

    Very well written article mashAllah. I agree with the general idea behind the article, however, I also understand why so many scholars will generalize and say “Music is haraam.” Let me just explain this point briefly, just to show the other side, inshAllah. Unfortunately the scene that music creates is the main problem. I remember going to one event held by the Muslim Student Association that brought Muslim Hip Hop artists, and mashAllah they presented such deep poetry that made you remember Allah (swt). However, when I looked around there were both brothers and sisters swaying around inappropriately, and it simply did not seem like an Islamic environment. Later, the Muslim performer performed a piece that was sexually explicit. I started to wonder, why a strong Muslim brother would perform this piece, my only explanation is that the artist felt the audience would appreciate a piece like this.

    What I noticed from my brief experiences with musical performances is they tend to create a haram environment. Let me analogize this situation with something else to illustrate my point further. At one point during Islamic history, the fuqaha outlawed coffee. It wasn't outlawed because the substance was haram, but because of the type of environment it created. Cafe`s opened up, and it created a culture of Muslims lingering around, wasting time, and chatting about meaningless topics.

    Today, I feel that this is the reason why scholars feel compelled to say “music is haram.” They are is no way trying to offend those artistic people and their beautiful and beneficial culture. Rather, they are forced to put it under the umbrella of haram because of the way the people respond to music. When an artistic is performing a piece about Allah and their are rhythmic beats in the background, the audience begins to dance around to the beat even though the piece is supposed to bring you closer to Allah.

    This is just one point that I thought was worth delving into. I think that the question now is, what is more important, getting these artistic messages out, or attempting to regulate haram environments? What's more important?

  12. AbulHussein's Gravatar AbulHussein
    July 26, 2009 at 6:15 am | Permalink

    AS

    Salman C, hope your well. There was an attempt on part to address your question if you wish you can refer to it. It is a separate post published on http://www.altranslators.com The reason for answering there is due to space and because the question you posed seemed to demand a worked out answer rather than a sporadic comment.

    Abul-Hussein

    (from the lower tier of the students of knowledge)

  13. SalmanC's Gravatar SalmanC
    July 26, 2009 at 1:09 pm | Permalink

    Salaams,

    I think we basically agree, Sheikh. In a purely democratic forum, any number of misguided opinions could be mistakenly accepted as shari'i by the sheer force of the number of voices promoting them. Not that these opinions shouldn't be voiced; we should just be clear on where opinion ends and where knowledge begins.

    Here's where I'm confused: have we been talking about shariah this whole time? I'm not so sure that that was understood by everyone in the conversation. Imam Suhaib, for example was mainly concerned with how hip-hop is used for dawa. Many of the commenters were coming at it from a cultural angle. Your original post, which started this conversation, didn't explicitly say anything about shariah or what it would say about hip-hop. It just gave examples of how recent, mainstream hip-hop tends to go against much of what we stand for as Muslims. There was nothing explicitly legal about the text of the post… no quotes from the Quran, Hadith, or fatwas. To me, that says, “Okay, the Sheikh is giving us his opinion and I'm free to agree of disagree with it.”

    Of course, I understand that you probably base your opinions on your knowledge of Shariah. But how are we to understand how you arrived at your conclusions unless we're privy to your train of thought? Explaining what the Shariah says on these issues would be of great benefit to us all. Convincing us of your informed opinion, rather than simply giving it to us, would only strengthen us in our deen.

    I think this is why many of us began quoting Dr. Abdallah — he explains his positions so that we are at least capable of understanding them. This is a core characteristic of the Muslim community in the West: we like to question things until we understand them. In my (normal, non-shari'i) opinion it's a strength, not a weakness.

  14. swarthmoor's Gravatar swarthmoor
    July 27, 2009 at 12:43 pm | Permalink

    Abul Hussein,

    Let me throw this into the mix:

    1. I always felt uncomfortable with the argument: “Islam doesn't force a person to give up his culture”–or–”We can keep the good but discrad the bad.” At face value, the statements are true. But that assumes that a person actually knows what is good and bad to start with. The people who make this argument tend to be those who don't know the difference between the good and the bad.

    2. When Islam spread to the various lands, it was often done so by the higher level people of tasawwuf, and Muslims in general (da`iees/traders) who, as a whole, had a greater degree of knowledge/piety than the average Muslim today. It was these people who help define the various local Muslim cultures around the world (and not perfectly so, for there is still a lot of haraam in many Muslim cultures).

    3. Much of art originally was religiously based and inspired. If it is not, then what are the people doing art for–why do they want to get on stage? I've seen several make a “secular art” argument for hip hop–that is, not every song has to have an educational/or religious theme. The only reason i can think of that a person would want to get on stage and be seen–and it is not for the purpose of guiding people to the Truth–is because they have a lot of riyaa' (insincerity) in their heart.

    Related to that, much of the religious poetry/art was the product of people who spent years learning and taming their nafs (desires). The Muslims who wrote devotional poetry were often inspired by spiritual dreams–or from other spiritual states. These were often people who had considerable status in the Deen. On the other hand, the people making the “cultural art” argument are pointing to people who can't recite Al-Fatihah or have several children out of wedlock as “examples of Muslim artists.” What art can we honestly expect from such people?!?

    4. The impression i get from those making the “culture argument” is that basically they want an American (or modern) “belly-dancing” culture. The argument so goes that since this is part of the culture, then we cannot forbid it.

    5. Whatever happened to the principle of staying away from dubious matters? Even the hip hop advocates admit that A LOT of haraam goes on at hip hop events and the culture itself. And regardless of what one's position is on which instruments, the result is pretty much the same. Also, if the hip hop advocates abandoned hip hop, it would eliminate the hostility and rancor that is often generated around this debate. Crush your nafs, leave out the hip hop, and the Muslims are none the worse. Keep the hip hop, and FOR SURE some haraam (by all accounts) is going to seep in, and the Muslims will continue to argue over something that has little benefit–but causes tremendous harm.

    6. Folks need to keep in mind that rap–FROM ITS ORIGIN–has been filled with haraam and kufr. It's not just the 21st century rap. You can go back to the tracks of Spoonie Gee, Funky Four, Kurtis Blow, Flash and the Furious Five, Treacherous Three, ad nauseum, and see that the root of rap has never been good. When rap became more politically conscious, it was mixed with black nationalism and the outrageous kufr of the 5%ers. After that, is this nihilistic gangsta (c)rap.

    Lastly, i do believe that American Muslims need to develop their own culture, but that is only after American Muslims have gained a certain degree of mastery of the tradtional Islamic sciences and have attained considerably higher levels of spiritual experience and maturity. (Also, i may add–Muslims need an identity separate from the dominate kaafir culture.) We certainly cannot allow people devoid of religious training and dominated by their nafs to define Muslim culture in the West. If we allow that, then we have destroyed ourselves.

  15. SalmanC's Gravatar SalmanC
    July 28, 2009 at 8:03 am |  

INTERVIEW: Bryan Stevenson & Michelle Alexander > from Bill Moyers Journal . Watch & Listen | PBS


Bryan Stevenson and Michelle Alexander
Gretchen Morgenson, photo by Robin Holland
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April 2, 2010

On April 4, 1968, Dr. Martin Luther King, Jr. was assassinated on the balcony of the Lorraine Motel. This week, BILL MOYERS JOURNAL observes the anniversary of King's murder by examining America in light of his dream. What would he think of our country today and where would he focus his fight against inequality and injustice?

Two talented lawyers who've dedicated their careers to fighting inequality, Michelle Alexander and Bryan Stevenson, join Bill Moyers on the JOURNAL to examine justice and injustice in America 42 years after King's death. 

Alexander believes that King would be deeply troubled by the remaining inequality in America. As she tells Bill Moyers, "I think Martin Luther King would be thrilled by some of the individual progress of African Americans, but stunned, absolutely stunned and saddened, by the state of African Americans as a whole today."

Stevenson adds that to reach King's dream, America must address the causes of poverty, "I think in America, the opposite of poverty is justice. I think there are structures and systems that have created poverty, and have made that poverty so permanent, that until we think in a more just way about how to deal with poverty in this country, we're never gonna make the progress that Dr. King envisioned."

Both believe that America's policies of mass incarceration continue the cycle of poverty. America is the largest jailer on the planet, with 2.3 million people behind bars. But the policy of mass imprisonment, unique among industrialized nations, disproportianatetly affects minorities, especially African American men. One in 100 adults in America is behind bars, but one in nine African American men aged 20 to 34 is behind bars. Much of this arises from the "war on drugs." According toHuman Rights Watch, African American adults have been arrested at a rate 2.8 to 5.5 times higher than white adults in every year from 1980 to 2007. Yet, according to government statistics, African Americans and whites have similar rates of illicit drug use and dealing.

A consequence of this disparity, and America's harsh treatment of lawbreakers, according to Alexander, is a population of people living in conditions shockingly like African Americans experienced under Jim Crow:
Today in communities of color across America, large majorities of African American men have been branded criminals, felons for life. And as a result, many are denied the right to vote, automatically excluded from juries, and legally discriminated against in employment, housing, access to public education-- public benefits. Many of the forms of discrimination we thought we left behind in the Jim Crow Era are legal again, once you've been branded a criminal.
Stevenson points out that these are not inevitable policies:
We didn't have to incarcerate people for 10, 20, 30, 40 years for simple possession of marijuana, for drug use. We didn't have to do that. We made choices around that. And now the consequences are devastating. I think they're not only devastating from a political perspective, but — I think this is the way I think it relates to Jim Crow, as well — it's also been devastating within communities of color. Right now, for black men in the United States, there's a 32 percent chance you're going to jail or prison. In poor communities and minority communities, urban communities, rural communities, it could be 60 percent or 70 percent. You're born, you're a ten-year-old kid. There's a 70 percent chance that you're going to go to jail and prison. What does that do to you?
Bryan Stevenson
Photo by Robin HollandBryan Stevenson has been representing capital defendants and death row prisoners in the deep south since 1985 when he was a staff attorney with theSouthern Center for Human Rights in Atlanta, Georgia. Since 1989, he has been executive director of theEqual Justice Initiative (EJI), a private, nonprofit law organization he founded that focuses on social justice and human rights in the context of criminal justice reform in the United States. EJI litigates on behalf of condemned prisoners, juvenile offenders, people wrongly convicted or charged, poor people denied effective representation and others whose trials are marked by racial bias or prosecutorial misconduct. 

Stevenson's work has won him national acclaim. In 1995, he was awarded the prestigious MacArthur Fellowship Award Prize. He is also a 1989 recipient of the Reebok Human Rights Award, the 1991 ACLU National Medal of Liberty, and in 1996, he was named the Public Interest Lawyer of the Year by the National Association of Public Interest Lawyers. In 2000, Stevenson received the Olaf Palme Prize in Stockholm, Sweden for international human rights and in 2004, he received the Award for Courageous Advocacy from the American College of Trial Lawyers and the Lawyer for the People Award from the National Lawyers Guild. In 2006, NYU presented Mr. Stevenson with its Distinguished Teaching Award. He has also received honorary degrees from several universities, including Yale University, the University of Pennsylvania, and Georgetown University School of Law. Stevenson has served as a visiting professor of law at the University of Michigan School of Law. He has also published several widely disseminated manuals on capital litigation and written extensively on criminal justice, capital punishment and civil rights issues. 

A 1985 graduate of Harvard, with both a masters in Public Policy from the Kennedy School of Government and a J.D. from the School of Law, Stevenson joined the clinical faculty at New York University School of Law in 1998. 

Michelle Alexander
Photo by Robin HollandMichelle Alexander is the author of THE NEW JIM CROW: MASS INCARCERATION IN THE AGE OF COLORBLINDNESS. She currently holds a joint appointment with Ohio State's Moritz College of Lawand Kirwan Institute for the Study of Race and Ethnicity where she teaches courses regarding race, civil rights and criminal justice. Her current research agenda focuses on the development of alternative rhetorical, legal, and theoretical frameworks for addressing racial inequity, particularly in our criminal justice system.

Alexander has litigated civil rights cases both in private practice and at the ACLU of Northern California. As director of the ACLU's Racial Justice Project, Alexander directed a special project aimed at moving a racial justice agenda through litigation, media, grassroots organizing and legislative advocacy. The Project's priorities were eliminating racial bias in the criminal justice system and achieving educational equity in California public schools. She launched a major campaign against racial profiling in California known as the "DWB Campaign." Litigation included three major class actions: Rodriguez v. California Highway Patrol(challenging the California Highway Patrol's discriminatory drug interdiction program); Casteneda v. UC Regents (challenging UC Berkeley's racially discriminatory admissions process); Williams v. State of California (challenging California's failure to provide basic minimum necessities for an adequate education to poor and minority students). 

Alexander is a graduate of Stanford Law School, and has taught clinical courses at Stanford Law School and Boalt Hall School Of Law, University Of California, Berkeley. From 1993 to 1994 she served as a clerk for Justice Harry A. Blackmun, United States Supreme Court.

Guest photos by Robin Holland.
Transcript:

April 2, 2010

BILL MOYERS: Welcome to the Journal. On this weekend 42 years ago, Dr. Martin Luther King Jr. was assassinated -- gunned down in Memphis, Tennessee. Many of us still have the images etched in painful memory -- Dr. King standing with colleagues on the balcony of the Lorraine Motel, the next day lying there mortally wounded, his aides pointing in the direction of the rifle shot. 

CROWD: Everybody wants freedom... 

BILL MOYERS: Then we remember the crowds of mourners slowly moving through the streets of Atlanta on a hot sunny day, surrounding King's casket as it was carried on a mule-drawn farm wagon; and the riots that burned across the nation in the wake of his death; a stinging, misbegotten rebuke to his gospel of non-violence. 

We sanctify his memory now, name streets and schools after him, we've made his birthday a national holiday. But in April 1968, as Martin Luther King walked out on that motel balcony, his reputation was under assault. The glory days of the Montgomery, Alabama, bus boycott and the 1963 march on Washington were behind him, his Nobel peace prize already in the past. 

A year before, he had spoken out against the war in Vietnam. 

MARTIN LUTHER KING JR: A time comes when silence is betrayal. And that time has come for us in relation to Vietnam. 

BILL MOYERS: He said money spent on the war should go for social programs, and that angered many, including President Lyndon Johnson, some of his fellow civil rights leaders, and influential newspapers. "The Washington Post" charged that King had, quote, "diminished his usefulness to his cause, to his country, and to his people." 

With his popularity in decline, an exhausted, stressed and depressed Martin Luther King turned his attention to economic injustice. His march on Washington five years earlier, he said, had not been for civil rights alone but "for jobs and income, because we felt that the economic question was the most crucial that black people and poor people, generally, were confronting." So, in 1968, King was building what he called the Poor People's Campaign for better pay and affordable housing. 

But he first had to prove that he could still be an effective leader. And so he came to Memphis, in support of a strike by that city's African-American garbage men. 1,100 sanitation workers had walked off the job after two of them their ranks died in a tragic accident, crushed by a garbage truck's compactor. The garbage men were fed up -- treated with contempt as they performed a filthy and unrewarding job, paid so badly that forty percent of them were on welfare, called "boy" by white supervisors. Their picket signs were simple and eloquent: "I am a man." 

A few weeks into their strike, which had been met with opposition and violence, Dr. King arrived. He addressed a rally then returned to lead a march that ended in smashed windows, gunshots and tear gas. So now King came back to Memphis one more time to try to put things right and made the famous speech that would prove prophetic. 

MARTIN LUTHER KING JR: I just want to do God's will. And He's allowed me to go up to the mountain. And I've looked over. And I've seen the promised land. I may not get there with you. But I want you to know tonight, that we, as a people, will get to the promised land! And so I'm happy, tonight. I'm not worried about anything! I'm not fearing any man! 

Mine eyes have seen the glory of the coming of the Lord! 

BILL MOYERS: The next night he was dead. Twelve days later, the strike was settled. The garbage men's union was recognized and the city of Memphis begrudgingly agreed to increase their pay, at first by ten cents an hour...and later, an extra nickel. 

That paltry sum would also be prophetic. All these decades later, little has changed when it comes to economic inequality. If anything, the recent economic meltdown and recession have made the injustice of poverty even more profound. 

Unemployment among African Americans is nearly double that of whites, according to the National Urban League's latest "State of Black America Report." Black men and women in this country make 62 cents on the dollar earned by whites. Less than half of black and Hispanic families own homes and they are three times more likely to live below the poverty line. 

Look at this report from the non-partisan group United for a Fair Economy. Martin Luther King, Jr. is on the cover. But his dream is in jeopardy, the report says. "The Great Recession has pulled the plug on communities of color, draining jobs and homes at alarming rates while exacerbating persistent inequalities of wealth and income." 

That's the subject of our broadcast: what has happened to Martin Luther King, Jr.'s vision of economic justice? 

With me now is Bryan Stevenson, one of the country's leading advocates for justice. He lives in Alabama, where he founded and leads the Equal Justice Initiative, whose mission is defending the poor and people of color. He's won wide recognition, including the MacArthur "genius" award, for his efforts to end the death penalty. He teaches clinical law at New York University. 

Michelle Alexander is also an expert in civil rights advocacy and litigation. The former director of the civil rights clinics at Stanford Law School in California, she teaches law now at Ohio State University. You're going to hear a lot about her powerful new book, "The New Jim Crow: Mass Incarceration in the Age of Colorblindness." 

Welcome to the Journal. Let's begin with some speculation. Martin Luther King, would be 81. Imagine for us what he might think today about the state of economic justice in America. 

BRYAN STEVENSON: I think he would be heartbroken. You know, in 1966, Dr. King went to Wilcox County, Alabama, one of the counties in the black belt. And King became very close to the poor there. And really organized and tried very hard and inspired people to confront poverty. And they participated in marches and demonstrations. They were largely all been evicted from lands where they'd been sharecroppers and tenant farmers. 

And if you go to Wilcox County today, virtually nothing has changed. Nothing. And I think he would be brokenhearted by that. Today in that country 27 percent unemployment. Half of all black families have household income under $10 thousand a year. That in 2010 there would be 40 million people in this country who live below the federal poverty level. That these are pre-recession data. I think we--

BILL MOYERS: Blacks and whites? 

BRYAN STEVENSON: Blacks and whites. 

BILL MOYERS: And Hispanics and others. 

BRYAN STEVENSON: And others. I think he would be devastated by that. Because we've also had this explosion of great wealth. And it's this proximity of poverty next to wealth, that I think would make it very challenging. I also think it would be sad to him to see how wealth has caused many people, people of color and others, to abandon the poor. To give up on this dream of economic justice. 

And it would, I think, force him to confront these larger psychological dynamics. What was so powerful to me about his work in Memphis was not only that he was pushing for economic justice, but he was also pushing for the kind of liberation that every person who's been excluded and marginalized and subordinated by poverty has to approach. 

And that is this kind of recognition that you're as good as the people who have more than you. And so, that sign that those sanitation workers were wearing -- "I am a man" -- was almost more provocative than the fact that they were seeking higher wages. Because if these are men, we have to deal with them as men, that challenges everything 

Because I continue to believe that in this country the opposite of poverty is not wealth. I really don't think that's what we're talking about. I think in America, the opposite of poverty is justice. I think there are structures and systems that have created poverty and made that poverty so permanent that until we think in a more just way about how to deal with poverty in this country, we're never going to make the progress that Dr. King envisioned. 

BILL MOYERS: But surely he would have been thrilled on election night, as I know you must have been on election night, with the election of the first African American president in our history. 

MICHELLE ALEXANDER: Yeah. Yes. But I think individual black achievement today masks a disturbing, underlying racial reality. You know, to a significant extent, you know, affirmative action, seeing African Americans, you know, go to Harvard and Yale, become CEOs and corporate lawyers, you know, causes us all to marvel what a long way we have come. 

But, you know, as Bryan just indicated, much of the data indicates that African Americans today, as a group, are not much better off than they were back in 1968. When Martin Luther King delivered his, you know, "The Other America" speech. Talking about how there are two Americas in the United States. 

One where people have great opportunities and can dream big dreams, and another America where people are mired in poverty and, you know, stuck in a permanent second class status. Those two Americas still exist today. But the existence of Barack Obama and people of color, you know, scattered in positions of power and high places, you know, creates an illusion of much more progress than has actually been made in recent years. 

BILL MOYERS: In fact, you describe powerfully in your book about how thrilled you were on election night. And then you walked out of the election night party, and what happened? 

MICHELLE ALEXANDER: Yes. Well, on election night, I was filled with hope and enthusiasm. Like much of America. And as I poured out of the election night party, along with, you know, hundreds of others folks, there in the gutter, was an African American man handcuffed behind his back, kneeling on his knees in the gutter. And he was surrounded by a number of police officers who were talking and joking, you know, completely oblivious to him, to his human existence. 

And as people poured out of the party, people glanced over, briefly, took a look at him, and then went on their way with their celebrations. And I thought to myself, "What does the election of Barack Obama mean for him? Mean for him? In what way are those folks who are truly at the bottom of the well in America, in what way have they benefited?" And I think the difficult reality that we have to come to terms with is that not much has changed or will change for the folks at the bottom of the well. Until we as a nation kind of awaken. Awaken to their humanity. 

BRYAN STEVENSON: I think one of the great problems for the communities where I work is that people actually still feel pained by the absence of any truth about the real cost of Jim Crow, about the real cost of segregation, about the real cost of decades of racial subordination. 

BILL MOYERS: Jim Crow was that long and awful period when African Americans were forced into segregation and second and third class citizenship, right? 

BRYAN STEVENSON: That's right. And humiliated every day. You could not drink the same water. You could not go to the same bathrooms. You had to get off the sidewalk when a person who was white came by. You were absolutely branded as inferior. And that went on for decades. And we've never been told the truth about what that did to these communities. 

Other countries that have confronted historic problems of racism and gross ethnic conflict have recognized that to overcome that, there has to be a period of truth and reconciliation. In South Africa, they had to go through truth and reconciliation. In Rwanda, there had to be truth and reconciliation. In this country, we've never had truth and we've never had reconciliation. And so, the day to day reality for the clients where I work, the people I work with is one that's still hurt, angry, broken. 

You know, people say to me, older people come up to me, and they say, "Mr. Stevenson, I'm tired of hearing how we're talking about-- we're dealing with terrorism for the first time in our nation's history." They were antagonized by the rhetoric around 9/11. They would come up to me and they'd say, "Mr. Stevenson, I grew up with terrorism. We had to worry about being bombed. We had to worry about being lynched. We had to live in communities close to each other, because the threat of violence was constant. My uncle was nearly lynched. My aunt had to leave Alabama and go to Kentucky or Ohio or the North, because they were afraid she was going to be lynched after doing something or saying something." And that reality still lingers with them. So that they experience the things that we talk about on TV very differently. There is, I think, a quite powerful psychic injury that comes with being told day in and day out, "You're not as good. You're not as worthy. You're less than. You're subordinate." 

BILL MOYERS: Lyndon Johnson would be startled, I think, if he-- you know, he signed the Civil Rights Act. The Voting Rights Act. He thought a woman would be President before an African American. Here, just 40 years later, an African American-- doesn't that pull some of the sting out of the hurt? 

BRYAN STEVENSON: I think it does. But I don't think it changes the fundamental dynamics. Let's not be confused about the election of Barack Obama. My state of Alabama, Barack Obama got ten percent of the white vote. He got 13 percent of the white vote under the age of 30. Those are very discouraging statistics. John Kerry got twice that in '04 when he lost. 

BILL MOYERS: What do they say to you? Those statistics? 

BRYAN STEVENSON: Well, they say to me that we still live in a society where there are incredible-- there was incredible race consciousness. Where there are these divisions. I mean, my state, again, is, you know, a state where in 2004, we tried to get rid of segregation language in the state constitution, and a majority of people in Alabama voted to keep that language in that prohibits black and white kids from going to school together. 

And we're supposed to just carry on, as if somehow that doesn't matter. And these very stark racial divisions and realities are very dominant. There's a very strong reaction against the Obama election in the Deep South. In many places the number of incidents of hate crimes and complaints by black teachers and others has dramatically increased. So, I don't want us to think that the election stands alone. For every action there's a reaction. And the reaction is quite worrisome to many people of color in the Deep South. 

BILL MOYERS: You call your book "The New Jim Crow." What's the parallel between the old Jim Crow that Bryan has just described, and the new Jim Crow that you describe in your book. 

MICHELLE ALEXANDER: Well, you know, just a couple decades after the collapse of the old Jim Crow system, a new system of racial control emerged in the United States. Today, people of color are targeted by law enforcement for relatively minor, nonviolent, often drug-related offenses. The types of crimes that occur all the time on college campuses, where drug use is open and notorious. That occur in middle class suburban communities without much notice, right? 

Targeted, often at very young ages, for these relatively minor offenses. Arrested, branded felons, and then ushered into a parallel social universe, in which they can be denied the right to vote, automatically excluded from juries, and legally discriminated against in many of the ways in which African Americans were discriminated against during the Jim Crow era. 

So, when I say that we have a new racial caste system, what I mean is that we have a system of laws, policies, and practices in the United States today that operate to lock people of color, particularly poor people of color, living in ghetto communities, in an inferior second-class status for life. Now, most people think the drug war was declared in response to rising drug crime or crime rates. 

But that is not the case. The current drug war was, you know, was officially declared by President Ronald Reagan in 1982. A couple years before crack hit the streets and became a media sensation. 

BILL MOYERS: We have Ronald Reagan's announcement, when he's launching the war on drugs. Let's take a look at it. 

PRESIDENT RONALD REAGAN: We can put drug abuse on the run through stronger law enforcement, through cooperation with other nations to stop the trafficking, and by calling on the tremendous volunteer resources of parents, teachers, civic and religious leaders, and State and local officials. 

We're rejecting the helpless attitude that drug use is so rampant that we're defenseless to do anything about it. We're taking down the surrender flag that has flown over so many drug efforts; we're running up a battle flag. 

MICHELLE ALEXANDER: The drug war was part of the Republican Party's kind of grand strategy, now known as the Southern strategy, to use racially coded political appeals on issues of crime and welfare in order to appeal to poor and working class white voters who were resentful of and disaffected by many of the gains of the Civil Rights Movement. 

Folks who were upset by bussing. Desegregation and affirmative action. The Republican Party strategists, you know, openly talked about the need to use racially-coded political appeals on crime and welfare in order to get those voters who used to be part of the Democratic New Deal coalition, to get those folks to defect to the Republican Party. 

BILL MOYERS: You have a quote in your book from President Richard Nixon's White House Chief of Staff, H.R. Haldeman: "The whole problem is really the blacks. The key is to devise a system that recognizes this while not appearing to." But wasn't there also an issue of punishing criminals and stopping crime? 

BRYAN STEVENSON: But I think that's where you have to really focus on what's a crime, and what's a threat to public safety, and what's something else? We've always had a commitment to stopping crime. And people convicted and charged with violent crimes were always people who were going to be arrested and prosecuted. And what's interesting is that over the last 35 years, there haven't been tremendous fluctuations in the violent crime rate in this country. 

At the same time, we've gone from 300 thousand people in jails and prison in 1972, to 2.3 million people in jails and prisons today. With nearly 5 million people on probation and parole. Most of that is explained by this so-called war on drugs. And I think the point can't be overstated that when we talk about challenging drug use, we're not talking about challenging drug use throughout society. Because it, you know, this is actually one crime area where there aren't huge differences between black use and white use for illegal drugs. It's about the same. 

We're, you know, black people are 13 percent of the population of this country. They're about 14 percent of the drug users. But they end up being about 60 percent of the people sent to prison. And so, here you have to focus on these policies and the targeting. And I think that that's what's meant by these policies. Is that we didn't have to incarcerate people for 10, 20, 30, 40 years for simple possession of marijuana, for drug use. 

We didn't have to do that. We made choices around that. And now the consequences are devastating. I think they're not only devastating from a political perspective, but I think-- this is the way I think it relates to Jim Crow, as well. It's also been devastating within communities of color. Right now, for black men in the United States, there's a 32 percent chance you're going to jail or prison. 

In poor communities and minority communities, urban communities, rural communities, it could be 60 percent or 70 percent. Well, what does that do? You're born, you're a ten-year-old kid. There's a 70 percent chance that you're going to go to jail and prison. What does that do to you? And the heartbreaking thing for me, and when I work in communities like that, is I see kids who are 13 and 14, who believe, who expect that they're going to go to prison. 

And they tell me, "Mr. Stevenson, don't tell me about staying in school. I've got to go out here and get mine before I'm dead at 18 or 21 or I'm sent to prison for the rest of my life." And this culture of despair is a function of this so-called war on drugs, that is also like Jim Crow, because it has actually diminished the aspirations and hopes of people of color in ways that actually contribute to these cycles of violence and destruction. And hopelessness. 

MICHELLE ALEXANDER: The enemy in this war is not drugs. The enemy has been defined in racial terms. Now, if we were to look for drugs as aggressively in suburban, middle class white communities as we do in ghetto communities, we would have those kinds of stunning figures in middle class white communities, as well. And as Bryan indicated, you know, the rates of drug use are about the same. Among all racial groups. But also, and what many people don't realize is that the rates of drug sales are about the same among people of all different races. 

Now, this defies our racial stereotypes, right? When we think of a drug dealer, we think of a black kid standing on street corner with his pants hanging down, right? Well, drug dealing certainly happens in the ghetto, but it happens everywhere else in America, as well. You know, a white kid in Nebraska doesn't get his marijuana or his meth by driving to the hood to get it. No, he gets it from a friend, a classmate, a coworker, who lives down the road. 

BILL MOYERS: So, how-- why is it, Michelle, that the burden then falls the hardest on the people you've described? Young, black men in the inner cities? 

MICHELLE ALEXANDER: Well there's a number of reasons. Now, first, the enemy was defined politically as black and brown. For the reasons I described. Political reasons. It was part of the Republican Party's effort to prove they were getting tough on them. The people that many poor and working class whites had come to believe were taking their jobs and disrupting their lives through the social upheaval brought by the Civil Rights Movement. 

The Reagan Administration actually hired staff whose job it was to publicize crack babies, crack dealers in inner city communities, in the hope that these images would build public support for the drug war and persuade Congress to devote millions of more dollars to the war. 

So that it was possible to convert the war from a rhetorical one into a literal one. It was part of a larger political strategy. And once the media became saturated and our public consciousness began to associate drug use and drug crime with African Americans, it's no surprise that law enforcement efforts became concentrated in communities defined by race as well. 

BRYAN STEVENSON: The reality is, is that in poor communities, the police do raids all the time. I've worked in communities where the SWAT team comes and they put up a screen fence around the public housing project. They do searches. They stop people coming in and out. There are these presumptions of criminality that follow young men of color. 

And whenever they're someplace they don't belong, they're stopped and they're targeted. And so-- and because you don't have the resources actually to create privacy and security, you're much more vulnerable to prosecution. As Michelle said, you know, we could do the same thing, but middle class communities, elite schools in this country would not tolerate drug raids from federal law enforcement officers and police. Even if there's drug use. 

And so, there is this way in which resources and economic status actually makes you more vulnerable to criminal arrest and prosecution. And it becomes a self-fulfilling story. So that when I walk down the street in the wrong kinds of clothes, if I'm in the "wrong place," there's a presumption that I'm up to something criminal. 

And that means that a police officer being very rational, being very thoughtful, not necessarily being racist, has an interest in me and a concern about me that he's going to follow up on. Or that she's going to follow up on. And a lot of these things, I don't think are willfully or intentionally racist in the sense that I'm out to get people of color. But we have so embraced this image, this notion, this narrative about black criminality and drug use and all that sort of thing. We almost unconsciously accept that yes that person looks like a drug dealer. 

BILL MOYERS: In your book, you used the metaphor of the bird cage to describe what Bryan is talking about. What do you mean by that? 

MICHELLE ALEXANDER: Academics have a tendency to use terms like structural racism to explain how people of color are trapped kind of at the bottom. But one way of thinking about these forms of structural disadvantage is to think about it as a bird cage. Not every wire of the cage needs to be intentionally designed to keep the bird trapped, right? 

Now, the rules and laws that exist today, the drug laws and the ways in which they're enforced, all of the forms of discrimination that people who have been branded felons now face. All the forms of legal discrimination against them. These are all wires of the cage that serve to keep people of color trapped in an inferior, second-class status. 

So, you know, not every law or policy has to be adopted with discriminatory intent in order for it to function as part of a larger, and in this case, a literal cage for black people. 

BILL MOYERS: There are people who are going to disagree with you, of course. And they're going to say, "Look, there was a great deal of concern back in the '60s and early '70s with law and order. And that lock them up became a way to deal with crime. And in fact, they will say today that prisons actually work because as the prison population goes up, the crime rate has been dropping. 

BRYAN STEVENSON: But that would, first of all, would not be accurate. That is, we have huge prison growth between 1984 and 1991. And the crime rate actually increased. It's interesting. The states that have had the lowest rates of incarceration growth have actually had the greatest rates of reduction of crime. So, I don't know that we can simply say that, yes, because we have this huge prison population there's been a decrease in crime. 

No one disputes that things that threaten public safety, things that are violent crimes have to be managed with some intervention. But what we're talking about here is a huge increase in the prison population around things like marijuana possession. 

Around things like using illegal drugs. Most of these crimes are not violent crimes. My state we have a three strikes law, where you can be sentenced to life imprisonment without parole for four felony convictions. 

I represented a man who stole a bicycle worth $16 after being convicted of public urination, stealing a transistor radio, and stealing a hand tool from a hardware store. He got life without parole. A Vietnam vet I represented, who was back from Vietnam, three marijuana possession convictions. The fourth conviction, life without parole. These cases do not reflect the debate about law and order. I don't think it's about that. I think it's more about control and this kind of use of the politics of fear and anger as a way of empowering some and disempowering others. 

BILL MOYERS: Are most of those people who get the life imprisonment African Americans? 

BRYAN STEVENSON: Yes. About two thirds of the people in our state prison system are people of color. You know, there are other-- there are complexities to this. And I don't want to understate the complexities. We have a criminal justice system that's very wealth sensitive. Our system treats you better if you're rich and guilty than if you're poor and innocent. 

And so, poor people brought into that criminal justice system, who don't have the means for good legal representation, who don't have the resources to protect themselves, who can't afford to pay the fees for getting into drug court and avoiding jails and prisons are going to fare worse than people who do have those resources. That's a function of the criminal justice system. 

But now we see these incredibly troubling race effects. The Federal Government has created a sentencing scheme for crack cocaine versus powder cocaine that has been devastating to people of color. We sentence 100 times to one. 

BILL MOYERS: And Bill Clinton signed that law, by the way. It's not just Republicans who are-- 

BRYAN STEVENSON: Absolutely. 

BILL MOYERS: --whose hands are in this, right? 

BRYAN STEVENSON: Absolutely. That's exactly right. 1996, President Clinton signed a provision in the Welfare Reform Act that bans people with drug convictions from public housing and public benefits and food stamps. And women with children have been devastated by that. 

And that was a policy signed by a Democratic president. What I mean by failure, though, and our failure, our inability to recognize it is that we now know that this has been horrific. In my state, 31 percent of the black male population has permanently lost the right to vote, as a result of felony convictions in these collateral consequences. 

And yet, we are unwilling to talk about that, even as we celebrate the Selma to Montgomery March a couple of weeks ago. And talk about the Voting Rights Act as this great period in American revelation around race consciousness. And the projection is in a few years we're actually going to have a higher level of disenfranchisement among African American men than existed at the time of the Voting Rights Act. 

And if we don't recognize that that's a failure, most politicians wouldn't concede that having a third of the black male population in prison is a bad thing. And that's what I mean by failure. 

BILL MOYERS: Your passion is the abolition of capital punishment. And relatively, although each case is horrendous in its own right. Relatively few people are affected by capital punishment. Why is it capital punishment has become so symbolic of what you see as the crisis in American justice and American life? 

BRYAN STEVENSON: Yeah, well, I think several things. It shapes all of criminal justice policy. It's only in a country where you have the death penalty that you can have life without parole for somebody who writes bad checks. Somebody else who steals a bicycle. And so, it shapes the way we think about punishment. You know, we've gotten very comfortable with really harsh and excessive sentences. 

And I think the death penalty permits that. But I also think that it really challenges us, if we will execute innocent people. We've had 130 people in this country who've been exonerated, proved innocent who were on death row. For every eight people who have been executed, we've identified one innocent person. If we will tolerate that kind of error rate in the death penalty context, it reveals a whole lot about the rest of our criminal justice system and about the rest of our society. 

BILL MOYERS: There was a death penalty case that went to the Supreme Court, McCleskey versus Kemp. You used this as an example of our tolerance of failure. Give me a very brief description of the case. 

BRYAN STEVENSON: The case was an African American who was accused of killing a police officer in Atlanta, Georgia. And the history is, in Furman the court said, in 1972, that the death penalty is arbitrary, in part because it is so racially biased. They noted that 87 percent of the people executed in this country were-- for the crime of rape, were black men convicted of raping white women. 

But they didn't say it's cruel and unusual punishment. So, in 1976, the court says, "We're not going to presume bias and discrimination in the death penalty until you prove it to us." McCleskey comes back in 1987 and says, "Here's the evidence of your proof." And I think the devastating thing about the opinion is that they said, "These kinds of disparities based on race are inevitable." And that was what was devastating. 

BILL MOYERS: Inevitable? 

MICHELLE ALEXANDER: Yes. 

BRYAN STEVENSON: Inevitable. I'm a product of Brown versus Board of Education. I mean, I grew up in a community where black kids couldn't go to the public schools. I remember when the lawyers came into our community and made the public schools accessible to me. And I wouldn't be sitting here talking to you but for that intervention. And the difference between Brown and McCleskey can't really be defined or explained by jurisprudence. It's defined and explained by this perspective, this hopelessness that we have projected onto this community. 

MICHELLE ALEXANDER: McClesky versus Kemp has immunized the criminal justice system from judicial scrutiny for racial bias. It has made it virtually impossible to challenge any aspect, criminal justice process, for racial bias in the absence of proof of intentional discrimination, conscious, deliberate bias. Now, that's the very type of evidence that is nearly impossible to come by today. 

When people know not to say, "The reason I stopped him was because he was black. The reason I sought the death penalty was because he was black." People know better than to say that the reason they are, you know, recommending higher sentences or harsher punishment for someone was because of their race. 

So, evidence of conscious intentional bias is almost impossible to come by in the absence of some kind of admission. But the U.S. Supreme Court has said that the courthouse doors are closed to claims of racial bias in the absence of that kind of evidence, which has really immunized the entire criminal justice system from judicial and to a large extent public scrutiny of the severe racial disparities and forms of racial discrimination that go on every day unchecked by our courts and our legal process. 

BRYAN STEVENSON: And for me, it was devastating. I mean, I argue cases at the Supreme Court. And I, you know, every time I go there, I have this little ritual. I stand outside the court. I read where it says, "Equal justice under law." And I have to believe that to make sense of what I do. And this decision essentially said, "There will be no equal justice under law." 

BILL MOYERS: It seems to me your book boils down to this. Mass imprisonment, mass incarceration constitutes a racial caste system. And the entrance to this new caste system can be found at the prison gate. Is that what you mean by that metaphor? 

MICHELLE ALEXANDER: Yes. Absolutely. The entrance into this new caste system can be found at the prison gate, because that is when you are branded. Once you are branded a felon, right? Your life as you knew it before is over. All the forms of discrimination that are illegal for the rest of the country, now can be practiced against you with impunity, you know? 

I think it's important to recognize, though, that there are white people who have been harmed by the drug war. There are white families, particularly poor white families that have been shattered by the incarceration of loved ones. The drug war was declared with black folks in mind, and mass incarceration as we know it would not exist but for the racialization of crime in the media and in our political discourse. 

But just because African Americans have been the target of this war doesn't mean that people of all colors haven't suffered as a result. And so, for the first time I think we have a nation may have the opportunity to see how racial caste systems can harm people of all colors. And that truly few benefit from the imposition of these vast systems of control. 

BILL MOYERS: Two progressive groups, the Economic Policy Institute and the Urban League both say that structural inequality, as a sort of situation we have in America today, can not be confronted if we practice what conservatives call "identity politics." And these progressive groups are asking for targeting universalism. What does that mean to you? 

MICHELLE ALEXANDER: Well, universal policies are policies that apply to everyone, right? And obviously, health care, education, are examples of the type of thing. Quality education, quality health care, the types of things we would want to be available to everyone. But not everyone is similarly situated. Which means that we need to take into account unique, lived experiences of particular communities and particular groups which in our country are still often defined by race. 

BILL MOYERS: All poor communities and all poor groups are not the same, right? 

MICHELLE ALEXANDER: That's right. And so, having a blanket approach to all communities as though they were all similarly situated is doomed to failure. We have to take into account the unique experiences. We need to be race conscious. Conscious of the ways in which communities that are still segregated by race may experience educational inequity. May experience the under-funding of their schools in ways that are different from communities that are located in other areas. So, we have to take into account difference in order to treat everyone fairly. 

BILL MOYERS: But can you target racial differences, as Michelle just said, without a racist backlash? 

BRYAN STEVENSON: I think we have to. That is, I don't think we can overcome our racist past without recognizing the consequences of decades of segregation. Without recognizing the consequences of terrorizing a group of people based on their race. And I think we can actually find some reconciliation if we tell the truth about those histories and we deal with them in a structured, sensible way. 

I actually think we can undermine this tension, this tendency toward backlash, if we just deal with these things. For example, you know, my state, we still have, you know, segregated school systems. Even in integrated school systems, there's a black homecoming queen and a white homecoming queen. Sometimes there's a black prom and a white prom. Dealing with that, I think we can challenge some of these, the thinking behind that without backlash. It just means we have to kind of move forward. 

BILL MOYERS: Some politicians, African American politicians are urging that we give a pass to President Obama because as the first African American President, he can't really be expected to take on racially targeted issues. That is, he can't appear to be president of black people. He has to be president of all people. Do you agree with that? 

MICHELLE ALEXANDER: Well, what I think is important is for us to have a president who cares about all people. And what it means to care about someone who lives in a racially-segregated ghetto is to be responsive to their unique concerns, their unique challenges. Alright? So, if we're going to care about all people and treat all people fairly, we're going have to extend certain types of help and support to some groups of people that may not be needed for others. So, it's not about having a black agenda and a white agenda, a brown agenda, right? It's about having an agenda that genuinely extends care, compassion, and concern. 

BILL MOYERS: And jobs. 

MICHELLE ALEXANDER: To all people. 

BILL MOYERS: And jobs, right? 

MICHELLE ALEXANDER: Especially jobs today. Yes. 

BRYAN STEVENSON: You know, I think sometimes when we say American agenda, we don't mean, we don't include people of color. We don't include poor people. I mean, a real American agenda. I expect every president to care about poverty in this country. If we have 40 million people living in poverty, I think every president has to deal with that. And you don't get a pass just because you're African American or because of anything. 

I think if we have mass incarceration, that's an American problem. Every President needs to be concerned about the fact that we incarcerate more people than any other country in the world. If we want to be the home of the brave and the land of the free, we've got to think about what that means and what that says. If we violate people's rights, because they're poor. Because they're people of color. If we incarcerate them wrongly. If we condemn them unfairly, then that implicates who we are. That's an American issue. And I don't think that that in any way is a black agenda issue or poor people agenda issue. It's an American issue. 

MICHELLE ALEXANDER: I think it's critically important for us to recognize that throughout our nation's history, poor and working class whites have been pit against people of color. Triggering the rise of successive new systems of control. Even slavery. You know, many people don't realize that before we had an all-black system of slavery, there was a system of bond labor that included both whites and blacks working right alongside each other on plantations. 

Well, when blacks and whites joined together and challenged the plantation elite, and there were slave uprisings or bond laborer uprisings, the way in which plantation owners were able to split the workforce and gain control over their workers was by proposing an all-black system of slavery. Which led the white folks to believe that they had received some kind of benefit. 

And they no longer were willing to engage in struggles with the fellow black laborers, with whom they had once joined in struggle. And so, we had an all-black system of slavery in part because plantation owners wanted to prevent poor whites and blacks from joining together to seek economic justice. 

BRYAN STEVENSON: There's a tremendous effort right now to antagonize and polarize black and white, poor communities, and direct that anger towards new immigrants and people in this country who are undocumented. And I think that has to be challenged and resisted. 

In poor communities, rural poor communities, the issues are different sometimes than in urban communities. We have huge problems with transportation. We will not solve the economic problem until we do something about the transportation problem. My community, you know, people working minimum wage jobs, they have to drive 70 miles to get to work when the gas prices go up. It no longer becomes sensible for them to work. They have to quit their jobs, because it actually costs them more to get to work and work eight hours and get home than what they earn. 

So, we've got to think about that in that way. Urban communities where there are these horrific housing conditions that feed violence and drugs and all of these other conditions. We've got to talk about it in that way. But I think the basic commitment is universal. That is, we've got to recognize that poor people in America have to be addressed. We can't keep ignoring them. This is a country with tremendous wealth.

And so, if we keep ignoring the poor, I think we not only undermine Dr. King's vision, but I think we corrupt our values. And I think, you know, the observers said you judge the character of a society not by how you treat the rich and the privileged and the celebrated. You judge the character of a society by how you treat the poor, the condemned, the incarcerated. And I think this is an American challenge that Dr. King understood. But that we haven't embraced. And that's what's universal for me. 

MICHELLE ALEXANDER: I think that we need to go back and pick up where Martin Luther King left off. With the poor people's movement. When he dreamed of joining poor and working class whites, blacks, Latinos, Asians, Native Americans in a mass movement for human rights in the United States. Martin Luther King said it is high time we switch our focus from a civil rights movement and begin building a human rights movement. He said the gains, you know, of the past several years, shortly before he died, he said the gains of the past several years, those have been easy compared to the work that lies ahead." 

Gaining the right to vote. Earning the right to sit at, you know, the same lunch counter. That cost people relatively little. Costs folks relatively little. But the changes that lie ahead, which require a restructuring of our nation's economy and ensuring that every person has their basic human rights. The right to work, the right to education, the right to health care honored, no matter what their race or ethnicity. Those challenges require a movement even larger the one that he inspired, along with other civil rights activists in the 1960s. So, we need to go back to the movement building work that Martin Luther King believed in so strongly at the time of his death. 

BILL MOYERS: So, what would a commitment to economic justice, economic equality of opportunity for all look like? 

BRYAN STEVENSON: Well, I think we can take the incarceration question and turn it on its head. We're not spending in some states $45 thousand a year to keep a 19-year-old in prison for the next 30 years for drug possession. $45 thousand a year. What could we do if we spent half that amount of money on that 19-year-old when he's five or six or seven or eight? 

Economic justice would say, let's not wait until we've arrested them at 18 and 19 and spend $45 thousand a year on them. Let's spend half of that a year, between five and 18. And see if we can avoid incarceration. See what kind of opportunities we can create. See what kind of society we can create if we invest in the lives of these children who are living in the margins. What kind of America we can create if we invest in deconstructing the systems that have created poverty. Reinvesting in jobs. Reinvesting in a kind of politics of hope. We talk about it, but we don't make it real unless we deal with the most hopeless, marginalized, subordinated communities in our society. 

BILL MOYERS: Does President Obama get it? 

BRYAN STEVENSON: I think that elected politicians, at this point in our history, have a very difficult time confronting the politics of fear and anger. I really do. I think that it's very hard. President Clinton used crime to reinforce support among conservatives and moderates. He went back to Arkansas to preside over the execution of Ricky Ray Rector even though that man was brain-damaged, and it was a really horrible thing. 

He signed the 1996 anti-terrorism and effective death penalty act. He used tough on crime rhetoric throughout that administration. That was certainly embraced by his successors. You know, we're hearing some of that from this administration. We haven't seen the kind of commitment to this issue that many of us had hoped for. So, I think it's very difficult for majoritarian politicians who have used the politics of fear and crime to create support to turn against that. 

BILL MOYERS: Your book is the least romantic and the least sentimental of any book I've read in a long time. You're a really tough on what you call the new Jim Crow. 

MICHELLE ALEXANDER: Absolutely. I believe that the mass incarceration of people of color in the United States is the most pressing racial justice issue of our time. And that it is a tragedy of as great proportions as Jim Crow was, in its time. And you're right. I pull no punches in the book. But I do have great hope. And I devote the last chapter of the book to talking about why we must and we can build a new movement not just to end mass incarceration, but the history of racial caste in America. 

BILL MOYERS: Michelle Alexander and Bryan Stevenson, thank you for being with me on the Journal. 
via pbs.org

 

VIDEO: South Africa: State of Emergency? - A Documentary in Progress > from A BOMBASTIC ELEMENT

South Africa: State of Emergency? - A Documentary in Progress

Directed/ Produced by Michael Lee; codirected/coproduced by Shaft, State of Emergency? is shaping up to be a feature-length documentary investigating the past 30 years of film and society in South Africa.

Shaft, in his narration, said he is searching for a new South African cinema and spiritual voice that goes beyond the rhetoric of politics and struggle. More here.


VIDEO: Ward Churchill Speaks: On Colonialism as Genocide > from Whenua Fenua Enua Vanua

Ward Churchill Speaks: On Colonialism as Genocide


Ward Churchill Speaks: On Colonialism as Genocide from Maximilian Forte on Vimeo.


On Wednesday, 15 April, 2009, less than two weeks after his successful lawsuit against the University of Colorado on the grounds of wrongful termination for constitutionally protected free speech, Ward Churchill traveled to Montreal and delivered an address at Concordia University. The entirety of his presentation, and most of his responses to comments are shown in the video. I filmed this under less than ideal conditions, using a rather low grade camcorder, with very poor lighting.

REVIEW: Book—The Bridge - The Life and Rise of Barack Obama - By David Remnick > from NYTimes.com

Book Review Preview

Behind Obama’s Cool

Published: April 7, 2010

In 2004, Congresswoman Jan Schakowsky of Illinois attended a White House event wearing the campaign pin of her state’s candidate for the United States Senate. When she saw President Bush do a double take at the one word on her pin, she assured him that it spelled “Obama,” not “Osama.” Bush shrugged: “I don’t know him.” She answered, “You will.” Not long after this, Barack Obama gave the keynote address at the Democratic National Convention, and many people suddenly knew him. It happened so fast that he seemed to come out of nowhere. The truth was more intriguing — he had come out of everywhere.

 

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Illustration by Joon Mo Kang; photograph by Pete Souza

Barack Obama in 2004.

THE BRIDGE

The Life and Rise of Barack Obama

By David Remnick

Illustrated. 656 pp. Alfred A. Knopf. $29.95

Related

Excerpt: ‘The Bridge’ (randomhouse.com)

Profile of David Remnick (April 5, 2010)

Michiko Kakutani’s Review of ‘The Bridge’ (April 6, 2010)

 

Audio

Peter Thompson for The New York Times

Barack Obama in 2004.

His multiple points of origin made him adaptable to any situation. What could have been a source of confusion or uncertain identity he meant to turn into an overwhelming advantage. As he told a Chicago Reader interviewer in 2000:

“My experience being able to walk into a public-housing development and turn around and walk into a corporate boardroom and communicate effectively in either venue means that I’m more likely to be able to build the kinds of coalitions and craft the sort of message that appeals to a broad range of people.”

David Remnick, in this exhaustively researched life of Obama before he became president, quotes many interviews in which Obama made the same or similar points. Accused of not being black enough, he could show that he has more direct ties to Africa than most ­African-Americans have. Suspected of not being American enough, he appealed to his mother’s Midwest origins and accent. Touring conservative little towns in southern Illinois, he could speak the language of the Kansan grandparents who raised him. He is a bit of a chameleon or shape-shifter, but he does not come across as insincere — that is the importance of his famous “cool.” He does not have the hot eagerness of the con man. Though his own background is out of the ordinary, he has the skill to submerge it in other people’s narratives, even those that seem distant from his own.

Remnick takes as the keynote of his book a saying by Congressman John Lewis, the civil rights hero of the Selma march: “Barack Obama is what comes at the end of that bridge in Selma.” Remnick begins “The Bridge” with a set piece on the 2007 commemorations of the Selma march. Obama had just begun his presidential campaign, and he went to Selma to claim its civil rights legacy as his own. At the time, Hillary Clinton led him in support among blacks by three to one. Even Lewis would be on her side, at first. The Clintons had a long and excellent record with African-Americans. Obama was 3 years old at the time of the Selma march, and he was living in Hawaii, far from the civil rights turmoil of the ’60s.

In his first race for Congress, against the former Black Panther Bobby Rush, Obama was branded “not black enough.” He was not the descendant of American slaves. He had not participated in the civil rights struggle. He was not a militant activist. Nonetheless, Obama spoke at Brown Chapel in 2007, the launch site of the Selma march. Hillary Clinton was slow to make arrangements and had to settle for the less iconic First Baptist Church. She spoke well enough. Remnick is unfair to her, saying she dropped her g’s and gave a northern Illinois version of Southspeak, “channeling her inner Blanche DuBois.” In fact, Clinton is a natural mimic who “does the voices” when she tells a story — I have heard her become a Southern judge and a black woman preacher when describing one of her law cases. This got her into trouble when she “channeled” Tammy Wynette. Obama has the same gift. When he reads the audio version of “Dreams From My Father,” he speaks, in turn, like his Kenyan relatives, his Kansas relatives and the street kids he met in New York.

The difference between the two ­speeches that day in Selma lay less in delivery than in Obama’s way of making the events of his life story meld with those of his audience. He was laying claim to the black struggle as his own. He said: “My grandfather was a cook to the British in Kenya. Grew up in a small village and all his life, that’s all he was — a cook and a houseboy. And that’s what they called him, even when he was 60 years old. They called him a houseboy. They wouldn’t call him by his last name. Call him by his first name. Sound familiar?” Actually, Remnick shows that Obama’s grandfather was a respected village elder and property owner, who left his native town for Nairobi to cook for British colonials, and then traveled with British troops to Burma, bringing back their Western clothes and ways to his village.

In Selma, Obama claimed that his father was the beneficiary of the civil rights movement because it made the American government bring Kenyans, including his father, to the United States: “So the Kennedys decided we’re going to do an airlift. We’re going to go to Africa and start bringing young Africans over to this country.” Remnick proves that the airlift was an idea for the improvement of Kenya, conceived and implemented by the Kenyan leader Tom Mboya, who came to America and raised funds from private sources, including Sidney Poitier and Harry Belafonte. It was only after Obama’s father had flown in the first airlift that John Kennedy contributed to the airlift, also from private (not government) funds.

Obama, claiming to be the indirect beneficiary of the march at Selma, paid deep tribute to the heroes of that generation’s marchers, the Moses figures who took the people out from Egypt. He can claim only to belong to “the Joshua generation,” which inherited the promised land. Having maneuvered himself into solidarity with the veterans listening to him, Obama was praised that day by the Rev. Joseph Lowery of the Southern Christian Leadership Conference for “baring his soul.” Hillary Clinton had been gently nudged toward the sidelines in Selma. The slow erosion of her black support had begun.

Obama is such a good storyteller that his biographer might well be intimidated by the thought of competing with his own version of his life. But Remnick, the editor of The New Yorker, has many important additions and corrections to make to our reading of “Dreams From My Father.” Obama makes his mother sound naïve and rather simple in his book. Remnick shows that she was a smart and sophisticated scholar, whose studies for her doctorate were aided by her friend Alice Dewey, the granddaughter of John Dewey. Though Obama becomes disillusioned by the end of the book with his hard-drinking and bitter father, Remnick shows that another of Barack Sr.’s sons has even darker tales to tell of him — how this African son, Mark, gave up his father’s name out of memories of the way his mother screamed as her husband cruelly beat her.

Remnick notes that Obama’s pot smoking in high school was more a matter of belonging to a new crowd than of adolescent angst (as Obama paints it). And he finds interesting things about Obama’s friends at that time. One of them taped a bull session of students discussing the nature of time. Obama can be heard saying that “time is just a collection of human experiences combined so that they make a long, flowing stream of thought” — an observation strikingly like Augustine of Hippo’s definition of time as distentio animi, “the mind’s spanning action.” That this was not just an idle comment by a young man is confirmed when we find Obama later describing his memoir to Remnick as an effort for “a young person to pull strands of himself together into a coherent whole.”

Remnick rightly sees that memoir as a bildungsroman in the specifically black form of a “slave narrative,” a story of the rise from dependency to mature self-possession. In order to place himself in that tradition, Obama darkens the early part of the story and lightens the concluding sections. He trims the facts to fit the genre, just as he trimmed the events in his Selma speech to fit the black sermon format. Obama was not literally a slave in his youth, but he was in thrall to false images of his father, fostered by his mother’s protective loyalty to her husband. Since Obama comes to a later recognition of his father’s flaws, the story is crafted to show him shedding false idealism to become a pragmatic realist. The narrative protects him from claims that he is an ideologue or peddler of false hopes. The art with which the book is constructed to serve his deepest personal needs shows how ludicrous is the charge of Rush Limbaugh and others that he did not write it. (The ineffable ­Limbaugh thinks Bill Ayers may have written it.)

Remnick presents Obama as a perpetual outsider who wins acceptance in whatever new company he joins — in Hawaii, at Occidental College, then Columbia, then Harvard, in Chicago streets and churches, at the University of Chicago Law School, in the Illinois legislature, in the United States Senate. To do this, he had to allay the natural suspicions of any newcomer. Remnick sees how this was accomplished: “Conciliation was his default mode, the dominant strain of his political personality.” In interview after interview, people’s initial reaction to him is that he is always winning, always disarming — “cool,” intelligent and charming. A perfect example is the way he won election as the editor in chief of The Harvard Law Review. In a company of voting editors heatedly divided between left and right, he positioned himself in the center and won support from conservative editors along with liberals. Once in the editor’s office, he banned a more militant black ally of his from the masthead to preserve peace on The Review. Later, when he taught at the University of Chicago Law School, he won the respect of conservative professors there, including Richard Posner — “especially,” as Posner tells Remnick, “after one of my clerks, who had worked with him at The Harvard Law Review, told me that he wasn’t even all that liberal.”

For all Obama’s skills at ingratiation, Remnick grants that luck played a great role in his rise. He was never in a closely contested election until the presidential race of 2008, and the charges brought against him in that one were mainly trumped up — Remnick scrupulously sifts through the maximum use made of his minimal connections with Tony Rezko, Bill Ayers and Jeremiah Wright. In the character test that the election became, Obama scored well above his opponents Hillary Clinton, Bill Clinton, John McCain and Sarah Palin. Finally, even the Clintons’ friend John Lewis swung over to Obama. Liberals urged Obama, who was too lawyerly in the campaign debates, to get more feisty. Not only was that against his conciliatory character, but it would have backfired dangerously. He knew the one thing he could not become was an angry black man. He had to be more restrained than anyone else in the race.

In this lengthy book, Remnick examines in detail every aspect of Obama’s life before his election as president. “The Bridge” concludes with his swearing in, at which Lewis plays a role to complement his part in the book’s opening. There is only a brief (five and a half pages) epilogue on the presidency. It devotes one sentence to the Afghan war, though — in keeping with Remnick’s racial emphasis throughout — it spends three paragraphs on the arrest of the Harvard professor Henry Louis Gates and the subsequent “beer summit” at the White House. Yet the book’s insights into Obama’s character will be very useful for understanding the man’s performance as president.

Obama’s strategy everywhere before entering the White House was one of omnidirectional placation. It had always worked. Why should he abandon, at this point, a method of such proved effectiveness? Yet success at winning acceptance may not be what is called for in a leader moving through a time of peril. To disarm fears of change (the first African-­American presidency is, in itself, a big jolt of change), Obama has stressed continuity. Though he first became known as a critic of the war in Iraq, he has kept aspects or offshoots of Bush’s war on terror — possible future “renditions” (kidnappings on foreign soil), trials of suspected terrorists in military tribunals, no investigations of torture, an expanded Afghan commitment, though he promised to avoid “a dumb war.” He appointed as his vice president and secretary of state people who voted for the Iraq war, and as secretary of defense and presiding generals people who conducted or defended that war.

To cope with the financial crisis, he turned to Messrs. Geithner, Summers and Bernanke, who were involved in fomenting the crisis. To launch reform of medical care, he huddled with the American Medical Association, big pharmaceutical companies and insurance firms, and announced that his effort had their backing (the best position to be in for stabbing purposes, which they did month after month). All these things speak to Obama’s concern with continuity and placation. But continuity easily turns into inertia, as we found when Obama wasted the first year of his term, the optimum time for getting things done. He may have drunk his own Kool-Aid — believing that his election could of itself usher in a post-racial, post-partisan, post-red-state and blue-state era. That is a change no one should ever have believed in. The price of winningness can be losing; and that, in this scary time, is enough to break the heart of hope.

 

Garry Wills, professor emeritus of history at Northwestern University, is the author of “Bomb Power: The Modern Presidency and the National Security State.”

 

INTERVIEW: Tera Hunter—Slave Marriages, Families Were Often Shattered By Auction Block : > from NPR

Slave Marriages, Families Were Often Shattered By Auction Block

February 11, 2010

 

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February 11, 2010

During the slavery era, when slaves wanted to get married, it often presented a range of complexities that today's couples can't even begin to comprehend. Professor Tera Hunter, who teaches history at Princeton University, talks with host Michel Martin about jumping the broom during slave times.

 

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MICHEL MARTIN, host:

For Black History Month, we've been talking about new news about black history, focusing on new scholarship that has emerged in recent decades that tells a larger story about black people in America. The complexities of marriage among enslaved and newly freed African-Americans is one of those stories.

Here to tell us more is Tera Hunter. She's a professor of history at Princeton University, and she specializes in African-American history and gender in the 19th and 20th centuries. Welcome to the program. Thank you so much for joining us.

Tera Hunter

Professor TERA HUNTER (History, Princeton University): Thank you, Michel, for having me.

MARTIN: How did you become interested in marriage during this period?

Prof. HUNTER: Well, I became interested when I was researching my first book, which is called, "To 'Joy My Freedom: Southern Black Women's Lives and Labors after the Civil War." It's a book about domestic workers between the Civil War and the World War I period. And I found some very rich documents of family life in the Reconstruction Era in the Freedman's Bureau Records of the National Archives.

These are first-hand documents, direct testimony from ex-slaves on a variety of topics related to the war and post war. And many of the documents are related to family issues, and marriages in particular. So I was quite taken with the richness and complexity of some of what was revealed in these documents in comparison to the then-existing literature on the topic.

MARTIN: Well, what was the then-existing literature on the topic, and how did what you find out differ from - from that, from what was believed or assumed?

Prof. HUNTER: Well, I think it's more of a matter of emphasis - much of the existing literature tended to focus more on family forms and structures in response to some longstanding debates, even going back to the Moynihan Reports. But I was more interested in some of the internal dynamics of black marriages and families. And so many of those documents really spoke to those issues from the perspective of former slaves themselves.

MARTIN: Well, one of the things that you point out in writing about this topic is that many couples did marry under slavery, but I think we understand that one of the horrors of slavery is that these marriages had no official recognition, that husbands and wives and children could all be separated at any time at the whim of an owner.

Prof. HUNTER: Right.

MARTIN: So how did these enslaved Americans develop a concept of marriage, given those circumstances?

Prof. HUNTER: Well, I think they were able to develop that concept in part because of their traditions from West Africa, but also from the importance of the family. And knowing that family connections were really important to them, they were able to then create meaningful relationships, despite the fact that these relationships were not legal. So they understood the importance of family to their own survival and also to developing, you know, meaningful relationships that stretched across generations.

MARTIN: You point out that, in fact, that many - after slavery, many enslaved Americans went on a real - a search to find spouses from whom they had been separated. Why was that so important?

Prof. HUNTER: Well, because they had been often separated against their will during the course of slavery, during the course of the confusion created by the Civil War. And so it's very important for them to make those connections again. And they walked long distances to reconnect with their families. They sent letters to different agencies of the federal government, through various churches to try to make those connections again.

You know, basically, slavery really complicated family relationships in ways that took many decades for them to recover. So after the Civil War, you see marriage being one of the very first civil rights that African-Americans are able to exercise. And they do that with a great deal of enthusiasm, to the point of overwhelming the Union Army, making it very difficult for them to handle the numbers of people trying to get married.

At the same time, many African-Americans did not respond in this way and were reluctant to legalize their marriages. They were unsure about what legalization could mean, how it might encourage further interference with their relationship. So there was initially some resistance, and there was some resistance even from white Southerners, as well. And so you find some coercion from the federal government, from missionaries trying to enforce marriage. But again, most African-Americans did want to embrace the idea of formalization and legalization of their marriages.

MARTIN: But you also say there were some owners who promoted marriage, even though they had no interest in recognizing it over the long-term, because they though it served their interests, as well. Tell me about that.

Prof. HUNTER: Right. So, owners had some interest in promoting marriages, in part in response to the abolitionist movement, because one of the strongest points that the abolitionists made, one of the most compelling attacks on slavery was the ways in which it undermined family relationships and marriages.

And so, in response to that, post-slavery defenders argue that, you know, slave-holding households themselves were like families and that they actually did encourage African-Americans to marry, to adopt Western Christian notions of marriage rather than so-called heathen practices from their past. So, essentially, slave masters learned that it was to their advantage to promote marriage and families, in part because it made economic sense. It mollified the slaves. It kept them reasonably content. It gave them incentives to remain on their plantations, as opposed to running away.

MARTIN: Hmm. So there was a real push me, pull me around marriage in that era. On the one hand, there were cultural reasons to marry, and the other hand, there were cultural pressures against it. There were legal pressures against it. It sounds to me that this was just a very complicated period emotionally for people, in addition to, you know, all that they had to deal with. But there are those who speculate that slavery is, in part, the reason that marriage is still such a fraught topic in the black community today, in that the institution of marriage never took hold among African-Americans to the degree that it did among whites, in part because during slavery, marriage was not respected.

We do know - I think, you know, have reported this, that the marriage rates among African-Americans were higher than among whites until the early 1960s. Do you have an opinion about this? What is your take on this question?

Prof. HUNTER: I do. And I guess I'm really troubled by some of the assumptions that people make in making that sort of leap from slavery to today in trying to draw a straight line to explain marriage patterns today, because there's been a lot that's occurred between slavery and today that I think would challenge that assumption. Of course, it took many decades for former slaves to recover from the devastation that slavery has reaped upon family lives and all the integuments that are produced.

But on the other hand, as you said, you know, marriage was nearly universal among African-Americans by 1900, for example. There are some disparities in terms of African-Americans living in urban areas not being married to the same degree, but still, there was a propensity to marry in these early - by the early 20th century. That's only a few decades after slavery ends - not only to marry, but to also remarry. If they separated and divorced, they were likely to remarry again.

That's very different from today. We begin to see marked racial differences in marriage rates starting around the 1940s, but especially around the 1960s and '70s, till we get to, you know, sort of the late in the 20th century and the early 21st century, where we see a complete reversal of previous patterns. So, while in the earlier period, we see African-Americans marrying in large numbers, now we see the reverse. So it's hard to blame what's happening today on slavery, given that in, you know, the many decades following slavery up, at least through the 1940s and perhaps into the 1960s, we see, you know, the largest numbers of African-Americans marrying and remarrying over and over again.

MARTIN: So, finally, what's - what is it that you think people most - that is most important for people to know about marriage among the enslaved and formerly enslaved in this period?

Prof. HUNTER: Well, I think we need to know that African-Americans actually did value marriage. And I think that really goes to the point that you were making, that people assumed that this was not something that was important to African-Americans. And, you know, I see this in the records, the deep love and the deep commitments that people had to their families, the lengths that people went to in order to preserve and protect those relationships at the risk of punishments, at the risk of death. So, I think that's really important for people to understand, is that African-Americans made great sacrifices in order to give their relationships meaning, even though they were being disregarded by the larger society.

MARTIN: Tera Hunter is a professor in the history department in the Center for African-American studies at Princeton University. She specializes in African-American history and gender in the 19th and 20th centuries. She's the author of "To 'Joy My Freedom: Southern Black Women's Lives and Labors after the Civil War." And she was kind enough to join us from her home office in Princeton, New Jersey. I thank you so much for speaking with us.

Prof. HUNTER: Thank you, Michel.

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Interview

Your current book focuses on marriages among African-Americans in the 19th century? Can you discuss the origins of that book?

The idea germinated in the process of doing research for the first book as I was exploring family dynamics during the Reconstruction period. The Freedman’s bureau records for example, include a lot of resources about the transition from slavery to freedom. Many ex-slaves were searching for family members and the agents at the bureau would take down their stories and often in the process they compiled lots of information about slave and ex-slave family relationships. There is a very rich treasure trove of personal records  as a result. In doing this research I came across a lot of documents related to marriage.  I put aside some of the research from that, thinking I would write an article about marriage during this period.

After my first book I started working on a different project related to the history of medicine but decided to go back to this topic of marriage and rather than write an article about Reconstruction, I would write a book about marriage in the whole 19th century. I was interested in how  the concept of marriage changed from slavery when there was no legal standing, until after slavery ends when it does gain recognition and the complications that created. I also wanted to look at free blacks during the period of slavery, some of whom had enslaved spouses.

What was the view of marriage by African-Americans during and after slavery?

 Many couples did marry under slavery in these informal relationships that the masters did sometimes recognize. They could be split apart and they often were, but masters did recognize the value of having slaves marry if for no other reason than to bolster their own interests and helped to maintain a stable workforce. Proslavery ideology and Christianity also influenced masters who wanted to use marriage to reinforce paternalism and the “positive-good” thesis for rationalizing slavery. At the same time, slave owners were not willing to have those benefits outweigh their economic interests. Profit was the most important fact in their decisions about how they regarded the permanence of those relationships. 

This made marriage for slaves highly significant and valued because they understood and experienced the implications of not having legal protections and autonomy. Marriage was taken for granted by most people at the time, especially whites, because they didn’t have to worry about outside interventions and violations of their marital bonds. Slaves had a greater appreciation of marriage because of that but I think that their views were complex. After slavery ends, there’s this embrace of marriage. It’s the first civil right they can exercise and it also provides legitimacy to their children. At the same time, some people wanted to maintain the informality of conjugal relationships as they had before .

There was also a sense that marriage had a larger meaning for the race. There was this sense of hopefulness that with legal recognition they would gain respect from the larger society and that it could open doors and could erase the stigma of racial inferiority they had lived with for so long.  By the end of the 19th century, you get a sense that racial discourse is diminishing under Jim Crow. It’s clear that marriage is not going to have the kind of impact they thought it would have for the race as a collective.  But it still had importance for individual couples.

 Were couples separated under slavery able to reunite and get married?

Some of them were but many of them were not able to. Some of the separations had occurred earlier in the period of slavery and some happened as result of the war itself. Sometimes when the Union Army came into a territory, the plantations would be split up. Many people were separated during the course of the war. Soldiers, including black soldiers, were going off to fight. Women often tried to keep their families together by following behind and setting up nearby camps. After slavery ended there was a huge undertaking to reunite family members and spouses. It is remarkable not only that so many were unable to do so, but also that many did, with the help of agencies such as the Freedmen’s Bureau.

 How much material was available for research for this book compared to your previous book?

The research for this book is much easier than for the first one. The big difference is that for this book there are so many sources. In part, this is because I’m doing this very broad topic of marriage in the whole 19th century throughout the country. But the records themselves are also richer. Just take the period of Reconstruction itself.  I could write a book on that period alone. For example, there are Civil War Pension records, generated by widows of Civil War veterans.  African American widows who applied for pensions  had to show how they were married before the War, which meant they needed the testimony of people who knew them as couples, including former masters and fellow slaves.  In order to maintain the pensions they had to stay unmarried and the government could and did send out investigators to verify this. All of the testimony that the original pensions and the investigations generated provide a treasure trove of revelations about black marriages stretching from slavery through the end of the 19th century and beyond.

I have also had to explore different kinds of sources I had not used much before, such as legal records. When I started to write what I thought would be the first chapter on slave marriages, I realized that before I could write that chapter, I would have to write an entire chapter on  slave law as it applied to marriage issues.  I had a lot of questions the existing secondary literature could not answer for me so I found myself having to delve deeper into legal treatises, case records, and statutes to figure things out for myself.


Q.    Can you discuss the origins of your first book,  To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War?

 The first book started out as a seminar paper about the washerwomen’s strike in Atlanta, Georgia in 1881 in David Montgomery’s seminar on American Social History. It was a strike that not very many historians had paid much attention to. The scholars who had written about it had been pretty dismissive of it.  I looked at the original sources such as newspaper accounts from the Atlanta Constitution and I found it quite interesting that the strike had a very significant impact - much more so than other historians had suggested. That was the opening for me to do more research on working class women in Atlanta in particular. 

 Can you put the strike in the context of slavery?

If you think about slavery as forced labor it is easier to understand the urgency on the part of African Americans to find ways to be more autonomous and to have lives that were as far removed from slavery as possible. You see this search in the kind of work they chose, within the constraints still imposed on them. For urban black women, domestic work was the only option they had. But within that category many chose to be washerwoman because it allowed more independence and flexibility. They could do the wash in their own quarters, take care of their kids and other family responsibilities at the same time. It helped to relieve the unrelenting dynamic between worker and employee conflict that they faced under slavery or even as free people working in white households.

1881 was not that far removed from the abolition of slavery, so it was still a very risky enterprise for the women to organize a strike. So this really helps put their demands for higher wages and respect for their work into perspective.

 What can you tell me about the women who organized the strike?

 There is information available on some of the women organizers as a result of their arrests for “disorderly conduct” while canvassing the city to increase their ranks.  They tended to be older women, married women, mothers, and so they put a lot on the line to assert themselves and be willing to face the repercussions of possible violence, as did other African Americans who were organizing throughout the south.  These women had a similar profile as compared to other strikes by washerwomen in Jackson, Mississippi in 1866 and Galveston, Texas in 1877 . The Atlanta strike was the largest among these and for the city of  Atlanta as well.  Strikes by workers in the South in general, white or black, were pretty rare at the time. 

  How did you research a book on black working women given that there are so few sources on the topic?

The strike provided an entrée to figuring that out. I built my dissertation by trying to figure out who these women were who ended up in Atlanta in 1881. How did they get there? What kinds of opportunities were available to them? They came from the countryside seeking work and opportunities and the work that was available to them was domestic work .

 I was interested in how the work impacted their families and their communities and also how they were perceived by their employers and larger society, I wanted to learn more about the everyday lives of these women in their work spaces and neighborhoods. The dissertation took me in other directions as well. I have a chapter on the ways that they were stigmatized as carriers of disease, in particular tuberculosis. There was also some controversy about how the women spent their leisure time. Dancing was one of the activities they were drawn to which some employees argued interfered with their jobs, that instead of dancing they should spend their time resting to prepare themselves for the next day’s work. 

 Can you describe what took place during the Atlanta strike?

Historians have often made the assertion that domestic workers are the most difficult to organize because they tend to work in employer’s homes in isolation of fellow workers. This was one of the examples that defy that generalization. These were women who worked in their own homes, they also often worked together in common spaces in their neighborhoods where they would do the wash.  They used those spaces and daily networks as a basis for their door-to-door campaign. 

 The basic idea was that they wanted higher wages. They wrote an open letter to the mayor that was a very interesting document because it is the only surviving source where you get to hear the women speak. This was in stark contrast to the employers and other opponents of the strike who were very vocal and had their views well-represented in the press.  The opponents included the newspaper itself, which was not the objective journalism we would expect today: the Atlanta Constitution was very clear about how it felt about many topics. 

 Yet, there was a kind of grudging respect for these women because the city wrongly assumed that the women would cave immediately. They ended up having a significant impact in terms of the symbol of organizing and calling attention to the issues that they thought were important. The newspaper had to acknowledge that the city had felt the impact of not having full access to these women’s labor. At the time, most white households relied on their labor; even some working class women hired these domestic workers because laundry work was one of the most difficult of the household chores. So housewives who could afford it were very eager to send out the wash. 

 How many people were involved in the strike?

The strike began with just 20 women and a few men meeting at one of the neighborhood churches. The newspaper reported that there were 3000 strikers and supporters. That may have been an exaggeration, so it is hard to say.  The women did get wide support within the black community, however, so the numbers are probably more reflective of that.

 Did they succeed?

I was very reliant on what the newspapers said and they reported a few instances of women getting higher wages. But if I look at the evidence more broadly than that, more than likely they did not get the higher wages they were seeking. I tend to emphasize the political importance as opposed to actual victory on specific issues like  wages. From the period I looked at from the time of the Civil War to 1920, low  wages was one of the biggest issues that domestic workers constantly complained about.

 What kind of wages were washwomen making?”

Most washerwomen earned around $4 to $8 per month. And again, there is little movement in those figures even into the first decades of the 20th century.

 Can you explain why the strike was a symbolic victory? 
One outcome was that it earned the women more respect. They threatened to organize a general strike of all the domestic workers at the opening of a major event:  the International Cotton Exposition in the fall of 1881. The strike was in the summer and they suggested that they might organize this bigger strike during the Exposition.

 I was curious about why they chose to use that event. I discovered that it was the first world’s fair in the South and Atlanta was the host.  Atlanta was trying to showcase itself as the leader of the “New South” and this was seen as its debut. Business and political leaders were trying to make themselves more attractive to industries and to present the city as forward-thinking. They portrayed Atlanta, and the south, as having passive workers (not prone to protest) at the same time that these women were threatening to strike.

The contrast between the two events is interesting, even though the threat was not carried out. The city did not like the fact that the women had dared to think they could carry off an even bigger strike at a time when their labor and their cooperation would have been needed even more. Even the newspaper that had articulated the most vocal opposition to the strikers had come to have a greater appreciation for the fact that these women should not be taken for granted because of the role they played in the city’s economy. 

 Did the strike organizers retain power through other organizations after the strike?

The paper trail ends after the strike.  The strike was led by members of the Washing Society that eventually subsided. But domestic workers more generally had other mutual aid organizations and some of them functioned as trade unions organized around labor issues. 


 Were you able to follow these women through the 1920s?

It was difficult to trace individuals . I tried to find the known strikers in later census records, but could not follow up. More generally, the book traces the larger group of working-class women who migrated to Atlanta and at first saw the city as a place of opportunity after the Civil War was over.  But by 1920 there’s this sense of dashed hopes. The book ends around World War I and the great migration. By this time, many have tried Atlanta and tried the south. Many of them began thinking about other places they could move to, especially in the north, that might be more hospitable. The concluding chapter is about that next transition and transformation.

 How did you research the book without much from the women themselves?

The challenge is basically a scarcity of sources from the women themselves.  There are some sources, such as ex-slave interviews, but for the most part I had to read other accounts to get the women’s perspectives.  For example, many of the employers kept diaries and journals. Often they would record their daily travails with the domestic workers. Even though they were biased they usually inadvertently revealed the other side. Household account books were very interesting. These were records the employers kept of their expenses, including the wages they paid domestic workers. They claimed that they paid their workers very well when asked but when you look at the account books you can see how little they paid. I was also able to look at these expenses in comparison to others, for example, how much they spent on treats for their children or how much money they gave to a beggar on the street. Then you get a very different perspective. 

Newspapers were very important as well as government documents. There’s an African-American newspaper for part of the period and the Atlanta Journal Constitution was useful also. I used church records, and various organizational records like mutual aid societies.   There was also the Neighborhood Union,  a social settlement type organization that is typically identified with middle-class reform that involved domestic workers .

My book branches out from Atlanta and talks about other cities in the south. I wanted to do that in order to make comparisons but also to talk about the urban south more generally. This helped to expand the sources.

 Was the research challenging?

Very much so. It’s kind of the needle in the haystack approach to doing research. I would go into the archives and try to find anything that might be relevant and then dig in to see how useful it could be. I had to find ways to talk about the project so that archivists would not think to narrowly about what I was doing and assume that they did not have records in their collections I could use.  I spent a lot of time at the Atlanta Historical Society, as well as several state archives, the National Archives, the Schomberg Center in New York, and the Library of Congress. Regional archives, such as the Southern Historical Collection at the University of North Carolina at Chapel Hill and the Duke University archives were important too.  

 How long did it take you?
 
I did the research in stages. First, I wrote a dissertation, which laid the groundwork, provided a foundation, and also showed me where the holes were to do more research. Once I had that base, I began to look at the project  with fresher eyes. I went back and read the African American newspaper in Atlanta again and I started to see things that I hadn’t seen before. I started to see ads I hadn’t seen before, things that were happening in terms of popular culture, notices about amusements that were going on. This led me to write two chapters in the book related to leisure. 

I also began to think about the book differently conceptually. The dissertation was organized thematically, though somewhat chronologically. Several colleagues, scholars in the field, read the dissertation and asked the question , ‘Can you comment about how things changed over time?’  I realized I could not really do that unless the manuscript was completely re-organized in the context of time.

Thinking about it chronologically from beginning to end turned out to be a very interesting exercise. One of the things it changed was my interpretation of the strike.  Once I situated it within a broader chronological context, I began to see connections to grass roots politics with respect to the Republican party and African Americans participation in the party after Reconstruction. Their influence declined after Reconstruction, but on the local level they still had some political leverage in the 1880s, which they were using.  The strike was part of that. 

 Is southern history becoming a hot field?

It is a very hot field. There is a lot of very interesting work is being done on that region. It is amazing how the field has really exploded.

> via: http://www.princeton.edu/history/people/display_person.xml?netid=thunter&interview=yes

 

 

Profile

Tera W. Hunter is a professor in the history department and the Center for African-American studies who specializes in African-American history and gender in the 19th and 20th centuries.  Her research has focused on African American women and labor in the South during that period.  She is the author of  To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War (Harvard University Press, Cambridge, Mass., 1997), which focused on the experiences of working-class women, especially domestic workers, in Atlanta and other southern cities from Reconstruction through the 1920s. Michael Honey in his review in the American Historical Review called it a “triumph of research, astute analysis, and engaging imagination that deserves to be widely read by students of African-American, labor, and women’s studies and of American history.”  

The book won several awards including the H.L. Mitchell Award in 1998 from the Southern Historical Association, the Letitia Brown Memorial Book Prize in 1997 from the Association of Black Women’s Historians and the Book of the Year Award in 1997 from the International Labor History Association.  The book was also named an Exceptional Book of 1997 by Library Booknotes, Bookman Book Review Syndicate.

A native of Miami, Professor Hunter attended Duke University where she graduated with Distinction in History.  She received a M.Phil. in history from Yale University in 1986 and a Ph.D. from Yale in 1990. Professor Hunter was an assistant professor at the University of North Carolina at Chapel Hill from 1990 to 1996 and an associate professor at Carnegie Mellon University from 1996 until the fall of 2007 when she joined the Princeton faculty.  She has received numerous fellowships and grants including a Mary I. Bunting Institute fellowship from the Radcliffe Institute for Advanced Study at Harvard University from 2005 to 2006 and a Rockefeller Foundation Humanities Fellowship from the Center for Research on Women at the University of Memphis from 2001 to 2002 and a Smithsonian Institution Postdoctoral Fellowship at the National Museum of American History from 1993 to 1994.

 
 

Current Project

Professor Hunter is currently working on a book exploring the history of marriage among African-Americans in the 19th century.

 
 

Teaching Interests

Professor Hunter is teaching a course on African-American Women’s History in the fall of 2007 and plans to teach a course on African-American families in the spring of 2008. 

 
 

Publications

Books

Anthology editor with Sandra Gunning and Michele Mitchell, Dialogues of Dispersal: Gender, Sexuality and African Diasporas (Blackwell Publishing, London, 2005). (Also Gender and History 15 (November 2003, special issue).

Anthology, editor with Joe W. Trotter and Earl Lewis, African American Urban Studies: Perspectives from the Colonial Period to the Present (Palgrave Macmillan, New York, 2004).

To 'Joy My Freedom: Southern Black Women's Lives and Labors after the Civil War, (Harvard University Press, Cambridge, Mass., 1997).

Co-author with Robin D.G. Kelley and Earl Lewis, The Making of a People: A History of African-Americans, (W.W. Norton Press, forthcoming).

Editor, African American Labor History: A Survey of the Scholarship from Jim Crow to the New Millennium, one volume of the multivolume series The Black Experience in the Western Hemisphere, Colin Palmer, managing editor, Howard Dodson, series director (The Schomburg Center for Research in Black Culture and the ProQuest Co., forthcoming).

Associate Editor, Encyclopedia of US Labor and Working Class History, Eric Arneson, ed., Joe McCartin, Cindy Hahmovitch, Leon Fink, Bruce Laurie, associate editors, (Taylor & Francis Books Inc., Routledge, forthcoming).


 
 

Articles

“The Women are Asking for BREAD, why Give Them STONE?: Women, Work, and Protests in Atlanta and Norfolk during World War I,” in Labor in the Modern South, Glenn T. Eskew, ed. (University of Georgia, Athens, 2001).

"'Sexual Pantomimes,' the Blues Aesthetic, and Black Women in the South," in Ron Radano and Phil Bholman, eds. Music and the Racial Imagination (Chicago: University of Chicago Press, 2001

 

 

 

PUB: Writer Advice Flash Prose Contest

Fifth Annual Flash Prose Contest
SPONSORED BY WRITER ADVICE, www.writeradvice.com

contest

WriterAdvice, www.writeradvice.com, is searching for flash fiction, memoir, and creative non-fiction that grabs, surprises, and mesmerizes readers in fewer than 750 words. If you have a story or memoir with a strong theme, sharp images, a solid structure, and an unexpected discovery, please submit it to the WriterAdvice Flash Prose Contest.

DEADLINE: April 15, 2010

JUDGES: Former prizewinners, Gabrielle Hovendon, Lisa Shafter, Katie Flynn, and Linda Weiford are this year’s judges. Read their pieces and biographies by clicking on the Archived Contest Entries button at www.writeradvice.com.

PRIZES:

First Place earns $150; Second Place earns $75; Third Place earns $50; Fourth Place earns $25; Honorable Mentions will also be published.

All entries should be typed, double-spaced and submitted in hard copy, not e-mail. Entries must be postmarked by April 15, 2010. Send them to B. Lynn Goodwin, WriterAdvice, P.O. Box 2665, Danville, CA 94526.

You may enter UP TO THREE stories. Enclose a $10 check for EACH entry made payable to B. Lynn Goodwin. This will help defray the costs of the contest. If no prizes are awarded, checks will be refunded.

Include a separate cover sheet with your name, address, phone number, current e-mail address, and each story title. Please include only your title top of each page of your story. Finalists will be asked to submit a brief biography as well as an e-mail copy of the story. Names of all winners will be announced in the summer issue of WriterAdvice, www.writeradvice.com.

SPECIAL PERK: All entries accompanied by an SASE will be returned with brief comments. E-mail questions, but not submissions to editor B. Lynn Goodwin at Lgood67334@comcast.net.

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PUB: Geoffrey Philp: Accepting Submissions: Caribbean Vistas

Accepting Submissions: Caribbean Vistas


CARIBBEAN VISTAS:

CRITIQUES OF CARIBBEAN ARTS AND CULTURES


Caribbean Vistas, a refereed journal [written in English] in electronic form, will serve both as a formal venue for scholarly discussion and as an academic and cultural resource for researchers.


Articles in Caribbean Vistas will examine Anglophone, Francophone, and Hispanophone literatures, cultures, languages, visual arts, and performance arts from a variety of perspectives with an emphasis on works created in the 19th, 20th, and 21st centuries.


A section for previously unpublished poetry of Caribbean writers will also be a feature of Caribbean Vistas. Dr. Kwame Dawes, noted author and cultural critic, is the Poetry Editor of Caribbean Vistas.


Reviews in Caribbean Vistas will analyze recent fiction, poetry, drama, and literary nonfiction as well as scholarly works of interest in the disciplines.


Caribbean Vistas (ISSN xxxx-xxxx) will be published twice a year (Summer and Winter) for the on-line academic, artistic, and cultural community by the Caribbean Arts and Culture Symposium.


Our first issue will appear in Summer 2010.


AVAILABILITY


Caribbean Vistas will be available on the World Wide Web at: 


http://www.caribbeansymposium.com


Our site on the World Wide Web will be active, though still under construction, as of September 15, 2009.


EDITORIAL GROUP


The Caribbean Vistas Editorial Group is representative of the international academic, artistic, and cultural community and includes artists and scholars with wide-ranging interests and experience, from emerging to well-established senior academics and artistic professionals.


Poetry Editor:
Kwame Dawes, University of South Carolina


Associate Editors:
Consuella Bennett, Morehouse College
Francisco Cabanillas, Bowling Green State University
Sandra Campbell, Carleton University, (Ottawa, Canada)
Keith B. Mitchell, UMass, Lowell
Thomas Ward, Loyola University Maryland
Christopher Winks, Queens College, CUNY


Advisory Editors:
Leah Creque, Morehouse College
Cyril Dabydeen, University of Ottawa (Canada)
Janice Fournillier, Georgia State University
Alix Pierre, Morris Brown College
Victor Ramraj, University of Calgary
Keja Valens, Salem State College


Editor:
Emily Allen Williams, SCAD-Atlanta


SUBMISSIONS


Caribbean Vistas invites contributions (primarily critical essays) on literary, artistic, and cultural topics as well as essays on interdisciplinary studies from the Anglophone, Francophone, and Hispanophone cultural traditions.


Previously unpublished poetry of Caribbean literary artists is also welcomed.
Specifications, including style sheets, are available from the editor.


Contributions, including critical essays, poetry, studies, bibliographies, notices, letters to the Editor, and other materials, may be submitted to the Editor by electronic mail at ewilliam@scad.edu or vistas@caribbeansymposium.com and by postal mail at:


Dr. Emily Williams
Professor, Professional Writing
SCAD-Atlanta
1600 Peachtree Street, NE
Atlanta, GA 30309


Brief hard-copy correspondence may be sent by fax to (770) 676-9477.


Electronic mail submissions are accepted in Microsoft Word format only.


All submissions must follow the current Modern Language Association Documentation Style.


FOR FURTHER INFORMATION. . .


For additional information, or to join our mailing list, send a message to ewilliam@scad.edu or vistas@caribbeansymposium.com