VIDEO: from Shadow And Act » Exclusive Clip From “Samson & Delilah” (An Aboriginal Love Story)

Exclusive Clip From “Samson & Delilah” (An Aboriginal Love Story)

samson-and-delilahA clip from critically-acclaimed Australian film Samson and Delilah, which I’ve still yet to see; a romantic drama set in a remote community in the Outback. Winner of the Camera d’Or, (award for the Best First Feature) at last year’s Cannes Film Fesitval, directed by Warwick Thornton’s – a film previously profiled on this blog, which you can see HERE.

It’s the story of two Aboriginal teens (played by Rowan McNamara and Marissa Gibson) who begin a relationship and move away from home to live on the fringes in Alice Springs. Reportedly, Samson (McNamara) says one word throughout the entire film, and Delilah (Gibson) is only slightly more talkative, so expect one of those quiet, evocative moody melancholic pieces.

It’s played at numerous international film festivals, but no real distribution yet.

Here’s the trailer if you missed it the first time; and you can find the new clip underneath:

And here’s the new clip:

PUB: So to Speak - Literary Contests

Contests

Each year So to Speak offers fiction, nonfiction, poetry and now an art contest.[past winners]. Past judges have included Claudia Emerson, Jennifer Lauck, Marie Howe, Sharon Mehdi, and Lucy Corin.

Winners in poetry, fiction, and nonfiction are awarded $500, 2 complimentary issues, and publication in the journal. The three finalists are also featured in the journal.

Fall 2010 SHORT FICTION CONTEST

Submit two copies of your manuscript: one with your name and contact information and one without. Manuscripts should not exceed 5,000 words; they should be typed and double-spaced with numbered pages. Include a cover letter and a SASE for response. The reading fee is $15. Please make checks or money orders payable to George Mason University. Contest entries are not returned.

Deadline: March 15, 2010

Judge: Maud Casey

Spring 2011 POETRY CONTEST

Submit two copies of your manuscript: one with your name and contact information and one without. Manuscripts should include up to 5 poems, not to exceed 10 pages total. Include a cover letter and a SASE for response. The reading fee is $15. Please make checks or money orders payable to George Mason University. Contest entries are not returned.

Deadline: October 15, 2010

Judge: TBD

Spring 2011 NONFICTION CONTEST

We welcome submissions of personal essays, memoir, profiles, and other nonfiction pieces not exceeding 4,000 words. Submit two copies of your manuscript: one with your name and contact information and one without. Manuscripts should not exceed 4,000 words; they should be typed and double-spaced with numbered pages. Include a cover letter and a SASE for response. The reading fee is $15. Please make checks or money orders payable to George Mason University. Contest entries are not returned.

Deadline: October 15, 2010

Judge: TBD

Contest Submission Guidelines

To be considered for our annual contests, entrants should send the following:

  1. Two copies of the manuscript, one with entrant name and contact information and one without.
  2. $15 entry fee via check or money order made out to George Mason University. PLEASE DO NOT SEND CASH. The entry fees are what make this contest possible.
  3. SASE (self-addressed stamped envelope).
  4. A cover letter stating the following:
  • Your complete contact information. Note that we prefer home contact infromation, and please include an e-mail address if possible.
  • That your work is a contest entry.
  • A bio, not longer than 75 words, that describes your background as a writer or artist, including awards or other publications.
  • How you heard about So to Speak (for example, if through a directory, which one?).

Mail Contest Submissions to

So to Speak
(Fiction or Nonfiction Contest)
George Mason University, MSN 2C5
4400 University Drive
Fairfax, VA 22030

Please make checks payable to George Mason University.

*Note* We will not consider any submission that does not adhere to the guidelines and will immediately recycle the submission.

via gmu.edu

PUB: River Styx Poetry Contest

Contests

River Styx presents The Founders Award Original Poetry Contest for St. Louis Area High School Students

Winner will receive $150 and the opportunity to participate in a public reading at River Styx's Annual Literary Feast and Fundraiser on May 3 at Duff's in the Central West End.

Submissions should be mailed to:

River Styx Founders Award
3547 Olive Street, Suite 107
St. Louis MO 63103

Deadline to receieve submissions is April 23, 2010.

Entrants may include up to five original poems on separate pieces of paper. Poems should be titled and should not include the student's name on the poem itself. On a separate cover sheet, please include student poet's name and title(s) of submissions, the poet's age, grade, school, address, phone number, and e-mail.

Winners will be announced in the last week of April.

Fourth Annual Schlafly Beer Micro-Brew Micro-Fiction Contest

Submit your best micro-fiction and compete to win a $1,500 First Prize plus one case of micro-brewed Schlafly Beer!

Rules:
500 words maximum per story, up to three stories per entry.
$20 entry fee also buys one year subscription to River Styx.
Include name and address on cover letter only.
Entrants notified by S.A.S.E.
Winners published in our April issue.
River Styx editors will select winners.
All stories considered for publication.
Send stories and S.A.S.E. by December 31st to:

River Styx's Schlafly Beer Micro-fiction Contest
3547 Olive Street, Suite 107
St. Louis, MO  63103

River Styx
2010 International Poetry Contest

$1500 First Prize

Send up to three poems, not more than 14 pages.
All entrants will be notified by S.A.S.E.
$20 reading fee includes a one-year subscription (3 issues).
Include name and address on cover letter only.

2010 judge: Maxine Kumin.
Winner published in Fall issue.
All poems will be considered for publication.

Postmark poems by May 31st to:

River Styx Poetry Contest
3527 Olive Street, Suite 107
St. Louis, MO 63103-1014

PUB: Quiddity : Linda Hodge Bromberg Prose Poem Contest

The Linda Hodge Bromberg Literary Award

Reading for the Linda Hodge Bromberg Award takes place in even-numbered years. The 2010 contest opened January 1, and will close May 3, 2010 (postmark deadline).

Click here for guidelines.

Quiddity is pleased to announce the

Linda Bromberg Award for Prose Poetry

Prize: $500 and publication in the Fall/Winter 2010 print issue of

Quiddity as well as public-radio broadcast

(via NPR-member and PRI-affiliate WUIS)

Contest begins January 1, 2010, and ends May 3, 2010 (postmark deadline).

• Mail entries to

2010 Linda Bromberg Literary Award

Quiddity

1500 North Fifth Street

Springfield, Illinois 62702 

USA

 

Best wishes; we look forward to reading your work!

via sci.edu

 

INFO: new book—The Sexual Demon of Colonial Power « from African Diaspora, Ph.D.

Thomas, Greg. The Sexual Demon of Colonial Power: Pan-African Embodiment and Erotic Schemes of Empire. Bloomington: Indiana University Press, 2007.

About:

“The Sexual Demon of Colonial Power is a political, cultural, and intellectual study of race, sex, and Western empire. Greg Thomas interrogates a system that represents race, gender, sexuality, and class in certain systematic and oppressive ways. By connecting sex and eroticism to geopolitics both politically and epistemologically, he examines the logic, operations, and politics of sexuality in the West. The book focuses on the centrality of race, class, and empire to Western realities of “gender and sexuality” and to problematic Western attempts to theorize gender and sexuality (or embodiment). Addressing a wide range of intellectual disciplines, it holds out the hope for an analysis freed from the domination of white, Western terms of reference.”

INFO: Obesity: The killer combination of salt, fat and sugar | David A Kessler | Life and style | The Guardian

Obesity: The killer combination of salt, fat and sugar

Our favourite foods are making us fat, yet we can't resist, because eating them is changing our minds as well as bodies

burger

'You get hungry, you want something, you end up picking up a hamburger.' Photograph: Johanna Parkin

 

For years I wondered why I was fat. I lost weight, gained it back, and lost it again – over and over and over. I owned suits in every size. As a former commissioner of the FDA (the US Food and Drug Administration), surely I should have the answer to my problems. Yet food held remarkable sway over my behaviour.

The latest science seemed to suggest being overweight was my destiny. I was fat because my body's "thermostat" was set high. If I lost weight, my body would try to get it back, slowing down my metabolism till I returned to my predetermined set point.

But this theory didn't explain why so many people, in the US and UK in particular, were getting significantly fatter. For thousands of years, human body weight had stayed remarkably stable. Millions of calories passed through our bodies, yet with rare exceptions our weight neither rose nor fell. A perfect biological system seemed to be at work. Then, in the 80s, something changed.

Three decades ago, fewer than one Briton in 10 was obese. One in four is today. It is projected that by 2050, Britain could be a "mainly obese society". Similar, and even more pronounced, changes were taking place in the US, where researchers found that not only were Americans entering their adult years at a significantly higher weight but, while on average everyone was getting heavier, the heaviest people were gaining disproportionately more weight than others. The spread between those at the upper end of the weight curve and those at the lower end was widening. Overweight people were becoming more overweight.

What had happened to add so many millions of pounds to so many millions of people? Certainly food had become more readily available, with larger portion sizes, more chain restaurants and a culture that promotes out-of-home eating. But having food available doesn't mean we have to eat it. What has been driving us to overeat?

It is certainly not a want born of fear of food shortages. Nor is it a want rooted in hunger or the love of exceptional food. We know, too, that overeating is not the sole province of those who are overweight. Even people who remain slim often feel embattled by their drive for food. It takes serious restraint to resist an almost overpowering urge to eat. Yet many, including doctors and healthcare professionals, still think that weight gainers merely lack willpower, or perhaps self-esteem. Few have recognised the distinctive pattern of overeating that has become widespread in the population. No one has seen loss of control as its most defining characteristic.

"Higher sugar, fat and salt make you want to eat more." I had read this in scientific literature, and heard it in conversations with neuroscientists and psychologists. But here was a leading food designer, a Henry Ford of mass-produced food, revealing how his industry operates. To protect his business, he did not want to be identified, but he was remarkably candid, explaining how the food industry creates dishes to hit what he called the "three points of the compass".

Sugar, fat and salt make a food compelling. They stimulate neurons, cells that trigger the brain's reward system and release dopamine, a chemical that motivates our behaviour and makes us want to eat more. Many of us have what's called a "bliss point", at which we get the greatest pleasure from sugar, fat or salt. Combined in the right way, they make a product indulgent, high in "hedonic value".

During the past two decades, there has been an explosion in our ability to access and afford what scientists call highly "palatable" foods. By palatability, they don't just mean it tastes good: they are referring primarily to its capacity to stimulate the appetite. Restaurants sit at the epicentre of this explosion, along with an ever-expanding range of dishes that hit these three compass points. Sugar, fat and salt are either loaded into a core ingredient (such as meat, vegetables, potato or bread), layered on top of it, or both. Deep-fried tortilla chips are an example of loading – the fat is contained in the chip itself. When it is smothered in cheese, sour cream and sauce, that's layering.

It is not just that fast food chains serve food with more fat, sugar and salt, or that intensive processing virtually eliminates our need to chew before swallowing, or that snacks are now available at any time. It is the combination of all that, and more.

Take Kentucky Fried Chicken. My source called it "a premier example" of putting more fat on our plate. KFC's approach to battering its food results in "an optimised fat pick-up system". With its flour, salt, MSG, maltodextrin, sugar, corn syrup and spice, the fried coating imparts flavour that touches on all three points of the compass while giving the consumer the perception of a bargain – a big plate of food at a good price.

Initially, KFC meals were built around a whole chicken, with a pick-up surface that contained "an enormous amount of breading, crispiness and brownness on the surface. That makes the chicken look like more and gives it this wonderful oily flavour." Over time, the company began to realise there was less meat in a chicken nugget compared with a whole chicken, and a greater percentage of fried batter. But the real breakthrough was popcorn chicken. "The smaller the piece of meat, the greater the percentage of fat pick-up," said the food designer. "Now, we have lots of pieces of a cheaper part of the chicken." The product has been "optimised on every dimension", with the fat, sugar and salt combining with the perception of good value virtually to guarantee consumer appeal.

He walked me through some offerings at other popular food chains. Burger King's Whopper touched on the three points of the compass – then was altered for further effect. In its first, stripped-down form, the burger was explosively rich in fat, sugar and salt. Then the chain began adding more beef, extra cheese or a layer of bacon. McDonald's broke new ground in another way – by making food available on a whim. "The great growth has been the snacking occasion. You get hungry, you want something, your mind pushes off the reality of what you ought to eat, and you end up picking up a hamburger and a giant soda or french fries."

Next they introduced a high-fat, high-salt morning meal. "They took what they learned from the core lunch and dinner menu, and applied it to breakfast. The sausage McMuffin and the egg McMuffin are stand-ins for the hamburger. In effect, you are eating a morning hamburger."

This kind of food disappears down our throats so quickly after the first bite that it readily overrides the body's signals that should tell us, "I'm full." The food designer offered coleslaw as an example. When its ingredients are chopped roughly, it requires time and energy to chew. But when cabbage and carrots are softened in a high-fat dressing, coleslaw ceases to be "something with a lot of innate ability to satisfy".

This isn't to say that the food industry wants us to stop chewing altogether. It knows we want to eat a doughnut, not drink it. "The key is to create foods with just enough chew – but not too much. When you're eating these things, you've had 500, 600, 800, 900 calories before you know it." Foods that slip down don't leave us with a sense of being well fed. In making food disappear so swiftly, fat and sugar only leave us wanting more.

According to food consultant Gail Vance Civille, of management consultants Sensory Spectrum, fat is crucial to this process of lubrication, ensuring that a product melts in the mouth. In the past, she says, Americans typically chewed food up to 25 times before it was swallowed; now the average American chews 10 times. "If I have fat in there, I just chew it up and whoosh! Away it goes," she says. "You have a 'quick getaway', a quick melt."

The Snickers bar, Civille says, is "extraordinarily well engineered". Unlike many products whose nuts become annoyingly lodged between your teeth, the genius of Snickers is that as we chew, the sugar dissolves, the fat melts and the caramel picks up the peanut pieces, so the entire candy is carried out of the mouth at the same time. "You're not getting a build-up of stuff in your mouth."

Kettle chips are another success story. Made of sugar-rich russet potatoes, they have a slightly bitter background note and brown irregularly, which gives them a complex flavour. High levels of fat generate easy mouth-melt, and surface variations add a level of interest beyond that found in mass-produced chips. Heightened complexity is the key to modern food design.

Not so many decades ago, a single flavour of ice-cream was a special treat. Our options ran to vanilla, chocolate and strawberry – and when we could buy all three in a single carton, we saw that as a great innovation. Now ice-cream has countless flavours and varieties; it comes mixed with M&M's or topped with caramel sauce.

When layers of complexity are built into food, the effect becomes more powerful. Sweetness alone does not account for the full impact of a fizzy drink – its temperature and tingle, resulting from the stimulation of the trigeminal nerve by carbonation and acid, are essential contributors as well.

"The complexity of the stimulus increases its association to a reward," says Gaetano Di Chiara, an expert in neuroscience and pharmacology at the University of Cagliari in Italy. Elements of that complexity include tastes that are familiar and well liked, especially if not always readily available, and the learning associated with having had a pleasurable experience with the same food in the past.

Take a bowl of M&M's. If I've eaten them in the past, I'm stimulated by the sight of them, because I know they'll be rewarding. I eat one, and experience that reward. The visual cue gains power and stimulates the urge we call "wanting". The more potent and complex foods become, the greater the rewards they may offer. The excitement in the brain increases our desire for further stimulation.

In theory there's a limit to how much stimulation rewarding foods can generate. We are supposed to habituate – to neuroadapt. When Di Chiara gave animals a cheesy snack called Fonzies, the levels of dopamine in their brains increased. Over time, habituation set in, dopamine levels fell and the food lost its capacity to activate their behaviour.

But if the stimulus is powerful enough, novel enough or administered intermittently enough, the brain may not curb its dopamine response. Desire remains high. We see this with cocaine use, which does not result in habituation. Hyperpalatable foods alter the landscape of the brain in much the same way.

I asked Di Chiara to study what happens after an animal is repeatedly exposed to a high-sugar, high-fat chocolate drink. When he'd completed his experiment, he sent me an email with "Important results!!!!" in the subject line. He had shown that dopamine response did not diminish over time with the chocolate drink. There was no habituation.

Novelty also impedes habituation, and intermittency is another driver. Give an animal enough sugar-laden food, withdraw it for the right amount of time, then provide it again in sufficient quantities, and dopamine levels may not diminish.

There's still a lot we don't know about the relationship between the dopamine-driven motivational system and our behaviour in the presence of rewarding foods. But we do know that foods high in sugar, fat and salt are altering the biological circuitry of our brains. We have scientific techniques that demonstrate how these foods – and the cues associated with them – change the connections between the neural circuits and their response patterns.

Rewarding foods are rewiring our brains. As they do, we become more sensitive to the cues that lead us to anticipate the reward. In that circularity lies a trap: we can no longer control our responses to highly palatable foods because our brains have been changed by the foods we eat.

I wanted to know how much the industry understood about how the food we eat affects us; about what I have termed "conditioned hypereating" – "conditioned" because it becomes an automatic response to widely available food, "hyper" because the eating is excessive and hard to control. I turned to Joseph Stiglitz, a Nobel laureate in economics.

"Does the industry know that what it feeds us gets us to eat more?" I asked.

"The industry has jacked up what works for it," Stiglitz said. "The learning is evolutionary." Practical experience has been its guide – it does not need lab rats when it can try out its ideas on humans. Its decision-makers do not have to analyse human brain circuitry to discover what sells.

A venture capitalist who knows the business intimately cited Starbucks as a company that has recognised and responded brilliantly to a cultural need. The caffeine and sugar in the coffee, with their energising effects, are certainly part of the equation, but the chain also offers something much more primal. "It's about warm milk and a bottle," he says. "One of my colleagues said, 'If I could put a nipple on it, I'd be a multimillionaire'."

But it was thinking creatively about how to attract more consumers that led Starbucks to the Frappuccino, the venture capitalist told me. Although its stores were crowded early in the day, by afternoon "they were so empty you could roll a bowling ball through them". The creation of a rich, sweet and comforting milkshake-like concoction utterly transformed the business. A Starbucks Strawberries & Crème Frappuccino comes with whipped cream and 18 teaspoons of sugar: all in all, this "drink" contains more calories than a personal-size pepperoni pizza, and more sweetness than six scoops of ice-cream. By encouraging us to consider any occasion for food an opportunity for pleasure and reward, the industry invites us to indulge a lot more often.

Starbucks learned a basic lesson: make enticing food easily and constantly available, keep it novel, and people will keep coming back for more. With food available in almost any setting, "the number of cues, the number of opportunities" to eat have increased, while the barriers to consumption have fallen, says David Mela, senior scientist of weight management at the Unilever Health Institute. "The environmental stimulus has changed."

Of course, when food is offered to us, we're not obliged to eat it. When it's on the menu, we don't have to order it. But this takes more than willpower. As an individual, you can practise eating the food you want in a controlled way. As a society, we can identify the forces that drive overeating and find ways to diminish their power. That's what happened with the tobacco industry: attitudes to smoking shifted. Similar changes could be brought about in our attitudes to food – by making it mandatory for restaurants to list calorie counts on their menus; by clear labelling on food products; by monitoring food marketing. But until then few of us are immune to the ubiquitous presence of food, the incessant marketing and the cultural assumption that it's acceptable to eat anywhere, at any time.

Call it the "taco chip challenge" – the challenge of controlled eating in the face of constant food availability. "Forty years ago, you might face the social equivalent of that taco chip challenge once a month. Now you face it every single day," Mela said. "Every single day and every single place you go, those foods are there, those foods are cheap, those foods are readily available for you to engage in. There is constant, constant opportunity."

How to take back control

Plan when and what you will eat There should be no room for deviation; the idea is to inhibit mindless eating and eliminate your mental tug-of-war. Once you've set new patterns, you can become more flexible.

Practise portion control Eat half your usual meal; see how you feel one and two hours later. A just-right meal will keep away hunger for four hours.

List the foods and situations you can't control Cut out those foods; limit exposure to those situations. If offered something you overeat, push it away.

Talk down your urges Learn responses to involuntary thoughts: eating that will only satisfy me temporarily; eating this will make me feel trapped; I'll be happier and weigh less if I don't eat this.

Rehearse making the right choices Before entering a restaurant, imagine chosing a dinner that's part of your eating plan. Think of this as a game against a powerful opponent. You won't win every encounter, but with practice you can get a lot better.

• This is an edited extract from The End Of Overeating: Taking Control Of Our Insatiable Appetite, by David A Kessler, published by Penguin on 1 April at £9.99. To order a copy with free UK p&p, go to guardian.co.uk/bookshop.

 

OP-ED: High divorce rates and teen pregnancy are worse in conservative states than liberal states - CSMonitor.com

Christian Science Monitor

High divorce rates and teen pregnancy are worse in conservative states than liberal states

But moral panic won't help lower divorce rates and teen pregnancy in conservative states; education will.


Related Stories

By Naomi Cahn and June Carbone Staff Writer
posted March 12, 2010 at 11:43 am EST

Washington; and Kansas City, Mo. —

Ask most people about the differences between families who live in “red” (conservative) states and “blue” (liberal) states, and you’ll hear a common refrain: Massachusetts and California are hotbeds of divorce and teen pregnancy, while Nebraska and Texas are havens of virtue and stability.

The reality is quite different. And the evidence should force all of us – conservative and liberal alike – to think carefully about the policies we set to help American families thrive in the 21st century.

According to a new federal study, women with a college education are much more likely to be married than are women who have never graduated from high school. And men and women who married after the age of 25 have lower divorce rates than couples who were married at younger ages.

We could have predicted these results. The US family system, which once differed little by class or region, has become a marker of race, culture, and religion. A new “blue” family paradigm has handsomely rewarded those who invest in women’s as well as men’s education and defer childbearing until the couple is better established. These families, concentrated in urban areas and the coasts, have seen their divorce rates fall back to the level of the 1960s, incomes rise, and nonmarital births remain rare. With later marriage has also come greater stability and less divorce.

Societal support for high school sweethearts who want to tie the knot at graduation or for shotgun weddings – where the bride is accidentally pregnant – no longer exists.

Difficulties in the “red” world, meanwhile, have grown worse. Traditionalists continue to advocate abstinence until marriage and bans on abortion. They’ve said an emphatic “no” to the practices that have made the new “blue” system workable.

Yet, paradoxically, as sociologist Brad Wilcox reports, evangelical Protestant teens have sex at slightly earlier ages on average than their nonevangelical peers (respectively, 16.38 years old versus 16.52 years old), evangelical Protestant couples are also slightly more likely to divorce than nonevangelical couples, and evangelical mothers are actually more likely to work full time outside the home than their nonevangelical peers.

While the devout who make traditional marriages work have happy stable lives, economic circumstances have made it harder to find matches that support gendered family roles and to get marginal couples through family tensions.

Sociologist Paul Amato concludes that among the marriages least likely to last are those in which women who would prefer homemaking roles end up working outside of the home much more than they expected because of the husband’s inability to support the family.

These factors reflect class and cultural differences, but all of our research suggests that the great recession is likely to make things worse. The hallmark of what we have termed the blue family paradigm is training for autonomy.

With a more extended transition to adulthood, better educated youth also need greater flexibility – to navigate their developing sexuality; to switch jobs, cities, and specialties; and to renegotiate family and career responsibilities. In hard times, dual careers provide a cushion, and flexibility about gender and work roles makes it easier to trade off child care and employment.

Hard times, however, also increase calls for a return to more fixed and traditional values. The fact that traditional families are flailing often persuades them that a return to traditional values is that much more critical. In today’s world, however, almost all of the traditional nostrums have proved counterproductive.

Missing from this debate is recognition of the bankruptcy of traditionalist family values as policy for the postindustrial era. We are entirely sympathetic with those inclined to lock up their daughters from puberty until marriage, but we do recognize that the societies abroad most insistent on policing women’s virtue are locked into cycles of poverty.

In the United States, states that emphasize abstinence-only education, limit public subsidies of contraception, restrict access to abortion – and, yes, oppose gay marriage – have higher teen birth and divorce rates.

Yet the failure of the family values movement simply produces another round of moral panic and calls for more draconian restrictions. The most destructive have been those that marginalize the next generation. The latest studies show that as the economy has gone south, teen and nonmarital births and abortions have all increased. This indicates that contraception has become less available and pregnant women more desperate about their futures. Employment figures also demonstrate that male employment has fallen even further than female employment, making youthful weddings that much riskier.

The solution? As we outline in great detail in our book “Red Families v. Blue Families,” there are three critical steps we can take: (1) promote access to contraception – within marriage as well as outside it; (2) develop a greater ability to combine not only work and family, but family and education; and (3) make sure the next generation stays in school, learns the skills to be employed, and cultivates values that can adapt to the future.

Naomi Cahn is the John Theodore Fey Research Professor of Law at George Washington University Law School, and a senior fellow at the Donaldson Adoption Institute. June Carbone is the Edward A. Smith/Missouri Chair of Law, the Constitution and Society at the University of Missouri at Kansas City. They are coauthors of “Red Families v. Blue Families: Legal Polarization and the Creation of Culture.”

 

VIDEO: Ras Star (25 mins) > from IMOW.org

I write and direct films that challenge and inspire the human spirit to re-unite and remember. I believe that the union of people and the integration of cultures through stories are beneficial to all. —WANURI KAHIU

Ras Star (25 mins) 

In Ras Star, a young girl is filled with determination to become Nairobi's best rapper. Her Muslim family...

TO VIEW THE VIDEO GO HERE. CLICK ON "GALLERY" HEADING.


 


 

PUB: Blue Lynx Poetry Book Contest - lynxhousepress.org

Blue Lynx Prize for Poetry Returns

commentsComments Off
By Admin, January 15, 2010

For its 15th year, the Blue Lynx Prize is returning to Lynx House Press.

The Prize is awarded for an unpublished, full-length volume of poems by a U.S. author, which includes foreign nationals living and writing in the U.S. and U.S. citizens living abroad. Poems included may not have appeared in full-length, single-author collections. Acknowledgments pages and author names may be included, but will be removed prior to final judging.

Entries must be at least 48 pages in length and must be accompanied by a $25 reading fee, the submissions form (link below), and an SASE (for notification only). Please make checks payable to Lynx House Press.

Blue Lynx Prize Submission Checklist:

  • Poetry manuscript of 48+ pages
  • Check or money order for $25
  • Blue Lynx Prize Form
  • A self-addressed, stamped envelope

Send to:

Lynx House Press
P.O. Box 940
Spokane, WA 99210

Postmark deadline: May 15, 2010.

For questions regarding the contest, please contact Chris Howell via e-mail.